#sarah x charlie

[scullysconstant]

2.03 | 3.03

[toneelspeelster]

sarah nelson being a charlie spring lovebot

[heartstopperthoughts]

Sarah Nelson being my fucking favorite

[bairdthereader]

The women at this dinner are SO. DONE.

Tori, who has anticipated the dynamics at this dinner all along and has pegged David immediately as the slimeball he is, is clearly wondering how she got sat between these two massive male egos. She's armed and ready for her confrontations with David (perhaps even looking forward to them just a tiny bit?) when things take a turn for the worse. Protective older sister mode activated.

I debated adding Jane here, but she's reacting to the posturing and conflict between the men just as much as Tori or Sarah, so she deserves to be included. She spends the meal deflecting, changing topics, trying to keep the conversation in safe waters. She silently but visibly disagrees when Charlie downplays his rugby abilities (thank you, someone, for acknowledging he's not actually that bad!). But when Nick finally confronts David, her face shows dread. Anyone who's read Alice's cannon knows Jane has a complicated family history riddled with conflict, and her instinctive fear shows clearly in this moment before she realizes that Nick is going to handle this problem gracefully rather than violently.

And Sarah. Having seen how lovingly she navigates life with Nick and how sensitively she helps him with his problems, we can only imagine that she has to have been pushed to the absolute edge by her time with Stephane to react the way she does here. I'm not even getting into the second half of the argument after Nick leaves the table--that's a whole other post--but Sarah is completely comfortable placing the blame squarely where it belongs, even in front of company. Sarah Nelson, putting men in their place left and right.

Leading ladies, indeed.

[binary-bfs]

trust when I say I WILL be SOBBING during this scene with Kit Connor and Olivia Colman

[bipanicknelson]

friendly reminder that before he met charlie, nick used to drag his mum to play video games with him

[allthingstv]

HEARTSTOPPER 1x0.2 Crush | Nick & Sarah 🫶🏼🫶🏼🫶🏼

The realisation 🥲

[patrick270]

New photos from season 3 of Hearstopper!!

[brothermayihavesome0ats]

Underrated show who?

[boxbunny63]

i cant believe Michael gave us bi and pan yuri and Zack gave us bi and pan yaoi

[klutzyghost13]

It's Meme Day again.

[azizefan]

Charlie + Sarah + Rex in episode 6x13

[heartstopperthoughts]

[bairdthereader]

Let's have some tea with the Nelsons.

One of my favorite little throughlines in Heartstopper is the making of tea as a gesture of comfort, welcome, or care in the Nelson household.

---

The first time we ever see Nick in his kitchen is after Charlie leaves on their snow day. Sarah is already at her customary place at the table with a cup of tea at her elbow, and Nick is gazing contemplatively into the middle distance while waiting for the kettle to boil. You get the sense that this is a well-worn routine in the Nelson home, and that Nick and Sarah have created a deeply loving and understanding relationship over many past mugs of tea at this table. As Nick prepares his tea, Sarah begins talking about Charlie: how nice he is, how different to Nick’s other friends, how Nick seems more himself around Charlie. As Nick takes his first sip of tea, you can see his perspective on his friendship with Charlie shift just a tad, a new, lovely facet revealed. Charlie helps Nick be his true self, and that, Nick realizes, makes him content.

When Sarah comes home to a troubled Nick—notably, waiting at the table where big discussions happen—trying to work through the love triangle he's somehow found himself in, she listens and offers her usual Sarah Nelson style of lovingly straightforward advice. You can see that Nick is at least somewhat comforted by this clear-eyed approach to the problem with Imogen; it confirms what he already knows deep down. And then, unaware of Nick’s changed relationship with Charlie, she says, "The right girl will come along" . . . and Nick dies inside just a little. But, she's getting two mugs out of the cabinet, so at least there will be tea.

After Nick’s day at the seaside with Charlie, he comes home very ‘smiley,’ having settled a lot of big things with Charlie and within his own mind. In an almost mirrored setup to the snow day tea, Sarah is having a cup at the table, and Nick heads over to the kettle to start making a mug for himself. While he waits for the kettle to boil (a good time for rumination if ever there was one), he remembers his words to Charlie: he wants to start telling people. He screws up his courage and sits down with Sarah to have the bravest conversation he’s ever had to have with her. And in that place of safety and comfort, over nurturing and calming mugs of tea, Nick shares this most important part of himself with his mother, and Sarah surrounds her son with accepting love.

Of course, we have this really satisfying interesting moment when David is initially denied tea because of his rudeness. Sarah’s quietly bolstering Nick while putting David in his place just a bit. She’s saying, you can only be part of this ritual if you honor the care and safety that is the hallmark of the Nelson home. (And we all know David is incapable of that.)

When Charlie sneaks out to visit Nick after his rough day, they relax in Nick’s room; Charlie, typically, falls asleep. When he wakes up, Nick offers dinner, which Charlie declines, asking for tea instead. This one’s hard, because we know that in this moment tea is Charlie’s way of getting around food and all of its challenging implications for him. Nick doesn’t know that, though, so he responds with joking affection, “You’re such an old man.” (Giving you the side-eye here Nick, since you drink more tea than anyone else in this show.) Nonetheless, he goes to make Charlie’s tea, a small gesture of care, and of intimacy in the sense that Nick knows how Charlie takes his tea and will be sure to fix it that way. That this lovely, domestically caring moment is interrupted by David’s cruelty is crushing. Those cups of tea will go cold on Nick’s bedside table.

After what is easily one of the most stressful evenings they’ve both experienced, Nick is recovering in bed while Charlie makes tea. Nick and Charlie need some time in a safe and comforting place to recuperate; not just Nick from physical illness, but both of them from the social pressures and challenges of the party in the woods. This overhead shot of Charlie stirring the tea is one of my favorites. Those three mugs in a row symbolize how Nick, Sarah, and Charlie all care for and support each other. Charlie may be a relative newcomer, but Sarah loves him already, and she has enveloped him in the safety of both her person and her home. Charlie clearly appreciates and cares for her in return. So even though he’s making this tea for a tired and ill Nick, he’s also caring for and thanking Sarah in this small way. And she returns the gesture with one of her own: validating words. “Nick's so lucky to have you.”

Tara and Darcy have just been through hell on a night that was supposed to be very special to both of them for a lot of reasons. The Nelson house becomes a safe harbor where they have time to be alone, with supportive and dear friends nearby, to discuss at long last the problems that have been plaguing their relationship all summer. It’s an incredibly challenging, honest, raw conversation, but Tara is patient and understanding, and Darcy is vulnerable, and they land on solid ground at the end. When the Paris squad sees that they are happily dancing together, they come to offer their additional love and support. Understanding that this is a time when comfort and closeness is needed, Nick does what Nelsons do: he offers tea.

Bonus: Tea at the Nelsons respresents Nick developing wider, deeper, more authentic friendships, as teatime progresses from a family-only affair, to a family + Charlie affair, to a Paris Squad affair. 💕

Honorable mentions go to . . .

Tea at Tao's, to help with hard truths:

Hot cocoa at Charlie's, with excessive marshmallows to bribe your friends into letting your secret boyfriend come to your birthday party:

AND

Every single teacher needs tea to get through this day (maybe there's a dash of whiskey in those mugs) . . .

Except this guy, who is clearly a sociopath:

[binary-bfs]

y’all don’t understand how much this scene is going to mean to me😭

[whoopsyeahokay]

October Sun

summary: Simon had wondered what any of it had meant. Maddie's death, why he'd been the only one who could see her. And then he'd learned that, perhaps, everything that had happened...it hadn't been about him or Maddie at all.

pairing: Wally Clark x fem!reader

warnings: eventual smutty smut smut. and mad spoilers. and obvious Canon divergence. very involved, very dense plot.

bon reading, frens

___________________________💀

OCTOBER SUN pt.25

A roaring white noise erupted in the theater, smothering all other sounds. A TV static howl that seemed to come from within your own head, building and building until it was unbearable. You slapped your hands over your ears, gritted your teeth, pulse thundering almost as loud as the unnatural noise in your ears.

Muffled as if through cotton fluff, you heard someone yell, "What's happening!?" but no more than that, the voice swept away by the bellow. You lifted your head away from Xavier's shoulder and turned your body as much as you could within the tight band of his arms. Where the trapdoor should be, rising like a nightmare from its grave, the farmhouse door materialized in the middle of the stage. Your eyes widened in horror as the familiar screams from behind it began to gnash at the edges of the noise like teeth, "LET. ME. OUT! YOU CAN'T KEEP ME HERE! YOU'RE DEAD, YOU HEAR ME!? DEAD!!"

You cast around, saw Maddie and Wally huddled together, Charlie tucked between two rows of seats, Ajay shielding Mina with his body, and Rhonda with her arms crossed in front of her face as the noise crashed through the theater like a physical force; a tempest of rage and violence that pierced the veil. The ground and walls shook, windows rattled, a stage light fell and smashed on the stage. The quake vibrated through your bones, motivated you to act, but you couldn't move. Xavier clung to you both protectively and in terror, his eyes pleading as he seemed to figure out what you planned to do. He trembled, fingertips bruising into your flesh through your sweater.

You'd never seen him so scared. Not once. Not ever.

Driven by adrenaline, "I'm sorry," you shoved Xavier off you, spun and rose in one fluid motion, and charged at speed down the center aisle toward the stage. The wind was sharp and stinging, pieces of glass and metal from the shattered stage light picked up and whipped about, but you didn't stop. Hurdled into it. Leapt onto the stage. Close, so close. Hand extended, fingers brushing the knob, about to brace against it to keep the monsters from escaping.

The door ruptured at its center, fragments of wood bursting outward and immediately captured by the storm. The force of the sudden explosion sent you sailing backward, followed by a tsunami of blinding, iridescent light that fell from the breach in the door and reached toward you. Cold. Clutching. You barely made out your name being shouted in varying degrees of desperate concern and fear. But it didn't matter. It didn't matter. Because as soon as you landed, hard—enough to knock the air from your lungs into your throat and choke you—the world shifted on its axis and went black.

‗‗‗‗•‗‗‗‗

Question 1.

Why did Frankenstein create the Monster?

‗‗‗‗•‗‗‗‗

Simon lay in bed and stared at the ceiling above him, cracked and pillowed, a yellow-brown rash bloomed in patterns that he tracked in meditative circles with his eyes. He needed to shower, he thought dully. He hadn't had time that morning before being chauffeured to the station for another damning interrogation by Deputies Hayes and Stewart.

"Where is she, Elroy? Where's Maddie?"

"I don't know."

"Don't lie to us, kid, it'll only make things worse for you."

"I'm not lying, I don't kn—"

"God dammit, quit playing dumb!"

"That's enough," Mrs. Grace had snapped before Stewart's jaw had shut with an audible click. "Without substantiated evidence, this is all hearsay. Simon has given you everything he knows in his statement. Unless you intend to further make fools of yourselves, we're leaving."

Simon needed to get up. Get up. Get up. Get. Up.

He didn't move. Couldn't; his limbs grafted to his sheets, muscles like stone, bones elastic. His back was sore, his skin ached and he wanted to move around, stretch the discomfort out of his body, but...he didn't. Instead, he kept staring at the ceiling as the morning looped in his mind. Questions and suppositions, two manilla folders, one map, and then a tense drive home where he'd felt little-boy scared of his parents—his father—for the first time in years, their disappointment and anger palpable in the tight confines of the car.

Simon had been shown Maddie's file. A couple of graphic photographs that looked staged for a prime-time procedural drama. His best friend's blood splattered on the boiler room wall, evidence of the pain and torture she'd incurred when she'd been killed. Murdered in the bowels of the school while Simon had been three floors up in homeroom, bored and bleary-eyed, dozing on his backpack, mentally preparing for a night at the APEX with a group he felt a little on the outskirts of.

"Fuck." He choked, eyes stinging, rubbing over them with his wrist.

The photographs were seared into his retinas; there even when he tried to distract himself or ignore them or pretend that Maddie was still within reach and not one resolution away from vanishing forever.

Blood. Her blood. From a swing so violent that it'd projected onto the wall when the weapon had been hitched for another strike. How many blows had been delivered before Maddie's eyes had dimmed and her breath had stopped? His stomach lurched, but still, Simon didn't move.

The deputies thought Maddie was out there. Not enough blood on the scene to warrant a murder investigation, Stewart had informed Simon as if suggesting that Simon and Maddie might've tried to fake her death so no one would look for her. It was half-assed and ridiculous. Even Hayes seemed to think so, though she wouldn't have admitted it aloud.

Desperate to repress the images, Simon tried to remember the other file he'd been shown. The deputies insisted the cases were linked: Maddie's "escape" and a string of break-ins that spanned two neighborhoods that would've been one if it weren't for a railway track splitting it down the middle like a stapled wound. Simon had recognized the first immediately. Riverden Heights. A low-income area that had been chosen by the town council for regentrification, spearheaded by none other than Claire Zomer's stepfather.

The other, Warren Meadow, had taken him a moment to recognize, but when he did, it'd been a feat to conceal his surprise. He'd been there the night he'd found Mr. Anderson's stash, sat on a swing in the play park behind the house you called home.

What did it mean?

As he pondered the possibilities, a crisp gust of wind coasted over him, disturbing the curtains and ruffling the posters on his walls. At last, he moved, prompted to investigate because he was sure— He swallowed thickly, tense, heartbeat ratcheting up a notch. Propped on a hand, he looked in confusion and dread at his closed window.

A slow, eerie creak snapped his attention toward his closet, the door open a sliver when he knew it'd been closed. The darkness within seemed even blacker than was natural. Inexplicable. Otherworldly. A shiver ran down his spine. Similar to the feeling he'd had when he'd caught Maddie's reflection in the classroom window on Monday.

The floorboards squeaked when he stood. Simon took one cautious step after another, muscles flexed, not prepared at all for an attack but willing to be brave. Two. Three. Four. Five steps. His chest was tight. Hands shaking. Breathing shallow. As he hooked his fingers on the door to open it further, it started. The sound was faint and he had to strain to hear it, but it was unmistakable. Wet and rattled, punctuated by thick sniffles.

Someone was crying.

Someone was crying in Simon's closet.

‗‗‗‗•‗‗‗‗

Rhonda remained couched, braced against the wild, unholy wind until, bit by bit, she realized it'd stopped. When she opened her eyes, she gasped in shock, collapsing forward onto her hands. The world around her had changed; the theater was replaced by a span of paved ground enclosed by a chain-link fence, painted games bright against the black asphalt. A tingle crept down from her scalp to her nape, goosebumps pebbled her arms, and she panned her head to glance over her shoulder.

Panicked, she spun, landed on her ass, shoving herself backward with her feet to put distance between herself and the eerily suspended door. The void at its center flickered. It felt like a black hole trying to drag her into oblivion.

Rhonda flipped over and pushed herself up. Ran. Ran harder and faster than she'd ever done in life or death. Down the side of the building she'd found herself behind to skid around the corner and come to an abrupt, stuttered stop.

She turned this way and that, disoriented, chest rising and falling quickly as she tried to suck in enough air to keep her upright.

"What the hell is happening?" She wheezed, every alarm in her brain going off at once as she began to process her surroundings: Outdoors. Too dark for how early she felt it should be, the air thin and cold, biting, and the sky obscured by a dense layer of gunmetal grey clouds. It was raining in heavy sheets so thick Rhonda could barely make out the line of British inspired maisonettes on the opposite side of the street. "Where—?"

She cut herself off when the wide, double-door entrance to the building opened, releasing a soft glow from within that illuminated the pathway ahead of it. Children in raincoats and rubber boots bounced down the front steps, giggling as they jumped and splashed through puddles on their way to join clusters of adults who waited under umbrellas on the sidewalk.

"No. Fucking. Way." Rhonda walked toward the pathway, jaw slack, gaze fixed on the words etched into the stonework. She nearly tripped over her own feet, only just managing to correct herself as she turned fully toward the building.

Anabelle Meheive Schoolhouse for Boys.

The brick and mortar was as old as Split River itself, named after one of the town founders' wives. The school had been reestablished as Anabelle Meheive Elementary in the early '40s, ten years before Rhonda's family had moved from rural town Romania to Wisconsin. Rhonda had still been curious then, unjaded and excited and eager to learn. Her fourth grade desk had been right there, beside that window. Where she'd daydreamed as she'd stared at the houses across the street and had wondered what it'd been like to live somewhere so unlike her own home in the shanty district that bordered the factories.

Pressure stuffed her nose, her vision blurred, and suddenly she was overwhelmed by the memory, instantly missing her parents, her sisters, her grandmother in a way she hadn't in countless years. Unfortunately, she didn't have more than a moment to grapple with it before her attention was forced back to the school's entrance.

Two figures emerged, one was small, obviously a child. A little boy, Rhonda discerned, with a Spiderman backpack and rainboots to match. The second was taller, slender, the hood of their sweater up so it concealed their face. They hauled the little boy by the hand as they complained, "Come on, stop messing around, I want to go home," as the little boy kept trying to gleefully splash his way through every puddle on his way to the front gate.

A spike of foreboding shot through Rhonda as she watched the pair. Swiftly, she found herself trailing after them as they turned onto the sidewalk. That sense of unease continued to worsen, churning in her stomach like a premonition of ill tides. Although it felt like every other bad gut feeling she'd experienced in her young life, it was somehow distinguished. And when the taller figure got so frustrated by the little boy that they pushed their hood off and threatened, "I'm so serious right now, I will leave you here and tell mom you ran away," Rhonda was once again stunned into stillness.

The taller figure was a girl, no older than eleven or twelve with features identical to ones Rhonda had seen mere moments before the theater had turned into a category 5 hurricane zone. Your hair was longer and your face was rounder, softer, yet simultaneously you looked exactly as you had when Rhonda had joked about getting Wally a new wardrobe.

You began to tug the little boy along again, your foul temper tween-girl extreme to the extent Rhonda questioned whether or not it was really you. Regardless of whether or not it was, Rhonda decided, she needed help, needed an explanation. Where the fuck was she? When the fuck was she? How did she get here?

"Hey!" Rhonda yelled after you, "Wait!"

You didn't notice Rhonda. In fact, she was entirely nonexistent to you as you yanked and heaved your brother every single step forward. He enjoyed being a pain in your ass, always elbowing his way into every sleepover, usurping attention, whining until you gave in and put on movies for babies because he didn't like what you and Xavier and Hana wanted to watch.

You'd already been grumpy when your mom had called to ask that you collect Aiden from school on your way home, consumed by thoughts of Xavier and Hana ditching you to hang out with another couple because, apparently, that's what boyfriends and girlfriends did.

Your face twisted in displeasure, jealousy seeping into your veins like toxic sludge as you barked again, "Aiden, come. on. Stop it!"

Xavier and Hana hadn't even kissed on the mouth yet, you grouched internally. Plus, they were still going to Dave & Buster's with Mrs. Baxter like all three of you did. As a group. Every Friday since first grade. It wasn't fair that just because you didn't want to be kissed or have some gross boy who smelled like B.O. and gym bag hold your hand like that, you weren't allowed to go too.

The rain came down harder, thunder rumbled overhead and lightning cracked across the sky. Aiden continued to resist, stomping in and out of the stream that flowed along the curb. Stupid mom being held up at work. Stupid Aurora being at university. And stupid, stupid Aiden, not listening to you when you were obviously in a bad mood.

"Aiden!" You yelled, tugging him back onto the sidewalk, "I said stop it!"

Your clothes were drenched, your limbs were frozen, and all you wanted to do was go home, rant to Nanna, and have her comfort you and tell you to forget Xavier and Hana and their dumb relationship had ever happened. Just as you were contemplating how upset your mom would be if you abandoned Aiden right then and there, you heard a car pull up behind you and a male voice call, "Hey, can I give you a ride?"

Rhonda stopped when she saw the car stop. More specifically, when she saw the face of the man behind the wheel. She didn't recognize him and he looked normal enough. Buzzed, military brown hair and a friendly smile and eyes that crinkled charmingly at the corners. Rhonda moved to peek into the open passenger window, squinting at him. Despite how NPC-normal he appeared, there was something inside her soul, a niggling feeling that made her gums itch, that told her that the man's aura was several shades of wrong.

Clumsily, she reared back and turned to urge you, "Don't go with him," as that prickly sense of unease increased, blaring like an air raid siren in her brain. Rhonda couldn't tell if you were familiar with the man and decided quickly that it didn't matter, "I know we aren't exactly besties," She said, standing directly in front of you now, "But you have to listen to me."

You looked right through her.

Leaning across the console was a man wearing a uniform like your dad's, his face familiar though you couldn't quite place it. Your grip tightened around Aiden's hand and you narrowed your eyes at him. A thousand and one speeches had been delivered throughout your life on the subject of which strangers are good and which are bad. And random men in cars were at the top of the "who to avoid" list.

"You don't remember me?" The man chuckled and then explained, "We met at the barbeque on base. I'm Christopher." He raised an amused eyebrow, "You got me with your water gun a few times."

Rhonda's gaze ricocheted between you and Christopher as you hesitated, tilted your head, and chewed your lip, studying Christopher like a Wanted poster. That nagging feeling in Rhonda's gut swelled into a sick panic when the tension bled out of your shoulders, showing signs of finally recalling who Christopher was.

"Oh yeah," You grinned and stepped closer. Christopher was in the same unit as your dad. He'd been at the barbeque with his wife and daughter, the latter having hung out with you and Xavier all afternoon while the adults drank beer and got rowdy. "Xavier pushed you in the pool."

Christopher snorted and hung his head in mock shame, "That's me."

Rhonda shook her head, her mind screaming at her to stop you from going with him. That if you did, all the happiness and joy and pure, unconditional love in the world would be snuffed out as easily as the flame of a candle. Rhonda had felt similarly when Mr. Manfredo's demeanor had shifted in the split second before he'd revealed his true intentions for her.

"Don't go with him," She repeated, trying and failing to grab your hand, shoulder, face, anything. But her hands kept missing, sliding away, your energy and hers two like poles that would never connect. "You need to believe me!"

You smiled down at Aiden, "A ride would be great, right Aid?"

Aiden wasn't paying attention, staring off into space. He did that whenever you asked him to stop being annoying. Acted like he hadn't heard you or that you weren't there. Glaring at him, you repeated the question, only for Aiden to tug your hand so you had to bend to his level to hear him.

"What?" You demanded under your breath.

Aiden whispered, "I don't think we should go with him."

Relief flooded through Rhonda, however, it was short-lived.

You rolled your eyes, "Seriously, Aiden?" God, could he just not? For once, one time, could he be on your side instead of making everything difficult? You knew he was complaining just so he could keep splashing in the puddles, but you were over the wet and the rain and the cold.

Aiden stubbornly stared into space again, refusing to budge until you poked him in the cheek. He reluctantly dragged his eyes to yours, looking up at you with a pout, "I don't want to, Sissy." Lip wobbly, brow furrowed. The same expression he pinched his face into when you refused to let him use your Switch.

You heaved a careworn sigh and put your hands on your knees as you spoke to him, forcing your voice to a sensitive register, "How about this: If you get in the car, I'll make you mac 'n' cheese with chicken nuggets when we get home. Alright?"

Rhonda lurched forward, "No no no!" She begged you to change your mind, to hear what Aiden was trying to tell you, her voice strangled, throat closing. "Don't!"

Aiden chewed his lip as he considered your proposal, eyes on the ground. At last, with one last glance into the middle distance, he nodded. It was a small gesture, almost disappointed, and he mumbled, "Okay."

You grinned and hugged him, praising him for listening to you as you opened the car door and helped him into the backseat. Once he scooched over, you climbed in after him, thanked Christopher for his kindness, and made Aiden do the same.

"Thanks," Aiden muttered, staring at his lap, looking for all the world like he'd just been told he wasn't allowed dessert ever again.

Though she knew it was useless, Rhonda bodily flung herself at the car when you closed the door, banging and slapping the window with her palms until they stung bright red. "Don't! You have to get out! GET. OUT!"

You buckled your seatbelt, then Aiden's, and the car pulled away.

Rhonda stumbled into the street, shouting after you. Her hands gripped her head in panic, pulse racing. She watched the car stop at the corner and saw Aiden rise to peer out of the back window, chubby hand up as if he was waving goodbye. The emotion in his big, green eyes— She inhaled sharply. Without any doubt, Rhonda understood that she'd just witnessed a child's future turn to ash. And she felt in her bones that Aiden knew it, too.

"Come back." She begged, tight and weak. "Please, come back."

As soon as the words were out of her mouth, an ominous creak drew her attention behind her. The farmhouse door. The deep, black void at its center. Eyes wide in fright, she shifted to run after the car but didn't get even a step before the blackness shot out, wrapped around her arms and legs, and wrenched her into its depths. The door slammed closed and disappeared.

In the backseat of the car, you asked Aiden, "What're you looking at?" when he continued to stare out of the rear window. You peeked over the seat in confusion, not seeing anything worth that much scrutiny.

Aiden slowly slid his gaze to meet yours and what you saw in them made your stomach twist, the look in them far too old for a six-year-old boy. Clearing your throat, you forced yourself to brush it off, fixing Aiden in his seat after he'd lowered himself to sit properly.

"Nothing," Aiden responded, tone solemn. He began to draw a little stick figure in the condensation on the window, and then an upright rectangle with curly cues coming out of it.

You watched him for a moment, suddenly feeling uneasy. "You sure?"

Aiden nodded.

You wouldn't have believed him anyway.

‗‗‗‗•‗‗‗‗

Question Two.

Does Frankenstein learn from his mistake in creating the Monster?

‗‗‗‗•‗‗‗‗

You roused in pained stages, groaning as you hoisted yourself onto your hands and knees. The world was spinning, vision cloudy for a moment before the room settled around you. The damp and dark didn't feel right against you, pushing in from all corners like pressure in the depths of the ocean. Heaving a breath, you wobbled to your feet, blinking rapidly as your eyes adjusted to the dim light.

Even in the thin light filtering through the high windows, you recognized that, wherever you were, it wasn't the theater.

"Wally?!" You called out, "Maddie!?"

No answer.

"...anyone?"

It took a minute for your eyes to adjust. The space was wide and empty, the ceiling low, walls exposed slabs of thick stone. A cellar, you realized, stepping carefully across the packed dirt floor. Faded Persian carpets had been placed down in the center; thinner, longer ones like runners led from the base of the polished wood steps to the back wall, the tail end of the last carpet disappearing beneath the stone.

"Where am I?" You wondered, glancing about.

A few items of furniture stood against the wall directly opposite the staircase. A tall, fat cabinet with glass windows that displayed a variety of trinkets that reminded you of curiosities Victorian nobles had collected to be admired by their unworldly peers. Beside it was a sarcophagus, Egyptian-inspired but certainly not original. It was far too dark, menacing, the face demonic with ruby eyes that seemed to burn from within.

You kept a wide berth around it, its aura unsettling. Like walking into a forest after nightfall with no flashlight.

On the other side of the cabinet were wrought iron hooks nailed into the stone, neat rows of ten across, seven down. Most of them were bare, though a few still held gruesomely painted masks in the Venetian style. Some with long, pointed noses; others without, more feminine. The eyes in all of them were netted.

"What the hell is this place?" You murmured to yourself as you reached out to run your fingers delicately down the smooth nose of one of the masks.

It felt familiar. The exposed beams, the packed dirt floor, the draft that chilled you to the bone. You followed the runners to the back wall, turned, looked out the window above you. Twisty, naked branches speared the sky, a large gap in the middle where...where the road... Oh, God.

Your breath caught and you began to feel queasy, bile burning the back of your throat. This wasn't just any cellar. It was the farmhouse cellar. The place you'd been when you learned exactly how many minutes it took for a human body to die.

The room swam as your vision blurred and all at once, you doubled over, retching into the dirt, swaying on weak legs when it was over. Breath after breath felt like ice as you tried to get air into your lungs, your heart to calm down, your head to stop spinning.

"It's not possible," You choked, collapsing against the wall, "I shouldn't be here, this isn't right." You sank to the floor, completely devoid of energy in the wake of your realization. As if the darkness had sucked it all out. You sat there for minutes that dragged into each other, hitched little inhales and drawn, stuttered exhales. "I want to go home," You whimpered, but there was no one around to hear you.

In that instant, voices rose and the floorboards above creaked under the weight of several people. Panicked, you shot to your feet, casting about for something to protect yourself. Nothing good had ever happened in this farmhouse, you knew, and you doubted that now would be any different.

There was nothing. And when you tried to open the cabinet, a taser-like shock jolted through your arm and knocked you backward onto the floor. However, you didn't have time to question it, the door above opening—that door, the door, the one that had haunted you for six years—and the voices getting closer.

"Surely, Lord Althan, you jest. A stablehand!" A woman's voice spoke, sounding giddy as much as disturbed. "How on earth did that happen?"

A deep, male voice answered, that of Lord Althan assumedly, "I haven't a clue, Marjorie." He sounded dismayed, "He took off with all the money and my daughter, the wretched bastard." A pause before he growled, "I tell you, never trust a Clark."

"Certainly not." Marjorie agreed. "I had two in my employ, sisters. Irish though they weren't Catholic, and I wish I had known such an important detail before I had Beaty hire the little rats. They stole the diamonds right off one of my necklaces. Had they the fear of God in them, they wouldn't have done so."

"And they were Clarks?" A new voice asked, another male, though thick with an accent you could only describe as South Asian.

Marjorie answered, "Indeed. You'll have to be careful during your visit, Your Excellency. The poor have become a problem in recent years, I'm afraid."

You listened with half an ear as you scouted for a place to tuck yourself into. The sarcophagus was latched and the effort it would take to break the lock off would be both too loud and too obvious. You searched along the walls, in the shadowy corners. The best place would've been under the stairs but a large cord of chopped wood had been piled in front of the space.

The footsteps got closer as the group descended, talking amongst themselves. Swallowing thickly, you pressed yourself against the side of the cabinet, crouched beneath the rows of hooks, hands over your mouth to muffle your harried breathing.

A strange sensation passed through the cellar as the group stepped one by one onto the carpet at the bottom of the stairs. The air stilled and the shadows seemed to part for the group as they moved across the space. A man held out his hand to help a woman down her final few steps and then escorted her with her arm through his. The next man did the same for the next woman, and then the third man for the third woman.

All were dressed elegantly, the men in tuxedos with white ties and polished boots, and the women in beaded dresses that fell past their knees, gloves to above their elbows, and furs around their shoulders.

"It's truly wonderful that you were able to attend at last, Your Excellency," A new voice said, female, heavily accented. Eastern European, you believed, "My husband and I have been eager to introduce you to the leader of tonight's gathering."

"I appreciate it immensely, Lady Botezatu," His Excellency replied, "I was delighted to have received the invitation."

If you'd had the presence of mind to be curious, you would've noted the name, turned it over in your head, snapped the piece into place where it belonged. Because you knew that name. However, the sound of the men and women nearing made your pulse rush like a roar in your ears. You squeezed your eyes shut, turned to tuck yourself as close as you could to the wall, back against the cabinet, pleading that you wouldn't be found.

Closer. Closer. The footsteps and voices were right above you now.

"Here you are, Raj" Lord Althan said pleasantly as he claimed one of the nosed masks and handed it to His Excellency. "Your lovely bride can help you attach it, I'm sure."

With big, terrified eyes, you watched Lord Althan remove another mask, one without a nose, and hand it to the woman beside His Excellency. And no one—your brow furrowed—seemed to notice you. Not even the slightest acknowledgment that you existed. You didn't want to push your luck, staying put with your hand remaining clapped across your mouth. However, you couldn't stop yourself from glancing up at the faces of the group gathered in front of you, helping each other tie the ribbons of the masks at the backs of their heads.

His Excellency turned around after helping his bride with her mask and you almost collapsed in shock.

"Ajay!?" You said before thinking about the consequences. You rose quickly and stumbled forward, attempting to clasp your hands around his forearms as he fiddled with the ribbon on the nosed mask he held. "Ajay, where are we? What's happening?" But...your hands passed right through him, his image distorting, coming apart like whisps of smoke before letting in again. "A-Ajay?"

With a strained whine, you studied his face and the longer you stared, the less he looked like Ajay. The resemblance, as uncanny as it was, was only that. A resemblance. And, furthermore, Not-Ajay, it appeared, couldn't see you. Couldn't hear you. In fact, none of the men and women paid you any mind whatsoever. To them, you were as real as a ghost.

"Fuck." The word punched out of you as you staggered back. The faces that hadn't been covered were eerily identical to ones you knew until you stared too long. Rhonda. Wally. Ajay. Maddie. And then the resemblances faded and left behind just the most subtle of like features. "What's happening?"

You were going crazy. Trapped in a nightmare of your own making after you couldn't keep the farmhouse door closed. God only knew where the others were. If the light that had ripped out from behind the farmhouse door had trapped them too. If they were experiencing the same thing. Or worse.

"Come along, Marjorie dear, we're already behind schedule." Lord Althan remarked, holding out his arm for her to take. He led the group to the back of the cellar, following the line of carpets before he paused at the wall. Not knowing what else to do, you trailed after them, observant though feeling faint as you tried to accept that you might never make it out of whatever coma or conjuring the farmhouse door had unleashed.

If this was a nightmare, you thought, there was only one way out. You had to see it through to the end.

You saw Lord Althan produce a pen-shaped piece of silver from his pocket. Sleek, smooth, nondescript, and rather unremarkable until Lord Althan pushed it tip-first into a tiny hole in the mortar that you never would've noticed on your own. When it was halfway in, you heard a heavy clank of metal and stone scraped against stone. Your jaw dropped as part of the wall sunk inward and then moved aside, revealing a steep rock stairwell lit by a line of low-burning torches.

The group herded into the stairwell, continuing their conversation, the men attentive to the women as they descended down down down into whatever was below the farmhouse cellar. The stairs were uneven, some tall, some short, and you briefly marveled at the ease the men and women ahead of you exhibited as they gracefully carried themselves to the bottom of the staircase.

You openly gaped at what lay beyond the staircase, taken aback by the sheer extravagance, so out of place for where you were. The narrow walls on either side of the staircase opened into a massive cavern that had been built and decorated to mimic a European palace. Italian marble floors, a grand fireplace with detailed carvings in the wood of the mantle, portraits of dour, aristocratic men and women kitted in ceremonial costume.

Your attention lingered on the portraits, particularly what the figures in them wore. Yes, the clothes were ceremonial as was usually the case when the rich were painted, but they were also...religious. In a way you had a difficult time putting your finger on. Not typical of the Abrahamic religions or Dharmic or Taoic. More Pagan. Celtic or Nordic, you weren't sure, but definitely Pagan. The figures in the portraits wore cloaks and were ornamented with etched daggers and wooden laurels bent and shapen into antlers. The one thing they all shared were the broaches pinned under the notches of their collars. Large, silver things with a symbol you'd seen in the pages of a book housed in your family's library. Three interlocking spirals. A triskele.

A tinkling sound, fine metal tapped on hollow crystal, echoed through the cavern, a man's voice calling out to announce, "Welcome all!"

You turned, gaze searching the crowd of what you guessed was about fifty or sixty people. Masked and in fine dress, all of them. They stood in a semi-circle facing you though their focus was on the man who spoke. You couldn't see much of him since he had his back to you, poised proudly in front of his flock. He was tall, broad-shouldered yet lithe, and had hair that had clearly once been blond though was turning grey.

"I am overjoyed that so many of you could join us on such an important and exciting night."

"Hear, hear!" The crowd exclaimed, lifting in unison their champagne coupes.

"My only regret is that my lovely wife seems to have gotten lost."

The crowd tittered at what you figured was meant to be a joke. Stepping closer, you tried to get a better look at the man, wanted to see if, like the men and women who you'd followed down here, he held any resemblance to someone you knew. Together, the crowd's focus shifted to something behind the man. He turned, a wide smile spreading across the part of his face that wasn't covered by his mask.

You went completely still as his eyes, unobscured unlike the others, settled on you. They were striking; bright seafoam green that within them held a wisdom and respect that transcended time. You shivered as those eyes, far too old for the face they belonged to, burned through you, heart hammering behind your ribs.

Slowly, the man reached out his free hand, smile softening, and said, "Ah, there you are," in a quiet tone. Private.

Just for you.

"We've been waiting."

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PART TWENTY-FOUR -PART TWENTY-SIX

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MASTERLIST