#saree under 500

[marwahstudios]

8th Global Fashion and Design Week Noida 2024 Sets New Standards in Creative Excellence

Noida, India — The 8th Global Fashion and Design Week, held in Noida, has set unprecedented records, becoming the largest fashion event hosted by an educational institution both in India and internationally. This three-day event dazzled attendees with its innovative displays in fashion and furniture design, under the leadership of Festival President Sandeep Marwah, who is also the president of Marwah Studios.

Organized by the International Chamber of Media and Entertainment Industry in collaboration with AAFT School of Fashion and Design, AAFT School of Interior Design, and AAFT School of Hospitality and Tourism, the festival showcased the depth of global creative talent. An impressive roster of participants from 72 countries contributed to a culturally rich and diverse experience.

The event featured 200 designers who participated in 90 rounds of runway shows, displaying over 550 garments. Additionally, there were four exhibitions including collections of coffee table books, Indian Suits & Sarees, a Photography Exhibition, and 100 creative furniture pieces. The culinary arts were also highlighted with 9 food shows representing the cuisine of 20 countries, all prepared by 700 professionals over nearly three months of planning.

The festival attracted a footfall of 23,000 people, including 250 notable figures from the fashion and design world, as well as 20 Ambassadors and High Commissioners, adding a significant international flavor to the event. A marching band from AAFT added a royal touch to the festivities, which were covered by 500 media houses worldwide.

Each day of the event was documented by the AAFT School of Journalism, with support from 100 volunteers from AAFT School of PR Events and Advertising, 100 digital media representatives from AAFT School of Digital Marketing, and 100 camera persons from AAFT School of Still Photography.

The overwhelming appreciation and congratulations from 72 nations underscored the festival’s success in integrating and showcasing the unique cultural garments of various countries, alongside their national flags, in a spectacular ramp show format.

The opening session of the event was graced by distinguished guests including H.E. Dambajavyn Ganbold, Ambassador of Mongolia, Cdr. K.L. Ganju, Honorary Consul General of Comoros in India, celebrated designer Rina Dhaka, and Ruby Yadav, Cultural Head of the BJP Wing. The session was supported by the World Peace Development and Research Foundation, which endeavors to promote the messages of love, peace, and unity through art and culture as championed by Marwah Studios.

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[fromtheothersideby]

The 'Saree Walkathon 2023, London - 06/08/2023

see the video here - https://youtu.be/3vCQznMsUSc

The Saree Walkathon 2023 A Celebration of Culture and Unity!" National Hand Loom Day India.

The 'Saree Walkathon 2023' was held on the 6th of August for the very first time in London, with over 500 British women proudly showcase India's handloom sarees, uniting for a noble cause.

"Under the brilliant blue sky of London, over 500 British women from diverse backgrounds have come together to partake in the awe-inspiring 'Saree Walkathon 2023.'

The sight is simply mesmerizing, as each woman showcasing the timeless elegance of Indian handloom sarees, celebrating their rich heritage and tradition." "The event is not just a spectacle of vibrant colors and beautiful fabrics but is deeply rooted in a noble cause. These women have donned their exquisite sarees in solidarity with the handloom weavers of India, whose craftsmanship is an art passed down through generations."

[aldiraweavetech]

Types of Weaving Solutions from Alidhra Weavetech

Alidhra Weavetech is one of the best weaving machine manufacturers in India, dealing in the global market for the last 25 years. Weavetech is providing the most energy-efficient twisting and weaving solutions in India. Also, the innovation and excellence policy of Weavetech is encouraging a free flow of knowledge and a better exchange of ideas in the engineering industry. Let's find out how many types of weaving solutions are being provided by Weavetech and how efficient they are as compared to others.

Warp Tying / Knotting Machine

This weaving machine is mainly used for warp installation on the loom and comes under the best-selling product of Weavetech. This machine is also known as the Warpmatic machine which is efficiently designed for universal use in warp change to install new beams which are produced on warping machines. It holds numerous benefits such as improved labor efficiency, ease of setup, improved productivity, ease of operation, and many more. This helps in reliably tying a wide range of standard yarns and also allows the tying of single knots, double knots, or both. 

If you also are looking for the Knotting Machine in India, then get in touch with Alidhra Weavetech as we have several types of machinery to solve winding, weaving, and twisting work. One of the best features of this machine is that the machine stops in case of three continuous ineffective knots. The application of this machine is highly reliable and it eliminates the need for workers as well along with providing error-free warp change. This machine also has the capability of reduction in double threads and redirected warp threads that enable high efficiency and productivity of the weaving machines.

Rapier Jacquard Loom: 

Rapier Jacquard Loom / Jacquard Machine (650 RPM) is the most advanced kind of weaving machine which enables wide widths of up to 360 cm and 10,000 hooks. This weaving machine is effectively integrated into a single control panel that offers ease of operation along with offering no-error weaving. This is mainly getting used for manufacturing sarees and home furnishing fabrics as well as some fancy garments. In addition to that, this product is manufactured under an ITEMA-SULTEX license that offers the best metallurgy and longest life span to the weaving machine. The major benefit of this machine is that it left no fabric marks or any kind of strain. The maintenance cost of this machine is zero as it wears fewer tapes. The textile manufacturing industries of India can buy this as it avoids disturbance of warp sheets and less breakage that usually occurs in other machines when operating at a higher speed. Furthermore, heavy and sturdy frames are used in this machine which ensures vibration-free operation even at higher speeds. Give a call to Weavetech today to know more about weaving and twisting machinery solutions available across the globe.

Rapier Weaving Machine (500 RPM): 

This is India's first fastest and guideless high-speed weaving loom machine which has been made using European technology. This is offering the best return on the investment and the best performance as compared to other machines. Moreover, a wide range of options is available which offers the highest versatility. This weaving machine is most suitable for weaving high GSM and heavy-density plain, dobby fabrics and twills such as shirting, suiting, liners, and furnishing. This machine is using guideless rapier technology on the rapier weaving machine that allows the weaving of extremely delicate warp yarns like viscose rayon, silk, and so on. The speed of this machine is around 500 RPM and 1050 meters per min and hence offers an ideal performance ratio along with enabling less maintenance cost. This also leaves no stains or fabric marks and zero noise disturbance.

Rapier Weaving Machine (250 RPM): This is a kind of rapier dobby loom weaving machine which is highly suitable for light GSM fabric. GSM fabric is currently being produced using power and ordinary shuttle loom. 250 RPM rapier machine is available in a wide range at weavetech. If you are looking for a textile manufacturing machinery industry in India then don't look further and connect with Weavetech today. This is highly suitable for lightweight fabric, and light GSM garments based on the fabrics that are covering filaments, viscose, spun, fancy yarns, and rayon. In addition to that, this Indian Rapier Loom is the largest-selling and most successful product of the company. This weaving machine is offering the heaviest and sturdiest rapier with 2 tons weight and more than 9000 rapiers are running successfully in this machine. This machine also reduces the number of operators compared to the power loom and enables energy savings as compared to the power loom.

Alidhra Weavetech is one of India's Premier Weaving Machine manufacturers. We provide various kinds of weaving, twisting, and winding machinery such as high-speed rapier loom, rapier plain shedding model, electronic jacquard, electronic high-speed jacquard, and so on. Get in touch with us immediately to know more about textile manufacturing machines.

This blog is originally posted here: https://www.weavetech.com/blog-detail/23/types-of-weaving-solutions-from-alidhra-weave/

[anantradingpvtltd]

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[ebulkingtextile]

Wholesale designer festival wear Georgette straight suit catalogue

[ebulkingofficial]

Garments That'd Make You Look Cooler

We are currently in a generation where we don't need anyone else to tell us how we should wear our dresses and Wholesale Designer Kurtis about the fashion trend that is now trending among the majority. But one should be there to suggest that what would suit you and what'll make you look more relaxed than ever before.

So, below we'll discuss garments of such sort.

Half Sleeve Formal Shirts

It is a button-up shirt for men with crisp collars and left-sided breast pocket available in some shirt types only. It's a stylish pick for those who need to look fresh and bold. You must try it if you are really into half sleeves.

Kurta pajama stylish

A slack collarless shirt mainly that reaches the length of the knees, and the pajama is a lower that is very light to wear, and it should fit the wearer's legs for the best look. It is also a fashion trend among both the males and females in the northern part of India. This outfit also suits kids, and they can again wear it as a fashion proclamation.

Khadi Cotton Sarees

Khadi cotton sarees have emerged as a fashion trend these days. When compared to designer sarees, the Khadi sarees can compete with it in terms of looks.

Women who wear these sarees automatically start looking stunning, and there's no doubt in that.

EBulking is a B2B market place for textiles that provides you with Khadi Cotton Sarees Wholesale, Saree Under 500, and much more on reasonable price and affordable cost. O if you are looking for wholesalers and bulk suppliers Ebulking is the ideal end for you. with a wide range of Wholesale Kurti Market, Cheap Kurtis For Wholesale Business, Wholesale Saree Bazaar, etc. and serving all divisions of clothing and various Indian textile products. It benefits you like the best spot for an excellent wholesale deal.

[pandeysareecentre]

Saree Serenity

Drape yourself in timeless elegance with our exquisite sarees. Crafted with care, each piece embodies tradition and modern grace. Make a statement wherever you go.

[cottondressmaterial-blog]

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[differentfartbeard]

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[kotstarblogging]

How to Max Your Look This Festive Season With Max Fashion

Any shopping enthusiast knows how difficult it is to find brands that match your style and budget at the same time. We often find ourselves spending a lot more money in the name of trend and fashion. That's one of the many reasons why when we find a brand that we truly resonate with (both style-wise and budget-wise!), we grab on and never let go. It is a marriage that will last a lifetime. And one brand that does this perfectly in India is Max Fashion.

Max Fashion is truly a fashion and lifestyle brand for all. The brand not only manages to bring in fun and relatable trends to fashion enthusiasts across the country but also remains faithful to our culture through its wide ethnic collection. So what is their secret? The brand reveals that it works closely with its international design teams to keep in touch with the trendiest of trends in global fashion while also understanding the unique preferences of the Indian fashion savvy shoppers.

And because it is a go-to destination that caters to the fashion needs of all members of a family, the mystery is solved on why it is one of the largest fashion brands in the country. With well over 370 stores in 130+ cities, Max Fashion is about to hit a new high with its latest association with Myntra. For those who are waiting to do a fashion haul, this may be the right time for you for many reasons.

Over 15000 Max styles at Myntra's Big Fashion Festival

The Big Fashion Festival is another one of Myntra's mega sale event, and this time, to mark the onset of festivities in the country. Having said that, the sale will be packed with thousands of new styles and launches, and Max Fashion is one of the more prevalent brands this season. The brand already has over 15000 styles on the shopping site and is expected to reach 20000 during the course of the sale event. In a nutshell, this is where you should go if you are looking forward to do a fashion haul this season.

All your favorite styles are available

Max Fashion has a perfectly balanced portfolio of styles that ranges from Apparel and Footwear to Accessories for Men, Women, and Kids. We are talking apparels of every style imaginable to suit the preferences of different types of people and for different occasions. Customers can find their favorite styles whether its retro, florals, classic prints or cool athleisure and shop to their hearts' content. It is a brand that never runs out of style options!

Value for money

If you know your brands well, you also probably know that Max Fashion apparels are already unbelievably priced. With spunky T-shirts that are priced under the 500 range, colorful kurtas that start from 399 all the way upto 1899 rupees, Kidswear that start from 199 rupees, among others the brand is at the top of its game when it comes to providing value for money. In addition to that, the Myntra's Big Fashion Festival will get you the deals you thought were not possible. For example, the brand is offering a value pack which involves curating an entire look for the customers for just under Rs 999. Now that's what you call a steal!

Best place, time, and brand for a festive fashion haul

Max Fashion boasts a wide array of ethnic wear for men, women and kids. Everything about their colorful collection screams fun and festivities while being playful and comfortable at the same time. Whether it is an A-line, asymmetrical, embroidered, or a more structured straight fit kurta, the brand makes sure that every single piece is made to fit and to endure all the fun and frolicking that happens during the festive season.

Read more blogs :

·         10 Trends That Will ‘Take It’ in Autumn and You Can Wear from Now

·         What Makes Anarkali Suits Perfect for Festive Occasions?

·         5 Fall-Winter Trends 2020/2021 According to the LFW:

·         5 Reasons Why You Need a Jean Jacket in Your Closet:

·         Tips For Choosing Fashion Industry Careers

·         What Are Some Highly Popular Designer Sarees Available in Market?

·         Minimalist Fashion Design Is In Trend

·         Which One Is Crucial – Comfort Or Fashion?

·         Why People Follow Different Fashion Styles?

·         Reasons Why You Need a Jean Jacket in Your Closet:

[blogspud-jobs]

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[go2harsha-blog]

Ganapati - Once and Future Leader

In which Harsha Prabhu follows in the footsteps of the Elephant-headed God and bumps into some inconvenient truths

"Vakratunda Mahakaaya, Suryakoti Samaprabha Nirvighnam Kuru Mey Deva, Sarva Kaaryeshu Sarvada"

Ganesh Mantra

(The lord with the curved trunk and a mighty body, with the luster of a million suns I pray to thee, to remove all obstacles from my path)

Ganapati procession, Arambol, Goa, September 2019. Pic: Harsha Prabhu

Arambol, Goa September 2019

Bhajan Mandali

Ganapati, aka Ganesh, the elephant-headed god, has many devotees among the Hindu community in India. Many Hindu households install an image of the god and offer prayers, conduct rituals and invite their neighbours for a darshan (viewing) of the god and share lunch or at least prasad (ritual offerings) together.

In the evenings, groups of musicians (mandali) go from house to house and sing bhajans (devotional songs) in his honour.

Bhajan mandali at a house in Arambol. Pic: Harsha Prabhu

One night in Arambol, I visited five households with a bhajan mandali. Apart from hymns to Ganapati there were many abhangas (songs) composed by Tukaram, the Marathi Bhakti poet-saint, beloved of the people.

The singing sessions were robust; the tea, coffee, fruit and snacks provided by every household plentiful. In one house we went to, the owner locked the doors to ensure that we finished all the food and drink he had to offer. What with the round of lunches and snacks, my midriff began to resemble the ample girth of Ganapati.

After a set number of days - anywhere between two and twenty one - these Ganapati idols are immersed (visarjan) in the sea or any available waterbody.

Sarvajanik Ganapati

Ganapati procession, Arambol. Pic: Harsha Prabhu

Besides these household Ganapatis, there’s also the Sarvajanik Ganpati, a ‘people’s Ganapati,’ that is set up in a public place for the community to worship.

Last Thursday this Sarvajanik Ganapati - which was on show at a public hall in the village - was set atop a pick up truck and wound his way through the main street of Arambol to the sea shore. He was accompanied by singing and dancing women - resplendent in their traditional, nine-yard sarees, nose rings and other accoutrements - and children and men playing drums. Along the way groups of young boys lit firecrackers.

Ganapati procession, Arambol. Pic: Harsha Prabhu

To escape breathing the fumes from the firecrackers and the loud explosions they made, I made my way down to the beach. The sun was about to set; the tide was coming in.

Ganapati procession, Arambol. Pic: Harsha Prabhu

Soon groups of women descended on the beach. These were the singers and dancers from the street parade.  I began to notice what sounded like a low murmur enveloping the beach. At first I couldn’t work out where the sound was coming from. Then I realised it was coming from the gathered women. They must have all been whispering prayers under their breath. It sounded like the humming of bees.

Ganapati procession, Arambol. Pic: Harsha Prabhu

Then the truck with the Ganapati appeared and manoeuvred on the sand. More prayers, more dancing by the women and drumming by the men. Fireworks lit the now-dark sky.

A simple prayer was read out in Marathi, expressing the humble hopes of the people: As in past years we have been worshiping you. Please forgive us for any misdemeanors on our part. Please help children gain knowledge through education. Please also help all people get jobs and become healthy and wealthy. Please bless everybody.

Ganapati visarjan, Arambol. Pic: Harsha Prabhu

Then, with shouts of “ Ganpati Bappa Morya, pudhcha varshi loukar ya” (Hail Father Ganapati, come back soon next year), a bunch of men lifted the idol from the truck and walked him into the sea. The incoming tide pushed the watching worshipers to higher ground. Thus ended this year’s Ganapati celebrations in Arambol.

Ganapati visarjan, Arambol. Pic: Harsha Prabhu

Leaving the beach, I heard one young man tell his friend: “Ganapati has gone. Now we can eat fish.”

This was a reference to the fact that, for the period of Ganapati’s stay in the village, Goa’s Hindus refrain from eating fish or meat of any sort, or even eggs - a big sacrifice for people for whom fish is a dietary staple.

I thought to myself: Goa’s fish better watch out.

Ganapati visarjan, Arambol. Pic: Harsha Prabhu

Ganapati - a potted history

I am indebted to the work of Debiprasad Chattopadhyaya, Marxist philosopher and historian, for much of what follows. Errors in interpretation are my own.

In his landmark book, Lokayata: A Study in Ancient Indian Materialism, Chattopadhyaya uncovers the tangled web of the Ganapati story, following its twists and turns, marking the vicissitudes of the rise and fall and subsequent rise of Ganapati.

Ganapati means leader/father (pati) of the tribe or group (gana) in Sanskrit.

Clearly, Ganapati is very old, a totemic figure from India’s tribal past.

Ganapati visarjan, Arambol. Pic: Harsha Prabhu

Ganapati is mentioned in the Rig Veda (1200 - 900 BCE) as  "the seer among the seers, abounding beyond measure in food, presiding among the elders and being the lord of invocation.”

In the Rig Veda, however, Ganapati refers to a person and there are many Ganapatis, described as  leaders of different groups or tribes. “Ganesvaras, or Ganapatis, and Vinayakas are here represented as…many in number and present everywhere” (Bhandarkar). What’s more, the Rig Vedic Ganapati has not yet received his iconic elephant head.

Sakti Ganapati

Chattopadhyaya suggests that Ganapati is associated with the early agricultural tribal society that predates the time of the Vedas. He connects it with fertility rituals to do with mother goddess worshiping cultures.

Chattopadhyaya mentions how In some parts of India, Ganapati-worship is followed by the worship of Gauri, the mother goddess,  and is connected with rituals to do with the new moon and the sowing cycle, where the goddess is depicted as “a bundle of plants, along with her human representative - a virgin.”

(I saw a remnant of this in Goa. Just before my neighbour’s household Ganapati was whisked away by the men to be immersed in the sea, the matriarch of the house ran out of the house with a sheaf of plants and blessed the idol, saying “Gauri, Gauri.”)

According to Chattopadhyaya, Ganapati is also a key figure in Tantric rituals. There are 50 different names for Ganapati in Tantric literature; and some of the followers of Ganapati (e.g. Ucchista Ganapati) were also ‘vamacaris’, ‘tantrics,’ who practiced ritual group sex.

There are also female versions of Ganapati, know as Vinayaki, shown with the head of an elephant and the body of a youthful woman (Silparatna, 16th century). These too may have Tantric origins. Similarly, the Buddhist Hevajra Tantra mentions an elephant-headed goddess, Ganaptihrdya.

Then there are the Sakti Ganapatis, where Ganapati is shown embracing a female, where the male god is depicted as being subordinate to the goddess. Chattopadhyaya points to the idol in the famous Ellora caves, where Ganesa is  “subservient to the seven women, called the seven mothers (sapta matrikas).”

Ganapati procession, Arambol. Pic: Harsha Prabhu

Ganapati as trouble-maker

The patriarchal backlash was predictable.

Perhaps because of this heterodox, tribal, matriarchal and Tantric connection, in the Griha Sutras (500 BCE), commentaries on the Vedas, we find Ganapati inspires dread: a follower of Ganapati “…sees in dreams waters, men with shaved heads, camels, pigs, asses…”

The Upanishadic Brahmin sage Yajnavalkya (8th-7th century BCE) saw Ganapati in the same vein: “Being possessed of Ganapati, the Princes Royal do not obtain the kingdom.”

Chattopadhyaya’s masterly analysis - combining comparative history and anthropology - shows the Ganapati story to run parallel to the destruction of tribal society in India and the rise of monarchies and centralised state power, buttressed by the panegyrics of patriarchal Brahminism as an ideological force providing the social glue to cement the status quo, including caste discrimination.

No doubt that’s why the Manusmriti, the Lawbook of Manu (2nd century BCE - 3rd century CE), a Brahmanical text, looks down upon Ganapati. Says Chattopadhyaya: ’A couplet ascribed to him (Manu) describes Ganapati as the deity of the depressed classes, the Sudra, and this in clear contrast to Sambhu, the deity of the Brahmanas, and Madhava, the deity of the Ksatriyas.’

Indeed, many of the names of Ganapati - Vignakrit, Vignaraja, Vigneshwara - suggest this adverse history. ‘Vigna’ means ‘trouble’ in Sanskrit.

Trouble-maker Transformed

How did the Vignakrit, ‘trouble-maker’, become today’s remover of trouble?

The transformation of a radical force into its opposite is a tribute to the powers of co-option exercised by the ruling classes in all societies, but is a special hallmark of Indian culture. It’s always the winners in the culture wars that shape the narrative, that write the history books.

One way of doing this is to make room for this radical figure of popular appeal - originally a person, then a totem, now a god - and include him in the premier pantheon of the gods. Again, Indians are masters of this kind of mystification and cultural assimilation.

Thus, a whole back-story is created for Ganapati, including how he got his elephant’s head, and a new lineage, wherein he becomes the child of Shiv and Parvati, and is admitted into the mainstream Hindu canon of worship.

It’s a classic tale of the absent father, Shiva, who does not recognise his son, Ganapati, who is guarding his mother, Parvati, while she bathes. The father beheads his son; but then relents on discovering his true identity and crowns him with the head of an elephant. It’s your typical Oedipal story, but with a happy ending, worthy of Bollywood.

Far from seeing him as a trouble-maker, the medieval Puranas - especially Skanda Purana, Narada Purana and the Brahma Vaivarta Purana - are full of hyms praising Ganapati.

Chattopadhyaya, quoting A K Coomaraswamy, tells us the elephant-headed version of Ganapati that we are familiar with appears around the time of the Guptas, in 5th century CE. Before this, Ganapati is shown with other heads, including bull and snake heads, again betraying his tribal, totemic origins.

Inconvenient Truth

Still, some inconvenient truths remain to be explained.

One of the names of Ganapati is Ekadanta, ‘one-tusked’, and he is depicted thus in art and iconography. How did Ganapati come to lose one tusk?

The Brahma Vaivarta Purana says he lost his tusk in a battle with Parshurama, the Brahmin who was also a warrior. If nothing else, this suggests a struggle between Ganapati, the leader of the common people, and the aggressive Brahmin proselytisers.

Interestingly, this same Parshurama is credited with the creation of Goa. In the Sahyadri Khand of Skandha Purana, he is said to have shot an arrow at the sea god and caused the whole Konkan coast - of which Goa is a part - to be created. Here we have a thinly disguised tale of the Brahmin colonisation of South India, presented as a creation myth.

Tilak’s Dream & Hindutva

Ganapati worship in its current, public form was the brainchild of Bal Gangadhar Tilak, social reformer and nationalist, and dates from the 1890s.

Tilak observed the popularity of Ganapati among the masses in Bombay and sought to propagate it in a public manner - the Sarvajanik Ganapati - as a strategy to both subvert the British ban on people gathering in public spaces post the Indian Mutiny and as a tactic to ‘bridge "the gap between Brahmins and non-Brahmins", thereby building a grassroots unity across them to oppose British colonial rule’ (wiki).

130 years down the track - and 72 years since India won independence from the British - while the public celebration and worship of Ganapati has grown in leaps and bounds across many states in India, so has the gap between ‘Brahmins and non-Brahmins,’ which has now become a chasm, with caste-based atrocities, including lynchings of Dalits - the Sudras of the Manusmriti - on the rise in India.

Dalits are beaten up for merely growing a moustache, or riding a horse to a wedding, or participating in a dance - all activities only permitted to the upper castes.  Dalits also frequently die from asphyxiation while manually cleaning sewers - which caste-obsessed India still permits in the 21st century, as a job reserved for Dalits alone.

Tilak’s dream of unity among Hindus has been zealously taken up by the Hindu Right under the leadership of the RSS and its political face, the BJP government of Narendra Modi, with the avowed aim of turning India into a Hindu nation.

Here, unlike in Tilak’s time, the enemy is not the British, but secular India.

Apart from discriminating against India’s many minority communities and tribal population, this Hindutva project is a false unity, as it’s a unity under the hegemony of the Brahmins and the upper castes, as any persecuted Dalit would know. Despite the co-option of a Dalit as the President of India.

And while Dalits continue to be an underclass, tribal India, from which matrix Ganapati originated, doesn’t even figure in the national discourse, except as a shadowy victim on the margins of a rapacious state bent on depriving tribals of their forests and livelihoods via resource exploitation and displacement caused by big dams and mining.

Echoes of the Tribal Past

D D Kosambi, Marxist historian and polymath, says: “The entire course of Indian history shows tribal elements fused into a general society. This phenomenon, which lies at the very foundation of the most striking Indian social feature, namely caste, is also the great basic fact of ancient Indian history.”

What accounts for the persistence of an ancient totemic figure like Ganapati in 21st century India?

Chattopadhyaya offers a classic Marxist analysis and points to the ‘uneven development’ of Indian society. “This feature of uneven development remains a characteristic of Indian history throughout the successive ages, down to the very modern times.”

In other words, slums coexist with smart cities, as anyone who knows India will testify.

And what is true of the social and economic life, is also reflected in people’s ideology, including religion and rituals. Superstition coexists with space travel.

Indeed, the ancient and the modern jostle for space in the Indian mind today.

While tribes decay into castes and then morph into classes in a modern context, somewhere in their hearts and minds India’s people retain echoes of the archaic, tribal past.

Meanwhile Ganapati - the father of the tribe who became a totem and then a god - still awaits his destiny as the once and future leader of the common people - and the remover of all obstacles in their path.

[lakshyaillam]

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