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He always does this
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I've been without wifi for the last three days so sorry for not posting lately ,, I could only work on my drawings and without references so here's some stuff I made Kylar inspired by 'Le mal sorcier by Amatsuki-san' and Shamhat WIP
also
#digital art#fanart#digital artist#drawing#dol#dol kylar#kylar the loner#degrees of lewdity#storytaco#dirty crown scandal#shamhat#magician#buy me a kofi#artist on ko fi#ko fi support
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Plot twist: the moment d!reader is set free from both of the circles at the end of the journey, they dissapear into the night, never to be seen again...or not.
I'm sorry i just, as much as i love yanderes, i want to see them suffer. At least a bit.
Ps. You're an amazing writer and i really enjoy your fics. Also, you really helped in getting my friend into yandere, so thank you for that🙂
Taken Aboard:
Running Away
(I’m super glad that you enjoy my fics! And I’m glad your friends enjoys them, too! Yandere is a really fun trope to play with!)
So, in the case that you do pull a runner at the end of this long and arduous journey, Y/N… your biggest enemy is now yourself.
Because, as hard as you might have tried to fight it, you have been civilized. You have grown accustomed to society. You have started to care. This journey has changed and bettered you, as it has all your companions.
You are no longer a mere demon tending to monsters great and mighty, no more a child planting seeds and spreading spores.
You can’t ever go back to being the wild little creature you once were.
If you’ve ever read Gilgamesh, I’d say Enkidu is a good comparison for your development. After he’s been ‘civilized’ by Shamhat, Enkidu can no longer return to the home he knows and loves, the animals who once accepted him now fleeing on sight.
Now, if you leave before the journey’s end…
You run, devastated and distraught that so much of yourself is gone and lost, never to be reclaimed. The forest may not be the home you know, but some part of it is still familiar.
You purge the hunters and loggers who have taken up residence within the Emerald Grove, violently spilling their nourishing blood across the hungry soil, pitch their flesh into the mouths of ravenous beasts.
It doesn’t make you feel better- you know that at least some of these men and women were trying to feed themselves, their children.
But at least the forest is newly quiet, contented by a fresh meal, leaving you in peace to mourn.
As for hoping to ‘never being seen again’…
Sun Wukong’s Golden Vision has a little something to say about that.
Within hours he’s stalking back to the Emerald Grove in a huff, hauling his way up the tallest tree he can find and unhappily making his way over to you.
The Great Sage snatches you off the bark and tosses you over his shoulder, clambering down the tree as you kick and scream. You demand to be released and removed from the group, biting and pounding your fists agains his invulnerable back.
“Being naughty today, bud? Here I was, thinking you had finally gotten past this ‘running back home’ phase.”
“I am not a baby,” you scream, digging your teeth into the base of his spine with all your demonic might. “PUT ME DOWN!”
You manage to draw just a few drops of blood, not that it phases the simian. He doesn’t even seem to notice.
“You’re making things harder for all of us, you know that? And you keep setting us back with all the running away nonsense. But I had Master call a certain someone up to maybe settle this for us all, bud.”
Against your angry protests and endless assault does the Great Sage drag you back to camp, switching to hold you in his arms instead of over his back.
Immediately do your screams of anger turn to pained wails, the sound of a holy sutra hitting your ears. The blessed bands around your wrists tighten, scraping the skin they compress to rawness.
And before you stands not only the holy monk who tricked you into wearing these golden hoops, but the goddess who gave them to him.
“Sun Wukong, please place the child down,” she lightly instructs, her tone even and polite. “Might I speak to them for a moment?”
The Handsome Monkey King obeys, nudging your towards the goddess after he releases his grip on you.
Guanyin comes to you slowly, kneeling to take your face into her soft and gentle hands.
And you bite her.
“You- you call yourself a goddess,” you scream, fangs wet with her divine ichor. “Of mercy and compassion! But all you do is hand out tools of torture and punishment! I wanted to stay in my forest! I wanted to stay with my friends!” A hard shove, nearly knocking her over. “And you helped Sanzang take me away! You gave him these awful bands and he pretended they were gifts to get me to put them on! But they weren’t! And you let him! And now he uses them to hurt me! I hate you! I hate him! I hate all of you!”
Finally you collapse, sobbing openly into your hands.
Tang Sanzang watches in horror as heavenly blood feeds the ground, causing new and gorgeous growth to break from the soil, flowers blooming in massive clusters.
Wukong seethes that you could be so disrespectful to the one and only god he actually cares for, the only one he finds to be tolerable and kind.
Everyone else just recoils in both fear and hurt, your last words ringing painfully in the ears.
But Guanyin approaches once more, kneeling to level herself with you. There is no retribution or anger in her touch, placing a light kiss onto your forehead.
“You’re right, aren’t you? This journey has not been easy, nor has it been kind- and for you especially, perhaps it has been cruel. And I too, have been unkind to dabble in your affairs. Will you allow me to ease the burdens of your travel?”
From a silk pouch does she procure a mirror, pushing it into your shaking hands.
“My child, I give to you this heavenly mirror, which has been forged from blessed steel and holy sand melted to glass by dragonfire. To look upon it will show you your beloved forest, and all those you have left behind.”
———————————————————————-
Now, this is super important- Y/N’s involvement in the journey is incredibly unfair. The others come because they seek personal growth or redemption, but Y/N?
They had to come. They were tricked into thinking those golden tightening bands were gifts and eagerly asked Sanzang to help put them on, jumping up and down in excitement at receiving something so pretty. The only reason they agreed to wear these ‘generously’ gifted bands was because they thought it was an honest gift.
So there’s already a sense of betrayal about the whole thing, that their first gift from anyone was actually just a trap to pull them along on a lengthy and dangerous journey.
Then, where the others were either entirely willing (Sanzang) or had to redeem themselves for crimes or mistakes (Wukong), Y/N was forced to come along with their worst crimes being: fighting off invaders and killing poachers. And all for that, they are ripped from home and forced to leave behind everything they’ve ever known and loved.
And Guanyin does three things here:
1. Acknowledges your anger/sorrow.
2. Validates your feelings without hesitation.
3. Actively works to soothe them.
With the mirror in hand, you can look upon the Emerald Grove and see your old animal friends, know that they’re safe even without you, and put your fears to rest.
It’s not perfect.
But it’s a good start to get you to actually care about these pilgrims, given that you don’t spend every night in flurry of nightmares, thinking fitfully of your beloved forest.
#Platonic Yandere#Yandere Lego Monkie Kid#Yandere LMK#Yandere Tang Sanzang#Yandere Sun Wukong#Guanyin#Taken Aboard#Journeyfam
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Has shamhat been discontinued due to the never ending brainrot of Signalis?
Sadly, I'm going to say yes. I'm thinking it might be because I've gotten kinda burned out on so much Godzilla stuff, plus there's just... a lack of motivation. If I remind myself "oh, it's been a while since the last update," I don't look forward to the idea of writing it, like it became an obligation rather than the self-indulgent dumb fun it used to be. Imagine that: the thing I once used to combat burnout has become the burnout. I've even tried drawing a Godzilla project I've been meaning to do for a while, but it just wasn't coming to me.
The inspiration I get from SIGNALIS feels like a breath of fresh air. It really touches me in a way that feels emotionally fulfilling... when it's not being depressing as hell, of course. I mean, obviously I still love Godzilla, but taking a break from a hyperfixation that's lasted since 2019 seems like a good idea.
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In the Epic of Gilgamesh, Enkidu is "civilized" by Shamhat, a woman whose job is somewhere in the intersection of priestess, teacher, and prostitute. I'm not sure if the story was referring to an actual profession that existed or if Shamhat was meant to be understood as just a metaphorical representation of the seductive draw of civilization. The author is definitely either arguing or working from the assumption that civilization lets people reach the true potential of their humanity at the cost of separating people from nature.
All I'm saying is, I probably would have paid more attention in Sunday School.
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I see your point, though it still seems like the punishments for Adam & Eve are things humans still carry.
that is true. I was going to say that christians generally hold that baptism erases sin (including the original sin), in which case if the punishment is due to original sin it should only apply to those who are not baptized as christian. however, checking this, apparently some protestants hold that original sin persists after baptism too (and eastern christians don't have the concept of original sin either(!). I'll have to look into that more.) so depending on the way baptism is understood, holding the punishments to be an indication of original sin would make sense
What's your most obvious interpretation?
first as a disclaimer, I do not follow any abrahamic religions myself, and I am a religious studies student. therefore what feels like the obvious interpretation to me might feel very weird to people who do follow said religions
I see the story of the garden of eden, the fruit, and the expulsion as an aetiological myth – that is, a story that strives to explain why things are as they are: why do humans farm the earth and why do we have to endure these pains? why are humans unlike other animals? why are humans capable of doing evil? it posists that we once were like other animals and lived in a natural state of innocence with them, but that state of innocence is incompatible with the knowledge humans have of good and evil, and having that knowledge humans are able to choose evil as well as good
I would draw here a parallel to Enkidu (excerpts are from the translation by N. K. Sanders, as made available by Assyrian International News Agency):
[Aruru] dipped her hands in water and pinched off clay, she let it fall in the wilderness, and noble Enkidu was created. There was virtue in him of the god of war, of Ninurta himself. His body was rough, he had long hair like a woman's; it waved like the hair of Nisaba, the goddess of corn. His body was covered with matted hair like Samugan's, the god of cattle. He was innocent of mankind; he knew nothing of the cultivated land.
[Shamhat] was not ashamed to take him, she made herself naked and welcomed his eagerness; as he lay on her murmuring love she taught him the woman's art For six days and seven nights they lay together, for Enkidu had forgotten his home in the hills; but when he was satisfied he went back to the wild beasts. Then, when the gazelle saw him, they bolted away; when the wild creatures saw him they fled. Enkidu would have followed, but his body was bound as though with a cord, his knees gave way when he started to run, his swiftness was gone. And now the wild creatures had all fled away; Enkidu was grown weak, for wisdom was in him, and the thoughts of a man were in his heart. So he returned and sat down at the woman's feet, and listened intently to what she said. 'You are wise, Enkidu, and now you have become like a god. Why do you want to run wild with the beasts in the hills? Come with me. I will take you to strong-walled Uruk, to the blessed temple of Ishtar and of Anu, of love and of heaven there Gilgamesh lives, who is very strong, and like a wild bull he lords it over men.'
here too we can see a figure who was innocent until given knowledge that humans have (in this case though sex rather than by eating a fruit), and who afterwards cannot return to that state of innocence and unity with the other animals
the reason why adam and eve are punished with hardships that are still with us is because, well, the people who came up with this story could see those hardships existed and wanted a satisfying answer as to why. I do not know if they wanted to reconcile their existence with the idea of some kind of inherent goodness of the world or not – it's not uncommon for aetiological myths to just posit that the world lacked something originally: in finnish folk religion we find myths that explain the existence of e.g. fire as being made by ukko overgod and accidentally falling to earth and iron as the breastmilk of nature spirits
in conclusion I'd say I see it less as a story about sin and punishment, and more as a story in a shared tradition from the area that conceptualizes natural innocence as being incompatible with human intelligence, in order to explain why things are as they are. like how enkidu cannot join the animals in the hills anymore, adam and eve cannot go back to the garden, for their nature is now changed
honestly a little baffled to find out that the original sin is a specifically christian thing because I genuinely can't imagine another interpretation of the story
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Local divine ditto turned shamhat look-a-like.
#enkidu#fate#fgo#fsf#shamhat mention#i did a thing#i would accomplish a whole lot of things if i am charged with the same motivation and energy to draw enkidu related shit#but sadly nope#my art
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Rimat Ninsun
Well it took me a while but here it is
Goddess of the Wild Cow Mother of Gilgamesh
Probably neither the cow statues or marble like throne are historically accurate but i wasn’t aiming for that
After drawing Lugh i was like ok maybe I should do another god and sooooo
The idea to draw her like this was an inspiration of @xxxdreamingflowerxxx with her story Beyond Time and Space LINK
i had a funny idea to escort this picture with Cu Chulainn and Gilgamesh arguing (or their lily versions Setanta and Ko Gil ….
Cu : Well…. YOUR MOM IS A COW
Gil : …She actually is …..
(But I never did it )
To be fair I believe @not-shamhat and @christinethethunnus have done a much better job than i did in their designs
A special shout out to @sincerelymissatomicbomb who i annoyed while i was making it lol
#Gilgamesh#rimat ninsun#fate grand order#fgo#the epic of gilgamesh#fate go#fate strange fake#caster gilgamesh#my art#ninsun#archer gilgamesh#fgo gilgamesh#ko gil#fate series#kid gil
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Then Shamhat saw him–a primitive, a savage fellow from the depths of the wilderness! “That is he, Shamhat! Release your clenched arms, expose your sex so he can take in your voluptuousness. Do not be restrained–take his energy! When he sees you he will draw near to you. Spread out your robe so he can lie upon you, and perform for this primitive the task of womankind! His animals, who grew up in his wilderness, will become alien to him, and his lust will groan over you.” Shamhat unclutched her bosom, exposed her sex, and he took in her voluptuousness. She was not restrained, but took his energy. She spread out her robe and he lay upon her, she performed for the primitive the task of womankind. His lust groaned over her; for six days and seven nights Enkidu stayed aroused, and had intercourse with the harlot until he was sated with her charms. But when he turned his attention to his animals, the gazelles saw Enkidu and darted off, the wild animals distanced themselves from his body. Enkidu … his utterly depleted body, his knees that wanted to go off with his animals went rigid; Enkidu was diminished, his running was not as before.
The Epic Of Gilgamesh
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Mythology Drabbles #4
Since I know you like these @green-spear-of-causality.
Tried to include a little more dialogue than usual, lets see how they turned out.
Disclaimer: Some of these drabbles are not presented entirely accurately to the source material they are drawn from. They are not meant to be entirely accurate. That being said, I hope you enjoy, and constructive criticism is always welcomed and encouraged.
...
A Fated Death
The spears had come quickly, raining one after another from the nearby cliff. The first struck Laeg, and the charioteer fell with nigh a scream. The second struck Liath Macha, and the horse crumpled instantly, sending the chariot spinning. Cu Chulainn, the Hound of Ulster, was flung from the chariot, and before he could spring to his feet, the third spear stabbed through his torso.
The shock was immedient, and so was the realization that he had been ambushed. Cu forced himself to his feet, even through the pain shooting through his body. A smirk graced his face and he tore the spear from his torso.
“Well!? Warriors who have ambushed me! Show yourselves! You think I will go quietly!? No. I’ll take you all on!”
Cu turned and saw the hill above him lined with warriors. Lugaid mac Con Roi led them, drawing a sword.
“You can barely stand, Hound of Ulster. Admit you’ve been beaten.”
Cu smirked wildly, “That’s your problem!? Here, I’ll fix that for you!”
Cu dragged himself to a nearby standing stone, and fell to one knee as he reached it, coughing wildly. Lugaid and his forces approached slowly. The Hound of Ulster stood, strapping himself to the rock with his belt.
“Well Lugaid?” Cu asked, blood dripping down his face, “Good enough for you now!?”
Lugaid narrowed his eyes, “You’re too arrogant for a mere dog.”
“I’m too arrogant for a dog? Well, come on, let’s see if I’ve earned my arrogance!”
Lugaid roared and stabbed forward with his own sword. Cu deflected it with the spear he ripped from his own body, before tossing it aside, and drawing his sword.
Lugaid’s forces charged forward and Cu parried every blow. Men fell, and eventually they all fell back. Blood flowed from Cu Chulainn’s body, and the light in his eyes was dimming by the second.
That damned smile still graced his features.
A raven circled overhead, slowly flew towards him.
Cu murmured quietly, “I didn’t...I didn’t say goodbye to Emer, did I?”
The raven landed on Cu’s shoulder, and Cu closed his eyes, face set to a sad smile.
It’s always something with me, ain’t it.
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
Gods’ Punishment
Enkidu was dying. That much was obvious. His skin had grayed, his hair had whitened, his eyes had paled out, their vibrant red to a sickly pink. It was like the very life was being sucked from Enkidu.
This was no illness. This was punishment.
Gilgamesh kneeled by his friend’s bed, torn between crying and destructive anger. The floor around Gilgamesh and the walls of the room were dotted with craters. Shamhat stood in the corner, having also come to be with Enkidu in his final days.
Gilgamesh stared at the ground quietly. Shamhat shuffled towards him, and placed her hand on his shoulder. Gilgamesh shrugged her off, and Shamhat understood, backing off.
Enkidu could barely speak, so he rasped out, “Gilgamesh. My friend. I can feel my senses fading. I feel this is my last day on this Earth.”
Gilgamesh's voice cracked, “Talking so poetically doesn’t suit you, Enkidu.”
“Shut up.” Enkidu gasped.
“That’s better,” Gilgamesh smiled sadly.
Enkidu’s body was racked with coughs, blood dripping out from his mouth.
“Do you need anything?” Gilgamesh whispered, propping Enkidu up on his cushions.
Enkidu could barely work a smile, “Just...you...and Shamhat...please stay with me...as I go…”
Shamhat made her way over, and Gilgamesh made space for her to kneel next to him.
The next few moments were peaceful. Just the rise and fall of Enkidu’s chest.
Rise. Fall. Rise. Fall. Rise. Fall. Rise…
Gilgamesh was the first one to start crying.
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
At the End of It All, Could You Promise Me, as a friend, One More Time?
Lancelot sat, despondent, outside of the monastery that he assumed would become his home for the rest of his life. With Gawain fatally wounded, and Guinevere sent to a Covenant, there was no reason for Lancelot to continue fighting. Better atone for his sins.
He’d sent the one soldier who refused to leave him to take Arondight back to Arthur. Now, Lancelot waited outside, at sunset, he’d go into the monastery.
A horse rode up to him, its rider carrying a sack and an object wrapped in cloth. He extended a wrapped scroll to Lancelot.
“Who do you bring this news from?” Lancelot asked.
“The late Sir Gawain.” The rider explained, “He wished these things to be delivered to Sir Lancelot.”
“Didn’t he hear,” Lancelot retorted, “It's not Sir Lancelot anymore. Just Lancelot Du Lac.”
“Sir Gawain does not think so.” The Rider insisted, shoving the scroll into Lancelot’s hand.
Dear Lancelot
Lancelot. I shall be brief. We parted on unenjoyable terms, that’s obvious. I am dying and on my deathbed, I ask of you. Please go aid our king...our friend, in reclaiming his kingdom from Mordred. I understand that you feel that you must have sins that you cannot be redeemed. But no one is beyond redemption Lancelot. And there are many ways of redemption. Lancelot Du Lac, Knight of the Lake, you’ve made far more mistakes, but so has everyone. But you were still the best of us. So, Lancelot, I thank you for the good times, scorn you for the bad times...and pray that you go out as the best of us.
Your friend,
Gawain.
Lancelot closed the scroll, “I have no armor. I have no weapons. I gave up my worldly possessions.”
The Rider smiled, “My lord took that into account.”
Lancelot looked up to see the Rider offering the sack and cloth-wrapped object to him. Lancelot’s eyes widened, and he smiled sadly.
“Damn Gawain, you really know how to get to me.”
Arthur, Bedivere, and Kay hurried down the path, one of Mordred’s armies hot on the trail.
“We’re gonna have to fight!” Arthur shouted, “We can take them.”
“We can’t do that and still have the strength to deal with Mordred’s main forces.” Bedivere shot back, “We have to keep-”
Bedivere was suddenly grabbed and yanked to the side of the road. Arthur and Kay snapped around, seeing they had been surrounded by a small squadron of knights, one holding a sword to Bedivere’s neck.
“Let him go!” Arthur shouted, drawing Excalibur.
“Nah, ah, ah.” The head knight laughed, pressing the blade harder to Bedivere’s neck, “Surrender Arthur, or the knight dies.”
“Don’t listen to him, my king!” Bedivere shouted, before the blade was pressed even harder against his throat.
Arthur began to place his sword down.
“Stop.” A voice pierced the air, and the sound of a sword arcing through the air, slashing through the knight holding Bedivere captive. A figure had entered the fight, wearing yellow and black armor.
Bedivere leapt free as the knight fell dead, drawing his own blade, Arthur and Kay moving into action.
With the aid of the new figure, the four easily dispatched the rogue knights.
“Thank you,” Arthur said, before noticing the sword clutched in the knight’s hand. The familiar shape. The bright gold and red core that danced like firelight. It was…
“Galatine?” Kay murmured, “And that armor...Gawain, I thought you.”
“I’m sorry to disappoint you,” the figure admitted, removing his helmet, revealing Lancelot.
“Lancelot!” Kay roared, taking a threatening step towards the former Round Table Knight.
“Wait, let me explain!”
“Explain what?” Kay asked, “How you killed Gawain and took his weapons and armor from his corpse, even after you said you’d go to atone!”
“I am here to atone on Gawain’s wishes!” Lancelot shouted, before pulling out the scroll Gawain had sent him.
“So, you intend to fight alongside us?” Arthur asked, to which Lancelot shook his head.
“The army that’s been trailing you. I’ll stall it.” Lancelot said solemnly.
“You’ll die. Not even you can handle an entire army.” Bedivere interjected.
“Of course.” Lancelot sighed, “But, after causing this whole mess, I might as well try and give you a chance to solve it.”
Lancelot turned to set out to confront the army.
“Wait.” Arthur said, walking up to Lancelot, extending a sword. Arondight. “Take it. And promise me...you will at least try and survive.”
Lancelot took Arondight by the hilt, “I promise you, on whatever honor I may still have as a knight.”
“No.” Arthur pressed Arondight into Lancelot’s hand, “Promise me, one more time, as a friend.”
Lancelot was taken aback, but took Arondight, “Alright then Arthur, I promise you as Lancelot Du Lac, valued friend of Arthur Pendragon.”
Arthur nodded, and he, Bedivire, and Kay left. Lancelot turned to face the approaching army, holding Galatine and Arondight.
“Goodbye my King. Goodbye my Friend.” Lancelot murmured, before raising his blades and declaring, “Now, come, fellow traitors to King Arthur! Come face Lancelot Du Lac!”
#oddnub writes#reimagining#interpretation#celtic mythology#arthurian mythos#sumerian mythology#gilgamesh#enkidu#shamhat#cu chulainn#lancelot du lac#arthur pendragon#bedivere#sir kay
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Yaoyorozu
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A Peaceful Maiden and Her Kingu Pt 13 (Hakuno, Caster Gilgamesh)
Previous Parts: One, Two, Three, Four, Five, Six, Seven , Eight, Nine, Ten, Eleven, Twelve
_____
“So…”
Caster nodded with the woman’s lack of words for this scene, knowing full well what she was thinking. The surprise, the questions, the knowledge of growth; this must have been quite the scene to stumble upon for someone who had been caring for the being like a mother.
Kingu was lying in bed, their body beneath that of the temple maiden that he had called for. Shamhat’s bare body and the smell in the room was enough to explain what had happened.
The fact that Hakuno had wanted to draw close was the only qualm at present, but she was young and was unaccustomed to this kind of thing. The intimacy between Kingu and Shamhat would be soon enough cleared of the voyeuristic company.
“Should we… ah…”
He wrapped an arm around the poor woman, pulling her towards the door.
“Hakuno,” he comforted softly, closing the door to the clay being’s room behind them. “Enkidu and Shamhat have always had a deep relationship. It was one that not even I could surpass. Allow them to have their time with one another.”
“I don’t know about this.”
Kingu did.
He lifted the woman into his arms, carrying her off towards the kitchens.
“Have you never imagined what would happen when the being decided to fall for someone? You never imagined them growing from your care?”
“No, not really.”
So damned honest.
Caster laughed a little, continuing down the next hallway.
“This is a great opportunity for me to teach you magic, isn’t it? That was the reason you said you would remain.”
“Don’t you have work to do?”
Siduri had found him earlier to tell him that the tablets were ready for him.
Gilgamesh gave a shrug. “They will be there in an hour’s time.”
“Still-“
“Hakuno, are you questioning my decision for our day?”
She gave him a look before shaking her head. “I’m sure when Kingu gets up, they’ll probably interrupt us, but if you want to spend time training me instead of working on the kingdom’s tasks, then I won’t stop you.”
Oh the fool.
He already had a few spells in mind for using against her.
They’d test her magic before he began their training.
It will be interesting to see how the being trained you to fight enemies.
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The monster encounters @nin--shamhat
Fran hummed busily to herself as she worked on trying to perfect her flower crown. Normally, she liked to simply pick the flowers and keep them until they withered, but she’d recently become rather entranced with the floral circlets, and wanted to master making them herself. So busy was she with this current task that she almost didn’t notice the new pseudo-servant approaching, but looked up once she sensed another Spirit Origin drawing closer. “Mm?”
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i think not-shamhat should be banned from drawing enkidu
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So I reread Shamhat on a whim and came up with some more questions:
So wouldn't Goji and San's coming brawl (or at least them beefing with each other) violate the sorta unspoken rule about being civil to each other on Infant Island? I ask because Vivienne previously stopped a potential problem between Goji and Rodan in an earlier chapter and just generally feel like Mothra wouldn't be very happy about either of them banging each other up.
So I'm assuming Mothra lets out the pheromones because she's a moth, and that's a thing that Moths do and not just a kaiju thing. Or... is it? Like if Tiamat went into heat would she also start shooting out pheromones? Or does each female kaiju have like a unique heat thing that works to attracts mates?
We've been told that the rut/heat relationship works on a Female - Male basis. Female goes into season, triggers male rut, the fuck happens. Is this constant across all sexual orientations? Like, if there was an exclusively gay male kaiju somewhere would a female's heat just have no effect on them? Would they need another male to trigger their rut?
Was the weird thing with Vivienne in the chapter where she bit Tiamat because of the baby developing and instincts bleeding over, or something else? (if the answer to this is a spoiler than by all means be vague about it)
Has Rodan and/or Vivi thought of a name for the kid yet? (refer to the previous question if you don't want to answer this yet)
Final spicy one: What's the projected spike in the Demi-Titan (Titan/Human Hybrid) population looking like when word that the Titans are biologically compatible gets out? Or just the spike in Titan/Human relations?
Whoo!
Mothra certainly won't be pleased that the boys are fighting on her island and plans to make them both sleep on separate couches once all is said and done (she doesn't care "who started it," only that it started at all, and also San knew what he was getting into when he agreed to come and that Goji was playing with fire for seducing his rival's mate). Her ire will be a bit lessened considering what the beef will quickly turn into, though...
I wanna say the sex pheromones specifically are a Mothra-species staple, while others have different ways of drawing in potential mates. In Tiamat's case, it's her bioluminescence and frills fanning out, like a male peacock. Some species will announce their "current state" through body language or straight-up screaming to get a male's attention ("FOR FUCK'S SAKE I NEED A DICK IN ME RIGHT THE FUCK NOW MY ESTRUS IS FUCKING KILLING ME!!").
I want to be careful about this for obvious reasons, but I want to say that a female's heat signals wouldn't necessarily work on a gay male Titan. Maybe the male is aware that a female is in heat, it just doesn't do anything for him because he's naturally not attracted to the opposite sex. It would work on a bisexual Titan, but I digress. Maybe thanks to how intelligent many Titans are, there's a social agreement among the various species that the "breeding zones" are to be separate from zones where gay Titans can go looking for a mate; in which case, a Titan would react to the "call" of a potential mate of the same sex. Sort of like the gay bars of the wild.
If memory serves correctly, it might be a mix between the baby developing, Rodan's instincts bleeding into Vivienne's more dormant "ancient human" instincts, and her being in close proximity to multiple males in rut, which caused her angry bitey cavewoman reaction. She wasn't just defending her mate, Vivienne in the moment was perceiving Tiamat as a potential threat to her expecting family. (It also makes sense to me that a mama bird would flip out if she spotted a snake anywhere near her nest.)
They haven't had an opportunity to brainstorm baby names yet, on account of the whole rut happening at the moment, but once things calm down and Vivienne begins showing, they'll have plenty of slow days where they can relax and test what names work... or rather, Vivienne will test names. Titans don't always refer to each other with specific names, so Rodan is getting used to that.
I wanna say that there won't be an immediate spike in Demi-Titan births; the chaos of 2014 and especially the Mass Awakening is still fresh in many people's memories, but the revelation that Titans can communicate on a human scale will make it easier for many humans to come to terms with all the Everything that's happened and continues to happen. Platonic Human/Titan relations will gradually improve over time... and once some brave souls get over the initial hurdle of "am I attracted to a big monster" and accept their newfound sexual awakening, intimate or even romantic Human/Titan relations will slowly follow.
Bonus, because The Elder Scrolls just turned 30 years old, a bit of Shamhat baby lore based on how "mixed" baby-making works in TES lore: Demi-Titans take after their mothers; in the case of Titan father/human mother, they naturally need to be human-sized babies in order for mom to give birth without, y'know, dying. In the case of of Titan mother/human father parents, the same applies but on a larger scale.
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Saw some fanservants pop up recently and the goodness of their shit makes me wanna draw out my Shamhat / Tiamat Alter Ego fanservant i made up last year for a fate fic i mever wrote
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