#scottish rep

[qbdatabase]

Ewan Forbes was born to a wealthy, landowning family, holders of a baronetcy, in Aberdeenshire, Scotland, in 1912. Assigned female at birth, his true identity was nevertheless clear even in childhood—and so, with the support of his mother, he was taken to European specialists and eventually treated with early preparations of synthetic testosterone. Raised as a boy at home but socially obliged to present himself as a girl in public until his official coming out to the Queen, Ewan grew up, became a doctor, and got married. (This required him to correct the sex on his birth certificate, which was possible at that time without much fuss.) For decades, he lived a quiet life as a husband, doctor, and a pillar of the local community.

But in 1965, Ewan’s older brother died unexpectedly—leaving Ewan, the next oldest man in the family, to inherit the baronetcy. When his cousin John—spurred on by Ewan’s sister—contested the inheritance he was forced to defend his male status in Scotland’s supreme civil court, where he prevailed.

This hugely important case would have changed the lives of trans people across the world—had it not been hidden. The hearing was conducted privately, the media were gagged, and those involved were sworn to secrecy. The case remained unknown until 1996 and is at last described here, along with the life of Ewan Forbes, for the first time.

[batcavescolony]

just saw someone say Rick Riordan making a TV show is just as bad as anything JKR has done. BFFR you're comparing Rick Riordan trying to make his world more inclusive, changing some parts because of money/time constraints, or just making changes cus he thinks they're needed, to JKR being a terrible person!

[alightcaseofohno]

Reminder that Colin is not "haha angry Scottish man."

I'm not the type to care much for stuff like this, and usually I'd stay out of it, but for goodness sakes, Jonny, why do you make the Scottish character the most overdone stereotype?

It's not haha funny in the same way poc stereotypes are not funny.

I may not be Scottish, but I'm an Irish celt, and I've grown up around people who are both Irish and Scottish, and I rarely meet people (specifically men) who are protrayed in the same way Colin and many other Scottish characters are.

[the-casbah-way]

some people will look at my current wip and say that malcolm running his hands through jamie's hair as he sleeps and singing him old scottish songs is out of character but to that i say a) no it's not just hear me out and b) suck my fat cock you can't stop me from making those old men experience Real Human Emotions

[rebecca--barnes]

MOTHER IS MOTHERING

[hanadoesstuffbadly]

So it seems that Arthur’s accent has been one of the most confusing parts of this fandom for me at least-

I’ve seen people say it’s Scottish, I think I might’ve found someone calling it Irish, and I don’t remember if it was you or someone else who said this but someone said that it’s actually from Yorkshire?? 😭

Anyways what do you think it is ☕️🗿

Going back and listening again I'm still fairly sure that it's a Northern/Yorkshire accent. You don't tend to get many regional English accents in international films/tv which is both a massive shame and probably where the confusion comes from. Merlin's accent is generally what people think of even when someone says "British accent". His is actually pretty limited to the well-off parts of Southern England. It's just that most British actors either have that accent already or put it on when doing a role.

Since Arthur and Merlin are both English folklore figures, it would make sense that they'd give them both English accents; since a couple of the others sound like they come from their fairytales' countries of origin (Pinocchio- Italian; Hansel and Gretel- German).

[meowizard]

lorna mcnessie headcanons i like the scottish and cringe

bi. she would say she's pan but likes the colours of the flag more

type of gay to show up to brunch

has had it up to fucking here with the flannel/plaid/tartan discourse she used to be chill but they just... look so different how can you mess it up...

scared of heights. the lack of water to break her fall doesn't quite compute

soft spot for cute underwear in a very non sexual way.

'OCH! gander at these silly things!! where does yer tail go?' giggling at the bows and lace its all VERY ott

speaks with a v aggressive highlander accent and is very often not understood (to the unattuned ear)

so not a lot of teachers pick on her for questions and she gains a reputation for the queen of discreet note passing

also for stinking up the class with her claw polish but its okay

isn't immortal but has no concept of time as a result of living at the bottom of a loch. she can read clocks but can't tell day from night

and consequently proposes trips out at like. 3am

dog person

her love for poetry (gday robbie burns) translated into a love for musical theatre on land....

is that last one because of that one lunra (lunra? mcmothew? lunessie?) art. yeah

would get on with g3 lagoona! big fan of telenovela type romance, this one

in monster high's SEN set for water monsters in physics. gravity? thrust force?? ELECTRICITY????

i need 2 sleep so fucking bad

[trenchcroats]

really sad when my hc isnt popular. like they're aro wtf do you mean.

[alexpenname]

Okay putting this on my non-anon account because I'm THRILLED and also I guess I should share stuff I've got coming out and not just reblog grad school memes:

I HAVE A BOOK COMING OUT!

Andrion is the tale of Kallis "Andrion" of Athens, who fights against her father and the other orators for women's rights in Athens. She's ace and poly; the story is unashamedly queer, and so is the press.

It's about as close to historically accurate as you can get in a story with giant robots. I'm so fucking excited for this.

Anyway--Knight Errant's doing a Kickstarter for the 2023 catalogue, which I'll link in the next reblog, and the other two books this year also look amazing. We're all trans and queer. It's a micropress, but it's established with some great authors behind it. We've got almost 4.5k quid raised so far, including some funding from Creative Scotland--but we need 7k for full funding.

So if you want a copy, now's the time to order. ♥

Relevant links below!

[qbdatabase]

Xeni Everly-Wilkins has ten days to clean out her recently departed aunt’s massive colonial in Upstate New York. With the feud between her mom and her sisters still raging even in death, she knows this will be no easy task, but when the will is read Xeni quickly discovers the decades old drama between the former R&B singers is just the tip of the iceberg.

The Secrets, lies, and a crap ton of cash spilled on her lawyer’s conference room table all come with terms and conditions. Xeni must marry before she can claim the estate that will set her up for life and her aunt has just the groom in mind. The ruggedly handsome and deliciously thicc Scotsman who showed up at her aunt’s memorial, bagpipes at the ready.

When his dear friend and mentor Sable Everly passed away, Mason McInroy knew she would leave a sizable hole in his heart. He never imagined she’d leave him more than enough money to settle the debt that’s keeping him from returning home to Scotland. He also never imagined that Sable would use her dying breaths to play match-maker, trapping Mason and her beautiful niece in a marriage scheme that comes with more complications than either of them need.

With no choice but to say I do, the unlikely pair try to make the best of a messy situation. They had no plans to actually fall in love.

[ingravinoveritas]

Thank you for the tag @martinsharmony!

Well, I remember when Neil had said that it was indeed canon that Aziraphale and Crowley held hands on the bus, so I am surprised that this seems to be new information for a lot of folks. I'm obviously delighted though that David also confirmed it (and quietly thrilled at the thought of David and Michael holding hands for as long as they possibly could until the director yelled "cut"). At the same time, I feel what I have always felt, which is that if this was the representation we all have hoped and wanted it to be, it wouldn't be something we're still unsure about four years later.

If they truly do like holding hands--as we've also been told--I really would have loved to see that celebrated, in the sense of showing Aziraphale and Crowley holding hands without any fuss or fervor at all, as if them holding hands is the most normal thing in the world. But by having it as a "blink and you'll miss it" moment on a darkened bus, it comes across more as something to make a big deal out of, though not in a good way. Granted, it is possible that having it be clandestine was intentional, given that Aziraphale and Crowley were still hiding from their respective home offices at that point, but that seems to run counterintuitive to the way Neil said that they were holding hands and making it out to be this thing he wanted to score points from.

Again, I am glad that the hand holding was confirmed, but I feel such a sharp sense of contrast when I think of that moment in GO season 1 versus Michael and David walking arm-in-arm (and nearly hand-in-hand) onto the One Show earlier this year. What we could have had, and how powerful it would have been...

Sorry lemme just-

[the-crustation-sensation]

I’m actually desperate for more Celtic rep in mainstream media 😭

Like Plz I love my girl Merida but cmon I’ve been surviving off of her for so long

[i-fucked-your-mom]

Saturday night getting drunk and sad but I even it out by going to the gym beforehand ;)

[vnards]

Mafia141 p.4

The boys react quickly, like they’re trained to do. You don't.

Ghost is able to tackle you to the ground before bullets start flying through the windows.

The sound of gunfire and glass shatters the peace, a familiar ringing to everyone but you. One moment you're focused on not spilling anything, now, with the mugs shattered on the floor, a heavy weight on top of you, and loud shots piercing in the air, you felt like you couldn't breathe.

The bullets seemed endless, embedding themselves in the walls and booths. Another body covered you, keeping your face pressed to the floor. There was crying. It’s coming from you.

After what felt like minutes, the shooting stopped.

Silence followed.

“Sit rep.”

The body above you finally lets you lift your head. You look around to see the diner in carnage. The plush in the booths were torn and shredded, some of the stuffing still hovering in the air. Everything glass on the counter were shattered. The cold wind came in through the broken windows.

“Good here.” A voice broke through the ringing in your ears.

“Johnny?”

“A'm right here.” He grumbled. There was a string of words that sounded like cursing.

Your heart is still pounding like a mallet as the boys around you began to get up.

You were being moved before you could even realize it. You were being lifted in the air and back on your feet like you weighed nothing before you could get your bearings. Simon’s eyes scanned you over as you were finally able to start moving your tongue again “W-what-“

“Gaz, secure the perimeter.” Movement followed his orders,  one of your “customers” move to Simon's order. Your confusion is hard to hide. “Go get your stuff. We’re leaving.” You look around at the two remaining men left in the diner; Simon, his hand on your back, keeping you steady and Johnny, the Scottish man with a Mohawk and his white dress shirt bleeding across his peck.

“You’re hurt.”

Both men looked to where you pointed, Johnny grumbled under his breath, “Fuckers ruined my new shirt.” He poked at the blood, some coming off his hand as he examined it.

Something about seeing him bleeding shocks you back to life, “T-the first aid kit is in the back. I can-" you move to go retrieve it.

Johnny caresses your shoulder “It’s alright, little bird, it’s just a scratch. I’ll be fine.” The vibrant blue in his eyes holds a boyish joy to them. “But I’ll never say no to you.” He winks.

The sudden flirtatious attitude from Johnny was whiplash compared to the carnage that surrounded you. “Not now, Johnny.” Simon scolded. It didn’t look like Johnny was sorry, “I gotta tell Price the meeting’s a bust.” He slides his phone out, trying how to not pissed the boss of about this. “Make sure she gets her stuff.” He was at least going to grant you that before bringing you into the mess that is tonight.

Johnny salutes, trying to break under the primal fear of the past few minutes that consumes you into being paralyzed in the moment. With Ghost and Gaz gone, it’s up to Johnny to keep you calm enough to not go into shock. His chest puffs up a bit, being given the opportunity to keep you safe and calm, but it’s not the time. “Actually, birdie,” Your eyes finally meet his, “I could use that first aid kit. Could you get it for me?”

A task. Something to help you move forward. You nod soundlessly and gave yourself a moment to calm your shaking hands, your barely controlled breathing.

First aid kit.

You enter the back of the room and head to the office where your stuff is. You’re mind is still a blank with static before you have a chance to realize you’re not alone.

Another weight, this time less gentle, slams you against the frozen storage and pins you there. The wind is knocked out of you as a body twice the size of you, unable to scream or cry in pain. “No one mentioned there would be a reward.” The stranger leered.

You try to speak again, but there’s a third body knocked into you. Your head is slammed against the door and everything hurts. You fall to the floor, no longer pinned against the cold door. Regardless, the world still spins.

You hear a struggle and the few moments of clarity you can get shows that Johnny is grappling with on the floor outside the office, his opponent in a headlock. The other man throws an elbow that connects and his grip falters, allowing him to get the upper hand.

The strange man swings again, this time an elbow to Johnny’s nose knocks off his balance, “You fucker!” He growls.

The larger man is able to tower over Johnny, taunting. You are so paralyzed in fear when you spot the shine of a barrel coming out.

A shot rings out. There’s yelling

When you open your eyes again,  the body that was towering over Soap was toppling over, dead weight. The blood pouring out of the hole in his skull a shocking horror to you. You finally start to scream.

The darker skinned man came forward in your field of view, “You’re okay, princess, you don’t need to be scared.” Too late. You slip out of consciousness.

masterlist

[ingravinoveritas]

Reblogging in light of recent discourse in the fandom and because I am Very Tired...

How do you feel about the fact that angels and demons are non-sexual beings in Good omens?

Anon #1: Well, this is a great question and I appreciate you sending it in for me to answer. Including the other Anons here since they are relevant.

I actually have a lot of feelings about angels and demons being non-sexual beings in Good Omens, which I will do my best to explain. I think the first thing I have to do is make sure I understand what you mean by non-sexual. I know Neil has said that angels and demons do not have genitalia "unless they make an effort," so by that measure, we can say angels and demons are genderless beings (agender or genderqueer perhaps as well, depending on the angel or demon). That, to me, is distinctive and not the same thing as non-sexual, which I consider to be beings who--by design or choice--do not engage in sexual intercourse.

The other thing we have to consider is the distinction between book!Good Omens and TV show!Good Omens. I have not finished reading the book, but it is my understanding that Neil (and Terry, of course) established the angels and demons as genderless in the original text. When the show was adapted for television, 30 years had passed since the novel was published, and so much had changed in that time, so a lot of things were updated to have Good Omens more align with the sensibilities of the modern era (one example is Neil talking about Crowley's aesthetic as an early '90s "Wall Street" type and how they had to figure out what the equivalent of that would be in the present day).

One thing that hasn't changed very much, however, is the portrayal of gay/queer people in the media. For much of those intervening 30 years, gay and queer people were shown as stereotypes--flamboyant, one-dimensional caricatures who existed as "sidekicks" (the "gay BFF") or object lessons for the straight characters (I would say this was especially the case in the late '80s and '90s with the AIDS crisis).

By this time, gay and queer people could exist on TV, but only if they were non-sexual/sexless. One example of this is Blanche's brother Clayton on The Golden Girls. After he comes out to Blanche, he brings home his fiance Doug in a subsequent episode, which has Blanche indignant. "I don't really mind Clayton being homosexual, I just don't like him dating men." Another example is Will & Grace, which aired in the late '90s. Will was a gay man who was one of the main characters, but while we constantly saw Grace falling into bed with random men and all sorts of escapades related to her sex life, we were never shown Will in any sort of similar situation. He could be gay, and he could be Grace's BFF, but he couldn't have a sex life of his own. It was this idea that gay people could exist in abstract terms, but not in the concrete reality of what it meant to be gay. Homophobia disguised as "acceptance."

So when I see/hear the word "non-sexual" in relation to gay and queer people, this is what comes to mind. What I also think of is that the absence of gay male sexuality (as for the majority of the show, Aziraphale and Crowley are male-presenting) is not the same thing as the presence of asexuality. I think it's been remarkably easy for Neil to take credit for that when it doesn't seem to have been his actual intention, and it also removes from him the responsibility of portraying that specific aspect of a non-heterosexual love story.

One thing I want to be very clear on is that I am in no way trying to put down anyone's head canon or what any reader or viewer may see in these characters, and I will never say that anyone's head canons are not valid. But when we are talking about the canon--in other words, what is actually on the screen--I feel like there is a tendency to overlook what Michael and David are actually doing with these characters.

In addition to what I mentioned above about gay characters on TV in the '80s and '90s, the other thing you absolutely could not do as a gay or queer person was fall in love. This is alluded to more in the example above from The Golden Girls, where Blanche is horrified that her brother wants to marry a man, until Sophia finally helps her understand:

Blanche: "Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?" Sophia: "Why did you marry George?" Blanche: "We loved each other. We wanted to make a lifetime commitment. Wanted everybody to know." Sophia: "That's what Doug and Clayton want, too. Everyone wants someone to grow old with. And shouldn't everyone have that chance?"

Here we are now, over 30 years later, and some people still don't want everyone to have that chance. Some people think two people of the same sex can't love each other the way a man and a woman do. Because queer love--and especially love between two men--is still looked at as "less than" and inferior to straight love.

This is the world Michael and David grew up in. This is the social and cultural climate they saw and navigated their own sexuality and identity in--'80s Britain, Margaret Thatcher, Section 28. Where being gay or queer wasn't just immoral, it was illegal. Your very existence alone was stigmatized, pathologized, and criminalized. And they are bringing that lived experience into the roles of Aziraphale and Crowley, albeit in different ways.

To me, Michael is playing Aziraphale as a repressed gay man. A man who--much like David--grew up in the faith and was made to believe that his natural feelings, attractions, and desires were wrong, shameful, and disgusting. We see this with Gabriel deriding Aziraphale for eating sushi and enjoying other Earthly pleasures, and it would be logical to think that it's taken a long time for Aziraphale to feel comfortable with the foods/drink/books he likes and the pleasure they bring him. Similarly, it's taken Aziraphale a millennia to find the one being who makes him feel comfortable with the desires he has. The being who is the exception to every rule Heaven ever laid out, who encourages Aziraphale to be himself in every respect. And that's Crowley.

In this scene in the Bastille (which I know has been analyzed a thousand times and a thousand ways), when Aziraphale looks at Crowley like this, the desire rising up in him is more than obvious. The wide eyes, the heaving bosom, and of course the smoldering up-and-down glance all speak to this--he is, quite literally, checking Crowley out, without shame, possibly for the first time ever. Even though that desire is not outwardly expressed in GO season 1, it does not mean it doesn't exist--only that Aziraphale letting himself feel this (and Crowley being the one entity who allows him to feel this) is the first step in a very long journey away from that lifetime of repression.

In terms of Crowley, I feel that David is playing Crowley as a gay man who is afraid of commitment because he has been hurt in the past. There is a feeling of impermanence to Crowley--that, despite being a celestial, immortal entity, he doesn't like to hold onto things because deep down, he believes they will eventually be taken away. He knows who he is, but is all too aware of the consequences that come with it. So he does not get attached, because to him, attachment equals pain, and he believes nothing is worth that risk.

In the church scene in 1941 (which, again, so much has already been said), Crowley saves Aziraphale's books from the wreckage. It's been said by many that Crowley fell in love long before this (which I do think is true), but for me, I feel like this was where we saw that Crowley was truly "attached" to Aziraphale. He rescued Aziraphale from the Bastille, and he saved Aziraphale from the bombs of the Blitz, but in grabbing the books, Crowley isn't just saving Aziraphale's body--he's holding onto a piece of his soul. For the first time ever, Crowley has found something that isn't temporary, and after a millennia of cynicism, Aziraphale is the one entity who makes him feel fully and wholeheartedly ready to commit to something.

This is what I have seen and perceived in the portrayals of Aziraphale and Crowley that Michael and David have given us. I absolutely do 100% believe that asexual folks deserve representation--representation that is clear and specific, not just a side effect of Neil not wanting to show these characters expressing outward sexual desires--but I do not believe that is how Michael and David are playing the characters. It's not enough--or at least it shouldn't be--to have characters of marginalized backgrounds just standing in the room, or to say, "This one's gay," "This one's nonbinary," "This one's asexual." Including these identities in the fabric of the story means doing what Michael and David have done, which is showing these people or beings as three-dimensional, as fully realized characters who happen to have that identity, rather than as ticked boxes representing a certain identity on a checklist.

And to the Anons mentioning the Radio Times article (which seems like it came out a hundred years ago now)--Anon #4 particularly--I appreciate you sharing your thoughts with me, but I could not disagree with you more.

First of all, I have no idea where in the world you got that Aziraphale and Crowley's romance was explicit in season 1, because it was absolutely anything but. Three days after they posted that, RT posted another article seemingly backtracking on everything they'd previously said (as if we'd all somehow pulled a Gabriel Jim and forgotten everything about the first article). The phrase "Could romance be on the cards after all?" is in the bloody headline of article #2, which to me says that RT is going to go in whichever direction the wind blows--to create engagement and generate clicks--but also that it is very clear what they meant by "conventional" in the first article. I do not get the feeling that Radio Times--a mainstream publication that seemingly publishes any story they can farm from social media--was thinking of ace or aro identities or relationships when writing that. Even a tiny little bit.

Even a queer-centric media outlet like Pride today published an article saying the first season of GO lacked LGBTQ+ representation. Obviously, I do not at all agree with this or with several other things mentioned in the article. But what I am challenging folks to do is think about what this is really saying. By the end of GO 1 season, everyone accepts and assumes that Madame Tracy and Shadwell are a couple. She makes eyes at him, they have dinner together, and no one questions them being a couple, even though they are not shown being physically affectionate. Aziraphale and Crowley do exactly the same things, but no one (speaking of the larger public, outside the hardcore fan base) assumes they are a couple.

Maybe what that means, then, is that "representation" that requires you to squint and turn your head in order to see it--like Aziraphale and Crowley holding hands on the bus--isn't really representation at all. And by Neil "not wanting to label" something, it seems to suggest that committing to a label or embracing that gayness is something he is not comfortable with--for any number of reasons--and is why we could have a meaningless love scene with a straight couple that does not have a real connection (Newt and Anathema), but couldn't have a meaningful love scene with a gay couple that does have a devastatingly profound and powerful connection.

So yes, those are my thoughts on the angels and demons in Good Omens being non-sexual, and what that means in a larger cultural/societal sense. I know that when GO season 2 comes out in a week, I could be proven completely wrong about everything I've just said, and I will have no problem with that at all. I fully trust what Michael and David will bring to the roles of Aziraphale and Crowley, but my hesitation stems from the limitations they will potentially be up against, in terms of the script/storyline (and is something I have felt from the interviews we've seen with them this past week).

I'm hopeful for the best, though (as always), so we'll just have to see what happens...

[roshambo05]

So I decided to rewatch RTTE because I felt like indulging in some childhood nostalgia. A few things to note:

- Snotlout and Fishlegs are dating. Good for them.

- The twins are the best characters. Still don't know wtf a boar pit is.

- I know those are supposed to be dragon scales on Ryker's shoulder and arm pads but they look like turtle shells I'm sorry--

- Actually good disability rep?? Hello??

- Hiccup how tf are you still alive?

- "Toothle plama bla" is perhaps the funniest thing in any piece of media ever.

- On the subject of Gruffnut: There's another one???

- How does Tuffnut know so many languages? Did these languages exist in this time period? If so who taught him? Is Tuffnut Odin in disguise? Would that make Ruffnut Loki?

- Hiccup is AuDHD. No I will not be taking comments at this time.

- Where tf did Hiccup get his dragon blade in midnight scrum? Why did he not use it to free himself or fend off his attackers? Also, on the subject of midnight scrum, how is this boy's neck not broken??

- I stan one (1) Heather the Unhinged. Go off queen. Feral bastard child.

- Ruffnut is actually super smart?? And cool?? What??

- I did not watch the series before this one so Dagur's entrance confused me so much at first. Who is this man and why does his beard look like that?? Please shave.

- Gonna punch Snotlout's dad. Gonna kick his fucking ass.

- Why is Viggo so aggressively British? And why is his brother Scottish? Come to think of it, there is no consistency in any of the accents.

- Sir, that is not a dragon, that is a Pokémon (you know exactly which dragon I'm talking about don't pretend you don't know)