#sensibilit��

[reallyhardydraws]

casual / club / wedding / gig

[javitrulovesims]

Just finished an old MM-fication project that i started back in July. Cornelia Crumplebottom and Jamie Jolina look quite stunning on these.

[javiersprincess]

arthur morgan you are the mary sue of the wild west

[monmoiversifie]

Les poètes sont discrets, le savez-vous lecteurs ?

Leurs mots ont ce pouvoir de pénétrer les cœurs

Et d’y planter l’émoi, d’éveiller l’espérance

D’allumer les soleils dans les cieux des errances.

Les poètes sont profonds, pareils aux océans,

Dans leurs gouffres latents gisent des maux béants.

C’est l’infuse douleur qui malaxe leur prose,

Des épines et parfois des débris d’une rose.

© Stéphane KABAMBA

[drclaudiosaracinodcsworld]

🟢🇫🇷 SENSIBILITATION ET HYPNOSE? Hypnose DCS unique au monde

🟢🇫🇷 SENSIBILISATION ET POUVOIRS TV ?!en n’utilisant pas bien le mot hypnose tout le monde m’a hypnotisé et ils vous ont hypnotisé ! Des parents, à la télévision, aux amis, aux films, à la vie ! Tout cela a élagué à la personnalité, le fameux sort pour le meilleur ou pour le pire ! Pourquoi toute cette hypnose ? Car toutes ces expériences ont eu des effets tant dans le subconscient, tant dans…

[fashionsfromhistory]

Day Dress

c.1872

France

The 1870s was a period of marked romanticism and whimsy in fashionable dress. Much like the picturesque paintings of Renoir that depict such confectionary creations, both day and evening gowns were highly ornamented and often executed in delicate, feminine textiles. Though eveningwear was marked by décolleté necklines and lavish silk satins and taffetas, day dresses were made more modest with austere fabrics like cotton or wool. While many women owned walking and traveling dresses which afforded slightly greater moveability, also quite common was the summer day dress that was to be worn to an afternoon tea or reception. This garment, emblematic of warm weather day dresses of the period with its sheer printed cotton and delicate lace trim, is a particularly pristine example, and notable for its clear revival of eighteenth–century aesthetic sensibilites. The late nineteenth century, abetted by the luxury and progress of the Industrial Age, recalled distinctly, both in its textiles and in the etiquette that surrounded fashionable dress, the notorious material excesses of the third quarter of the eighteenth century. The wealthy classes of the late–nineteenth–century showed a particular respect for the formalities of fashion. While their garments were not nearly as ornamental and their entertaining circles not as elitist, the decorative effects of late nineteenth century afternoon reception dresses such as this one unarguably echoed the lavishness of the eighteenth–century gown, most notably here in the sleeve and neckline.

The MET (Accession Number: 2003.426a, b)

[etienneulven]

"Cut off a wolf's head, and it still has the power to bite." It sounds like something his father would say, a warning before they headed into the wood for the day. Inhaling hurts for a second but he doesn't have any time to think about it, his attention is on the sword as it seems to sheathe itself. The tension in the air dissipates but with terror gone, the fascination of earlier still remains. Not only is watching everything sort of spring to the man more than a little interesting, but his description of what he'd walked in on was something to chew on. Leaning against the doorframe, arms crossing over his chest, he quirk's a brow. "That all it take?" Some blood for the protection of someone that could that, the woman was smart. It hadn't quite looked like it had even hurt, in fact she'd looked like she was almost enjoying herself too much. The assessment upon recollection has Etienne glancing away from whatever the hell the other man was. Vampire surely, there were other ones he thought, but fangs were fangs, and he knew now that they were deadly in the mouths of even people who didn't quite know how to use them. The way this man carried himself, the work with the sword, he knew how to use them.

It wasn't hard to find discomfort in the face of a man who had a sword at his throat, but these Iskarans were historically stubborn. Unyielding was the word some used, but something told Alucard that this one wasn't afraid to bend when pressed. Just the same, their current situation was built upon Alucard's snap retaliation, short temperament, and shame over what he'd given in to. Control was difficult for any member of the vampiric race, Alucard only wished to say he was above it. Clearly that wasn't the case.

Wrong place. Wrong time. That's all this has been. Alucard's shame was his own, he didn't need to burden this stranger with it. Growing up the dhampir had never had any companions save for the animals he called forth from the shadows, wolves, not unlike what had consigned himself to the man in front of him. How nice it must be to have been chosen by such a noble creature, Alucard found he was envious, but he wouldn't say as much outloud.

"Cut off a wolf's head, and it still has the power to bite." Alucard's blade lifted slightly as the dhampir lifted his wrist before he moved his hand in a simple gesture to sheath the weapon back in its holster. Alucard appeared to visibly relax to some degree, though tension remained written in an ever present font across a creased brow, Alucard no longer appeared hostile towards the intruder.

From the corner a rag moved to his hand as he brought it over his lips before he brushed what he could of the blood off his chest. It was no use, but it would do for now as he shrugged his shirt back over his shoulders - the buttons seemingly fastening themselves as he settled into his shame and opted to spare the man in front of him some vestige of truth. Red eyes looked from the wolf to the boy and noted the shared scent between them, they had been traveling together for so long. Dogs made loyal companions, this was known. "You shouldn't have seen that..." Alucard's embarrassment made him feel as though he should explain himself. "That woman and I have an agreement, her blood for my protection." That euphoric sentiment she'd been expressing from between her thighs was only a byproduct of his venom's biology.

[kneelingshadowsalome]

I am very sorry if this is TMI 😭😵‍💫 but I have this huge insecurity about inverted nipples but I just know that König would make it a personal challenge to suck at his woman’s breasts until her nips are permanently out 😭‼️

Yeah I know people are going to throw tomatoes at me for saying this but due to his complex mommy issues König loves tits. Come in any form or size, he worships them.

He could spend hours at your tits, whether it be fondling, squeezing or licking them. Please don't ridicule him for wanting to smush his face in them, it might hurt his delicate sensibilites 💔 And inverted nipples are truly only a challenge, not an obstacle!

[thekingofwinterblog]

The Problem With Yasopp

So like many people I was genuinely surprised by Netflix One Piece, adaption, which turned out the exact opposite of pretty much every single travesty that america has made when adapting Manga and Anime.

It certainly was not without flaws, for one thing it needed to be at least 3-5 episodes longer in order to fix it's pacing issues if it wanted to get all of East Blue into one season, and the fight scenes while very well choreographed, didn't exactly sell me on the superhuman strength of most of these characters.

However, there was one thing that genuinely pissed me off, in large part because the american adapters changed something they didn't like, in order to fit "western sensibilites" and in doing so, completely missing the point, and frankly tragedy of the original context.

That of course, is the character of Usopp's relationship with his parents Yasopp and Banchina, and the rather sad tale of plans going completely arry due to twists of fate.

In the west, the character of Yasopp has been a rather contentious one, for several reasons, but also one that has been a bit altered by the changes from Japanese to English.

Yasopp is critiqued heavily by people who don't like him for abandoning his kid, and his wife to seek adventure on the high seas. Now this is not untrue, but there is a bit of context here that's a bit lost in translation.

And you can really tell that, because the way Netflix portrays Yasopp leaving is the surface level one you might get if you just read Syrup Village arc, and you don't pay any attention at all to the timeline given.

In the neflix series, it's explicitly said that Yasopp left Usopp and his mother while Usopp was still a baby. That is such a common reading, that it's actually what the One Piece Wiki claims happened(Another example of why you should always be critical of Wiki's).

The actual Manga tells a different story.

Yasopp left Syrup village right before Banchina unexpedetly got sick with the disease that ultimatly killed her.

When Usopp is so touchy against Kuro about him badmouting his father, it's not in the context of him idolizing some father he never met, because Usopp and Yasopp knew and loved each other dearly. Usopp's wish to see his dad again isn't some wish to meet the father he only knows through stories, but to reconnect with the dad he loved so much growing up and was sad when he left.

And then of course there is the glory of mistraslation. If you've read this part of the manga, you might rightly be wondering, what sort of woman would be proud of the man who abandoned her to take care of their kid while he sought adventure.

The answer, which the english translation does not give, is a woman who was the one to convince him to go out on that journey in the first place.

Because that is what happened in the orignal manga. It was Banchina, for reasons we don't fully understand or have the context for, eho convinced her husband to go out and seek his dreams.

That's the reason why she is so certain Yasopp will NOT be coming home, but why she is also not bitter about it. She was the one who encouraged Yasopp to go out to sea, while she stayed home and took care of their kid, until he grew old enough to care for himself, and seek the seas himself if he wished.

The story of Yasopp, Usopp and his wife is a genuine tragedy, but not because Yasopp abandoned Usopp before he ever got to know him, but because Usopp's parents made plans for the future, that while not perfect by any stretch, seemed workable enough... only for the entire thing to come crumbling down after Yasopp left due to something as mundane as a random disease.

One can certainly make an argument that this was NOT the best course of action for Yasopp and Banchina to take, but it's not the complete deadbeat dad who abandons his baby trope that the Netflix series portrays it as.

Further hammering in that this was a bit more complicated than that, Yasopp seems to have been one of the very first crew members Shanks tried to recruit, having sought him out not long after Roger died... And Yasopp seems to have flat out rejected him, as he stayed with Banchina for years and years afterwards.

It adds a lot of context to the idea that Banchina was the one who ultimately convinced Yasopp to go out and chase his dreams while she took care of the kid... Because it took years and years for it to ultimately conclude at this course of action. Yasopp would continue to reject Shanks offer to join him for years to instead to take care of his wife and kid, until about a year before Shanks met Luffy, when his wife told him to go.

It's a hell of a lot more nuanced and interesting than what Netflix did, that's for damn sure.

[quenthel]

i while ago i did a little project for myself where i tried to replicate wayne reynolds' style a little bit and redesigned some of my pathfinder characters according to some style sensibilites he has... it wasnt very successful but i love thinking abt outfits/equipment as a character establishing detail so i had a lot of fun w these

[yurucamp]

hi I'm the person who asked about soviet nostalgia! thanks so much for your reply; I want to add that I wasn't referring to a concrete political concept per se- but that (imo) the nostalgia Nika invokes is very much an Eastern Bloc one, what with the building, carpets, cosmonaut, etc (it reminds me of the film Goodbye Lenin lol). I was simply curious why you chose this specific flavour (?) over everything else. :))

hi again!

at first, i'm drawn to the design and decor i associate with the eastern bloc in the 60s-80s, the combination of the modernist simplicity with this kind of kitsh (porcelain, lace, carpets) i guess... i find it deeply charming, i wanted to draw it

there's a japanese photographer who collects and catalogs eastern bloc culinary ephemera and recipes, for example, i really like what they do, i'm fond of the design sensibilites

in general, an important thing to me was capturing a time that distinctly wasn't now; nika's family should be seen as something stuck in an amalgamation of the past, something static and fantastical- thus, it was useful to be able to evoke an impossibly bygone era

[scottishcommune]

Finally, the study of nature exhibits a self-evolving nisus so to speak, that is implicitly ethical. Mutualism, freedom, and subjectivity are not solely human values or concerns. They appear, however germinally, in larger cosmic or organic processes, but they require no Aristotelian God to motivate them, no Hegelian Spirit to vitalise them. If social ecology can provide a coherent focus on the unity of mutualism, freedom, and subjectivity as aspects of a cooperative society that is free of domination and guided by reflection and reason, it will have removed the difficulties that have plagued naturalistic ethics for so long. No longer would a Cartesian and Kantian dualism leave nature inert and mind isolated from the world around it. We would see that mind, far from being sui generis in a world that is wholly external to it, has a natural history that spans the sensibilite of the inorganic and the conceptual capacities of the human brain. To weaken community, to arrest the spontaneity of a self-organising reality toward ever-greater complexity and rationality as nature rendered self-conscious, would be to deny our heritage in its evolutionary processes and dissolve our uniqueness in the world of life.

Mutualism, self-organisation, freedom, and subjectivity, cohered by social ecology’s principles of unity in diversity, spontaneity, and nonhierarchical relationships, are constitutive of evolution’s potentialities. Aside from the ecological responsibilities they confer on our species as the self-reflexive voice of nature, they literally define us. Nature does not “exist” for us to use, but it makes possible our uniqueness. Like the concept of Being, these principles of social ecology require not analysis but merely verification. They are the elements of an ethical ontology, not rules of a game that can be changed to suit personal needs and interests.

- Murray Bookchin, Toward a Philosophy of Nature: The Bases for an Ecological Ethics

[spunkyspy]

The way when I get cast in bb26 that I'll have a gay showmance and be fucking my man every night...can't wait to shock some sensibilites

[savage-kult-of-gorthaur]

HUNGOVER ON '70s PUNK & ITS PINK SENSIBILITES, CLOSELY VEERING INTO KAWAII TERRITORY.

PIC(S) INFO: Mega spotlight on the "Teenage" 7 inch 3-track single by UK punk rock band UK SUBS (b/w "Left For Dead" and "New York State Police"), pressed on punk vinyl and released by GEM Records in 1980.

Sources: www.picuki.com/media/3133633523671457116, www.uksubstimeandmatter.net, & discogs.

[brw]

A question to help distract you from your dental anxieties - do you think Simon is actually a good actor? He seems to struggle with getting consistent work and he's mentioned some rough reviews, albeit mostly in the earlier parts of his career.

My first answer tragically deleted so we're going to try again.

The general consensus amongst writers seems to be that Simon isn't a great actor. As you say, he often struggles with finding consistent projects, and a lot of the projects he is involved with seem to end up as cult classics more than financially successful projects, like that Uncle Elmer show. In more recent times, Simon seems generally more successful, but he still isn't thought of as a good actor but rather a c-tier action star, something he resents.

It seems that he's often let down by his agent, who makes all sorts of backhanded deals for the greatest profit. However, he has been depicted with some amount of talent, like when he surprised some directors with his performance of Macbeth.

His general, uh, physical disposition has also meant he's been in a fair amount of commercials.

Anyway, my personal headcanon for these inconsistencies is that Simon performs like the actors from the 40s and 50s, because that's what he grew up watching and modelling himself after. He ends up with a very strange delivery and tone because of this, which is at odds with the acting sensibilites of the 80s, 90s and so forth. He still isn't a spectacular actor and is very somewhat easily talked into starring in nonsense, but when he does find something he's genuinely passionate about that speaks to him he does a better job, but the nature of the space he occupies in Hollywood means those opportunities are fleeting.

[drclaudiosaracinodcsworld]

🟢🇫🇷 SENSIBILISATION ET POUVOIRS TV ?!

en n'utilisant pas bien le mot hypnose tout le monde m'a hypnotisé et ils vous ont hypnotisé !

Des parents, à la télévision, aux amis, aux films, à la vie !

Tout cela a élagué à la personnalité, le fameux sort pour le meilleur ou pour le pire !

Pourquoi toute cette hypnose ?

Car toutes ces expériences ont eu des effets tant dans le subconscient, tant dans le corps que dans la vie visible et invisible, pour le meilleur ou pour le pire !

Nous sommes ce que nous pensons et non ce que nous voulons !

Pourquoi est-ce que je te raconte tout ça ?

Car si vous voulez vous en sortir, la première étape est la prise de conscience, dire oui, je comprends, en faisant attention que c'est ainsi que nous travaillons et que la solution se trouve à l'intérieur de notre pilote automatique et non à l'extérieur !

La solution pour changer pour votre bien et le bien de vos proches, vous pouvez l'atteindre seul ou avec la puissance de votre esprit et de l'hypnose DCS Véritable et professionnelle même avec seulement 1 audio DCS sans même faire de séances d'hypnose en ligne DCS !

Laissons parler les faits et non le bla bla bla !

Seul votre choix!

si vous les avez vraiment tous essayés et zéro faits, qu'est-ce que cela vous coûte d'essayer DCS Vera et l'hypnose professionnelle à Los Angeles Beverly Hills

En savoir plus sur le lien dans la bio ou sur :

www.ipnologiAssociati.com

#famille #amis #médias #presse

#hypnose #télévision #tv #passé #social #radio

#presse #massmedia #social #tv

#secret

#estime de soi #estime #amour de soi

#hypnose #autohypnose #hypnosedcs#selfhypnosidcs #methodedcs#ipnosidcslosangeles #mp3dcs #drclaudiosaracino #wellbeing360