#sangam news

[jasminewilson143]

Chaos at Triveni Sangam: Maha Kumbh Mela Stampede Turns Holy Dip into Tragedy

Maha Kumbh Mela Stampede, On the auspicious occasion of Mauni Amavasya, a major event of the Maha Kumbh Mela, thousands of devotees gathered at Triveni Sangam in Prayagraj. But in the early hours of Wednesday, January 29, a terrible stampede caused by an uncontrollably large throng turned the spiritual fervor into a horrific event. The tragedy, which happened at around 2:30 AM, left one of…

[amoghshinde]

Redefining Serampore Living: Modern Flats in Serampore at New Kolkata Sangam

Serampore, a town with a rich historical background, is rapidly evolving into one of the most desirable residential locations on the outskirts of Kolkata. In recent years, it has seen significant infrastructural improvements, making it an increasingly attractive option for homebuyers looking for a peaceful yet connected environment. Among the many new residential projects in Serampore, New Kolkata Sangam stands out for its unique blend of modernity, comfort, and convenience, promising to redefine urban living in this emerging neighborhood.

1. Why Serampore?

Serampore’s appeal as a residential destination lies in its perfect balance of tranquility and accessibility. With Kolkata’s bustling city center just a short distance away, Serampore offers a much-needed respite from the daily hustle, while still being well-connected to all that the city has to offer.

The growing infrastructure in Serampore, including better roads, enhanced public transport, and the availability of essential services, has made it an increasingly popular location for those seeking homes. The area is also benefiting from a surge in residential demand, fueled by its proximity to key locations like Howrah, Barrackpore, and the rest of Kolkata. For families, young professionals, and retirees alike, Serampore offers a peaceful living environment that is still within reach of Kolkata’s urban amenities.

With all these advantages, flats in Serampore are quickly becoming one of the most sought-after real estate options, and New Kolkata Sangam is at the forefront of this movement, offering a new standard in modern living.

2. New Kolkata Sangam: A New Era of Living

New Kolkata Sangam is an ambitious residential project designed to provide a luxurious yet affordable living experience for people looking to invest in Serampore. The project blends contemporary architecture with sustainable living practices, ensuring that every aspect of the development contributes to a modern, balanced lifestyle.

The development is designed to offer the best of both worlds: the serenity of suburban life and the convenience of urban amenities. Spacious and thoughtfully designed flats are complemented by a range of high-end amenities that cater to all aspects of modern living. The vision behind New Kolkata Sangam is to create a community where residents can experience peace, security, and comfort while enjoying the vibrancy of a well-connected and thriving neighborhood.

3. Modern Flats in Serampore: Key Highlights

The flats at New Kolkata Sangam are built to suit modern-day living with a focus on spaciousness, comfort, and functionality. Designed with contemporary aesthetics and practical layouts, the flats offer ample space for families to grow and thrive. Whether you're looking for a cozy 2 BHK or a more spacious 3 BHK, these homes cater to various family sizes and lifestyles.

Smart home features are integrated into the flats, allowing residents to control lights, temperature, and security systems from their smartphones, offering a tech-savvy and modern living experience. Additionally, each flat is built using high-quality materials and finishes, ensuring durability and a luxurious feel.

The emphasis on green living is also prominent in the design of New Kolkata Sangam. The development incorporates energy-efficient features and green spaces, making it a perfect choice for residents who prioritize sustainability.

4. Lifestyle at New Kolkata Sangam

Living at New Kolkata Sangam is not just about having a roof over your head—it’s about creating a fulfilling lifestyle. The development offers a variety of community amenities that promote physical fitness, relaxation, and social interaction.

The private Ganga Ghat provides residents with a peaceful retreat, where they can enjoy the beauty of the river and unwind in a tranquil setting. For those who prefer more active pursuits, the project features a walking, jogging, and cycling track, a skating rink, and an outdoor gym. For leisure and entertainment, the development also includes a mini theatre, badminton courts, and a yoga and meditation lawn.

The community-oriented design of New Kolkata Sangam encourages residents to foster connections with their neighbors, creating a supportive and welcoming environment.

5. Affordability Meets Luxury: Perfect for All

Despite offering a luxury living experience, New Kolkata Sangam ensures that its homes are priced competitively. The development provides a range of affordable pricing options, making it accessible to first-time homebuyers, young families, and professionals looking for a modern living space in Serampore.

The pricing options are designed to suit various budgets without compromising on quality or comfort. In addition, several financing facilities are available, ensuring that more people can access the opportunity to own a home in this growing area.

6. Conclusion

New Kolkata Sangam is redefining what it means to live in Serampore by combining modern design, luxurious amenities, and a peaceful environment. The project offers an ideal living space for anyone looking for a well-connected, sustainable, and comfortable home in Serampore.

With its unbeatable location, state-of-the-art amenities, and affordable pricing, New Kolkata Sangam provides a fantastic opportunity for homebuyers looking to invest in flats in Serampore. Whether you are a young professional, a growing family, or an investor, this development offers everything you need for a modern and fulfilling lifestyle. It’s time to experience the best of modern living in Serampore—your dream home at New Kolkata Sangam awaits.

This article is already submitted on medium.com Link https://medium.com/@amoghshinde276/redefining-serampore-living-modern-flats-in-serampore-at-new-kolkata-sangam-3b0de040739c 

[radhikafitnesslover]

Mahakubh Prayagraj Mahatva, Ganaga Snan Se Milti Hai Mukti - Prayagraj Mahatva: प्रयाग में गंगा स्नान से मिलती है समस्त पापों से मुक्ति, जानिए क्या है महत्व- My JyotishPrayagraj Mahatva: प्रयाग में वर्ष 2025 में कुंभ मेले का आयोजन होने जा रहा है, तो आइए इसी क्रम में जानते हैं कि प्रयाग का क्या महत्व है

[playermagic23]

Sanjay Leela Bhansali clarifies that Love and War is not a replica of Sangam and describes the film starring Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal as "contemporary": "It's a new space for me and I am…"

Sanjay Leela Bhansali, a renowned filmmaker, has responded to speculations surrounding his highly awaited film Love and War, which stars Alia Bhatt, Ranbir Kapoor, and Vicky Kaushal. In an exclusive interview with The Hollywood Reporter India, Bhansali revealed that the film is not a replica of the 1964 masterpiece Sangam, putting an end to considerable conjecture.

"Do not remake Sholay or Mother India. So, why should I remake Sangam? Bhansali responded, forcefully dismissing the comparisons. The film, which has already received widespread acclaim, marks Bhansali's return with Ranbir Kapoor after 18 years apart, following their work in Saawariya (2007).

Bhansali’s Take on Love and War: A Unique Film. Unlike Bhansali's previous films, which featured elaborate period settings and epic aesthetics, Love and War is set in the present day. The filmmaker described it as an entirely different environment for him, stating, "It's current. The music is different. It's a new environment for me, and I'm enjoying it."

The film is especially important to Bhansali, who stated that it provides fresh problems. "This is a challenging film for me, so I'm being cautious. "I will not take my actors, myself, or the audience for granted," he stated, emphasizing that he is taking his time with the project. Fans will have to wait until the March 2026 release date.

Bhansali discusses reuniting with Alia and Ranbir. Love and War features some of Bollywood's top talents. Bhansali is particularly pleased about reuniting with Ranbir Kapoor, stating, "It's exciting to work with Ranbir again." The filmmaker previously collaborated with Kapoor on Saawariya and is excited to explore new aspects of his acting.

Bhansali is equally excited about reuniting with Alia Bhatt, who previously appeared in his National Award-winning film Gangubai Kathiawadi (2022). "There's still so much to explore with Alia. "She's a powerhouse," Bhansali explained.

Vicky Kaushal joins the cast. For Vicky Kaushal, Love and War will be his first collaboration with Bhansali. The director is known for his emotional connection with his cast and has underlined how important this production is to him personally. "This film is very special to me, and I'm lucky to have a cast that shares the same vision," Bhansali told reporters.

While the film is still in production, Bhansali's clarification has heightened interest in the project. As fans eagerly await further details, it is evident that Love and War is going to be one of the most anticipated films of 2026.

[trevlad-sounds]

Ode to Rain

11.07.2014

Ten years ago today.

Peter Broderick & Machinefabriek-Rain 00:00 Message To Bears-November 04:54 Koen Holtkamp-Excerpt from "Loosely Based on Bees" 07:54 Andy Quark-Cloud 13:19 Brassica-New Jam City 17:02 Cardioze-Like A Rainy Summer 25:11 Bearhead & Tape Sounds-Anthracnose 29:57 Michna-Through The City On The Edge Of Forever 30:48 Padang Food Tigers-In My Heart I'm Already Gone 35:19 daisuke miyatani-wake up with ice cocoa 38:03 Sangam & Cholombian-Shelter Me 38:29 TONTO's Expanding Head Band-Tama 44:23

[uttarakhand-jagran]

हरियाणा के कृषि विभाग के संयुक्त निदेशक बहे गंगा के पानी में, ,देवप्रयाग संगम में पैर फिसलने से हुआ हादसा

देवप्रयाग:-  गंगा में बहे हरियाणा के कृषि विभाग के संयुक्त निदेशक, देवप्रयाग संगम में पैर फिसलने से ह���दसा हुआ जगराज परिवार के साथ देवप्रयाग पहुंचे। यहां अलकनंदा व भागीरथी के संगम तट पर स्नान करते हुए एक पत्थर पर डांगी ने जैसे ही पैर रखा, तो उनका पैर फिसल गया और वह गंगा के तेज बहाव में बह गए। उत्तराखंड के देवप्रयाग संगम पर पैर फिसलने से हरियाणा के कृषि विभाग में संयुक्त निदेशक गंगा में बह गए।…

[hopeonmyphone]

BTS J-hope boosts Lee Hyun’s radio debut with heartfelt anecdotes

Lee Hyun successfully debuts as a radio DJ with BTS J-Hope’s special support.

Singer Lee Hyun successfully made his debut as a radio DJ on ‘Close Friends with Lee Hyun,’ with the special support of his labelmate BTS J-Hope.

The first broadcast of MBC FM4U’s ‘Close Friends with Lee Hyun’ aired at midnight on November 25th KST. This marks Lee Hyun’s first radio program under his own name since his debut. BTS J-Hope joined the show as the first guest, showcasing their close bond. Despite his busy schedule, J-Hope made time to support Lee Hyun’s new endeavor.

J-Hope arrived with a congratulatory bouquet and joined the first segment, “Sangam-dong Studio.” He shared, “It’s meaningful to be part of this important moment, Lee Hyun’s first radio show,” energizing the program with his bright presence.

Lee Hyun showcased his skills as a smooth and humorous DJ, drawing out stories from J-Hope. Highlights included anecdotes from their trainee days, behind-the-scenes stories of J-Hope’s new title track “NEURON (with Gaeko and Yoon Mirae)” from ‘HOPE ON THE STREET VOL.1,’ and his future plans—all exclusive to ‘Close Friends.’

Lee Hyun reminisced about their past, saying, “J-Hope once performed as a guest at my concert before his debut. After the concert, we rode in my car together. It wasn’t a luxurious car, but young J-Hope seemed really impressed and said, ‘Wow, hyung, your car is so nice.’” J-Hope replied, “Back then, everything felt so new and amazing. Just being on stage at a concert and being around Hyun hyung was an honor.”

Buoyed by J-Hope’s support, Lee Hyun confidently wrapped up segments such as “Today’s Idol,” where he analyzed lyrics and highlighted new songs; “My Favorite Among Yours,” featuring listener-favorite tracks; and “Tomorrow, My Work,” which encouraged listeners to embrace their tomorrows.

Through Big Hit Music, Lee Hyun expressed, “I believe that sharing sincere stories with listeners will create a healing two hours. I’ll do my best to become a DJ loved for a long time.” He added, “I want to once again thank J-Hope for being my first guest despite his busy schedule.”

‘Close Friends with Lee Hyun’ airs every Monday to Thursday at midnight on MBC FM4U (91.9 MHz in Seoul and surrounding areas) and is also available on the official website and MBC Radio app mini.

Source: Allkpop

[transgenderer]

The Sarasvati River (IAST: Sárasvatī-nadī́) is a mythologized and deified ancient river first mentioned in the Rigveda[1] and later in Vedic and post-Vedic texts. It played an important role in the Vedic religion, appearing in all but the fourth book of the Rigveda.

As a physical river in the oldest texts of the Rigveda, it is described as a "great and holy river in north-western India,"[2] but in the middle and late Rigvedic books, it is described as a small river ending in "a terminal lake (samudra)."[3][b] As the goddess Sarasvati, the other referent for the term "Sarasvati" which developed into an independent identity in post-Vedic times.[4] The river is also described as a powerful river and mighty flood.[5] The Sarasvati is also considered by Hindus to exist in a metaphysical form, in which it formed a confluence with the sacred rivers Ganges and Yamuna, at the Triveni Sangam.[6]

Rigvedic and later Vedic texts have been used to propose identification with present-day rivers, or ancient riverbeds. The Nadistuti hymn in the Rigveda (10.75) mentions the Sarasvati between the Yamuna in the east and the Sutlej in the west, while RV 7.95.1-2, describes the Sarasvati as flowing to the samudra, a word now usually translated as 'ocean',[c] but which could also mean "lake."[3][8][9][10][d] Later Vedic texts such as the Tandya Brahmana and the Jaiminiya Brahmana, as well as the Mahabharata, mention that the Sarasvati dried up in a desert.

Since the late 19th century, numerous scholars have proposed to identify the Sarasvati with the Ghaggar-Hakra River system, which flows through modern-day northwestern-India and eastern-Pakistan, between the Yamuna and the Sutlej, and ends in the Thar desert. Recent geophysical research shows that the supposed downstream Ghaggar-Hakra paleochannel is actually a paleochannel of the Sutlej, which flowed into the Nara river, a delta channel of the Indus River. Around 10,000-8,000 years ago, this channel was abandoned when the Sutlej diverted its course, leaving the Ghaggar-Hakra as a system of monsoon-fed rivers which did not reach the sea.[11][12][13][14]

The Indus Valley Civilisation prospered when the monsoons that fed the rivers diminished around 5,000 years ago.[11][13][14][e] and ISRO has observed that major Indus Valley civilization sites at Kalibangan (Rajasthan), Banawali and Rakhigarhi (Haryana), Dholavira and Lothal (Gujarat) lay along this course.[15][web 1] When the monsoons that fed the rivers further diminished, the Hakra dried-up some 4,000 years ago, becoming an intermittent river, and the urban Harappan civilisation declined, becoming localized in smaller agricultural communities.[11][f][13][12][14]

Identification of a mighty physical Rigvedic Sarasvati with the Ghaggar-Hakra system is therefore problematic, since the Gagghar-Hakra had dried up well before the time of the composition of the Rigveda.[16][17][f][13][12][14] In the words of Wilke and Moebus, the Sarasvati had been reduced to a "small, sorry trickle in the desert" by the time that the Vedic people migrated into north-west India.[18] Rigvedic references to a physical river also indicate that the Sarasvati "had already lost its main source of water supply and must have ended in a terminal lake (samudra) approximately 3000 years ago,"[3][b] "depicting the present-day situation, with the Sarasvatī having lost most of its water."[19][b][20] Also, Rigvedic descriptions of the Sarasvati do not fit the actual course of the Gagghar-Hakra.[21][22]

The identification with the Ghaggar-Hakra system took on new significance in the early 21st century,[24] with some Hindutva proponents suggesting an earlier dating of the Rigveda; renaming the Indus Valley Civilisation as the "Sarasvati culture", the "Sarasvati Civilization", the "Indus-Sarasvati Civilization" or the "Sindhu-Sarasvati Civilization,"[25][26][27] suggesting that the Indus Valley and Vedic cultures can be equated;[28] and rejecting the Indo-Aryan migrations theory, which postulates an extended period of migrations of Indo-European speaking people into the Indian subcontinent between ca. 1900 BCE and 1400 BCE.[h][i]

hey whats up with this. the rigvedas having a lost river and the indian subcontinent having a lost river is so tempting but the timelines dont match up? i guess rivers just dry up (or change course) a lot so it could be any dried up river?

[thereader-radhika]

1 - THE FISH WHO CASTS THE NET

Kanthallur Salai, Vizhinjam

Coconut trees lined the roads of Vizhinjam and the open view of the green sea merged with the blue sky on the distant horizon. The streets were filled with merchants and noisy customers. Bhaskaran and Ravidasan enjoyed their holiday. It isn't everyday that they get such an opportunity to leave the salai and wander in the town or harbour.

They felt really tired and decided to get ilaneer from a man who was selling them under a Banyan tree opposite the salai. The friendly cheerful man took two tender coconuts, cut off the top and handed it over to them. His movements betrayed a particular stiffness. Maybe he is new to the trade or not used to this sort of manual labour.

"Chatta, ask your friend to day-dream after finishing his ilaneer". The vendor's words woke him up from his thoughts. Bhaskaran observed that he hasn't seen him around this place. The ilaneer seller admited that he is new to this place and trade and is trying to eke out a living here.

So that's it. The seller enquired about their names, specialisations and complained about the troubles of his job.

"What is your name, anna?"

"Veeran. Bhaskara, what are you planning to do after you complete your studies?"

Bhaskaran explained his plans in detail. He will go to Manyakheta and study more mathematics. Then he will go to Nalanda.

"Why do you want to go to the northern countries?"

"Knowledge has no boundaries".

"There are thousands of learned men in Nalanda. Who will care about one more guy? Why don't you go to the nearby Pandya country?"

Bhaskaran and Ravidasan looked each other and laughed. Everyone knew that Pandya king Rajasimhan had run away to after getting beaten by Cholas. Ravidasan's blood used to boil when he first arrived here and everyone talked about it. But what can a normal man like him do? In the course of time, he too has learned to laugh about it. The ilaneer seller noticed the change in his expression.

"Ummmm? Do you too think that going to the Pandya country is beneath you?"

"Get lost idiot! Who told you that Pandya country doesn't have educated men? Haven't you heard about the great sangams?"

For some reason, the vendor looked really proud of his ignorance. But he shrugged his shoulders and declared that there is no Pandya country anymore because no one even knows what happened to the runaway king. Then he started another argument with Bhaskaran.

"Isn't running away better than sure death? Ravi annan can explain it better than me. He has studied Arthashastram".

"Yes, there is no shame in strategic retreat."

Bhaskaran gave a few coins to the ilaneer vendor. He put the coins in a satchel and returned the change. He asked Ravidasan if he will stay back and help him as he is struggling to do this job alone. Ravidasan wanted to tease him that it will be easier if he concentrates on his job instead of talking incessantly but his curiosity was killing him. Moreover, he offered sufficient payment for his troubles.

Another batch of students from rasayana and kalari batches approached them. Among them was Udayan, a prince of Anuradhapura. Ravidasan knew about his real identity only because he was one of his examiners in the entrance examination. In Kanthallur, he walked among the students and the common people as another man.

"Raviyanna, have you too started selling coconuts? Did you fail in the examinations?"

"Dei, dei, don't be too oversmart".

His employer enjoyed his banter with the juniors and enquired about their future plans. Ravidasan sensed that he had some special interest in Udayan who seemed oblivious to his intentions. Didn't he say that he is new to the job? Can't he be a spy? He sent them away quickly without further chit-chat. He tried to pry out the ilaneer seller's family details and history but he evaded his questions.

"Thambi, I will tell you a secret. I heard your countrymen have plans to resurrect the old rule. Don't tell this to anyone. You know, I go to different places and meet different people with these ilaneer."

"Good for them, I guess. Where is my money?"

He wrapped up his belongings and gave a small gold coin to Ravidasan. Though he protested that he doesn't have enough money to return the change, the vendor insisted that he keep it.

"Would you like a job in the Pandya kingdom? I can put you in touch with the relevant people, maybe even the king if you are lucky".

"Why don't you get a job for yourself if you are friends with the king?"

"He gave me this job."

"I knew it". Ravidasan grabbed the ilaneer seller from behind and dragged him to the back of the banyan tree. "So you are not an ilaneer seller who happened to hear things, are you? You are a spy who pretends to be an ilaneer seller."

"I know that you noticed. That's why I asked only you to stay back. Tell me this, would you like to have a job in the Pandya country?'

"What job? Collecting tax for Parantaka Cholan?"

"Isn't that a good job?"

What! Is this the Pandya king's plan? Maybe he can ask him in person if he takes this opportunity.

"What should I do?"

"Go to the Pazhaya Maligai of Nanjinattu Pillai on the next Friday at midnight. Show this coin and say that I sent you. Remember my name - Veeran'.

He freed himself from Ravidasan's grip and walked away.

Part 2, 3, 4, 5, 6, 7, 8 @willkatfanfromasia @harinishivaa @favcolourvibgior @sampigehoovu @sambaridli @celestesinsight @sakhiiii @whippersnappersbookworm

This is ilaneer -

[news365times]

[ad_1] Paromita Das GG News Bureau New Delhi, 14th Jan. The Maha Kumbh, a spiritual gathering of unmatched scale, is often celebrated as a sacred convergence of faith, culture, and humanity. Yet its historical role as a catalyst for Bharat’s independence struggle and its enduring influence on the nation’s socio-political awakening remains conspicuously absent from mainstream narratives. As Maha Kumbh 2025 approaches, with over 400 million devotees expected to gather at Prayagraj from January 13th, it is imperative to revisit the event’s profound legacy—not just as a religious phenomenon but as a crucible of resistance, unity, and nationalistic fervor. Beyond its spiritual significance, the Maha Kumbh has historically served as a platform for deliberating on the pressing socio-political issues of its time. It was not merely a religious congregation but a site where political movements were nurtured, cultural pride was reasserted, and resistance to imperial powers was born. This dual identity—spiritual and political—underscores the essence of the Maha Kumbh and its unparalleled role in shaping Bharat’s history. The Spark of 1857: Maha Kumbh and the First War of Independence The Maha Kumbh’s contribution to Bharat’s struggle for independence began during the pivotal year of 1857, when the country witnessed its first war of independence. Amidst the uprising, Prayagwal priests, led by figures like Pandit Radheshyam, spearheaded resistance against British imperialism. Incensed by the British-supported Christian missionary activities that demonized Hindu traditions, the Prayagwals and local leaders took a stand, making the Kumbh Mela a site of rebellion. The British, recognizing the unifying power of the Kumbh, sought to dismantle its influence. In a calculated move, British Colonel Neel bombarded the Kumbh site in 1857, hoping to quell the growing dissent. Yet, the defiance of figures like Pandit Radheshyam—who was eventually hanged for his efforts—became a symbol of resistance that reverberated across the nation. Following the rebellion, the British converted the Kumbh area into a cantonment, restricting entry and banning akhadas from participating. The Sangam Teerth, the spiritual epicenter of the Kumbh, was guarded zealously, and access was limited to one or two priests. Despite these restrictions, the Kumbh remained a hotbed of nationalist activity, inspiring future generations to fight against colonial oppression. Kumbh’s Role in Nurturing Nationalist Movements While the 1857 rebellion marked the beginning of the Kumbh’s political significance, its impact grew over the decades. The Kumbh became a meeting point for leaders, thinkers, and revolutionaries who sought to awaken Bharat’s collective consciousness. In the 1906 Kumbh, the Sanatan Dharm Sabha, under the leadership of Pandit Madan Mohan Malviya, pledged to establish the Banaras Hindu University (BHU). This institution was envisioned as a bastion of Bharatiya culture and knowledge, countering British propaganda that sought to undermine Bharat’s intellectual and cultural heritage. BHU went on to play a critical role in the independence movement, with its students and faculty participating in the Non-Cooperation Movement and aiding freedom fighters like Bhagat Singh, Sukhdev, and Rajguru. The university’s hostels became sanctuaries for revolutionaries, while its classrooms inspired a generation of youth to fight for Bharat’s freedom. The British, acutely aware of the Kumbh’s role in fostering resistance, monitored the event closely. During the 1942 Quit India Movement, rumors of Japanese bombing at the Sangam Teerth were deliberately spread to deter attendance, showcasing the colonial administration’s fear of the Kumbh’s potential to ignite mass uprisings. Erasure of Kumbh’s Role in History Despite its undeniable contribution to Bharat’s independence struggle, the role of the Maha Kumbh has been systematically erased from mainstream historical narratives. Post-independence,

the Congress-led government focused on consolidating the freedom movement’s legacy around figures like Gandhi and Nehru. While these leaders undoubtedly played pivotal roles, this selective narrative sidelined the contributions of Hindu leaders, communities, and events like the Kumbh that were instrumental in uniting Bharatiya against colonial rule. This omission served to bolster Congress’s secular credentials while downplaying the sacrifices made by Hindus as a collective. The role of the Maha Kumbh and figures like Pandit Radheshyam challenges this narrative. It reveals a history of grassroots resistance and cultural pride that transcends individual leaders and reflects the spirit of an entire community. Maha Kumbh 2025: A Modern Reflection of a Timeless Legacy As Maha Kumbh 2025 approaches, its spiritual and cultural significance remains unparalleled. The event continues to serve as a unifying force, drawing millions of devotees from diverse backgrounds to the sacred confluence of the Ganga, Yamuna, and Saraswati rivers. Yet, this year’s Kumbh also provides an opportunity to reflect on its historical legacy and its role in shaping Bharat’s identity. By revisiting the Kumbh’s contributions to the freedom struggle, Bharat can reclaim a forgotten chapter of its history and inspire future generations to honor the sacrifices of their ancestors. Reclaiming the True Essence of the Maha Kumbh The Maha Kumbh is more than a religious gathering; it is a testament to Bharat’s resilience, unity, and cultural pride. Its historical significance, particularly in the context of Bharat’s freedom struggle, deserves greater recognition in public discourse and education. Ignoring the Kumbh’s contributions not only distorts history but also undermines the sacrifices of those who fought for Bharat’s independence. By acknowledging this legacy, Bharat can foster a deeper understanding of its cultural heritage and inspire a sense of pride and unity among its citizens. The omission of the Kumbh’s role in history books reflects a broader failure to celebrate Bharat’s diverse and multifaceted freedom struggle. It is time to rectify this oversight and ensure that the Maha Kumbh’s legacy is preserved and celebrated for generations to come. Conclusion: A Legacy Worth Celebrating The Maha Kumbh is not just an ancient tradition; it is a living embodiment of Bharat’s spiritual and cultural heritage. Its role in uniting people, fostering resistance, and inspiring change is a testament to its enduring significance. As the world’s largest religious gathering, Maha Kumbh 2025 is a reminder of Bharat’s unique ability to harmonize faith, culture, and collective action. It is an opportunity to honor the sacrifices of those who fought for freedom and to celebrate the spirit of unity that defines the nation. In revisiting the Kumbh’s history, Bharat can reclaim a legacy of resilience and pride, ensuring that the sacrifices of its past continue to inspire its future. The Maha Kumbh is not just a celebration of faith—it is a celebration of Bharat itself.   The post Maha Kumbh: The Forgotten Pillar of Bharat’s Freedom Struggle and Cultural Awakening appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link

[woodbine-in]

WOODBINE Launches Premium Office Sofas Across India

WOODBINE: Redefining Workplace Comfort with Stylish Sofas

 

Elevating Office Spaces with Comfort and Style

Dhansri Infrax Private Limited, the proud owner of the esteemed brand WOODBINE, is pleased to introduce premium office sofas. Crafted with a keen eye for design and comfort, these sofas are set to redefine workspace aesthetics across India.

Meeting Modern Workplace Demands

As workplaces evolve, so do the demands for comfortable and stylish furniture. WOODBINE's new collection of office sofas meets these demands head-on, offering a perfect blend of sophistication and functionality. From sleek and modern designs to timeless classics, our sofas are meticulously crafted to enhance any office environment.

Join the #OfficeComfortRevolution

Experience the luxury of WOODBINE office sofas. Follow us on social media to stay updated with the latest trends and promotions.

Popular Hashtags:

- #OfficeSofaComfort

- #WorkspaceLuxury

- #OfficeSofaStyle

- #WorkplaceElegance

- #OfficeSofaChic

- #OfficeSofaInspiration

Availability

Now available in Delhi, Manesar, Gurugram, Noida, and nationwide.

Contact Information

Dhansri Infrax Private Limited

- Phone: +91-98109 86205

- Website: https://woodbine.co.in

About WOODBINE

WOODBINE is a premier brand of office furniture owned by Dhansri Infrax Private Limited, based in Sangam Vihar, New Delhi. With a commitment to innovation and quality craftsmanship, WOODBINE offers a wide range of office furniture solutions tailored to meet the evolving needs of modern workplaces.

[radhikafitnesslover]

Mahakubh Prayagraj Mahatva, Ganaga Snan Se Milti Hai Mukti - Prayagraj Mahatva: प्रयाग में गंगा स्नान से मिलती है समस्त पापों से मुक्ति, जानिए क्या है महत्व- My JyotishPrayagraj Mahatva: प्रयाग में वर्ष 2025 में कुंभ मेले का आयोजन होने जा रहा है, तो आइए इसी क्रम में जानते हैं कि प्रयाग का क्या महत्व है

[kelawar-ungu]

Bat Week 2020: A Celebration of Bats in Asia-Pacific Cultures Art by Reimena Yee.

(Bigger image from here for more readable text. The background colouring is a little too bright though)

Text on the map under the cut.

You may have heard the soft flutter of bat wings at dusk, noticed them flitting around at night, or even seen them sleeping under roof eaves, in trees and caves during the day. But apart from these brief encounters, have you ever wondered how bats may have traditionally held deeper symbolic meaning in various cultures?

This visual map guide celebrates the many positive bat symbols and folklore found across the Asia-Pacific region. Our ancestors recognised the importance and wonder of bats!

Look out for our full write-up and get updates by following rimba.ngo!

Project Pteropus, a project under RIMBA.

India

In India, Hindu devotees of the goddess Kali worship and protect flying foxes which roost in sacred groves. Bats also feature as symbols of love in Tamil Sangam poetry, dating back more than 2000 years!

China / Taiwan / Chinese culture

A tale from ancient China: The gods took pity on Zhong Kui when he committed suicide. They named him King of Ghosts and tasked him to discipline demons, with bats acting as his helpers who scout out demons for him to vanquish.

In Chinese opera, the Zhong Kui character wears a bat motif on his mask.

The Five Blessings (五福 wŭfú) in Chinese culture are health, wealth, longevity, love of virtue and peaceful death. They are represented symbolically by five bats (五蝠 wŭfú).

In traditional Chinese culture, bats are lucky symbols because the word for bat (蝠 fú) sounds like the word for blessing (福 fú).

Lucky bat motifs can be found on traditional ceramics, jewellery and textiles in Chinese, Peranakan and other Chinese-influenced communities across East and Southeast Asia.

Vietnam

Locals believe that flying foxes roosting in the Wat Mahatup temple grounds in Vietnam are calling forth blessings from Buddha when they circle the temple during their fly-out every evening.

Malaysia / Indonesia

The indigenous Mah Meri in Peninsular Malaysia perform a traditional dance called 'kuang kuwait', mimicking the graceful movements of flying foxes.

The 'siku keluang' a choreography step in the traditional Malay Zapin dance represents humility and restraint - inspired by the flying fox wrapping up its mighty wings' strength when not in flight.

The 'siku keluang', meaning flying fox elbow in the Malay language, is a zigzag, chevron or herringbone motif used in Malay and Javanese traditional textiles and pottery.

According to a traditional Iban belief from Sarawak, Malaysian Borneo, bats act as shamanic messengers to the upper-world during the Gawai harvest festival.

The indigenous Iban in Sarawak traditionally featured the flying fox, locally known as 'semawa', as a tattoo motif.

Papua New Guinea / Western New Guinea

In Bowi folklore of Papua New Guinea, Kinjinmbunduo was a mythical giant flying fox female spirit who left thunderstorms and strong winds in her wake, striking terror and awe but also replenishing the river basin with fruit trees by dispersing seeds during her nocturnal visits.

In New Guinea and Papua New Guinea, the indigenous Asmat and Trobriand carved out flying fox motifs on their war shields to represent triumphant head-hunters.

Samoa

Flying foxes are perceived as protectors and saviours in Samoan folklore. According to legend, Samoan Princess Leutogi befriended and warned flying foxes about the king's hunting plans. In return, the bats rescued her from being burned alive and also brought her food when she was stranded on an inhospitable island. She later bestowed the name "Tonumaipe'a" on her son, meaning "rescued by flying foxes".

For Samoan men, the pe'a—the local name for flying fox is a coming-of-age tattoo that extends From the waist to the knee, symbolising protection over a warrior.

The Samoan war god Sepo took the form of a flying fox to guide his people in battle. If they saw a flying fox ahead, it meant victory would be theirs; if it flew back towards them it was a warning to retreat.

Australia

Flying foxes were important animals to the Aboriginal people of Cape York, Australia, and a common feature in their prehistoric rock art.

Folklore of the Aboriginal Wik in Australia tells of two brothers who broke taboo by spearing and cooking flying foxes. The bats escaped and carried the boys up into the sky as punishment, leaving them there to serve as a grim reminder now immortalised in the Gemini constellation!

Link to open access article of the research: