#seeing this live actually changed my life

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[jinwoosbabyboo]

The First Meet - Self-Aware!Zayne

You fell asleep to the sound of Zaynes rapid typing as usual. Don’t worry though he’ll see you in the morning

Self-Aware!Zayne who is so in love with you that he can tell you’re getting sleepy just by the way you’re breathing changes. “If you’re tired you can rest I'll be here” “I’m not asleep” “You will be soon I'll see you in the morning just get some rest” You smiled at the thought of actually waking up next to him “Can you imagine” a deep yawn escaped you “actually waking up next to me?” Self-Aware!Zayne who knew you’d already drifted off to sleep when he said “I won’t have to imagine soon” he finished out his paper work while listening to your soft snores which were like music to his ears

That night you dreamt of snow covered fields stretching far into the distance. You looked down to see yourself in just the t-shirt you went to bed in “Am I lucid dreaming?” suddenly the wind picked up and snow began to whip past your face burning your cheeks and bare legs with the stinging cold as it went by. “It's …. so … cold” you thought to yourself as you looked around trying to see anything in the distance. If you’re dreaming why did this feel so real?

Just then you saw it, a small house off in the distance. You had no choice you were going to freeze to death if you stayed out here any longer. You started running towards the house, but no matter how many steps you took it was as if you weren’t moving from the spot you were standing in.

Your feet were swept from underneath you as you fell face first into the icy snow. You tried to stand, but the snow seemed to hold onto you. You yanked at the phantom hands holding you down. Panic soon set in as your fighting attempts were seemingly in vain “HELP! PLEASE! ANYONE!” the snow muffled your final scream as your entire body was covered in heaps of snow.

You awoke with a sharp gasp and your heart trying to beat its way out of your chest. Once your heart rate finally went back to normal you looked around and noticed this …… wasn’t your room. You’re so disoriented after that dream that you really hope this isn’t one of those dreams where you woke up in another dream. “Fuck where’s my phone?”

“It’s back in your world” You froze mid search as fear set-in at the mere fact you weren’t alone. You slowly turned your head in the direction of the very familiar voice. It was him. Zayne stood in the doorway holding a mug in his hand. You stared at him wide eyed and confused “Im dreaming I have to be dreaming” You slapped the absolute shit out of yourself and fell back on the bed screaming in pain and you realized you were in fact awake.

“Are you okay?” Zayne rushed to you grabbing your face to inspect your self-inflicted wound “Why on earth would you do that?”

“HOW ARE YOU HERE!?” You screamed in his face. Oh hell you’re starting to hyperventilate “This isn’t real this isn't real I was….in my room how could I…..” Your voice trailed off as you passed out in Zayne’s arms. He stared down at you with a smile on his face. “I told you I would see you in the morning” He pressed a soft kiss to your forehead and held you until you woke up.

Hours later….

Once Zayne got you to calm down enough to sit and have a conversation he explained how you are indeed in his world now.

Y/N: So you mean to tell me by you speaking to me we made all of this real?!

You waved your hand around to emphasize the fact that you are currently sitting in the living room of a fucking game. Everything looks so real it almost felt like you really were in another world and not just a developed game.

Zayne: I'm not sure exactly how it works but yes together we both made my world as real as yours Y/N: I can’t stay here forever Zayne I have a life back in my world my friends and family will be worried sick Zayne: You can come and go here whenever you please Y/N: How exactly am I supposed to do that? Zayne: With my evol … I can transport you to and from your world that’s how I got you here Y/N: In that frozen deserted waste-land!? I thought I died! Zayne: Im sorry my love but that’s the only way it works until we can figure out something else

You froze at hearing him call you his love. Your heart was racing just from those two simple words. You tried to speak, but no words were coming out. Zayne seemed to notice that he had you speechless and he took this moment to pull you closer and hook a finger under your chin. “Don’t hate me I’ve been waiting so long to do this” He pressed the softest lingering kiss on your lips and you couldn’t help the way you melted into him. “You feel so real” You whispered against his lips.

“I am real” You stared deep into those endless green eyes. You dreamed of looking into these eyes and here you were. You caressed his cheek then gently pushed him back by his chest. You needed some kind of distance so you could process what was going on. "We're not done talking"

"I figured you would have more questions" He said as he draped an arm over the couch behind you. "Ask me anything"

[heavyhitterheaux]

Hello

See Me Through You Series

You had me at hello

Synopsis: The day that you met the love of your life and didn't realize it until almost a year later

Series Masterlist

Stepping onto the sidewalk as you had just left the building where your journalism class had just ended, your phone suddenly vibrated in your back pocket. It took you a minute to grab it, seeing as both of your hands were occupied at the moment. Doing a balancing act with your purse, backpack, keys and your binder that contained your notes, but was too big to fit in your backpack, you finally had a free hand.

Pulling it out of your back pocket, you saw it was your younger twin brother by three minutes Ja'Marr calling on facetime and took no hesitation to answer it. This was his fifth call to you today and knew that about four more would come your way and the worst part about it was that it wasn't even noon.

Not that you were upset about it. If your little brother called and needed you, he always became the priority and everything would be dropped at that very moment.

“What does your ugly ass want?” You asked him as his face came into view. He promptly rolled his eyes and sucked his teeth before saying anything. You could tell that he was in the gym and was probably waiting on you to get there since you had promised to work out with him.

“If I'm ugly, so are you because we're twins, stupid!”

“No, that's what mom and dad tell you but they actually found you in a dumpster and felt sorry for you and took you in.” You told him as you laughed and started to make your way back to your car to head to your apartment that was off campus.

It was only a few miles down the road which you were thankful for and the good part is that you could also drive home to see your parents on the weekends if you wanted to.

You were relieved when Ja'Marr decided to attend LSU with you because the two of you had never been apart in your entire lives. Deep down you knew that you would have eventually adjusted to him not being at the same college as you, but also glad that you didn't have to go that route.

“Y/N!”

“Just kidding! What do you need assistance with, little one?”

“Little one? I'm 6’1 and you are BARELY 5 feet on a good day. Try again.”

You were suddenly taken aback as you saw someone come into the frame behind him and did a double take once you recognized who it was.

Growing up in a sports filled household, college football as well as the NFL was not foreign to you. You watched both of them and knew players as well as their stats forwards and backwards. So to your surprise, you were actually seeing him in real time. You heard of the transfer happening, but it was different seeing him right in front of you.

So the rumors were true, he was really here.

Joe Burrow

Who used to play for Ohio State apparently was now playing for LSU.

“Ja'Marr, I will hang up. State your business or move on.”

“I thought you were supposed to meet me at the gym to work out AND bring my headphones that I know for a fact you stole.”

“YOU CAN'T PROVE IT!”

“Hmm, funny. I recall you asking me to use them last week and I haven't seen them since.”

“I threw them away.”

“WHY DO YOU ALWAYS DEMAND ON STRESSING ME OUT? And I have someone here I want you to meet.”

“Who?”

“Will you just hurry up and get here and stop arguing with me!? I can pick your ass up and throw you across the room.”

“Hmm, sounds like a threat. I'm calling mommy. Bye.”

“Uh hold on, WAIT! DON'T CALL HER!”

Click.

Once back in your apartment, you quickly changed into your pink and black Fabletics workout set with your matching HOKAS and went on the search not only for Ja'Marr's headphones, but also yours. Since he let you borrow his, you didn’t bother trying to find yours even though you know you should have.

The both of you worked out with each other several times a week and it was important seeing as he played football and you were on the gymnastics team with your best friend, Erin.

Putting your curly hair into a high bun since you didn’t have time to straighten it this morning, you grabbed your wallet, water bottle, and keys before making your way back down to your car and heading to the gym.

Walking inside, you spotted him along with Joe in the corner next to the weight rack and promptly came up behind him and attempted to pick him up as you saw Joe's face giving a small smirk because of the gesture. You admit that you didn't realize how tall Joe actually was and you noticed that he was taller than Ja'Marr when they stood next to one another.

“HEY! Oh, it's just you. Joe, my big little sister by three minutes and she will never let you forget it, Y/N and Y/N this is Joe. And you are never going to be able to pick me up.” He told you while patting the top of your head as you were now trying to pick up his left leg.

“Just you watch. It's going to happen one day when you least expect it. Anyway, Hi Joe, and Ja'Marr you should know better. I already know who you are.” You told him and he looked a little confused before greeting you.

“Hey, you do gymnastics right? I saw you compete over the summer.”

You smiled before nodding, taken aback that he knew who you were also. Not a lot of attention was put on gymnastics unless it was during the Olympics. Your goal was to go to Tokyo in 2020.

“Didn't take you for a gymnastics type of guy.” You replied while attempting to fix your hair that had now fallen out of the bun you put it in. You blamed it on not being tight enough the first time.

“It's entertaining to watch.”

“Hmm, because of the outfits?” You asked as you were trying to feel him out and you could've swore you heard Ja'Marr mutter something under his breath.

“No, I just think it's insane how you can do all those different types of exercises and routines just like it's nothing. You can literally visualize where you're going to land before it happens.”

“It's the same with football when you think about it. You're a quarterback so I can imagine that before you decide where you're going to throw and who you're going to throw to what the end result will be.”

“Something like that.”

“Stop interrogating the man! Sports journalism is her major and she thinks she's smart. So she of course knows all of the players and their stats. I’m convinced she’s going to start memorizing playbooks and try to get on the field with us.” Ja'Marr said as he turned to Joe and you pinched his arm resulting in a yelp as Joe let out a small laugh.

“I'm smarter than your dumbass. That's for sure and are we going to work out or stand here all day? Besides I wasn't interrogating. You can't get to know someone unless you talk to them and ask questions.” You told him as you gave him his headphones.

“I'm ignoring you and what are we working on today?”

“Hmm full body I guess. I already did my legs, back, shoulders and arms this week.” You answered as you shrugged and put in your headphones. Flipping through your phone, you tried to find the perfect playlist in order to get through the workout and hopefully finish strong.

You usually hated working out with Ja’Marr since he would always want to add on something extra at the end of it when you were ready to go home and crawl into the bed.

Joe and Ja’Marr quickly agreed and it was decided that the three of you would warm up by running on the treadmill for three miles before going back to the weight rack.

On your second mile, your music was suddenly cut off by your phone ringing. Looking down you saw that it was Trevor, your boyfriend of one year who happened to play baseball at LSU and that was one of your primary reasons for going there. Also having your brother there was a plus.

Deep down you knew that your brother didn’t like him, but to you he was the best thing since sliced bread and could do no wrong in your eyes. But what you didn’t notice was Ja’Marr glancing over at your phone and seeing it was him and rolling his eyes.

You simply finished out your third mile before going to call him back leaving Ja’Marr there along with Joe who had turned down the speed to a brisk walk as he had done the same.

“I fucking hate her boyfriend.”

“Wait, what? He’s here too?” Joe asked as he was looking around.

“No, I saw that he called her and I’m guessing that she went to go and call him back. I can’t fucking stand him and she could do so much better. But she’s happy and the last thing I want to do is ruin that for her. He honestly treats her like shit from what I’ve seen, but I guess she doesn't see it that way.” He confessed as Joe had his eyes on you as you were standing in the corner. He figured that you were on facetime by the way you were holding it and making gestures with your hands.

“But he makes sure to never do that shit in front of me because I will take his ass down. I’m always going to protect my sister. I honestly wish that she was with someone who respected her and didn’t take her for granted like his ass does. She is honestly the sweetest most generous person despite how much we might bicker and she doesn’t deserve someone who takes her for granted. But you'll eventually be able to see how sweet she is for yourself. She literally lives up under me. When you see me, nine times out of ten she’s not too far behind.”

It was at that moment, you walked back over to them and Ja’Marr could tell that you were visibly upset.

“Pebbles, what’s wrong?” Ja’Marr asked but you simply waved him off.

Ever since you two were about six months old, your aunt on your mother's side started to call the two of you Pebbles and Bam Bam and the nicknames had stuck. It also was no coincidence since your mom used to love watching the Flintstones when she was small just like you and Ja’Marr did.

“Nothing, I’m fine. Let’s hurry up and get this done.” You responded as you felt tears forming in your eyes and you did your best to quickly wipe them away.

“You aren't fine so don't stand up here and lie to me. Did he upset you?”

Joe could now see that he was visibly upset which was in turn making you more upset.

“Don't worry about it, I just want to get this done so I can go back to my apartment and study.”

“If you need me to kick his ass, I stay ready.”

“JA'MARR! NO!”

“And Joe will back me up too. You should see how much he can bench press. No one will know.”

“I… I appreciate both of you very much for offering even though you literally just threw Joe in there without giving him a say in the matter, but I promise I'm good.”

“I'm here for assistance if needed.” Joe said and that put a small smile on your face.

“Yeah about that, show me how much you can bench press.”

“Oh lord, Joe you got her started. Now her competitive ass is going to see if she can beat you. She might be small, but don't let that fool you. She also eats like a grown ass man.”

“Bam Bam, keep talking and I will throw that 60 pound dumbbell at your head.”

The workout was winding down and you wanted to work on your pull ups a little bit more since the upper body was your weakest area. You stood in front of the pull up bar and noticed that Ja'Marr was in the middle of his set, so the only other option was to ask Joe for help to reach the bar since there was no way in the world that you would be able to get up there on your own. But he beat you to it as he walked over to you.

“Need some help?”

“Hmm, definitely yes since there is no way in the world I'll be able to reach it by myself.” You replied as you both laughed.

“I got you. Jump up and I'll lift you the rest of the way.”

Nodding your head, you turned around and felt Joe's light touch on both of your sides. You couldn't quite explain it, but when his hands made contact with your skin, the feeling that it gave you felt unreal. Almost if it was something out of a movie. Shaking it out of your mind, you focused on the task in front of you as you jumped up.

As promised Joe helped you the rest of the way and stepped back once he saw that you were hanging onto the bar.

“Do you mind just standing there to spot me? Pull ups aren't my strongest thing.”

“Yeah, I'll be right here. Go ahead, you think you can do twenty?”

“Hmm, let's find out. I think I can.”

Fifteen of them came with ease and when you started to struggle, you once again felt Joe's hands on your waist and he helped you do the rest of them. You let go of the bar with him then catching you and placing you on your feet.

“Thank you for that.” You told him and you received a cheeky smile in return.

“Any time.”

“By the end of the semester, my plan is to be able to bench press the same weight or more weight than you.” You playfully told him and the smile that he had before became wider.

“I'd love to see that, princess. So let's put some money on it.”

“How much? 50?” You asked not really knowing how much he was willing to put up.

“Nah, you can do better than that.”

“Okay, 500.” You said as you shrugged.

“Damn, I didn't think you would go that high, but okay. Ja'Marr also mentioned to me that since you're the oldest, what you say usually goes between the two of you.”

“He's teaching you well.”

“Hmm, we'll see if that holds up between the two of us.”

“Looks like we just have to see then, won't we Burrow?”

The next day, you found yourself yawning at five in the morning absentmindedly taking small bites of your protein bar as you began to stretch with Erin coming over to sit next to you.

You hated that you had gymnastics practice so early in the day, making all of your classes be in the afternoon or late at night. The campus itself was huge and you didn't always necessarily feel completely safe when you had to walk back to your car late at night.

“So, did you break up with Trevor yet?” She asked as she began to stretch her arms.

“Uh? Good morning to you too, Erin.”

“Good morning, now did you two break up yet?”

“No, Erin.”

She sighed before rolling her eyes and looking at you in disbelief.

“Nobody likes him! Dump his ass! And I don't like the way he treats you. Truth be told, I've never liked him.”

“But I like him!” You exclaimed and she gave you a blank stare.

“Yeah, only you and his bald headed mother. You could do so much better. Oh! Who did you meet yesterday when you went to workout with Ja’Marr? I guess you fell asleep and never read my text.”

“Joe Burrow. He plays quarterback.”

“Oohh, he's cute! I heard about him transferring here. Break up with Trevor and date him! There, problem solved.”

“ERIN!”

“What? You have addressed me by my name a lot this morning. I like my plan and I think it'll work. Besides, he's a sucky ass baseball player. My goal is to get my best friend to become a WAG and being with him is not going to get you very far. He didn't even get a scholarship here. He was a walk-on!”

“I have literally only met that man one time and yeah I've said your name a lot because how do you wake up this unhinged!?”

“So? Love at first sight is an actual thing. I wasn't there, but I know it happened. And it's been that way since we were three.”

“And he did help me with my pull ups yesterday.” You told her as you shrugged your shoulders.

“I'm going to start planning the wedding when we leave. My class doesn't start until one today.” She replied as she smiled at you.

“I…-”

“What are you two going on about over here?” Your other friend Alisha asked as she sat her bag down to the left of her.

“Y/N is getting married to Joe Burrow! We have to start planning!”

“Erin, shut up!”

“Oh, but he's cute. Do you know if he has any brothers?” Alisha replied as she sat down on the other side of you.

“I.. don't but I will find out for you.”

“And slip them my number while we're at it.”

“He helped her during their workout yesterday. At this point, we can say it was their first date.”

“Erin telling everyone's business as usual.”

“Hey! I'm just good at storytelling! And he had the perfect view of your ass if he helped you with your pull ups now that I think about it.”

“Sometimes I honestly cannot believe you're my best friend.” You said as you couldn't contain your laughter anymore.

“And you aren't getting rid of me any time soon.”

Gymnastics practice was always long and draining so you knew what to expect every time. They typically lasted for three hours and when you were finished, you either got breakfast on campus or went back to your apartment to make something as Ja'Marr would also be blowing up your phone to feed him even though he was on an entire meal plan just like you were.

After taking a shower and throwing on some leggings along with an LSU sweatshirt and your converses, you started to walk out the building with Erin since Alisha had to hurry up to get to her class on time, when you spotted Joe.

Of course, Erin noticed too and squealed.

“Ooh, there goes your man!”

“Erin, be quiet! I don't want him to hear you! You are too loud for it to be eight in the morning!”

“Why not? And I'm always loud. I'm responsible for this love connection and I'm going to be the maid of honor. He NEEDS to know me.”

Joe had turned around and once he spotted you began making his way over.

“Oh shit, here comes your husband!”

“I hate you. I hate you so much right now.”

“You'll get over it.” Erin said as she smiled.

“Morning princess. Just got out of practice?” He asked as he came up to both of you.

“Morning and yes. Now I'm going to stuff my face. Oh Joe, this is my best friend Erin.”

“Hey Erin, pleasure to meet you.”

“You too and the pleasure is all mine.” She said and you couldn't help but laugh quietly to yourself.

“I was actually going to get food if the two of you wanted to come with me.”

“Y/N will go! I have class but she is free ALL MORNING. So I'm going to go and Y/N, I'll text you later. Have fun you two.” Erin practically yelled and you looked at her as if she was crazy.

“And then there were two. Where did you want to go to eat?” Joe asked as Erin had started to walk away.

“You're from Ohio, so you need to get a taste of some good southern cooking that makes you feel like you have just gained ten pounds.”

“Lead the way.”

“We're going on a little adventure off campus, my car is just over there. I think you'll like it.”

Less than a mile from campus was Louie's Cafe that had amazing breakfast as well as brunch foods. Anything that you could possibly think of they served.

On the ride over, the two of you just made small talk and when both of you had placed your orders for your food, you wanted to see how he was feeling for his first game that he would be playing in on Sunday because you already knew Ja'Marr was a nervous wreck.

“How are we feeling about Sunday? You nervous?” You asked as you took a small sip of orange juice.

“A little bit and I can admit it. I mean I played when I was in Ohio, but I was the backup. Now I'm actually starting. A lot of pressure on my shoulders and I feel like I have something to prove. I want them to be able to see that they made the right choice.” Joe told you and you were clinging to every word.

“But that's so exciting! What made you transfer here though out of all places?”

“I didn't want to be sitting on a bench for four years. I wanted to be able to play. I know that I'm good, but I just need a chance to show it.”

“Hmm, I do love a man with confidence. Well I'm very excited for you and my brother. I hate how you guys aren't playing here, but I'll make sure I'm watching.”

“Always confident, never cocky. And I'll try to get my first win as a starting quarterback for you.” He responded as he gave you a small smile.

“I can't wait to see it happen so once you get back here, we can celebrate. I can cook, so I can make you something.”

“I've been craving something my mom makes all the time, Snickers Salad.” Joe replied and you looked at him confused.

“Um? Is that an Ohio thing? Because I have no idea what that is.”

Joe nodded as he laughed and your waiter had set your plates down on the table in front of you.

“It is, but I can always text you the ingredients you need to make it. I figured you could do it justice since Ja'Marr never stops talking about how well you cook.”

“You need my number to be able to do that.” You Cheekily said, but he fired right back.

“Mine is in yours, already. I put mine in when we first got here since I want to be able to see more of these special spots you know about.” Joe confidently told you as he was pouring syrup on his banana pecan pancakes that had been recommended by you.

“I've literally only known you now for about 36 hours and I can say that I like being around you.”

“Good, because I like being around you too.”

Just then your phone rang and of course it was no one other than Ja'Marr.

“Pebbles! Are you at Louie's Cafe!?!? And you didn't take me!? I checked your location! I'm hungry too!”

“I took Joe instead because he doesn't get on my nerves like you do.” You told him as you stabbed your eggs.

“WAIT, you took Joe!?!?”

“Yes, say hi. You're on speaker.”

“Hey Ja'Marr.” Joe said as he was trying not to laugh.

“Joe, just make sure my sister gets me something to go. I'm about to starve messing with her ass.”

“I got you.”

“Bye, baby brother.”

“Wait! I didn't give you my order!”

“Text it to me, bye.”

Once you hung up and placed your phone back on the table, you looked back up at Joe to see him staring at you.

“When do you have class?”

“Not until one.”

“You want to do some more exploring with me? I feel that it's now my obligation as your unofficial tour guide.”

“I get to be around a pretty girl so I'm all for it.”

“Joe, you do know that I have a boyfriend right?” You asked as your face heated up.

“Someone as pretty as you, I'm not surprised. But what does that have to do with me?” He asked as he winked at you.

This is the first time in your life that you were speechless.

[yamumsyadadd]

the forgotten girl (1)

posted this originally on my old account. will be posting twice weekly :)

Emily Scott, sister of legendary lionesses Jill Scott, has died at the age of 21. Wife Amelia Scott-Higgins in intensive care. 

Police have confirmed that Emily Scott was murdered in her family home over the weekend, her wife, Matilda’s star Amelia Scott-Higgins is in intensive care after sustaining life threatening injuries. 

Waking up in a hospital bed, wrapped in bandages and in heaps of pain was not exactly how I expected my day to go but here we are. I don’t remember much. I remember going home after training, I stopped to get dinner, chicken carbonara and garlic bread from our favourite Italian restaurant and then flowers from the corner stand that Emily was obsessed with. I was already late so who cares if I was a little extra late. 

I remember the front gate being open, which is never normally the case, I remember the front door being unlocked but closed, again not normal but sometimes Em is in a rush when she gets home. As I took my shoes and coat off and wandered down the hallway, I didn’t notice the guy standing behind the door, or the guy on the couch, or Emily in the back room tied to a chair. I didn’t notice any of it. The only thing I noticed before it went black was the two wine glasses, one tipped over and smashed, the other full. 

Chelsea FC superstar, Amelia Scott-Higgins has QUIT mid season. 

CLICK TO READ MORE….

Where is football superstar Amelia Scott-Higgins?

Moving to Barcelona was the best thing I could’ve done. No one knows me,no one knows what happened or who Emily was. I am invisible. As soon as I could, I quit, left England, deleted all my social media and changed my number. 

The rehab was incredibly hard. That’s to be expected considering I have multiple stab wounds to my stomach, my leg cut up, bruises covering every part of my body. I was still me though. Maybe not on the surface but deep down I was. I missed Emily everyday, I missed our life together, I miss the little things. 

My apartment was empty. Nothing on the walls, plain furniture, it looked more like a show house than something someone would actually lived in. It didn’t bother me, it made my brain have to work less. All I did was rehab, surf and doom scroll. I came across the Manuelas instagram page, a gay bar in Barcelona. From what I’ve heard it’s incredibly popular but I’ve never been. They had a shirt available, “lesbian services”, after inquiring they allowed for me to pick it up. 

I was meeting someone called Olga, slightly worried as I had no idea who she was, I let it play out. 

“Hola! Are you Amelia?” 

“Hola, yes I am.” 

“Perfect! I’m Olga! Let me take you inside and you can get whatever you want. They said you’ve paid so you can get anything.” 

Stickers, hats, shirts, they had it all. I grabbed one of everything and then had a chat with Olga. 

“You’re not around here are you? Your Catalan and Spanish is good but the accent is a bit weird.” 

“Oh nah. I’m Australian. Lived in London for a few years but I’m here now.” 

“Oh wow! How long have you lived here?”

“3 years now. It’s beautiful. I don’t get out much but I’m trying to get out more.”

“What do you do for work? If you don’t mind me asking?” 

“Uh um, I used to play -“ 

“Amelia? Is that you?” Keira Walsh and Lucy Bronze. Right in front of me. I haven’t seen them for 3 years, purposely ignoring all of them and essentially falling off the face of the earth. 

“Amelia! What are you doing here? Give me a hug!” 

“Hey guys. Long time so see.” This is not what I wanted. More and more people started surrounding us. 

“Holy shit. That’s Amelia Scott-Higgins! She’s been MIA for so long. I miss watching her” the short one with dimples tried to whisper, it didn’t work. 

“Dude she used to be so good. What happened?” Her taller companion asked next. 

“That’s enough you two. She has ears and can hear you idiots.” Alexia Putellas. 2 time Ballon d’or and 2 time pain in my ass. “Hola Amelia. How are you?” 

“Fine thanks Alexia. And you?” 

“How do you all know each other? I am very confused here.” Olga spoke up. 

“Mil used to play for-“ Alexia started to say

“We are old friends!” This is why I don’t leave my house. 

“I need to go. I have things to do. Olga thank you so much for all this. If I owe any money let me know. Alexia, girls, it was nice to see you. Good luck this season.” Turning as quickly as I could to escape. 

“Milly, wait.”

“Kei, don’t. I’m fine. Everything is fine.”

“Please can I have your number or something? It’s been 3 years and you disappeared.” 

“Give me your phone and I’ll put it in. I’m not good at replying. Bye Kei.” 

3 years since I stepped foot in England, 3 years since I buried my wife. 3 years since I’d spoken to my friends. 4 years since Emily died. 4 years since I played football, 4 years since I felt normal. 

[space-blue]

Fixing Vander and Silco's story (a bit)

Using canon events! Sadly we can't actually fix it, but I hope this makes it a little better. I make my own edit proposal at the end that changes the bar scene to include Felicia without issues.

They meet in the mines, and meet Felicia and her partner there too. They end up together somehow (I think we can put the brotherly allegations to rest now, eh?) and one of them (or both) inherit/buy a bar.

Although Vander is the barman, there is no indication Silco doesn't own or co-own the place. After all he comes to take it eventually as his own, and he's still not bartending. That's just not his gig.

It's implied that Vander and Silco made it, as in, got away from the mines, while Felicia clearly didn't, as she comes home to both her daughters with mining gear and gloves.

So despite Vander and Silco building the Lanes together, the mines aren't closed, and the work "isn't done".

Felicia says they've done it, and Vander is happy to celebrate their success. Meanwhile, Silco has his "NoZ" Nation of Zaun book in which he's scribbling, still planning.

Vander's first memory that Viktor sees even has Silco holding that book.

Later, in season 1 episode 3, we see that Vander tells Silco that he had Vander's respect, the Lanes' respect, but it "was never enough".

There's also this fakeout moment in the memory at the bar, where Vander says they're done, and Silco replies with "You're gravely mistaken". And I thought he was going to go all zealous and say "We'll only be done when we have the Nation of Zaun", but no, he claims he's Bozo 1.

And imo, he is probably right. He calls out Vander in act 1 saying "I trusted you and you betrayed me", and Vander does not contest this. It makes the most in character sense as well that Silco is the brains of the operation while Vander is the brawn.

And we can conclude that Silco's goals were always "bigger" and that the Lanes were indeed not enough.

Years pass, during which we can only assume Silco keeps building his Nation of Zaun and Vander happily bartends and manages the Lanes with Silco. Felicia keeps working the mines and raises Vi, then Powder.

Vi is at least 11, if not more, by the time she's on the bridge. This is just consistent with her model, but also to make her 18+ by the time of act 2.

It's a long ass time for Vander and Silco to be running a bar and the Lanes together. Even assuming Vi is more 8 or 9yo, Vander and Silco spend all that time being together.

Sadly, their models aren't aged very well.

We are also forced here to make some unfortunate assumptions.

It's not a problem, IMO, for Silco to know Felicia and be close to her. It's a problem for him to not be close to Vi and Powder too. Close enough to recognise them at least.

It's easy to say, "Well, Felicia went back to the mines and raised her kids and wasn't super involved with Vander and Silco, who lived much higher up in their bar." Adult friendships and all that.

IT MAKES SENSE, but then it makes zero sense that Vander would murder his life's partner, a man he's been with 10 years at MINIMUM (fuck knows how long they were together while in the mines), over the death of a friend in a revolt they allegedly BOTH participated in.

The memories also imply that Silco is responsible somehow, for throwing a molotov. And yet the molotov doesn't kill the enforcer.

But Vander is shown in the opening of Act 1 season 1 pummeling one to death himself, long after the rest of the revolt has died down. That enforcer wasn't getting back up lol

So whatever we pick, because the writers made Felicia and Silco close, they create a plot hole either way.

Either Vander is whacko and murders his husband over a dead friend at a revolt he set up (since he repeatedly apologises for what he did, and claims he "lost his head after she died" and had that guilt on his hands too)

Or Silco and Vi and Powder spend ALL of season 1 acting like they don't know each other at all. Then Silco takes in Powder and somehow never comments on the fact he was friends with her mom.

Everything being triggered by Felicia's death also means that Vander's emotional thematic moment dropping the gauntlets after seeing what his violence led to is then followed up by a horrible attempted murder on the love of his life, which is... you know. Bad writing.

So I propose that they indeed drift apart. Silco knows of Felicia's kids, and they hangout a bit, but they aren't that close. She's busy mining and being a mom, and Silco is busy making the safe Zaun he promised to deliver.

The creation of that Zaun leads them to act out revolts and uprisings. Vander is happy to follow. He's angry, like he tells Vi. And this manifests in violence. Silco points his violence. It's how they create the Lanes and the moniker of Hound of the Underground. A hound usually has a master, after all.

Vander is Silco's hound, and I think, in Vander's mind this absolves him of some of the consequences of his actions.

So when his friend dies on the Bridge, even if they haven't been that close in a while, well, it's easy to put the blame on Silco.

Since we're following the new canon timeline... we'll have to have him go back with the girls, ready to turn a new leaf.

I think the best way here is to have him either dropping them at an orphanage, or back at their home (trusting Vi to look after Powder for a while) or with friends.

That way, Vi and Powder aren't immediately in Silco's legs back at the drop.

Then Vander and Silco take part in the "clean up" at the bridge. They go get bodies, and since they have no real estate in the fissures, they commit them to the sea (we have canon monsters in there, so I'm sure it all gets gobbled up).

That way, we explain why Vander is weirdly shaved, and why Silco and him are at in the Pilt: they just commited the bodies of the fallen to the waters.

There may have been many others, but Silco and Vander stay there, in the shallows, as they talk.

Vander is done. He doesn't want more of this. He thinks Silco went too far with pushing this one to the bridge. Piltover got defensive and they lost too many people.

Silco doesn't get it. Where he goes, so does Vander, but Vander is his own man, he decided to come too, and he killed enforcers too. Felicia's death is tragic, but as he later will tell Renni about the death of her son: at least she died fighting for the cause, and not some petty infighting, or worse, an accident at the shitty mines.

Vander, the Hound, is not only mad with grief, he refuses to carry the blame of his own actions. It's a character flaw and that's fine! The angry man channels that anger with violence, the only way he knows how.

Silco is probably shocked, and may not say the right things to calm Vander down.

Silco is under the assumption that Vander BELIEVES IN HIS DREAM. That he's a true believer of the Nation of Zaun, like Sevika turns out to be. A true believer would understand sacrifice. A true believer would understand too, that stopping now, after Felicia's death, would make THAT VERY DEATH POINTLESS.

So maybe he screams at Vander! What do you MEAN abandoning the fight? What do you mean, being content with the Lanes? How dare you? You'd make her sacrifice meaningless! You'd make Felicia die a pointless death!

And Vander would bellow that it's over. No more death. No more bloodshed. He rescued her kids from that bridge, and they don't deserve to die too, they don't deserve to see more death.

And Silco screams back that it's their job to create Zaun so these children won't have to see more death. Vander is just delaying the struggle.

And then, perhaps, Silco may even mock him. Say that Vander can't change like that. That he's not that sort of person, to just hang up his gauntlets and go peaceful. That Felicia's blood is on his hands too, and that the only way out is through more blood, more sacrifice.

It would be a horrible point to make, if then Vander truly loses it. Silco runs, and Vander's hound comes out, just grabbing Silco and trying to drown him.

It would be poetic, because then Vander goes home in shame. Gets his arm patched up, hides the scar under a brace, collects the kids and tries to pretend like HE CAN BE THAT MAN. Even though he surrendered his gauntlets and metaphorical violence, and tries to lean into the bartender chill persona, there's what he did to Silco.

And later he'll tell Vander "I'll show you what you really are". Because Silco knows that Vander's promises of being a peaceful good dad are flimsy at best.

Anyway, Vander goes home, and eventually the impact of what he's done really hits him. He's single now, and with kids, and the Lanes to run, and nobody knows where Silco is.

Vander slowly realises Silco was right about one thing. Just because Vander followed, doesn't mean he wasn't behind that event on the bridge. Becoming the solo leader of the Lanes has to have hammered that home for him. Suddenly so much responsibility thrust on him.

So Felicia's death was on him too, and his actions against Silco are the proof that he is indeed the sort of man Silco said he was. At any rate, surrendering violence as his first reaction to any trigger will take a lot of work.

He goes to their old hideout and leaves a letter for Silco.

In the happy AU, Silco finds it, and returns to Vander BEFORE ever meeting Singed. There is no glowing eye, no shimmer, and no cannery.

In our AU, Silco never finds the letter. He finds Singed instead. Starts helping him develop shimmer.

I've been thinking that since the goal of shimmer is a form of "keeping alive" and also "bringing back to life", then it's possible that Silco's glowing eye is a byproduct of shimmer experimentation.

And that the only way to keep it alive and function is more shimmer injections. It would otherwise be grey and dead like in the Nice AU.

So Singed is also a factor here. He gives our Silco a real way to deal scary violence to Piltover. And this changes our Silco. He's more radicalised, and more opposed to Vander, having discovered that Vander works with Grayson to keep Zaun under Piltover's boot (basically making sure the boot stays, but doesn't press down too hard).

Vander is, as always, the enforcer of the status quo.

And though this works for them timeline wise, it sadly doesn't change the fact that Silco should know who Vander's kids are.

Vi and Jinx can be excused for not recognising him, what with him being one of their mom's adult friends, and scarred. But Silco doesn't have that luxury. His great friend Felicia had two very distinctive kids, ONE OF WHICH VANDER FUCKING NAMED! And her death triggered his husband so badly he tried to kill Silco over it. If anything, Silco would be hyper-aware of Felicia's kids.

And no amount of alternate fix-its changes that. It's permanent damage to season 1's Silco.

I feel like we can fix Vander's side of things by inventing an entire scene at the Pilt as I did above, but we can't fix 10 years of knowing your friend's kids and then a lifetime of acting like you don't know them.

I think it also cheapens the found family aspect of both Vander and Silco's adoption. You're left to wonder if they took in the girls only because they were friends with the mom.

Silco's adoption of Jinx and co-dependence with her was great because it spoke of the similar shape of their traumas, and how unexpected their bond seemed.

But now it's redolent of friendly obligation. And lies.

How would I fix it by keeping Felicia in the picture?

I would fully remove Felicia's one-on-one with the boys. That night at the bar? It's a party. Young Sevika is here too!

Felicia and many others are there, all congratulating Vander and Silco over the creation of the Lanes. Eventually Silco tires of the social niceties and goes to write in his notebook at the bar. Or maybe there's a montage of the night as the crowds thin.

In the end, Silco is writing, and Vander is still socialising. He talks to 3 people--Felicia, her husband, and a random person. They thank him for all his work. They've done it! And the conditions in the mines are so much better now thanks to XYZ!

Vander is beaming, he's just so pleased. It's clear for him this is the end goal. Felicia asks him, pointing to Silco, if he's okay.

Vander laughs, says Silco is fine, but he's already got his head back in the clouds. You see, Silco doesn't just want the Lanes, he dreams of a free Nation of Zaun.

The other 2 laugh, but Felicia sobers up. She rubs her belly, thoughtful. Then she says "Sounds like a dream worth fighting for."

I don't think she even needs to say anything about being pregnant, but she could go on with something like "I'm expecting. A girl, I think. I know. And I would love if she could grow in a safe city. I'm so scared she'll have to live the way I did, growing up.'

And Vander smiles sadly and tells her, 'We've gotten this far, and we're not going back. We'll make Zaun safe for your kiddo, I promise you that.'

And that's it.

Vander knows OF Felicia. She is a community member. He knows her enough, maybe from Lanes meetings, that eventually he can recognise her children. But they're not friends, and SILCO definitely isn't friends.

And the disagreement after the bridge is fully about where to go from then on, and Vander deciding he wants to run the Lanes and keep them safe, that what they have now is good enough, while Silco wants "more".

That disagreement can turn nasty, and the fact Vander tried to drown Silco becomes a statement about how violent and temperamental he is as "The Hound of the Underground". Something he'll regret soon enough and spend the next few years working hard to try and change.

What do you think?

[tweedlydumbtweedlydoo]

A Changed Man | Steve Harrington x reader

Summary: Steve is a different guy now that you have graduated and he’s hanging out with better friends. 

A/N: found this while cleaning out my drafts!

Tag list is at the end. Let me know if you want to be added xx

Go follow my fic rec blog! ---> @imaginationgonewild0912

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********************************************************************************************NOT MY GIF, CREDIT TO OWNERS

You’d gone off to college and now first year was over and done with and you’d be heading home for summer break. Robin was the only person you kept in touch with and when she told you she was now friends with Steve Harrington, the king of Hawkins and the person (one of) who made your high school life a living hell. 

“Bullshit.” You tell Robin over the phone as you pack your suitcase, “There is no way you’re friends with Steve Harrington now and saying he’s a better person.” 

“I swear, y/n. He’s a completely different guy from high school. I mean he’s nice, caring. He’s loyal and funny-” 

You laughed out loud, unable to believe that. Steve, Carol and Tommy made your life a living hell. Well, Carol did, but most of the time, Tommy and Steve joined into the bullying. 

“When pigs fly, Robin. He was a complete asshole. He always had a stick up his ass.” 

“Well he finally figured out how to pull it out of his ass.” Robin defends, “he and I worked at Scoops Ahoy last summer and let me tell you, I was weary, but he proved himself worthy of the job. We’ve actually gotten closer. He’s great and he knows about my secret. Super supportive.” 

“what about me? I’m supportive!” 

“I never said you weren’t!” She groans, “Just get your ass home and you’ll see how much he’s changed. He’s actually coming with me to pick you up from the train station.” 

“Robin!”

“I don’t have a car at the moment!” She defends, “He’s the only ride I have.” 

You groan, immediately regretting the decision to come home, “That’s it, I’m not coming home.” 

“Bitch. yes you are. I’ll see you in a few hours.” 

“fine,” You mumble, “but if he’s an asshole, I have every right to slap the shit out of him.” 

“deal, but i promise he’s different.” 

“Whatever, I’ll make that decision when I get home. See you later.” 

“Bye.” 

You hang up the phone with a groan and throw yourself back on the bed. What had you gotten yourself into? 

~  

“What the hell is she wearing?” Carol snickered to Tommy and Steve as you walked by them, heading down the hallway to your locker. 

The two gathered in on the laughter, Carol deciding to follow after you. “You gave us another reason to laugh at you.” Carol taunts as you open your locker. “4 eyes.” She whispers, erupting in laughter with the other two. 

“You’re such a nerd. And this is just the top of the cake!” You had the unfortunate luck of having an eye exam over the weekend where they prescribed you glasses. You knew this would happen. Tears welled. 

“oh look at her now she’s going to cry!” More laughter. What you didn’t see, was the hesitation on Steve’s face every time they did bully you. 

They always found something to bully you about, making your life hell. You’d met your breaking point when Carol tripped you into Steve, where his entire lunch tray covered you with spaghetti. Your blouse ruined with sauce. 

Steve started to apologize, but it was lost in laughter that erupted in that cafeteria. You were mortified and ran out of the cafeteria sobbing. 

~ 

Robin looped her arm into yours as you two headed to the parking lot where Steve was waiting, leaned against his car. 

You groaned at the sight.

 “You promised you would be nice!” Robin reminds. 

“All I did was groan!”

“It was a disgusted groan.”

As you approach Steve is all smiles, “hey, I’m Steve.”

You nod in greeting, “I know who you are.”

“Robin says you use to live in Hawkins. Went to Hawkins high.” He opens the trunk for you, “but I can’t seem to place you!” He reaches to grab your bag from you, where you’re in complete shock. He seriously doesn’t recognize you? He and his pack of goons bullied you for years!

“Huh.” You move around him to put the suitcase in yourself. “Yeah I mean you had a stick so far up your-”

Robins hand covers your mouth, “be nice!”

You lick her hand and she quickly removed her hand with a look of disgust. “Gross!” She wipes her hand on her jeans.

Steve watches the interaction in confusion, “am I missing something here?”

You turn to him with a forced smile, “I didn’t hang out with…. Your crowd.” You force out, “was typically a quiet girl in high school.”

“Ah gotcha. Yeah I was more of a jock type.” He slams the trunk closed, “did you ever come to a basketball game? I was in the basketball team.”

"Sports wasn't my cup of tea."

~

It was relatively quiet on the ride home. Robin sat in the back seat, making you sit in the front with Steve. You had to admit he smelled good, but reminded yourself he's a jerk.

"We're going to a party tonight." Robin announces.

"What? No!" You abruptly turn in your seat to look at her, "Hell no."

"Yes." She nods, "It's the annual summer bonfire."

"yes I remember what it is. I'm not going. I don't want to see all the assholes from school."

Robin groans, "No, you have to go. You have to show yourself off, look at you!"

You miss the up down look Steve gives you from the driver's side and his slight adjustment in the seat. "You should come it will be fun. Have you ever been to one?"

No because you and your goons bullied me into never wanting to leave the house. "No, I haven't."

"Then ya gotta come! It's a great party."

And that's why now you're chugging your 3rd beer down, hoping to alleviate the nerves. You recognized everyone at this party.

"Need another?" Steve offers a solo cup and you're happy to take it.

You mutter a "thanks,"

"So what are majoring in at school?"

Before you can answer a guy, who is visibly drunk and reeks of beer, stumbles into you, his hand finding your ass as he grins at you, "you wanna come home with me pretty girl?"

"What the fuck!" Before you can push his hands off you, Steve is already slamming his hands into his shoulders, "Fuck off, Bryan! What the hell man, you think you can just put your hands girls?"

"Tha hell Harrington!" Bryan tries his best to straighten himself.

"apologize to the lady."

"Fuck no-"

Steve grabs him by his collar, yanking him toward you, "I said. Apologize." He says thru gritted teeth.

The guy blubbers an apology and Steve tosses him aside, where he staggers away.

"Sorry about that," Steve runs his fingers through his hair, "Are you okay?" He places a hand on your shoulder.

You nod, "I am-but-" You're in shock, Steve Harrington just defended you. What has this world come to? You're staring up at him, eyes wide. It would be hard not to admit you felt a little attraction to him. The way he'd pushed the guy and grabbed him by the collar. You could see the muscles through his shirt.

Steve smiles, "Anyways, back to our conversation. What are you majoring in?"

Maybe Steve Harrington had changed.

[dufferpuffer]

Stealing this post to talk about the mental disability representation, tying into a post I made here about physical disability representation

What does disability representation have to do with this post...? That's what trauma is or at least can be and should be considered as such in the severe cases OP is talking about, where traumatic backstories feel strange and flat when they don't reflect on the character in a meaningful way.

It's the same thing as having a character with a prosthetic limb who doesn't show any real sign of living with one. The character isn't disabled unless they are disabled. And if you don't want them to be disabled... why give them a disability? Whether that disability is a false limb or severe trauma that has shaped how their brain functions? It HAS to change how they live...

...good disability representation is in how the character is affected by their disability, not by just existing. And that's what I would want to share with any non-disabled person who feels excitement seeing a disabled character: think about how it affects their life. Think about the choices they make because of it.

(my quote from above link B^) )

...we have enough characters who are disabled for the sake of aesthetics. For the sake of a patronizing 'aw, poor lil guy...'

Please, give your characters trauma, or any disabilities. We love it. But remember to actually make them disabled. If their parents were killed and their life placed in the care of an abusive authority - that will change the sort of human they can be. Even if they have recovered and adjusted well - it still has an effect. Remember - PTSD can change the physical build of your brain, seen on scans.

They'll react differently to things others don't. They'll make choices others don't. They'll draw conclusions others won't think of.

The funny thing is, because we don't consider trauma and other mental/behavioral things 'disabilities' as often, especially in fiction... ...there are HEAPS of quite good, nuanced and deep representation within existing characters... put there unintentionally. We just think of it as "Has a sad backstory" Instead of "suffered severe trauma and has been disabled by it".

And much like when people point out how, eg: a character may show a LOT of Autistic traits, even if it was accidental by the author simply trying to make them 'a little weird' (etc.)

By starting to actually think about people and characters in ways that aren't "Normal or weird", "Emotionally normal or emotionally unstable", "Happy backstory or sad backstory"... we get better stories AND better recognition and understanding for real people. :^)

This is not something I usually talk about, but I feel like in the character writing landscape some people mistake traumatic experiences and elements in a character’s backstory for actual character depth. What I mean is, if you only tell me that a character’s parents died and they suffered at the hands of an abusive authority and their ex stabbed them in the stomach, well, that’s cool, but how does all that reflect on their character? How did all of those experiences and the rest of their numerous life experiences shape them, make them who they are? What sorts of relationships do they have, what do they fear, aspire to be like, love and hate (other than exes stabbing them in the stomach)?? Those are questions that are not answered with what happened in the past. Similarly you could make a character that literally had nothing bad happen to them ever in their whole life and I think you could “still” make them very interesting and extremely fleshed out and feel as real as you want to. There are several ways to make people care about characters!

[emmemmelyn]

How to shift realities right now using the law of assumption

This is a guide that I put together myself using all of the knowledge and wisdom that I've accumulated over the past three years of studying the law of assumption including my experiences using the law with reality shifting!

Going Back to the Basics

What is the law of assumption?

The law of assumption is what you believe is true is what you will see and experience in your reality.

We are creators who are meant to create. Where creation starts is from imagination/the 4D. And what is from imagination/the 4D gets reflected out into the physical/the 3D. In other words, what you see and experience is a reflection of what goes on in your mind (the thoughts that you have and continue to think, the beliefs that you have that you took in from the people who you were surrounded by when you were a child, and the assumptions you formed in your own mind).

For example you believe that you have to work hard to be successful. Because you believe this what you continue to see and experience is you being successful only after working hard.

Another example is you believe that something that you own is a lucky charm and makes you lucky when you carry it around. Because you believe this you see and experience that you are lucky whenever you carry that item around.

How do you manifest using the law of assumption?

Actually, you are always manifesting using the law of assumption. You are just unconsciously doing it. To consciously manifest using the law of assumption you change what goes on in imagination/the 4D by being the person who has what they want already in your mind by knowing what you want, knowing that you have it in your mind, and receiving it in the physical/the 3D.

How do you manifest shifting to your desired reality using the law of assumption?

Let's apply the three steps that I mentioned above to shifting realities specifically...

Step One: Know what you want.

This would be wanting to shift to your desired reality.

Step Two: Know that you have it.

Know that you have shifted to your desired reality already in your mind and be like how you would be long after you have shifted to your desired reality. How would you think long after you have shifted to your desired reality? When you think about your desired reality and living in it how fulfilled would you be?

If you like using manifestation techniques and believe that it helps you then do ONE of these things to "know that you have it":

Go through your day and night affirming and/or visualizing that you have shifted to your desired reality already and you are in your current reality right now because you choose to be.

Go through your day and night affirming and/or visualizing that you have shifted to your desired reality and you are living in your desired reality right now in your mind. (For example, if you are shifting to Hogwarts then while getting ready in the morning in your current reality you would think to yourself, "I can't wait to meet Luna later to go shopping at that crystal shop she was talking about.")

Remember, you are doing all of this IN YOUR MIND.

Step Three: Receive it in the physical/the 3D.

You experience shifting to your desired reality and living in it in real life.

When you stay in the state of already having shifted to your desired reality without having doubts and without wavering long enough then you will experience shifting to your desired reality and living in it in real life (wavering by the way is going back and forth in your mind thinking, "I have this," and then thinking, "I don't have this.").

That's it!

From the moment you want something you have it. From the moment you wanted to shift to your desired reality you shifted to your desired reality. Manifestation is instant. You can manifest things fast. Having this belief that you cannot is only because of conditioning, because of what you believed when you were a child from the people around you and from society. Also, time is an illusion. This is because you manifest your desire the moment you get into the state, the moment you believe that what you are telling yourself is true.

Furthermore, manifesting is easy and natural. You don't have to know how things will manifest in the physical/the 3D. That is not your job. Your job is to know that you have what you want now. Know what you want and go through with it in your mind long enough until it manifests in the physical/the 3D.

Other Things to Note

I know that most of us like to use shifting methods (myself included lol), so this portion is for those of you who do! You DO NOT need to use a shifting method to shift to your desired reality, but if you believe that using a shifting method will help you to shift you to your desired reality then do this...

When the time comes to use your shifting method believe that you will shift to your desired reality after using your shifting method.

If you see in the physical/the 3D that you don't shift to your desired reality after using your shifting method..that's okay. Don't be so hard on yourself. Keep acting as if.

Affirm and/or imagine that you have shifted to your desired reality:

"I shifted to my desired reality."

"I woke up in my desired reality."

"I opened my eyes in my desired reality."

Then, go to sleep knowing this or go on with the rest of your day or night continuing to know that you have shifted to your desired reality already in your mind.

Your subconscious mind cannot tell the difference between what is real and what is not real so as long as you keep telling yourself the same affirmations (affirmations are just new thoughts that you want to have) then your subconscious mind will eventually take it as true and they will be your new assumptions or beliefs. And because your assumptions or beliefs create the physical/the 3D you will eventually experience shifting to your desired reality.

I hope this helped any shifter out there in some way!

With love, Emme

[violent-viscera]

my true (respectful) thoughts of arcane s2

so much of the promotional material promised so much in the way of vi and jinx/powder and their sisterly relationship, but i feel like with the amount of storylines/plotlines they did in this season, it was just too busy to focus on anyone–let alone the two supposed protagonists of the show. i think the best way for me to articulate how i feel about the writing of this show is that it fell flat, lost its heart, and emotional impact of the first season.

i would have been okay with them straying from my personal favourite focus if:

the storylines had been fleshed out better

the decisions the characters made actually made sense

main characters didn't become plot devices (vi)

new additions of the show weren't just plot devices (isha, loris, maddie, etc.)

motivations of characters made sense

characters had even small lines/dialogue to articulate their intentions/ideas

less time spent on off-screen development

and the thing is with the amount of plot lines they were ambitiously aiming to see out to fruition, its really hard to also set up all these new facets or opposing characteristics in former characters–plus adding new ones too. for example:

caitlyn's facist arc that didn't really have much meaning or attention

jinx's s1 mental collapse which changed abruptly into her redemption arc via isha (plot device)

jinx's revolutionist arc (first, reluctantly and then, willingly w ekko)

vi's pitfighter/brawler arc which was literally just one clip (which ended up being a teaser that showed everything)

im almost grateful to the minimal screen time ekko got bc they didn't try to change the core and essence of who he was in s1: he stayed true to himself. he's just a boy with a huge heart and love for his people that chose to leave his happy ending in an alternate timeline to return to the ppl who needed him where he is almost guaranteed heartbreak in some way or another.

i think the main reason so many ppl loved the first season was bc the characters were relatable in one way or another and they became so multidimensional when you explored how their environment/circumstances shaped them. but this season bc it was so purely focused on the endgame instead of HOW everyone got there, the characters fell flatter, they lost a soul and heart, and i felt the show lost its charm.

i know we all have our favourite characters and storylines we want the show to focus on and i would have been okay if i didn't get my way. if the show didn't focus on jinx and vi, i would've lived (although the promotional material was unfairly misleading) if the storylines, characters, and everything else made sense to me.

of course, the animation was lovely and the music was catchy/heartbreaking. i dont regret watching the show out to its final episode. it was one of the most beautiful visual experiences of my entire life. i still love the characters and will never regret staying on board until the final moments.

but i cant lie and say im not a little sad at how it ended too.

edited add-on:

also, the voice actors did phenomenally. ella purnell just absolutely nails the delivery for every line and reed shannon also hurt me with how he portrayed ekko. so on and so forth.

but that being said, i also felt the dialogue and lines of each character felt much less impactful this season (again, writing.)

i liked viktor’s monologue at the end of act 2. that was compellingly well written

but the lines this season weren’t the same quality as silco’s monologue about drowning, jinx’s speech at the beginning of the doomed tea party, etc. everything just felt so flat and shallow this season overall.

[cursedextrovert]

People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

[qu0thther4ven]

Shifting Success ♡

Last night before going to bed I did a meditation on youtube and felt pretty good about it. I had tried it once the night before and it gave me crazy dreams which I associate positively with shifting. Last night I had another crazy dream. At some point during the dream I became lucid, however because the dream was so scary I didn't want to try to shift through it so I just woke up instead.

Scary dreams tend to stay in my mind, but lucid dreams always make me feel really powerful so after lucid dreaming I decided I would shift. I was sort of half asleep at the time but felt very confident that I could do it, so I just decided I would, said so, and went back to sleep.

The bad thing is that I didn't really decide where I wanted to shift to and instead because I had been thinking about that bizzare dream I had just before I wound up becoming aware of this strange reality that was like sort of related to the dream that I had just had.

Because I had lucid dreamt just before shifting I can say with complete certainty that they are entirely different things. They felt so so different, my dreams can get pretty realistic too but it's not like actual living. However shifting very much is actually living. It was such an odd experience honestly.

I woke up and I knew that I was like actually awake and not just in a dream again. I was in a bedroom that I knew distinctly was mine but was nothing like my cr room. Two of my siblings were in the room and they were the same age as me which was super weird since in my cr we are all pretty scattered age wise.

Some of the things that really confirmed it for me were my memories, comfort, and perspective. When I looked around the room I remembered random things about the items in there just like I would in my cr. The best example was when I was talking to my siblings and gathering clothes to change out of my pajamas and I distinctly remember looking through the underwear drawer of all places and looking for one of those pairs with like the day of the week on it of all things.

The fact that I not only knew that I had those without ever seeing them but also that while I was looking my mind wandered to a memory of when I went shopping with my friends and we all thought it would be funny to buy those and so we did. My mind wandering like that is something that happens to me a lot in my cr but never in my dreams.

Another thing that really struck me was the perspective. Real life as we know it is lived through first person on a day to day basis. Often in my dreams the perspective will shift rather like a tv show or movie. I can't remember a dream that I have ever had, lucid or not, where the perspective didn't shift or things didn't distort oddly. But that didn't happen to me at all, it was all real and tangible and first person the whole time.

Anyway this is getting way too long but I hope it's helped someone. After almost five years of trying (i know crazy right) I have shifted. Was it to where I wanted? no. Did I decide to come back as soon as I recognized what was going on cause I got scared? yes! but I still did it. And now I know that I am capable, and that's all I really need.

[a-dragons-journal]

i don’t think my words hold much value to people like you, and i don’t think you would be willing to listen or take it to heart, but it’s still worth trying. i would like you to realise that you are human in every way. you are not an animal, you are not a dragon. (you probably already know this. maybe you’re in denial. i don’t know) either way, none of you would actually be willing to give it even a second of thought because you’re insecure about yourself, and you’re insecure because you know you’re human. i assure you that you will not reach full personal contentment until you live out your life without pretending to be a mythical creature. wtv have a good day

Ooh, I haven’t gotten one of these asks in a few years.

So I ask this, and every other question I will follow up with, completely genuinely, and if you’re willing to really get into the weeds discussing it I’d love to do so (though I’ll probably reblog any follow-ups to my other blog): why do you think you know me and my experiences better than I do?

Why do you think you can armchair diagnose me with insecurity? What evidence do you actually have for that, besides the fact that I’m nonhuman? What evidence do you have that I’m not already content and fulfilled in my life?

Is it possible that identifying as nonhuman is unrelated to those things entirely, and you’re making a false assumption?

I get it. It looks crazy, when you’re completely new to the concept. It’s weird - it is! But pause and listen to us when we talk about our experiences for a moment.

For many of us, myself included, finding nonhumanity is a moment of suddenly understanding - of pieces falling into place, of my life experiences suddenly making sense. Awakening is something that made me more content and fulfilled, not less - there’s a sadness in it sometimes, yes, but so too is there the comfort of understanding yourself in a new way, of realizing, oh. I’m not just weird. There’s not something wrong with me. There are other people like me.

(If this sounds a lot like the experience of figuring out you’re queer, there’s a reason for that.)

To use myself as an example of the flaws in your hypothesis: there’s… honestly not much dissatisfaction with my life right now. I’ve got a stable job with decent income. I’d like to be able to cut back my hours a bit, but that will come in time. I’ve got enough free time as it is to do my art and play my tabletop games with friends in my off time. I’ve got family and friends around me. Sure, I miss my wings, but I’m hoping to pick up powered paragliding in the near future and hoping that’ll scratch that itch at least somewhat. I’m doing pretty well, honestly. This isn’t the case for all otherkin, but it’s not the case for all orthohumans (people who aren’t alterhuman in any way) either. What it does indicate, however, is that your hypothesis that being otherkin inherently means you’re insecure and unhappy with your life is false, or at minimum flawed - if it were true, I wouldn’t exist.

So, I ask again: why do you think you understand my own experiences better than I do? And moreover, why does it bother you so much that I am the way I am?

The name for the thing you’re doing here, intentionally or not, is concern trolling - trying to push me out of an identity by professing concern for problems that don’t exist. Why? Why are you going out of your way to tell other people they’re wrong about their own identity? Why is your reaction, when you see an identity you don’t understand, to decide it’s unhealthy, or just make-believe, or whatever, and then to make that the problem of the people who identify that way? What exactly makes you think this is inherently unhealthy?

Would it not be better to devote that energy to trying to understand us, instead of trying to change us?

You don’t have to answer these questions to me, obviously, but I do encourage you to answer them to yourself at least. Pick apart your worldview for a minute and see if it actually holds up under scrutiny - it’s good for you, and mental enrichment to boot! If you are willing to really get into the weeds of this discussion with me, again, I’d love to do that - I love having discussions like this, and it’s good for me to have my worldview challenged every so often too! Please, genuinely, pick at the flaws in my logic if you see them - if it can be pulled apart under scrutiny, it needs to be pulled apart and rebuilt. No one on the internet is obligated to let a stranger do that, obviously, but personally I enjoy it - it’s a meat pumpkin for me - so let’s talk, if you’re up for it. It’s been a hot minute since I’ve gotten a good interesting antikin to debate with.

[walnut-tries-too-hard]

Session 6 double up info dump

Ok, so I'm obsessed with this idea. So it's time to share all of my thoughts on this headcannon.

There was a lot of panic, naturally. For one second, they're humans. The next, they're all knew hybrids.

Grian

-Grian had no idea that people's hybrid traits would be affected by the wild card.

-He knew that the animals would all be swapped but, when everything died, Skizz and Scar started freaking the fuck out because Grian all of a sudden didn't have wings.

-There were they dots, and then boom. He's a creeper like Doc.

-How Doc never exploded was an absolute mystery. Just the stress of Skizz and Scar alone nearly made him explode.

Renchanting

-Ren didn't immediately notice that he wasn't a dog. It was after Martyn started to freak tf out that he realized his hearing was VERY different. And he didn't have a tail.

-That was a fairly easy adjustment aside from this new strange instinct to fly??

-For Martyn, he suddenly had to keep himself very chill, lest he burn down their base. Again.

-Everytime Ren was a different hybrid he changed up his full title. Rather than Rendog; there was Renmoth, Rensheep/Renram, Renbird...ect.

-Those are actually all the differnent versions of Ren I went through trying to draw him.

-Martyn spent a lot of time with Tango trying to figure out how to handle the fire.

General/misc.

-Scott went from creaking, to human, to siren. Lovely whiplash. No flashbacks to limited life, what do you mean?

-Tango was struggling the whole session. He was already cold in the overworld but that was helped with jackets and all that. Now he was physically cold and he didn't know how to fix it. Why were overworlders so cold?!

-All of the lifers were used to being red with their typical hybrid traits. The red lives were a little more out of control than usual.

-Many people, such as Tango had to get used to not having a tail. His balance wasn't as bad as say...Impulse. He's a big guy, who'd depending on his tail far more than he thought.

-The very first change up Cleo got was being a dog. I guess you could say...DoggyCleo? (I'll see my way out). Scott jumped at the image of them as a human, as is. As a dog like Ren? Yeah, that was a surprise.

-Joel was just chilling then there was a poof around him and his ogre traits were gone. Not like he noticed. His wolves were dead.

-It was the same case for Bdubs. He was more focused on his horse. three dots and then it felt wrong to be in the sun. It even hurt a little bit. It took Joel looking over to realize he was looking at a phantom hybrid.

-People were willing to help each other to understand being a certain type of hybrid, like I said with Tango helping Martyn, and Scar definitely giving helpful advice to Joel.

-Sheep Ren at some point got stuck with goat Scar and bull Bdubs. They couldn't help from bonking into each other. Explained Zed, Beef, and Doc.

I'm obsessed with this idea, if you can't believe it.

Feel free to leave questions or request about this

[writing-for-life]

@embervoices , I had to put this in a reblog because it got too long for the comments (brevity is not my forte 🤣):

Yes yes yes! I’ve got several metas that riff on exactly the points you mention, also Desire not being the straightforward villain so many think they are; you’ll find them all in my meta-library:

(please don’t feel you need to read them though)

Or rather: If we look at the Endless conceptually instead of seeing them solely as, well, “not human but still people”, we get to a deeper meaning that will otherwise stay inaccessible. It starts with *when* Desire and Despair first enter the scene in the main run (right after The Sound of her Wings, when Dream… well, hears the sound of her wings 😩). The “big sister sets his head straight” is a valid surface reading of #8, but it’s also just that—a surface reading.

You can’t love and be close to Death if you don’t feel drawn to death.

Death can’t advise you without also being her function. She *is* death. The literal thing. And I’ll never tire of saying it, because every time he listens to her in the whole run, he gets closer to her in the real sense.

And another unpopular opinion: When NG coined the pithy phrase that one must change or die, and that Morpheus made his choice, he didn’t mean he just chose death (even if a felt 80% of people seem to read it like that, but that might just be what I see on my feed—other people’s mileage might vary). They were never to be read as mutually exclusive—it was always both. Because metaphorically, something needs to die to change—a viewpoint, a habit, a set of beliefs. And yet, it doesn’t entirely disappear. That’s exactly what happens—omnia mutantur, nihil interit. And Dream is the Prince of Stories—of course he relates to everything via a narrative *he* spins (he can deny it all he wants).

And yes, you can absolutely desire death—I just think it’s so poignant that we meet Desire and Despair for the first time in #10, and also that they show as the twins on this occasion.

And then there is Brief Lives, when Desire (which is *also* a life force, and that’s important contextually in several arcs) actively pulls out of the scheming in more than one way: Dream even says, verbatim, he has no desire to “do this”, when he usually avoids even the word like the plague (and if he hadn’t done it, the ending might have been different, but that would have also been totally past the point). But the influence of his other siblings, or rather how he relates to them, is far more devastating in that moment. And while they all try as siblings, they are also their function. And in their function, they are NOT helping—again, it’s so obvious if we just look at when and how they show up for him:

Delirium made him go on the trip to find Destruction, Death told him off and made him change his mind when he had already abandoned the plan, Destiny advised him but also didn’t because he is what *must* happen either way, and Despair only showed up for him after Orpheus’ death.

Funnily enough, Desire, despite all their scheming, was always the only one who saved his ass (maybe not always for the most unselfish reasons, but they did it anyway). Not just once. Several times over. Overture is all I’ll say (during the actual events of Overture, but also in the flashback to Alianora’s story).

It’s all incredibly clever and heartbreaking at once…

”But He Loved, He Should Have Been Forgiven”

About Free Will, Responsibility and Agency: Lucifer and Dream as Foils

Did I finally jump on the Lucidream/Dreamingstar bandwagon? No, don’t panic (or be eternally disappointed 🤣), because that quote is actually from “Murder Mysteries”, a short story that also exists in comic form (drawn by P. Craig Russell). And while it isn’t officially part of the Sandman Universe (or even DC), I always saw it as somewhat of a blueprint of how NG (re)imagined Lucifer’s Fall. There is enough in Lucifer’s characterisation in the Sandman that makes it quite plausible as a sort of backstory, especially since it was written when the Sandman was still in full swing. But more about that later…

I’ve long wanted to write a meta about Lucifer and Dream as narrative foils, and since I’ve finally started clearing out my drafts, this was a good one to do right now because we are currently discussing “A Hope in Hell” in our community (join us!). Although I have to admit that this one is rather about what transpires when Lucifer decides to abandon their realm in Season of Mists...

When Lucifer learns of Dream's impending return to Hell to finally release Nada, it solidifies their own resolve to leave (I use they/them pronouns because of the show although comics!Lucifer is male presenting apart from the plumbing and also referred to as he/him). By the time Dream arrives, Hell is nearly deserted, with Lucifer basically expelling its last inhabitants. Lucifer tells Dream they rebelled long ago, and that they are not willing to “pay for that one action” anymore. And the most profound truth they share with Dream is the nature of ultimate freedom—the freedom to leave. This is also brought up many issues later, when Lucifer says to Delirium, "I told him, you know. I told him years ago… I told him that I owed him much for having given me the impetus to go. I told him there was always freedom, even the ultimate freedom. The freedom to leave. You don't have to stay anywhere forever.”

And that’s just… ouch. Not just because it so clearly shows that Morpheus also could have left had he just chosen to (then again, he wouldn’t be Morpheus if he had, and even more “then again”: he did in certain ways), but also because we generally see Lucifer as an antagonistic force. But here, they express something akin to gratefulness. And maybe even a hint of regret that Morpheus didn’t also choose the same way. They feel almost sorry for him (my guess is they actually do, and I can never forget their face at The Wake). But what do you do if even freedom feels like a cage?

All of this ties in neatly with the crucial truth about Hell Lucifer reveals: People are there because they choose to be (and that Hell doesn’t need to be a physical place: We can make our own—any place, even in our own minds).

...this is where you wanted to be.

Lucifer explains to Dream:

"Why do they blame me for all their little failings? They use my name as if I spend my entire day sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The Devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them.”

He continues, “and then they die, and they come here (having transgressed against what they believed to be right), and expect us to fulfil their desire for pain and retribution. I don't make them come here. They talk of me going around and buying souls, like a fishwife come market day, never stopping to ask themselves why. I need no souls. And how can anyone own a soul? No.

They belong to themselves… they just hate to face up to it.”

Which brings me to one of the most important messages (one of many) of the Sandman: People must take responsibility (and in this particular case not only for their lives but also for their afterlives, which is also a recurring theme). Each person's soul is their own, and no one can take that away. Paradoxically (or maybe not), as Lucifer abandons their own responsibilities, they urge people to take responsibility for themselves: You can drop said responsibilities, with all that entails, as long as you also take responsibility for the fallout.

So what about the wider question of free will then?

Let’s look at Lucifer's rebellion and fall for that, because both raise a lot of questions. Dream tells Lucifer that he remembers them as passionate, and Lucifer responds, “I cared about so many things. I suppose that was why everything began to go wrong. You know… I still wonder how much of it He planned. How much of it He knew in advance. I thought I was rebelling. I thought I was defying His rule. No… I was merely fulfilling another tiny segment of His great and powerful plan.”

And this brings me right to NG’s short story “Murder Mysteries”, which isn’t really officially part of the Sandman Universe, but also… it totally is 🤣. In it, pre-fall Lucifer witnesses the destruction of an angel who killed another angel they loved. Raguel (the angel formerly tasked with said destruction who now walks on earth, coincidentally mentioned in the panel above as one who might also have rebelled) narrates, “‘That was not right. That was not just.’ Perhaps Saraquael was the first to love, but Lucifer was the first to shed tears."

Later, it is revealed that God orchestrated this situation to push Lucifer towards rebellion. God needed an adversary to run Hell and says, “Lucifer must brood on the unfairness of Saraquael's destruction. And that—amongst other things—will precipitate him into certain actions. Poor sweet Lucifer. His way will be the hardest of all my children; for there is a part he must play in the drama that is to come, and it is a grand role.”

Lucifer was basically set up by God, and this somewhat revisionist interpretation of their rebellion and fall opens up larger questions about free will, agency and destiny.

Because although Lucifer's actions were influenced by God, they still carried them out and are therefore fully responsible for them. And by choosing to abandon Hell, Lucifer was taking responsibility for their own life. They faced a choice: remain in Hell as a shadow of their former self, or move on and make peace.

This fragile peace is illustrated at the end of "A Season of Mists," when Lucifer and an old man are conversing on a beach. The old man, despite having lost everyone he loved, remarks that any God who can create such beautiful sunsets couldn't be all bad. After the man leaves, Lucifer admits (basically to God), “He's got a point. The sunsets are bloody marvelous, you old bastard. Satisfied?”

And in a way, even Lucifer comes to terms with their past once they take responsibility for it.

In a way, this mirrors Dream’s arc to a tee. One could certainly argue that he was set on his path by forces outwith his control: Whatever had to happen in cosmic terms was always bigger than Dream. The Fates also held a grudge against him and Orpheus, for more than one reason. Orpheus did make the Furies cry, and they never forgave him for that. Crucially though, he was also responsible for his own actions and carried them out. Only that Dream’s choice was ultimately a different one—or was it truly? Because what is the exact definition of “walking away”? He certainly did not abandon his realm like Lucifer because he ensured it was taken care of. There is no devil-may-care (no pun intended) attitude, because even when choosing death, Morpheus does care about his realm and the dreamers. Deeply.

It is the sole reason why the ending we get is the ending we get, and why we have Daniel as Dream in the end. And while Lucifer takes responsibility for their own life, Morpheus takes responsibility for his own death. But both Lucifer and Morpheus faced a choice: remain on their paths as shadows of their former selves, or move on and make peace. And both chose the latter.

And one takeaway for us, as the readers, might be that if we find ourselves in an intolerable situation, we can always walk away, even if the price may be high. This brings us back to the theme of freedom:

The price of freedom is taking responsibility for our lives, even if we haven't been fully in control of them. The freedom to walk away might not be the ultimate freedom, as Lucifer suggests, but it is significant.

Free will in the Sandman is a topic of debate, and I tangentially wrote about it before:

Destiny carries a book that contains everything that will happen to us, all there was, is and will be. Most of all though, it contains what must happen. One could say that in this universe, there is a strong element of predestination involved. However, complaining about a lack of free will and just pointing towards Destiny’s book also misses the point:

In the end, our lives are always our own (which is mentioned several times, directly or in a roundabout way: in Façade, in Song of Orpheus, in Brief Lives, in The Kindly Ones, in The Wake).

Your life and your death are your own

Some of us might have more to overcome than others, but the sooner we accept our unique challenges (which is not the same as being passive), the more we will focus on what we can change—or what we can meet with forgiveness and (self-)compassion.

Destiny and freedom as opposite sides of the coin matter far less than what we do with them…

[smiley-mcdoggington]

Uhhhh what if Stan called like a year before Bill and Ford broke up but Bill was the one that answered the phone. TW SUICIDAL TW STANCEST!!!!!!

Stan's stiff fingers could barely feel the quarters he dragged to slot into the payphone. Three, one after the other. 75 cents. Not enough for a hot meal, not enough for more than a few miles in his car. Enough to change what was in his wallet from a side to a meal but on their own the coins didn't matter enough. It was okay, he just wanted to hear Stanford, that was worth more than 75 cents.

He felt the bones in his fingers as they pressed into the cold metal numbers - it was supposed to be warm in Florida, why the hell was it so cold? He didn't have to pull out the scrap of paper he'd written Ford's number on years ago - he knew it by heart, even if he kept it in his pocket anyway.

The phone rang twice before it picked up. "Yellow?" Stanford's voice intoned chipperly. No 'Dr. Stanford Pines' residence', no 'What's the purpose of this call?'. It was friendly, familiar. Was he waiting for someone else to call? Had he been waiting at the phone for someone and got his hopes up when it was only Stan?

Stan almost took the receiver away from his ear, almost put it back and wasted another 75 cents when Stanford's voice said, in the most knowing way: "Stanley."

Stan didn't know how Ford knew it was him - was he breathing too loud? Had he muttered something? Was this habit of his catching up to him? Stan tried to force his throat to open enough to let a word slip free, but then Stanford spoke again.

"You want something, don't you?" His voice didn't match the accusation, but it still made Stan wanna hurl.

"No-- I didn't - that's not why I called, I ain't some--" He lied through his ill-fitting dentures until Stanford cut him off.

"But you do want something. You want everything. You want S-- my attention. You want money, you want luck, you want a boat and you want me to drop everything so that my life can become providing you those things, don't you?"

"Moses - No, Ford! That's - I don't." The phone booth around him felt very cramped, and the light inside with the dark outside made it impossible to see outside the tiny space. "I-I just called to talk, okay? Nothing else, I swear." He felt like a kid pleading his case while already laid out on the curb.

"Talk, yes, you're a real talker, Stanley. I always hated that when we were little, you know, it was like I couldn't even get my thoughts out before you were blabbering on, taking all the attention you could grasp for while not saying a single thing of importance. But you can't talk your way out of being a bum, can you, Stanley?"

Stan wanted to hang up but at this point he was sitting on the cold ground letting the cold crawl into his skin and the hook was just out of reach. Ford knew? Some feeble, tiny part of him had always thought - thought if Ford knew how he was actually doing then Ford might care. That he was doing a good thing by not saying anything to Ma so no one would worry. But Ford knew. At least he knew part of it. He knew Stan was huddled in a phone booth spending some of his last quarters on a phonecall before going to find a side road to park in to sleep. Ford just didn't care.

"How much do you know?" The anger tried to reach his tone but the lump in his throat made the question a strangled whisper.

"Oh, I know a lot of things, Stanley Pines." Stanford's voice crooned mockingly, so clear over the phone it made Stan sick. "I know you've been living in your car since the day you were kicked out. I know you've got some interesting people tailing you. I know you've used that trick you learned with your tongue when we were fifteen on more men than you can count for pocket change so you could listen to me breathe for a minute." He said, tone so unaffected it made Stan wonder if the conversation was even real. Then Stanford said something that had his gut rolling.

"I know you didn't mean to break my machine." He said, so casually, as if he'd never thought he did it on purpose. "Of course you didn't - a plan like that to get me to stay close enough you could leech off me? You couldn't even think of something like that, could you, Stanley? No, you didn't mean to, but when it happened it clicked in your little pea brain that you'd get everything you wanted if you just let it be for once. So you let it happen. So I simply repaid the favor - let Dad beat your greasy face in and then throw you to the wolves. Your eyes for an eye, as the saying goes--"

"Fuck you." Stan spat, voice raw, thoughts scattered like broken glass.

"I think you've done enough fucking for the both of us, bruiser." Ford said amusedly. "Don't call again, your existence is a distraction I don't care to feed."

Stan wanted to say something - anything. But then the phone buzzed. Ford had hung up.

Stan screamed, throwing the receiver against the wall of the phone booth before leaving it to dangle while he threaded his hands in his hair. Ford knew everything - he knew everything and he couldn't give less of a fuck. Like he wasn't his brother, once. A brother that apparently talked too much around him but a brother regardless.

Now he wasn't anything to Ford, just a nuiscence on his land-line. Stan could die without a home or a family and Ford wouldn't care. Ford might even appreciate not getting the phone calls.

He thought of the revolver in his glove box with only one bullet. But he couldn't, today, because today's a Wednesday and Ma used to say it was her favorite day of the week because her soap opera that'd been running for as long as he could remember always had new episodes on Wednesdays and Stan and Ford would stay up half an hour past their bedtime to sit and watch the new episode with her. He couldn't ruin Wednesdays.

Could he even ruin Wednesdays? Or would Ma never think about that? Would she be glad, too, to not have the distraction?

He got up, and walked to his car. He couldn't feel his legs, or his hands, but he didn't think the cold had anything to do with it.

He sat down on the driver's side, and looked at his glove box.

Somewhere, on the other side of the country, a man with yellow eyes giggled as he sunk a fork into his hand over and over and over again, watching through the eye of a one-dollar bill as Stanley opened his glove box.

[kseniyagreen]

Some thoughts about Li Lun's arc and the meaning of the drama.

Life is full of contradictions, and my relationship with FoF has its contradictions too. Not all moments feel right, especially on closer inspection. And this is actually a very common story with works heavily laden with the author's idea. Under this thought that the author wants to express, some plot lines inevitably bend and the character arcs are distorted.

But I want to point out one thing that - in my subjective opinion - is missed when people talk about the lack of development Li Lun's redemption arc.

The point is that Li Lun doesn't have a redemption arc because there shouldn't be one in the entire concept of the drama - not just Li Lun, no one has one. This drama is fundamentally not about redemption at all.

Li Lun's problem is not that he is wrong about people. He actually sees people quite accurately. In a sense, he sees the world more clearly than others - it's not for nothing that he has a "true eye". And that is his tragedy.

Because the message of the drama, clearly voiced in another context, is "he sees things with his eyes but does not see with his heart".

Having received the true eye, he gained the ability to see reality as it is - with the darkness of human hearts, with injustice, separation, the inevitability of death. But reality as it is is unbearable - that is why we dream, and that is why the theme of dreams occupies a central place in the drama.

The theme of the sea of suffering reminded me of a poem by Yosano Akiko:

"They told me that the road I took

would lead me to the Sea of Death;

and from halfway along I turned back.

And ever since, all the paths I have roamed

were entangled, and crooked, and forsaken."

Not only Li Lun, but all the characters from the very beginning are moving towards the sea of death, and this is the main content of the drama.

Having realized that reality has no meaning - what can you do? Stomp your feet and break toys like a child - what Li Lun did. Drown in despair and crawl towards the cemetery - what Zhao Yuanzhou did in the beginning. Adapt to this cruel reality to the point where you cannot die because you no longer really exist - what the main villain did and Li Lun tried to do.

Or you can try to create your own meaning in this meaningless world, contrary to laws and logic - which I see as the message of the entire Zhuo Yichen's arc.

So, returning to Li Lun, the point of his arc was not to atone for sins or sacrifice himself for the greater good. But to realize that there are still things that are important to him in this world, even if they are broken, and there are things that are more important than physical survival.

How organically and logically this line was drawn in the drama is a debatable issue. I must admit - I also miss something in Li Lun's line. As well as the fact that in general the drama often forcibly pulls the characters' lines under the cruel rule of this world "a demon can truly be himself and follow his heart only on the threshold of death." The authors sometimes didn't try hard enough to justify such a radical situation.

But I still love this drama - more like a poem than an adventure story. Poem about death and dreams and person's will that is trying to pull this impossible dream through the reality of death.

Sometimes, in order to wake up in reality, you need to accept the death of a dream. But if a dream becomes more valuable than reality, if you are ready to hold on to it at the cost of your physical existence - sometimes you die with it. But sometimes a dream lives on after you. And sometimes a dream shared with others changes the world a little and gives you a chance to survive in spite of fate.