#script adaptation

[extendedcyrillicblog]

Е́ꙅтендид Сири́лик ѣ́лфъбет фор И́нглиш Юз - Вържън 1.0

Extended Cyrillic alphabet for English use - Version 1.0

Hi, I'm Max. Whoever reads this (thank you!) might have noticed that my blog is currently a complete, confusing mess, which I promise is not intentional. My intention with this project was to create an alphabet that could be used for multiple languages, including but not limited to English, Spanish, my native Portuguese, and of course, Russian, however that's way beyond whatever a potential audience for the blog would even be interested in for the most part. As such, I am making this list of characters and phonemic examples which may be more useful than the previous tactic of throwing a complete list of letters at you and hoping you know which ones you'll want or need to know. You will notice some new decisions that are different from the ones I made before, these were made after much consideration of what has been useful and practical for me, both in my own physical writing and while using a few of the many available Church Slavonic keyboards on my cellphone and computer. Enjoy!

P.S.: As a basis, I've generally used the Shavian alphabet, which has a list of phonemes George Bernard Shaw thought needed to be distinguished through letters. I did take the liberty of slashing most diphthongs, except for those that occur most frequently.

P.P.S.: Sidenote, if you want to evaluate if a letter might have been a good choice or not, try writing the words provided as examples using this alphabet.

Vowels:

This was the hardest part, any corrections and suggestions are welcome :)

А as in Art

/a/

Ѣ as in Axe

/æ/

Ъ as the E in The

/ə/ /ʌ/

Е as in Enter

/e/ /ɛ/

И as in Inner

/i/ /ɪ/

О as in Option

/o/ /ɔ/

У as in the oo in Good

/u/ /ʊ/

Vowel length is marked through use of a macron (ex: “ooze” becomes “у꙼з”) or by simply doubling the vowel letter (ууз), as convenient.

Diphthongs:

Є as the the A in Maid

/eɪ/

Ю as the U in Use

/jʊ/

Ѧ as in Ice

/aɪ/

Ꙋ as the O in Social

/oʊ/ /ow/

——————

Consonants:

This was the easiest part, if you disagree with me you should simply explode :) /s

In all seriousness, it was pretty hard to decide how to present the consonants, and some choices did have to be made (гуудба́і, һ :( ), but in the end this is what seemed best:

Пп as in Peer, Бб as in Bright, Тт as in Trust, Дд as in Dream, Кк as in Care, Гг as in Good, Ꙅ as in NecKS, Фф as in Ferry, Вв as in Veil, Ѳѳ as in THistle or THat.

Сс as in Sum, Зз as in Zoom, Шш as in Sure, Жж as in aZure, Чч as in CHeck, Ꙉꙉ as in Judge, НГнг* as in thiNG, Хх as in Help, Іі as in maY, Ѵѵ as in Work

Лл as in Luck, Рр as in Realm, Мм as in Much, Нн as in Name

* НГ is a tricky bitch. You might ask yourself, why would you use a digraph as a single letter? And the answer is I don't want to! A ligature of these two exists in Unicode! But the Gboard Old Church Slavonic keyboard, which I'm using for the moment, doesn't have it :(. This does highlight the problem of different keyboards not having it as part of their system, so if you want to use them as a ligature or as separate letters, it's fine.

[kursed-arcana]

How the dub script fails Nina The Starry Bride specifically

I want to call the English dub script adaptation out specifically. Flipping through the manga for vollume 3 reminded me that the author notes at the end deliberately explain the modern language choice was chosen for this fantasy series. Part of the significant issues with the dub script that are affecting the performances of the cast are word choice leading to incredibly awkward sounding sentences. It's important to be familiar with the tone and world of series when writing, especially if adapting something from another language. The overall formal language lead to the kings character coming off entirely wrong in several scenes where he should of been warm and informal with Nina. While the performance itself was lacking, the script certainly didn't help. Decides like what kind of language to use are often intentional and help flesh out fantasy worlds. Deliberately changing things from the more modern language of the manga can lead things not being portrayed as they should. It's important to know a series aesthetic properly instead of reducing it a trope based on your own assumptions.

Please never use a trash word like respite in this series ever again. Literally bottom of the barrel word choice. Have to complain about that word specifically cause it's been bothering me since I had the misfortune of hearing it leave Azure's lips

[devsquared]

Confession time: I know it's heresy but I don't really like the Comedy of Errors. It's Twelfth Night without the wit and darkness

So currently we're in the version of things where I try to adapted a modernised, one-man, Staged-inspired screenplay version of Twelfth Night.

Do I know anything about screenwriting?

No

Do I know anything about cinematography or film or media production?

No

Do I know anything about videography or editing?

Absolutely nothing whatever

Will my eldritch depths of my ignorance about every possible aspect of this project stop me from spending months trying to learn just enough to hash my way through it?

Sadly, also no

[lucabyte]

A belief in Nominative Determinsim

[torvagatai]

I really do think this is the beginning of the end of Netflix book adaptations. What author is going to sign with Netflix over any of its competitors, knowing that they'll likely be cancelled early without closure? Or, even worse, that their story will be scripted but never made and the rights never sold on? Far better to accept a lower deal from a smaller streamer, but earn more publicity through more seasons and know that your story will be treated properly and see the light of day.

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[spongebob-connoisseur]

Nosferatu watching Nosferatu 2024

[extendedcyrillicblog]

Yes, this system will be subject to change. I don't know what the hell I was thinking with е and э there XD Also, we should really be using Ѣѣ for [æ] since we already have another letter for /ja/ and [æ] is the role it assumed in Early Cyrillic.

With these being the first alterations, I'll call this.... E.C. 0.2? Series 0 will go until I make the first Standard (at least for English)

Фор наѵ, енджой!

[djotime-allthetime]

Freaky Redheads

synopsis: interactions between you and fred hechinger at a red carpet event for gladiator ii.

wc: 2.5+

rpf!!! don't like, don't read!!!

a/n: i love that soft, sweet, adorable man with all of my heart. my inspiration is how fred talks about sherry. the monkey. i'm down bad bro.

italics are supposed to be comments under tiktok clips of these interviews. i definitely have more in mind for these two, but we'll see how this goes. feedback is writer's fuel!

cross posted on AO3

The flashing cameras and yelling reporters have started to become the new normal, which was so not normal for you. You couldn't believe how far you'd come.

Granted, your role in the movie was definitely more in the supporting cast territory, but you couldn't deny how massive the production was. But even as a supporting actress, you still had quite a bit of screen time as the unnamed favorite concubine to Emperor Caracalla.

The fans who knew you called out your name from behind the velvet ropes and you smiled and waved as you walked by.

"y/n! y/n! Over here!" A reporter called out. You nodded and smiled as you approached, indicating your acceptance of the carpet-side interview. Your agent had warned you that not every journalist might want to speak with you and that you should accept any interview you came by. Thankfully, as the start of your night would show, that wasn't the case.

"Hello!" You beamed, coming to a stop in front of the camera. The reporter greeted you back and handed you a microphone glued to a mini Romanesque column. "Oh, wow. I love the microphone!"

"Thank you," She smiled. With a quick glance at her blouse, you saw a name tag that said 'MTV UK: Claire'. "It was my idea, actually."

"Incredibly creative! They should give you a raise, Claire."

"If you wouldn't mind saying that directly into the camera..." Claire trailed off with a chuckle and a mischievous glint to her eye.

You shot the camera as serious a look as you could muster. "MTV, if you do not give this woman a raise, I will riot in the streets."

"Alright alright, enough of that." Claire laughed out loud with a few shakes of her head. "You look absolutely stunning!"

"Oh, this old thing?" You smiled bashfully, grabbing at your skirt to twirl it around. The styling department had made sure that all the gowns worn during press had some Roman inspiration behind them. The piece you were wearing was off white in color, representing your character's position in society. Even with your character in mind, your dress was still breathtaking. The gown was composed of yards and yards of fabric, giving it this dreamy, flowy silhouette. The neckline was so beautiful, in the cowl style and draped ever so slightly off your shoulders. To say that you loved it would be an understatement. "Thank you very much, you look amazing yourself."

"But you are on a different level!" Claire gasped, no doubt to return the topic to you. Just like you were media trained, the reporters were too. "What was the thought process behind your look tonight?"

Your eyes lit up as this was something you had wanted to talk about. "Well, the styling department and I actually workshopped this look together. Of course we wanted it to be glamorous, this is the red carpet after all. But we also wanted to show the character through the outfits, you know?" She nodded along.

"Right, your character was quite impactful even with the few lines you had." Claire added, and you smiled in thanks.

"Yeah, thank you." You felt your face heat up at the compliment. "We wanted to still be true to her, under all the glitz and glamour. So that's why we went with the understated color, to not only show her position in society but also her demeanor throughout the film."

"But your jewellery is anything but understated." She laughed.

"Yeah, I couldn't help myself." You laughed with her.

"Give us a quick tour."

You were almost dripping in gold, from your head to your toes. "We've got the hair piece." You brought a hand up to show the gold pins connected with chains littering your up-do. "Earrings upon earrings, all hoops." You pulled a strand back to show off your right ear clearly. Some were clip on earrings as you didn't have quite enough piercings to get them all. "The necklaces, of course. Some bracelets, some rings. But I think this cuff on my upper arm is my favorite."

"And these are all borrowed pieces from different brands?"

"Most of them are, yes." You confirmed with a nod. "But some are from my private collection. And some I might steal." You joked, getting a laugh out of Claire.

"Well, you really knocked it out of the park." Claire smiled, a tone of finality in her voice that showed you the interview was coming to a close. "And before we let you go, we've got one question we're asking everyone tonight. I think we can all agree that the cast of this movie is full of beautiful men." You giggled, a bit surprised at the turn in topic. "But people on the internet have separated them into two categories."

"Oh, have they now?" You asked, unaware of what she was talking about.

"Yes, they have. Gen Z has divided them into the brooding brunets and the freaky redheads." She explained, pulling up two little hand held signs. One with Paul Mescal and Pedro Pascal, the brooding brunets, and the other with Joseph Quinn and Fred Hechinger, the freaky redheads.

You couldn't contain the surprised laugh that escaped you at the sight of their little printed faces. "Oh my goodness!"

"So, as the resident Gen Z-er on the cast, who is your pick?"

"Well, I wouldn't say I'm the only representation of Gen Z here." You mused as you grabbed both the signs from Claire. You lifted up the 'freaky redheads' sign and pointed to Fred. "My friend is right there with me in the Gen Z territory."

"Alright, as the representation of Gen Z women, which team is more your style?" Claire asked as you studied the signs. "People are saying they went into the movie for the brunets and came out converted to team redheads."

"That's actually really funny," You chuckled as you looked down at both signs. "This is hard." You mumbled. A small smirk found itself on your lips as you thought of Fred seeing this clip later. Someone no doubt showing it to him, as he wouldn't find it on his own. "I feel like- yeah." You nodded with determination. "I'm gonna have to go with Fred- I'm going with team freaky redheads." You nodded. "I think it would be treacherous otherwise."

"Good choice. You'd break Emperor Caracalla's heart."

"And then he'd have my head." You laughed, stepping back. "Thank you for your great questions."

"Thank you for your time." Claire waved as you walked away. "We're gonna have a tally going throughout the night, and we'll see who wins. Team brooding brunets, or team freaky redheads." You heard her say to the camera as you moved further down the carpet.

'She looks so pretty!!'

'i love the thought process behind the outfit, you can tell she really loved her character'

'the reporter asked y/n if she prefers lucius and acacius or geta and caracalla and this girl really said FRED 💀'

'i love seeing new faces in hollywood, give young new actors a chance!!' ↳ 'right?? im so sick of them recycling the same actors for every big budget movie'

'she mentioned fred, not caracalla, twice, unprompted. i see you, y/n. you're just like us.' ↳ 'have you seen his interviews? he's literally the cutest i cant blame her 🥺'

A few steps down, another reporter flagged you down. This time, the questions were more centered around the acting itself.

"And was it difficult? In a previous interview, you've said that your character's growth was significant, but she had almost no lines in the movie."

"Yeah, I think in the final cut she only has... three lines?" You winced, looking upwards as you tried to recall what was and wasn't cut. "Though I'm not sure."

"So there were scenes where she could've said more?"

"Oh yeah, for sure! There was a lot of experimentation with my character throughout filming. Ridley's a genius and he was kind enough to truly take in my suggestions. There were times where I felt like she would actually stay quiet during a scene, whereas other times I felt like she would speak up. But yeah," You breathed in and furrowed your brows in thought as you tried to focus your answer back to the original question. "It was definitely a challenge. I had to really work on my micro-expressions. Lots of research, lots of practice. And lots of trust, too. With a character like mine, I really relied on Fr- on my fellow actors in those scenes. So yeah, definitely challenging. But who doesn’t love a good challenge?"

"And did you take any inspiration from other people's work? Any source material that helped you out as you built your character?"

"Of course!" You smiled, a hint of humor in your tone as you thought of your response. "Yeah, I did. Actually, one of the biggest inspirations for my role, believe it or not, was Ferb. From 'Phineas and Ferb'."

"The- The children's show?" The interviewer questioned with a grin.

"Yeah, Ridley thought it was brilliant!" You laughed. "We watched compilations of Ferb scenes on youtube together. And I know that Fred- Fred Hechinger, who plays Emperor Caracalla-, he also brought up Sid Vicious with Ridley, as well as other sources like that. Sir Ridley Scott has great taste, there's no denying that."

'ferb as inspiration for a movie like this,,, gen z in the film industry really are the gift that keeps on giving'

'im just imagining y/n and ridley scott curled up on the couch watching phineas and ferb reruns. that man is 86 years old. this is brilliant.'

'bro didn't even have to say anything and y/n still brought up fred 💀'

'the gen z cast members making ridley scott watch cartoons is sending me'

'not her pretending she didn't mean to say fred when she talked about trust, we all heard you y/n'

Unbeknownst to you, Fred's interviews were going much like yours, only a few feet behind you on the carpet.

"You look amazing today!" Claire, the same reporter you spoke to, told Fred during his first interview on the carpet.

"Thank you, thank you." He replied bashfully as he tried to subtly look around for you, but he couldn't see you just yet. "Everyone looks so great, everyone."

She asked him a few questions and then came time for her ending segment.

"Alright, to close off, we've got a little game here."

"A game?" Fred smiled with raised brows. "I love games." He said softly, not realizing that the microphone would pick it up.

"Yes, a quick one. You just have to choose between team brooding brunets and team freaky redheads. We've asking everyone to join."

"Woah!" Fred exclaimed as he received the signs. "That's me." He pointed out his own face in the picture of him and Joseph. "What are we basing our choice on here?"

"Well, the internet is battling on who is more attractive."

"Oh my god." Fred chortled, not expecting that answer. "Who's played the game?" He asked, still examining the hand held signs.

"As of now, we've spoken to Joseph Quinn, Connie Nielsen, and y/n l/n." Claire recounted.

Fred's eyes lit up and his cheeks reddened at the mention of your name. "And what's the- what's the consensus so far?"

"It's two to one. Can you guess who's in the lead?" Claire asked.

"Let me think... Well, Joseph -my brother-, he definitely voted for us." He pondered aloud as he counted the votes off on his fingers. "Connie... I think Connie went for team brunets. I mean, it's her husband. She's gotta." He grinned when it came to you. "y/n chose me, right? We're in the lead?"

"Yeah, you're right on all counts! You really know your cast members." Claire laughed. "y/n didn't want to anger Emperor Caracalla."

"Oh, she couldn't. I’ve got too much of a soft spot for her." Fred shook his head emphatically.

"So, are you keeping team redheads in the lead? Or will you give us a tie?"

"No, I'm going team redheads!" Fred exclaimed. "I'm not helping out my competition, no way!"

'this man has bewitched me with his beautiful eyes and calming demeanor'

'he always calls joe his brother im CRYINGGG'

'did you see his face when they mention y/n, this man can't hide his crush for the life of him 🥺' ↳ 'neither can she lol'

'what do yall know about fred hechinger 🗣️🗣️🗣️'

'fred immediately knowing that y/n chose him, kill me right now.' ↳ 'mind you the choice was caracalla. she still said 'fred' and he said 'me'. can they be more obvious?'

'the way this man said 'i love games' protect him at all costs'

‘he said ‘i’ve got a soft spot for her’ is this the year of men yearning?’ ↳ ‘it’s just the paul mescal effect’

It was during his next interview that he saw you. He was talking about his experience building the character of Emperor Caracalla with Sir Ridley Scott as well as Joseph Quinn when he finally caught sight of you. You had spent a bit longer with a specific reporter down the carpet, causing Fred to catch up to you. 

“Of course, y/n was a great help as well.” He smiled, reaching over to brush against your elbow to catch your attention. At the perfect time, too, because you had just finished talking to the reporter in front of you.

“Oh, Fred!” You beamed, coming over to give him a hug. 

“Look at you.” Fred spoke against your shoulder. He pulled away from the hug and brought you into his side in front of the camera, almost like he was showing you off. “Look at her, isn’t she stunning.”

“Stop it,” you rolled your eyes as you tried your best not to show how his compliment affected you. “I’m sorry for interrupting, I just had to say hello.”

“No worries,” the reporter reassured you. “Fred was actually saying how you helped with the building of his character.”

“Yeah, we worked really closely during pre-production actually.” You nodded, acutely aware of Fred’s hands on you. He had one hand casually tucked into his pocket while his other arm draped across your waist, his hand resting against your hip. “My character was almost like Caracalla’s sidekick, so the motives for all her actions are really based around him.”

“I’d argue that she was more of a mirror, actually.” You turned to look at Fred, never passing up an opportunity to hear his view on these things. “She’s the complete opposite of Caracalla, but in a way she represents who he truly is under all the pressure of being in Geta’s shadow.”

“And under all the syphilis, of course.” You added, causing Fred to giggle.

“Yeah, and under the syphilis.”

‘he seems like such a sweet guy 🥺’

‘did you see his face when he saw her???  😫😫😫 theyre in love, your honor’

‘him showing her off like that is peak soft boyfriend behavior’

‘they just called me single in seven different languages’

‘his laugh is actually so cute, who is this man and why am i in love with him? 😍’ ↳ 'get in line' ↳'behind y/n, you mean?'

‘the way he’s touching her???? im just gonna go take a nap in front of an oncoming train’

‘im calling it, new hollywood it couple’

‘look at how he looks at her!!! may this love find me 🙏’

[horreurscopes]

*five days late with starbucks* happy birthday first name near last name deathnote <3

[extendedcyrillicblog]

Нюѵ хе́дър ѣнд сорс

Ѳ та́ітꙋ пєꙉ ов "Известия общества ревнителей русского историетского просвещения в память Императора Александра ІІІ" (Хомаж чо ѳъ сосѧети ов Ръшън хистори енѳузиъстс ин мемори ов Емперор Ѣлеꙅѣндър ІІІ"), бѧ В.А. Вансетсов

(Transliteration under the cut)

New header and source

The title page of "Izvestia obschestva revniteley russkogo istorietskogo prosvescheniya v pamyat' Imperatora Aleksandra III" (Homage to the society of Russian history enthusiasts in memory of Emperor Alexander III), by B.A. Vansetsov

[chironshorseass]

ok i really really really enjoyed watching the first two episodes and i think the show is already so faithful to the books in ways the movies wished they were BUT i’m gonna be a bitch just because i can and rant about a few insignificant but at the same time very important Things the writers didn’t Understand:

percy is angry.

and i know this is seen with his anger towards poseidon in the show, but i’m talking angry. as in, generally speaking. when he’s with grover and they’re talking about nancy, percy says something along the lines of “we should fight back,” and grover’s like “noooo we can’t stand up to bullies.” and then percy stands up to her and blah blah blah…but in the books percy’s first line is “i’m going to kill her” after she throws a sandwich at grover. grover talks him out of it because he’s already on probation.

with just this scene we know percy stands up to bullies, and that’s partly why he has so much trouble at school! in the show, he stands up to nancy, apparently for the first time, and gets kicked out because of it! sorry but as someone who worked in a school, i know for a fact that kids can get away with so much more before they’re actually kicked out lol. it would’ve made sense, like in tlt, that he’s already at risk of suspension so him “pushing” nancy is the final straw. it’s just very weird, considering it could be only a line of dialogue that makes percy’s anger and the connection between his outburst and him getting kicked out more clear.

consequently, percy arrives at his appartment and gabe is just a general (still admittedly abusive) jerk instead of a drunk, violent (also abusive) man. when we meet gabe, it makes a lot of sense why percy has so much trouble with his anger. it’s easy to see that connection. literal child + alcoholic abusive father figure = there’s bound to be some trouble….that’s not really the case in the show, especially in the way that sally easily stands up to him. people have said a fair bit about this topic already, so i’m not gonna expand on that, but i really wish the writers had focused more on percy’s internal anger, as it’s such an important part of his character and affects the way he reacts to things throughout the books; it just worries me that in the first episode it wasn’t as established. i. e. he hates dionysus on sight because he reminds him of smelly gabe, he hates the gods—is angry at poseidon—because, where was he when my mom and i were suffering at the hands of smelly gabe? ok i’m not gonna talk about more of this or of sally because other people have said it and i could write a four page essay of what the show got wrong plus i want to talk abt other things before this gets too long:

the monster scenes.

the mrs. dodds being a fury reveal felt sooo…weird? even the movie version did it better lol. it felt super rushed and strange how percy’s just standing there and the next he’s on the ground, but he had riptide with him so he just impaled her and then she turned to dust??? in the books, not only does she get percy alone, but grover tries to stand up to her—which is a big deal since he knows what she truly is and shows how much he cares for percy in that moment. percy has time to be genuinely terrified bc he’s alone with a literal monster and he’s about to die…and chiron throws him riptide just in time, but then he too vanishes so percy’s left wondering if he imagined everything. but no, in the show mrs. dodds comes out of nowhere and attacks him, and it’s so fast that percy doesn’t have time to dwell on wtf happened. the situation doesn’t seem as serious as it does in the book; in the book she tries to interrogate percy bc she thinks he’s the lightning thief, and when she doesn’t get her answer, she attacks him. this is another thing: the stakes. they don’t feel as high in the show because there’s no annabeth trying to ask percy what was stolen, no hellhound, no fates cutting a string, and no alecto/mrs. dodds interrogation. there’s not much of a lead up to the quest, really.

theeen the minotaur scene, which also feels super weirdly paced and there’s just not that same sense of urgency. again, other people have talked about this, so i’ll just stick to another main concern of mine: grover’s role in the scene. it was so strange how in the book he’s semi unconscious and in the show he’s fine (so fine that sally does something completely out of character and makes grover swear to keep percy safe? she would never put that much pressure in a child???) ok so he seems fine in the show, but then when they’re running percy’s holding him as if he can’t walk???? they’re not even fully sprinting, given that a monster is chasing them lol. (the problem with the stakes; i mean with the way they run and have an entire talk with sally makes it feel like they’re not in any real danger).

back to grover: he was perfectly fine, and he got percy back safe. not at all like in tlt, where percy has to practically carry him back, after loosing his mom and killing the minotaur. THEN percy passes out and later wakes up at the big house. this is important, bc grover’s entire THING is being percy’s protector, and he couldn’t do that properly bc he was indisposed. he felt awful. of course he did. his character arc is overcoming the guilt and insecurities—that he’s not a proper protector and therefore can’t search for pan; his main character motivation—by successfully completing the quest and helping percy retrieve the master bolt.

these are just little seeds that needed to be planted in the first two episodes of the show…so that the rest of the show feels cohesive and makes sense with what happens in tlt. if these character traits and scenes are looked over and not given proper importance/not replaced with something similar, then the show will have a different tone than it does to the books. i don’t think it’s necessarily bad, but it is disappointing that the details sprinkled in the source material are lost in translation. they may have seemed insignificant to the writers, but not to meeee!!!!!!

[lemonhemlock]

the thing is i don't care about how hard it must be for the hotd writers to adapt from book to screen with budget and time limitations (even though i am historically sympathetic enough to these difficulties and i do understand the need to make changes to fit the story in a different medium)

but what i see as understandable excuses would be shoddy cgi or costumes and less impactful action scenes or even fewer action scenes/battles. which we already got anyway, the only battle (rook's rest) is humdrum and rather spiritless. to a certain extent, i can even excuse cutting out characters or merging them or simplifying storylines.

be that as it may, the fact of the matter is that, even the scenes which should have cost the least amount of money in this whole production, i.e. the sitting-around-in-rooms-talking genre of scenes for which GoT became famous, SUCK. the politics in this show are non-existent. the characters' motivations are so wishy-washy to the point of parody. the character arcs look like they were settled via a game of russian roulette. the S2 version of characters doesn't make sense as a progression of their own S1 canon.

and this has nothing to do with money OR time constraints. it plainly only has to do with bad writing. a talented writer can absolutely have a canon-divergent vision and an understandable desire to adapt their own vision. but they have to recognise if they have the TIME or the BUDGET to bring that canon-divergent vision to life, if they can sufficiently commit to integrating those changes in a way that feels organic to the characters. IF NOT, THEN DON'T DO IT.

i get it if they're big rhaenicent stans or if they really, really like this version of alicent that lives in their heards, the one that would ditch her kids in favour of rhaenyra or if they're so enamoured by the idea of heroic rhaenyra (and that's just scratching the surface when it comes to all the points the show fumbled). but if they don't and can't fit those changes in a way that doesn't destroy the logic of the narrative, in a way that doesn't leave other characters hanging dry with no motivation left to carry out the plot points they have to hit, they should have had the maturity to drop those ideas and settle on something else that could have been easier to film with the resources available.

i said it before and i'll say it again: 1) whether fans are satisfied with the changes made to the source material and 2) whether those changes make sense in the context of the show are two separate issues that apologists sometimes try to merge in other to muddle what the actual problem is. "oh you're just mad because it's not book canon" or "you're mad because your headcanons diverge" or "we had logistics limitations" are not pertinent responses to critiquing the integrity of the show's storyline!

so i hope the writers and executives see all these criticisms and choke because they did a piss-poor job of everything and turned S2 into a goddamn hack operation

[batcavescolony]

just saw someone say Rick Riordan making a TV show is just as bad as anything JKR has done. BFFR you're comparing Rick Riordan trying to make his world more inclusive, changing some parts because of money/time constraints, or just making changes cus he thinks they're needed, to JKR being a terrible person!

[borgialucrezia]

FRANÇOIS ARNAUD as VINCENT LACROIX NORBOURG (2022) - Directed by Maxime Giroux

[see-arcane]

Do you think a Dracula adaptation set in the modern day could work?

It'd need some logistical tweaking. Lots of updating in the tech department.

Considering the speed at which transactions and travel happen and how the surveillance state has expanded, there'd need to be some major tweaks in how Dracula and the Drac Attack Pack operate through their respective roles.

There'd definitely be good scare potential in discovering Dracula is literally impossible to capture by camera or voice recording; a fact that might be hinted at early on when this esteemed client refuses/is unable to do anything so simple as phone or video call with Hawkins. Everything is down to text and human go-betweens to get around the technological barrier. Jonathan could have a heart-stopping moment when

Trying to sneakily record via phone leads to Dracula never appearing and his voice being static -> Jonathan has to keep things on paper, old school

He wakes up one day to find all of his tech missing alongside the traveling paraphernalia. Not enough that the weather/castle aura keeps blocking any signal. Everything is just gone.

Bonus points if it's Jonathan's smartphone that gets the shaving mirror treatment, and young Mr. Harker has to watch his employer-captor hurl his actual phone out the window where it shatters into meaningless plastic on the stone.

Fun times.

It'd also be interesting to stretch Stoker's original 'vampires can't be depicted' idea and expand that to the gang literally being incapable of using electronics to type out or record anything about Dracula. Some magic interference keeps either glitching things out, or worse, turning the computers into dead bricks. They have to resort to paper and analog recording.

Other bells and whistles would need to be addressed, other character dynamics switched up for the 21st century, but I think it could be done