#sarah ann horn

[boricuacherry-blog]

Rachel Plummer was the author of the first account of captivity by Texas Indians, in Texas. Rachel's father was a Baptist minister when the family moved from Illinois to Texas. He had received a large grant of land. Fort Parker, built the same year, was attacked in 1836, by the Comanches. Rachel, her son, her father, her two cousins and her aunt.

Soon after their abduction, the captives were separated. When the Comanches learned that Rachel's son had been weaned, he was taken from Rachel, and never seen again. She became a slave to the Comanches and was burned, beaten and forced to work day and night. The Comanche tribe never stayed more than three or four days in one place, and she traveled thousands of miles with them as they wandered from the headwaters of the Arkansas River to the Wichita Mountains. She was pregnant at the time of her capture; she bore a second son in 1836 and named him Luther. However the Comanches thought that the baby was interfering with her work so they killed him when he was about six weeks old. Rachel was held captive for thirteen months. The Comanches were camped north of Santa Fe when they were approached by Mexican traders who wanted to ransom Rachel. She was then sold to them. Several months later, she was finally reunited with her family; though she was emaciated, covered in scars, and in very poor health. Her sister would stay with the Comanches, bearing a son, Quanah Parker.

Rachel decided to write an account of her captivity entitled Rachel Plummer's Narrative of Twenty One Months Servitude as a Prisoner Among the Comanche Indians.

What strikes many readers is the similarities to Sarah Ann Horn's story. She was an English woman who was also held captive, however she would eventually died from injuries she sustained during her ordeal. In an excerpt from her account she wrote:

The scorching sun had now burned our necks and shoulders to a blister, and my dear little children, naked, were still worse off. Joseph was dreadfully distressed with a bruise on his shoulder, and the savages would not permit me to do the least thing for him, nor would they do anything for him themselves. Indeed, revolting as the thought may be to the mother who may read these pages, I can say, in truth, that the love I felt for my dear children, and the scorching anguish of my soul on their account, would have rendered it a matter of heartfelt joy could I have seen them share the fate of their murdered father. But then at this place they took the child to the creek, washed the sore, and covered it with mud, and he said it felt better. They also put some black paint upon both of them, and I think it was of some benefit to their sun-burnt frames, as the sun did not burn them quite so severely after it.

We left this place late in the afternoon, went a short distance, and encamped for the night in the woods. Here they buried their plunder in order to conceal it until they should return.

In the morning, we started on our march, traveling very fast, and crossed a road - I think it must have been the one leading to Matamoras, after which a number of the men concealed themselves behind some trees, and soon after a gentleman made his appearance. He was tall and stout built, mounted on a fine horse, armed with a gun, and a servant riding a short distance behind him. But, poor man! His days were numbered. Concealed from his watchful eye, were his wily foes, and as he came within range of their deadly aim, they brought him to the ground; upon which the servant suddenly changed his course and rode for his life. But, vain effort - in a moment, the keen eye of the savage again rested upon his unerring rifle, and the servant slept with his master.

After they had collected their booty from the murdered men, they continued on the road, and at about a quarter of a mile came to a farmhouse. We stopped a short distance from the place, and a party of the men proceeded to the house, where a fight continued for a long time. I heard the guns in different directions. After the fight was over, they returned with two of their men severely wounded. It appeared that they had been worsted, and were evidently afraid of being pursued. They left the road and traveled rapidly until after night; it seemed to me we almost flew. John was tied upon a mule behind a man in a company apart from me, and I did not see him until the next morning. For fear of being discovered, they kindled no fires, and it rained all night, incessantly.

We were still tied closely every night, in order to prevent the possibility of our changing position, to relieve our pain limbs, or to escape or defend ourselves from the swarm of mosquitos which were gorging themselves with our blood. Early in the morning we again set out, and proceeded on about two hours, we came to the spot where the dreadful tragedy commenced. Here, in the silence of death lay the bodies of our murdered friends.

Much of our way was over rough, stony ground, frequently cut up by steep and and nearly impossible ravines, with deep and dangerous fords. At one of these last, with high and rugged banks, my little Joseph slipped off the mule into the water, as the creature was struggling to ascend the uneven bank. The boy behind whom he rode was very cross. I had just gained the shore, and turning round saw the child in his endeavors to extricate himself from his perilous situation. He had nearly succeeded, when one of the savages enraged at the accident, stabbed the little creature in the face with his lance, and sent him back into the midst of the foaming stream. The wound was inflicted just below the eye, and was a very severe one. None of them offered the least assistance, but seemed to exult in the scene before them. But the poor little creature made another effort, and with blood still streaming down his naked body from his wounded face, gained the shore.

On this occasion the feelings of the mother triumphed over every other consideration, and I upbraided the wretch for his cruelty. But bitterly did he make me pay for my temerity, when he made the child go on foot all the rest of the day and drive a lame mule, with the blood streaming from every part of his naked and lacerated body. When we halted for the night, I was called forth by a savage on his mule. As I approached him in obedience to his lordly command, he held his whip in one hand, and drew his knife with the other. With his whip he gave me many cruel stripes; but so much keener was the anguish of my soul than that even a savage could inflict upon my almost naked body, that his strokes seemed to me of no more weight than a feather.

Indeed, I felt indifference to existence. When the monster was done whipping me, he took his knife and literally sawed my hair from my head. It was quite long, and when he had completed the operation, he tied it to his own as an ornament.

I was now set to work to dress buffalo hides. The hair was first to be taken off clean. This was done by placing the skin to be dressed upon a number of others, so smoothly, that no wrinkle should be left in it. The hair was then shaved off with a kind of knife, fixed in a bone, and curiously adapted to the purpose. When I was done, I had to dig a hole in the ground sufficiently large to admit the skin, into which water was put in order to soak it. In this hole I had to stand and tramp the skin from one to two hours, according to its toughness or tenderness - this was to soften it until it should become perfectly pliable. It was then carefully stretched and rubbed with the hands, alternately, until it was perfectly dry.

One day, I saw the Indians dropping off in small parties in different directions. With one of these groups were my little children, and I never saw them together again. In a short time we reached the lodges of the party I was with. Here I remained three days, and was then taken to the family of the Indian who claimed me for his captive. The female who had become my mistress was an utter stranger to the feelings of humanity. She spoke broken Spanish, and when it was not possible to understand her commands, she would fly into a passion, and throw anything at me she could lay her hands on.

There were three branches of the family in which I lived, residing in separate tents. One branch consisted of an old widow woman and her two daughters, one of whom was also a widow. The next was a son of the old woman, who claimed me as his property; and the third was a son-in-law of the old woman. In the family to which I belonged, there were five sons, no daughters. I spent a considerable amount of time with the old woman. She was an exception to the general character of these merciless beings, with her acts of kindness. But she had a daughter who the complete opposite. But it was not long before I had gained the mother's confidence.

Unfortunately for Mrs. Harris, she was far from being as well situated as I was. She shed tears as she recounted to me the marks of brutality she rendered, and she often stole an opportunity to come to me for a morsel of meat, which she devoured raw. I had been in suspense as to the fate of my children, when two little Spanish boys, who were also prisoners, came to the lodge and told me that a little white boy had just arrived a short distance off, and that he told him he had a mother somewhere, but didn't know where. I obtained permission to go see him - it was Joseph! He was painted black and red; his hair was cut off close, except a small tuft, and he had wampum on his neck and wrists. He clasped his little arms around me and poured forth a flood of tears. He appeared well, and said the people treated him kindly; but I was only allowed to remain with him for half an hour.

Once we were visited by some men who came to trade; they made an effort to purchase me but the Indians would not sell me. I had become too useful to them, in dressing their buffalo skins. Some time later, I had the opportunity to see my son John; he came to me with a party of Indians. He told me he had changed masters, and that the people with whom he lived were kind to him, and gave him plenty to eat. I learned that his mistress was a Spanish woman, who, with her brother, had been captured by these Indians in childhood, and she had remained with them ever since, having married among them.

Some time in the latter part of June, some Spanish traders came among us, and bought Mrs. Harris. They tried to purchase me, but could not; and though I strove hard to see and converse with her before she left, I couldn't get the opportunity, though she was near at the time. I could not but feel glad on her account that she was released from her suffering; but I now felt the truth of the saying, "misery loves company;" for though our meetings had been short, they still had been seasons in which we would exchange sympathies, and mingle our tears. But now, a lonely exile, in the bonds of savage slavery, haunted night and day with the image of my slaughtered husband, and haunted continually with an undying solicitude for my little ones, my life was little else than a scene of unmitigated misery.

From the time Mrs. Harris left us, we were traveling most of the time for about three months, after which we were close to St. Michael, in New Mexico, in the Spanish dominions. At this place, I was told by an Indian girl, that I was to be sold to the people that lived in houses, meaning the Spaniards. I told her I did not wish to be sold. I felt the only remaining tie to my children was here. But even in this I could not act according to my own wishes. The people came in crowds to look at us; among them was a gentleman who spoke broken English, and who inquired of the Indians who I was, and whether they would sell me. He then said to me, that if he bought me, he should expect me to remain with him. But I didn't intend to exchange my current state of bondage with another less enviable one, and I told him I wasn't interested. He however brought a couple of horses as the price for my ransom, but they declined the offer. My mistress asked me which I would prefer to go among, the Spaniards or the Americans? I told her the Americans, and in this she seemed disposed that I should have my choice.

*this was an excerpt of the book The Captivity of Mrs. Horn*

[billboard-hotties-tourney]

Okay, folks, the mini-tourney is inching closer to the finals, so I'm going to give a list of the competitors in the Miss Billboard Tourney in order to give everyone a chance to submit more propaganda. The nominees are:

Lale Andersen

Marian Anderson

Signe Toly Anderson

Julie Andrews

LaVerne Andrews

Maxene Andrews

Patty Andrews

Ann-Margret

Joan Armatrading

Dorothy Ashby

Joan Baez

Pearl Bailey

Belle Baker

Josephine Baker

LaVern Baker

Florence Ballard

Brigitte Bardot

Eileen Barton

Fontella Bass

Shirley Bassey

Maggie Bell

Lola Beltran

Ivy Benson

Gladys Bentley

Jane Birkin

Cilla Black

Ronee Blakley

Teresa Brewer

Anne Briggs

Ruth Brown

Joyce Bryant

Vashti Bunyan

Kate Bush

Montserrat Caballe

Maria Callas

Blanche Calloway

Wendy Carlos

Cathy Carr

Raffaella Carra

Diahann Carroll

Karen Carpenter

June Carter Cash

Charo

Cher

Meg Christian

Gigliola Cinquetti

Petula Clark

Merry Clayton

Patsy Cline

Rosemary Clooney

Natalie Cole

Judy Collins

Alice Coltrane

Betty Comden

Barbara Cook

Rita Coolidge

Gal Costa

Ida Cox

Karen Dalton

Marie-Louise Damien

Betty Davis

Jinx Dawson

Doris Day

Blossom Dearie

Kiki Dee

Lucienne Delyle

Sandy Denny

Jackie DeShannon

Gwen Dickey

Marlene Dietrich

Marie-France Dufour

Julie Driscoll

Yvonne Elliman

Cass Elliot

Maureen Evans

Agnetha Faeltskog

Marianne Faithfull

Mimi Farina

Max Feldman

Gracie Fields

Ella Fitzgerald

Roberta Flack

Lita Ford

Connie Francis

Aretha Franklin

France Gall

Judy Garland

Crystal Gayle

Gloria Gaynor

Bobbie Gentry

Astrud Gilberto

Donna Jean Godchaux

Lesley Gore

Eydie Gorme

Margo Guryan

Sheila Guyse

Nina Hagen

Francoise Hardy

Emmylou Harris

Debbie Harry

Annie Haslam

Billie Holiday

Mary Hopkin

Lena Horne

Helen Humes

Betty Hutton

Janis Ian

Mahalia Jackson

Wanda Jackson

Etta James

Joan Jett

Bessie Jones

Etta Jones

Gloria Jones

Grace Jones

Shirley Jones

Tamiko Jones

Janis Joplin

Barbara Keith

Carole King

Eartha Kitt

Chaka Khan

Hildegard Knef

Gladys Knight

Sonja Kristina

Patti Labelle

Cleo Laine

Nicolette Larson

Daliah Lavi

Vicky Leandros

Peggy Lee

Rita Lee

Alis Lesley

Barbara Lewis

Abbey Lincoln

Melba Liston

Julie London

Darlene Love

Lulu

Anni-Frid Lyngstad

Barbara Lynn

Loretta Lynn

Vera Lynn

Siw Malmkvist

Lata Mangeshkar

Linda McCartney

Kate McGarrigle

Christie McVie

Bette Midler

Jean Millington

June Millington

Liza Minnelli

Carmen Miranda

Joni Mitchell

Liz Mitchell

Marion Montgomery

Lee Morse

Nana Mouskouri

Anne Murray

Wenche Myhre

Holly Near

Olivia Newton-John

Stevie Nicks

Nico

Laura Nyro

Virginia O’Brien

Odetta

Yoko Ono

Shirley Owens

Patti Page

Dolly Parton

Freda Payne

Michelle Phillips

Edith Piaf

Ruth Pointer

Leontyne Price

Suzi Quatro

Gertrude Rainey

Bonnie Raitt

Carline Ray

Helen Reddy

Della Reese

Martha Reeves

June Richmond

Jeannie C. Riley

Minnie Riperton

Jean Ritchie

Chita Rivera

Clara Rockmore

Linda Ronstadt

Marianne Rosenberg

Diana Ross

Anna Russell

Melanie Safka

Buffy Sainte-Marie

Samantha Sang

Pattie Santos

Hazel Scott

Doreen Shaffer

Jackie Shane

Marlena Shaw

Sandie Shaw

Dinah Shore

Judee Sill

Carly Simon

Nina Simone

Nancy Sinatra

Siouxsie Sioux

Grace Slick

Bessie Smith

Mamie Smith

Patti Smith

Ethel Smyth

Mercedes Sosa

Ronnie Spector

Dusty Springfield

Mavis Staples

Candi Staton

Barbra Streisand

Poly Styrene

Maxine Sullivan

Donna Summer

Pat Suzuki

Norma Tanega

Tammi Terrell

Sister Rosetta Tharpe

Big Mama Thornton

Mary Travers

Moe Tucker

Tina Turner

Twiggy

Bonnie Tyler

Sylvia Tyson

Sarah Vaughan

Sylvie Vartan

Mariska Veres

Akiko Wada

Claire Waldoff

Jennifer Warnes

Dee Dee Warwick

Dionne Warwick

Dinah Washington

Ethel Waters

Elisabeth Welch

Kitty Wells

Mary Wells

Juliane Werding

Tina Weymouth

Cris Williamson

Ann Wilson

Mary Wilson

Nancy Wilson

Anna Mae Winburn

Syreeta Wright

Tammy Wynette

Nan Wynn

Those in italics have five or more pieces of usable visual, written, or audio propaganda already. If you have any visuals like photos or videos, or if you have something to say in words, submit it to this blog before round one begins on June 25th!

If you don't see a name you submitted here, it's because most or all of their career was as a child/they were too young for the cutoff, their career was almost entirely after 1979, or music was something they only dabbled in and are hardly known for. There are quite a few ladies on the list whose primary career wasn't "recording artist" or "live musician," but released several albums or were in musical theater, so they've been accepted.

[healerqueen]

I responded to the booklist question! I'm sure I forgot some but whew it still took forever to write.

What about you? What are some of the books youve read the most?

Good question! I finally started keeping a list, so I have something to work from. That way I won't draw a blank.

My top five or six favorite authors and series are: J. R. R. Tolkien's Lord of the Rings, C. S. Lewis's Narnia books, Rosemary Sutcliff's Dolphin Ring series (beginning with Eagle of the Ninth), Enemy Brothers and The Reb and the Redcoats by Constance Savery the Queen's Thief series by Megan Whalen Turner, and The Mysterious Benedict Society (original trilogy and prequel) by Trenton Lee Stewart.

There are many other books and authors I love. I listed several of my childhood influences in this post featuring my 50 favorite children's books (focusing on ones I grew up with as a young person).

Here's my list of favorite books I've read the most or ones I think are worth rereading: The Ordinary Princess by M. M. Kaye (a delightful original fairytale about a princess who refuses to stay in her tower)

The Reluctant Godfather by Allison Tebo (romantic comedy fairytale retelling, with an emphasis on the comedy) Mrs. Frisby and the Rats of NIMH by Robert C. O'Brien (adventure about a mother mouse seeking to save her family) The Gammage Cup by Carol Kendall (middle grade fantasy adventure)

Dragon Slippers and Tuesdays at the Castle by Jessica Day George (original fantasy in the style of fairytales) Princess Academy by Shannon Hale (fantasy adventure and coming-of-age story about a group of girls who attend school for the first time)

The Secret Keepers by Trenton Lee Stewart (urban light fantasy with dystopian elements) The City of Ember by Jeanne DuPrau (middle-grade, post-apocalyptic dystopian) The Arrival by Shaun Tan (a wordless graphic novel that conveys human experiences through surrealism)

The Saturdays by Elizabeth Enright (vintage contemporary about a lively family) Derwood, Inc. by Jeri Massi (modern contemporary mystery about another boisterous family) The Westing Game by Ellen Raskin (quirky vintage mystery with an interesting cast of characters) Historical Fiction: Carry On, Mr. Bowditch by Jean Lee Latham Caddie Woodlawn, Family Grandstand, and other books by Carol Ryrie Brink Rebecca's War by Ann Finlayson Understood Betsy by Dorothy Canfield Fisher Knight's Fee by Rosemary Sutcliff

The Lost Baron by Allen French The Wheel on the School by Meindert DeJong By the Great Horn Spoon by Sid Fleischman A Single Shard and Seesaw Girl by Linda Sue Park The Bronze Bow and The Witch of Blackbird Pond by Elizabeth George Speare The Secret Garden and A Little Princess by Frances Hodgson Burnett Wives and Daughters by Elizabeth Gaskell A few books I discovered more recently that are now all-time favorites: Seventh City by Emily Hayse, The Letter for the King by Tonke Dragt, Valiant by Sarah McGuire, Out of the Tomb by Ashley Stangl, the Mistmantle Chronicles by M. I. McAllister, Escape to Vindor by Emily Golus, Chase the Legend by Hannah Kaye, The Key to the Chains by Allison Tebo (sci-fi), Rebel Wave by Tor Thibeaux (undersea dystopian) Historical fiction: Listening for Lions and Angel on the Square by Gloria Whelan, Courage in Her Hands by Iris Noble, Victory at Valmy and Word to Caesar by Geoffrey Trease, historical fiction Westerns and mysteries by author Elisabeth Grace Foley

Mystery/suspense: The Unexpected Mrs. Pollifax by Dorothy Gilman, The Moonspinners by Mary Stewart

[prettyqueerwitch]

My Spiritual Book TBR's

This is mainly for me to have a comprehensive list but also might help others in finding books to read!

Marked ♡ means I own the book

Read

• Witchery by Juliet Diaz

• The Green Witch by Arin Murphy-Hiscock

• Witch, Please by Victoria Maxwell

Currently Reading

To Be Read

♡ The Altar Within by Juliet Diaz

♡ Plant Witchery by Juliet Diaz

♡ Encyclopedia of Spirits by Judika Illes

• Encyclopedia of Witchcraft by Judika Illes

• Encyclopedia of Mystics, Saints, & Sages by Judika Illes

• Moon Magic by Diane Ahlquist

♡ The Moon Book by Sarah Faith Gottesdiener

♡ Magical Healing by Hexe Claire

• The Long Lost Friend by John George Hohman

• Hex and Spellwork by Karl Herr

♡ Witchcraft Medicine by Claudia Müller-Ebeling, Christian Rätsch, and Wolf-Dieter Storl

• How to Study Magic by Sarah Lyons

• Love is In The Earth by Melody

• Radical Remedies by Brittany Ducham

♡ Spiritual Ecology by Multiple People (Llewellyn)

♡ A Witch's Shadow Magic Compendium by Raven Digitalis

• The Witch at The Forests Edge by Christine Grace

• Six Ways by Aidan Wachter

♡ Honoring Your Ancestors by Mallorie Vaudoise

• Year of The Witch by Temperance Alden

♡ Weave The Liminal by Laura Tempest Zakroff

♡ The Book of Candle Magic by Madame Pamita and Judika Illes

• The Triumph of the Moon by Ronald Hutton

♡ Folk Witchcraft by Roger J. Horne

♡ Wild Witchcraft by Rebecca Beyer

♡ The Spiral Dance by Starhawk

• Spells for Change by Frankie Castanea

• Utterly Wicked by Dorothy Morrison

♡ Of Blood and Bones by Kate Freuler

♡ The Little Work by Durgadas Allon Duriel

• Entering Hekates Garden by Cyndi Brannen

• Entering Hekates Cave by Cyndi Brannen

• Nordic Runes by Paul Rhys Mountfort

• The Book of Spells by Ella Harrison

• Plants of the Devil by Corinne Boyer

♡ Besom, Stang, and Sword by Christopher Orapello, Tara-Love Maguire

♡ Inner Witch by Gabriela Herstik

♡ Psychic Witch by Mat Auryn

♡ The Black Arts by Richard Cavendish

• Blackthorn's Botanical Magic by Amy Blackthorn

• Astrology for Real Life by Theresa Reed

♡ Seventy-Eight Degrees of Wisdom

• The Trotula by Monica H. Green

• Braiding Sweetgrass by Robin Wall Kimmerer

• Bringing Race to the Table: Exploring Racism in the Pagan Community by Crystal Blanton, Taylor Ellwood, and Brandy Williams

• God Against the Gods by Jonathan Kirsch

• Pure Magic by Judika Illes

• Folk Magic by Mari Silva

• Witches Herbal Primer by Amy Cesari

♡ New World Witchery by Cory Thomas Hutcherson

•Magical Folk Healing by DJ Conway

• The Pagan Book of Days by Nigel Pennick

♡ Lady of The Night by Edain McCoy

♡ Spellcraft for a Magical Year by Sarah Bartlett

♡ The Complete Lenormand Oracle Handbook by Catlín Matthews

♡ Natural Magic by Pamela Ball

♡ Rebel Witch by Kelly-Ann Maddox

♡ The Only Astrology Book You'll Ever Need by Joanna Martine Woolfolk

♡ Mastering Magick by Mat Auryn

♡ In-focus Crystals by Bernice Cockram

♡ The Complete Grimoire by Lidia Pradas

• The Element Encyclopedia of 5000 Spells by Judika Illes

And that took a while but we're done! Will probably update this as I go <3

[storkmuffin]

VOGUE US March 2024

On His Terms

by Sarah Crompton

With his red cap pulled down over horn-rimmed glasses, Tobias Menzies walks into a London hotel with the wariness of a man who might just be recognized. It's his face that would catch him out, those deep lines running from eyes to chin. "He had those even as a young man," says his friend the theater director Rupert Goold. "It's like someone has taken a knife and carved them. And I feel those lines run deep inside him as well. He's grown into his face like a lot of actors do."

Menzies's smile is warm and his handshake firm, and though he lives not far from here in north London's Crouch End, he is dressed more as a country dweller than a man-about-town, in jeans and blue gilet zipped over a soft mustard-and-red-checked shirt. Only his Grenson trainers, white and red and with flashes of the same yellow, suggest he might belong to an artier milieu.

"I don't get recognized on any intrusive level, but it's not a part of [the job] that I love," he admits as we settle down to talk. "I like to watch people—I don't like them to watch me." I've asked him about the experience he's having at 49—that of a talent stepping into his prime. Blame it on The Crown, in which he played the second incarnation of Prince Philip across two seasons (a role that won him an Emmy), and last year's wry, acclaimed comedy You Hurt My Feelings, in which he starred opposite Julia Louis-Dreyfus ("He's one of the most warm and present actors I've worked with," says its director, Nicole Holofcener). And now, he's appearing in two leading-man roles, as Edwin Stanton, Abraham Lincoln's secretary of war, in Apple TV+'s series Manhunt in March, and he's currently onstage in The Hunt, an adaptation of the 2012 Thomas Vinterberg film directed by Goold, playing at St. Ann's Warehouse in Brooklyn five years after its London premiere.

"I've got to be honest, I really liked it," Menzies says of the status he enjoyed in Manhunt. "Being in the engine room of it and part of the storytelling decisions." The series is part thriller and part history lesson, set over the 12 days following Lincoln's assassination in 1865 as Stanton attempts to track down the president's killer, John Wilkes Booth (it's based on historian James L. Swanson's 2006 bestseller). Episodes skip forward and backward, tracing the story of a tumultuous time and the ideological schisms that caused the Civil War and continued long after it. Stanton, a brilliant lawyer and strategist, is at the center of everything, clashing with Lincoln's successor, President Andrew Johnson, as he attempts to preserve the late president's legacy.

As gripping as any detective story, Manhunt addresses painful facts of America's past: "The implications of losing Lincoln and what that meant for African American people," says showrunner Monica Beletsky, who spent four years developing the project and who has followed Menzies's career since they overlapped as students at the Royal Academy of Dramatic Art (RADA) in London (she on a stint studying there from the US). "You could argue in a way that the Confederates won the peace," Menzies points out. "What is important about Monica making the show is that she is a person of color, and arguably the big fallout from Lincoln's assassination was that Reconstruction was lost until 100 years later and the Civil Rights Movement of the 1960s. Voting rights, land rights—they didn't happen. A lot of the things that African Americans have been fighting so hard for, for so long, were on Stanton's agenda."

Menzies studied carefully for the role ("He prepares months in advance," says Beletsky), working to find Stanton's voice and make his accent seem effortless, but also reading widely about the Civil War and its aftermath. Doris Kearns Goodwin's classic history Team of Rivals was a particularly rich source: "It takes you into this very disparate group Lincoln collected around him," Menzies says. "There was such a diversity of opinion and a lot of antagonism, but that was part of the power of it." Menzies also studied Gregory Peck's towering performance as Atticus Finch in To Kill a Mockingbird. "I was thinking of those archetypes that American literature and film are full of," he says. "Because it's such a whirlwind story with so many different characters floating through it—so you need a moral compass."

The key to the character became a combination of "stoicism and radicalism," Menzies says—and as an actor, he's exceptionally good at playing men who are fighting such opposing impulses, with strong currents of feeling running beneath an impassive surface. "He is one of those rare actors who does a lot with silence," Beletsky says. "He makes you believe you can feel what he is thinking, and he can do those things without saying a word."

Goold, who has directed Menzies many times onstage—including as Hamlet, as Valentine in Tom Stoppard's Arcadia, and as Edgar in King Lear—thinks this quality has become stronger as Menzies has grown older. "He's got this wonderful physical expressiveness, but there's a slightly remote quality to him, I suppose," Goold says. "The quality I find really compelling in him is his committed curiosity. It's quite rare, especially for British actors, to keep their craft developing, to become more rigorous and investigative, and I think Tobias is an outlier on that."

Menzies is attracted to roles that conceal depths. "There is a certain magic about that. Part of the maths is that there is more on the inside than on the outside"

Their most recent collaboration is The Hunt, a haunting story in which a small-town teacher becomes ostracized when a six-year-old child accuses him of abuse. Menzies will be reprising his devastatingly observed performance from the play's 2019 London premiere. "When we put it on, we felt it to be about false accusations and the way that cancel culture was creating pariahs," says Goold. "But it is as much about someone who is shut out from their community because they choose to live apart. There is part of Tobias that is like that."

Menzies acknowledges that he is attracted to roles that conceal depths. "It's partly a taste thing," he says. "I like the kind of acting where I can't see the performance, I can't see how it is happening. There is a certain magic about that. Part of the maths is that there is more on the inside than on the outside, there's a kind of mystery there."

Menzies was born in London, his father a radio producer for the BBC, but after his parents separated when he was six, he lived with his mother, a drama teacher, and his brother in Kent. On their regular cultural outings, he was inspired by contemporary dance and the experimental theater companies he saw: Pina Bausch, Complicité, Shared Experience, Cheek by Jowl. "I was interested in companies that were making their own work," he says, "and I tried to go to train with [the radical movement coach] Jacques Lecoq in Paris; but I didn't have the money for that, so I went to RADA."

He never dreamed of being a famous actor. "My obsession as a kid was tennis," he says, with a grin. He was good enough to be on the fringes of the team for the county of Kent but gave it up when he realized he would never be truly first-class. He stopped playing for a long time. "Periodically I would pick up a racket and try to play a bit, and my game had completely fallen apart and it made me so angry. It was so frustrating. A few years ago I thought, Let's start again, do my 10,000 hours, and let's fix it." He approached the task with "monomaniacal" intent, working for a year on his forehand, and a year on his backhand, then adding his serve. Now he plays three times a week at a local tennis club, either with a coach or taking on other members in clay court matches. "I'm pretty obsessive about it," he says. "I just find it fascinating. It is such a mental game—a very interesting microcosm of one's brain."

His hero is Novak Djokovic. "He has less natural flair than Nadal or Federer but there is an epic quality to his tennis. He is able to endure and suffer, and so he can do it all in some way. There is a sort of purity to what he is doing. I think only if you have struggled with tennis do you realize that even though it looks plain, what's going on, the footwork, the ability to get to that ball and then hit it—it's just rather remarkable."

Menzies admits that his attitude to life mirrors his tennis. "I am probably on the methodical end of things, yeah," he says, with another low laugh. I ask about his film roles, which have been getting bigger and richer of late. He loved filming in New York with Holofcener on You Hurt My Feelings—"It was definitely bucket list"—and is currently appearing alongside Brad Pitt in the as-yet-untitled Formula 1 drama directed by Joseph Kosinski, which is filming scenes at Grand Prix around the world.

Before the actors' strike interrupted production, they had shot two scenes at Silverstone in the UK. "It was bonkers because we are in amongst everything else. So we did this scene on the grid before the race and the grid is live: real drivers, real cars, celebrities wandering around." He pauses, then adds: "It was like theater on steroids—really, really fun." He has nothing but praise for Pitt—"a lovely, lovely person, very collaborative, very nice to act with, and supersmart"—but working with him brought Menzies face-to-face with a level of fame that he doesn't aspire to. "How does he go out? It is very constraining to have that level of visibility."

Partly from a desire to preserve his anonymity as much as he can, Menzies took an early decision never to talk about his private life. "Is that old-fashioned of me?" he asks. "I'm going to stick to my guns. It's partly natural shyness on my part. But to be a bit more grandiose about it, the idea of celebrity moving into the arts and acting does have an effect on how we watch."

Through it all Menzies is genial and engaged, asking a lot of questions, yet there is something formal about him too. This is someone who is deeply serious about acting, pursuing projects that interest him and then immersing himself in them. I ask if being able to choose work of quality and interest is part of this new level of success, and Menzies says that it has come at a good time. "The question for me would have been whether as a younger person I would have handled it very well," he tells me. "I just think at some base level, it has taken me time to get really good." He laughs gently. "If I'd had a lot of exposure early on, I don't think I'd have been ready. I know I am a lot better now than I was 10 years ago. Acting keeps you very humble because you never quite know day-to-day. You can do all the work in the world and try the best you can, and sometimes it just lifts off and sometimes it doesn't."

[defensivelee]

The Lamentations of Mistress Morley: Because You Betrayed Me First

This is a new side story I'm trying out for Six Lives! Anne (Stewart) has a lot of things going on in the story, but I feel like it's impossible to fit them in and portray them as accurately as I'm thinking because the main POVs are all of her antagonists. So she gets her own side series! It'll be mostly in between main chapters, and very short compared to what I usually do, just to show what she's doing meanwhile-- it should be less than 10k words, and if it's more someone can hit me on the head with a baton.

So this is the first mini-chapter! Here is the link to the fic on AO3 (separate from the Six Lives link, but in the same series tag!) if you don't want to read on Tumblr. This takes place during the dwaallicht spirit festival in The Tenth Hot Spring, and Anne thinks she may have the beginnings of a plan to out James for the monster he really is.

CW: implied/referenced past child abuse, implied/referenced domestic abuse, implied/referenced torture, ableist language.

Even at the latest hour New Amsterdam was awake; Anne thought maybe it was the hour when it was actually most active. Especially now, with the beginning of the Western Kingdom’s reign, there were parades on every street, families taking their youngest children to witness their first religious celebration. If there was darkness, it came not from the sky, but from the haze in the air that made the stars impossible to see.

“Ugh, look at them, it’s disgusting,” Sarah said beside her. “Feeding their babies Ally propaganda! You see; that’s why the theocracy’s still here. Because of people like that.”

“You don’t complain when the Ally they worship is Marly,” Anne teased.

“His devil’s from the Eastern Kingdom,” Sarah huffed. “No Western Kingdom bullshit like Ally Bentinck. I’m just saying, if they’re gonna be stupid, they could at least do it the right way.”

“You sound like my father,” Anne said. She paused in front of the Hoerenkast they had been headed to, large and imposing with columns that twisted towards the sky in the shape of devil horns. She could see an Ally servant sweeping inside, but it was nothing remarkable. These places were open at all hours. “Is there a right way to be stupid?”

“There’s a wrong way to be smart,” Sarah said. She looked back behind her, in the direction of the ocean, where Anne knew her father was hosting a celebration for the dwaallicht spirits. He had complained in all the days leading up to it, but he was there now, and he couldn’t come for her here. He’d be furious later, but what else was new?

“I guess.” Anne turned resolutely to go inside the Hoerenkast, whisking past the servant without a greeting. Sarah followed her, and down the hall they went until they came to one of the only meeting rooms with its candles still on. Anne hesitated, reaching out to push the curtains to the side.

“Do you want me to stay here?” Sarah asked.

“No,” Anne said, a little more frantically than she intended. “I mean- no. Come with me?” She held out her hand, and Sarah took it with a laugh.

“Calm down, I’m not going anywhere.”

“I know,” Anne said. She took a breath. “I know.” They stepped inside the room, where they found the Ally George fussing around with the plants beside his throne. There were gold bracelets hanging from his wrists, jingling with every movement he made, but other than that he wore nothing really flashy like most Allies. Somehow he had chosen his most boring suit today.

“Anne!” he blurted as he looked back. “Oh, my Ferocity, Anne. I didn’t expect to see you tonight. I thought you were going with James to the spirit party or whatever.” He cocked his head to the side. “Did something happen?”

“No, I just didn’t want to go,” Anne said. “So I didn’t.”

“And he...let you?”

“There wasn’t any way he could stop me if he didn’t know.”

“Anne!” George jumped slightly, stumbling back into the stream of water that twisted all around his room. He yelped and stepped out again. “Ferocity, I hate that thing. Why does there have to be water everywhere? It’s not like it ever did anything for the Allies.”

“Maybe you could start dressing more like the other Allies?” Sarah said. “You make everyone uncomfortable when you cover up that much, and it won’t be so annoying when you accidentally step into the water.”

“Why are you encouraging him to be like the other Allies?” Anne asked. “I like him like this. Besides, he looks great.”

“Yes, see, there we go,” George said. “Thank you, Anne.” He coughed awkwardly, and Anne snuffed out the candle closest to her with her tail. “So, isn’t your father going to kill you? What are you going to tell him?”

“That I love you and he’ll be the last thing to keep me from you,” Anne said. “But only in my head so he doesn’t actually kill me.”

“Then—?”

“I’ll think of something.” She shook herself out. “What are you doing, George, we literally haven’t seen each other in days and you’re out here asking about James?”

“Can I ask about you?” George smiled.

“By all the stars, you fool!” She laughed and leaped into his arms, kissing his face and pushing him back until he fell back on his throne. She lifted herself onto his lap and kissed him, one hand gripping his wrist and the other buried in his hair. He met the kiss with a small chuckle.

Don’t listen to Sarah, you look so hot right now, she thought at him, and his face flushed.

“Thank you,” he said. “Um, you too. So, have you killed anyone lately? Has your father sent you out on anything?”

“No,” Anne said. “Not yet, anyway, but the way Mary’s so bad at killing William, he might make me do it next.” She wasn’t completely opposed to the idea; out of all the people she had killed, he would be the one who deserved it the most.

George winced. “Anything about Charles’ murder?”

“Oh, please,” Sarah piped up behind them. “We all know it was James. Those are dwaallicht spirit tears.”

“Yes, George, it...doesn’t make sense,” Anne said. “It is to William’s advantage to take credit for the murder, it’s a whole thing if you kill an Overlifer, and the fact that Ally Bentinck had no idea what we were talking about when we asked him should say something. James pushing the blame so vehemently on them is no coincidence.”

“Oh, devils below,” George murmured. “So you really think your father killed his brother?”

Anne shrugged, sliding off of him to pace around the throne. “It’s what I’m thinking. I just wanted to get you in his presence, maybe, to see if you can pick up any clues from his mind when we talk about Charles to him.”

“I could do that,” George said, standing up. “I just don’t want you to upset him if you ask too many questions.”

“I’ll try not to, but what can I do?” Anne sighed. “Some days it could be anything that sets him off.”

“I know.” George glanced to the side. “And if it turns out to be true?”

“Then we tell all of the Disciples and we can get rid of James forever!” Sarah’s eyes flashed. “Nobody will want him around then! It’ll be a glorious revolution!”

“You would kill your father?” George’s eyes widened.

“Why not?” Anne said. “The Law of Honorable Succession is still in place and the Overlifers follow it, I could do it.” She took a deep breath, more shaken than she let on. It wasn’t so hard wishing that he was dead, praying to the Overlifers that had come before James to put a quick end to his reign, but it was something else to say that she would be the one to kill a violent, powerful man with six lives who happened to be her father.

I can do it, though, if I hate him enough. No problem. It’ll be nice to stab that self-satisfaction out of him. Besides, the Law of Honorable Succession stated the heir of any ruler may kill the ruler to take their place— clearly the devils before had thought of her. Clearly she was using the law as intended.

George blinked. “Anne, if you-”

“George, it’s fine,” she said hastily. “He’s an awful man, and I know he doesn’t deserve to live. I’ve always known that, this is just where I take action.” She’d come to the realization that her father was not just cruel, not just abusive, but pure evil, when she was rather young. She hadn’t known what to do with that information, though, not until now, when she saw that no one would question the divine authority of even the worst of Overlifers.

So it has to be me. It has to be us. Her and Sarah and George and Marly. The revolution within the revolution.

“You have a way of making things look easier than they are,” George said. “But if that’s what you want to do, I’ll be beside you as you slit his throat.” He seemed to immediately regret that statement as soon as he said it, shrinking back. “Just, uh, as long as I get to stand far enough away from him that I don’t have to really see it.”

Anne laughed. “Sure, I don’t mind that. The Law states I have to do it by myself, anyway.”

“About the Law...” George glanced at Sarah, then back at Anne. “Doesn’t it technically apply to James, too? If he killed Charles, isn’t that covered by the Law of Honorable Succession as long as the ruler has no children?”

“Well...yes, but you saw how angry everyone was about his death,” Anne said. “And they’ll be even angrier that James hid the fact in the first place and used it to stir up another war with the Devils of Orange-Nassau. It’s like Sarah said; nobody will want him around then. Nobody ever did want him around.”

“Ugh, except for Mary,” Sarah said, rolling her eyes. “Law or no Law, she won’t care that James killed Charles, and she’s gonna be furious that you killed her beloved father. You know she’s next in line after him.”

“Oh, is that going to be trouble?” George asked.

“Mary?” Anne hesitated. “She’ll be the next Overlifer after James.” Try as she might, though, she couldn’t imagine her sister as the supreme authority of the Disciples, humanity, and ultimately, the world. She had always appeared too subservient to her father, as if she herself never expected to take over after him. Maybe she never would, if James’ lives lasted forever.

“If she lives long enough,” Sarah scoffed. “She’s bound to overdose at one point and die on the fucking streets as if she didn’t come from the richest family in New Amsterdam. Either that or she’ll kill herself first. She’s fucking psychotic.”

“Oh,” George said, clearing his throat. “Well, the Law doesn’t apply if you’re the youngest child, right, Anne? Mary will have good reason to execute you.”

“She could...but she won’t,” Anne said. “Because she won’t know it was us who killed James.” She raised her eyebrows, and Sarah narrowed her eyes with a wild grin.

“So we’re pulling the same thing your father did!”

“Yes.” Anne nodded.

“But before Mary gets her six lives-” George began, and Sarah interrupted excitedly.

“Under protection of the Law, we kill her too!” She laughed, taking Anne by the shoulders. “This is it, Anne! She’s gonna pay for every fucking thing she did to John!”

“R-Right.” Anne pushed her hair back. When she thought of killing Mary, there was a revulsion in her that was not there when she thought of killing James. Maybe because the idea was too new. Or maybe it was because all she could think of suddenly was when they were children, and she had seen the desperation in Mary’s eyes to please her father while also protecting her sister.

But that was gone now. Anne’s mind shied away from that; she thought of all the times she had tortured someone too gleefully, how she wiped the blood away from her face with a sadism in her eyes Anne had only ever seen in their father. How she smiled when someone begged for mercy, whereas Anne could only look at them with horror.

I don’t know what I want but it isn’t to kill you.

But Mary knew exactly what she wanted— her father at the head of the universe, and all his enemies dead.

That is who we are killing, George. Forget everything else you just saw. Got it? Anne turned to George, who nodded rapidly.

“And then you will be queen!” Sarah cried. “Queen of all the world, Anne! Imagine that!”

“That’s a world I don’t mind living in,” George said, his eyes sparkling. “You’d make a fairer Overlifer than your father. And six lives, Anne, that’s a long time to live.” He lifted his hand to cup her face. “If you lived forever...”

“I don’t want to live forever,” Anne said, turning away. “I just want to live long enough to see Mary and James pay. As an Overlifer I’ll do everything they could never do.” She smiled back at Sarah and George. “As long as you’re with me.”

“Nothing could take me from you, Anne,” George said. He bowed low, taking her hand to kiss it.

“I’ll be friends with an Overlifer!” Sarah bounced slightly, clapping her hands. “You’ll be more powerful than the devils themselves!”

Power. It wasn’t something Anne had ever thought about. More often she thought about leaving, but there wasn’t anything she could imagine doing outside of her life here. Maybe this was something she was better suited for; it was the only thing she knew.

There was silence, and then George squeezed her hand. “But you don’t have to if you think it’s too much for you.”

“It- it isn’t,” Anne said. “Maybe it’s just what I need. Maybe it’s what the world needs.”

“If anyone can fix this fucked up universe, it’s you, Anne,” Sarah declared. She leaned on Anne’s shoulder, her eyes glinting.

Yeah, maybe it’s me. Anne stood up taller. Maybe it was her who would finally get rid of their dreaded rivals and their horrific leader, that Caliban.

Sarah’s phone buzzed, and she flinched as if it startled her. She glanced down at the screen and her eyes widened in shock. “Anne...”

“What? What is it?” Anne tried to peer over her shoulder, then looked at George.

George bowed his head, closing his eyes to focus on reading what Sarah was looking at in her mind. “It’s Ally Marly. He says that Monmouth accused James of killing his brother.”

Anne gasped. “Clever pup! What else?”

“John had to fight him off, but he let him go,” Sarah whispered. “Disobeyed orders to kill him. And James is furious.” She looked up, her eyes clouding over with worry. “I have to go to him—!”

“No!” Anne cried. “We- we can’t go there right now! He’ll be even madder at me!”

“I have to go, Anne, what if James tries some of his bullshit again?” Sarah said. She paused, taking Anne’s hand. “You can stay here if you want, if it’s safer.”

“No, no- no, Sarah, you have to stay!” Anne said. “If he comes here, then what- what am I going to do?”

“He’s not going to come here,” Sarah said. “He doesn’t even know we’re here.” She took Anne’s face in her hands, leaning in close. “I can stop by at your house later, okay? But right now I have to go see him before James does anything to him. I can’t make him stop, but I can try.”

Anne paused, then shut her eyes, leaning into Sarah’s touch. “Be safe.”

“I will. You too.” Sarah pushed the hair out of Anne’s eyes. “Stay with George, okay? I’ll let you know how it goes. I love you.” She kissed Anne on the nose, and with that turned to rush out of the Hoerenkast. Anne watched her go, her heart beating so painfully in her chest until she couldn’t stand anymore, and she stumbled into George’s arms.

“Damnit, George—!” she let out, her tears spilling out all over his jacket. “He did it first! And now he’s fucked, Marly’s fucked, how can we ever expect to fight back when he has such a chokehold on us?!”

“It’ll pass,” George said, holding her tightly. She heard him swallow. “His anger, I mean. You say it passes, so it will this time, as always.”

“I’m scared,” Anne admitted. “Scared for us all. If James and Mary lead the Disciples, then what hope do we have? What hope does the world have?”

“That’s why we’re killing them, right?” George attempted to smile. “So there’s hope in the first place. And- and you’ll be the one to do it!”

That was hilarious; for someone who was supposed to herald a new hope for the ancient Overlifers, she could find none at all within her.

[sporadiceagleheart]

New angels edit Thursday August 8th 2024 Marise Ann Chiverella, Aubrey Horne, Ashley Monet Lovelace, Maverick James Baker, EMA KOBILJSKI, ADRIANA Dukic, ANDRIJA CIKIC, Mara Andjelković, Katarina “Kaca” Martinović, Angelina Acimovic, Ana “Anci” Božović, Sofija “Sof” Negic, bojana asovic, Lida Babková Baarová, Lina Basquette, Jenny-Wanda “Beautiful Spectre” Barkmann, Hedwig Hensel Hoess, Ida Hitler, Hana Brady, Anne Frank, Margot Betti Frank, Otto Heinrich Frank, Edith Holländer Frank, Hana Maria Pravda, Ilse Weber, Golda “Olga” Bancic, Jansje Bannet, Isaac Bernardus Barendse, Abraham Beem, Eva Beem, Joseph Beraha, Hanna Blawat, Alida Boas, Isi Brauman, Isac Brauman, Josef Brejcha, Anna Bulinová, Jaroslava Bulinová, Josef Bulina, Karel Bulina, Anna Veselá Bulinová, Božena Čermák, Miloslav Čermák, Jiří Čermák, Luba Ciechanowiecka, Sarah Ciechanowiecka, Rika Davids, Toska Feuchtbaum, Margarete Feiglstock, Shoshana Frantz, Tzvi Frantz, Jirí Frühauf, Petr Ginz, Karel Hejma, Marta Hroníková, Božena Hroníková, Josef Hroník, Zdeňka Hroníková, Zdeněk Hroník, Václav Jedlička, Věra Kafková, Karel Kácl, Benjamin Katznelson, Václav Kobera, Milada Koberová, Zdeňka Koberová, Henoch Kornfeld, Hana Kovařovská, Ludmila Kovařovský, Rudolf Kubela, Blimcia Lische, Miloslav Liška, Jitka Moravec, Václav Moravec, Karel Mulák, Marie Mulák, Zdenêk Müller, Alena Nová, Emílie Pelichovská, Václav Pelichovský, Jiřina Pešková, Josef Pešek, Anna Pešková, Jiřina Růženecká, Sophie Magdalena Scholl, Hannah Pick-Goslar, Ludmila Babková, Zorka Janů, Marge Champion, Eva Braun, Vêra Honzíková, Henoch Kornfeld, Zdeněk Petrák, Miloslav Petrák, Jiřina Petráková, Emma Grace Cole, Saffie-Rose Brenda Roussos, Lily Rose Diaz, Layla Salazar,

[letthefairyinyoufly]

Questionnaire for book lovers

Tag me!

I'm bored and curios.

Goodreads account?: Favorite genre(s): Favorite book(s): Favorite book series: Favorite classic(s): Favorite Author(s): Favorite quote(s): Favorite adaptation(s) to screen: Favorite character(s): Favorite villain(s): Favorite ship(s): Book boyfriend(s) or girlfriend(s): Book(s) that made you cry: Physical book, eBook or audiobook: Currently reading: Last 5 star read: Book(s) that you wish were more popular: Your old favorites: Your most anticipated book: Favorite audiobook narrator(s): Unpopular opinion:

You can add more questions!

Book recommendations are welcomed.

Tag some fellow book lovers :

my answers ⬇️

Goodreads account?: Yes

Favorite genre(s): Dark Romance, Fantasy Romance, Contemporary Romance

Favorite book(s): A Court of Mist and Fury, Anne of Green Gables, Twisted Games by Ana Huang

Favorite book series: ACOTAR, Anne of Green Gables Series, Millennium series

Favorite classic(s): The Great Gatsby, The Last of the Mohicans (one word UNCAS)

Favorite Author(s): Stieg Larsson, Sarah J. Maas, Anne Rice

Favorite quote(s): “If I offer you the moon on a string, will you give me a kiss, too?” —Lucien Vanserra (ACOTAR)

“It’s easier to bear when you let someone in, let them help you through the grief. So next time, you come to me. For everything, you can come to me. If you’re hurting, I want to hurt. If you’re angry, I’ll rage with you. If you’re happy, I’m euphoric. If you’re so beyond broken that you can’t sort through the rubble, then come to me, baby, so I can piece you back together myself. Hit me, yell at me, kiss me, fuck me, whatever you need to do, my body is yours for the taking.” —Creed (Lethal Truths)

Favorite adaptation(s) to screen: Pride & Prejudice (2005), Sharp Objects HBO, Anne of Green Gables (1985)

Favorite character(s): Lucien Vanserra from ACOTAR, Anne Shirley, Camille Preaker from Sharp Objects (show version is my most beloved fictional character, I think liked book version almost as much???), Creed from Blackwood University Series, Jim Holden from The Expanse, Lisbeth Salander from Millennium series

Favorite villain(s)/antihero(es): Arobynn Hamel from Thorne of Glass, Lestat de Lioncourt from Interview with the Vampire, Creed from Blackwood University Series, Killian Carson from God of Malice

Book boyfriend(s) or girlfriend(s): Creed from Blackwood University Series (I'm in love with him), Atlas Corrigan from It Ends with Us, Rhys Larsen from Twisted Games, Rhysand from ACOTAR, Lucien Vanserra (hopefully he will get his mate)

Favorite ship(s): Feyre/Rhysand from ACOTAR, Bridget/Rhys from Twisted Games, Anne/Gilbert from Anne of Green Gables Series, Elide/Lorcan from TOG, Holden/Naomi from The Expanse

Book(s) that made you cry: The Seven Husbands of Evelyn Hugo, Leviathan Falls by James S.A. Corey

Physical book, eBook or audiobook: Ebook and audiobook (GraphicAudio)

Currently reading: Kingdom of Ash, You Can't Kiss the Nanny, Brady Banks (Audiobook, narration is so good, I wish more books had dialogue between two narrators)

Last 5 star read: Lethal Truths by Sybil Reese

Book(s) that you wish were more popular: Blackwood University Series by Sybil Reese (it's a Dark Romance and Reverse Harem so yeah😞), I wanna gush over Creed with somebody. He should be sole lead, then maybe book had more readers. It's weird when you have character who is cuddlier version of Zade Meadows and you try shoe horn him into harem when he is obvious choice. Technically he is her main hubby and others are more like sidepieces, hopefully it stays this way. And 2nd book is way better.

You old favorites: Hush, Hush by Becca Fitzpatrick (I still love it)

Your most anticipated book: God of Fury by Rina Kent and ACOTAR

Favorite audiobook narrator(s): Aiden Young

Unpopular opinion: I think Chaol is the most rational and relatable character from TOG and I side eye his haters. I have so many unpopular opinions about TOG that I sometimes wish that I have never started reading it.

sorry : @jupiter-86, @dangermousie, @acourtofthought

[mamusiq]

Sarah Vaughan with Clifford Brown - September Song 👇 🎼 👇

"September Song" is an American pop standard composed by Kurt Weill, with lyric by Maxwell Anderson, introduced by Walter Huston in the 1938 Broadway musical Knickerbocker Holiday. It has since been recorded by numerous singers and instrumentalists. It was also used in the 1950 film September Affair, and for the credits in the television series May to December (a quote from the opening line of the song). Although the song was written as an old man's lament for the passing of his youth, some of the most famous versions have been recorded by women artists. Thus Sarah Vaughan's version of 1955, and Ella Fitzgerald's with pianist Paul Smith on the 1960 Verve release Ella Fitzgerald Sings Songs From Let No Man Write My Epitaph are both regarded as Jazz classics. Eartha Kitt and Weill's wife Lotte Lenya both recorded the song in 1957, and Jo Stafford, Patti Page as well as Anne Shelton also recorded versions during the 1950s. In 1958 Eydie Gormé included the song in her album, Love is the season and in 1989 both Lena Horne in The Men in My Life, and Julie Wilson in an album of Kurt Weill songs. Personally this song reminds me of waking up in on an early Saturday morning just as the sun starts to pierce through the window shade slits and the flowers outside with morning dew start to open up. As one eye slightly opens up and then the other followed by a fisted hand arm stretch and yawn… then Sarah starts to sing this song… oh so beautifully! Sarah's accompanied by Leader/Arranger: Ernie Wilkins, Clifford Brown (trumpet), Herbie Mann (flute), Paul Quinichette (tenor), Jimmy Jones (piano), Joe Benjamin (bass), and Roy Haynes (drums). Recorded in New York, December 18, 1954. (EmArcy Records)

👄 👄 👄 👄 👄 👄

Comments 👄👄

👄One of the greatest of all voices. Nobody comes close to even copying her.

👄 This is one of the greatest version of September Song not only for Sarah Vaughan rendition but for Clifford Brown solo. It is epochal, this solo is one of the greatest trumpet solo in the history jazz.

👄 You're right on target. I've always felt that Clifford's solo is a perfect complement to Sarah's enchantment. Been listening to this for almost 50 years and it still makes my flesh crawl.

[thanksforthedinosaur]

february 2024

katy kirby - drop dead

raffaella - fcking smiling

sophie cates - i don’t see you (how i used to)

luna shadows - little rituals

phoebe go - something you were trying

madi diaz - everything almost

abigail osborn - in case of emergency

ivers - best behavior

allie kelly - gunshy

pomplamoose - nuclear kittens (ça devient chaud)

padma - time back

marika hackman - no caffeine

etta marcus - skin parade

sophie may - no more birthdays

rosie tucker - all my exes live in vortexes

ash the ghost - achy bones

lutalo - running

haley blais - coolest fucking bitch in town

tyzo bloom - an apocalypse

brimheim - brand new woman

teen jesus and the jean teasers - salt

miette hope - bubblewrap

frankie cosmos - uncrossed path

waterbaby - 911

jana horn - energy go

sarah jarosz - days can turn around

lighthearted - wasted 2

devon gabriella - older

eee gee - she-rex

lølø - snow in berlin

neriah - cause of death

nina cobham - effort in

moon panda - current

brand new legs - hug slut

gayle - orange peel

sad alex - airbag

fletcher - lead me on

jessia - without you

girli - be with me

leah kate - liar

similar kind - face to face

between friends - really good cry

faye webster - lego ring

charlotte sands - pity

chloe adams - take me to hell

agnes hartwich - cult leader (golden retriever)

jades goudreault - jet like bennie

emeline - feelings

cloudy june - retail therapy

g flip - kevin

bump of chicken - souvenir

jyocho - guide and devote

elephant gym - adventure

bearwear - shibuya

verandah - not bad

wisp - your face

boilermaker - shepherd

pile - exits blocked

well kept things - older

hannah grae - time of your life

vial - falling short

sleater-kinney - needlessly wild

the veronicas - detox

rosemary fairweather - same thing

varsity - souvenirs

packs - honey

eyedress - a room up in the sky

bullion - rare

avalon emerson - astrology poisoning

twen - seastar

nabihah iqbal - this world couldn’t see us

jako diaz - breathe

edapollo - favourite place

four tet - loved

braids - evolution

glen check - nevada

the aces - suburban blues

tigerstate - soltar pra fora

r. missing - spellbound

yör - badekar

(g)i-dle - wife

4s4ki - rolo

celeina ann - cho nemui

wisue - come into my dream

silly silky - 4d

pallas - puppy luv

nanna.b - cumlaude-dodi

lunadira - crying over nothing (wah wah)

so wylie - in the now

katie mcbride - hideaway

vtss - steady pace

kali uchis - me pongo loca

yaffle - boomerang

r.a.p. ferreira - 47 rockets taped to my chair (for dr. refaat alareer)

logic - intergalactic icons

tame one - molly

lil nas x - j christ

mista sinista - september (remember)

the park - always good

meltycanon - constellations

umi - show me out

iamddb - cry baby

aryeè the gem - flights

[twittercomfrnklin2001-blog]

Maestro

Remember the old Hollywood composer biographies. They had terrible, usually fraudulent scripts, but they also had rafts of guest stars showcasing the subjects’ works. Sure, you had to slog through some terrible writing, but you were rewarded by hearing Judy Garland sing or watching Gene Kelly or Ann Miller dance or catching some hot jazz from Lena Horne or Hazel Scott. The only attempt to do anything like that recently was DELOVELY (2004), which had some good musical guests (and a few clinkers; if you did to Sheryl Crow what she did to Cole Porter you’d be on death row). When Nick Blaemire and Mallory Portnow, as Adolph Green and Betty Comden, gave out with a spirited rendition of “Carried Away” from ON THE TOWN in Bradley Cooper’s MAESTRO (2023, Netflix), I kept wishing he’d made the film in that mold. Cooper is a good director, but his script, written with Josh Singer, does him a terrible disservice. It lurches through history and somehow leaves out a lot of the character motivations, while occasionally stooping to rank cliches. When Cooper’s Bernstein and his wife, Carey Mulligan as Felicia Montealegre, fight, she says his conducting comes out of hate, not love. After they’ve become estranged, she attends his performance of Mahler’s 2nd and says, “There is no hate…there is no hate in your heart.” Why? What’s changed? Is it because he’s had a few years of good loving from his assistant (Gideon Glick, who sadly comes across as just a boytoy instead of the accomplished musician Tommy Cochran was)? Or is she lying so he’ll go with her when she undergoes cancer testing? Who knows? The writing would be a lot easier to forgive, and they might have to cut some of the repetition, if they’d throw in some good numbers. Imagine Annaleigh Ashford belting out “Swing” from WONDERFUL TOWN or Isaac Powell singing “Something’s Coming” from WEST SIDE STORY or June Gable doing “I Am Easily Assimilated” from CANDIDE instead of just appearing as an in joke to ask how to pronounce Spanish she had delivered expertly in the show’s 1974 revival.

What’s harder to forgive is the way the film seems to demonize Bernstein’s sexuality. He jumps from lover Matt Bomer’s bed to courting Mulligan in what feels like a heartbeat and then heartlessly introduces the two as if they should be happy to share him. And treating Glick’s character as just his boyfriend reduces a relationship founded in respect and artistic creation to lust. I get the point that Bernstein was a hedonist who gave in to all of his appetites (Cooper rarely has a cigarette out of his mouth), but the film focuses so much on how he does his wife dirt, it probably should have been called VICTIM.

Anyway, Cooper makes some strong directorial choices when the script isn’t getting in the way. At the start, Bernstein learns he’s to conduct the New York Philharmonic for the first time — the concert that made his name — and runs jubilantly from his bedroom into the auditorium as the score to ON THE WATERFRONT plays. At the premiere of MASS, the camera pans over Bernstein’s box, with Glick, Cooper and Mulligan capturing their different reactions to the music and their personal romantic triangle. Mulligan is incandescent as Monteleagre. She lives the role so completely you may not notice how underwritten it is. Cooper tries, but in contrast, he seems just to be a voice and makeup job. He never disappears into the character. The only supporting cast members who gets any chance to register are Bomer and Sarah Silverman as Bernstein’s sister. For the rest, the film is dismally underpopulated despite having actors playing major figures in Bernstein’s life and American arts.

[artbookdap]

Nan Goldin. She is our hero. What more can we say? Her work, her life, her advocacy, her utter bravery.⁠ ⁠ Images and spreads are from 'Nan Goldin: This Will Not End Well,' published by @steidlverlag and going fast.⁠ ⁠ This is the first book to present a comprehensive overview of Nan Goldin’s work as a filmmaker. Accompanying the retrospective show and tour of the same name, organized by @modernamuseet Stockholm, the book draws from the nearly dozen slideshows and films Goldin has made from thousands of photographs, film sequences, audio tapes and music tracks. The stories told range from the trauma of her family history to the portrayal of her bohemian friends to a journey into the darkness of addiction.⁠ ⁠ By focusing exclusively on slideshows and video installations, 'This Will Not End Well' aims to fully embrace Goldin’s vision of how her work should be experienced. The book retains the presentation of the slide shows by showing all images in the same format on a black background and sequenced as they are in the sources. The 20 texts, the majority of which are newly commissioned by Goldin, complement and deepen the intention of her work.⁠ ⁠ Edited by Teresa Hahr, Fredrik Liew. Text by Vince Aletti, Thomas Beard, Guido Costa, Marvin Heiferman, Roni Horn, Patrick Radden Keefe, Caitlín R. Kiernan, Fredrik Liew, Gabor Maté, Eileen Myles, Cookie Mueller, Alfred Pacquement, Darryl Pinckney, Rene Ricard, Lucy Sante, Sarah Schulman, Anne Swärd, Hala Wardé, David Wojnarowicz. Interview by Andrea Lissoni. Drawings by Hala Wardé.⁠ ⁠ Traveling to @stedelijkmuseum @neue_nationalgalerie @pirelli_hangarbicocca⁠ ⁠ @nangoldinstudio #nangoldin #nangoldinthiswillnotendwell #thiswillnotendwell #womenshistorymonth #womenshistory https://www.instagram.com/p/CpP62bUu3Ds/?igshid=NGJjMDIxMWI=

[ladymegana]

Ten Books To Know Me

Rules: 10 (non-ancient) books for people to get to know you better, or that you just really like.

Thanks @littledreamling for the tag! I wrote SO MUCH here hahaha. (And I snuck in a couple of series because c'mon we have to talk about complete stories in some cases, not just single books!)

Song in the Silence by Elizabeth Kerner. I read this the first time as a teenager and I saw so much of myself in Lanen. I loved that she's got such a maturity, still a young naive farmgirl in a lot of ways but experienced enough that she could have taken over running a decent-sized business if she'd stayed home. Confident enough that she could strike out into the world on her own, humble enough to find every new experience delightful or at least educational instead of humiliating. I looked back on this story a lot when I was realizing I was on the ace spectrum, because Lanen went into her big epic love story expecting to never have a physical aspect to it and choosing it wholeheartedly nonetheless.

The Last Unicorn by Peter S. Beagle. Okay, the movie maybe more than the book, but mostly because I couldn't get my hands on the book for a number of years and the movie was readily available. I wanted to be a unicorn as a child, but since I couldn't transform into a one-horned horse, all I could do was follow the guidelines the movie set out. Such as "standing perfectly still". I practiced that. Sitting at my desk in the classroom. Standing in the lunch line. On the bus. It wasn't until after college, sitting around a conference room with my new co-workers, that I realized it makes people really uncomfortable if you just sit like a statue. I had to re-learn how to fidget.

A Little Princess by Frances Hodgson Burnett. Another case of me shaping my personality around a book character. Sara taught me that you didn't need to be royal or rich to treat people with kindness. The 1995 movie gave it a different ending and I can never decide which one I like best. I just love that I get to experience the story both ways.

Dragonsong by Anne McCaffrey. This is the book that officially introduced me to fantasy as a genre, instead of just trolling the library for books that sounded like they had magic in them. It's also very focused on music, which only made me love it more, and there's a scene that happens with Menolly that mirrored something I experienced in real life, so that was magical.

The Chronicles of Narnia by CS Lewis. Yeah it's a religious metaphor. No I don't care. I read the series at a time when I needed something to believe in, and actually I was convinced that something was not the Christian God I'd been raised with. Puddleglum the marshwiggle taught me some important things about having faith (and that it didn't have to mean just faith in some nebulous god, though that was alright if it did…it could also mean faith in myself, faith in my friends, faith that the sun will rise tomorrow).

The Wheel of Time by Robert Jordan. I picked up the first book and read "the Aiel came over the Dragonwall in a flood" and a shiver went down my spine and I went to the book store and bought it with the little pocket money I had at the time. I dropped the series for a while in college when I didn't have access to new books, then picked it up again after meeting the author and being charmed by his kind personality. I have made so many amazing friends, both online and IRL, thanks to this series and it's a blessing to have a strong online community that's always there for me.

House of Earth and Blood by Sarah J. Maas. I swear, I was just looking for a romantasy book with a strong female lead and a bunch of sexy dudes and it turned into the most delightful set of characters with the most wholesome and heartbreaking ending. (I mean, the romance was good too but HOLY HELL the rest of the book!)

A Wrinkle in Time by by Madeleine L'Engle. The main character shares my name, how could I not love it? I also relate a lot to her…she's smart but that doesn't necessarily make her more mature than any other kid her age, she's akward, and she has a younger brother who she adores but he keeps showing her up LOL. Also probably my introduction to sci-fi, though I didn't know the term for it until years later.

The Hitchhiker's Guide to the Galaxy by Douglas Adams. If you run in sci-fi circles, it's one of those things you either give in and read, or you pick up the references organically, because you will hear about it A LOT. I have fond memories of taking it on a road trip and reading it out loud to my friend while she drove…I'm not an entertainer but it's impossible NOT to read this book to someone without being entertaining. It was such a blast. Good, off-the-wall sci-fi fun.

The Wayfarers by Becky Chambers. Sci-fi can be tricky for me, but I picked up the first book and fell in love with the characters before I even knew what was happening. The books are only loosely connected, set in the same universe but with a mostly new cast each time, which is something that would normally really turn me off but something about these is just magical. Found family at its finest.

If you actually read all of this, you are my hero.

Tags: @dancinglassie @groovy-lady @kenaran @woodsfae and anyone else who wants to play :D

[healerqueen]

50 Favorite Children’s Books

Inspired by Studio Ghibli director Hayao Miyazaki’s list of his earliest literary influences. This list is limited to books I read in childhood or youth. 50 Childhood Favorites

Caddie Woodlawn and sequel by Carol Ryrie Brink

Winter Cottage by Carol Ryrie Brink

The Saturdays, The Four-Story Mistake, and sequels by Elizabeth Enright

Enemy Brothers by Constance Savery

The Reb and the Redcoats by Constance Savery

Carry On, Mr. Bowditch by Jean Lee Latham

Derwood, Inc. by Jeri Massi

A Little Princess by Frances Hodgson Burnett

The Secret Garden by Frances Hodgson Burnett

Little House series by Laura Ingalls Wilder

Heidi by Joanna Spyri

Little Women by Louisa May Alcott

Understood Betsy by Dorothy Canfield Fisher

The Wheel on the School by Meindert De Jong

All-of-a-Kind Family by Sydney Taylor

Family Grandstand by Carol Ryrie Brink

Baby Island by Carol Ryrie Brink

Cheaper By the Dozen and sequel by Frank B. Gilbreth, Jr. and Ernestine Gilbreth Carey

Rebecca’s War by Ann Finlayson

The Lost Baron by Allen French

Snow Treasure by Marie McSwigan

Number the Stars by Lois Lowry

The Winged Watchman by Hilda Van Stockum

A Single Shard by Linda Sue Park

By the Great Horn Spoon by Sid Fleischman

Captive Treasure by Milly Howard

Toliver’s Secret by Esther Wood Brady

Silver for General Washington by Enid LaMonte Meadowcroft

Emil’s Pranks by Astrid Lindgren

Mrs. Frisby and the Rats of NIMH by Robert C. O’Brien

Hitty: Her First Hundred Years by Rachel Field

Twenty-One Balloons by William Pene du Bois

Freddy the Detective and Freddy the Pig series by Walter R. Brooks

The Cricket in Times Square by George Selden

Mr. Popper’s Penguins by Robert Lawson

Charlotte’s Web by E.B. White

The Borrowers by Mary Norton

The Wombles by Elisabeth Beresford

Homer Price by Robert McCloskey

The Westing Game by Ellen Raskin

Winnie-the-Pooh by A.A. Milne

Sir Cumference and the Dragon of Pi by Cindy Neuschwander and Wayne Geehan

Tuesdays at the Castle by Jessica Day George

The Bridge and Crown and Jewel by Jeri Massi

The Chronicles of Narnia by C.S. Lewis

The Gammage Cup by Carol Kendall

Ella Enchanted by Gail Carson Levine

The Hobbit by J.R.R. Tolkien

The Mysterious Benedict Society by Trenton Lee Stewart

The City of Ember by Jeanne DuPrau

Young Adult:

The Eagle of the Ninth and other books by Rosemary Sutcliff

The Bronze Bow by Elizabeth George Speare

The Lord of the Rings by J.R.R. Tolkien

Ranger’s Apprentice by John Flanagan

Dragon Slippers by Jessica Day George

Buffalo Brenda by Jill Pinkwater

The Arrival by Shaun Tan

Small Steps: The Year I Got Polio by Peg Kehret (a nonfiction memoir)

Picture Books:

Make Way for Ducklings and other books by Robert McCloskey

Go, Dog, Go by P.D. Eastman

Sam and the Firefly by P.D. Eastman

Robert the Rose Horse by Joan Heilbroner

Ice-Cream Larry by Daniel Pinkwater

Mr. Putter and Tabby by Cynthia Rylant

Discovered as an Adult: Seesaw Girl by Linda Sue Park

The Ordinary Princess by M.M. Kaye

The Armourer’s House by Rosemary Sutcliff

Urchin of the Riding Stars and the Mistmantle Chronicles by M.I. McAllister

Princess Academy by Shannon Hale

Johnny Tremain by Esther Forbes

Escape to West Berlin by Maurine F. Dahlberg

Listening for Lions by Gloria Whelan

The Angel on the Square by Gloria Whelan

Courage in Her Hands by Iris Noble

Knight’s Fee by Rosemary Sutcliff

Victory at Valmy (Thunder of Valmy) by Geoffrey Trease

Word to Caesar (Message to Hadrian) by Geoffrey Trease

The Letter for the King by Tonke Dragt

The Thief by Megan Whalen Turner

The Reluctant Godfather by Allison Tebo

Seventh City by Emily Hayse

Escape to Vindor by Emily Golus

Valiant by Sarah McGuire

The Secret Keepers by Trenton Lee Stewart

[ulkaralakbarova]

A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater. Credits: TheMovieDb. Film Cast: Jack Cunningham: Ben Affleck Dan: Al Madrigal Beth: Michaela Watkins Angela: Janina Gavankar Doc: Glynn Turman Marcus Parrish: Melvin Gregg Brandon Durrett: Brandon Wilson Kenny Dawes: Will Ropp Sam Garcia: Fernando Luis Vega Chubbs Hendricks: Charles Lott, Jr. Bobby Freeze: Ben Irving Devon Childress: da’Vinchi Father Edward Devine: John Aylward Russ: T.K. Carter Diane: Rachael Carpani Kurt: Todd Stashwick Anne: Nancy Linehan Charles Gerry Norris: Dan Lauria Sal: Chris Bruno Coach Lombardo: Matthew Glave Matty (Bartender): Jeremy Ratchford Susan Norris: Jayne Taini Father Mark Whelan: Jeremy Radin Ryan: Nico David Sarah: Emelia Golfieri Sarah: Layla Golfieri Miguel: Sal Velez Jr. Sofia: Yeniffer Behrens Sully – Ref #2: Eric Tate Doctor: Christine Horn Construction Worker #1: Josh Latzer Construction Worker #2: Manny Streetz David: Justice Alan Liquor Store Owner: Jay Abdo Lead Referee: Joshua Hubbard Burly Man: James P. Harkins Employee: Mike G. Betty: April Adams Haley: Chieko Hidaka Student: Bronwen O’Connor Student: Charlotte Evelyn Williams Student: Kayla Diaz Trinity Coach: Doc Jacobs Gale: Marlene Forte Ken: Shay Roundtree Pat: Chad Mountain Summit Coach: Sandy Fletcher Opposing Coach: Noah Ballou Female Friend – Nancy: Cynthia Rose Hall Referee: Calvin Barber Fish Scale Operator: Dino Lauro Bishop Bench Player: Roman Mathis Bishop Bench Player: Herbert Morales Bishop Bench Player: Mateo Ortiz Bishop Bench Player: Tyler O’Malley Ethan (uncredited): Tom Archdeacon Basketball Player 7 (uncredited): Brian Nuesi Denise (uncredited): Edelyn Okano Cheerleader (uncredited): Carly Schneider Mike Ball Boy (uncredited): Caleb Thomas Eric (uncredited): Hayes MacArthur Basketball Player: Alexander Tassopoulos Birthday Party Guest (uncredited): Mason Blomberg Film Crew: Producer: Gavin O’Connor Producer: Jennifer Todd Producer: Gordon Gray Sound Mixer: Steven A. Morrow Producer: Ravi D. Mehta Set Decoration Buyer: Ellen Dorros Boom Operator: Craig Dollinger Utility Sound: Bryan Mendoza Art Direction: Bradley Rubin Costume Design: Cindy Evans Director of Photography: Eduard Grau Editor: David Rosenbloom Executive Producer: Brad Ingelsby Executive Producer: Mark Ciardi Unit Production Manager: Bob Dohrmann Executive Producer: Kevin McCormick Executive Producer: Aaron L. Gilbert Executive Producer: Jason Cloth Executive Producer: Kaitlyn Taaffe Cronholm Executive Producer: Madison Ainley Production Design: Keith P. Cunningham Casting: Wendy O’Brien Co-Producer: Brittany Hapner Original Music Composer: Rob Simonsen Music Supervisor: Gabe Hilfer Unit Production Manager: Victor Ho Second Assistant Director: Kevin Lum First Assistant Director: Jamie Marshall Visual Effects Supervisor: Bruce Jones Set Decoration: Douglas A. Mowat Set Designer: Paul Sonski Assistant Art Director: Linia Marie Hardy Assistant Art Director: Brittany Bradford Graphic Designer: Stephanie Charbonneau Graphic Designer: Andrew Campbell Art Department Coordinator: Michael LaCorte Leadman: Fred Haft Set Decoration Buyer: Jane Madden Stunt Coordinator: Tom McComas Stunts: Oliver Keller Stunts: Courtney Farnsworth Stunts: Allan Graf Stunts: Craigory Glen Hunter Stunts: Lauren Shaw Stunts: B R Lamar Stunts: David Rowden II Property Master: J.P. Jones Assistant Property Master: Rick Chavez Script Supervisor: Steve Gehrke “A” Camera Operator: Peter Rosenfeld Still Photographer: Richard Foreman Jr. “B” Camera Operator: Michael Merriman First Assistant “A” Camera: Stephen MacDougall Second Assistant “A” Camera: Jordan Pellegrini First Assistant “B” Camera: Jesse Cain Second Assistant “B” Camera: Seth A. Peschansky Digital Imaging Technician: Jesse Tyler Music Editor: Curt Sobel Assistant Editor: Anna Rottke First Assistant Editor: Joe Rosenbloom Soun...

[screenwritinggym]

Chill Sentenza - Safe Haven in Morocco - The list of Gangsta women.

Chill Sentenza -

The meaning of a safe haven is a place of safety or refuge.

Vous devez encourager ces femmes à chercher refuge au Maroc. Elles seront protégées par le roi du Maroc Mohammed 6. S'il leur arrive quelque chose ou si elles se sentent en danger, elles doivent se réfugier au Maroc, c'est le foyer le plus sûr pour ces femmes. Le refuge du Maroc.

Ces femmes auront des palais au Maroc, elles seront protégées par l'armée marocaine. Elles seront en sécurité chez eux au Maroc. Une vie paisible.

Voici la liste des femmes gangsters:

1- Simply Jess

2- Debby Coda

3- YesJulz

4- Sommer Ray

5- Tanaya Henry

6- Aisha Thalia Hite

7- Claudia Jordan

8- Foxy Brown Inga DeCarlo

9- Nicki Minaj

10- Vashtie Kola

11- Beyoncé Knowles- Carter

12- Gwyneth Paltrow

13- Jennifer Garner

14- Judy Greer (Judith Therese Evans)

15- Natalie Portman

16- Gal Gadot

17- Kim Kardashian (Kimberly Noel Kardashian)

18- Kimora Lee Simmons

19- Penélope Cruz Sánchez

20- Salma Hayek Pinault

21- Margot Elise Robbie

22- Marion Cotillard

23- Colbie Marie Caillat

24- Cobie Smulders (Jacoba Francisca Maria "Cobie" Smulders)

25- Lauryn Noelle Hill

26- Nailah Thorbourne

27- Tracey Elaine Edmonds

28- Erykah Badu (Erica Abi Wright)

29- Mya Marie Harrison

30- Keri Lynn Hilson

31- Jhené Aiko Efuru Chilombo

32- Mariah Carey

33- Missy Elliott

34- Tamala Reneé Jones

35- Lauren Nicole London

36- Mary Jane Blige

37- Robyn Rihanna Fenty

38- Stacey Lauretta Dash

39- Raquel M. Horn (@raquelmhorn)

40- Shanti Hoffman (@shantihoffman)

41- Hencha Voigt (@henyvbaby)

42- Remy Ma (Reminisce Kioni Mackie)

43- JoJo (Joanna Noëlle Levesque)

44- Scarlett Ingrid Johansson

45- Malin Maria Akerman

46- Melanie Jayne Lynskey

47- Priyanka Chopra Jonas

48- Jameela Alia Jamil

49- Deepika Padukone

50- Jamie Jilynn Chung

51- Meagan Monique Good

52- Tracee Ellis Ross (Tracee Joy Silberstein)

53- Joy Bryant (born October 18, 1974)

54- Dawn Olivieri (born February 8, 1981)

55- Stacy Ann "Fergie" Ferguson (born March 27, 1975)

56- Yolanda Whitaker, also known as Yo-Yo (born August 4, 1971)

57- Robin Yvette Allen (born February 6, 1975), known professionally as the Lady of Rage

58- Rashia Tashan Fisher (born December 18, 1974), known professionally as Rah Digga

59- Stephanie Victoria Allen (born 14 December 1991), better known by her stage name Stefflon Don

60- Helen Folasade Adu (born 16 January 1959), known professionally as Sade Adu or simply Sade

61- Jessica Burns (@mrsjessicaburns)

62- Sarah Chapman (@CallMePumpkin)

63- Sofía Margarita Vergara Vergara (born July 10, 1972)

64- Jacquelyn "Jaci" Davette Velasquez (Jaci Velásquez, born October 15, 1979)

65- Roselyn Milagros Sánchez Rodríguez (born April 2, 1973)

66- Otmara Marrero (born March 1, 1989) (age 34)

67- Edurne Ganem, known professionally as Edy Ganem (born September 20, 1983 (age 40)

68- Janina Uhse (@janinauhse)

69- Nicole Scherzinger (@nicolescherzinger)

70- Melody Thornton (@melodythornton)

71- Shannon Thornton (@shannonthornt_n)

72- Ashley Monique Harper (@ashleymoniqueharper)

73- Natasha Marc (@natashamarc)

74- Tara Leigh Patrick (born April 20, 1972), known professionally as Carmen Electra.

75- Pamela Denise Anderson (born July 1, 1967)

76- Diamonté Quiava Valentin Harper (born July 2, 1993), known professionally as Saweetie

77- Antonia D. Reed (born April 22, 1966), known professionally as Bahamadia

78- Rachael Leigh Cook (born October 4, 1979)

79- Jennifer Love Hewitt (born February 21, 1979)

80- Jodi Lyn O'Keefe (born October 10, 1978)

81- Jenna Elfman (Jennifer Mary Elfman) (born September 30, 1971)

82- Julia Fox (born February 2, 1990) is an Italian-American actress and model

83- Marisa Tomei (born December 4, 1964) Italian-American actress.

84- Debi Mazar (Deborah Anne Mazar Corcos) (born August 13, 1964)

85- Zoë Isabella Kravitz (born December 1, 1988)

86- Katrina Laverne Taylor (born December 3, 1978), known professionally as Trina

87- Keyshia Miesha Cole (born October 15, 1981)

88- Taral Hicks (born September 21, 1974)

89- Vivica Anjanetta Fox (born July 30, 1964)

90- Vanessa Lynn Williams (born March 18, 1963)

91- Regina Rene King (born January 15, 1971)

92- Angela Evelyn Bassett (born August 16, 1958)

93- Viola Davis (born August 11, 1965)

95- Angela Martinez (born January 9, 1971)

96- Teri Hatcher (born December 8, 1964)

97- Nicollette Sheridan (born 21 November 1963)

98- Eva Jacqueline Longoria Bastón (born March 15, 1975)

99- Kristin Laura Kreuk (born December 30, 1982)

100- Erica Durance (born June 21, 1978)

101- Althea Rae Duhinio Janairo (born January 2, 1967), known professionally as Tia Carrere

102- Carrie-Anne Moss (born August 21, 1967)

103- Jill Marie Jones (born January 4, 1975)

104- Angelina Jolie (born Angelina Jolie Voight; June 4, 1975)

105- Kristen Anne Bell (born July 18, 1980)

106- Jada Koren Pinkett Smith (born September 18, 1971)

107- Kathryn Marie Hahn (born July 23, 1973)

108- Lake Siegel Bell (born March 24, 1979)

109- Hannah Dakota Fanning (born February 23, 1994)

110- Kirsten Caroline Dunst (born April 30, 1982)

111- Eliza Patricia Dushku (born December 30, 1980)

112- Gabrielle Monique Union-Wade (born October 29, 1972)

113- Essence Uhura Atkins (born February 7, 1972)

114- Tasha Smith (born February 28, 1971)

115- Kristin Landen Davis (born February 23, 1965)

116- Sharon Ann Leal (@realleal)

117- Jennifer Kate Hudson (born September 12, 1981)

118- Björk Guðmundsdóttir (born 21 November 1965)

119- Lupita Amondi Nyong'o (born 1 March 1983)

120- Carmen Elizabeth Ejogo (born 22 October 1973)

121- Milena Markovna "Mila" Kunis (born August 14, 1983)

122- Elise Demetria Neal (born March 14, 1966)

123- Lori Harvey (born January 13, 1997)

124- Chantel Taleen Jeffries (born September 30, 1992)

125- Nicole Camille Richie (born September 21, 1981)

126- Nazanin Aliza Mandighomi (born September 11, 1986)

127- Paris Whitney Hilton (born February 17, 1981)

128- Adrienne Eliza Bailon-Houghton (born October 24, 1983)

129- Raven-Symoné Christina Pearman-Maday (born December 10, 1985),

130- Keshia Knight Pulliam (born April 9, 1979)

131- Lilakoi Moon (born Lisa Michelle Bonet; November 16, 1967), known professionally as Lisa Bonet

132- Ming-Na Wen (born November 20, 1963)

133- Lucy Alexis Liu (born December 2, 1968)

134- Drew Blythe Barrymore (born February 22, 1975)

135- Cameron Michelle Diaz (born August 30, 1972)

136- Amanda Peet (born January 11, 1972)

137- Demi Gene Moore (born November 11, 1962)

138- Elizabeth Stamatina "Tina" Fey (born May 18, 1970)

139- Amy Poehler (born September 16, 1971)

140- Melissa Ann McCarthy (born August 26, 1970)

145- Lauren Graham (born March 16, 1967)

146- Charlize Theron (born 7 August 1975)

147- Maura Therese Tierney (born February 3, 1965)

148- Tisha Michelle Campbell (born October 13, 1968)

149- Tichina Rolanda Arnold (born June 28, 1969)

150- Janet Damita Jo Jackson (born May 16, 1966)

151- Vanessa Anne Hudgens (born December 14, 1988)

152- Kendall Nicole Jenner (born November 3, 1995)

153- Emily O'Hara Ratajkowski (born June 7, 1991)

154- Hayden Lesley Panettiere (/born August 21, 1989)

155- Jenna Marie Ortega (born September 27, 2002)

156- Melissa Barrera Martínez (born 4 July 1990)

157- Rachel Anne McAdams (born November 17, 1978)

158- Sarah Jessica Parker (born March 25, 1965)

159- Kerry Marisa Washington (born January 31, 1977)

160- Gina Torres (born April 25, 1969)

161- Rosario Isabel Dawson (born May 9, 1979)

162- Tara Donna Reid (born November 8, 1975)

163- Emmanuelle Sophie Anne Chriqui (born 10 December 1975)

164- Jamie-Lynn Sigler (born May 15, 1981)

165- Amanda Leigh Moore (born April 10, 1984)

166- Jessica Marie Alba (born April 28, 1981)

167- Marina Ann Hantzis (born 1988), known professionally as Sasha Grey

168- Verónica Rodríguez Fiño (born 1 August 1991)

169- Christine Mackinday, known professionally as Christy Mack (born 1991 or 1992) (age 31–32)

170- Kendra Lust (@kendralust)

171- Raylin Joy (born February 18, 1987), formerly known by her stage name Skin Diamond

172- Vicki Chase (@therealvickichase)

Voici le film "Safe Haven" la bande-annonce: