#schiaparelli suit

[newestcool]

Lina Zhang for Vogue Polska 2023 ''Haute couture s/s 2023'' Photographer David Abrahams Fashion Editor/Stylist Ali & Aniko Makeup Artist Eny Whitehead Hair Stylist Olivier Noraz Casting Director Neill Seeto wearing Schiaparelli f/w 2023 couture Newest Cool

[styleforklossy]

january 22, 2024 / paris, france

while attending schiaparelli’s couture ss24 show, karlie kloss wore:

— Velvet Canyon, “The Poet” - $235

— Schiaparelli, “Look 24 RTW SS24”

— Wardrobe.Nyc x Hailey Bieber, “Double-Breasted Wool Coat” - $2,000

— The Row, “Flynn Loafers” - $1,190

karlie’s suit has been described as, “Iconic Measuring Tape jacket in navy blue linen with white stripes decorated with our signature Measuring Tape embroidery in white beads on the collar, sleeve and back and a signature anatomical ear button on the front. Matching extra-wide pants adorned with gold jeweled buttons on waistband and back pockets.”

[arthistoryanimalia]

#InsectWeek fashion:

Elsa Schiaparelli (Italian, 1890–1973) for Maison Schiaparelli (French, founded 1927) Necklace & Suit, Fall 1938 collection necklace: rhodoid (cellulose acetate plastic) & metal; suit: rayon, silk, plastic Metropolitan Museum of Art 2009.300.1234, 2009.300.2374

Necklace: "From the fall 1938 pagan collection, this iconic necklace epitomizes Schiaparelli's Surrealist tendencies, perhaps more than any other design she executed because of the unreal idea of insects crawling on your skin as a fashion statement. Because of the clear Rhodoid, a type of cellulose acetate plastic, the multicolored insects seem to be resting on the wearer's skin. Rhodoid was a newly developed material and Schiaparelli was unafraid of using inventive materials for her designs. She appreciated the avant-garde quality and element of surprise infused into the design by using unconventional materials. The pagan collection was inspired by Botticelli's lush paintings; therefore flowers, woodland creatures, foliage, and insects decorated dinner suits, evening gowns and accessories. The multicolored metal insects were also seen securing a ribbon hatband on a doll hat and resting on the collar of a suit [shown here]. This necklace was worn by Millicent Rogers (who also owned the suit previously mentioned), one of Schiaparelli's best clients who was brave enough to wear her outré designs."

Suit: "Elsa Schiaparelli was influenced by the Surrealist art scene of Paris in the 1930s, and references to that movement frequently materialize in her designs. Artists were using collage, photography and paint as their medium; Schiaparelli was using clothing. Here, in a suit from her fall 1938 Pagan collection, she incorporates three elements that have become hallmarks of her career-- interesting fabric, Surrealist elements and unconventional buttons. Schiaparelli scoured fabric houses to find fabrics that perfectly translated her artistic ideas. The crepe used for this jacket and dress is highly textured, adding a rough dimension to the overall design. The Surrealist elements here, the plastic bug ornaments, are shockingly realistic and in juxtaposition to the delicate pink silk of the collar where they rest. As Dilys Blum states in Shocking! The Art and Fashion of Elsa Schiaparelli, many designs from this collection featured earthy decorations inspired by Botticelli's paintings, like flowers, fruits, animals and insects. Buttons were another form of expression for Schiaparelli. In this case, the leaf-shaped buttons represent foliate forms, another common motif seen throughout the Pagan collection. This unusual ensemble would require a certain level of fashion bravado, and the previous owner, Millicent Rogers, definitely possessed that."

[toyastales]

SCHIAPARELLI

[chicinsilk]

US Vogue September 1, 1950

Schiaparelli Haute Couture Collection Fall/Winter 1950-51. Bettina Graziani wears a gray flannel suit. The jacket's oblique closure marks a clean fan edge on a peplum with a curved dead center. poached. Important: the square collar. Shoes with oblique kid straps by André Perugia.

Schiaparelli Collection Haute Couture Automne/Hiver 1950-51.Bettina Graziani porte une tailleur en flanelle grise. La fermeture oblique de la veste marque un bord en éventail net sur une basque avec un point mort incurvé. poche. Important : le col carré. Chaussures à brides obliques en chevreau par, André Perugia.

Photo Irving Penn vogue archive

[thegivenchythree]

Schiaparelli s/s 2024

[poisonedsequin]

schiaparelli spring 2023 couture

[timberlakegallery]

The Costume Institute Gala: "Schiaparelli And Prada: Impossible Conversations" at the Metropolitan Museum of Art. 2012.

[certainplace-certaintime]

Schiaparelli Spring 2024 Couture

[extraordinairerunway]

Schiaparelli RTW Fall 2023

[newestcool]

Schiaparelli s/s 2024 couture Creative Director Daniel Roseberry Fashion Editor/Stylist Marie Chaix Photographer Armando Grillo Newest Cool

[mahoganygold213]

Schiaparelli |Fall Winter 2023 RTW

[photosofchaos]

Custom Schiaparelli Suit

[baravaggio]

black and gold suit bruno agenda join me in my gay heaven

1. Jean Paul Gaultier Couture Fall 2022

2. test subject

3. Schiaparelli Haute Couture F/W 2022

4. Lovechild Boudoir - BLACK OPIUM Sheer Organza Bodycage

5. Schiaparelli Spring RTW 2023

6. Schiaparelli Fall Couture 2021

[voguefashion]

Margot Robbie dressing as a Barbie doll, styled by her stylist Andrew Mukamal.

Look 1: "Pink & Fabulous" Barbie (2015) - wearing Valentino and Manolo Blahnik heels.

Look 2: "The Original" Barbie (1959) - wearing Herve Leger dress, Jacques Marie Mage sunglasses and Manolo Blahnik heels.

Look 3 & 4: "Day To Night" Barbie (1985) - wearing Versace skirt suit with hat and handbag with Manolo Blahnik heels. Versace tulle skirt with a shimmery beaded bodice and Manolo Blahnik heels.

Look 5: "Sparkling Pink" Barbie (1965) - wearing Moschino with a heart-shaped bag and fascinator, and Manolo Blahnik heels.

Look 6: "Earring Magic" Barbie (1992) - wearing Balmain and Manolo Blahnik heels.

Look 7: "Totally Hair" Barbie (1992) - wearing Pucci dress, Chanel earrings and Manolo Blahnik heels.

Look 8: "Solo in the Spotlight" Barbie (1960) - wearing a custom Schiaparelli Haute Couture bustier dress with sequin embroidery and a multi-layered tulle hem, Lorraine Schwartz jewelry and Manolo Blahnik heels.

Look 9: "Enchanted Evening" Barbie (1960) - wearing a custom Vivienne Westwood blush pink satin draped corset dress with a matching side train, featuring a rose motif brooch inside the flower-shaped orb. The look also featured a white tulle stole and matte ivory opera gloves, a multilayered Assael pearl necklace, earrings and Christian Louboutin heels.

[thegivenchythree]

Schiaparelli f/w 2023