#satire sale
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"When someone calls me their 'spirit animal' but I'm pretty sure I'm just the housecat version of a tiger."
SatireSale #CreativeComfortort #studentsuccessentMemes #classroomjokes #memes #memesfunny #jokes #satire
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"you can't possibly fail at a dating sim" you clearly haven't met me and my impressive ability to misread social cues and choose the wrong action/dialogue because apparently I have the finesse and romantic charm of a WORM!!!!!
#dumb#ellie rambles#I jest. kind of. it's really not that serious#so. I bought m/onster p/rom on switch bc it was on sale and. y'know. I've heard about it#it had A Moment here on tumblr when it was still new. people seemed to like it#and I understand it's supposed to be a goofy/satirical/not at all serious dating sim that's not actually trying to evoke Real Feelings#unfortunately my number one skill is misunderstanding the assignment so I keep FAILING and GETTING REJECTED#'it's a good thing I'm not sensitive!' says my overly-sensitive ass#but really it's not that crushing it's just frustrating if anything#it's probably more fun if you play with friends so you can rib each other but unfortunately. i'm a loser#and i rarely see my friends because we all have wildly different work schedules
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Pollstar Staff | 11/1/24
Following a massively successful year with record-setting box office tallies and Taylor Swift’s highest-grossing tour of all time — what’s next for the live biz in 2024? Pollstar’s editorial staff offers predictions.
Live Growth Spurt May Slow The live industry saw unprecedented growth in 2023 with a massive 46% growth YoY for the Top 100 Tours, according to Pollstar Boxoffice reports. 2024 should be another strong year — but perhaps not a great one. Though the U.S. economy showed promising signs with GDP increasing 4.9% in Q3, the total household debt spiked to $17.29 trillion, according to the Federal Reserve, though inflation continues to outpace salaries. Consumers may think twice before clicking the checkout box and adding another credit card charge, which may decrease ticket sales following live’s record-setting year. – Oscar Aréliz
Reunions, Farewells & Mega-Fests It’s hard to put the genie back in the bottle, so the industry as a whole will get creative to continue the upward momentum of recent years. Expect more seemingly unlikely reunions, farewells that may not actually be final (cough, cough), and additional legs of tours that seemed like one-time affairs. Also, don’t be surprised if the mega-festival trend (When We Were Young, Power Trip, etc), continues to gather steam to the point of becoming a whole new category of yearly event. – Ryan Borba
Ticketing: Same As It Ever Was With mounting public pressure, grandstanding politicians and supreme supernova demigoddess Taylor Swift aligning for the cause of ticketing reform, in the coming year one can expect little to change. That’s because tickets are money, whether artists, their teams, promoters, venues or ticketers keep prices low, outsmart bots, include all-in pricing, shut out the secondary or sell on the side, capitalists always gonna capitalize. – Andy Gensler
Sphere’s Innovations Break Out Many of the innovations that make Sphere so groundbreaking are likely to start trickling out to the world. Don’t expect to see 16K LED screens that stretch around concertgoers at your local arena any time soon, but it’s not a stretch that the beamforming sound system Holoplot created for Sphere becomes scalable enough for broader expansions and artists who already embrace innovation are likely to make bids at recreating Sphere’s already legendary immersive experience at other venues (as best they can). – J.R. Lind
More Protest Songs More artists will pen anti-war songs, including showing support for innocent civilians in various conflicts. We’ll also hear other politically-minded songs, such as tunes concerning women’s rights — along with more live events booked to benefit those in need and support causes near and dear to artists’ hearts, like 2022’s Love Rising Nashville organized in support of the LGBTQ+ community. Plus, it’s an election year. – Sarah Pittman
Indies Go Back To The Future Independent operators may remain fiercely competitive but, with the establishment of trade groups NIVA and NITO, a greater spirit of collaboration has emerged in the wake of COVID. In some cases, onetime rivals – including clubs and promoters – are teaming to share resources to lift all boats, while Brian Becker’s LiveCo brought together five indie promoters to expand existing partnerships with entertainment platforms to create new, innovative projects. Expect this trend to continue. – Deborah Speer
Cloning Technology Arrives Insomniac Events founder/CEO Pasquale Rotella manages to find a scientific breakthrough getting one step closer to cloning himself by 2030. This opens doors for agents and promoters to attend all their events at once, and for artists to play multiple shows at the same time. – Ariel King
#interesting..#and confirming a few of the points we discussed yesterday#this explicitly says that ticket sales are expected to go down from prev years#because of the global economic situation#and that ticket pricing is expected to stay the same or even increase#predictions#music industry#music business#touring#live music#pollstar#11.01.24#link#m#that last paragraph tho.. is that satire or are the serious.. can we.. not :/
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Black Friday Deal bei mhmedia.de
Überall und für jeden Scheiß donnern sie uns einmal im Jahr mit dem großen Sparmythos Black Friday zu. Als Anbieter von exklusiven Inhalten mit herausragender Qualität will auch ich dieses Jahr dabei sein. Vielleicht jetzt jedes Jahr? Nur am Black Friday gibt es hier bei mhmedia.de diesen fast schon unverschämt günstigen Deal. Sie erwerben zwei Bilder und erhalten einen Rabatt von 50 %. Das ist…
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Lexus, too,
They PAID for the right to drive like an asshole
#social#commentary#satire#cartoon#automobile#culture#unfettered#autonomy#freedom#intoxication#overreach#industry#scale#advertising#sales#marketing
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Sonic Exectives Say legalizing Marijuana Would Boost Sales
From the archives of Oklahoma’s great political satire writers of decades past, we bring you this classic reprint of a spoof that caused more than a little irritation to the political class on Lincoln Blvd.
OKLAHOMA CITY (OP) – An Oklahoma City-based restaurant chain is asking the state legislature to legalize marijuana, noting that habitual users of the drug find the company’s products “hella-tasty.” Sonic, which bills itself as “America’s Drive-In,” serves up hamburgers and hotdogs in hundreds of locations around the country.
Executives say the company’s products are especially popular among those with “the munchies,” a side effect of marijuana intoxication. In a presentation before the House Business and Economic Development Committee, Sonic executives said statewide legalization of the drug would boost sales throughout the industry, from McNuggets to Taco Mayo’s “bitchin’” potato locos.
In a recent study, Sonic customers who did not use marijuana rated their food from “fair” to “excellent.” However, users with the munchies said the same products were “friggin’ awesome dude.” Habitual marijuana users, also known as “stoners,” are also less concerned with customer service. They also have little use for napkins, straws and correct change.
According to Sonic estimates, stoners currently comprise only 10 percent of the company’s customers, yet account for 40 percent of sales. They also form 70 percent of the company’s workforce, primarily line cooks and night managers. Last year, Sonic was believed to donate millions in campaign contributions. An exact amount was unavailable, however, since much of the special interest money was covered in chili and cheese.
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Satirical news publication The Onion has bought Infowars, the media organisation headed by right-wing conspiracy theorist Alex Jones, for an undisclosed price at a court-ordered auction.
The Onion said that the bid was secured with the backing of families of victims of the Sandy Hook Elementary School shooting, who won a $1.5bn (£1.18bn) defamation lawsuit against Jones for spreading false rumours about the massacre.
[…] The Onion plans to rebuild the website and feature well-known internet humour writers and content creators.
“We are planning on making it a very funny, very stupid website,” said Ben Collins, a former NBC News journalist who is chief executive of The Onion’s parent company, in a statement.
The website also posted a jokey article, saying that Infowars “has shown an unswerving commitment to manufacturing anger and radicalizing the most vulnerable members of society".
[…] No price would be too high for such a cornucopia of malleable assets and minds. And yet, in a stroke of good fortune, a formidable special interest group has outwitted the hapless owner of InfoWars (a forgettable man with an already-forgotten name) and forced him to sell it at a steep bargain: less than one trillion dollars.
Make no mistake: This is a coup for our company and a well-deserved victory for multinational elites the world over.
What’s next for InfoWars remains a live issue. The excess funds initially allocated for the purchase will be reinvested into our philanthropic efforts that include business school scholarships for promising cult leaders, a charity that donates elections to at-risk third world dictators, and a new pro bono program pairing orphans with stable factory jobs at no cost to the factories.
As for the vitamins and supplements, we are halting their sale immediately. Utilitarian logic dictates that if we can extend even one CEO’s life by 10 minutes, diluting these miracle elixirs for public consumption is an unethical waste. Instead, we plan to collect the entire stock of the InfoWars warehouses into a large vat and boil the contents down into a single candy bar–sized omnivitamin that one executive (I will not name names) may eat in order to increase his power and perhaps become immortal.
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The satirical news publication The Onion won the bidding for Alex Jones’ Infowars at a bankruptcy auction, backed by families of Sandy Hook Elementary School shooting victims whom Jones owes more than $1 billion in defamation judgments for calling the massacre a hoax. “The dissolution of Alex Jones’ assets and the death of Infowars is the justice we have long awaited and fought for,” Robbie Parker, whose daughter Emilie was killed in the 2012 shooting in Connecticut, said in a statement provided by his lawyers. The Onion acquired the conspiracy theory platform’s website; social media accounts; studio in Austin, Texas; trademarks; and video archive. The sale price was not immediately disclosed. The Onion said its “exclusive launch advertiser” will be the gun violence prevention organization Everytown for Gun Safety. “Everytown will continue to raise awareness on InfoWars’ channels about gun violence prevention and present actual solutions to our nation’s gun violence crisis, including bipartisan, common-sense measures and public safety initiatives backed by Everytown,” The Onion said in a statement Thursday. Jones confirmed The Onion’s acquisition of Infowars in a social media video Thursday and said he planned to file legal challenges to stop it.
There's more information in the article, but just posting this to say AHAHAHA GET FUCKED ALEX
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had some disagreement on my example of palworld being a case of someone thinking they could make "pokemon but [appealing to me and not babies]" with the assertion that it's meant to be "satire" but... no, not really. a lot of people with a derivative project that turns out to be shitty will try to call it "satire" when people are put off by their work but that doesn't retroactively make it true. satire has to have a point, and that point is made by shining a light on the faults or absurdity of the thing it's satirizing through humor. it is by definition a derisive medium, parody's unkind sister. no, that project was completely earnest in its desperation to appeal to as many genres of Gamer as possible by going full survival crafter-slash-shooter-slash-mmo-slash-breeding sim. there is no hidden depth here, and the result was a game with no heart or artistic merit that sold millions of copies and instantly bored 90% of its players (this is why i called it a "flop" in spite of its sales-- it had zero cultural impact once the review cycle for it ended). if there is anything "satirical" happening here, it's the indictment of gamers themselves buying anything with "survival crafter" slapped on it, but if that's the case, do you want to support something that hates its own audience?
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The satirical news company plans to shutter Jones’ Infowars and rebuild the website featuring well-known internet humor writers and content creators, according to a person with knowledge of the sale.
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𝗗𝗼𝗲𝘀 𝗧𝗵𝗶𝘀 𝗛𝗮𝗽𝗽𝗲𝗻 𝗧𝗼 𝗬𝗼𝘂 𝗧𝗼𝗼? 𝘽𝙚 𝙎𝙪𝙧𝙚 𝙏𝙤 𝙏𝙚𝙡𝙡 𝙄𝙣 𝙏𝙝𝙚 𝘾𝙤𝙢𝙢𝙚𝙣𝙩.
#SatireSale #drawing #funny #funnymemes #memes
#satire sale#satire#sale#drawing#funny#funny meme#funny memes#post#meme#memes#meme of the day#comment#share this#tumblr#tumblr memes
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Band: Hewhocorrupts
Link to merch no longer for sale
Support the band on Bandcamp, Spotify, Apple Music
Genre: satire, grindcore
#fall out boy#patrick stump#hewhocorrupts#genre: grindcore#i feel like i need to start saying when these bands are from Chicago bc so many of them are#also hilarious to me that this band is mocking metallica#andy what are your thoughts on that
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I'm going to university now (in Germany) and the uni i'm at offers catalan as a side course. Tomorrow i'll finally be at an event where they introduce the subject among others. I'M SO EXCITED!!!!! ^^ Finally! >< Sadly, there won't be a class for catalan literature (omg actually - if you have recommendations of important works from the recent centuries, i'd love to hear, but i'm just rambling, no pressure xD). There will be linguistics and speech praxis. I can't wait! :D
That's great!! I hope you enjoy it very much ☺️
Some of the modern classics (from the late 19th century to the present):
L'Atlàntida (Atlantis, 1877) by Jacint Verdaguer. Epic poem that re-interprets history and legends. Jacint Verdaguer is the most representative poet of the Renaixença/Romanticism movement in Catalan literature.
Other poems by Jacint Verdaguer (1845-1902) and Joan Maragall (1860-1911) are the most important poetry of the Renaixença.
The theatre plays Terra Baixa (usually published in English with the title Martha of the Lowlands, 1896) by Àngel Guimerà. Also Mar i cel ("Sea And Sky", 1888) by him.
La febre d'or ("The gold fever", 1892) by Narcís Oller, the most representative of the realist movement.
The monologue La infanticida ("The Child Murderer", 1898) by Víctor Català (pseudonym of Caterina Albert). And her novel Solitud ("Loneliness", 1905), which is considered the most representative book of the modernist and naturalism movement in Catalan literature.
The satirical theatre plays by Santiago Rusiñol like L'auca del senyor Esteve (1917) —personally I really like his play El bon policia ("The Good Policeman", 1905).
The theatre play El cafè de la Marina ("The Marina Café, 1933) by Josep Maria de Segarra.
Poetry by Pere Quart (1899-1986)
La Plaça del Diamant (it has been translated to English with the titles In Diamond Square and The Time of the Doves, 1962) by Mercè Rodoreda. Her novels Mirall trencat ("Broken Mirror", 1974), La mort i la primavera (Death in Spring, 1986) and Aloma (1938) are also iconic.
The short stories books by Pere Calders, most famously Cròniques de la veritat oculta ("Chronicles of the Hidden Truth", 1955).
The short stories book El cafè de la Granota (1985) by Jesús Montcada,
Poetry: Josep Carner (1884-1970), J.V. Foix (1893-1987).
The novel Bearn, o la sala de les nines ("Bearn, Or The Doll Room", 1961) by Llorenç Villalonga.
Poetry: Vicent Andrés Estellés (1924-1993), Salvador Espriu (1913-1985), Maria Mercè Marçal (1952-1998), Miquel Martí i Pol (1929-2003).
The essays by Joan Fuster, most importantly Nosaltres, els valencians ("We, the Valencians", 1962).
Mecanoscrit del Segon Origen (Typescript of the Second Origin, 1974) and Totes les bèsties de càrrega ("All The Load Beasts"?, 1967) by Manuel de Pedrolo, also personally by him I really liked the sci-fi short stories collection Trajecte Final ("Final Journey", 1975), and I will add my dad would be upset if I didn't mention his theatre play Homes i no ("Men and no", 1957).
Incerta glòria (Uncertain Glory, 1971) by Joan Sales.
Les veus del Pamano (Voices of the Pamano, 2004) and Jo confesso (I Confess, 2011) by Jaume Cabré.
I know some of them, at least Jaume Cabré's novels, Àngel Guimerà's plays, Uncertain Glory, and some Mercè Rodoreda novels have been published in German and/or English. In fact, Voices of the Pamano was a huge success in Germany.
I hope you enjoy the class very much!
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Heaven can't wait. | S9EP06 |
I anticipated this episode with a lot of excitement (?) before I knew all the context of it. I knew Castiel was human and I was curious to see him in a different light. But oh man, I did not know what I was signing up for. This episode is (almost) nothing but sad — and whilst I forgot a lot of what happened previously due to my sporadic watching, I cannot not talk about it.
Disclaimer: It won't be Dean friendly.
Usage of tone tags.
/s - sarcastic/satire
/pos - positive
————
Setting the scene: Castiel, told by Dean that he cannot stay at the bunker, after finally having reached this safe place, managed to land a job at a Gas'n'Sip. He notices a series of deaths as he unpacks the newspaper and calls Dean to let him know. Dean goes to investigate the case — and after some initial exploration of his own, goes to find Castiel at his job. He shows up behind a lady in line.
Scene proceeds.
Dean [smiling wide]: I'll have some beef jerky and a pack of menthols.
Castiel [taken aback]: What are you doing here?
Dean: Gee, it's nice to see you, too, Cas.
I'm seriously stunned that Dean looks surprised and a bit irritated at Castiel's question. Dean has kicked him out of the safe place that he offered to Castiel before - I can imagine without much of an explanation. Now, Dean shows up at Castiel's work casually, as if he'd stop by to visit a normal friend on a normal day. I'd go as far as to say that paired with Dean's irritation, he might feel a little offended in this scene. It gives off the vibe "I am happy to see you, why does it seem like you aren't?" What Dean expected here, to me, isn't reasoned at all since they haven't particularly parted on good terms. Nor is the situation Castiel finds himself in one that implies perfect normalcy.
An assumed explanation would be that Dean is hoping/thinking Castiel would simply gloss over the fact that he has been dumped. If so - upon seeing that this wasn't the case, an apology or explanation would've been due. Instead, Dean tosses the ball back to Castiel and denies him the expression of his confusion and perhaps resentment. Now, Castiel has to reason his - understandable - behavior and explain himself to Dean.
Castiel: It's Steve now. And, uh, yeah you surprised me.
Dean: Well, the feeling is mutual. I mean, I knew you had to lay low from the angel threat, but uh, wow this is some cover.
Firstly, Dean agrees that the surprise is mutual — so factually I can assume he hasn't kept tabs on Castiel whatsoever. That's not a lot of concern for your friend that is hunted by his family, previously homeless and having been killed due to everyone's neglect of the situation.
Additionally, what caught my attention here, is Dean's usage of the word "cover", when referring to Castiel's work. To me, a derogatory note swings with the statement — if it isn't clear here, it'll become obvious later.
He's admitting that Castiel needed to disappear from the angels radar and in the process acknowledges the active threat looming over his friends head. At the same time, his rather demeaning way of talking about Castiel's job gives the impression that Dean deems this work beneath his level [even for a "cover" - hence this job isn't even good enough to serve as a superficial hiding space]. That's a rather high horse to sit on for someone who uses/used credit card tricks to pay his daily meals.
The usage of "cover" also implies that he doesn't recognize Castiel's blatant need for a job. He has expenses to pay now — food, clothing, water, a place to sleep.
Castiel: My grace is gone. What did you expect? Do you have any idea how hard it was? When I fell to earth, I didn't just lose my powers. I-" [looks aside, then back to Dean]
Castiel: I had nothing. Now, I'm a sales associate.
Dean: A sales associate?
Castiel: [while signing the paper]: I'm responsible for inventory, sales, customer service. I keep this place — thank you — clean and presentable. And when my manager is busy, I even prepare the food.
Dean: Wow. So you went from fighting heavenly battles, to nuking taquitos?
Castiel [nods]: Nachos, too.
Castiel picks up on the apparent image Dean seems to harbor: He takes away Dean's illusion of this being a cover by reinstating that losing his grace does not just involve losing his powers but everything else too. In my opinion, by asking Dean what he expected, he voices his disdain about Dean's blantantly ignorant behavior.
It's sad, but the thought that Castiel needs food, water, clean clothes and real money seems to have barely crossed Dean's mind. Add all of the emotional components to it: the loss of one's family, being hunted by it — and having death threats (!) on one's head + the guilt Castiel carries for being the one who caused their suffering.
In this scene, he has quickly assessed (by Dean's behavior and what he's said) that his friend hadn't spared his situation any thought below surface level. He expresses that he's faced hardships — and ultimately shatters the "cover" illusion by stating the obvious. Falling means having nothing. It means having a body to nourish at the same time. Essentially, he's lost a fundamental part of his identity.
But Castiel doesn't only stick to that resentment, grief and bitterness. No, he goes on and explains the upside. He takes away the demeaning aspect Dean has brought into the conversation by contrasting his past situation with his current standing. He has managed to land a job as a sales associate.
To him, it seems even more than that. He's lost everything - but now, he is making something of himself again. He states that he is a sales associate - it is a step towards building up his identity again - renewed. He's trying, and managing(!), to find himself again. [Note: I don't think Castiel wants to be a human/doesn't want to be an angel; but I am convinced after effectively being exiled from your home and your own species/family, you'll need to try and adapt to not fall into a dark pit. Castiel, imo, is coming to terms for now and trying to make the best of it.]
Dean, of course, can't believe it. He repeats what Castiel has said back to him — either in disbelief or in doubt. It seems as if Dean is questioning the worth Castiel is assigning his position. He seems to be questioning whether the title of a sales associate really is something Castiel is proud of — or if his job is being worth that high title. He's just a Gas'n'Sip employee after all (/s). But that's only the mean interpretation. Best case, Dean just used it to keep the conversation going.
Castiel, however, doesn't let himself be deterred. He continues to explain and list all his responsibilities: selling, tending to customers, and over all keeping this shop tidy and something customers enjoy going into. For him, to be in charge of the food whenever his manager is busy, even seems like a cherry on top. It is important to him — and really why shouldn't it be? He has achieved a structure, he is trusted in a position of power: to take care of the shop and its visitors.
Despite his attempts to show Dean that he has built something for himself, that he dragged himself out of what was essentially hell, Dean shoves the opposite in his face. Dean contrasts Castiel's past achievements to his achievements now, which are in stark contrast to one another. This is also an unnecessary reminder of what Castiel lost.
Why was there no "Wow, that's a lotta tasks. How long did it take you to learn them?" or "Nice job at landing this job."
No. The list of Castiels achievements gets torn apart in the air and replaced with underlying contempt: "You've been great, look at what you've become."
And yet Castiel persists on the importance of his tasks by not paying the comment much mind and instead adding onto it.
[Note; I am biased and reaching but: Making food, running a store - are both tasks that help us as a society and are needed. In a sense, Castiel is still helping others. Yet, this way doesn't align with what Dean deems a worthy cause. Therefore, it is a downgrade.]
Next scene.
Dean: This is not you, man. You're above this, come on!
Castiel: No, Dean. I'm not. I failed at being an angel. Everything I ever attempted came out wrong. But here, at least I have a shot at getting things right. I guess you can't see it, but there's a real dignity in what I do. A human dignity.
Here what I mentioned earlier comes into play: Deans derogatory note on Castiels job. What exactly would Castiel be above? Working? Or just working this job in particular, that doesn't suit Dean's taste because it isn't a high-end job?
For once, Dean mentions something that is partially right: that this isn't Castiel. He surely means it different than I do when I say I agree. It is, in fact, Castiel, but he's lost an integral part of his identity. He's experienced unimaginable loss, grief, and guilt. What he's doing now is what I mentioned earlier: adapt as much as he can and this way - find himself again. [However, the work (what Dean is referring to), rather speaks of who Castiel is /pos. That's where Dean would be wrong to say this isn't Castiel.]
Castiel himself corrects Dean on the second part — he isn't above this. Not this job, not this life, nothing. He's hit rock bottom and now makes do with what he can, successfully so. It is so heartbreaking that all Castiel can see are his failures. Not the kindness that sparked action — even if said actions had dire consequences. He also picked up on Dean's attitude towards his job; and denies that vision. This is work. This has dignity. What he does here matters.
I also think he's trying to come to terms with the loss of his angel identity (at least for the time being) by adding the last statement about this dignity being human. But that's just personal speculation.
Nora: Hate to interrupt you guys, but Steve, a customer had an accident in the men's room.
Castiel: I'm on it.
Nora: Oh- and, tonight, 7 at my place work for you?
Castiel: Great.
Nora: [smiles] You're the best.
Dean: [turns] That's what this is about.
Castiel: What?
Dean: The girl.
Castiel: No Dean, it's not.
Dean completely misses the point of anything Castiel has said before: losing everything, having responsibilities here, having hope to do good things here — and focuses only on the woman. Likely this is his attempt at making sense of why Castiel would be working such a job (he needs to) - but that doesn't make sense given Castiel has provided a detailed explanation. Dean's outright refusal to merge his perception of Castiel with reality. I have no clue why he is that deep in denial - I appreciate any theories.
Anyway scene goes on.
Castiel: Nora, she's a very nice woman. I'm pretty sure she's not a reaper intent on killing me, and she's asked me out. Going on dates, that's something humans do, right?
Dean: Yeah, I mean, my dates usually end when I run out of singles but eh, yeah, yeah that's something that humans do.
Not much to say on this except Castiel trying so hard to fit in, to make things work. He keeps reassuring himself — this job has /human/ dignity, going on dates is human, and so on. I think he's trying to come to terms with the fact that this is how it is for now. Maybe he is trying to make some positive experiences.
Next scene.
[Phone rings.]
Dean: This is Agent Lee Ermey. I'll be right there. [hangs up.] There was another kill, over at the highschool. You coming?
Castiel: I wouldn't be much use. I don't have my powers.
Dean: So? I've never had powers.
Castiel: You are a hunter.
Dean: And you are a hunter in training, remember?
Castiel: Yeah, I remember. And you said I sucked.
Dean: I didn't say that. I said that there was- uh- you know- room for improvement. Come on!
Castiel: [sighs] Alright, my shift's over in 5 minutes, and my date's not until later so-
Dean: Attaboy; I'll go get the car.
Castiel: Not just yet. I have to clean the bathroom.
Two things. It's so heartbreaking that it has come to the point where Castiel assigns his value only to the powers he possesses. And now that they are gone, he cannot see what contributions he could possibly make. Hm, I wonder how that came. ["He's fried.", *left in a mental health clinic with a demon neither brother trusted after becoming "a broken angel"*, "Call in another halo.", "Without your powers you're just a baby in a trenchcoat!" and so on.]
It is very important to me personally, that in this scene Castiel is shown to harbor resentment. He is perceptive and notices when someone's being mean to him. He rightfully reminded Dean that Dean said he sucked. ["You were bad everything."] Dean, best case jokingly (worst case seriously doesn't pay Castiel's grief any mind) denies that and shifts it into a more harmless version. This effectively invalidates Castiel's memories and feelings. Now he might've done so because he knew Castiel was right in his claim and he is put into an awkward position of having to admit it [which implies an apology would have to come too.] But Dean cannot face his mistake. He pushes it aside, giving the claim a "funny" twist and puts the blame on Castiel. Message sent "You're exaggerating." Message received.
Lastly: Dean is not listening to a word Castiel says unless it is agreeing with him. Castiel says his work finishes in 5 minutes — Dean immediately wants to leave.
Yes, I'll admit, in casual talk this can be interpreted as Castiel saying it's only five minutes left, so I might as well leave with you now. But given the context of the scenes:
Castiel told Dean he has responsibility in this job.
By highlighting that this job has dignity, that he wants to get things right, Castiel shows that this is important to him.
Castiel told Nora, in front of Dean, that he will clean up the mess.
The logical conclusion is to assume Castiel wants to finish his work and then leave.
Well, this is whatever. Miscommunication happens. [too often in their case.]
————
TL;DR: Castiel can explain himself however he wants to, it'll never be received.
I was going to analyze the whole episode but this has gotten too long and I don't want it to rot in my drafts forever. So I'm finishing it up and I'll get to take apart Castiel's and Ephraim's scenes later. Maybe I'll also look into Dean and Castiel's phone call at the start of the episode.
See you in a few months.
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Sonic Exectives Say legalizing Marijuana Would Boost Sales
From the archives of Oklahoma’s great political satire writers of decades past, we bring you this classic reprint of a spoof that caused more than a little irritation to the political class on Lincoln Blvd.
OKLAHOMA CITY (OP) – An Oklahoma City-based restaurant chain is asking the state legislature to legalize marijuana, noting that habitual users of the drug find the company’s products “hella-tasty.” Sonic, which bills itself as “America’s Drive-In,” serves up hamburgers and hotdogs in hundreds of locations around the country.
Executives say the company’s products are especially popular among those with “the munchies,” a side effect of marijuana intoxication. In a presentation before the House Business and Economic Development Committee, Sonic executives said statewide legalization of the drug would boost sales throughout the industry, from McNuggets to Taco Mayo’s “bitchin’” potato locos.
In a recent study, Sonic customers who did not use marijuana rated their food from “fair” to “excellent.” However, users with the munchies said the same products were “friggin’ awesome dude.” Habitual marijuana users, also known as “stoners,” are also less concerned with customer service. They also have little use for napkins, straws and correct change.
According to Sonic estimates, stoners currently comprise only 10 percent of the company’s customers, yet account for 40 percent of sales. They also form 70 percent of the company’s workforce, primarily line cooks and night managers. Last year, Sonic was believed to donate millions in campaign contributions. An exact amount was unavailable, however, since much of the special interest money was covered in chili and cheese.
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Satirical news site The Onion buys Alex Jones’ Infowars at auction | PBS News
Highlights:
The satirical news publication The Onion won the bidding for Alex Jones' Infowars at a bankruptcy auction, backed by families of Sandy Hook Elementary School shooting victims whom Jones owes more than $1 billion in defamation judgments for calling the massacre a hoax, the families announced Thursday.
"Last broadcast now live from Infowars studios. They are in the building. Are ordering shutdown without court approval," Jones said on the social platform X.
Jones was broadcasting live from the Infowars studio Thursday morning and appeared distraught, putting his head in his hand at his desk.
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