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Q is for Quaker, page for An Alphabet • William Nicholson, illustrator (British/English, 1872-1949 ) • William Heinemann, London, publisher • 1898 (first edition) • Lithographs of hand-coloured woodcuts
There were three issues of the first edition of William Nicholson's classic alphabet. The deluxe issue had "E is for Executioner" and "T is for Toper" but these were deemed improper for a wider audience and the two other issues (this one and the library issue) had "E is for Earl" and "T is for Trumpeter" instead. ~ Wikipedia
#art#illustrator#artwork#william nicholson#british/english artist/illustrator#alphabet book#woodcuts#late 19th century children's books#sassafras and moonshine illustration blog#book illustration#illustration blog#illustration
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La Moda Elegante Illustrada • Spanish fashion plate • December, 1905
#art#fashion plate#illustration#print#lithograph#spanish fashion magazine#sassafras and moonshine blog#illustration blog#victorian fashion
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George Wolfe Plank (American, 1883–1965) • Vogue magazine cover • 1923
#illustration#art#illustrator#george wolfe plank#magazine illustration#american illustrator#vogue cover#fashion magazine covers#vintage vogue covers#sassafras and moonshine illustration blog#illustration blog#artwork
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Gennady Spirin (Russian, b. 1948) • Black Hen, or Living Underground • Antony Pogorelsky, author (Russian, 1787-1836) • 2003 • Retold by Elizabeth James • Simply Read Books, Publishers, Vancouver
Antoni Pogorelsky, a contemporary of the great Russian poet Alexander Pushkin, wrote several fairy tales for children. “The Little Black Hen”, one of his best, was composed for his ten-year-old nephew Alyosha.The book’s main character is a young boy also called Alyosha. In return for his kindness and help the fairy folk reveal their innermost secrets to him. But he must keep these secrets faithfully, or his magic gift will disappear… In this story fantasy alternates with an authentic account of life in the St. Petersburg boarding school where Alyosha lives and studies and where everything is strictly and harshly regulated. This is reality. And it is contrasted with make-believe. For the miraculous is close at hand-you need only tip-toe quietly through some dark, mysterious chambers to enter the radiant,colourful realm of fantasy …
#illustration#art#illustrator#artwork#antoni porowski#russian illustrator#russian fairytales#gennady spirin#russian author#children's book illustration#children's literature#kid lit#storybook retelling#sassafras and moonshine illustration blog
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© Olga Dugina, illustrator (b. 1965) • C. J. Moore, retelling author • 1001 Nights, illustration for Ali Baba and the Forty Thieves • Floris Books, publisher • 2009 • Original illustration: Watercolor and gouache on paper
#art#illustrator#illustration#artwork#book illustration#juvenile fiction#illustrated fiction#old folktales retold#olga dugina#ali baba folktale#folk tales#middle eastern folktales#sassafras and moonshine illustration blog#contemporary illustrator
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Joseph Christian Leyendecker (1874-1951) • Advertisement for Arrow collars and shirts (Cluett, Peabody & Co. Inc.) • c. 1918
"The Arrow Collar Man" was the name given to the trade character portrayed by various models. This particular model was Charles Beech, the long-time partner of J.C. Leyendecker. He modeled extensively for Leyendecker's ads in the early decades of the 20th century. Not exclusively for Arrow shirts but also for other products such as Interwoven socks and several covers of prominent magazines.
#illustration#art#illustrator#artwork#american illustrator#advertisement illustration#j.c. leyendecker#queer artist#1920s illustration#early 20th century illustration#sassafras and moonshine illustration blog#lgbtq artist#american golden age illustrator
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Joseph Benwell Clark (British/English, 1857–1938) • Illustration from Sindbad the Sailor & Ali Baba and the Forty Thieves • London: Lawrence & Bullen • 1896
#illustration#art#illustrator#artwork#joseph benwell clark#british illustrator#pen & ink illustration#ali baba folktale#arabic folktale#old folktales#folktale illustration#sassafras and moonshine illustration blog
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The Handmaid's Tale (The true first edition) • Margaret Atwood, author • Tad Aronowicz, design; Gail Geltner, collage • McClelland and Stewart, Houghton Mifflin Harcourt, publishers • 1985
#margaret atwood#artwork#book cover design#collage design#canadian author#handmaid's tale original 1st edition#escape arizona#sassafras and moonshine illustration blog#illustration blog#dystopian novel
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Hornet costume in Ardern Holt's Fancy Dresses Described: Or, What to Wear at Fancy Balls • 1879
#illustration#art#artwork#costume illustration#fashion illustration#history of illustration#book illustration#sassafras and moonshine blog#illustration blog
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Élisabeth Sonrel (French, 1874-1953) • La Fee du Bois D'argent (The Silverwood Fairy) • No other information found
This image could've been an engraving or etching for a bookplate? It's a sepia version of the painting below.
La Fee du Bois D'argent (The Silverwood Fairy) • Unknown date
#illustration#art#illustrator#artwork#élisabeth sonrel#woman artist#arthurian inspired#portrait#french artist#women in paintings#female portrait#female artist#sassafras and moonshine blog#illustration & design
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Georges Barbier (French, 1882-1932), illustrator • Incantation • illustration for Gazette du Bon Ton • 1922 • Pochoir print • Private Collection
#art#illustration#illustrator#artwork#georges barbier#fashion illustration#magazine illustration#french fashion magazine#french artist#1920s illustration#sassafras & moonshine blog#illustration blog
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Albert Beck Wenzell (American, 1864-1917)
#belle epoque#illustration#art#sassafras and moonshine#illustrator#artwork#sassafras & moonshine blog#fashion illustration#fashion history#magazine illustration#albert beck wenzell#american illustrator#artist
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Margerie Miller (American, 1897-1936) • Queen of the Night • Published in The Tatler • 1931
#illustration#art#illustrator#artwork#margerie miller#magazine illustration#the tattler magazine#woman illustrator#american illustrator#sassafras and moonshine blog#illustration blog#20th century illustration
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John Bauer, illustrator (Swedish, 1882–1918) • Agneta and the Sea King, illustration to Swedish Folktales • c. 1911
#illustration#art#illustrator#artwork#john bauer#book illustration#folktale illustration#swedish folktale#illustration blog#sassafras and moonshine blog#swedish illustrator
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Margaret Macdonald Mackintosh (British/Scottish, 1864 – 1933) • The Silver Apples of the Moon • 1912 • Pencil and watercolour, with highlights of gilt paint and gum arabic, on gesso prepared paper, laid on cardboard
#illustration#art#illustrator#artwork#margaret macdonald mackintosh#british/scottish illustrator#sassafras and moonshine blog#illustration blog#pencil and watercolour painting#works on paper#woman artist#early 20th century british illustration#glasgow school of art#symbolic imagery
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Artuš Scheiner (Czech, 1863 - 1938) • Illustration for E.T.A. Hoffmann's novella The Nutcracker and the Mouse King • 1924 • Gouache
" Godfather Drosselmeier has told me of a lovely garden where there is a great lake, upon which beautiful swans swim about, with golden collars around their necks, and sing their sweetest songs. Then there comes a little girl out of the garden down along the lake, and coaxes the swans to the shore, and feeds them with sweet cake. "
#art#artwork#illustration#illustrator#artuš scheiner#czech artist#book illustration#the nutcracker#christmas illustration#gouache painting#1920s illustration#sucession movement#bohemian style#sassafras and moonshine blog#illustration blog#art nouveau illustration
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