#same with Scarecrow

[enigmatist17]

Okay, I finally have all the episodes done, and man oh man do I have thoughts.

First off, I can see why people compared this a lot to BTAS, and tbf I did too, but it's just not BTAS. While it has a lot of the same vibes, it makes its own 1940's noir style, which I think really works for the most part. Gorgeous city and background, but I can see the Bruce Timm "similar faces for certain characters" thing going on, which does kind of take me out of things a little. Love the fighting, love the gore and deaths that very much feel in tune for the gritty Gotham/DC world, love some takes on early villains that I kind of hope we see later on in more seasons. Over all I think it's a solid 8/10, and I need more of this show.

So there are some...issues ---

I really didn't like how Bruce is such a dick to Alfred, like come on guys :/

I get this is the early years, and usually he's kind of standoffish, but there were a few times he was just downright nasty and I am not with that >:/

Was also not a fan of Harley's redesign and how short her arc was, she needed more time before the big reveal of how she's already down the rabbit hole, which, while that's a nice change, felt very abrupt and I don't like how that all ended with such a small amount of time to see her on the other side. I really hope she kicks ass in a potential second season, and generally I just want to see where she goes before Joker.

Not cool they made Bullock corrupt yet again, poor dude can't catch a break I stg.

ALSO WHY DID YOU KILL HARVEY/TWO-FACE ARE YOU FOR SERIOUS

WE COULD HAVE HAD THINGS MAN, WE COULD HAVE HAD SUCH A COOL FUCKING STORY WITH HIM AAAAAAAAAA

And fuuuuuuuck that reveal at the end

Onto the more positive things ---

I love love love love love the Two-Face angle they went with, where he is the non-aggressor and Harvey is the one off of his nut. It really works with how they showed him to be through the season, kind enough but 100% in it for himself/his campaign, and to let that desire and paranoia to consume him as opposed to pouring it into making Two-Face was a refreshing take for him. It's a FUCKING SHAME THEY KILLED HIM COME ON.

Really liked Nocturna(?), I know she was supposed to be in BTAS but was considered too dark for the time, so it was nice to see some concepts being shown here.

Alfred is and always will be the GOAT, that's about it for him. Same with Jim Gordon, dude was solid as he was practical, and as always I love him <3

Even though her name was dumb, I really didn't care about Oswalda being genderbent? She was ruthless and just as horrendous as I expected, and I'm here for that.

Overall I liked it, 10 episodes is far too short IMO, but hopefully we get more in the future!

[puppetmaster13u]

Prompt in Memes 5

Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.

[frootertooter]

Some BTAS Crane doodles bc he's so goofy and silly

[timethehobo]

Another year, still the same. Mostly.

[hood-ex]

Bruce looking like he wants to beat Dick's ass in Batman & Robin: Year One is absolutely sending me.

Bonus:

Batman & Robin: Year One #2

[finzphoenix]

He is so…perfect! *-* I know I shouldn't post so much non-related-artblog-stuff on main, but… look at him!!

[theyheoftheapocalypse]

grant morrison being in the danger days music videos is the funniest thing to me. because gerard way really said “hey can we get my comic book writer hero to be in this video and play the sexy bad guy” and grant was like hell yes

but. but then Sing. literally has a shot of grant pinning gerard against the wall and caressing his chin with the end of a gun, before they smirk and pull the trigger. gerard literally go-directed and planned these videos. they, at some point, had to sit down with grant and be like “okay here’s the plan” and grant just rolled with it

i think gerard had some fantasies to live out there

[dandp]

Fuck it, I'm face revealing because these turned out so cute. Look at us!!!

The pose was based off this picture of Team Rocket but I didn't show them the reference pic since my phone was being used to film, so it was actually based off my panicked brain badly trying to explain the pose in like two seconds 😭

I don't think any of us knew what energy we were bringing to that picture or matched each other at all but I kinda love the wackiness of it. And yes I did have a serious debate with myself about whether I would explain it as the linked arms or holding hands (didn't want to make it confusing by having it both ways like in the pic) and got so overwhelmed at simply hearing Dan's voice when I got towards the front of the line that I was like yeah I think holding hands will be too much in this moment 😂

[redclown19]

just want to say i really liked your fic!! i already left a comment on it but wanted to say it here too ::3 i hope youre really proud ! great job ::D

hi!! your comment made my day. ^-^ youre too nice. i did some doodles of your scarecrow qs a thank you.

again, thank you so much! (๑•▽•๑)

[vinsportgar]

they're five seconds away from kissing or killing each other

[jonathan-cranes-mistress-of-fear]

Who gave him a psychology book in arkham!?

-Scanned at 300dpi

[queen0fm0nsterz]

LITTLE NIGHTS FANS WAKE UP!!! THE LADIES HAVE FINALLY BEEN HARVESTED!!

Courtesy of my friend Gaboul, go check her out on twitter!!! She did an amazing job extracting the models and reapplying the textures... sadly these are not 100% accurate as she explained to me that additional details (such as Tengu's very evident runny makeup and the large stain on Teapot's back) are added later on as additional layers. Here they are still visible, just not as evident as they'd be in the game!!

[cartoonqtpie]

I'm having a lot of fun drawing Scraps

[soft-pine]

1.11 scarecrow

LOVE OF MY LIFE EPISODE OF ALL TIMES

first off, TUMMY!!!

second, we get some all time banger dean lines:

"i don't understand they're going to kill us?" / "sacrifice us. which is, i don't know, classier, i guess."

"i hope your apple pie is freakin worth it!"

lastly, scarecrow sets in place and affirms threads that will literally carry us through the entire rest of the show.

in the pilot john leaves dean coordinates for his next hunt. in 1.04, they find john has turned his phone back on (but isn't answering it and is directing people to dean). in 1.10 john texts dean a case and now in 1.11, he calls!

to dean, i think, this means he's been doing good. working the cases john sends and not getting distracted trying to hunt john down. he follows orders and in exchange is rewarded with slightly more contact.

sam, on the other hand, is angry. he's mad at john for not telling him what's going on. he's mad at john for not letting him help hunt the demon that killed jessica. he's mad at dean for just wanting to do what john says and not pushing back.

the whole time sam is on the phone with john, dean is desperately trying to get it. he wakes up shirtless (vulnerable) but almost immediately, he's fumbling to get a shirt on (armor) while reaching for the phone.

to me, nothing will ever beat dean's worried, "dad, it's me. where are you?" to him straightening his shoulders and going, "yes, Sir," in like three seconds.

the case john sends them to is a town sacrificing couples to a prosperity god brought over from europe when settlers colonized indiana.

in the car on the way, sam gets so mad at how dean's just wanting to follow john's orders and be "a good son" that he pulls the car over and leaves. so dean investigates burkittsville on his own and ends up being kidnapped and left by the townspeople as one half of the annual sacrifice. emily, the antagonists' niece is chosen as the other sacrifice.

the layers here are so dense! because, well, first off, we have dean paired with a woman who he is very friendly with but has absolutely no romantic interest in. but this coerced "couple" is what the townspeople intend to feed their fertility god in order to continue their vision of the colonial project. dean is both forced into the costume of heterosexuality and sacrificed for the american dream. this is maybe my favorite theme in spn.

however, rather than romantic partners, emily and dean are in fact mirrors. one of emily's first conversations with dean is about her love for her aunt and uncle and the town. and it echoes dean's compliments of john's work putting together the case file and in general, dean's desire to be a good son.

EMILY: Everybody’s nice here. DEAN: So, what, it’s the, uh, perfect little town? EMILY: Well, you know, it’s the boonies. But I love it. I mean, the towns around us, people are losing their homes, their farms. But here, it’s almost like we’re blessed. 

DEAN: Yahtzee. Can you imagine putting together a pattern like this? All the different obits Dad had to go through? The man’s a master.

but this all sours. emily's family is not nice. in fact, they try to kill her. and not only that - they tell her to just go along with it, to do as she's told. in essence, just to be a good niece.

what does this mean for a story where we know john has used his kids - and especially dean - as bait? where 1.02 finds them following instructions from john which result in dean kidnapped and nearly eaten before he and sam agree he should play the obviously well-worn role as bait. it makes me think of 1.16 when john says he showed up just in time to see meg fall out the window. but is that true? how do we know he wasn't there watching sam and dean tied up and toyed with?

it certainly wouldn't be the first time john has sat in the shadows while leaving his kids in the line of site for the monster. 1.18, 1.20, and 15.16 show that much. (and i really need to stop talking about every episode while just discussing one (and im going to do a whole post about the finale soon) but when i tell you the vamp case in 15.20 that they pick up was one john was working in 86 when dean was 7. and the pattern was the vamps were going after kids between 5-10 who were isolated and living at the edge of town....)

in 2.14, meg (possessing sam) is forcing jo to talk through what she knows about her dad's death.

JO: Our dads were in California: Devil's Gate Reservoir. They were setting a trap for some kind of hellspawn. John was hiding, waiting, and my dad was bait. MEG!SAM: That's just like John. Oh, I'll bet he dangled Bill like meat on a hook. Then what?

that line eats at me. "like meat on a hook" because see the thing is...

stacy, emily's aunt, tearfully tries to console her twice throughout the episode. she knows it's hard and emily's scared but stacy begs her to understand, it's for the common good. when emily is tied to the apple tree, crying and begging, stacy gently strokes a strand of emily's hair, trying to soothe her.

STACY: Try to understand. It’s our responsibility. And there’s just no other choice. There’s nobody else but you. EMILY: I’m your family. STACY: Sweetheart, that’s what sacrifice means. Giving up something you love for the greater good. The town needs to be safe. The good of the many outweighs the good of the one. 

it reminds me of the conversation john has with dean in the hospital at the end of 2.01. the theme of family and sacrifice and the greater good. and no other choice. and nobody else but you. the gentle cruelty.

HARLEY: It’ll be over quickly, I promise.

JOHN: Don't be scared, Dean.

[wigglybug]

doing redraws latelyy