#save me the last dance

[egophiliac]

so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!

god I hope this reads properly

[shaylai]

"Not sorry for loving you" in a nutshell

[artemis-pendragon]

Cannot believe the Venom Symbiote is going to come crawling back to Eddie like a LITERAL cockroach

[drakaripykiros130ac]

Daemon and Rhaenyra are the main couple of the story called “The Dance of the Dragons”.

And yet, we have not seen a single photoshoot or interview with the two actors portraying them. In fact, since the whole series started, Emma and Matt have only had one interview together and that’s it.

Matt spent more time with Milly (who was only in it for five episodes).

You’re going to tell me that this is something completely normal?

And yet, who do we see Emma constantly having interviews and doing photoshoots with? Her queerbait pal, Olivia Cooke.

So, what I see is this: a canon heterosexual couple is being downplayed in favor of an invented/non-existent “queer” pair.

Tell me again that the show is not one big political propaganda.

I repeat, there are plenty of sites where you can watch girl on girl porn, if you’re into it. All those craving it, can get it done, no problem.

But keep your sexual preferences out of a well-established story.

If you’re desperate for representation, invent your own characters and do what you want with them. But leave canon characters people love, alone!

And as for Emma D’Arcy: do your goddamn job, and keep your personal opinions to yourself! You’re paid to act, not to criticize a book that is more famous than you will ever be!

[todayisafridaynight]

[deprivedagain]

Wait hold up, why is no one talking about how venom knew him saving Eddie in the first movie would create the codex?? Bro was fully aware of the consequences and did it anyways after knowing that sweaty man for like a day and a half, just to maybe get to spend more time with him..

[morganasmissus]

“I thought we were going to be the Lethal Protector”

“We are. That’s what this is”

“Yeah”

sitting in that theater and watching Eddie accept his own death hurt so much. it was never a choice for him-

either they were going to live together. or die together.

[kanerallels]

There are many reasons why the King of Attolia is my favorite book in TQT, honestly. It's just-- he's far from home but he's with the woman he loves. He's been forced into a role he doesn't want, but he's doing his best to learn everything he can about it so he can do it well. He acts like a fool and lets his courtiers make fun of him but he knows exactly what he's doing. Everyone thinks he's torturing poor Costis but he's actually making a friend in his own unique way, and finding an ally. It's this combination of "kid far from home looking for anyone as a friend and ally" and "genius plotter getting rid of his enemies and also winning the loyalty of everyone around him using the world's most convoluted plan possible" all while he's also navigating a new marriage

The second best part is Aulus and Boagus

[wouldntbehim]

@rwrbmovie & @rwrbsource’s rwrbweek: Day 2 | Song

fanmix for day 2. link [here]

template source

[ihonestlydontknowwhattocallthis]

The idea that we may never see venom again is just so weird and honestly horrifying

And even if he does come back, it’ll never be as good unless he’s reunited with Eddie

[clonedchaos]

So Venom 3 absolutely shattered me.

Time to write fanfiction to cope 🥲

(Pardon the following spam of content from this movie, I’m fixating hard)

[boo-hoo-hooligan]

okay what the FUCK was venom 3 (last dance)

so out of nowhere there's this emo gandalf who sends some crazy aliens to get some 'fedex' thing THAT WASN'T REALLY EXPLAINED ON HOW IT WAS CREATED (it's apparently created when the host or the symbiote dies and then revives but WE WERE GIVEN NO ELABORATION), and OF COURSE venom and eddie have it. OF FUCKING COURSE.

also dan and annie didn't show up??? like why?????? there was a whole thing in the first two movies about them showing up at some point and helping with something and they just?? didn't??? show up???????????

and the female symbiote designs SUCK. WHY DO THE MEN GET BIGGER AND BUFFER BUT THE WOMEN STAY SKINNY WITH BOOBS AND AN ASS??? LIKE AT LEAST MAKE THE MALE SYMBIOTES SKINNY TOO

the writing was as if it was pulled out by a generative ai's asshole, and then beta read by a twelve year old.

there's a fuckload more i want to say but we are way too tired for that shit rn.

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[cataclitsmicdisaster]

yall I've been on tiktok out of curiosity and I might keep it this time for one reason and one reason only, because the official account for Venom: The Last Dance keeps posting Symbrock content and I'm going to cry if this doesn't mean it's canon

[wanderlust-in-my-soul]

I decided to ask my two brothers to perform a dance together. [...] I want to be the Queen of Children's Day, making all my classmates envious that I have such handsome two brothers.

[tavolgisvist]

Thinking about Paul singing in Hey Jude 'take a load off, Fanny, put the load right on me.' Well, that's what John did, so… And love it's linked not only with The Weight by The Band but with Pore Jud Is Daid from Oklahoma! and Save the Last Dance for Me too. And John and Paul arguing with fervency: It's about me! - No, it's about me! Never boring.