#she IS the entire plot

[univemma]

I acknowledge that the season was cut almost in half so I should really cut them some slack but I WON'T, SO:

Plot holes/Forgotten Stuff in TUA:

(some of these are mostly just unanswered questions)

-Sloane?? Where tf did she go?

-Why was Jennifer (in the original timeline) in a cage? In Moldova?? Like, was she discovered to have something ( the dimaldo stuff whatever) inside of her, so they wanted to test on her? if she never came into contact with marigold before ben then why would they? WHAT

-also wait how the fuck did she get that stuff in her anyway? How did the dimaldo get to earth after it caused the end of Reginald's home planet? Like,,,shouldnt we know that?

-Her,,,in a squid??? she was Inside a giant squid? W h a t

-the S3 post credits of ben in the train. sure, whatever, that means nothing LMAOO

-I also can't get over - Five explaining "oh yeah when we do this EVERY ALTERNATE TIMELINE is gonna be destroyed, leaving only what should've been - the original," and lila fighitng to put her family in the train station,,,All the other timelines will be destroyed??They're dying and being reborn/reincarnated in the new one anyway GIRL WHAT ARE YOU DOING

(unless ive highly misunderstood that which is likely)

-this isnt a plot hole just - five "trying desperately over and over again to save his unhelpful family who he loves very very much" being literally turned into,,,that. did someone say character assassination?

-lila and five. thats a plot hole in and of itself I DONT CARE if he's aged 12 years from season 3, (6 yr timeskip at beginning of season, then 6 technically 7 in teh train), I DONT CARE IF HES 25 NOW, I DONT CARE IF HES MENTALLY 60 SOMETHING. Lila met and spent time with him when he looked like THIS

THATS A CHILD. and clearly, the family had SOME contact in the 6 yr skip, so she WATCHED HIM GROW UP from 13 - 19, like thats just so WEIRD WHAT

this was supposed to be plot holes and just turned into me being pissed im sorry but HOW DO YOU FUCK UP AN ENDING THIS BAD??

[starbiology]

i reread the Tale of Woe comic when I came back to Neopets and Sophie is even better than I remembered

[solarwreathe]

i designed a sheikah outfit for josha like purah and robbie. they gifted it to her, but josha added the depths elements later because no one tells the president what to do.

i wanted to keep it in line with the modern sheikah's sense of style, with some allusions to their past ninja antics, hence the bandages and assassin's creed hood. all the better to slip out of lookout landing undetected. strict parents make sneaky kids, purah!

[starcurtain]

I think Alhaitham's views on gods and his dynamic with Nahida in particular is probably one of the most underrated comedic elements to come out of Sumeru.

This guy put together an entire crack squad and master plan to rescue a god while being the Genshin equivalent of an atheist. "Yes, obviously archons exist. But so do sharks. Both of those beings have their place in the ecosystem, and if I had to pick one to piss off--"

Like, does he believe in the dendro archon? Yes. But is he going to listen if she denies his paid vacation request? Absolutely not.

Bro is selected by name to come discuss important matters with his nation's deity in her sanctuary, and he's just like, "Oh, I ran into Nilou there once. That was cool."

Raised to the highest possible position available in his nation's government by the deliberate selection of his god? Resigns.

We know that Nahida still calls on Alhaitham when Sumeru is in need of defending from nefarious parties, and sends him out with Wanderer to kick ass and take names. Now that they've forgotten Rukkhadevata and the Akademiya's ploy to imprison Nahida has been foiled, most of the people of Sumeru would be floored by the honor of being called upon personally to aid the great dendro archon. Staggered by the fact that the lord of wisdom herself finds them worthy! But Alhaitham? He just goes home. Kaveh asks him what he was up to all day. "Hm. Nothing of note."

Everyone else, upon receiving the recognition of a god: My life has been changed forever. I will be telling my great grandchildren of the day I received such a blessing!

But for Alhaitham? It was Tuesday.

Criminally underrated comedic potential. CRIMINAL.

[leon-on-the-froggy-chair]

marriage in ada solidarity

(I am continuing to rant abt re6 in the tags bc i pissed myself off)

Leon stans be like "Leon Kennedy would never🥰" "Leon Kennedy would treat me right🥰🥰" when this man's average lines are "women🙄" and "following a lady's lead just isn't my style" and "maybe you're not heartless after all" to a woman who's saved his life 27473 times

[jeeliebeeliegoomiebear]

On Isolde and Many Doors (and One Key)

Thinking about Isolde and how she feels like she is constantly trapped in a small cramped room full of 1 million doors. Each door represents a presence that haunts her, an identity that lives inside her that calls to her from beyond the grave, a new mask to dawn.

If every person in the world were to have a room, most would have just one door, their own. But not Isolde.

Isolde feels like an empty vessel who is only there to serve as a point of entry for other people and their spirits. She has been forced to become so repressed by her environment, upbringing, and her nature as a medium that she finds it easy to forget herself. Her “self” is not someone she has ever been allowed to know.

The room grows increasingly smaller, claustrophobic and strangling her with pressure as the amount of doorways in it only increase, every new person she meets a new doorway she is plagued with, a new voyeur who has granted themselves full access to her life and her body. Something she is now willing to let them do. It is easier that way. Easier to let someone else command her vessel, something that never solely belonged to her to begin with. An escape from all the pressure, the expectations, the perfection demanded from her. It is something she should do. The duty of someone like her. Something to hide her wretched face from view, to give the people what they want, to uphold her family’s legacy. A performance that was never allowed to end. Each new door lead right back to that.

The only exception is Kakania. The only person Isolde believes has ever really seen her as more than a host for other identities or something to mold into shape, prop up as a set piece. A perfect lady. The star of Vienna. A tragic heroine. A dangerous hysteric witch. A curse manifested. The only one who was ever interested in finding Isolde’s door and that door alone. When she is with Kakania, a new door does not appear in that ever shrinking empty room, although at first she expects it to. For the first time she meets someone and is not greeted with a new ghost to haunt her. Not a door. But a key. A key that Isolde knows can unlock her own door, even when she herself cannot find it.

[seriousbrat]

actually Lily is the main character of the marauders era

[sillyfudgemonkeys]

Yuri on Ice x Rangshi Edit

Putting the real yuri in Yuri on Ice. >:3c Aka "I wanted a reason to edit Rangi drunk and then I spiraled outta control into four more pics TT0TTεミ(ο_ _)ο"

[mintypsii]

more reijiko cuz if i have to keep this island floating on my own then SO BE IT

[shannonsketches]

Toei does not like Vegeta part #12849, this is their Vegebul moment.

vs Toriyama's Vegebul moment:

I will continue complaining under the cut (with additional samples)

toei's vegebul moment:

Toriyama's Vegebul moment:

toei's:

toriyama's:

ykwim??

I'm don't even want to talk about how bad they fucked up the Goku Black arc from what I can tell so far so just have this instead

LIKE THEY EVEN CHANGED WHERE VEGETA WAS SITTING??

WHY?

FOR WHO??

ANYWAY it's fine if you like the anime I'm just gently loudly suggesting reading the manga if you're a fan of Vegeta and Bulma separately and/or together

[fromtheseventhhell]

Very funny to me how Stansas present her character as being so interesting and complex because of her vulnerabilities, while simultaneously ignoring those same vulnerabilities in other characters. Dany is sold as a bridal slave and lacks agency throughout AGOT and after. Her dragons are either too young/small to utilize effectively or locked away for the majority of the story. They aren't some all-powerful trump card that protects her from harm. Arya is captured as a prisoner of war, forced to watch countless people tortured and murdered, and then essentially enslaved in Harrenhal with no way to fight back. She has an entire arc of feeling powerless, of being a "mouse", during ACOK. She doesn't have "kung-fu" or the ability to magically fight her way out of every situation, she's a young child lacking physical strength with only the most basic sword training.

Sansa isn't the only female character, she isn't the only young character, she isn't the only character who suffered, and no one is obligated to prioritize her. I'm so tired of Dany and Arya being mischaracterized and having their stories erased to prop Sansa up. "Sansa has kept her dignity" In other words, let's praise her for having a level of security that Dany and Arya don't have access to. She hasn't ever been forced to make a hard decision which of course means that she's morally superior to them. They can't even admit to themselves that her lack of action is due to her own passivity. If it doesn't fit their delusion, they erase it from the story and expect the rest of us to play along. Ask one of them what they like about her character without bringing up her being the ultimate victim, and I genuinely don't believe they'd be able to give you an answer. They belittle other characters more than they talk about her and these takes just scream insecurity/jealousy at the content and development other characters have in their POVs.

[bixels]

OUGGHHHH UR RARIJACK IS SO (explodes intio confetti with joy )

have uou considered: them trying on outfits they picked for each other?

or or or

Rarity washing and braiding AJs hair

or

Them celebrating the others birthday, trying to figure out what to get them and surprising them n all that

or them baking together and wgatever Ensues out of that

ANYWAYS KEEP DOIN YO THANG THEY R SO CUTE ❤️❤️❤️

Oh, I have lots of ideas for them.

Because I'm drawing them pre/early-relationship, I have a lot of stuff I haven't gotten to yet. I think, despite Rarity falling in love first, AJ is the most outwardly and obviously in love. Like, girl is in LOVE with her wife. The type to take off her jacket and put it over a puddle so her wife can cross. The type to walk around with hearts popping over her head.

Something I definitely wanna get around to drawing is how they were when Rarity first moved to Ponyville, because they would've hated each other, lol. AJ going from, "I can't stand her fake ass. 😒" to, "Yes Miss Rarity. Anything you want, Miss Rarity. 🥴" Or Rarity going from, "What a big, dirty brute. 😡" to "What a big, dirty brute. 🥵"

Anyways, later one comic idea I had for when they eventually get married is Rarity comes home to catch AJ trying to surprise her with a dinner. But things are going awry because AJ is so stressed and nervous about making everything perfect, and she even burns her apple pie. She has a bit of a breakdown because she feels she can't do anything right like she's supposed to anymore, and Rarity comforts her and tells her, why don't they bake the pie together? The comic ends with the two kneading dough together.

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[kismetconstellations]

@sockdooe, This is the full original image:

According to the Tumblr post I originally snagged it from, it's an early piece of promotional artwork, meant to depict Keith as the series's central character. Shiro is shoved into the background, presumably to illustrate that he was intended to fulfill a Doomed Mentor role.

[fure-dcmk]

im prob the only one here but EXCITED FOR MOMIJI AND IORI SHENANIGANS!!!!

.....and okita too. ig 🙄

[heart-eyes-motheracker]

Lada's inner (and outer) struggle the Day After™️: the best of