#sarah x charlie
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I don't want to protect you from the world. I want to show it to you.
#*#by charlie#(500)#(1k)#(2k)#buffy x dawn#buffy the vampire slayer#btvs#btvsedit#buffy summers#dawn summers#tvedit#s6#6x22#grave#slayerdaily#spuffygifs#userveronika#userellie2#usersnat#userbrittany#sarah michelle gellar#michelle trachtenberg
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2.03 | 3.03
#*mine#heartstopperedit#heartstopper#heartstopper netflix#nick x charlie#narlie#charlie spring#nick nelson#aunt diane#sarah nelson#heartstoppercentral#useraurore#userlix#useranne#tvedit#dailylgbtq#lgbtsource#smallscreensource#cinemapix#cinematv#heartstopper spoilers#parallels#i'm going to cry bye
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sarah nelson being a charlie spring lovebot
#heartstopperedit#heartstopper#charlie spring#sarah nelson#nick nelson#narlie#nick x charlie#mine#thank god for 30 pics posts bc damn if i had to cram into 10 pictures#easy to see where nick got his words of affirmation love language from!#and why charlie considers nick's house a safe space as well
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October Sun
summary: it had been settled. everything had gone to shit and then everyone had had front row seats to watch how that'd happened. back in the theater, no one had known what to say, how to describe what they'd seen, how to reconcile that whoever had been behind the circumstances haunting Split River High could've been anyone.
pairing: Wally Clark x fem!reader
warnings: eventual smutty smut smut. mad spoilers. and obvious Canon divergence. very involved, very dense plot.
bon reading, frens
___________________________💀
OCTOBER SUN pt.27
"Love this for me."
Charley scanned the area, confused, disoriented, nervous. We're not in Kansas anymore, Toto, he shuddered, wrapping his jacket tighter around himself as he began to trek in the direction he hoped would take him back to civilization.
This wasn't how he imagined finally being free from the school. Lost in the middle of nowhere, dense trees as far as the eye could see. There weren't many wooded areas around Split River. A couple of parcels here and there, wilderness parks, but not like this, and he had to wonder if the forest was actually native to the land.
Finally, he found a trodden path in the dirt and decided to follow it. What did he have to lose? There was no danger. He couldn't die twice. Food, sleep, shelter weren't required despite he and the others keeping up those habits in the afterlife at Mr. Martin's guidance. Still, what you'd mentioned on the rooftop the night before—about how your great-aunt or your mother could erase his soul from existence—made Charley paranoid.
What if he'd landed here just for an evil witch to use his ghost for some nefarious plan to make her young and beautiful again? He'd seen Hocus Pocus. And it didn't matter that he was technically too old for that spell to work. He was stuck at 17 until he moved on and he wasn't keen on having a wicked witch absorb him for the sake of vanity.
Which, okay, Charley reasoned, sounded ridiculous, but one couldn't blame him. After a tornado had manifested in the theater and he'd been transported to some creepy, dark forest alone; he wasn't going to criticize himself for the insane theories his brain churned out.
He followed the path until it brought him to a winding, unpaved road. Turning left, he trailed down the edge of it for what felt like hours. It'd started raining halfway through his journey to wherever the hell, and night had fallen before the road widened into a bare plot of land stretched in front of a dilapidated farmhouse, its shadow a fanged monster raking toward Charley's ankles.
"Oh, that's not freaky at all." Charley muttered, quickly glancing over his shoulder and debating whether or not to go back the way he'd come. The darkness blurring the unpaved road seemed to push toward him as if discouraging him from turning around. He groaned in despair, "I hate everything about this," wanting the universe to take pity on him and return him to—God help him—the safe and familiar halls of Split River High.
It was Movie Night, he winged internally, and Wally had agreed (with conditions) to watch Ghost—shut up—and Katelynn and Bernadette were in charge of snacks which meant there'd be a smorgasbord of good options because Mr. Martin always filled the table with carrot sticks and his homemade tuna salad ("Just like my mother's! Doesn't it taste like home?"—"Why is it in jell-o?"—the '50s were a heinous decade, Charley thought, green around the gills at the memory).
Today was supposed to be a good day. A day of progress. A day of togetherness. He and Rhonda and Wally, and now Maddie, a united front against the mystery of Maddie's.....well, not-death, Charley supposed, because you'd debunked that. But against the mystery of Maddie's situation, nonetheless.
Except he was here, wet and cold and lost; an Addams Family-esque farmhouse towering in front of him like a bad omen and no one to turn to for answers.
"It can't get worse," Charley sighed, about to ascend the first of the front steps.
As his foot set down on the wood, the screen door creaked and someone emerged, using their back to push the door open so they could exit. When they turned around, Charley nearly jumped for joy. He knew that face! That was your face! Your face... Charley reeled back. Your face was coated in blood. You were coated in blood. Hair, hands, jeans.
"What happened!?" He questioned, pitching toward you to scan you for injuries.
You didn't seem to be in any pain, not favoring a leg or curling over a gut wound. Beneath the thin red film on your face, Charley couldn't spot a gash, a cut, a scrape, nothing. He panned to the front door, speculating in startled flashes what lay beyond it. The color drained from his face as he thought about it and he decided, no thanks, he didn't want—didn't need—to know.
The most unnerving part, however, wasn't the Evil Dead amount of blood on you. It was how your eyes stared ahead, completely blank; the same dissociative gaze Charley had witnessed on Emilio's face in the wake of Charley's death. Like Emilio's mind had evaporated while his brain repressed every bad thing that'd ever happened just to keep him upright.
Charley wanted to ask if you were okay but the words lodged in his throat when he finally noticed that you had something—someone—bundled in your arms. Small, child-sized (probably because it was a child, Charley, he chided himself), wearing Spiderman rainboots and a Looney Tunes sweater. A queasy sensation flushed through him as he watched you fumble down the stairs, gaze fixed ahead, arms fastened around the little body.
When Charley shifted to follow you, the screen door creaked again then slammed closed. Another person hurried out, clomping down the steps to chase after you. Small. Child-sized. Spiderman rainboots and a Looney Tunes sweater. Charley's expression twisted with sorrow. He bit the inside of his lip as he turned and walked beside the little boy who contemplated his boots as he squelched through the mud.
"Where are we going?" The little boy asked you, stomping into and out of a puddle.
You answered, "I'm taking you home," your voice light as a feather and far, far away.
"Will mommy be mad at me?" The little boy paused, big green eyes on your back, worried that he'd be in trouble for...for what? Charley couldn't discern. For dying?
"No." You said, dragged your feet with effort, your Converse not made for soft, sinking ground. "She'll know what to do. She'll make it all better, Aiden, I swear." On the last word, your voice cracked, but your face didn't change, your gaze still distant.
Charley kept pace with the little boy, Aiden, until you came to the end of the unpaved road. You were shaking, probably freezing, soaked to the bone and in shock. The unpaved road intersected a tarred section of old, narrow highway, a rusted mailbox keeping vigil in the tall grass that lined the shoulder.
Part of the name was scraped away by time and weather. Still, Charley could make it out: Meheive. A name Charley had had hammered into his skull in Grade 7 History. The name of one of the three industry men who'd founded Split River in 1800.
"Oh," He commented mildly, "It gets freakier. Fantastic." Then, as he lifted his foot to continue after you, he simply couldn't. He tried again, again, again, walked in place as if on a treadmill while an invisible force kept him at bay. "Never mind," He gulped, "Now it's freakier." At least he wasn't being shot back to the cafeteria at speed, he mused glumly when he took the time to feel the identical vibrations he felt when he got too close to the barrier around the school.
Slanting his attention to the side, he saw Aiden standing alone, face pinched, lower lip trembling and eyes filled with tears. "Sissy May, wait... I can't follow you..." He stuttered several breaths, hands balled into fists at his sides. "Sissy May!"
You didn't turn around. "It'll be okay, Aiden. Mom will fix it. She'll know what to do." Charley heard you murmur, dreamlike, detached, as you began to walk along the shoulder of the highway, adjusting Aiden's weight in your arms. "She'll fix it..."
Charley came up beside Aiden, watching you blend into the dark the further away you got. Aiden sniffled, squeaked before he coughed out a sob. He craned his neck to look up at Charley in devastation. Briefly, Charley was surprised though that settled into sympathy the longer Aiden blinked those green eyes up at him.
"I don't want to be alone," Aiden whimpered and took Charley's hand, his grip limp, his fingers tiny.
There was nothing to say to that. Charley didn't want Aiden to be alone either, and if he had to stay with Aiden for eternity, he would. He knelt down and pulled Aiden into a hug, his voice wet as he said, "You aren't alone, buddy," the way he would've comforted his younger cousin, Luca.
Unfortunately, the moment the words slipped out of him, Charley was snatched away and dragged through the farmhouse door.
‗‗‗‗•‗‗‗‗
Where Charley couldn't follow, Ajay did. Down the shoulder of the unlit highway, stomach rolling as he observed how you swayed and stumbled as you pressed onward, Aiden's dead weight becoming more and more difficult to manage. A car had stopped, a woman had called out to you, and Ajay had heard her on the phone with the police, asking for help.
It was as if you hadn't heard her. Ajay doubted you had, the state you were in, mumbling gentle promises to your brother as you carried him home. "Mom will know what to do, Aiden..."
Twenty minutes came and went before an ambulance and two squad cars screeched to a halt meters in front of you, lights flashing, red blue, red blue, red blue.
When the EMTs tried to take Aiden from you, you put up a fight; kicked, gnashed, snarled, screamed. Not words, just noise, like a provoked animal. Deputy Baxter managed to get you in a submissive hold so an EMT could sedate you before he helped settle you into a stretcher. Strapped you in, just in case, the corners of his mouth severely turned down and his eyes shuttered to conceal the heartbreak Ajay had caught a glimmer of.
"Take them to St. Vincent's." Deputy Baxter instructed the ambulance driver. "I'll call their mother." He moved on to order the second unit that'd arrived with him to follow the ambulance, that he would check the road, "For anything that'll tell us what the hell happened here."
"Austin, are you sure you want to do it alone? If someone's responsible, they could still be out there. They could be armed." Deputy Hayes voiced her concern through the passenger-side window. She was new. Too new to understand that Sheriff Stallow had a protocol when it came to certain matters. Especially those involving your family and a handful of others.
A protocol that Deputy Baxter was responsible for overseeing himself. For a substantial fee, of course, pulled from a vault that had been collecting wealth since before Split River had been established.
Deputy Baxter shook his head and reassured, "I'm just going to see what I can find along the road. If anything comes up, I'll call it in." He straightened and peered down the highway in the direction you'd obviously come from, a deep-seated foreboding frosting beneath his skin.
He was at a crossroads, his gut told him. Something terrible waited for him in the dark and whatever choice he made to deal with it would change his life forever. Damned if he did, damned if he didn't. He just prayed to God that he'd still be able to be there for his own little boy in the after. That he'd have the chance to hug Xavier and tell him the world might not be safe, but his dad will always be there to protect him.
In the side mirror of his vehicle, Deputy Baxter stared at the retreating image of the ambulance and squad car as they blared down the highway toward the town. Once the sound of the sirens faded, he shifted the gear into drive, gravel crunching under the tires, and he drove to the only building in the area for miles.
Once Deputy Baxter was gone, Ajay vanished through the farmhouse door.
‗‗‗‗•‗‗‗‗
Question Five.
Does the Monster die?
‗‗‗‗•‗‗‗‗
Simon's eyes flew open and he jolted upright, waking abruptly in a cold sweat. The sky was dark outside his closed window, his room pitched black, and his mother was tugging at his shirt.
He barely registered her words, you told the police you'd return the phone tonight, get up, as she fussed over him, fuming, lecturing him in Tagalog as she switched on the overhead light and pinned him with a strict expression.
He scrubbed his face to wake himself up. Dragged his hands through his hair, eyes drifting to his closet. He could've sworn... Hadn't there been...? The door was open and, apart from the two rails of clothes and the shoe rack, it was empty.
"Hurry up, iho! Before your father gets home." His mother commanded before she turned on her heel and left the room.
In English, Simon responded, "I'm going, I'm going..." and rose from his bed. He felt weak, exhausted despite having apparently slept through the day. Again, his gaze settled on his closet as if the person who'd been crying in there had just tucked themselves in the corner and would pop out any second now that the coast was clear.
But nothing happened.
Taking a deep breath, Simon stood and treaded to his closet. Just to make sure; just to see if it had really all been a dream. There was nothing inside to indicate anyone had been hiding there. No displaced clothes to suggest Simon had shoved them aside to get a better look at the little boy who'd quivered beside the shoe rack. No puddle from the rain that had dripped from the little boy's hair and Spiderman rainboots. No scuff marks in the carpet. No mud. No little boy.
"She's gonna hurt him," The little boy wailed into Simon's hip. "She's gonna take him and she's gonna hurt Sissy!"
Simon tripped backward, away from the closet, breath suddenly ragged as the memory flooded his mind. Because it had to be that. A memory. He'd had vivid dreams before, but never like that. He could still feel the little boy's tight grip around his waist, could still feel the wet and cold of the little boy's body through his Looney Tunes sweater when Simon had instinctually returned the embrace.
"She wants t'take them!" The little boy sniffed thickly, "You gotta help! You can't let her!" And then he added as if he'd been reprimanded enough times by his mommy, imploring "Pleeease!"
"Who are you talking about?" Simon asked. Leaned back and crouched so he was eye-level with the little boy, his hands holding the little boy's boney shoulders, "Who's going to get hurt?"
Simon grabbed his sweater and his car keys, calling out, "I'll be back soon," to his mother who'd installed herself in front of Wheel of Fortune. He had to get to the school. He had to see Maddie. To tell her what he'd dreamt or prophesized or hallucinated because, guess what, he'd apparently graduated from unwitting medium to Nostradamus.
As he trotted down the front walkway, he checked his phone. 7 missed calls from Nicole. 2 missed calls from Mathilda. 3 texts from Nicole asking the same question—are you okay?—and a novel from Mathilda that detailed the lessons he'd missed and what he'd have to make up for over the weekend, but don't worry, I'll help you. And 1 text from you. Short and sweet, sent that morning just after Simon had returned home from the police station.
"We found something to get Mr. A. I'll meet you at the bus stop when you get here."
Simon hoped it wasn't too late. That you'd stayed behind to wait for him even though he hadn't answered you. Unlikely, but he tried to remain optimistic, even as he took a moment to collect himself once behind the wheel of his car. That dream...it lingered like a bruise.
The little boy's voice stuttered through rough breaths, "Sh-she said she needs to find M-Maddie, but Maddie's gone, and that she c-can't use Sissy without Maddie. She can't do it w-without trapping more people."
Simon started the car and pulled into the road.
"What do you mean, 'gone'? You mean because Maddie died?" Simon pushed, but the little boy wasn't listening, sobbing about 'him' and 'Sissy' and how they were in danger. Simon grabbed the little boy's face between his palms, soft but firm, and God, his cheeks were so cold. He looked the boy straight in the eye, "What can't 'she' do without trapping more people?"
He rolled down the window to let the fresh air soothe his anxiety.
Eventually, the little boy quieted though tears continued to stream down his face, "She can't have a new body." He said in a little voice. "Now she needs more people because Maddie got away."
And what the gentlest fuck did that mean?
Simon still didn't know who the 'Sissy' and 'him' were that the little boy had referred to. The little boy had been too distressed to divulge their names, talking as if Simon should already know everything. Just 'Sissy' and 'him'. 'Sissy' and 'him' and Maddie and someone named Janet.
Did Simon know a Janet? He wracked his brain, trying to summon the names of everyone in his class who could have a connection to Maddie's death. There was a Jessica and a Jennifer and a Jayden. No Janet.
Then there was the matter of 'she' wanting a new body. Because that was sane. And impossible. Right...? Fuck, what if Maddie's death had been some nutcase's idea of a ritual sacrifice. What if another teenage girl was about to be murdered because, lo and behold, magic isn't real and Maddie just died instead of ceding her body.
The devil on Simon's shoulder quipped, "But ghosts are real," which, fair. If ghosts were real, surely they weren't the only eldritch phenomenon to exist in the world.
Maybe there were cursed mummies or body snatching aliens out there scheming to take over America via its youth. No child left behind. Jesus Christ. Simon was spiraling, brain spitting random images of every creature feature he'd ever seen at him. Had the little boy been trying to warn Simon about mummies? Aliens? Was it aliens!?
As he stopped at a pedestrian crosswalk, he stared—definitely too intensely—at the young woman who passed in front of his car. Like he could see straight to her bones and determine whether or not she was really human. The woman picked up her pace, shoulders up, head down, and folded her leather jacket tighter around her.
Don't be suspicious, Simon, he admonished himself, ashamed of his behavior, eyes darting to his lap until the woman was safely on the other side of the road.
"What even is my life anymore?" He wallowed. Ghosts and Mystery Inc. side-quests and pinning crimes on teachers. He felt he'd lived a hundred lifetimes in the last week and was seriously considering becoming a hermit the minute Maddie moved on.
There wouldn't be much reason to stick around after that anyway...
‗‗‗‗•‗‗‗‗
Mina Volkov hadn't left the theater since 1987. She was a looper. She performed the same tasks every day, from morning to night to morning. She didn't sleep. She didn't eat—except for the paper bag lunch she'd brought with her the day she'd died. She didn't stray. Mina had to make sure that what had happened to her wouldn't happen to someone else.
There was safety in her loop. Not just for the living students she protected through her hard work, but for herself. Her loop allowed her mind to remain clear, focused entirely on the task at hand. She didn't have to think or reflect or question why her soul had lingered after being squashed by a stage light.
Rhonda had called it denial when she'd visited Mina a week after Mina's death. Rhonda had been sizing Mina up, prodding and poking to see how Mina would react.
Mina had simply gone about her safety checks and Rhonda had eventually gotten bored. And had never come back.
Sometimes, her loop veered off-course. Sometimes Mr. Martin came to check on her. Just to say hi. Never to invite her to those stupid meetings he hosted in the gym. The ones Ajay attended and would tell Mina about later when they picnicked on the stage or between kisses in the green room.
She liked Ajay. He was kind and thoughtful, and he respected her loop. He didn't complain when she prioritized double-checking the lighting cables and tightening ropes and cordage for the dropdown scenery. He'd simply sit and talk to her. Recite poetry or passages from books she never intended to read. Ajay was smart. Ajay was handsome. Ajay was...
Ajay was comatose. Slumped on the floor along with the others, his face, like theirs, twisted in anguish. Whatever measures Mina used to wake him up didn't work and she had no idea how to help. But she knew she needed to. Not because New Girl had brought Mina flowers. Or because Hawaiian Shirt Man had caused her so many headaches since the start of the school year and they'd found something to make him stop banging around under the stage. But because Ajay needed Mina to be brave.
He needed help and she was going to help him. Which meant Mina had to leave the theater. She had to find Mr. Martin.
Though Ajay often thought Mina didn't listen when he spoke, he was wrong. She held onto every word like a treasure that she'd tuck away in her heart and savor in the moments she was alone.
Mr. Martin took his privacy in the fallout shelter in the basement. Mina had been there before she'd died. Several times, in fact. It'd been an opening night ritual conducted an hour before curtain. The cast and crew piled downstairs and hid in the fallout shelter to pass around a spliff.
Mina hadn't been responsible back then, not like she was now. She'd partaken because she'd wanted to feel like part of the group when she'd so often felt like an outsider the actors and other crew members made fun of, "for being such an airhead, God, Mina, how many times do I have to repeat myself?"
Standing slowly, Mina regarded the theater door. Her heart slammed against her ribs, palms clammy as she tightened and loosened her fists. A comforting motion to calm her nerves as she stepped carefully to the door and placed her hand on the exit bar.
Mina hadn't left the theater since 1987. But today, she would.
For Ajay.
She spilled into the hall, the world spinning in her panic, and took off at speed to the other side of the school. Down two flights of stairs, through the door that led to the basement.
Most of the basement had been bricked off which had narrowed the hallway, making it feel like a catacomb. Poorly lit and spooky. The fallout shelter was at the far end, directly below the gym. Its door was open as Mr. Martin usually kept it. A practical solution given how regularly he had to come and go during office hours.
It hadn't been his idea originally. No. It'd been hers. The woman currently speaking through the janitor's mouth as she stared Mr. Martin down.
"I've canvased the area and several others every night since that traitorous little bitch escaped." Mr. South stated, "There's no sign of her."
Helplessly, Mr. Martin explained for the second time, "I don't know what you want me to do, Amelia. I've done everything you asked me. But my students need me to keep them present. I must prioritize the shift I noticed in the wakers."
Mr. South—Amelia—snarled, "I agree, Everett, but I'm not asking you to participate in a search and seize. I simply want you to tell me where that conniving piece of shit would have gone! She confided in you, you told me that. So, tell. me. where she's most likely to go!"
Mr. Martin shook his head, a cowardly expression miring his face, "I've told you everything I know, Amelia, please. I've given you her notes, her journal. Every piece of information I had is already in your hands."
Pained, "How have you allowed everything to unravel this much?" Amelia wanted to know
Quite unexpectedly, a frightened voice interrupted from the vault door, "Mr. Martin?"
Mr. Martin whipped his head to the side, his eyes going wide in panic when he saw Mina stood just over the threshold, inside the fallout shelter. What was she doing there?
She looked ashen. Scared. Shaking like a leaf in the wind. Her brown eyes slid away from Mr. Martin's face to rest on Mr. South for a second before returning to Mr. Martin.
Mr. Martin swallowed, opened his mouth to say something, anything to explain why he was mid-conversation with the living school janitor, when suddenly it didn't matter anymore.
Mr. Martin choked as he watched Mina glance down her body. Her chest seared like paper in a candle flame. She looked back up, fear contorting into betrayal, before she quietly burned away into oblivion.
Unable to reconcile what he'd witnessed, Mr. Martin merely stared at the spot Mina had just been standing, expression slack in horror. His chest rose and fell heavily, "Why?" he rasped, and it took every ounce of self-preservation not to lash out.
Behind him, Amelia lowered Mr. South's hand, scoffing, "Oh, don't look so sad, Everett. She didn't feel a thing," but Mr. Martin didn't believe it. Still, he was too intimidated to argue. He knew what Amelia was capable of.
Virtuously, Amelia commented, "You'll have to find me another to replace that one. So, two more, I suppose. I need someone to step in for Janet," A look of distaste, "Since it appears you truly are hopeless at managing things here on your own."
"I—" Can't, but he choked on the word, unwilling to say it aloud.
Amelia rounded on him, beautiful blue eyes flashing in anger, "I gave you everything you wanted, Everett, and, yet you repay me with failure."
"I haven't," Mr. Martin argued weakly.
"Oh? You've forgotten the teacher you let slip out of your grasp when we were so close to securing him. A problem I must now fix." She reminded him, "Don't forget this, you silly, little man. I can take away everything I gave you like this." She snapped her fingers as she stepped closer, Mr. South's nose practically touching Mr. Martin's. "You will do as I tell you, or all your little lambs will be slaughtered and I'll leave you here to rot. Alone."
And then she turned on her heel, her demeanor shifting to breezy and aloof.
"Do it soon. I can't afford any delays." In Mr. South's lumbering body, she picked across the floor like a debutante, "Time is valuable, Everett, especially mine." Then she was out the door and around the corner to return Mr. South's body to the storage room Mr. South used as his office.
Alone in the fallout shelter, Mr. Martin buckled to his knees.
‗‗‗‗•‗‗‗‗
Operating with half his mind still on aliens and mummies, Simon waited in the bus shelter. He was grateful you hadn't left, had responded to the text he'd sent when he'd arrived at the school: "See you in 5," you'd told him. At the metal crack of the side entrance opening, Simon stood up from the bench and faced the school. He frowned when he saw who emerged.
Steps uneven, Xavier exited the school. He stopped when he noticed Simon, stood still like a deer in headlights. Damn, Xavier looked like he'd seen a ghost. Pale and bug eyed and jittery.
They watched each other for a moment. Simon nodded his head in greeting. Xavier didn't return the gesture. Instead, he gazed down at his chest and then followed a trail to Simon's.
With a frightened look, Xavier lifted the hood of his sweater and veered toward the parking lot, skulking off with his head down.
A minute or so later, the door opened again and this time it was you. And Maddie. Together. Followed by a tall guy in a varsity jacket, a girl in a newsboy cap, and a boy with frosted tips wearing a lot of denim. The trio of strangers stayed by the door to watch as you and Maddie—together—approached Simon.
When you and Maddie were within earshot, Simon said, "Okay. What the hell is this?" To Maddie specifically, "How can I see you right now?"
Maddie shrugged, glanced at you, but you just kept your eyes on the ground.
"Not sure." You murmured, voice like air. You at least had the decency to look apologetic when you finally brought your gaze up to meet Simon's.
"So you can see ghosts." Simon stated, irritated.
"So can you." You returned, but your heart wasn't in it. In fact, you seemed as rattled as Xavier had been when he'd come out of the school.
Although he wanted to chew you out for having lied to him, Simon wanted to make sure, "Are you alright?"
His demeanor softened as he took you in. Puffy eyes, flushed cheeks, red nose. You'd been crying. And Simon would never be angry enough to let that trump being there for a friend who needed him. He bundled you into a hug, one hand rubbing your back, and asked Maddie with his eyes what was wrong.
In his periphery, he saw Varsity straighten and move to take a step forward. His friends each grabbed an arm and appeared to shut whatever idea he'd had down because he shifted back before shaking them off.
Urgently, Maddie told Simon they'd discuss everything, "Later," and ushered him back into the bus shelter. He kept an arm slung around your shoulders, a shoulder to lean on, though had to release you when you decided to lean against the interior glass. Simon took what was becoming his usual seat on the concrete base and Maddie folded herself onto the bench.
When neither you nor Maddie spoke, Simon took the lead, "Mr. Anderson totally played us," he began, glancing between you and Maddie. "I mean, the cops are convinced I helped Maddie run away."
Maddie immediately defended, "Seriously? That's—"
"I know. They only let me come back here because I promised I'd get Anderson's phone and turn it in."
You cleared your throat, "Okay, well, before you do that..."
Maddie continued where you trailed off, "I think we might've found something that can help maybe keep the cops off your back." She fished something out of her back pocket and handed it to you which you, in turn, handed to Simon.
Stunned, Simon gawked at the piece of paper, eyes darting between it, you, and Maddie several times before finally resting on the paper. "We're just...not going to acknowledge how insane this is?" He sputtered, flapping the paper to indicate what he meant.
"Just go with it for now, Si." Maddie implored, "Let's take down Mr. Anderson first."
"Yeah," Simon agreed and examined the paper. It was a receipt for new band uniforms.
He pulled out his phone when Maddie informed him he'd have to call the company the receipt was from and punched in the number. As the line connected, Simon cast to the three people at the school entrance. "Quick question, and not to alarm anyone, but who are they?" He asked as he waited for someone to answer the phone.
You and Maddie looked to the three people then at each other, Simon, the three people, each other, and ended with open-mouthed stares at Simon.
"They're dead, aren't they?" Simon deadpanned. You and Maddie nodded. Simon kissed his teeth. "Of course they are."
‗‗‗‗•‗‗‗‗
After all was said and done, Simon had watched Wally—the tallest of the three ghosts Simon had seen outside—drape his varsity jacket over your shoulders and stamp a kiss to your head. Simon had seen Wally hold you protectively in the wake of Simon's impassioned announcement to the table of Split River High staff.
He'd heard Wally whisper comforting words and stroke your cheek with his thumb and, wow, you hadn't been joking about saving yourself for the hot ghost on campus.
It was a mindfuck, to be sure, but Simon adjusted. Or he was in shock. Toe-may-toe, toe-mah-toe.
Wally had mentioned to the group at large as they huddled in the hallway that he and Charley—denim on denim—had needed to go lest Mr. Martin—whoever that was—get suspicious of their absence at Movie Night. Which could've been dead dove, do not eat, or could've been ghost code for watching the living go to the bathroom.
"Dude, we don't do that." Wally had cringed, offended.
Charley had raised his brows in consideration, "Well, not all of us."
Afterward, you, Simon, and Maddie had holed away in a classroom to watch Mr. Anderson be escorted into the back of a squad car. In a line at the window. Discussing in solemn tones what you and Maddie had seen in the theater. How it related to Mr. Anderson. How whoever was behind Maddie's death—no, not-death, Simon emended, since you'd brought him up to speed. How whoever was behind Maddie's missing body could be literally anyone.
That was if Maddie's circumstances were related to the terrors you and she had experienced in the theater earlier.
"What do you think's gonna happen?" Maddie asked faintly as she watched the deputy close the back door of the squad car.
"He'll be questioned," Simon said. "Probably arrested."
Angry, Maddie replied, "But not for abduction. Not for bodily injury." A weighted pause. "I swear to God, if he did this to me over some stupid band uniforms..."
His voice tinged with hope, "Maybe he'll confess."
"Or," Maddie offered the alternative, "You'll hand that phone over to the cops and we'll never know who he was working with. Or why he said he gave me money... I'll never know what really happened to me."
Maddie turned. As soon as she settled against the windowsill, you shuffled closer to her and put a supportive arm around her shoulders. Fuck if that didn't make Simon's heart ache. He wanted so badly to be the one to do that for her. To be there for her. To comfort her.
"We'll figure it out, Mads." You reassured, though you still looked haunted. You glanced over your shoulder, watched the flashing lights until they faded and then sighed. "This is going to sound awful right now, but..."
"You don't think Mr. Anderson has anything to do with me. Do you." Maddie said, and closed her eyes against the fact that there was so much more at play now. After the theater, it seemed Maddie agreed.
You shook your head apologetically, "I don't."
"And that's not just because he's your uncle's friend?" Simon ventured, studying you closely.
You shook your head, "No. I swear, Simon, I really think Mr. Anderson and whatever's actually going on are two separate things."
Simon believed you.
"Whatever he's involved in, maybe it'll bring us one step closer to what actually happened. We can't rule it out." He implored as he gazed between you and Maddie.
It couldn't be for nothing that they stumbled upon Mr. Anderson's secret. He might not have been involved in hurting Maddie or relocating her body without her in it, but he'd given her money for something.
"At least for now," Maddie said, gazing up at Simon, "some of the heat will be off you."
Her words struck Simon's soul. After everything she'd been through, she cared about what happened to him, and it made him yearn to show her how much that meant to him. Seeing you in Wally's varsity jacket gave him an idea. Slowly, he peeled off his sweater and hung it over the back of a chair. It wasn't enough, but at least he could do this.
"What are you doing?" Maddie asked.
Voice rough with emotion, Simon said, "I was thinking... I can't hug you, but my sweater can."
You pushed away from the window and positioned yourself between Maddie and Simon, voice pitched just as low as Simon's as if not wanting to disturb the somber atmosphere that had befallen the classroom.
"I can do you one better." You said with a small smile and placed one hand on Maddie's shoulder. Your held out your other hand to Simon which he took, curious as to what you were going to do. It seemed Maddie knew because she came closer and then—God—she wrapped her arms around Simon and held him tight.
Without a second thought, Simon returned her embrace with his free arm, putting everything he had into it. All the grief, all the solace, all the love. He hiccupped a weak sound of overwhelm and pulled Maddie as close to himself as he could. She felt warm. Alive. Like she was right there in her body.
With wet eyes, Simon peeked up at you, "Thank you."
"You're my friend, Simon." You said easily, "I'd do anything for you in a heartbeat."
He dragged you into the hug; you and he and Maddie holding each other, leaning on each other, needing each other. And for that small segment of time, the weight of the world didn't feel so heavy.
‗‗‗‗•‗‗‗‗
Everette Martin had always needed to be needed. Something he'd been denied in life.
His parents had never supported him, teaching a job for women, not men. The school had let him go due to a rumor that another teacher circulated when she'd caught him outside of school and misunderstood that he'd been helping a student. His fiancé had turned her back on him because she couldn't 'see a future' with him anymore as a result.
All he'd ever wanted was for people to look to him for guidance, accept his help, rely on him. Life had been a disappointment.
In death, however, he thrived.
He loved his students like his own. He knew Amelia had her reasons for collecting them. She'd framed it as a gift. Allowed Mr. Martin to nurture them so long as he stuck to a short list of rules. Rules he agreed to because, if he didn't follow them, his students would inevitably leave him just as everyone else had.
Yes, Everett knew Amelia had something sinister up her sleeve, likely involving his students, but it'd already been 65 years and nothing had happened, so he assumed her plans didn't involve him or them. That she needed them simply to exist within the school to keep it sick. The presence of lingering death has that effect on a place, Amelia had chuckled prettily.
Amelia's powers were connected to the sickness in the land, and to maintain them, Everett had to maintain the status quo amongst the school's ghosts. A job he took seriously as well as reveled in.
He was so proud of them all, even the loopers. Such a contrast of personalities somehow finding common ground in the afterlife. It was marvelous to behold how they sparked friendships they probably wouldn't have had in life.
Especially Rhonda. Her death had turned her sour and Everett had had to be extra patient with her. At least she continued to join the Group sessions, and had made friends in Charley and Wally. Anything else, though, was a hard sell. She stubbornly refused to participate in activities unless they resulted in chaos and drama.
Which was why Everett was surprised when Rhonda marched into the gym and pulled up a seat.
It wasn't the first unusual thing Everett had noticed of his Group that night. He had the sense that something felt off. Ajay had been morose when he'd entered, but Bernadette and Katelynn had puppy piled him on the stack of gym mats and were comforting him with cuddles.
Always upbeat and charismatic Wally had been reserved until halfway through the film. Perhaps he was truly taken by Demi Moore's performance, though Everett suspected there was more to it.
Charley hadn't made any sarcastic comebacks to Everett's purposefully cheesy jokes about the film before he'd played it, either. Studying Charley and Wally, Everett had entertained the idea that the two had had a falling out. Teenagers were fickle beings. Even those in their forties and fifties.
Of course, Everett could be seeing things that weren't there. Reading too much into every small shift in behavior because he'd been on edge since Amelia's impromptu visit. A shiver ran through him, cold as ice, as he recalled what he'd witnessed and what he'd been ordered to do.
Banishing the memory, he forced a smile to his face, "Rhonda. You usually boycott movie night."
Rhonda stiffened in her seat, gaze fixed determinedly on the screen even if it seemed to go against every value she'd upheld up to that point.
"Is everything alright?" He probed when she didn't say anything.
Rhonda took her time to answer, but eventually, "I've been here for sixty years. Sixty graduations," She explained, jaw tense, as if her words were being forced out of her.
Rhonda rarely shared and, when she did, she'd smother the sentiment beneath myriad barbed wire remarks and threatening stares so no one examined what she'd revealed too closely.
As Rhonda disclosed what had motivated her to join Movie Night, Everett heard Amelia's voice in his head, "I need someone to step in for Janet."
"—I've made my peace with it because nothing changes...but now..." Everett listened, giving Rhonda his full, undivided attention. Rhonda didn't elaborate on how her views had shifted, rather redirecting to claim, "I know I'm not always a joiner but," her voice was raw, "I gotta get outta here."
She was outright doing her damnedest to hold back tears and it shook Everett to his core. The sight made Mina's image flash in his mind, the pain and fear in her eyes as she'd silently begged him to help her before being disintegrated into nothingness.
When Rhonda admitted, "I'm willing to try anything," Everett was brought back to the present, Mina fading from his mind.
What Rhonda said next made his smile falter, a pang of regret in his heart. He wasn't sure how he felt about 'replacing Janet'. He had a vague understanding of what Amelia had been doing with Janet and it unsettled him.
But, there was nothing else for it, his hand forced, because Amelia would find a way, with or without him, and without him could potentially be brutal.
It was easier when the participants were willing. But Rhonda needed to say it right. She needed to mean it without Everett's direct interference.
And, just like that, she did.
He ignored how his gut wrenched as he heard Rhonda speak into the ether, "So, whatever you did to help Janet, I want in."
He felt Rhonda's words vibrate through the veil. He forced another smile. However, turning back to the screen, his smile faded completely as Mina's final moments crowded his mind again. The fear. The helplessness. One of his students...gone.
His conscience kicked and screamed and berated him. Challenged him. Brought his face right up to the hundreds of mistakes he'd made leading up to Mina's permanent erasure from all planes of existence.
Everett had had no choice, a milder, more detached part of him reminded, and it was too late to undo what'd already been done. If he wished to continue guiding his students—teaching them, guiding them—he had to stay the course.
With that in mind, he offered Rhonda his bowl of popcorn and told her, "I'm glad to hear it."
💀___________fin.____________
PART TWENTY-SIX - OCTOBER MOON
also available on AO3!
MASTERLIST
#Milo Manheim#Wally Clark#Kristian Ventura#Simon Elroy#Peyton List#Maddie Nears#Spencer MacPhearson#Xavier Baxter#Charlie Morino#Nick Pugliese#Rhonda Rosen#Sarah Yarkin#Mina Volkov#Zoe Christie#Wally Clark x Reader#fem!reader#Wally Clark smut#Wally Clark fanfiction#Milo Manheim fanfiction#School Spirits#zed necrodopolis#Disney Zombies#October Sun
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Sarah Nelson being my fucking favorite



#GOD I love her#heartstopper#nick and charlie#nick x charlie#narlie#nick nelson#charlie spring#sarah nelson
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friendly reminder that before he met charlie, nick used to drag his mum to play video games with him
#not sure if i found this funny or sad#the things parents do for their kids *sigh*#sarah nelson my beloved#sarah nelson#nick nelson#charlie spring#heartstopper#nick x charlie#joe locke#kit connor#nick and charlie#heartstopper season 1
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The women at this dinner are SO. DONE.
Tori, who has anticipated the dynamics at this dinner all along and has pegged David immediately as the slimeball he is, is clearly wondering how she got sat between these two massive male egos. She's armed and ready for her confrontations with David (perhaps even looking forward to them just a tiny bit?) when things take a turn for the worse. Protective older sister mode activated.
I debated adding Jane here, but she's reacting to the posturing and conflict between the men just as much as Tori or Sarah, so she deserves to be included. She spends the meal deflecting, changing topics, trying to keep the conversation in safe waters. She silently but visibly disagrees when Charlie downplays his rugby abilities (thank you, someone, for acknowledging he's not actually that bad!). But when Nick finally confronts David, her face shows dread. Anyone who's read Alice's cannon knows Jane has a complicated family history riddled with conflict, and her instinctive fear shows clearly in this moment before she realizes that Nick is going to handle this problem gracefully rather than violently.
And Sarah. Having seen how lovingly she navigates life with Nick and how sensitively she helps him with his problems, we can only imagine that she has to have been pushed to the absolute edge by her time with Stephane to react the way she does here. I'm not even getting into the second half of the argument after Nick leaves the table--that's a whole other post--but Sarah is completely comfortable placing the blame squarely where it belongs, even in front of company. Sarah Nelson, putting men in their place left and right.
Leading ladies, indeed.
#the female energy at this table#epic levels of i-can't-even-with-these-idiots#olivia coleman deserves an award for this expression alone#heartstopper netflix#heartstopper series#heartstopper#narlie#alice oseman#osemanverse#nick nelson#nick x charlie#nick and charlie#charlie spring#sarah nelson#tori spring#jane spring#victoria spring#olivia colman#jenny walser#joe locke#kit connor#georgina rich
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trust when I say I WILL be SOBBING during this scene with Kit Connor and Olivia Colman




#heartstopper#heartstopper comic#nick x charlie#charlie x nick#nick and charlie#narlie#charlie spring#nick nelson#joe locke#kit connor#sarah nelson#olivia colman#alice oseman
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Underrated show who?
#hudson & rex#charlie hudson x sarah truong#charlie hudson#sarah truong#rex#hudson and rex#brother may i have some oats#my art
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HEARTSTOPPER 1x0.2 Crush | Nick & Sarah 🫶🏼🫶🏼🫶🏼
The realisation 🥲
#Nick Nelson#Sarah Nelson#heartstopper#heartstopper edit#alice oseman#Nick x Charlie#heartstopper nick nelson#heartstopper Charlie spring#edits#appreciation post#comfort show#heartstopper daily#heartstopper central#heartstopper netflix#tv shows#tv series#gay#gay pride#pride#lgbt#bisexual#asexual#transgender#🩷💜💙#likesforlikes#Charlie spring#osemanverse#Nick Nelson x Sarah Nelson#Nick x Sarah#edit
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charlie as jareth and miv as adult sarah in labyrinth sequel?
they can use "worship the light of its queen" and "heal yourself" scenes as their audition tape.
#robert eggers hear us out!#wont happen but its lowkey a dreamcast tbh#but whatever it is plz let it not be about toby's adventures like in comics. labyrinth is about sarah!#labyrinth#haladriel#saurondriel#sauron x galadriel#jareth x sarah#the rings of power#charlie vickers#morfydd clark#robert eggers#trop#labyrinth sequel
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This clip will be the reason I accomplish nothing at work today.
instagram
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New photos from season 3 of Hearstopper!!
#heartstopper#season 3#nick and charlie#charlie spring#nick nelson#nick x charlie#tori spring#tao xu#elle argent#elle and tao#darcy olsson#tara jones#tara and darcy#sarah#imogen#alice oseman#kit connor#joe locke#oliver spring
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October Sun
summary: Simon had wondered what any of it had meant. Maddie's death, why he'd been the only one who could see her. And then he'd learned that, perhaps, everything that had happened...it hadn't been about him or Maddie at all.
pairing: Wally Clark x fem!reader
warnings: eventual smutty smut smut. and mad spoilers. and obvious Canon divergence. very involved, very dense plot.
bon reading, frens
___________________________💀
OCTOBER SUN pt.25
A roaring white noise erupted in the theater, smothering all other sounds. A TV static howl that seemed to come from within your own head, building and building until it was unbearable. You slapped your hands over your ears, gritted your teeth, pulse thundering almost as loud as the unnatural noise in your ears.
Muffled as if through cotton fluff, you heard someone yell, "What's happening!?" but no more than that, the voice swept away by the bellow. You lifted your head away from Xavier's shoulder and turned your body as much as you could within the tight band of his arms. Where the trapdoor should be, rising like a nightmare from its grave, the farmhouse door materialized in the middle of the stage. Your eyes widened in horror as the familiar screams from behind it began to gnash at the edges of the noise like teeth, "STOP! COME BACK! STOP! LET ME OUT!!"
You cast around, saw Maddie and Wally huddled together, Charlie tucked between two rows of seats, Ajay shielding Mina with his body, and Rhonda with her arms crossed in front of her face as the noise crashed through the theater like a physical force; a tempest of rage and violence that pierced the veil. The ground and walls shook, windows rattled, a stage light fell and smashed on the stage. The quake vibrated through your bones, motivated you to act, but you couldn't move. Xavier clung to you both protectively and in terror, his eyes pleading as he seemed to figure out what you planned to do. He trembled, fingertips bruising into your flesh through your sweater.
You'd never seen him so scared. Not once. Not ever.
Driven by adrenaline, "I'm sorry," you shoved Xavier off you, spun and rose in one fluid motion, and charged at speed down the center aisle toward the stage. The wind was sharp and stinging, pieces of glass and metal from the shattered stage light picked up and whipped about, but you didn't stop. Hurdled into it. Leapt onto the stage. Close, so close. Hand extended, fingers brushing the knob, about to brace against it to keep the monsters from escaping.

The door ruptured at its center, fragments of wood bursting outward and immediately captured by the storm. The force of the sudden explosion sent you sailing backward, followed by a tsunami of blinding, iridescent light that fell from the breach in the door and reached toward you. Cold. Clutching. You barely made out your name being shouted in varying degrees of desperate concern and fear. But it didn't matter. It didn't matter. Because as soon as you landed, hard—enough to knock the air from your lungs into your throat and choke you—the world shifted on its axis and went black.
‗‗‗‗•‗‗‗‗
Question 1.
Why did Frankenstein create the Monster?
‗‗‗‗•‗‗‗‗
Simon lay in bed and stared at the ceiling above him, cracked and pillowed, a yellow-brown rash bloomed in patterns that he tracked in meditative circles with his eyes. He needed to shower, he thought dully. He hadn't had time that morning before being chauffeured to the station for another damning interrogation by Deputies Hayes and Stewart.
"Where is she, Elroy? Where's Maddie?"
"I don't know."
"Don't lie to us, kid, it'll only make things worse for you."
"I'm not lying, I don't kn—"
"God dammit, quit playing dumb!"
"That's enough," Mrs. Grace had snapped before Stewart's jaw had shut with an audible click. "Without substantiated evidence, this is all hearsay. Simon has given you everything he knows in his statement. Unless you intend to further make fools of yourselves, we're leaving."
Simon needed to get up. Get up. Get up. Get. Up.
He didn't move. Couldn't; his limbs grafted to his sheets, muscles like stone, bones elastic. His back was sore, his skin ached and he wanted to move around, stretch the discomfort out of his body, but...he didn't. Instead, he kept staring at the ceiling as the morning looped in his mind. Questions and suppositions, two manilla folders, one map, and then a tense drive home where he'd felt little-boy scared of his parents—his father—for the first time in years, their disappointment and anger palpable in the tight confines of the car.
Simon had been shown Maddie's file. A couple of graphic photographs that looked staged for a prime-time procedural drama. His best friend's blood splattered on the boiler room wall, evidence of the pain and torture she'd incurred when she'd been killed. Murdered in the bowels of the school while Simon had been three floors up in homeroom, bored and bleary-eyed, dozing on his backpack, mentally preparing for a night at the APEX with a group he felt a little on the outskirts of.
"Fuck." He choked, eyes stinging, rubbing over them with his wrist.
The photographs were seared into his retinas; there even when he tried to distract himself or ignore them or pretend that Maddie was still within reach and not one resolution away from vanishing forever.
Blood. Her blood. From a swing so violent that it'd projected onto the wall when the weapon had been hitched for another strike. How many blows had been delivered before Maddie's eyes had dimmed and her breath had stopped? His stomach lurched, but still, Simon didn't move.
The deputies thought Maddie was out there. Not enough blood on the scene to warrant a murder investigation, Stewart had informed Simon as if suggesting that Simon and Maddie might've tried to fake her death so no one would look for her. It was half-assed and ridiculous. Even Hayes seemed to think so, though she wouldn't have admitted it aloud.
Desperate to repress the images, Simon tried to remember the other file he'd been shown. The deputies insisted the cases were linked: Maddie's "escape" and a string of break-ins that spanned two neighborhoods that would've been one if it weren't for a railway track splitting it down the middle like a stapled wound. Simon had recognized the first immediately. Riverden Heights. A low-income area that had been chosen by the town council for regentrification, spearheaded by none other than Claire Zomer's stepfather.
The other, Warren Meadow, had taken him a moment to recognize, but when he did, it'd been a feat to conceal his surprise. He'd been there the night he'd found Mr. Anderson's stash, sat on a swing in the play park behind the house you called home.
What did it mean?
As he pondered the possibilities, a crisp gust of wind coasted over him, disturbing the curtains and ruffling the posters on his walls. At last, he moved, prompted to investigate because he was sure he'd closed it. He swallowed thickly, tense, heartbeat ratcheting up a notch. Propped on a hand, he looked in confusion and dread at his, yeah, closed window.
A slow, eerie creak snapped his attention toward his closet, the door open a sliver when he knew that, too, had been closed. The darkness within seemed even blacker than was natural. Inexplicable. Otherworldly. A shiver ran down his spine. Similar to the feeling he'd had when he'd caught Maddie's reflection in the classroom window on Monday.
The floorboards squeaked when he stood. Simon took one cautious step after another, muscles flexed, not prepared at all for an attack but willing to be brave.
Two. Three. Four. Five steps. His chest was tight. Hands shaking. Breathing shallow. As he hooked his fingers on the door to open it further, it started. The sound was faint and he had to strain to hear it, but it was unmistakable. Wet and rattled, punctuated by thick sniffles.
Someone was crying.
Someone was crying in Simon's closet.
‗‗‗‗•‗‗‗‗
Rhonda remained couched, braced against the wild, unholy wind until, bit by bit, she realized it'd stopped. When she opened her eyes, she gasped in shock, collapsing forward onto her hands. The world around her had changed; the theater was replaced by a span of paved ground enclosed by a chain-link fence, painted games bright against the black asphalt. A tingle crept down from her scalp to her nape, goosebumps pebbled her arms, and she panned her head to glance over her shoulder.
Panicked, she spun, landed on her ass, shoving herself backward with her feet to put distance between herself and the eerily suspended door. The void at its center flickered. It felt like a black hole trying to drag her into oblivion.
Rhonda flipped over and pushed herself up. Ran. Ran harder and faster than she'd ever done in life or death. Down the side of the building she'd found herself behind to skid around the corner and come to an abrupt stop.
She turned this way and that, disoriented, chest rising and falling quickly as she tried to suck in enough air to keep her upright.
"What the hell is happening?" She wheezed, every alarm in her brain going off at once as she began to process her surroundings: Outdoors. Too dark for how early she felt it should be, the air thin and cold, biting, and the sky obscured by a dense layer of gunmetal grey clouds. It was raining in sheets so thick Rhonda could barely make out the line of British inspired maisonettes on the opposite side of the street. "Where—?"
She cut herself off when the wide, double-door entrance to the building opened, releasing a soft glow from within that illuminated the pathway ahead of it. Children in raincoats and rubber boots bounced down the front steps, giggling as they jumped and splashed through puddles on their way to join clusters of adults who waited under umbrellas on the sidewalk.
"No. Fucking. Way." Rhonda walked toward the pathway, jaw slack, gaze fixed on the words etched into the stonework. She nearly tripped over her own feet, only just managing to correct herself as she turned fully toward the building.
Adelaide Meheive Schoolhouse for Boys.
The brick and mortar was as old as Split River itself, named after one of the town founders' wives. The school had been reestablished as Adelaide Meheive Elementary in the early '40s, ten years before Rhonda's family had moved from rural town Romania to Wisconsin. Rhonda had still been curious then, unjaded and excited and eager to learn. Her fourth grade desk had been right there, beside that window. Where she'd daydreamed as she'd stared at the houses across the street and had wondered what it'd been like to live somewhere so unlike her own home in the low-income district that bordered the factories.
Pressure stuffed her nose, her vision blurred, and suddenly she was overwhelmed by the memory, instantly missing her parents, her sisters, her grandmother in a way she hadn't in countless years. Unfortunately, she didn't have more than a moment to grapple with it before her attention was forced back to the school's entrance.
Two figures emerged, one was small, obviously a child. A little boy, Rhonda discerned, with a Spiderman backpack and rainboots to match. The second was taller, slender, the hood of their sweater up so it concealed their face. They hauled the little boy by the hand as they complained, "Come on, stop messing around, I want to go home," as the little boy kept trying to gleefully splash his way through every puddle on his way to the front gate.
A spike of foreboding shot through Rhonda as she watched the pair.
She found herself trailing after them as they turned onto the sidewalk. That sense of unease continued to worsen, churning in her stomach like a bad premonition. Although it felt like every other bad gut feeling she'd experienced in her young life, it was somehow distinguished. And when the taller figure got so frustrated by the little boy that they pushed their hood off and threatened, "I'm so serious right now, I will leave you here and tell mom you ran away," Rhonda was once again stunned into stillness.
The taller figure was a girl, no older than eleven or twelve with features identical to ones Rhonda had seen mere moments before the theater had turned into a category 5 hurricane zone. Your hair was longer and your face was rounder, softer, yet you looked exactly as you had when Rhonda had joked about getting Wally a new wardrobe.
You began to tug the little boy along again, your foul temper tween-girl extreme to the extent Rhonda questioned whether or not it was really you. Regardless of whether or not it was, Rhonda decided, she needed help, needed an explanation. Where the fuck was she? When the fuck was she? How did she get here?
"Hey!" Rhonda yelled after you, "Wait!"
You didn't notice Rhonda. In fact, she was entirely nonexistent to you as you yanked and heaved Aiden every single step forward. He enjoyed being a pain in your ass, always elbowing his way into every sleepover, usurping attention, whining until you gave in and put on movies for babies because he didn't like what you and Xavier and Hana wanted to watch.
You'd already been grumpy when your mom had called to ask that you collect Aiden from school on your way home, consumed by thoughts of Xavier and Hana ditching you to hang out with another couple because, apparently, that's what boyfriends and girlfriends did.
Your face twisted in displeasure, jealousy seeping into your veins like toxic sludge as you barked again, "Aiden, come. on. Stop it!"
Xavier and Hana hadn't even kissed on the mouth yet, you grouched internally. Plus, they were still going to Dave & Buster's with Mrs. Baxter like all three of you did. As a group. Every Friday since 1st Grade. It wasn't fair that just because you didn't want to be kissed or have some gross boy who smelled like B.O. hold your hand like that, you weren't allowed to go too.
The rain came down harder, thunder rumbled overhead and lightning cracked across the sky. Aiden continued to resist, stomping in and out of the stream that flowed along the curb. Stupid mom being held up at work. Stupid Aurora being at university. Stupid Andrew for being away. And stupid, stupid Aiden, not listening to you when you were obviously in a bad mood.
"Aiden!" You yelled, tugging him back onto the sidewalk, "I said stop it!"
Your clothes were drenched, your limbs were frozen, and all you wanted to do was go home, rant to Nanna, and have her comfort you and tell you to forget Xavier and Hana and their dumb relationship had ever happened. Just as you were contemplating how upset your mom would be if you abandoned Aiden right then and there, you heard a car pull up behind you and a male voice call, "Hey, can I give you a ride?"
Rhonda stopped when she saw the car stop. More specifically, when she saw the face of the man behind the wheel. She didn't recognize him and he looked normal enough. Buzzed, military brown hair and a friendly smile and eyes that crinkled charmingly at the corners. Rhonda moved to peek into the open passenger window, squinting at him. Despite how normal he appeared, there was something inside her soul, a niggling feeling that made her gums itch, that told her that the man's aura was several shades of wrong.
Clumsily, she reared back and turned to urge you, "Don't go with him," as that prickly sense of unease increased, blaring like an air raid siren in her brain. Rhonda couldn't tell if you were familiar with the man and decided quickly that it didn't matter, "I know we aren't exactly besties," She said, standing directly in front of you now, "But you have to listen to me."
You looked right through her.
Leaning across the console was a man wearing a uniform like your dad's, his face familiar though you couldn't quite place it. Your grip tightened around Aiden's hand and you narrowed your eyes at him. A thousand and one speeches had been delivered throughout your life on the subject of which strangers are good and which are bad. And random men in cars were at the top of the bad list.
"You don't remember me?" The man chuckled and then explained, "We met at the barbeque on base. I'm Christopher." He raised an amused eyebrow, "You got me with your water gun a few times."
Rhonda's gaze ricocheted between you and Christopher as you hesitated, tilted your head, and chewed your lip, studying Christopher like a Wanted poster. That nagging feeling in Rhonda's gut swelled into a sick panic when the tension bled out of your shoulders, showing signs of finally recalling who Christopher was.
"Oh yeah," You grinned and stepped closer. Christopher was in the same unit as your dad. He'd been at the barbeque with his wife and daughter, the latter having hung out with you and Xavier all afternoon while the adults drank beer and got rowdy. "Xavier pushed you in the pool."
Christopher snorted and hung his head in mock shame, "That's me."
Rhonda shook her head, her mind screaming at her to stop you from going with him. That if you did, all the happiness and joy and pure, unconditional love in the world would be snuffed out as easily as the flame of a candle. Rhonda had felt similarly when Mr. Manfredo's demeanor had shifted in the split second before he'd revealed his true colors.
"Don't go with him," She repeated, trying and failing to grab your hand, shoulder, face, anything. But her hands kept missing, sliding away, your energy and hers two like poles that would never connect. "You need to listen to me!"
You smiled down at Aiden, "A ride would be great, right Aid?"
Aiden wasn't paying attention, staring off into space. He did that whenever you asked him to stop being annoying. Acted like he hadn't heard you or that you weren't there. Glaring at him, you repeated the question, only for Aiden to tug your hand so you had to bend to his level to hear him.
"What?" You demanded under your breath.
Aiden whispered, "I don't think we should go with him."
Relief flooded through Rhonda, however, it was short-lived.
You rolled your eyes, "Seriously, Aiden?" God, could he just not? For once, one time, could he be on your side instead of making everything difficult? You knew he was complaining just so he could keep splashing in the puddles, but you were over the wet and the rain and the cold.
Aiden stubbornly stared into space again—stared at Rhonda—and refused to budge until you poked him in the cheek. He reluctantly dragged his eyes to yours, looking up at you with a pout, "I don't want to, Sissy." Lip wobbly, brow furrowed. The same expression he pinched his face into when you refused to let him use your Switch.
You heaved a careworn sigh and put your hands on your knees as you spoke to him, forcing your voice to a sensitive register, "How about this: If you get in the car, I'll make you mac 'n' cheese with chicken nuggets when we get home. Alright?"
Rhonda lurched forward, "No no no!" She begged you to change your mind, to hear what Aiden was trying to tell you, her voice strangled, throat closing. "Don't!"
Aiden chewed his lip as he considered your proposal, eyes on the ground. At last, with an apologetic glance into the middle distance, he nodded. It was a small gesture, almost disappointed, and he mumbled, "Okay."
You grinned and hugged him, praising him for listening to you as you opened the car door and helped him into the backseat. Once he scooched over, you climbed in after him, thanked Christopher for his kindness, and made Aiden do the same.
"Thanks," Aiden muttered, staring at his lap, looking for all the world like he'd just been told he wasn't allowed dessert ever again.
Though she knew it was useless, Rhonda bodily flung herself at the car when you closed the door, banging and slapping the window with her palms until they stung bright red. "Don't! You have to get out! GET. OUT!"
You buckled your seatbelt, then Aiden's, and the car pulled away.
Rhonda stumbled into the street, shouting after you. Her hands gripped her head in panic, pulse racing. She watched the car stop at the corner and saw Aiden rise to peer out of the back window, chubby hand up as if he was waving goodbye. The emotion in his big, green eyes—
She inhaled sharply. Without any doubt, Rhonda understood that she'd just witnessed a child's future turn to ash. And she felt in her bones that Aiden knew it, too.
"Come back." She begged, tight and weak. Then, with everything she had in her, "COME BACK!"
As soon as the words were out of her mouth, an ominous creak drew her attention behind her. The farmhouse door. The deep, black void at its center. Eyes wide in fright, she shifted to run after the car but didn't get even a step before the blackness shot out, wrapped around her arms and legs, and wrenched her into its depths. The door slammed closed and disappeared.
In the backseat of the car, you asked Aiden, "What're you looking at?" when he continued to stare out of the rear window. You peeked over the seat in confusion, not seeing anything worth that much scrutiny.
Aiden slowly slid his gaze to meet yours and what you saw in them made your stomach twist, the look in them far too old for a six-year-old boy. Clearing your throat, you forced yourself to brush it off, fixing Aiden in his seat after he'd lowered himself to sit properly.
"Nothing," Aiden responded, tone solemn. He began to draw a little stick figure in the condensation on the window, and then an upright rectangle with curly cues coming out of it.
You watched him for a moment, suddenly feeling uneasy. "You sure?"
Aiden nodded.
You wouldn't have believed him anyway.
‗‗‗‗•‗‗‗‗
Question Two.
Does Frankenstein learn from his mistake in creating the Monster?
‗‗‗‗•‗‗‗‗
You roused in pained stages, groaning as you hoisted yourself onto your hands and knees. The world was spinning, vision cloudy for a moment before the room settled around you. The damp and dark didn't feel right against you, pushing in from all corners like pressure in the depths of the ocean. Heaving a breath, you wobbled to your feet, blinking rapidly as your eyes adjusted to the dim light.
Even in the thin light filtering through the high windows, you recognized that, wherever you were, it wasn't the theater.
"Wally?!" You called out, "Maddie!?"
No answer.
"...anyone?"
It took a minute for your eyes to adjust. The space was wide and empty, the ceiling low, walls exposed slabs of thick stone. A cellar, you realized, stepping carefully across the packed dirt floor. Faded Persian carpets had been placed down in the center; thinner, longer ones like runners led from the base of the polished wood steps to the back wall, the tail end of the last carpet disappearing beneath the stone.
"Where am I?" You wondered, glancing about.
A few items of furniture stood against the wall directly opposite the staircase. A tall, fat cabinet with glass windows that displayed a variety of trinkets that reminded you of curiosities Victorian nobles had collected to be admired by their unworldly peers. Beside it was a sarcophagus, Egyptian-inspired but certainly not original. It was far too dark, menacing, the face demonic with ruby eyes that seemed to burn from within.
You kept a wide berth around it, its aura unsettling. Like walking into a forest after nightfall with no flashlight.
On the other side of the cabinet were wrought iron hooks nailed into the stone, neat rows of ten across, seven down. Most of them were bare, though a few still held gruesomely painted masks in the Venetian style. Some with long, pointed noses; others more feminine.
"What the hell is this place?" You murmured to yourself as you reached out to run your fingers delicately down the smooth nose of one of the masks.
It felt familiar. The exposed beams, the packed dirt floor, the draft that chilled you to the bone. You followed the runners to the back wall, turned, looked out the window above you. Twisty, naked branches speared the sky, a large gap in the middle where...where the road... Oh, God.
Your breath caught and you began to feel queasy, bile burning the back of your throat. This wasn't just any cellar. It was the farmhouse cellar. The place you'd been when you learned exactly how many minutes it took for a human body to die.
The room swam as your vision blurred and all at once, you doubled over, retching into the dirt, swaying on weak legs when it was over. Breath after breath felt like ice as you tried to get air into your lungs, your heart to calm down, your head to stop spinning.
"It's not possible," You choked, collapsing against the wall, "I shouldn't be here, this isn't right." You sank to the floor, completely devoid of energy in the wake of your realization. As if the darkness had sucked it all out. You sat there for minutes that dragged into each other, hitched little inhales and drawn, stuttered exhales. "I want to go home," You whimpered, but there was no one around to hear you.
In that instant, voices rose and the floorboards above creaked under the weight of several people. Panicked, you shot to your feet, casting about for something to protect yourself. Nothing good had ever happened in this farmhouse, you knew, and you doubted that now would be any different.
There was nothing. And when you tried to open the cabinet, a taser-like shock jolted through your arm and knocked you backward onto the floor. You didn't have time to question it, the door above opening—that door, the door, the one that had haunted you for six years—and the voices getting closer.
"Surely, Lord McNair, you jest. A stablehand!" A woman's voice spoke, sounding giddy as much as disturbed. "How on earth did that happen?"
A deep, male voice answered, that of Lord McNair assumedly, "I haven't a clue, Liza." He sounded dismayed, "He took off with all the money and my daughter, the wretched bastard." A pause before he growled, "I tell you, never trust a Clark."
"Certainly not." Liza agreed. "I had two in my employ, sisters. Irish though they weren't Catholic, and I wish I had known such an important detail before I had Beaty hire the little rats. They stole the diamonds right off one of my necklaces. Had they the fear of God in them, they wouldn't have done so."
"And they were Clarks?" A new voice asked, another male, though thick with an accent you could only describe as South Asian.
Liza answered, "Indeed. You'll have to be careful during your visit, Your Excellency. The poor have become a problem in recent years, I'm afraid."
You listened with half an ear as you scouted for a place to tuck yourself into. The sarcophagus was latched and the effort it would take to break the lock off would be both too loud and too obvious. You searched along the walls, in the shadowy corners. The best place would've been under the stairs but a large cord of chopped wood had been piled in front of the space.
The footsteps got closer as the group descended, talking amongst themselves. Swallowing thickly, you pressed yourself against the side of the cabinet, crouched beneath the rows of hooks, hands over your mouth to muffle your harried breathing.
A strange sensation passed through the cellar as the group stepped one by one onto the carpet at the bottom of the stairs. The air stilled and the shadows seemed to part for the group as they moved across the space. A man held out his hand to help a woman down her final few steps and then escorted her with her arm through his. The next man did the same for the next woman, and then the third man for the third woman.
All were dressed elegantly, the men in tuxedos with white ties and polished boots, and the women in beaded dresses that fell past their knees, gloves to above their elbows, and furs around their shoulders.
"It's truly wonderful that you were able to attend at last, Your Excellency," A new voice said, female, heavily accented. Eastern European, you believed, "My husband and I have been eager to introduce you to the leader of tonight's gathering."
"I appreciate it immensely, Lady Rose," His Excellency replied, "I was delighted to have received the invitation."
The sound of the men and women nearing made your pulse rush like a roar in your ears. You squeezed your eyes shut, turned to tuck yourself as close as you could to the wall, back against the cabinet, pleading that you wouldn't be found.
Closer. Closer. The footsteps and voices were right above you now.
"Here you are, Raj" Lord McNair said pleasantly as he claimed one of the nosed masks and handed it to His Excellency. "Your lovely bride can help you attach it, I'm sure."
With big, terrified eyes, you watched Lord McNair remove another mask, one without a nose, and hand it to the woman beside His Excellency. And no one—your brow furrowed—seemed to notice you. Not even the slightest acknowledgment that you existed.
You didn't want to push your luck, staying put with your hand remaining clapped across your mouth. However, you couldn't stop yourself from glancing up at the faces of the group gathered in front of you, helping each other tie the ribbons of the masks at the backs of their heads.
His Excellency turned around after helping his bride with her mask and you almost collapsed in shock.
"Ajay!?" You said before thinking about the consequences. You rose quickly and stumbled forward, attempting to clasp your hands around his forearms as he fiddled with the ribbon on the nosed mask he held. "Ajay, where are we? What's happening?" But...your hands passed right through him, his image distorting, coming apart like whisps of smoke before letting in again. "A-Ajay?"
With a strained whine, you studied his face and the longer you stared, the less he looked like Ajay. The resemblance, as uncanny as it was, was only that. A resemblance. And, furthermore, Not-Ajay, it appeared, couldn't see you. Couldn't hear you. In fact, none of the men and women paid you any mind whatsoever. To them, you were as real as a ghost.
"Fuck." The word punched out of you as you staggered back. The faces that hadn't been covered were eerily identical to ones you knew until you stared too long. Rhonda. Ajay. Maddie. And then the resemblances faded and left behind just the most subtle of like features. "What's happening?"
You were going crazy. Trapped in a nightmare of your own making after you couldn't keep the farmhouse door closed. God only knew where the others were. If the light that had ripped out from behind the farmhouse door had trapped them too. If they were experiencing the same thing. Or worse.
"Come along, Liza dear, we're already behind schedule." Lord McNair remarked, holding out his arm for her to take. He led the group to the back of the cellar, following the line of carpets before he paused at the wall. Not knowing what else to do, you trailed after them, observant though feeling faint as you tried to accept that you might never make it out of whatever coma or conjuring the farmhouse door had unleashed.
If this was a nightmare, you thought, there was only one way out. You had to see it through to the end.
You saw Lord McNair produce a pen-shaped piece of silver from his pocket. Sleek, smooth, nondescript, and rather unremarkable until Lord McNair pushed it tip-first into a tiny hole in the mortar that you never would've noticed on your own. When it was halfway in, you heard a heavy clank of metal then stone scraped against stone. Your jaw dropped as part of the wall sunk inward and then moved aside, revealing a steep stairwell carved into the rock, lit by a line of low-burning torches.
The group herded into the stairwell, continuing their conversation, the men attentive to the women as they descended down down down into whatever was below the farmhouse cellar. The stairs were uneven, some tall, some short, and you briefly marveled at the ease the men and women ahead of you exhibited as they gracefully carried themselves to the bottom of the staircase.
As soon as you entered the space below, you staggard in your steps. A shock of pitch black energy crowded against you, the same as what you'd felt when you'd put your hand to the tree last night. Dark and sinister. Evil.
It took a moment for you to gather yourself, and once you had, you stepped further into the space. What lay beyond the staircase took you aback. The sheer extravagance was so out of place for where you were.
The narrow walls on either side of the staircase opened into a massive cavern that had been structured and decorated to mimic a European palace. Italian marble floors, a grand fireplace with detailed carvings in the wood of the mantle, portraits of aristocratic men and women kitted in ceremonial costume.
Your attention lingered on the portraits. The subjects seemed to be related, some more distant than others, but they all shared the same piercing blue eyes and severe expressions. Ginger to auburn to mahogany hair. Sharp jaws and smooth skin. Not a wrinkle or blemish in sight.
The clothes were ceremonial as was usually the case when the rich were painted, but they were also...religious. In a way you had a difficult time putting your finger on. Not typical of the Abrahamic religions or Dharmic or Taoic. More Pagan. Celtic or Nordic, you weren't sure, but definitely Pagan.
The subjects wore cloaks and were ornamented with etched daggers and wooden laurels bent and shaped into antlers, and identical broaches pinned under the notches of their collars. Large, silver things with a symbol you'd seen in the pages of a book housed in your family's library. Three interlocking spirals. A triskele.
A tinkling sound, fine metal tapped on hollow crystal, echoed through the cavern, a man's voice calling out to announce, "Welcome all!"
You turned, gaze searching the crowd of what you guessed was about seventy people, one for every hook in the cellar above.
They stood in a semi-circle facing you though their focus was on the man who spoke. You couldn't see much of him since he had his back to you, poised proudly in front of the crowd. He was tall, broad-shouldered yet lithe, and had hair that had clearly once been blond though was turning grey.
"I am overjoyed that so many of you could join us on such a momentous occasion."
"Hear, hear!" The crowd exclaimed, lifting in unison their champagne coupes.
"My only regret is that my lovely wife seems to have gotten lost."
The crowd tittered at what you figured was meant to be a joke. Stepping closer, you tried to get a better look at the man, wanted to see if, like the men and women who you'd followed down here, he held any resemblance to someone you knew. Together, the crowd's focus shifted to something behind the man. He turned, a wide smile spreading across the part of his face that wasn't covered by his mask.
You went completely still as his eyes settled on you through the holes in his mask. They were striking; bright seafoam green that within them held a wisdom and respect that transcended time. You shivered as those eyes, far too old for the face they belonged to, burned through you, heart hammering behind your ribs.
Slowly, the man reached out his free hand, smile softening, and said, "Ah, there you are," in a quiet tone.
Private.
Just for you.
"We've been waiting."
💀___________________________
PART TWENTY-FOUR - PART TWENTY-SIX
also available on AO3!
MASTERLIST
#Milo Manheim#Wally Clark#Kristian Ventura#Simon Elroy#Spencer MacPhearson#Xavier Baxter#Rhonda Rosen#Sarah Yarkin#Charlie Morino#Nick Pugliese#Wally Clark x Reader#fem!reader#Wally Clark smut#Wally Clark fanfiction#Milo Manheim fanfiction#School Spirits#zed necrodopolis#Disney Zombies#October Sun
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#just imagine Nick asking his mom if he can bring home some friends after school#and then coming home trailed by 6 kids who he introduces as his gay friends (plus Tao)#gays travel in packs#with their token straight friend#Sarah would just make everyone snacks and hang out tbh#heartstopper#heartstopper comic#nick and charlie#nick x charlie#narlie#nick nelson#charlie spring#elle argent#tao xu#tara jones#darcy olsson#sahar zahid#aled last#sarah nelson#osemanverse#alice oseman
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i cant believe Michael gave us bi and pan yuri and Zack gave us bi and pan yaoi

#smiling friends#charlie x pim#charpim#old man yaoi#yolo crystal fantasy#yolo silver destiny#Racheal x Sarah#old woman yuri
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