#scene3

[unoneunounum]

[andygomez3dart]

#scene3 done! #portal #vfx #digitalart #digitaldrawing #scotrail #train #4 #home #ipad #stylus #pen #ag3dart #andygomez3dart #ag3dart https://www.instagram.com/p/CmjW982tZtE/?igshid=NGJjMDIxMWI=

[animatedglittergraphics-n-more]

source▪️ f2u with credit

[bafishka]

A1-S3: Page 17

End of scene 3 :3

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Reblogs help us grow~

[quibbs]

So, I've got kinda a comic making question I was hoping you coukd give some insight to. I've been planning on making a webcomic and I wanted to know how you go about outlining a chapter? You see, I have scriptwriting experience for comics, but I was doing it in the way you might for an issue of a typical western comic book, so I had a cap of 22 pages. And since webcomics don't have that cap, I was wondering how you handled how many pages each chapter would be? Is it just as many as you deem fit for the beats of the chapter to flow well? Or do you have a page count you aim for per chapter and adjust as you see fit? I know there aren't any like. Rules for doing this, but it's just something I've had on my mind lol

hmmm unfortunately for the most part my process is oops all vibes: I definitely tend to work under "as many as I deem fit for the beats of the chapter to flow well," but i think there's probably at least a few things about my process that I can elucidate that might help.

i tend to organize my written outline by ACT [ general idea for what takes place and what conflict is taking place in the character,] and then underneath that would fit CHAPTER [what ideas i am trying to establish] , and then underneath that would fit SCENE (written dialogue, setting descriptions, stage directions). I like to start with the biggest overlying connective tissue between scenes and then get smaller and nitty grittier as i write.

this is very quickly made and generalized, but for example if i was telling a story about someone going to the grocery store:

ACT ONE: the discovery of the secret

a girl goes to a the grocery store and discovers the secrets of the sinister, hidden, dark grocery store underground. character should be set up to be so driven by hunger that she just might do anything to satiate it.

CHAPTER 1: (set up)

how does she get to the grocery store? how do i succinctly establish the character of this story? what is she lacking that she should grow to be able to receive by the end of the story?)

scene1 (girl wakes up from violent nightmares with a dark pit in her stomach. she reluctantly gets out of bed).

scene2 (girl goes to pour her cereal and notices that she is completely out of coco puffs. her previous gut feelings that the day would go poorly are confirmed)

scene3 (girl drives to grocery store, for aforementioned coco puffs. another dark feeling tugs at her and is yet again rewarded for it's honesty by a cheerful grocery store employee slipping her a note simply reading "help."

CHAPTER 2 (building tension)

how does the character respond to the call of action and what does that say about her? what are the red flags i should establish now that will foreshadow just how wrong and disturbed this work culture is? what am I trying to SAY by writing it like this- what will the viewer take away, inadvertently or not, by framing the grocery store underbelly like this?

scene1 (girl is alarmed but calmly walks down the aisle. this is not her problem. she is so hungry. she walks toward the coco puffs. her heart sinks: they are out of stock)

scene2 (her heart lifts again when another employee calls out to her, holding the coveted puffs. the girl accepts them, grateful that she will finally have breakfast, when suddenly she notices another note has been slipped to her under the box. "i know who you are. meet me in the bathroom in 5 minutes and change everybody's life here forever."

scene3 (she's had enough. she races to the check out line with the puffs and in her hurry, she notices the box isn't making any noise as it shakes by her side. not like coco puffs in a box often do. she realizes with a heavy heart that it's empty. she sighs and turns around. she reluctantly walks toward the bathroom... almost like she's done this before.

ACT 2: doing something about the secret.

character is officially thrust into this underground network of grocery store vigilantes against her will...she is not happy... she swore she left her days of fighting middle management crime behind her and yet..... these embittered employees are stoking old fires in her heart she had once thought unstokable. we learn about her relationship to this lifestyle and how it led to the person she is today.

etc, etc, etc, and so on, and so forth.

Basically, I don't plan out how many pages I'm going to have. i usually only find out by the time i'm finished sketching it all; and usually by drawing it all out you end up having more ideas, which adds more scenes, etc, etc, etc, webcomicing never ends and never will

My general rule of thumb is to always use as few pages as you can possibly afford without taking away from the story. make it as short as you possibly can while still letting it be as long as it needs to be.

Pacing is everything. the page count truly does not matter as long as the flow is flowing; it entirely depends on your story! your chapter could be 2 pages long if it made sense in the story for it to be 2 pages long (side note: desperately been trying to find a place for a 2 page long chapter for years now but it's never reached fruition. one day. you wait).

IK this is coming from a girl who writes 200 page long chapters, haha. I like to think that I'm getting better at being briefer, but somehow, i never end up briefer than 200. your story could be different! most are. it should be. don't do what i do.

that being said, my overall advice is to always prioritize pacing and writing over an arbitrary page count quota. if the length feels good for the story, then do it. I hope this helps! mwa.

[mi4011uvinduratnakara]

Finale animation

everything that is animated/moves:

scene 2 shot 1- leaf floats, water blob drops down, the worm on the leaf

scene 2 shot 2- leaf bounces off the water drop, the huge water drop splashes scene 3 shot 1- Juny looks up and his whole body shifts a bit up, the shadows move accordingly scene 3 shot 2- juny looks up and turns to his left. The trees moves to the right. scene 3 shot 3- Juny's POV of other juny. Other juny kicks his legs. The hand holding the phone enters the frame. the phone screen shines. scene3 shot 4- transition , the hand moves, the thumb swipes the screen, the screen display scrolls up. scene 3 shot 5- transition, juny zooms in until his eyes open up a hole. lightning strikes around

scene 3 shot 6- transition complete, lightning strikes absorbing around juny pillar, the orb around the pen glows. the light shines on the face and hands. the pen rotates. scene 4 shot 1- transition, white cape smears across, full yellow background comes in, juny lifts his pan up, the shadows follow accordingly, the cape that looks like a scarf moves.

scene 4 shot 2- the branch moves lower, the cocoon shell explodes, the shell scatters for a micro distance, the hand pushes foward.

end credits.

[alice-hazelwood]

Triple the Trouble

Ok so I came up with this idea a while ago and figured I might as well post it. 

Talia is a good mother; Ras is a grandfather. (That’s the best were going to get from him.) 

 So, in this story Marinette Danny and Damian are triplets. Damian is the oldest he looks exactly like Bruce with Talia's coloring then Danny who looks exactly like Bruce and then Mari looks like Talia with Bruce's coloring. Damian likes to draw, Danny likes to read, Mari likes to design clothes; All three of them like animals and learn to play music together Damian the violin, Danny the piano, Mari the harp.

Danny got his powers because Talia got dunked into the Lazarus pit before she found out she was pregnant, and it had side effects. And Mari has magic as a side effect of the Lazarus pit because the Lazarus pit was created by tiki and plagg during a wish when the earrings and ring were united.

All three of them cause a lot of trouble on a normal basis. Depending on the trouble depends on how they get out of it. If they get attacked or anything Damians the best at combat, if they're trying to hide from someone Dannys is amazing at espionage, if they need a plan or a quick fix Mari’s your girl.

They regularly play pranks depending on the way the story goes it could be around the league and as long as they're not caught, they will not be punished. (They were caught once after that they made sure they were never caught again.) Ra’s thought of it as an amusing lesson in espionage and deception. 

Scene1= Ra’s lets Talia keep the triplets (she is of course ecstatic but weary) the triplets grew up in the league until they were seven when Talia found out that Ra’s was planning to take over one of the boy's bodies and then marrying Mari keeping the bloodline pure in the process. After she found out she made plans to make it seem as if the triplets were kidnapped (or just disappeared) instead she sent them to Jason Todd to care for them.

Scene2= When Jason finds them, he originally tries to take them to Bruce but they all deny wanting to go. He tries to take them anyway so instead they run away Jason eventually finds them again surrounded by league minions, so he kills them all and decides to take care of them himself since they didn’t want to go to Bruce.

Scene3= Jason calls the three of them devils one time and Mari bursts into tears (fake) and grabs on to Damian crying about how Jason had called her evil, Damian and Danny catching on to her prank Danny starts to sniffle but not full-on cry like Mari. Damian acts like an overprotective brother (even though he is one) and glares at Jason while patting his siblings back; Jason just freezes and just kind of panics because now he has two crying kids and one who looks like he going to stab him (again) in the end he ends up apologizing and giving them ice cream to eat. He never called them demons or devils ever again.

Scene4= When the triplets turn ten Ra’s is killed and Jason and Talia decide it's best that the triplets live with Bruce now with Jason acting as their bodyguard since Deathstroke is now after them since they are technically the heirs to the League. In the end, both Talia and Jason have to drag the triplets there because they don't want to go so badly.

Scene5= The triplets don't want to go to Bruce because they think Batman is going to eat them. Jason finds it funny Bruce is concerned and confused (and secretly sad) and Talia is just exasperated and wants to know who told them that story.

All three of them are terrified of Bruce because he's Batman and Batman is known to not like Meta’s (what Danny is classified as) or magic (which Mari has) and Damian is super overprotective and afraid he will take his siblings away.

[smol-bean-of-the-smols]

im. so creative with my file names

this bouta become 'redrawing that one scene3'

[faggotinni]

arcane s2 spoilers

<CAITVI SEX SCENE3

[unoneunounum]

[nel-world]

hi

fight scene https://youtu.be/gpFGtm93PYk

fight scene2 https://youtu.be/G7kKAJkl45M

fight scene3 https://youtu.be/DlEQWwynJyM

fight scene4-sling

fight scene5-sword https://youtu.be/5b4LTDY4d1M

fight scene6- john wick https://youtu.be/WQgk8JUYQkY

fight scene7 https://youtu.be/tpkQSrktoBg https://www.youtube.com/watch?v=zvdNci45hkE fight scene8 knives kali stick walking sticks nancy stick switch kick arm wrestling cloth twist

glassbottle dustbin ji justu put him down she grabs hand with towel

and twists it

she pushes me to wall

u turn swing miss

bat

hammer

[ethernitty]

currently my brains a merrygoround of much ado act2 scene3 where different versions are all on it going round and round and round

[wakabayasu]

LAUNDRY　-  若林 穂乃香

アクリル板,映像,液晶モニター,ステンレス鋼,mdf,モーター

(W)180×(H)120×(D)75

2022年

今作は【小型モニターをメディウムとして用いた立体作品】です。

室内用���干しを支持体とし、10インチ/11.6インチモニターから再生される映像をメディウムとして用いています。

この作品が表す事象は、以下の5つの事項をもって表現しました。

1.洗濯という行為についての考察

①宗教心から穢れを清める儀式と同等の行為として。

②衣服を汚れた状態から再び着用できるように水洗いする行為として。

また、上記は現代に至るまで、電気機器の普及、化学繊維の使用、新配合の洗剤によって時間と労力は合理化されている。

2.洗濯物についての観察

①形を保ち、満遍なく乾かせるような干し方になる。

②洗濯物ひとつひとつが集合し、コラージュとして１つの彫刻のように見える。

③衣服が性的対象物として、またプライベートな部分を孕んでいるアイテムであること。皆が洗濯物を干すこと生活の一部としているのに、プライバシーなものであること。それを屋外で干すことに抵抗感がある。

④プライベートな部分を孕んでいるのは、衣服にデザインされた形やアイコンが原因だと考える。古代の衣服はもっとフラットだったのかもしれない。

3.今作についての定義

①象徴として、”清潔”を表す。

②表現技法として、コラージュを用いる。

③問題定義として、”衣服が性的対象物として、またプライベートな部分を孕んでいるアイテムであること。それを屋外で干すことに抵抗感が生まれている現代”を干された状態で表す。

4.表現における制約

①衣服の形は”誰かの持ち物であることを連想させるもの”でなければならない。

②コラージュは、洗濯物が干されている形でなければならない。

③映像は「清める」ものを連想させるアニメーションでなければならない。

5.オブジェの解説

Tank-top[Left]

-Scene1 tips

-Scene2 ping pong

-Scene3 Screensaver

＞乳頭を連想させる形を軸に、プライバシー、対話、洗浄を抽象的に表す。

T shirt[Right]

-Scene1 private by pattern

-Scene2 purification with water

-Scene3 heart that keeps beating

＞ポップな柄のTシャツから浄化を表すアニメーションへのループが続く。

Hungs-1-2-3[Center]

-pants

-socks

-handkerchief

＞対象物から女性性を表す。

Towel[Substructure]

sunlight filtering through trees,neverending

＞木漏れ日を表す。

[agameofleaks]

Scene 3 [1] [2] [twitter] [completed scenes together]

LEAK: “The whole nonsensical 'Bronn being sent to kill Jaime and Tyrion' plot was a hangover from that original outline, but he was meant to go after Sansa (who Cersei believed had her poisoned), and in turn Brienne”

[cherrypuuke]

girls take over the park

[arthurian-animation]

A start at scene 3, which I later also abandoned since I didn’t really like the layout of this scene and therefore, lost my motivation to continue it...