#same old facsimile
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artcalledwrap · 10 months ago
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Thought Over Ammunition Some old country county cunts Not here for the C C C of Roosevelt Old carpeted baggers Dog barking from a front porch Add the felines to kennels One dedicated flight or three From a country Out of how many daily The cats with open drop cages parachuted in Most will get away and breed The k-9 is based solely on human love Most of them will be eaten And that’s for the World Until Domesticated Humans Are treated betted The domesticated animal will be consumed as food Add all un Dog/Feline unwanted in their caged domesticated gatherings provided by a humane society All un-wanted domesticated animals get sent to feed hungered people of the Earth Some people in those places will make them as pets That’s a bigger ratio than what you think Our scientists have gathered the data Or technicians have performed tech prowess & tech attack The punchers have inputed data Thought Over Ammunition And that’s for the World Until Domesticated Humans Are treated better All dog and cats go to feed the hungry And all other un wanted pets Fix the World Then you get to know where they will sit again the abundance of domesticated unwanted Animals need more rights See to courts People get squashed everyday See Ukraine See Gaza Let’s solve some hunger I’m an out thinking tank Woah! Stars crossed now focus Here, where mostly stand! On land, air and sea has to be a smaller society let alone the space above atmosphere Comeback to where you were born. Just here close to the ground Earth. Whoah! On the campus’ Greater meanings Thought over Ammunition Although moreover you may get zipped tied! Not in good old American metal cuffs You subjected as in Gulf War Era terrorist In America American Young Adults Zipped up like terrorist Rogues of States card education carried off and picture in police station and some intruders of America in America Keep it simple use plastic. Save Money They must be against a higher up cause A higher’s up cause And that’s for the World Until Domesticated Humans Are treated betted
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therainscene · 10 days ago
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[ST5 spoilers ahead. This theory is largely grounded in canon evidence from S1-4, but I will be referencing a couple of old S5 leaks below the cut.]
Stranger Things is a show that delights in escapist fantasy; it's packed with nostalgic references and celebrates the protagonists' love of gaming in order to remind us that we don't need to abandon our childhood interests just because we grew up.
But escapism is a double-edged sword that all too easily turns into an unhealthy coping mechanism, and boy is this show also one that delights in the horror of unhealthy coping mechanisms.
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I reckon they'd be missing a trick if these opposing themes didn't crash into one another for the final season.
Vecna seems to be motivated by a desire to help the kids he targets -- he wipes away their tears, he reassures them that their suffering will be over soon -- but he also barely seems to notice or care that he's just making the suffering worse. Which is exactly the attitude you'd expect from a villain who personifies the urge to turn to shitty coping mechanisms.
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Since S5 is going to focus on Will's coming-of-age, then whatever Vecna is up to must resonate with Will's worst coping mechanisms.
What better fit for Will "wants to sit in the basement playing games for the rest of his life" Byers than a fantasy world in which everyone is forced to be a carefree kid forever while their bodies rot in the Upside Down?
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Think about it: Henry wants to transform the world into something beautiful, but the world he currently seems to be ruling over is nothing of the sort -- is a cold and barren facsimile of Hawkins populated with monsters really Henry's idea of beauty?
Doesn't it make more sense for the Upside Down/Mind Flayer to simply be the hardware that helps him run his simulation of something more relatable -- an idyllic vision of the childhood he wishes he had, populated with all the kids he oh-so benevolently rescued from the fate worse than death that is wake up, eat, work, sleep, reproduce, and wait for it all to be over?
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We know for a fact that one of S5's episodes is titled Escape from Camazotz -- a reference to the misleadingly idyllic world from A Wrinkle in Time -- and leaked BTS photos from last year show Henry hanging out with a Hawkins child at a mysteriously pristine Creel house.
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It's promising, but I'm not a huge fan of using leaks as evidence. They always come devoid of context, and even difficult-to-fake things like BTS photos could be staged by production to throw fans off the scent -- so what does the canon suggest?
One possible hint is that the Upside Down has consistently borrowed imagery from The Matrix throughout the seasons:
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But more importantly, this theory is thematically consistent with what we currently know about Will in S1: while trapped in the Upside Down, he retreated to Castle Byers (his escapist safe space), and that's where he was caught, dragged to the library (another escapist space), and plugged into the vines that connect him directly to Vecna.
It's also subtly implied by Will's behaviour in S3 that part of him wants Vecna to succeed: he sticks with El after realizing Vecna is back, despite knowing full well that being able to spy on Vecna means Vecna can also spy on him; and he makes a suspiciously helpful-to-Vecna suggestion about how the party should go about investigating the monster of the week:
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Could Will be under Vecna's control here? Perhaps. But I think this is a choice he's making of his own volition.
Consider: At one point Will destroys Castle Byers in a fit of grief that his childhood is over, and this just so happens to be the same scene in which he becomes certain that Vecna has returned.
He has to grow up and face the horrible truth that he's gay and broken and in love with a boy who can't possibly love him back and he does not want to deal with this -- wouldn't he do anything in that moment to find a way to escape back into childhood? Is this not the perfect moment for a seductive voice in his head to start whispering offers?
Bargaining is one of the five stages of grief, after all.
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But then, so is acceptance. Will isn't walking the path of villainy here; he's at the temptation stage of his hero's journey.
S4 took him far away from Hawkins and allowed him to work through some of his feelings without Vecna breathing down his neck, and he comes to a very final-sounding decision about it:
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He's realized that longing to sit in the basement playing silly games with his crush all day is immature and turning him (in his opinion) into a jealous asshole--
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--and now that he's ripped off the band-aid with Mike he's gonna kill that underlying desire once and for all. Right?
Wrong. I mean, that's certainly what he believes at the end of S4 -- but he's still got a whole season of main character coming-of-age shit left to do in this show that delights in escapist fantasy and reminds us we don't need to abandon our childhood interests just because we grew up.
The visual similarities between the Upside Down and the Matrix aren't the only parallels between these two stories -- a theme present in both is the realization that the rules of the world you were raised in are an oppressive lie that you have the freedom to reject so long as you're brave enough to accept the truth.
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Much like Neo, Will has a deeper connection to the horrors than any of its other victims (beyond Henry himself), and that connection grants him the gift of True Sight:
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Stuck between the View-Master slides is how he describes it. Will can't bring himself to conform to 1980s expectations of normalcy, but he also can't bring himself to retreat into Vecna's time-frozen fantasy and hurt all of his friends.
The solution is to understand that Will's unique position doesn't mean he'll be forced to pick a side and either become a villain or sacrifice himself for the greater good: it means that like Neo he has the power to transcend the rules of false realities.
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Will can defeat Vecna without castrating himself in the process, and he can play D&D in Mike's basement for the rest of his life if he wants to...
...just so long as both he and Mike are brave enough to accept the truth first.
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thehomophobe · 4 months ago
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How To Fluster Them 😳
A Guide To See How To Fluster Your Cybernetic Sweetheart. These guides are in no particular order so choose whichever you like.
Freddy 🐻: 
1. Surprise gifts: Gifts from fans are always appreciated; they put their heart into it when crafting little crochet plushies or keychains or drawings of him. But when you create something; even if it's a crappy looking drawing, Freddy would blush at the sight. Notice how it says surprise gifts, so you must catch the android completely off guard when you gift him. Those are the perfect fluster moments.
2. Second-Hand Embarrassment: Freddy doesn't know too much about humans and human behavior despite being an A.I. But even with that said, he still learning social cues and human nature so don't chastise him over it. However, if you notify him about anything that seemed a little offputting, Freddy would become flustered over it. A simple, yet quiet, apology may present a sense of childlike guilt like a five-year-old apology for saying something out of pocket, but inside he is a little anxious. Try to calm him down by holding his hand or his shoulder and rub it affectionately.
 Chica 🐔:
1. Catch Her (In the act of doing anything): Caught her eating out of your trash again? Or maybe wearing your clothes? Perhaps sleeping with one of your plushies? Whatever silly little thing she did, if you catch her off guard or mention it while casually cuddling together, that'll surely ruffle her feathers...
Er...metaphorically...
2. Surprise Gifts: Just like Freddy, if you surprise her with a gift, you'll definitely fluster her. Honestly, she'll be easier fluster with a gift than Freddy. Recommend surprising her with food from a restaurant or a bistro that she always wanted to go to.
Monty 🐊:
1. Flirting (Back): He flirts with you on a daily basis, to the point where you can't tell when he is or isn't flirting. But once you respond back--twice as hard---you won him over. He'll be a blushing mess, god damn where'd you get that from? (Him obviously)
2. Physical Affection: Run your fingertips across any part of his body, Under his chin, up his arms, across his chest. He's so down bad for you. A hum facsimile to a purr would emitted from him. But if you wanted maximum domesticity, crawl into his lap and kiss him anywhere. We recommend anywhere on the face to get the best fluster.
Roxy 🐺:
1. Words of Affirmation/Genuine Compliments: Compliments are key; give her one, but make it candid and sincere. She's gonna be thinking about what you said all day. All week depending on what you said. We recommend not making any sexual compliments though, they won't hit as hard as heartfelt ones.
2. Physical Affection: Massage her. You'll get a blush from her, even if you can't particularity see it. Comb through her hair, no please do it. We recommend that hair-grooming can result in flustring. Only do this for about 10-30 seconds, be prepared for her snapping at you to back off.
Sun ☀:
1. Words of Affirmation/Genuine Compliments: While not as starved for plaudits as Roxanne, be complimented on his talents would definitely result in flustering. Would recommend compliments on: acrobatics, artistic ability/creativity, singing voice, appearance (i.e. calling him handsome, cute and/or adorable), how good he is with small children. These all resulted in 100% flusteredness.
2. Physical Affection: Holding hands, brushing shoulders, bumping hips, any sense of gentle touches trigger blush for the android. An small interview with Sun noted that you make him feel "all sparking and buzzing on the inside" similar to freshly lit fireworks. Would recommend cradling his face for ultimate fluster and completely domesticity.
Moon 🌑: 
1. Words of Affirmation/Genuine Compliments: Mainly the same as his brother, yet somewhat easier to fluster as many of our research has resulted in. It appears complimenting his looks and singing voice result in 92% flusteredness. The 8% being snootiness/agitation. A smaller interview with the android had stated you give him the butterflies in his stomach when this is done. We highly recommend it.
2. Physical Affection: Once again like his brother, holding hands, cuddles, and cradling his face all result in blushing. You make him feel weak. In a good way. In a staticky, heart melting way. Just hold him close like how he holds you close. If he tries to look away keep your eye contact, tell him his eyes are beautiful and refocus his vision.
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travelingtwentysomething · 6 months ago
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Prompt: “Pick a god and pray” they said, and you did, praying to every god you knew. And as you did this a name popped into your mind, one you didn’t recognize, yet you prayed to them all the same. In response the air stood still, like even the world had forgotten their name.
Devotion Tastes So Sweet On Your Lips (AO3)
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It was another one of those nights- Steve was running through the dark trees, waking nightmare chasing him down.
He prayed his footing stayed true. He prayed that his breaths didn't falter. He prayed that the hungry darkness falling fast in his shadow didn't catch him.
He prayed to all the gods. Every deity he had ever learned of, all the new gods, and the old. He prayed until the sweat burning his eyes blinded him and he felt a root leap up in front of his foot.
He stumbled but did not fall.
But the sound of a snapping maw was closing around the dust he kicked up.
Suddenly, in his desperation, a name floated from the depths of his erratic heart to the tip of his bitten tongue.
"Eddie the Banished, of the Fallen Forest— Please- Please," Steve huffed, a force behind the name punched through his diaphragm and left him no air to plead with.
No sooner had the name fallen from Steve's lips, than the ground fell away beneath him- an embankment, steep and unforgiving in its angle. He rolled past tree trunks, slid over rough roots, and scraped jagged rocks loose for gravity to bring along for the ride.
His body hit the bottom and bounced.
Steve was dazed, his ears felt muffled as if he had landed underwater. He sat up so fast his vision swam, leaving trails of light where the stars shone down on him under the glare of the full moon.
He tried to stand, but his stomach protested- knees, shaken and unsteady, refused to hold his weight. He fell, once again on his back, trying to catch his bearings.
When his head cleared enough that the moon ceased it's dance in the sky above him, Steve sat up slowly, taking stock of his surroundings. He strained his ears to hear the snap of twigs or the slide of rocks down the slope he had just ridden as his pursuer followed him into the gorge.
It was silent as a ghost.
Steve pressed his palms to his ears and felt no blood, squeezing to try and pressure shock them into working.
He listened again—
Not even a whisper of wind in the trees.
Steve picked up a twig from the soft bed of moss that had saved his limbs from the worst of the abrupt impact and snapped it between his fingers- the sound sharp enough to startle him.
His ears worked just fine, it seemed- it was the forest that was broken.
As Steve got one knee under him, prepared to make another attempt to stand- a shadow fell over him.
Steve kept his head lowered, subdued under the charge in the air- the unmistakable aura of predator.
He slowly raised his eyes, and only his eyes.
There, standing tall above him, was a Wild God.
"It has been... So long-" The voice was grinding stones carried on the wind, "I'd forgotten what it sounded like." The Wild God lowered his body into a facsimile of a bow. A hand that shadows cling to like smoke, finger tips black as the night and ephemeral, ghosted under his chin, raising Steve's eyes to meet the darkness shining in the Wild God's own. "My name on some desperate tongue."
Steve was struck with a lightning heat deep inside his belly that rose like a plume of ashes from the mouth of a volcano, his face burning under the gaze of the most beautiful and terrifying wonder he had ever witnessed.
"Say it again." The Wild God demanded, voice deep enough to shake the ground Steve knelt on.
"Eddie the Banished, of the Fallen Forest." Steve moaned, unabashed.
Eddie's eyes rolled and the whites flickered behind shivering lashes as he savored the taste of devotion.
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@steddiemas week 1 - Snowman, Cabin, Cold, Fireplace
rating: T | words: 1,958
i decided to craft a fic again this year, each chap for each week with each of the prompts in the chap somewhere.. see y'all next week for chap 2!
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Thanksgiving of 1986 blusters in with record lows for the season, and a whole foot of powdery white snow along with it.
And if Eddie and Wayne hadn’t been invited to dinner with the rest of the Hopper-Byers clan, he’d’ve stayed right where he was, thank you. Bless whoever invented flannel sheets; May they be revered in Valhalla for their continued heroic victories over the ever present cold seasons.
A knock at his door interrupts his attempts at going back to sleep. “C’mon son, get goin’. It’s nearly two and we gotta get out to the Chief’s without dyin’.”
“Mmmurgh.”
“G’mornin’ to you too, sleepin’ beauty. Now, Up.”
The sound of Wayne’s footsteps creaking back down the hall, the squeak of the oven door hinges, the rumble of water in their ancient kettle, all the sounds of home and warmth and.. Surely he can close his eyes for just a minute lon—-
“Up, Ed!”
“‘Lrigh’, alright, I’m up!”
Being so brave about the cold, he flings off his sheets all at once, and hurriedly starts pulling on the clothes he laid out the night before. Non-ripped jeans, a thermal undershirt, his flannel, thick socks, jacket.. 
He stops as he’s about to pull on his shoes, kicked off haphazardly the night before, when he notices how bright everything seems behind the blanket he tacked up over the window. He pulls back a corner..
“Jesus H. Christ.. “
Snow.
He shakes his head and grabs his other shoe, “Wayne, we have plastic bags, right?”
Again, being so brave about the cold, Eddie shuffles the dish around in his lap carefully as he opens the door and lowers himself out of Wayne’s truck once they arrive.
“Careful now, that butter’s hot.”
“I know, I know,” Eddie says, looking at where he’s putting his feet. It looks like someone shoveled out the area, but better safe than sorry.
“Oh look at that, yer boyfriend’s here.”
Eddie’s head snaps up immediately. Wayne’s eyes are crinkled up mischievously as he glances up towards the snow-spattered burgundy BMW parked closer to the cabin.
“Shut up old man, he’s not my boyfriend.” Eddie grumbles, tilting his burning face back down to the snow scheming up his demise. 
“Oh, right, my mistake..you only wish he was.” Wayne chuckles, following him up the few steps to the front door.
Sure, he’d been actively flirting with Steve since before he was even out of the hospital, sometimes even in earshot of Wayne (to his utter embarrassment), but that doesn’t mean he particularly wants his uncle teasing him about it, or that Steve’s even been receptive to it.
(Well, he’s blushed a couple times, and rolled his eyes seemingly fondly… and he’s not asking Eddie to stop…)
“He’ll get there, kiddo,” Wayne says as he pats Eddie's back, then turns to give the door two solid knocks.
Eddie’s face burns, “I said, shut up. You’re the worst.”
There’s a couple steps from inside, then the door opens on a still thin, but slowly filling out, Former Chief Hopper.
“Glad you guys made it, wasn’t expecting snow.” Hopper says, reaching a hand out to shake Wayne’s.
“Thanks for havin’ us Chief, cozy place you got here.”
Hopper grunts in a facsimile of appreciation for the compliment as he ushers them in. “Did some work to it since bein’ back, fireplace is finally fixed, added a couple rooms and a half bath…”
“You’re kiddin’, and you didn’t invite me over? You know I use’ta be a SeaBee.”
Hopper waves him off as Eddie tunes them out, taking the few steps into the kitchen to drop his about-to-start-burning-him dish on the stove top, and turning away toward the back door.
“What’re we lookin’ at?”
Steve and Robin both startle at Eddie’s voice coming from between their heads, both of them focused out the back door’s big window.
“Shit, Eddie, you’re gonna give me a heart attack.” Steve says at the same time Robin smacks his shoulder with an “Asshole.”
“We’re waiting for Nance to get back from Indy with the boys,” Steve explains, “Jon and Argyle’s plane landed at noon.”
“And Joyce took the open shift at Melvald’s, they close here soon and we’ll be able to eat after that.” Robin adds on., turning back toward the snow. 
“And you two didn’t bring your snowpants?”
“Wish I did,” Steve grumbles.
“I haven’t had snowpants since I was 11.”
Eddie taps the side of his nose at her, then pushes out the back door, “Well, I didn’t put these bags on my feet for nothin’.” He hops down off the cleared top step and nearly wipes out as his heels hit the completely snow-covered bottom step. 
“You’re gonna freeze in those jeans!”
“Hopper’s got a fireplace, don’t he?” Eddie calls back at Steve as the door squeaks shut behind him. “Never fear children, your beloved leader has arri—”
The cold wet smack of snow in his face (and mouth) stops him in his tracks.
The door squeaks open behind him immediately. “Dustin, I told you not in the face!”
Dustin, the little asshole, just laughs.
The snow drops from his face just as Steve finishes trudging through the snow to him, “You okay Eddie?”
“Stevie dear, care to join me in a shithead hunt? It’s happening later in the year than I thought, but,” he shrugs, stooping low for a swipe of snow and straightening up again, “better late than never, right?”
Lucas, Will, Mike, and Dustin tear off into the woods, abandoning their half-built snowman and calling commands at one another that have no hope in sticking.
“Mike! Go right! Will, left!”
“Hurry up and start making a wall!”
“You make the wall! El, help me make snowballs!”
El, still sitting up at the house and adding snow to an actually surprisingly well-crafted throne for Max (who’s already sitting in it, mind you), simply says, “No.”
Eddie’s fingers are already numb, but this perfectly shaped sphere of snow’s really gonna pack a punch.
“None of you shitheads better hit Max I swear to god!” Steve yells toward the boys.
A snowball smacks into Steve’s chest.
“Hey! Who said I was getting involved?”
Eddie barely contains his laugh, “Sorry Stevie, all’s fair in love and war.” Eddie shrugs, then turns on his heel and snaps his snowball into Lucas’ right shoulder.
He cries out, “AHH He got me!” and flops back into the drifts.
Steve starts spluttering again, “Holy shi— what the fuck?”
Wincing minutely, thinking he’s about to get his ass handed to him by Steve for hurting one of his goblins, Eddie turns back, “Sorry…?”
Steve just stares at him in apparent awe. He’s still got snow on his chest, his cheeks red with the cold… damn he’s pretty.
“Where in the hell did you learn to throw like that?”
Oh.
“Oh, uh..” Eddie just shrugs. “I’ve always been good at throwing things.”
A snowball smacks against the side of the house behind them.
“And you weren’t on the varsity team?? Baseball’s one of Hawkins’ worst performing teams, you could’ve made us great!”
Another plops pathetically into the snow at their feet. Three of the boys’ cackles echo up the hill.
Eddie snorts a laugh, “Yeah, no. I had better things to do than go to practice, let alone…” he shudders dramatically, “Games.” and Steve rolls his eyes, but smirks.
Someone finally manages to hit Eddie again, this time in the leg.
“Besides,” he says to Steve as he scoops up another handful of snow, “I prefer catching.”
Steve’s face blazes red when Eddie gives him a wink, then turns again and sends his snowball flying right into Mike’s stomach.
“Blugh,” he says, ever the eloquent one, as he doubles over.
“Ah! He’s coming down here!” Will cries as Eddie bounds down the hill after his last projectile.
The boys abandon their half-built wall and move deeper into the trees, and Eddie ducks behind it and the tree it’s built against.
He listens to their shouts, doing his best to locate them, when the squeaky crunch of snow comes from behind him.
“Will and Mike went right, Dustin and Lucas went back and to the left, who do you want to go after first? Lucas has the arm, of course, but Will is the stealthy one..”
A not-at-all-new rush of affection for Steve floods his chest with warmth, and Eddie cringes internally at how sappy that is.
“Stevie, you and your brain are my favorite things in the world right now.”
His cheeks flush again, “Shut up man, lets just take these assholes down a peg, huh?”
Eddie grins at him, and opens his mouth to say something when something cold and wet and solid smacks into the side of his face.
He and Steve whip their heads around back toward the house only to find El and Max grinning down at them.
“Aw shit.”
-
A scarce 10 minutes later, Eddie and Steve are scrambling up the hill yelling “Uncle, Uncle!”
Steve’s at the door first, holding it wide to usher Eddie in before him. Immediately, Eddie’s skin starts to prickle with the change in temperature.
“Jesus Christ, those kids are ruthless.” Eddie says as he strips his shoes off, flicking away the clumps of snow that have adhered to the ends of his laces.
“You’re telling me,” Steve shudders, then has to raise his arms to protect himself from the spray of water coming off Eddie as he shakes his head around like a dog. “Aw what, are you kidding me??”
Steve toes off his shoes as Eddie cackles, then he starts to nudge Eddie forward, shoo-ing him towards the fireplace.
“That wasn’t very smart of you, was it?” Robin remarks, not looking up from the paperback she’s reading.
“What’d that book ever do to you?” Eddie asks, affronted at the way she’s got the front cover curled back around the spine.
Robin opens her mouth to respond, but is cut off by Steve, “Don’t start; Eddie, floor now.”
This time Eddie is the one cut off, “I’m not letting either of us get Hopper’s couch all wet. Now, sit.”
Steve pushes down on his shoulder and Eddie goes, plopping onto the floor in front of the fireplace.
He sheds his jacket, and joins Eddie on the floor, stretching his legs out in front of him, his toes toward the flames.
Sighing, Steve drops his head back into Robin’s lap and closes his eyes. “That was fun, huh?”
Eddie similarly drops his head back onto the couch behind him and listens to the kids screaming outside. Sounds like Max and El are in the thick of it now. Eddie smiles, “Yeah, it was.”
Next thing he knows, he’s startling awake to the telltale post-snapshot whine of a camera.
He blinks up at the blurry-but-getting-clearer form standing over him, “Rise and shine, dorks, food’s ready.” Robin says, grabbing the picture printing from the camera and giving it a couple good shakes. She wanders off then, calling “Hey Chief, do you have a marker?”
“Whas’ happen’n?” Steve groans from beside him, rubbing his eyes, frankly, way too hard.
“Food!” Dustin yells from somewhere behind the couch.
Eddie turns onto one knee and pushes himself off the floor with the help of the sagging couch, “Urrgh, that’s not going anywhere anytime soon,” he groans to himself with the stretch of his back, “C’mon, Stevie, let’s scrounge up some sustenance.” 
He holds a hand out for Steve to take, hauls him up, and, under the guise of making sure he’s stable, holds onto Steve’s hand for just that much longer. 
“You good?”
“Great, Ed,” Steve smiles, “Let’s eat.” he gives Eddie’s hand a barely-there squeeze, then drops it, winding around the couch to the kitchen.
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dividers from here! | buy me a coffee? ☕
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apocalypse-shuffle · 6 months ago
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JASON TODD | RED HOOD (generalized fanon | maybe wfa)
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“Yesterday, Today, and Tomorrow” (Jason Todd x Fem!Reader)
| Jason and you need to talk, the incident with Robin hanging over your necks like a relationship guillotine, but days later Jason’s realizing that shit is easier said than done.
| SFW, pre-established relationship, secret identity, reader’s hair is long enough to go into cornrows
| pic source: right= Batman Annual #25, middle= Red Hood: The Lost Days, and end= Batman: Under The Red Hood • all comics
| part of the meet the bats series
| 1k+ words
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It’s been three days.
Three days of them easing around one another. Of this awkward balance of you not knowing how to best broach the topic and Jason knowing that but being too tense to push. For the last three days he’s been actively fighting the need to cut and run until it was silently agreed upon that you’d both just ignore that night and the appearance of Robin entirely.
That’s what you’re both doing right now actually.
Rarely, in your case, there’s nothing filling the silence around you. No music, no podcast, you yourself aren’t even cutting through the silence with your own voice. The only sounds between the two of you are the drone of the stove vent, the clicking of the oven, and the knife in Jason’s hand clinking against the wooden cutting board he’d gotten you last year as a housewarming gift; the sound of it knocking through his head like a taunt with every cut.
You’re keeping to yourselves in your little corners of the kitchen, a crude facsimile of your usual laughter-filled Sunday Dinner prep.
“Can you chop the parsley for me now, Jay?”
Jason hums and moves to fulfill the request, barely moving an inch to where the wicker produce basket is chilling on the counter and grabbing the herb.
He chops it all in under a minute and turns to swipe the hand full or so from the board to the bowl of ricotta, shredded mozzarella, and seasonings you’re mixing but when you turn to him his brain stalls a bit.
It’s not like he hasn’t seen you before now. This was your place and you’d greeted him at the door, but even the way you’d said ‘hi’ to each other had felt weighted. There’d been a slew of unsaid emotions locked behind both of your words but apparently catching sight of you now - slightly frizzy week old cornrows and a smear of hastily wiped tomato sauce on your cheek - is what finally unlocks his jaw.
You hold the bowl out for him to scrape the parsley in, not looking at him as you talk; your eyes, instead, on the stove top.
“I need you to taste the sauce before I add the ground beef, it’s kinda sour—”
“—Did you mean it?”
When you pause to blink over at him he finally remembers to scrape the parsley in.
“What?” Your face screws up before your head shakes. You put the bowl down on the counter behind you so you can cross your arms.
He does the same with his board, clearing his throat.
“That love and trust stuff you said the other night? That wasn’t just some shock induced rambling, right?”
The way you purse your lips bellies your frustration, but whatever his face is doing ultimately make you sigh.
“Yes, I meant it.”
He nods, doing a horrible job of looking like he’s not on the verge of bolting going off of the stare you’re pinning him with.
“Great,” he murmurs. He shifts, crossing his arms himself and leaning back against the counter. “I meant it when I said ‘love you too’…by the way.”
In response all you do is stare. Jason figures that’s fair and stays still under your scrutiny.
A minute of silence passes, only broken when you laugh a little and Jason can’t help but scoff at himself too.
“Fuck, you’re a mess.” You sigh, “I know, Jason. You wouldn’t’ve said it the first time if you didn’t mean it.” You raise your hand to make a so-so motion. “Run away maybe, but, you know?”
“Sorry,” he offers.
You shrug.
“Uh huh. So we talking about the Robin little brother thing now or…?”
“No, we can talk,” he cracks his neck, “You do deserve to know after everything with Dami and his sword.”
You cringe suddenly and Jason can guess why; waking with a sword to your throat will do that to you.
“I do, don’t I?”
“Hn,” Jason chuckles, but when he holds his hand out to you he’s holding his breath.
For a moment he’s really worried you’ll stare at his hand like it’s some kind of venomous snake and blow him off - he’s been distant, he gets it - but you only hesitate for a second before slipping your darker hand into his.
After that it’s a whole lot easier for you two to gravitate towards each other, colliding like two uncoordinated magnets in your haste.
Jason just holds you after that. Let’s the balm that’s rubbing his cheek against your soft hair and feeling your breathing so close with your arms around his shoulders wash over him as one of you slowly works y’all into a sway.
“The next time one of these things happen it cannot take three days for me to get an explanation, Jay.” Slowly one of your hands runs down his arm till you can tap the back of his hand, immediately he turns it over for you.
“I know,” he murmurs, “I’ll work on the confrontation thing.”
Your hand fits perfectly into his and squeezes once your fingers lace.
“You do that.” You press a kiss into his shoulder, drawing a low hum from him, and he can feel you smile against him before you continue. “I will also try making it more clear to you that I’m open to talk to, okay?”
“Yeah,” Jason agrees, pulling you closer and wrapping you tighter in his arms. He tenses up a little. “Is the stove—?”
“Stove’s good,” you squeeze his hand, “the lasagna noodles are still boiling so you’ve got a good eight minutes.”
You look up to smile at him - only somewhat strained - and Jason goes in for a short kiss. You’d said you weren’t going anywhere but he knows how overwhelming this whole thing can be.
“Alright, but you gotta promise not to freak,” he stresses.
You nod.
“Okay,” he clears his throat and makes sure to very carefully look into your eyes. “Most of my…’family’ are vigilantes. Including me.”
He leaves out the ‘sort of’ that he feels the need to tact on to the end of that sentence. He’s heaping a lot onto you as is and it wasn’t like you weren’t around when he first wreaked havoc on Bruce and overhauled Gotham’s criminal underbelly. He doesn’t regret it exactly, but it was still a point of contention.
“Right,” you nod before pausing. The way you look at him, mouth dropping open with a mixture of awe and something apprehensive, isn’t promising. “You’re not…Batman are you? Or one of them?”
Jason’s familiar with the theories that Gothamites make up about them - it came with the territory - but the way you dropped your voice to whisper that last question throws him. He would’ve never guessed you were such a conspiracist. Let alone a multiple Batmen truther. The theory wasn’t exactly wrong, but it certainly didn’t get the majority of the cowl switches correct.
He starts to laugh, only quelled after a slew of moments by the scowl that flashes across your face.
“No,” he chuckles. He wasn’t in the cowl for long at least. The grin he throws you manages to thaw that scowl at least a bit. “And thank god for small mercies.”
“Ah,” you tilt your head, “well - I mean as long as you’re not a rogue or like the Red Hood or anything then it’s not like it’s the end of the world,” you giggle to yourself.
Jason falls silent
When you look back to him, noticing the way he’s half cringing, your eyes widen and your mouth drops open.
“Shut the fuck up!” The beginnings of what might be a grin curve the surprised ‘o’ shape of your mouth as you take a step back. “You’re lying!”
Your eyes stay wide and your mouth fully forms into a wide grin. You smack him on the arm. Jason fights not to make a displeased sound at you taking your warmth away.
“You’re fucking lying— wait!” Your hands come up to frame your face. “Oh my god. What- what does this mean for our relationship?”
A sting goes straight up his spine and Jason surges forward to wrap his hands around your wrists, shaking his head.
“Nothing hopefully,” he says, “this doesn’t have to change anything if you don’t want it to. I’m still me, you’ll just be privy to a bit more of the inner workings of Gotham, but nothing crazy or too dangerous.” He grimaces. “The last thing I want is to endanger you.”
“Hold on. No, Jay, that’s not what I meant. I promise you this isn’t a deal breaker. Just…” you move to wave your hand still in his loose grip towards the sliding doors, indicating the rest of the city, “…I have something of a standing complaint with the Red Hood for blowing up my favorite bagel shop.”
“Oh?” He practically goes limp against you, letting go of your wrists after kissing the juncture of both to wrap his arms back around you. One corner of his mouth curls up. “Would you like to file a formal complaint?”
“I would, actually.”
He snorts, “In my defense it was a drug front for a group who was conspiring against me.”
You cast him a contemplative look before letting out a wistful sigh.
“Good bagels though.”
Simultaneously the two of you break off into laughter, hanging off of each other before sobering naturally as the timer rings and you’ve got to strain the noodles.
When you’ve got the water drained and are moving to set up the assembly station for the lasagna you throw him a grin.
“For the record, I think you would’ve made a great Batman.”
He laughs goodnaturedly, going over to add a pinch of sugar to the tomato sauce.
“Says you and nobody else but me,” he jokes.
“That’s alright,” you come up to press a kiss to his cheek from the side, using your hip to bump him out the way a little so you can slip one of the towels from the oven handles, “Gotham wouldn’t have been able to handle you, anyway.”
NOTES: Hope you enjoyed!
Funnily enough she’s technically meeting the Red Hood in this one to some extent, but I’ll probably write a more costume focused entry later on that is her fully meeting Red Hood similarly to how she meets the other Bats.
btw: if you’d like to leave a comment I’d very much appreciate it!
Tagged: @bandshirts-andbooks
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yeyinde · 1 year ago
Text
SEA FEVER | Sailor!John Price x Reader
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When he invited you to see his ship, half of it was—admittedly—a euphemism. A thinly veiled come-on. A facsimile of romance. Who wouldn't, after all, want to drift out to the open ocean, making love—or some sad version of it—under the stars on a clear night? And he thinks that might be fine. Maybe it's all you want from him, anyway—just a night. A moment. A memory to keep.  But John's always been greedy. The kind that wants, and wants. Once would never be enough, and he knows that if he sunk his teeth into you, a bite would never satiate his rapacious appetite, never quench the hunger.  And since he can't make a meal out of a morsel, he'd rather starve. 
tags: fluff, angst, unapologetic pining, obsession at first sight (but then love follows), blink and you'll miss it awful coping mechanisms (self-isolation, self-exile) and brief allusions to trauma (unresolved because this is about fucking the physical manifestation of the ocean, lads; it ain't about healing), egregious sea themes, a Newfie and his Newfie-isms, whirlwind romance; questionable sailing choices warnings: 18+ | allusions to smut but everything is brief and vague and more about the Feelings™ than the act, explicit male solo though but also very brief and about the Pining™. word count: 25k notes: unconventional leading man (haggard sea boy) romances local travesty (ambiguous, wishy-washy bartender) in a love affair no one asked for. That's what this is. Enjoy. 
*Suggestive themes are signified by a sailor's knot above the paragraph for those who want to read this, but don't care much for smut. SFW will begin with an anchor and wave divider above it. NSFW & SFW shown below:
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—PRICE
The storm off the coast of Newfoundland is stronger than he'd anticipated. 
What starts as a bleak looking cloud on the horizon quickly churns the waters into a rough, sickly looking grey that rocks against his vessel without any respite. The cabin is in utter disarray within seconds of being battered by waves that seem to grow in size with each harrowing shade of charcoal blue the sky turns. 
A few warnings from local trawlers in the area, ones quickly turning into the nearby harbour, and a firm reprimand by the Canadian Coast Guard when he radioed back and asked if anchoring was a feasible option (oh, sure, b'y, the man said, his thick Maritime twang hiding none of his derisive scorn. If ye wan'na meet y'r mak'r, it's a safe place to capsize, luh. We'll risk our arses in the morn' when y'need savin', we do. If there's anythin' left of ya that needs savin', anyhoo), he's quick to follow their example. 
But, unfortunately, not quick enough. 
The sudden squall tears through his hull with a vengeance, ripping the sails from their perch with a gust of wind that seems determined to play chicken with the efficiency of his ballast tanks (a pyrrhic victory for Captain and her unquenchable bloodlust for trying herself on just how far she can list before rocketing back upright). He knows with full certainty, and innate experience traversing through the Gulf Stream when he was younger and much more foolish, that the damage is nearly catastrophic. Nearly, of course, because while it clipped his sails, he has engines to bring him back, limping, to the coast the Guard directs him to. 
"See there, y'er ten clicks away, b'y. Sending coordinates in a minute, now."
He's reminded of the warnings given by gnarled, old sailors who told him about the dangers of solo-sailing as he tries to be everything all at once to get his ship to the harbour they directed him to. Asking him, how can you be the captain, the navigator, and the watch all at the same time? When do you sleep? The answer, of course, is barely, but Price likes the freedom of being on his own. The isolation at sea isn't for everyone, but he takes to it with an ease that seems to defy all the gods of the ocean until he stands triumphant in his own domain, on his own ship. 
Until now, that is. 
Until he's battling with a handicap in the ocean. 
But somehow—luck, maybe—he limps his way to the port where he finds fishermen helping latch the vessels to the marina in the harbour. 
Shaded in a dreary grey, the port looks grimy and desolate from his cabin's porthole. A few wooden shacks on the beach are painted in faded primary colours and bear the quintessential marks of a seaside town—seashells, sailors knots (Carrick bend and Ashley stoppers), seahorses, and anchors. Without the dour grey of the downpour, he thinks it might be charming in a way. Quaint. There's a market to the west of him where stacks of lobster cages sit. Men in wellies and rubber dungarees shout orders amid the chaos of the storm, and he takes a moment to gather his things in a rucksack before he joins them on the deck. 
This late at night, there isn't much anyone can do but hunker down and hope for the best. The men point him in the direction of the closest inn—the only one, another jokes—and he tries not to think about how badly damaged Captain will be in the morning. His own stupidity, of course; he knew there was a storm coming but he underestimated how vicious it would be. 
With a nod of thanks, he sets off. 
Brushing against the Eastern coast of Canada was meant to just be a simple drive-by back to Liverpool. Barely a stop, really. Just a scenic route so he could spend his thirty-ninth birthday over the sunken wreck of the Titanic before continuing on the nearly week-long journey across the Atlantic. 
But instead, he celebrates it with a bottle of rum, and a ship on the verge of sinking—stuck, now, in Nova Scotia until he can find a mechanic to patch her up before he sets sail again. 
He sends a quick text to Soap about the delay—stuck in Canada, fuckin' hurricanes—and tries not to dwell on the sudden ease in his guts at the prospect of not going home anytime soon. 
(There are worse places he could be for his birthday, he thinks. Like Liverpool.)
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The port he anchored his vessel to is a bottleneck between the last stretch of land for some hundreds of kilometres and the vast, ungiving ocean.
It isn't much to look at—just an empty boardwalk shaped like a horseshoe with most of the shops closed down for the season (or permanently, if the ramshackle state of them is anything to by), save for a grocer, an inn that takes up most of the middle section of the pier, a fisherman's village on the inlet with locals buying the wares from the lush waters filled to the brim with lobster and Atlantic salmon, a seafood restaurant, a cafe that moonlights as a pizza parlour in the evenings, and a pub—but it's enough for now. It's quaint, he thinks, even in its seasonal destitution. 
The buildings are all painted in faded primary colours that are washed out in the heavy rain that falls from some coastal hurricane just touching down in Labrador. 
It's one of those small seaside harbours that have seen better days. One with an economy wholly dependent on passing sailors just to survive, and he feels the despondency in the air like a thick, humid fog clinging to the skin of his neck. Fading signs. Peeling paint. There's damage to some of the buildings from a hurricane that must have swept through some several seasons ago, but the funds to repair are almost nonexistent, and so it sits. Festers. A broken reminder of how deadly the sea can be, even on land. 
The herringbone pier creaks under his weight as he walks the sandy trek from the marina beside the village to the inn (no vacancy, it reads, with middle letters flickering ominously), and he grapples with the unease that fills him at being on solid land for the first time in months. A strange, unshaky gait, as if the cartilage in his aching knees turned to liquid while he was at sea. 
It doesn't bother him too much—by the time he recalibrates to the weight of land pressing down on his soles, it'll be time to leave. 
Maybe. 
("It'll pass," the innkeeper sniffs when he asks about how long these things usually last. "Give 'er a week or so, and she'll blow right by. Might cause some floodin' in Halifax, but we're on the opposite end of 'er. Should be fine.")
It smells like rotten fish, blooming algae, and old frying oil—a typical thoroughfare for most of the harbours he's saddled up to in the years he's been traversing the open ocean. He breathes it in and finds himself already missing the potent loam that brims from the seawater at night. Salt, humus, brine, eelgrass; the ocean smells distinct in its rot. This, then, is a pale ersatz. 
He's been here for a short, few hours already, and still can't seem to adjust to life on land. To the smells, the sounds, the people—not that there's too many of them around here. Price would be surprised if this town's population was higher than three hundred. 
But it's stifling all the same. 
And cold. 
Being at the very tip of the Atlantic ocean, the weather is a near constant gloom. Grey, lacklustre skies smeared with thick, black clouds looming in the horizon like an omen. Salt-saturated air. It's a strange amalgamation between a chilling breeze from the sea and a dense wall of humidity even this late in September. It's uncomfortably thick under the veiled sun—a pale yellow hidden behind streaks of grey cloud cover. 
The best description for this little place is dreary. 
One he thinks might still be true even without the hurricane looming in the distance; a constant, inescapable chokehold within reach. 
In the interior of the small fishing village, people chatter aimlessly about everything except the hurricane (but he supposes that with the frequency of them happening, there isn't much else to say about them except, ah, fuck, again?). He finds a modicum of comfort in their strange twang—a mangled bastardisation of Irish, Scottish, and something unique to the barren, eastern coast of Canada. It almost feels like home, strangely. Like someone dropped him in the Canadian version of Cork, Ireland. 
The people he meets in passing as he drifts aimlessly between the shops, picking up something for dinner and a set of clean clothes, are friendly in an almost aggressive way. 
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Then, of course, there's you. 
You weren't expected. A catastrophe in the making, one that he can see coming from a mile away. It's something he has a keen intuition for—being able to sense the kind of trouble that will make leaving harder than it has to be—and he knows better than to entertain this little fantasy, but there's something about you that makes him keep coming back. 
Maybe it's the booze you ply him with; top of the shelf despite adding it to his tab under a bottom barrel price tag. Or the fact that no one has been able to replicate the perfect whisky sour he had down in Barbados, but—goddamn—you come very close. 
Or maybe it's just exactly what it is:
Loneliness. Distraction. 
He's a man always on the move. One who hasn't kissed land in months. And you're—
Well. 
You're the prettiest thing he'd seen since a rainbow cast a glimmering ring on the horizon eighteen kilometres off the coast of the Philippines. 
He isn't old. Not in the way that matters, but the sea has a way of chipping people apart; ageing them in ways that land just can't replicate. He's not yet forty, but sometimes he wakes up after barely missing a brutal storm in the middle of the ocean, and he feels like he's almost sixty. Battered body, bruised and broken; sunscorched. Salt-weathered. 
You, though, make him feel his actual age. As if he's some young, dumb lad who ought to know better but doesn't care. Flippant in the way only the people in Liverpool can be. Young of heart. Dumb of mind. 
And fuck—
Thinking about that place, those goddamn idiots in the pub who didn't know what quiet meant, makes him realise just how much he misses it. Not home. Never home. Home is the sea. The ocean. Home is this little place between land. A wild, untamed beast. The place where, when he was eighteen and smitten, he threw his heart down to the bottom of that unending chasm of midnight blue. 
But you make him homesick, and he thinks he ought to resent you a little bit for it.
(He doesn't, of course; doesn't think he could ever hate you for making him feel even though he should because you make leaving harder than it's ever been, and he doesn't know what to do about that.)
It starts over a glass of whisky. 
He's no stranger to being the foreigner, the tourist. Price is a tall man with broad shoulders and a permanent smear of sunburn across the bridge of his nose, no matter the season. With his unkempt beard of wry umber curls, his deep timbre that sounds more like the battered engine of a classic, American muscle car, a sea-weathered gaze, and his penchant for a stiff drink and an unfiltered cigar, he has a tendency to stand out. 
(Or so he's been told.)
So, when you round the corner of the bar, brow ticking up in intrigue as he wanders in, sun-beaten and salt-slicked, he isn't surprised to hear you murmur:
"Not from around here, are you?"
Still. It makes him huff. "How'd you guess?"
Your other brow joins the first. "This town has a permanent population of maybe sixty people. I like to think I know every single one of them. You, however, I don't know."
"That so?"
You nod. "Yes, sir—"
And fuck. The way you speak, softly but with a rawness in your tone that's completely void of any false pleasantry, seems to notch somewhere in his ribcage, however dusted it is with barren white cobwebs.
"No. No sirs here," he finds himself saying, unprompted, and a little adrift from his usual character. He likes the importance that comes with being known as an authority figure; respected—the responsibility gives him something to do, and John has never really known how to be anything other than a leader, even when he shouldn't be. 
(Especially when he shouldn't be.)
"Then what should I call you, stranger?"
He shrugs one shoulder in a lofty reply, but doesn't give you his name. Not right away, anyway—he also thinks he likes the mystery of being a stranger in a strange land—but you don't press. Your hands lift, palms facing him, in a mockery of surrender. 
"Okay, stranger. What can I get for you?"
"Whisky," he says, a touch gruffer than he should be considering how nice you're being, but he's also never been the sort to care much about social niceties. "Neat. Bottle of spring water on the side."
Out of the corner of his eye, he sees you mouth the words back to yourself, a little smile clipping the corner of your lips. Bottle of water. It makes him huff again. 
"Good business to mock your guests, is it?" 
It's your turn to shrug. "Only when they don't give me their name."
You're quick in a way he doesn't expect. Snappy. Unpolished. But considering the way you walk around the bar, snatching up a bottle, and then a glass without even sparing a glance to see what's in your hands, it tells him you're familiar with this place. I know everyone, it screams. 
It's an inference—but he's always been rather good at those as well—that you've been here a while. Maybe this place is home to you. Maybe it has always been. 
Growing up in a dilapidated port town must have rubbed off on you in all the wrong ways. Waspish but still deferential to your elders. Quick with your words. Taking everything to the chin without a flinch. 
You grew up around sailors. Around men who can't seem to stand still on land long enough to call any place home. And he almost pities you for it. Almost. 
But he doesn't know you well enough to care. 
So, he doesn't. 
Motions, instead, to the cigar case he lays flat on the table after fishing it out of his front pocket with a small murmur to see if it's alright if he smokes inside. Places like these are so far behind on bylaws, he doubts anyone would blink if he smoked indoors, but it's better to be safe, he reasons, than to find himself on the curb nursing bloodied knuckles and a black eye. 
(One too many nights down in Manila taught him well enough.)
You nod, then look around the empty pub. "Go ahead. I don't think anyone here will mind."
It makes bark out something that sounds too shorn around the edges, too frayed and unevenly cut, to be a laugh, but it still makes your lips quiver, pulling up in a smile. 
"Glad you've got my back." 
He leaves it open. An empty space for you to fill in, give him your name. A proper introduction. 
Price isn't too surprised when you don't, and instead use two, well-practised fingers to slide his drink over to him, not spilling a drop. There's a flash of teeth. A mockery of a smile. 
And then: "drink up. First one is on the house."
"Well, aren't you charming."
"It's just good business," you quip with a little more teeth. "Gotta stay above the competition."
It pulls another bark from his chest. The second in less than ten minutes. He can't remember the last time he laughed this much, however lumpish and unrefined it might be. 
"It's working," he adds, tipping the glass in your direction. "Might come back for a round yet." 
"Just don't be a stranger." 
He should have been. 
Living a large majority of his life floating aimlessly in the vast expanse of the open sea has given him several insights into who he is as a person, as a man, and what makes him tick. The situations he was forced into, almost all of them being life or death, make him acutely aware of himself in a way that only those who have trust pushed past the limits of their mettle know. 
Price is good at spotting danger. Looming storms. Rogue waves. Reefs jutting out in the middle of the ocean.
And everything about you is dangerous.
He knows himself well enough to know that you're his kryptonite. His weakness. That those glossy eyes, your stubborn pride, your spitfire mouth, are all things pitted against him. All designed to make him suffer as much as possible. 
You're more dangerous than running out of fuel near Australia. Almost getting capsized off the coast of Sri Lanka. Surviving a sudden hurricane in the waters around Mexico. 
You—
You make him yearn. You make him want. 
You make him think about things he swore off of when he was eighteen and set sail around the world all on his own. 
For the first time since he left Liverpool in a boat he named Captain, Price thinks about home. Solid land beneath his feet. 
Dangerous, indeed. 
And despite everything warning him away, he goes back. 
Blames it on a litany of things—all half-truths that are only marginally easy to swallow. Things like: it's been ages since he had a stiff drink, and this is the only pub in some ten kilometres, or so. The only licence he cared enough to renew is his boating permit, and he isn't even sure if his driver's licence from Hereford is valid anymore. Never bothered much to check. 
He needs to get out, anyway. Has to find someone to fix the leak he'd sprung crossing the Labrador Strait. Needs to get more fuel. Enough to last him until he can get to Maine. 
And where else is he going to find anyone in this town to do all of that if not at the pub?
It's practical. A necessity. 
(And if he wears his nicest shirt that only barely smells sunbleached, then no one has to know.)
No one. Except you, that is. 
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You wave to him in what's quickly becoming known as your usual greeting. A slight widening of your eyes, as if you're surprised to see him. Then a small quirk of your lips that always accompanies the briefest flash of teeth. If you're not busy making a drink, you lift your hand up, fingers loosely curled over your palm. A lazy wave. 
He echoes it all back with a sharp nod as he takes his seat at the bar. His usual, too, because despite having not been a marine since he was twenty-six, he still has the training he picked up ingrained in his marrow. Back to the corner. Exits in his periphery. 
(Old habits die hard, he thinks, and feels his heart leap to the base of his throat when you grin at him from over the counter, wide and infectious—)
He needs a smoke. A stiff drink.
There's an ashtray laid out on the table in front of him, a coaster with an empty glass. You're quick to rectify that, sidling up to his spot with a bottle of whisky tucked between your palm and thumb, a bottle of water secured in your grasp by just your pinky looped around the nozzle. 
"You should try my whisky sour," you murmur conversationally—like this is normal. Commonplace. 
It is in a way, he notes. But there's something much too domestic about the way you take him in. Fluffing pillows. Resting a cool hand against a warm forehead. Sweetness bleeds into his teeth, makes them ache. He needs to rinse it away before he gets a cavity. 
"Mm," he mumbles, fingers curling around the glass. The whisky is only slightly chilled—the way he mentioned he liked days ago—and he wonders if you took it out of the cool, let it sit on the shelf, waiting for him. He doesn't know how he feels about the idea of that. Of being waited for. Expected. "Not a fan of that nonsense."
Your head tilts to the side. Narrowed eyes reading him. Trying to sear through the layers that accumulated over the years, thick growths. Barnacles bunched around his body from stagnancy. He wonders what you think you see when you look at him. 
Wonders, then, why he cares so much about what the answer might be. 
John hides it all in a swallow. A gulp of whisky that never stops burning no matter how many times he washes his blues away with a swig of it. Lights a fire in his throat that catches and spreads through his chest, all the way down to his belly. Smoky. Ashes. He wheezes through the burn of it. Let it strip his insides, taking all the pollutants with it. The ones that build up whenever he catches sight of soft, coy smiles, and warm eyes. 
Dangerous if left unchecked. 
"You never know," you say, and he's already forgotten what you were talking about originally. Too many dips into the margins. Too much reading between the lines. "You might like it if you try."
And he knows, immediately, that he would. That he'd order whatever fancy drink you whipped up for him tonight with lemon and liquid cane sugar and a pinch of salt to cut the sweetness (your secret ingredient), and would do it for the rest of his life if he could. Would drink himself into cirrhosis just to see the way you smiled when you made it.  
He swallows it. Chases it down with water. He's always been rather good at that—running. Avoiding the things that make his heart thud, and the back of his neck prickle. 
So, he says: "nah, m'set in my ways." 
And you smile, let him flee. "If you say so." Then, with eyes that drop to the three wrinkles in his collar, and the ambiguous stain on the breast pocket of his shirt, you add: "don't you look nice tonight. Who're you trying to impress?" 
There's an itch under his skin. He paws at his pocket for his cigars. You meet him in the middle with a lighter in your hand, held out to him when he jabs the butt of one between his teeth. He needs the distraction. Needs nicotine to quell his nerves. Smoke-stained apathy. Just enough to soften the urge to do something ill-advised. To say something uncharacteristically flirty, like—
You. If you'll have me. 
(And then desperately. With a quiver in his voice, and blood in his throat; if you'll let me. I'll be so good to you, so, so good—)
"Mechanic," he rumbles, words muffled and gruff from around the end of his cigar. The way the flames catch the softness around the ring of your irises makes him ache in all the wrong ways. "Boat mechanic, specifically. To help fix up Captain."
"Captain?" You echo, brows rising. He leans forward, pushes the tip into the fire; inhales to let it catch. 
"M'ship," he rolls the word around a mouthful of smoke. "My first love."
"Ah," you say with a smile that tugs on the corners of your eyes. "She must be a thing of beauty, then." 
His mouth is already forming the affirmation—yes, she is—and the question—why do you think that?—but you beat him to it with a softness that hints at more, that lays itself bare on the grimy, acetone bleached tabletop:
"To make a man like you so smitten."
And Jesus Christ. 
What is he meant to say to that? How is supposed to respond with his heart in his throat, and pulse in his ears? 
He's too old for this shite, he thinks. Then, not old enough. Not nearly old enough—
"Right," he grumbles, gruff and unfriendly, and everything that's meant to make you stay away for good, to look at him like the sorry sap of an empty man he is. But there's a tint in his words. A blood-drenched fluster. 
You catch pieces of it, and smile behind the counter as you pour another drink. 
"Anyway," he's grasping at anything with knotted hands, something to take the edge off of his nerves. To put distance between this, you and him, and all the things that will eventually come after it. "This mechanic. Know where I can find one?"
The derision that dances across your pretty face has heat blooming in his chest. 
"Look around. This is basically a town hall meeting tonight."
He likes the way you ride sarcasm and sincerity so finely that he always seems to oscillate between believing your words or wondering if you're making a mockery of him. Most of the time, you seem to be—if only to get a rise out of him. To draw out his sense of humour, mordant and drier than a desert. One that pairs quite nicely with your own. 
(Another tip to the scale he tries not to think about.)
So he doesn't. He huffs instead as he ashes his cigar, and reaches for the glass with his other hand. 
"Well, ain't you funny." 
You are, of course. Of course. He thinks about the things you say to him when he comes down for breakfast at noon and dinner well after the sun has set beyond the horizon, making a meal out of the lobster rolls you make for him in the kitchen, the tuna sandwiches. The garlic shrimp. The salmon and rice. Idle comments about the locals—or lack thereof—and their spotty reputation. The history of the town. Of your Province. 
"You love it."
And God help him, he does. He does. He likes the way you drag snorts out from the depths of his chest, clearing out empty cobwebs, and filling the barren space with warmth. Or something like it. Everyone he's met so far always seems to want something from him, but you don't. You don't even make him pay for the extra heaping of lobster you pile on his plate even though he's heard you say it was an extra five dollars to a passing sailor. 
He seems to be your exception, and he doesn't know why. 
(Or maybe he does, but looking at it too closely fills him with dread. The kind he only feels when he finds out a storm cell is headed toward him. When he has to anchor down in a bay and settle the sickness in his guts as Captain is viciously thrown from side to side.
The morning after when he has to clean up the broken pieces and examine the extent of the damage, it's always filled with a sense of moroseness. Uncomfortable, in a way, like the aftermath of a vitriolic row, a devastating argument when he emerges with a sense of uncertainty, no longer quite sure he was justified in the things he said, the anger he felt. But too prideful to apologise. The awkwardness of navigating the ruins of calamity with a sense of regret that blooms alongside his lingering anger.)
So, he does what he does best:
"Not in your lifetime, love." 
He runs. 
Because lying has always come easier to him, hasn't it?
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The mechanic is an old man with an accent thicker than his own. 
He speaks entirely in regional colloquialisms that Price can't make sense of. Even when he makes it known that he has no idea what the fuck the man is on about, he just breathes out his nose, as if to say, what can't ye understand about me words? and continues in the same mishmash of something that might be English, but honestly—John doubts it very much. 
Still. He's quick. He checks the hull, the mast. The engine. Checks off a list as he goes, muttering to himself (himself, because John stopped listening after the third, what? Come again? I can't understand you, mate that went entirely ignored save for a few, luh, buddy, I knows yer not stun but yer gettin' me right rotted, ye'are), and then slaps the side of Captain, nodding to himself. 
Three weeks, he says, words stretched out and stressed, like he was speaking to a child. 'ave 'er all fix'd up in t'ree weeks, b'y. 
Three weeks. 
It's in line with the seasons, too. If he times it all just right, he could be eating jerk chicken, curry, and oxtail soup in Jamaica soon enough. It would be stupid to go against the Gulf Stream (something he knows from experience when he was younger and dumber and thought he knew better), but a short stint across the Atlantic to Bermuda would suffice. Then once he's finished, he could set sail to the Azores, and then to Gibraltar, or Portugal, back up to the UK. 
Well, then. 
It's set. 
He hands the man a deposit, and tries not to think about the hourglass looming in the distance. 
Or you. 
(He always has to leave eventually. This, he knows, is no different.)
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A routine forms. It's not terrible—not at first. Just an itch in the back of his head, talons raking across the inside of his skull, right behind his eyes. 
It's fine, he reasons, taking his spot at the bar while you bat away grabbing hands reaching for free beer, more booze. In three weeks, this place will be a memory replayed in his mind when the stretch of ocean idles, and loneliness sets in. A soft comfort for him to break into pieces, into regrets and spots of unhinged laughter when the isolation in a wet, unfathomable desert sinks its maw into his psyche. 
He'll resent himself, he's sure; curse the winds and the squalls that threaten to tear his boat into pieces. The idle sense of listlessness that comes with seafaring long distances. 
He's done it enough times to know that between the inexorable sense of freedom and insignificance in the gaping maw of an untamable beast, he always hates himself a little bit for not taking someone with him. 
Solo-sailing is ill-advised, but he's always been a stubborn bastard. Too prickly to be good company, too gruff to care. 
Maybe he'll ring Gaz when gets close to Europe to see if he's up for a stint jaunting through the ocean to see the Caribbean with him. Or Soap if Gaz is still hunkering away with the military. 
(You—
He doesn't think about that. Carves the thought out of his hand as quickly as it forms.)
But even so—
You're a constant on his mind. The first solid presence he's had in months, too. 
Despite his cantankerous disposition—sometimes he finds himself snarling more than conversing; sometimes he has this urge in his blood to lash out, to push things away just to see how far they go—you navigate his mercurial temperament with ease. His shorn, gruff words bounce off of your skin and fall to the countertop where you pick them up between delicate fingers and throw them right back at him—all with a smile. 
See, you seem to say. Nothing you can do will push me away so just shut up already and drink your fucking whisky, old man. 
He doesn't know if he believes you. Or the phantom echo in his head. 
"You're shedding," you murmur, drawing his attention back to you. At his raised brow, you lift your hand up in front of him, thumb and forefinger pinched together. 
It's only when his vision steadies that he sees the single strand of hair wisping up from between the tips of your fingers. A coarse hair of dark brown with lightened tips. 
His hand lifts to his beard, roaming over the wry curls peppered, unkempt, around the bottom half of his face. His moustache is overgrown, eclipsing the entirety of his lips. He feels the wetness from his whisky staining the ends.
You laugh when he pats along his cheek and jaw, as if he could find the missing follicle amid an unruly basin of knotting hair. 
"Ah," he rasps. "Guess I'm in need of a shave."
It's not a priority anymore. Hasn't been since he left the Navy, or when he realised how troublesome it was to try and shave his face while crossing the Atlantic. It just stopped being something he cared much about. 
But he feels the long ends catching on the rough patch of skin around his knuckles. Straggly and whitening at the tips. 
"Maybe," you quip with a shrug, and he can't really place the note in your tone that tries to linger between feigned indifference, but misses the mark entirely. 
You don't say anything else as you drop the fallen strand into the bin behind the counter, but as the night progresses, he catches your eyes straying toward him more often than usual, lingering on the expanse of his covered jaw. Something flashes in those depths—intrigue, maybe; curiosity—and John tries to convince himself it doesn't matter even as he pulls out money from his wallet at the crux of the evening when everyone has gone home, save for himself and you. The only two left in an empty pub. 
It shakes him, somewhat. As if he's only realising just now how normal this has become. For him to wait for you. To walk you to the edge of the boardwalk, where a little cottage sits across a sandy embankment. Home, you told him once. The first night he kept pace with you just to keep the conversation going. 
Never been anywhere else but here, you said, a touch wistful. Must be amazing, then. Going anywhere you like. Always at sea. 
He swallows down something bitter at the memory. Something aching and acrid. Yeah, he murmured when the silence stretched on for too long and he saw the apology forming on your lips. Nice. It's—it's good, yeah.
The years have muted the resentment he felt toward his home. His father, in particular. He doesn't think he's ready to step back into Hereford—maybe not ever—but he might be ready to see the old bastard's grave. Drop a couple of flowers down. 
The memories he has are embedded in thrown cast iron pots. Fist-sized holes in the wall. Sealed with bitterness, resentment.
He didn't know how to summarise all of that into something digestible for you. So, he didn't. Doesn't. 
(Can't, maybe. Won't.)
You'd stopped aiming for personal and instead focused your attention on the things that made him snort. Made him laugh. He can't remember the last time he had a moment to breathe. Land makes him feel claustrophobic. Itches under his skin in a way that drums up the instinct to flee. Or fight. 
But with you—
It's easy. 
It awakens something in him, too. Something that has been there all along, maybe. Lingering on the periphery. One he tried hard to ignore as it raked down his skull, leaving false starts in his bones. 
There's an attraction there, seeding in the gaps between your bodies. One that becomes harder to ignore as the days pass. And how could there not be, when you're pretty in a way that makes him flounder. That makes him want to bend you over the counter just to see what expressions he could pull out of you with a mere touch. The sounds—
Fuck. You'd sound so pretty, he thinks. Has thought. Many times in the sanctuary of his hotel room that stunk of algae and smoke. Images of you splayed out on the sheets, begging him for more—
His hand goes back to his jaw. Feeling the years of accumulated indifference beneath his fingers, and needing something—anything—to take the heat in his belly, the tremble of his hand, away. To keep the thoughts of you at bay, locked up tight for no one else to see. To know. 
John doesn't walk you home that night, opting instead to duck into a drug mart beside the inn, hands burrowed in his pockets, eyes lidded. Narrowed, almost, as he takes in the rows of cheap plastic he'll inevitably find at sea. 
He stands in the aisle for a moment, taking in the mix of English and French on the boxes, and trying to come up with reasons for why this is a good idea—outside of the way it felt to have you look at him with lowered lashes, flickering from his chin, to his jaw, to his cheek: imagining what might be under the bushel of thick, unruly hair. 
It doesn't surprise him that he comes up empty. That his head is filled with nothing but the illicit image of you leaning over him—
Stupid. 
He grabs the first box he sees, crumpling the cardboard from how tight he's clenching his fist. 
It isn't the first time he's thought of you like that, but it is in your presence. With you staring at him, filling in the blanks his uninspired memory couldn't conjure up. Talking to him, too—bloody fucking hell. 
All frayed whispers of: you alright, John? You sure? Well, if you say so. 
There's anger writ across his brow, more so at himself for thinking these things, for feeling them in the first place, but as he stalks toward the counter, frown buried behind a mess of overgrown, unkempt hair, and eyes narrowed into pinched lines, he's sure he makes quite the sight. Must, if the little jump the skittish man behind the register gives when he drops the box with a growled how much? is to go by. 
John's never been good at handling his anger. Trickle-down toxicity, maybe. He's sure some fancy therapist would be overjoyed to tell him all about it—about how he's never had a good role model when it comes to biting his tongue. Never had to, when his last name is enough to pass tests, climb ranks. 
Mean and drunk, his dad was.
And Price—
Well. Sometimes he feels himself getting there, too.
But this. This. It feels different. 
He's not nearly as angry as he is flustered, and like anything he isn't used to, he lashes out. 
John is sure they don't tip at drug stores, but he conveniently forgets his change in place of an apology when he storms out of the shop, ignoring the hesitantly called, uh, sir…? as he goes. 
It's fine, he thinks and tries not to let his mind wander into uncharted territory, musing about what you might have said. Might have done. 
Swatted at him, undoubtedly. Said something scathing about him being a prick for no reason. Put him in his place, kept him there. 
But he doesn't think about that at all. 
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John stands in front of the grimy mirror in his hotel room with a brand new razor in hand, staring at himself, and wonders if you'd shave it for him if he asked. If you'd keep him in line during the long stretch of the ocean where everything is an endless crawl of muted grey-green, and take him down to the bathroom in the boat, one that's barely big enough for himself to fit comfortably, and perch him on the toilet while you tended to the too-long wisps of curls growing over his cheeks. 
The thought is an algae bloom in his chest. Ethereal, beautiful. But beneath the marvel of nature's potent splendour lurks a deadly danger—one toxic in its domesticity. 
Still. He latches onto it. Curls his worn fingers around the edges, clinging to rotting driftwood. 
He likes the way it fits in his chest. The shape of you moulding along the barren brackets of his ribs; slotting in like a puzzle piece. It's winsome. Dangerous. But he's always like a challenge. 
Always liked the way some things were meant to hurt. 
(And you—you look like you were made to ruin.)
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Hair rains into the stained basin with each cut. Filling the chips in the porcelain, built up from years of carelessness and indelicate hands, until a light dust of burnt umber sits like a layer of snow across the surface, hiding the blemishes below. 
Each inch shorn off seems to regress him in age until he's less an unkempt seafarer, a wild man who feasts on tuna and loses his mind in the middle of the sea, and more like the thirty-something-year-old who still has decades ahead of him to try and regain his footing. 
The contrast is jarring. 
He runs the back of his hand across clean skin and nearly startles at the feeling of something touching that part of his face that was hidden for so long. 
He's reminded about something his dad used to say—nothing like a shave to make a man feel new again—and isn't sure how he likes the sour twist in his gut when he feels the truth in those words, however hollow and artificial they might be. 
The face that stares back at him is different from the one who wore a military uniform all those years ago. Cheeks sunken in. Hollow. Thinner from months at sea. His complexion is darker, sunkissed and tinged slightly red. A permanent sunburn, maybe. He thinks about the woman from Ghana who warned him with a finger pressed softly against the apple of his full cheek about skin cancer. Melanoma. 
Wear sunscreen, she stressed with a shake of her head that sent gorgeous locks of midnight black spilling over her bare shoulders. It reminded him of the deepest parts of the ocean that he crossed. Endless puddles that looked like little jars of ink across the vast expanse of the sea. You're too pale not to be wearing some every day. 
(After he left—twinned hearts torn asunder—he found a bottle of sunscreen stuffed inside his rucksack. It was the only time he can remember crying in some twenty-odd years—)
That man feels almost as distant as the sea is to him now. A memory. A moment when he was willing to carve off the best parts of himself just to make room for the loneliness; the self-flagellation in the form of isolation. What he'd thought he deserved. Maybe still does. 
He isn't sure what thoughts were rattling around inside his head at the time to make him leave the best pieces of himself with a woman who seemed too good to be true, but still wanted him, of all people, by her side. Those, too, feel far too distant to grasp. 
His hand is worn down. Knuckles more scar tissue than skin. Welts lined the inside of his palms—thickened flesh made from grabbing the ends of rope too many times to count as it reeled out of his grasp, cutting deep and cauterising the wound all at the same time. He should have known better, maybe. But when his anchor was tumbling down into an abyss, unattached to its cleat in the middle of the ocean, time for thinking was negligible. Nonexistent, almost. 
The accumulated scars—some from land, most from sea—discolour his skin until it's patches of ivory, pale pink, and mounted brown, all slightly hidden under a thin crop of wry topaz hair. 
His nails are short and lined with boat oil. Dirt. The beds are yellowing from nicotine. 
He scratches the rosy skin of his upper cheek where it meets the cut of patchwork mutton chops. His signature style when he was Captain. When he was responsible for more life than he knew what to do with or knew how to protect. 
(The men he couldn't save always seem to stack higher than the ones he did.)
John sees fragments of his old self in the mirror. Pieces of an incomplete puzzle he thought he left scattered on the battlefield, and then tucked inside a box when he handed in his medals for a trawler (a trawler for a sailboat). The fit is tight. It sits uncomfortably over his new skin—scarred and sunkissed—and he gives himself a moment to wonder about where he'd be in life now had he stayed behind. 
But a moment feels too long. Not long enough. 
He brings the razor up to his cheek and cuts the rest of that man away. 
He isn't him. Not anymore. 
(Hasn't been for a long time.)
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The skin of his cheeks sting from the bitter evening winds billowing off the icy Atlantic and he's reminded why he kept his beard overgrown and thick when he was out at sea. 
November is a cruel month, he always found. Cold. Desolate. This close to the ocean, and he feels the chill deep in his bones, even though several layers of leather and fur. It's enough to make his teeth chatter. 
The fur lining the collar of his Levi's jacket does little to stem the vicious onslaught, but he makes a point to bunch his shoulders closer to the bottom of his earlobes in an effort to salvage some heat. Not that there's much to spare. 
But the walk from the inn to the pub is blessedly short, and the brief cold gives him enough time to clear his head. To think about turning back. Stopping whatever it is he thinks he's doing. 
He isn't a young lad. Not anymore. 
He knows this, of course. Knows it enough to feel the ache in his joints. In the raw scar tissue that is always a little tender in colder weather. Still. It wasn't enough to stop him from washing his clothes in the coin laundry of the inn. Buying fabric softener and forest-scented detergent from the grocer. A beanie (toque, he supposes, though he's never heard anyone out East use that word), some cologne—the expensive kind. Tom Ford, the lady at the cosmetic counter said. You look like you'd like this one best. 
He didn't ask why. She didn't tell him. 
It smells good, though. Like new leather, vanilla, and tobacco—a strange concept considering most of the time people couldn't stand the smell whenever he smoked, but maybe that's only in cigars and cigarettes. 
There was a moment when he stood in the washroom, buttoning up his freshly laundered (and newly purchased) shirt when he felt like a fraud. A goddamn muppet. 
This isn't him. He reeks of smoke, salt, and sun-dried sweat. He scrubs his clothes clean with extra shampoo inside the shower on his boat when they start to smell a little too pungent, even for him. He doesn't shave. Barely showers—
Who needs it when he can just anchor on a reef, or a distant, uninhabited island and take a dip in crystalline waters for a few hours? 
He feels—
Stupid. 
But he can't deny there's something a little invigorating about slipping a clean body inside clean clothes. Dressing up like some young lad taking his girl out to see a film, grab a burger to eat. Maybe bum around Liverpool until he had to go back to the barracks. 
He bit his tongue until he tasted iron and slipped on his jacket. Pulled the beanie over his head. Sprayed some cologne on the sleeves. And then kept his head low to avoid anyone's eyes, even though no one in this town has really bothered to get to know him like you had. 
John just feels a bit like a swindler. This isn't him. 
Fancy shirts. Clean jeans. Boots. A new leather jacket. Cologne. Barefaced. It all feels like a hollow pastiche of some clichè role he's trying to fill. Leading man, or something stupid like that Soap might jostle him about. 
Who're ye tryin'ta be, Cap? Tom Hardy, aye?
Fuck. Fuck. He should leave, just go back to his inn—
But the door is already opening. You're looking up, taking him in, and then—
Nothing. You offer a slight nod. No smile. No wave. And then you're looking away, eyes dropping back to the tabletop you're always cleaning despite the stains and the stickiness never going away. 
He expected worse, maybe. His hand reaches up as he steps inside, feeling the uneven skin beneath his palm. Rugged craters. Knicks from the blade when he got too close to his skin. Scars, maybe. Patches of hair he missed. 
He wonders what you thought when you saw it. Chiefly disappointed, perhaps, that whatever image you had in your head of him, all clean-shaven and dressed up, wasn't quite the same as reality. There's a sinking sense of disappointment in his guts, but it's almost minuscule compared to the relief of knowing that you don't care. Maybe it'll be enough to quash whatever has been rotting in the crevasse between you. Crush whatever idealistic notions of him you have in your head. 
John would rather you were bitterly disappointed now than realise it after. Regret. A mistake. It's good. Fine. 
It's only when he takes his usual seat does your head pops up again, eyes cutting across the counter to stare at him. 
And—
Shit. 
The way you look at him knocks the air from his lungs. The deep appraisal, the shock, the curiosity, and the—
"Wow," you whisper, eyes widening. He isn't sure what you think, but he knows that look in your eye; a keenness. Sees it sometime staring back at him in a cup of amber when you don't notice him looking. Shit. Shit.  
He clears his throat, uncomfortable under the intensity of your stare, and tries to soothe his nerves as quickly as he can, patting down for his cigars left somewhere in his pocket. In one of his pockets. Fuck—
"Well," you breathe, and he dreads your words immediately, not quite ready to hear them without something in his veins to dull the pinballing emotions in his chest. "Don't you clean up nice. Didn't recognise you at first."
He grunts. "Yeah, yeah. Talkin' nonsense now, aren't you?"
"Nonsense?" You echo, tone subdued, now. Soft. Too soft. He hates the way it makes his chest feel like it's caving in. "What? A handsome man like you can't take a compliment? That's a surprise."
Handsome. 
He feels his pulse in his throat. Heat under his collar. Something spreads across his skin at words, glueing itself down, uncomfortably tight—constricting, smothering—and he fights the urge to reach up to his neck, clawing at it until it's all gone. Peeled off in strips, taking with it jagged swaths of too-hot flesh. 
Your words are painted with too much sincerity, and it drips over his skin—thick and oily—until he's stained in the offering they make. Drenched in the sudden realisation that this is far too much than he can handle. 
That he needs. 
The way you're looking at him—bare-faced honesty, scoured of anything other than a genuity that trickles into the gaps in his crumbling chest, sticky filament made of saccharine promises and a dizzying sense of open affection—makes him heave; chokes him on the embers of that tantalising what if you let echo in the recess of words. 
It isn't grabbing, or taking what he wants. This is you lying flat on the table. His choice to reach for it. To curl his fingers around the bulk of it, feeling the heat in the palm of his hand. 
And he wants. Oh, how he wants—
But it feels a little bit like a betrayal. Self-sabotage from within as his body turns against him. Feelings conspiring with his whims, the ones that force out their pleads between bloodied teeth; yearning as they rattle the cages of this forced prison. Lost in absentia. 
He can't make sense of the tremors that follow, roaring through his chest in a deluge of innominated emotions that seem to shake the foundation he stands on. He reaches, but can't seem to grasp them. Temporal feelings without cause. Intangible. They slip through the gaps in his fingers. Slide off of his flesh as he was trying to catch mercury in the oil-slick palm of his hand. 
John can't make sense of it. Why him? What's drawing you to him outside of carnal attraction? It's always been there—that magnetic pull: his marrow to yours. 
But for the first time since he traded in medals for oars, he feels the pull back to shore. That unquenchable urge to dip his toes into the sand. To keep his feet firm on dry land. 
The feeling of it itches in the palm of his hand. 
And like most things, he doesn't understand, doesn't agree with, he feels the unrelenting urge to lash out against it. Push back. Carve out some semblance of distance between the thing he doesn't understand, and what it's making him feel.
And then he snaps. Bites back against the headiness admixing in the back of his head; noxious, dangerous. It's a discomfort. A slash of clarity that makes him all too aware of himself. Of you. This. Everything. It's too much. 
So easily swayed by a pretty word. What a damn fool. 
The snort he gives in response is a gnarled mess in his throat, all mangled up and shredded on the barbs of his sudden vexation. "Flatter all the poor sods like this, do you?"
It crackles in his chest. Smouldering embers. Dampened by the blood filling his lungs, choking him on what spills out of the shattered levee. 
This isn't—
Isn't him. It isn't you. 
He feels claws raking across the inside of his skull. Sharpened talons digging vengefully into the back of his sockets until it aches. Forcing him, maybe, to see the aftermath of his anger. 
"No," you say, pulling back. Stepping away from him. Giving him space. Not enough, and entirely too much. A sad echo snakes through the crevasse. Glass breaking. Shattering. He thinks of self-sabotage. Tastes it in the back of his throat. "Just you."
It's mean, awful, when he huffs, asks: "yeah? Why bother?" 
"Why not?" You volley back, and he can't quite place the look in your eye. Disappointment, maybe. Something tinged in regret. "Maybe I want to. Maybe I—"
You don't finish. 
Good, he thinks. Good. Stay away. Far away. 
And softer. Softer still—
It's for your own good. Better off this way. Don't turn around. You'll only end up hating what you see. Regretting what you find—
"Don't know what you're getting yourself into." His words are stagnant. Hollow. The consistency of ash between dry palms. He tries to swallow, but can't. Can't. Gives up instead, adds: "won't like what you find, either." 
You hum and it hurts. "Maybe I might. Can't be all bad under there." 
They're sharpened with an edge of sincerity he can't bring himself to acknowledge, not now; not yet, so he huffs instead, and brings a cigar to his lips just so he doesn't have to respond. Doesn't have to engage again. Can't, he thinks, with a cigar between his lips, stuffing his mouth full. 
A pathetic escape. He's never been the type of man to retreat when it isn't the best option strategically. Or when he has no other choice, and too many men on the line. 
But he can't—
(Knife to his chest, you walk away. 
Blade against his tongue, he says nothing to call you back.)
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A fissure sits at the zenith that once was a sense of ease, comfort. It leaks a coldness that shakes him to the core when it drifts over gaping wounds and milky-white bones.  
(All of his own making, of course.)
In the midst of it all, he tries to convince himself that this is the right thing to do despite never being a man of altruism in his life, and the lie pools in his empty gut where it sloshes around in the shots of whisky you still pour for him even though he can he see the cruel lashes of his words striking over your expression when you look at him when you think he isn't watching you back. 
Better this way, and he downs a shot just to ignore the merciless echo that asks, for who?
Both of you. Both. 
Because despite what you might think, or whatever little fantasies you made up inside your head about him, he knows they aren't true. They aren't him. 
A man who climbed ranks on the back of his last name. A borrowed legacy with no honour of his own. One who had no qualms about crossing lines that others couldn't until they blurred, until his morality was a sickly grey. 
Until a prison cell in Siberia rewired the fibres in his head, and he was forced to reconcile the unignorable truth that stripped of his rank and the protection he offers there is barely any discernible difference between him and them. The enemy. 
He thinks of Gaz, and the words he uttered become a portend for the calamity of a man who always seemed overly keen to take things too far. 
It's them or us, he used to say. Them or us—even as he tossed an innocent man over the ledge to fall to his death. As he let a child watch him emasculate his father when he knew pride was all they had left, doing nothing in the end but creating another monster for him to hunt down at a later date. Threatened families. Threatened men. Women, children. 
His punishment was nonexistent. Self-flagellation in the form of exile. He cast himself out to sea and pretended it was enough. 
How is he supposed to pretend who is he isn't? How is he meant to touch you with blood writ in the lines of his palm? 
Selfish. Mean. Cruel. 
So, he lets it rot—just as he does with everything else.
There have been others, of course; but Price has always been attracted to older women. Laugh lines and crows feet; swatches of grey kissing their temples. A certain coldness to their touch. An unspoken understanding that everything that is, and will ever be, between them is temporal. Love was just a crutch. A fallacy uttered in the dark to soothe the rugged parts of themselves that worried they might never be enough. 
He can handle women like that. Prefers them. 
The youngest he's ever dated was a woman his own age, and he realised soon after that there was a disparity between he couldn't placate. One that left scars. 
He's a mangled soul in a young man's body. Rough and callous and unwilling to compromise. He's more scar tissue than man, and what can he offer someone idealistic with inexperience and youth except a bitter tangle of hurt that cuts deep. 
But you're an outlier, he finds. Only shades younger than himself, really, but it's not so much your age, but the way you carry yourself. Heart on your sleeve. Aching for love. 
He can't give that to you. 
The last time he tried, he ended up sneaking out on a woman in Ghana, leaving the pieces of him behind that dared to even try. 
He can't offer you anything that isn't temporary. 
And he thinks that might be fine. Maybe it's all you want from him, anyway—just a night. A moment. A memory to keep. 
But John's always been greedy. The kind that wants, and wants. Once would never be enough, and he knows that if he sunk his teeth into you, a bite would never satiate his rapacious appetite, never quench the hunger. 
And since he can't make a meal out of a morsel, he'd rather starve. 
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He thinks about leaving six times in three hours, but you carry on as if nothing has happened even though he catches weariness in your gaze whenever you look at him. His glass is filled but the conversations are bereft of their usual cheekiness. The gaps between are no longer filled with his scored laughter or your amused hums. 
You spend more time away from him than you have since he first sat down. The deviation away from what quickly became a bruised touchstone, laden with clumsy fingerprints is jarring, but he can't claim to be upset by your distance when he was the one who caused the rift in the first place. 
So, he drinks. He smokes his cigar. Tries to not think about why his hand itches in a way that he knows can only be sated by sliding his knuckles across the worn wood of the table, linking his fingers with yours. It's a stupid whim. He swallows it down with a shot of whisky that makes his stomach curdle. Seals it with an inhale of his cigar. Forgotten, now. Covered in ethanol and smoke.  
But even with the crowbar in his hand, he can't stop himself from watching you. Eyes trailing along the paths you carve between old wooden chairs, and scowling men waving their hands at the staticky television set, upset by yet another bad call by the referee. 
(He's always thought it was stereotypical to equate Canada with hockey, moose, bears, geese, and maple syrup but so far, he's seen nothing else play inside the pub—aside from a polar bear warning being issued out for northern Newfoundland—but sometimes, the shoe just fits.)
You sift through the throng carrying drinks in your hand and impish grin at the men you recognise. Words he can't hear, ones he isn't privy to, are spoken softly and reinforced with a small grin. Seeing it on your face, pointed away from him; meant only for another, is a white-hot dagger to guts, scraping across his delicate insides. 
The flashes of anger are directed inward. Each stab is a reminder that they once were for him. That had he not gone and ruined a good thing, dangerous though it might be, you'd have been standing in front of him, curbing nonsensical requests over the bulk of his shoulder, unwilling to leave from your perch across from where he sat. 
(Hindsight is a brutal, bitter mistress, but it has nothing at all on pride.) 
He swallows it. Smokes. Pretends he's interested in the game that plays but it's just flashing colour on an oversaturated screen. A foreign language to his ears despite the words on the chyron flickering past in his mother tongue. 
John thinks about packing it in for the night. Heading back to his empty hotel so he can think about you in peace—in vivid, fantastical images of equilibrium; comfort—and finds that might be for the best. For both of you. Some distance to soothe the ache he caused. To reacclimate back to strangers in a dilapidated pub. A sailor and bartender: ephemeral, the way it ought to be. The way it must. 
With his dwindling pack of cigars slipped into his breast pocket beside the lighter he nicked from you ("people always seem to leave them behind in bars," you'd winked, handing him an ugly lighter in the shape of a bear with a pipe in his plastic mouth. "I picked out the one that made me think of you."), he finds himself at a loss for a reason to stay. All packed up. Ready to leave. 
He raps his scarred knuckles on the table, a final farewell that he can feel heavily in his bones, filled with iron as they may be. Still. Still. It's for the best.
Whose, he still doesn't know. His own, undoubtedly, in that selfish sort of way that makes it feel selfless. Like it's the right thing to do even though he bloody well knows it isn't. Won't be. That he'll think about this moment in time when he's all alone at sea and cuss himself out as he readies for a squall. 
John means to leave, but a man gets to you first. 
The man makes a noise in the back of his throat. A complaint, maybe, but it's swallowed by the creak of the floorboards when he sways on his feet. 
"Listen t'me, you—"
But you're not. You make a move to turn around, and he seems to realise you're not paying him any attention. Anger flickers over his slack face, and he's reaching for you with a clumsy paw before John has time to move. The moment he makes contact, fingers skating off the sleeve of your shirt, he's out of his chair, letting it clatter to the ground. The noise is swallowed by all the chaos. Murmurs, shouts. The music feels so out of place in this moment when he can feel his blood run hot, turning molten in his veins. 
"Hey—!"
But your hand is gripping his wrist, pulling him off of you, before John can finish. Eyes narrowed, jaw set, you shake your head once before pointing to the door with your free hand. 
"It's time for you to leave." 
He pitches a fit. Petulant whinging that cuts through the noise. Vague insults hurtled at you, words of complaint that barely make you flinch. 
John's rushing over before he can even think—thoughts all asunder, bouncing around his head in an unrefined mess of shorn noises and fervent anger—but you stop him with a jerk of your head. No, it says. I don't need you. 
And you don't.
The swelling chaos dims and in the aftermath, he realises he's the only one standing. The only one hovering in your periphery as you shove a man twice your size away from the counter when he tries to swipe a bottle as he leaves. 
Everyone is watching, wary, but there's an unspoken sense of understanding amongst them that makes him feel decidedly like an outsider, and wholly out of the loop. 
Where he's from, if you see someone being harassed, you step in. 
Things, apparently, are very different here. 
He catches your eye when you turn back toward the interior after slamming the door shut, and there's a moment where he almost rushes to your side, checking you over for any marks that man might have left behind, but you're shaking your head before he can even lift his foot from the floorboards. As if you know. And maybe you do. Maybe you know him more than he knows himself. Maybe, maybe—
You give him another shake. No, it says, and the soft quirk of your lip echoes in his head, a soft: down boy that makes him bristle. 
It's telling, of course, that he still heeds your wordless command. Hackles lowering, muscles unfurling from their rigid coil. 
Your nod, then, is a soft purr that rolls through his guts like a marble. Good boy. 
John feels leashed when he settles back into his chair. Anchored. All it takes is a nonverbal cue from you, and suddenly, he's tempered. Tamed. 
As if to reinforce the thought, his hand strays to his chin, feeling the scarred, bare skin under his palm. All done because of a simple glance, a fleeting moment of curiosity from you. 
He isn't sure how he likes the fit of it around his neck. Too tight, maybe. Dangerously claustrophobic. But it sits there, untouched. He has no desire to pull it off. To divorce the collar from his neck. 
(Maybe, maybe, he thinks he could get used to the way it feels.)
As he settles in his chair, his eyes never stray from you, standing lax and unphased against the door, chatting idly to the patrons who murmur in tones too low for him to pick up over the rhythmic echo of the sea shanty and the slew of voices in the background, cheers from the hockey game that hasn't quite held his interest long enough for him to know the score. Nothing is amiss, it seems. As if bullying out men twice your size was a regular occurrence—not even newsworthy enough to pull gazes glued to the flashing television, or stop the minutiae of mindless conversations from happening in sparse passels around the pub. 
But it changed something for him. He feels it in his chest, his guts. Something dislodged from the cornice, falling down inside of him in an endless spiral. A sudden freefall. 
He comes to the startling realisation when you look up at him as you pat someone on the shoulder, smiling softly—all forgiven in an instant, the crevasse sealed over in a thick bed of cobwebs—that he wants. Has wanted since he first lumbered into the pub and was met with a raised brow, and a cheeky wink. Not from around here, are you? and he was gone. 
Lost in the swell of you. 
Your mouth moulds around the words, pleading with him over the heads of everyone else, wait for me.
But John had no plans to go anywhere else. 
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"I'm okay," you tell him hours later, hands buried in your pockets, eyes gazing up at the midnight blue sky. "Seriously."
There's a multitude of things he wants to say. All threads of lingering, unresolved anger brought on by that man who put his hands on you. Who thought he could. 
Maybe a little bit of it is directed at you, too, for not letting him rip that man into pieces even though he knows it's not your fault. Leashed, he thinks, and rubs absently at his bare neck. 
"Yeah?" He murmurs, voice raw. Eroded down to bare scraps, scorched and pulsing with the poison of anger. He tries to clear it. Swallows down the acrid tang that coats the back of his throat even still, hours later. 
Your head rolls toward him slowly, chin still held loftily up to the sky, and when your eyes meet, he thinks of rogue waves. Capsizing in the middle of endless azure, exposed to elements and predators. To the murky depths below in burnt sapphire.
He swallows again, but it's hard to get anything down when his heart is in the way. 
"Yeah, John. I'm good."
Your words take the shape of a breath, gently ghosting over a scraped knee. It's not meant to convince, but rather soothe, and something about that, about the softness in your eyes and way you speak tenderly, cautiously, as if he might startle, makes him feel hot beneath his collar. Flustered. Foolish. A litany of things he ought not to feel, but does because it's you. 
(Because it's always been you.)
"Right," he grouses, and tries to find his way out of the canyons inside your eyes. 
It's hard to escape when everything looks the same, when it all beckons him deeper. Stay, stay, it whispers over artfully crafted gorges and deep ravines, a stunning beauty that makes nature feel like a paltry imitation of the carvings in your irises. 
In the sandy shores of a small inlet nearly eclipsed by the sea, you turn to him fully, eyes smouldering embers catching in the flush of the full moon, and say, thank you, John. 
He scratches at the collar around his neck, and thinks about throwing away the key.
"What for?" He says instead, brows knitted together—a perfect pastiche of a fisherman's knot. It's rough: words scraped from the thick of his throat, raw and pulsing and dusted in smoke, but you don't baulk at the artificial ire that oozes between his nicotine-stained teeth. No. You lean into it with a smile. 
"Defending me. Trying to, anyway," you tack on with a small huff at his expense, a finger poking at his inflated pride. In jest, of course, but it still makes him frown. "I guess I just got so used to sticking up for myself that I forgot how nice it was to know someone is looking out for me, you know?" 
"Should be expected." 
There's a heat simmering beneath his tone. An underlying sense of anger that hadn't abated entirely yet, just began slumbering. Dormant, but still burning. Still hot enough to hurt. 
"Maybe," you hum, and the blitheness in your tone makes him bristle. Hackles raising. "But it's probably for the best."
"Tell me how none of those fuckin'—" There's a snarl in the back of his throat. He swallows. "None of them standin' up for you is for the best, 'cause it looked pretty fuckin' cowardly to me."
"If they defend me every time something like that happens, then it'll only be worse when they're not around. Most nights, it's just me working. I gotta know how to take care of myself just fine—"
"—shouldn't bloody 'ave to—!"
"—and I need them to know it, too. That if they try anything like that, I'll kick them out. I won't go screaming for help just because they're being rude. I'll handle it on my own because I have to."
It quiets him. Not enough to quell the anger burning in his chest, or the urge to tear them into pieces for sitting back, watching you get disrespected while they throw peanuts at the television screen, and jeer about something as arbitrary as a fucking game, but he finds something akin to understanding. Common ground. 
It makes sense, suddenly, even though it sets his teeth on edge and makes his knuckles itch. 
"No one else will do it for me, y'know?"
"I will."
The words tumble out before he can make sense of them in his head. A disconnect between his mouth and his thoughts, eroded by the smoke leaking into his throat. The fire in his chest. 
A mistake, maybe, because they're futile. Pointless. More so a whim of pride, a flash of possessiveness just to stroke the smouldering embers of the ego you bruised earlier with the tip of your finger. 
(Or maybe they're the afterbirth of his righteousness; that insatiable beast he conceived into the world he swore he'd save—no matter what—only to realise somewhere after leaking madness into the fibres that he was making more monsters than he was culling. 
A lingering remnant of when he bore the burden of the world on his shoulders during a botched pantomime of Atlas.)
You know it, too. "You won't be around all the time, John."
He tastes salt in the back of his throat. It burns when he swallows. When the words that tore through the seam of his lips dissolve into ash, into smoke. 
Your hand on his shoulder is meant to be placating but it feels like a dagger to his gut. 
"I can take care of myself. Been doin' it all my life, anyway."
He can't make sense of it. Can't understand how your words fill the hollow crevasses inside of him until he feels more like a mortal man than an untouchable mountain. 
You bring him back down to the solidness of land, of the earth. An anchor. 
John touches his neck again. "Yeah," he rasps. "I get it. Now, let's get you home."
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He thinks about you. 
A lot would be an understatement considering how many times he's taken you to bed, pulled you down into the sheets with him. Tangled limbs. Rushed breath. He thinks of you now, too, with heavy eyes and a little smile, beckoning him forward. 
His own illicit sanctuary. A place in his head where he ruins you over, and over, and over again until there's a permanent stain on the tips of his fingers, the back of his throat. A constant reminder of you—the way you smell, sound, taste—
It's been a while since he had a moment like this, when he could relax, feel himself—already half-hard when he palms himself through his boxers—and just—
Lose himself. Body melting into the sheets. Tension bleeding together into one mass that pools in his lower belly, coalescing into a tight knot in his groin. It spools, pulls taut, when he runs the flat of his palm down the length of himself until he meets the soft flesh of his perineum. 
It's easy to tilt his chin up, eyes gazing at the seashell colouring of the popcorn ceiling, stroking himself in slow, unhurried rolls of his hand, and thinking of you. Your hand on him. Your breath tickling his ear, spurring him on. 
"Come on, John," you'd say in that voice made to bring him to his knees. "You can go faster than that, can't you?"
He responds instantly to the faint echo in his head, grunting at the pleasure that races down his spine. Tugging on that tightly wound knot until it trembles. 
His hand around the length of him is replaced with yours. Tentative, exploratory strokes from frenulum to his thickened base; up, up, a teasing swipe of your thumb across his weeping slit but only enough to make his hips arch off the bed, and then you pull away, down. Down. Over and over again. He thinks of the way your breath would feel ghosting over his temple. The press of your chest when you leave over his shoulder. 
John rocks into it, hips undulating with each pass of the hand that is too gnarled, too scarred to be yours; lost in the fantasy of your presence around him, on him, in him. 
Maybe your other arm would be tucked under the nape of his neck, bracketing him into your body. A safety net. A security blanket. You'd toy with his cheek—twee and gentle; a ginger touch to offset the illicit press of your thumb into his frenulum. Lean over, too, perhaps, and press those inviting lips to his. A soft kiss. Barely a whisper. A brush.
His tongue rolls over his bottom lip, chasing the phantom taste of you that isn't there. He imagines you'd taste like the sea. Briny, but mild. Salted winter melon. A sweetness, too, beneath the tart tang of iodine, but one that was metallic—copper. Iron. 
Pleasure knots in his groin—tighter, tighter, tighter—and even with each stroke a pale imitation of your warm flesh on him, he finds the spooling coil building in a quick crescendo of bliss to be somehow more potent than it ever was. A feverish heat at the mere thought of you. 
It builds. Builds. And breaks—
Your name is a broken snarl in the back of his throat as he spills over himself in thick, molten ropes. Each pulse of his heart floods more liquid heat onto his hand (hot enough, maybe, to burn), and he leans into the sudden deluge of a chemical frenzy ripping through his synopses—all liquid euphoria, static endorphins, and a heady rush of dopamine that makes the edges of his vision blur just a touch when he blinks his tired, heavy, eyes open, staring back up at the off-white ceiling. 
The surge and plummet of adrenaline leaves him feeling fatigued. A bone-deep torpor that comes swiftly in the simmering aftershocks of his pleasure. 
He could close his eyes now and sleep—even with the mess on his hand, come cooling against his heated flesh, growing tacky and uncomfortably wet as it sat there. The idea is more appealing than standing up and washing himself down, and in his sudden languor, he haphazardly lifts his hand away from his still-throbbing cock softening against his damp thigh, and pats the mess on his hand against the extra pillow he doesn't use. It's hardly the cleanup he needs, and he knows washing the dry come from the coarse hair on his thighs and groin is going be a nuisance in the morning, but he can't muster the energy to open his lids past half-mast let alone stand and hobble his way into the washroom. 
(And maybe he doesn't want to see himself in the mirror right now. Doesn't want to contend with the same routine of thinking of you, getting off to the thought alone, and then slinking into the tub for a quick rinse of his regrets. Not tonight, anyway—)
So, he stays in bed, laying there in his own filth, and still thinks of you. With his eyes closed tight, he doesn't have to face the reality of your absence. Of his dirty whim that sullied you in his head (over and over and over again—). His loneliness. 
And it's nice to bask in the glow. To imagine you beside him still. 
John's never been as delusional as now when he can taste the Caribbean sun on his tongue. Feel the salt on his skin. He smells sand. Feels it under his back as he lays down with you curled over him, hand tucked against his chest where it belongs. Dosing under the shaded pyre. You'll catch fish in the morning. He'll take you out to places you'd never been, all of them. Every single one. Until the world is shaded with your fingerprints. 
He's never been much into lyricism, but you make him contemplate the dividing line between prose and poetry, and where he fits between the two. The bridge, he thinks. The gaps between words, the space between letters: heart and soul (and the tangibility of them both). 
He wants to go there with you. 
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The vision of you laying with him in sand embeds itself in the weakened link of his splintering resolve, eroding the chain away until it breaks, and the next night finds him sitting in the same spot, drinking the same whiskey, but his thoughts are subsumed by you. 
Without it keeping him at bay, he makes a terrible decision—one he wishes he could blame on whisky, but he's sober in a way he hasn't been in years—but when he looks up at you, twenty minutes past closing after everyone has stumbled out of the pub, something blooms in his veins. 
It's white-hot—hotter than the sensation of being shot in the thigh by a stray bullet when he was still figuring himself out in a battlefield—and dredges up dormant feelings he hasn't made room for since he was twenty-seven and fell in love in Ghana. 
It's cacoëthes. 
(But maybe it's been heading forward this all along. Ever since he saw you tug around a man twice your size, and wanted to bruise his knuckles on this stranger's enamel. The one who dared touch you. Disrespect you.)
John makes the awful choice to kiss you.
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It starts with a look. 
The night ends later than usual—a hockey game between the Pittsburgh Penguins and the Ottawa Senators draws a big, rowdy crowd of nearly fifteen people ("truly record-breaking numbers," you quip with a grin) that bemusingly celebrate the Senators' victory and mourn the Penguin's loss at the same time ("it's a cultural thing—Sydney Crosby plays for the Penguin's," you tell him as if it explains everything)—and when he finally pockets his cigars, the sky outside is already dusted with crops of mauve as the hazy sun tries to blink through the thick clouds of gunmetal and charcoal. 
You wave to the fishermen on the boardwalk as they prepare their empty lobster cages for the morning haul, and he tries to think of every reason why he shouldn't be standing with you right now, puffing away on one of his last few cigars. 
There are multitudes, of course, all of them eagerly buoying to the surface, and just as viable as the last. Just as concrete. But that's the thing about desire, isn't it? Reasoning is skewed. Malleable. For each con that is squashed by the claws of fatigue, a pro subsumes in its stead. They add up. The scales tip. And all at once, he's no longer oscillating between no and here's why, but how come. 
How come he can't give in, if only just once? 
But once will never be enough. He knows this. He knows it, and yet—
When John happens to glance at you from the corner of his eye, he finds you turned to him already. Watching him. 
Despite what the furious stutter in his chest at this bare appraisal would lead him to believe, this isn't anything new. 
(Neither is his reaction. The blood rushing in his ears. The hiccup of his heartbeat.)
You've always unabashedly worn your curiosity like this. Open, bare. Letting it moulder on the very ledge of a cornice for all to see when they looked into your eyes. Liquid gems, molten coins. They've always gleamed with a sense of misplaced curiosity whenever they rested on him; seemingly lost in the labyrinth of your thoughts as you tried to unravel the reef knot that is John Price. 
He supposes it's the novelty of a man washing up on shore in the middle of what's meant to be the most boring season of the year—your words, naturally. Nothing ever happens during hurricane season, you mentioned to him once. The maritime is quickly forgotten about until summer when stupid tourists head to Halifax or Peggy's Cove in droves. 
Until him, that is. 
(Until you, as well.)
But the look you grace him with right now is somehow on the precipice of being both foreign and familiar at the same time. A muddled sense of jamais vu that seems to wrap itself around his throat, pressing taut to his pulse. Mocking him. Confusing him. It's all a muddled mess of known and unknown and—
Want to know. Need to.
He knows this look. Knows it as intimately as he knows the hand he used to stroke himself, pretending it was you. Your touch. It's want. It's—
Desire. 
Intrigue. 
You stare at him—unabashedly, as always; lost in your perplexing keenness for him, for the man he is (and the one he definitely isn't)—and John sees that same, misplaced rapaciousness in the shaded valleys and unfathomably deep ravines. It's an almost visceral hunger that seems to eclipse everything else; colouring the topography of your gaze in its wake. The glittering scales of a meandering coelacanth. 
Getting caught looking at him in such a way does little to embarrass you. If anything, having his eyes meet yours seems to subsume want with need, merging the two until all that gazes back at him from that prismatic abyss is desire crushed into diamonds from the absolute pressure that leaks from the black holes in the centre. 
He's been warned before about sirens and sea monsters, but standing in front of him with the raging ocean as your backdrop, he finds he cares very little for portends after all. 
John gives you every chance to pull away, to tell him this is a mistake, that you don't feel the same way, that you couldn't possibly do this, but you ignore all of them. Every single one until his hand is around your waist, the other cupping your jaw, and your breath is on his tongue. 
You make the first move. He doesn't know why that surprises him—you have this way about you that reminds him of rogue waves: an untameable suddenness, brash in everything you do; untempered by man and their flimsy metal cups in the ocean—but when you curl your fingers into the Sherpa lapels of his jacket, and wrench him into your sphere, tidally locked in your pull, he finds himself adrift. Lost. The only thing keeping him steady is you. Your touch. 
Your lips are searing when they bite into his, bruising and all-consuming. He likes the burn of it.
It's a kiss just as much as it is a slap to the mouth. A reprimand. How dare you keep me waiting? And somewhere deep in his chest, something unfurls. Something comes loose. Wants to apologise, wants to beg forgiveness, but the words are stifled by your lips sliding against his, your fingers touching the parts of his cheeks that haven't known the feeling of another since he was twenty and grew it out as long as he could get away with it in the military. You hold him. Anchor him in place as you take, as you badger his body into yours, trying to syphon all of the air from his feeble lungs. 
He lets you, rocking with your demands the same way he would a sudden squall, his body a ship in the vast clutch of your ocean. 
The tip of your nose slots into the corner of his own when you tilt your head into the kiss, tongue sliding, liquid, molten, against the seam of his mouth. Humid breath paints the skin under his eye until it's tacky with condensation, and he wants to feel your breath on him everywhere. Wants to touch the places your breath ghosted over with bare fingers to feel the remnants of what you left behind. 
(He wants it to stain him. Leave a permanent mark for all to see. A sailor claimed by the sea, by rogue waves, and the embodiment of a pelagic calamity in the shape of you.)
His lips part just enough to let the tip of your tongue slide in, to touch his in a gentle kiss. A perfunctory greeting for what will, hopefully, become routine because he knows what you taste like now—seagrass, fennel and yew arils—and doesn't think he has the strength to let it go. A new addiction forms somewhere in the catastrophe of his hindbrain, the same place that yearns for nicotine and alcohol to blur the rugged edges of a childhood he can't quite manage to let go of. One that bled putrid blood into his adolescence, his adulthood. That makes running his first thought in the face of anything that has the capacity to heal. Or sacrifice himself for some greater good he could never really bring himself to believe in, despite the words he preached like a scratched record—we dirty our hands so theirs stays clean. A fallacy, of course, like many things in his life. A broken, fractured homunculi trying to navigate a world it wasn't made for. 
But you soothe those parts, don't you? Palliative comfort in the shape of something that has the measure to hurt, to ruin. 
—and fuck, does he want to be ruined by you—
You pull away from him as if you can taste his debauchery, his need, on your tongue and want to skewer him through the heart with it. The distance feels vacant and endless: a devastating bergschrund.   
You blink at him, eyes heavy and full of promises, of wants. The sight of your red tongue brushing over your wet bottom lip nearly makes him ascend to some spectral plane of existence where nothing but the alluring sight of you lives in his consciousness, and it's only your hushed words—raw and tempered—that reign him in. 
"Come back to my house, John."
It's not a question. He knows it in his bones. Just like he knows it could never be one—never—because doesn't have the willpower to say no. And you know this, of course. Have known it from the beginning when you peeled back the rotting layers, flaying his walls from his skin just to learn his name. 
("It's Price," he growled out, words masticating between clenched teeth. "John Price.")
He wears his want in cinder and ash. Feels the fever under his skin.  "Fuck—," he rasps, throat scorched. Brittle charcoal. The words taste like wood chips on his tongue. "What are we waitin' for then, love?"
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The billowing sea breeze howls outside of your small house on the mouth of the inlet, an enchanting soundscape that seems to amplify the soft noises that spill from your lips at his touch. 
You burn like the sun bearing down on the desert of the ocean, and he feels your scorching presence between the split of his shoulder blades, liquifying the knobs of his spine until it pools in the clefts of his back. 
Boneless, broken, he loses all sense of himself as he ruts into you like a man who's never been touched before in his life—clumsy, selfish, and unpractised. Your pleasure is the equinox in the centre of his head, a reachable goal he strives for, but each shudder that leaves the column of your throat seems to shatter him into fragments. He wants, wants, wants: there's a war in his head, in his touch. Greedily, he learns your topography until it's ingrained in his marrow. Until he knows where each dip and fold, every scar and blemish, on your skin sits, waiting for the worship of his touch. 
He yields to you. Offers himself up at your altar—yours for the taking—until his sacrifice is met in seasalt and bliss. It's by this flickering dawn that spills into your bedroom window, the one that faces parallel to the sea—always there, in the corner of his eye—where his resolve is laid to rest on a bier. 
It burns on the pyre when your fingers thread through his hair, gripping tight as he falls into pieces in your arms, buried as deep inside of you as he can get. And it's here, safe in the bracket of your legs, spread wide to accommodate the staggering bulk of his body, he finds both nirvana and damnation—his own personal hell nestled in the crux of your thighs.
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"Stay the night," you whisper to him, the command slurred on the tobacco that leaks from the burning tip of his cigar. 
One down, he counts; two more to go. The sight of the dwindling pack seems to notch inside his aching ribs, bruised with the cuts you made into his marrow until a scar in the shape of your name formed, seems like a portend. 
He stares at the brittle pieces of the tobacco leaves in the metal tin like they might divine the ancient wisdom of augers and the seers who gleaned hidden truths and hindsight in a teacup, but all he gets is the heady scent of nicotine for his search. 
"Mm." 
Your hands press against his naked back, feeling the taut muscles flex under your touch before they move around his midsection, fingers digging into the plush flesh of his belly—too much lobster rolls, he'd snarked when your teeth sunk into the softness put there by you; a fullness he hasn't felt since he was eighteen. You knead his skin, thumbing over the indents of your teeth, a perfect tattoo, before you hum in satisfaction, the sound of a cat eating its catch, that makes his spine thrum. 
"Good," you husk into his shoulder blade, teeth peppering nips across his sun scorched skin. "'cause I'm not done with you yet, John."
He shudders. "Fuck, love—gonna send me into an early grave."
It draws a simmering chuckle from deep within your chest. Sparking embers. The heat thrills him. 
"A lovely way to go," you murmur, hands drawing intricate webs over his torso, tangling through the coarse hair that gathers in dark swaths of brown across his body. "And I'll even give you a proper sea burial."
The thought alone strips his soul from this prison of bone and flesh. To be known so innately is a dangerous thing, he finds; so deceptively addicting, so achingly good, and he wants to run from it just as much as he wants to bask in the feeling. 
His soul is hungering for something he's never tasted before—until now, until you—and that unquenchable devotion glues to the very essence of him; a tick burrowing into his skin until it rots. 
He fucks you against the window running parallel to the sea instead. Unmaking himself in the clutch of you until your fingers thread him back into some semblance of a man with a soul made for the sea. 
(A place he wants to go with you.)
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The unread tobacco leaves in bone china end up spelling out the end in a red flash on his phone. 
A voicemail is a cruel reminder of the looming deadline on the horizon. 
Fixed 'er up fer ya, b'y. She'll be ready in a night or two. Right time for lobster, too, yeah? Anyhoo, call me when you get this. 
What was once anticipatory now feels too much like being caught under a guillotine. He pretends his hands are not shaking when he calls the man back.
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The man meets him by the harbour. 
"Should take 'er out," he says, wiggling a tooth pick between his teeth. "You know 'er be'er than I do. Make sure she's good t'go, ya'know?"
He hums something that might sound like an assent to unpractised ears, but the false starts in his rib cage flares up, a deep ache that rattles through the scarred brackets and leaves the seam of his mouth in a muted snarl of discontent.
Ready to go, he thinks a touch cruelly in a shorn off form of self-harm. Just to make it hurt. Just to feel it agony ripping through the gaps between his bones. 
Right. Right. 
How is he supposed to leave when he left so much of himself inside of you?
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"Come with me tomorrow. Want to show you something."
"Oh, yeah?" You murmur, brows bunching together in a way that makes his teeth ache. "And what's that?"
His thumb brushes your pulse. "Mm, 'bout time you met Captain."
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Newfoundland lingers in the backdrop for most of the day, rising above the waters in a rocky formation of evergreen against dark blue. 
You spend most of it leaning against the port, eyes wide in wonder at the absence of land, a mere pinprick in the vast sea, and he wonders if anyone has ever taken you out this far. Showed you something this haunting, this mesmerising. 
(Selfishly, stupidly, he hopes he's the first.)
The sea is calm. Almost eerily so, but he basks in the gentle rolls of the waves, the serene waters. It's picturesque in a way, the sight of an old postcard with a basin of pure azure and molten yellow sun, haloed in soft rings of ocean. 
As you fawn at the beauty around you, quiet in your musings, he grabs his fishing pole and sets out to catch dinner. John hasn't looked too deep into coastal fishing laws, but from your soft snort, he thinks it might just be on the side of illegal. Still. The coast guard isn't around, and he doesn't think you'll tell on him—at least not if he catches you a salmon and makes you an accomplice. 
The day dwadles, sun fading into a stunning sunset. 
He catches Atlantic Salmon, and spots a commercial lobster trawler in the distance. When he radios over, they offer a trade. Salmon for lobster. You laugh as the men toss over a cooler full of fat lobster for a wriggling salmon that nearly slips from his grasp. 
It's in this exchange—and a day on the water—that he realises just how much he missed this. This. Being on the water. Dependant on no one but his own knowledge, his foresight. Always just on the side of illegal in coastal waters. Making trades, and bartering for dinner. It's peace. Or as close of an approximation a man like him might deserve. 
A tried and true native of the land, raised on fish and crustaceans, you teach him the proper way to prepare lobster and Atlantic Salmon, sucking your teeth at his lack of spices in his threadbare cupboards. You make do, and he can't remember the last time he had something this good. 
"Just wait," you huff. "When I have a full kitchen with proper seasonings, I'll make you something even better."
There's a tightness in his chest at the prospect of next time. "Can't wait." 
It's a lie. Barefaced and ugly. 
He offers beer instead. Brings out some of his hidden whisky. 
"Not gonna be too drunk to get us back home, are you?"
Home. He is home. Has been since he kicked off from the marina, his hands curled around the leather steering wheel. The bumps of the waves against the hill. 
He wonders what you think about all of this; his kingdom at sea is nothing special. Modest, in many ways. Sometimes the toilet in the washroom leaks. He only really has warm water on Tuesdays. Something with the tides, probably. Spiders have taken a permanent refuge in the closet adjacent to the kitchenette. He thinks he might have some exotic stowaway lurking somewhere, too. A mouse of some kind, maybe, from when he was in Madagascar for a brief interlude. 
The boat is never still, always rolling with the waves. Rocking. He's grown used to the feeling of it. Much too accustomed to always moving, never being still, to ever feel any modicum of comfort on land. 
Thinking about it, about returning back to the inn tonight when the water is this serene, and the moon is this sull, pitches something ugly in his chest. Reluctance. And maybe the urge to show off. To share. 
"Want to spend the night?" 
You make a comical picture with your fingers tugging desperately on the cork of a wine bottle you found under the sink, blinking at him owlishly as you process his request, and he smothers a laugh in his chest at the sight. He knows if he lets it out he'll never look at wine or owls without thinking about you, but maybe you're already ingrained in his head. Stuck there in places he can't reach, can't scrape out. 
"What?" You ask, lightly. "Out here?"
"Why not? We're close to the Labrador Strait, too. Could drop anchor now. Head back in the morning."
"Is it—?" You stop yourself from finishing with a shake of your head, and a sheepish smile. "Nevermind. Yeah, um. Yeah, I'd—I'd really like that, actually."
Is it safe, he knows you were going to ask. The question would have made him roll his eyes, and bark out something that could have been a snort of derision or a condescending laugh. He was a bloody marine, he'd have griped. I know these waters better'n I know Liverpool.
But you didn't. You didn't ask. 
The harshness of the nevermind sounded like a self-admonishment for even asking such a thing. It's possible he's reading too much between the lines, but he likes the implicit trust that bleeds through—a touch of hesitation stifled by the immediate certainty that John will keep you safe. 
He likes the fit of it. The way it curls around his pride. 
"C'mon," he murmurs. "I'll show you around."
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"It's small," he grouses, a touch uncomfortable as you patter around the bedroom that's barely bigger than a linen closet. It smells like him, he reckons. All smoke, tobacco, and stale sweat. Nothing pretty—not like your sheets that smell of fresh pine resin, or your room the scent of cornflower. 
The ship itself is considered a luxury on the ocean—old, but meticulously maintained—and its age bleeds through the panelled walls, and the clumsy decor. Built largely for dedicated seafarers, the cabin boasts two bedrooms (the captain's quarters being the largest, and the crewmates dorms still stained with rust from where the nails keeping the bunk beds in place during listing started to erode), a kitchenette, a bathroom, and a small space inside the helm that could be considered a small living room—squinting, of course, required. Still. It's home. It's—
The manifestation of his pride. His loneliness. His wants. 
(The walls are drenched in his madness. Do you see his ghosts when you look around—)
"It's cosy," you volley back, barely paying him much attention as you prod at his bare-bones; his sanctuary. He pretends the words don't stroke his ego in the perfect way. "It must be quite the sight to wake up to a sunrise on the sea." 
"Mm, it is."
It's unlike anything he'd ever seen before. A nearly endless roll of cerulean in all directions that almost blends seamlessly with the cyanic sky. Plumes of sea clouds. Birds swooping overhead. 
Often, he finds curious sea creatures coming up from the depths to investigate his boat. Pods of playful dolphins arching through the waves. A mother whale and her calf, nearly the length of his sixty-foot sailer. Rays. The occasional shark when he's fishing, lured in by the struggles and the flash of blood in the water. The feeder fish congregate beneath his boat, picking at the barnacles growing or the smaller fish gathering there for safety. It becomes its own ecosystem after a while, drawing in Remoras, various sharks, tropical fish, and barracuda. 
He mostly gets avian visitors resting on his hull. Great Albatrosses and Cormorants. The odd Pelican closer to shore. Mollymawks, Northern fulmar. 
The open ocean is a vast desert. Sometimes he goes days without seeing any signs of life. It comes with a sense of peace that is indescribable—an awe deep-rooted in his bones, one tinged with fear of the yawning abyss that rolls out in all directions as he knows, without a doubt, that he is less than a mere pinprick in the sea. Humbling. Awe-inspiring. It all coalesces into an experience he can't put into words. One that he yearns for when he's on dry land. 
One that he wants to show you. To share with you. 
A silly whim, of course. Strangers don't traverse the pelagic zone together. 
He shakes it off. Recalibrates. Tries to centre himself, and shuck the thoughts of waking up to a perpetual sunrise with you. The ochre crest of it illuminates a deep blue sea for miles and miles; bare from pollutants that seep into the aether near the coast. Lights that dim the coruscating beauty above. 
But as much as he thinks sunrises and sunsets are a thing of beauty, he knows there's something else you'll like much more. 
"C'mon," he rasps, words sticking to his dry throat. "Wanna show you somethin'."
You don't hesitate this time. "Lead the way, captain."
(And oh, how the coy honorific rumbles through his marrow.)
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That something is the reason he became so addicted to the sea. It's a darkness unlike anything else he'd ever experienced before—a complete absence of light that usually pollutes the sky in the cities, one that people often think is escapable in the countryside away from bustling metropolises. 
That has nothing on the ocean after dusk. 
To describe the sensation would be pitch blackness. A black hole. Everything is swallowed up by it—complete antimatter—until the horizon and ocean merge together in an unfathomable pit of tenebrousness. It looks like spilled ink across a page, everywhere the eye turns is shrouded. Indescribable. 
When he's in an inlet, or off the coast of an inhabited island, he used to turn the floodlights of his ship off just to see what he couldn't see, and it was endless. A vacuum. Terror drenched over him in almost equal measure to the absolute awe that rolled through his chest like a tsunami. 
It was the infinite darkness of space mirrored on earth. An uncanny image. Pure nothingness.
There was more light when he closed his eyes than when he had them wide open. Phosphenes brighter than the world around him. 
A harrowing, everpresent experience that notched false starts into the parentheses of his ribs, and made him ache when he wasn't surrounded by water. 
He keeps only the navigation lights on when he leads you to the deck, and the sharp gasp he hears makes him burn, knowing exactly what you must be seeing. Feeling. 
Even at the very tip of the ocean, barely with your toes in the vast abyss, the absence of light pollution gives way to a stunning artefact in the ancient sky. Nebulae clouds. Gleaming stars. In the distance, he spots the coruscating light of Mars, visible to the naked eye. 
The moon sits in the equinox, casting out a blanket of light over the rhythmic swell of the still-black water. It paints the surface lily white. 
He stands beside you, eyes greedily taking in every flickering emotion across your awe-slacked face. Each expression categorised and filed away. A preview to the experience going inside you as you gaze up at the night sky. 
"John…" it's a hushed whisper, drenched in a reverence so thick, so palpable, he thinks he can reach out and catch the ghosts of your wonder on the tips of his fingers. "It's…"
You trail off, but he knows. He knows. 
His hand brushes yours. "Beautiful, ain't it?"
Wordless, and maybe a little bit speechless, you nod, eyes still fixed on the indistinguishable horizon as your hands slip into his. 
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The stars are still caught in your eyes even after he leads you to a small sitting area with steps leading into the water. He warns you about sea lamprey and cookie cutter sharks when you try to dip your feet into the basin, laughing at the small squeak you give when you wrench your toes out of the water, drawing your knees tight to your chest. 
Sharks hunt at night, he reminds you with the same cadence as a conman. 
The sideward glance you give in response to his mirth spumes a strange effervescent feeling in the pit of his chest. Humour for the sake of it. He can easily imagine many nights like this with you, basking in the bloom of the ocean, the splashes in the distance, the steady rock of waves licking against the boat, and it's something that seems to syphon the breath from his lungs, knocking him offkilter for a moment. Skewing his perspective. 
It's odd, he finds, to be so attune with someone so fast. To connect on a level that feels deeper than what it is. It jars him as it shatters through that ironclad resolve he wore around his heart.
"Why the sea?" You ask after a moment, thumb skating through the pebbles of condensation that gathers around your bottle. 
The sight of your wet finger shouldn't be as enticing as it is, but the way you stroke the nozzle makes his stomach burn with a heat he hasn't felt in a while. It's gentle. Soft. He wonders if you'd be that tender with him—
The thought is shattered when you glance at him, eyes searching for an answer hidden in blooming blue. There's muted curiosity eked into the divot between your brow—unconsciously done—and he forces himself to turn away lest he reach out and soothe the wrinkle for you. 
(You never know how much you furrow your brow around him. Price isn't sure if that's a portend, some archaic warning of the inevitable frustration you'll feel toward when all of this is over. When the hurricane season passes, and the waters are once again chartable—
Another thing he doesn't want to think about.)
He chews on the question for a moment, making a show of reaching for the—nearly empty—carton of cigars from his breast pocket (another run to Cuba is imminent, he reasons, and tries to convince himself he's not stalling). Deft, practised fingers pull one out, rolling it between his thumb and forefinger as he measures just how much of himself he wants to give away to you. 
(All of it. Every part—)
The paper absorbs the whisky staining his lips when he skewers it between his teeth, a futile effort to keep the hollowness between his lungs and ribs from aching. He thinks about blaming the curdling weight in his stomach on the thought of a ruined cigar—soaked tobacco won't draw as good as dry—but he knows himself better than that. 
It's the suddenness of your query, maybe, but a part of him had been waiting for this very question from the onset of—this. You, him. Together. It seems to be one of those things that just comes up, doesn't it? An unavoidable collision into abject disappointment. 
In all his past flings—calling any of them relationships feels juvenile for what it was: quick, ephemeral pleasure in a foreign land, always lasting just long enough to patch up his boat; he won't disrespect the partners he had by giving it more potency than it deserved—this had been the epoch. The moment when they realised he was never really in it. That his foot was already slipping over the ledge of his boat, head full of the places he'd go next. Always alone. Without company. 
Some take it in stride. They know not to expect much in terms of commitment, or loyalty, from a man who reeks of the sea, and wobbles on land. They don't begrudge him the briefness of the affair, or the lack of a promise to write, or call, or see them again, some other time. When you pass through here next… always seems to be the sentiment at the cronis. The end of them. It never goes anywhere, but it's never finished, either—because it never really began, did it?
He rarely goes to the same place twice unless he needs to (Barbadian whisky, Cuban cigars, fish and chips in Liverpool for the holidays notwithstanding). 
And despite how many times he's been asked this very same question, usually with less clothes on, he never really has an answer. Not one that's enough. 
"Where else would I be?" He muses instead, blinking up at the indigo sky. It's an unforgiving nothingness up there, too, isn't it? "Workin' some job in an office? Military? Nah, would bore me too much. M'better off at sea."
"All alone?" You fill the gap he didn't realise he left empty. "Isn't that—"
He doesn't think he can bear to hear you say it—
"Yeah." 
—so he doesn't let you. 
His cigar tastes stale. Wet tobacco. Ashes. He draws in a deep hit on the next inhale but it curdles in his mouth, leaks poison into his bloodstream. He feels dizzy with it. Offkilter. 
When he invited you to see his ship, half of it was—admittedly—a euphemism. A thinly veiled come on. A facsimile of romance. Who wouldn't, afterall, want to drift out to the open ocean, making love—or some sad version of it—under the stars on a clear night. 
He'd take you to the spot where land was swallowed wholly by the horizon, until all you could see was the midnight blue ocean pressing down on all sides. Gentle waves rocking the ship. The stars coruscating in the indigo sky like glittering diamonds held up to the light. The murky haze of Juniper in the distance. A splash from a whale breaching the surface. 
It would have been a nice evening. He'd have drinked whisky with you—smuggled out from his secret stash of the best kind you could find in the Caribbean—and taught you how to smoke a cigar. 
You'd have laid down beneath the stars, head swimming with the buzz of alcohol. John would have leaned over you, charting the open awe in your gaze as you stared up at the heavens. 
Maybe you would have tried to ask a question, or marvel at the wonders of the world that might have only ever been seen by you. The first person to take in this view in all of history. Considering the vastitude of the ocean, it would be a real possibility. The very first. He'd give that to you. The first, the last, the only. All yours. 
In return, he'd steal a kiss. Swallowing the question from your lips with a slow, sensual roll of his tongue grazing yours. All coy and soft. Saccharine. You'd taste of whisky. He'd drink you down in several mouthfuls, unable to get enough, until you were keening into the night, begging for more. More, John, more. 
It blankets his thoughts, and the regret he feels at the loss is potent. Fragments of a good night flash before him—your fingers curling around the quilt he laid out on the deck, digging those talons into the meat of his shoulder until it breaks skin: a permanent scar. A jagged, silver meteor across milky flesh; he'd catch a glimpse in the mirror and think of you. Whisper-soft kisses. Your body opening up for him, eager and needy, calling out in a siren's song for more. 
(Who is he to deny you when you beg so prettily?)
Instead it metastasises inside of him. Malignant and pestiferous. Leaks rot into his bloodstream until all he can taste is the petrified residuum of regret, bitter and acrid. 
Some selfish part wanted something nice for himself. A respite from the eventual end careening toward him at a speed he can't avoid. 
The ruined tatters of it simmers in the air. A noxious miasma that seems to shake something inside of you loose. Maybe you see it, too. The loss. The end. The eventuality of a bitter, and quick, conclusion. 
You're quiet even as realisation darkens across your brow. Flattens the awe in your eyes with the cold douse of water to a burning flame. Clumped ash piles around a damp campfire. 
The flames were not smothered slowly, gently, like they should have been, like he wanted them to. No. No. They were snuffed out in a quick end. Brutal and unforgivable. 
And you say: "oh." 
As if you get it, but you don't. You don't because you think about forever when you look at him. It's not your fault, though—never. Because he hasn't said a word about leaving even though it stuck to his teeth, tarry and vile. A resinous stain he chews everyday, blackening his teeth until they rot. 
But he's a coward. A fool. The taste of you is sweet enough to drown out the bitterness on his tongue, and maybe he's using your kindness a bit too much—no. No. Not maybe. Certainly. Definitely. He's using the cloying taste of you as a buffer to everything weeping from the cesspit inside of his chest. 
Then: "oh."
It's almost prophetic in a way. Cyclical in its heartache. 
He wants to apologise, but he isn't sure where to start. How does he say sorry for something of this magnitude? 
He doesn't. He can't.
John lets it necrotise instead. 
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"Well," you say after a moment of silence. "When are you—?"
You don't finish. Can't, maybe, and he doesn't begrudge you the inability to utter that succinct finality. Not when he doesn't think he could, either. 
So, he says, "soon."
But you ask: "how soon?"
And he's reminded, quite vividly, of packing his things in the back of his nineteen ninety-five forest green Tata Estate when he was just shy of eighteen. His dad fuming on the porch. 
You're nothing without me, he'd spat. 
He was right, of course. Despite everything he tried, the only place that ever gave him a chance was the military solely for the thinly concealed awe that leaked in whenever he uttered his last name. 
But there was freedom in leaving. In skirting around the army for a place in the Royal British Navy—separate from the shadow of his father, his grandfather, but still riding on their coattails. John quickly found sanctuary at sea. At the unignorable distance put between himself and all the terrible memories in Hereford. 
In the middle of the ocean, that bastard's shadow couldn't reach him. 
And now—
Nothing does. 
How soon, you ask, but the real question should be: how dare you. 
"Mm, a day, maybe—if the weather holds." 
And it will. He's checked the forecast meticulously. Radioed in and asked about that pesky hurricane that seemed to fizzle out without much fanfare afterall. All the answers he got were the same. Perfect window, they say, is between dawn and mid-morning. There's gonna be some heavy winds on the coast, but if you set sail early enough, you'll miss it entirely. 
"Ah," you murmur, and there's just the faintest echo of your realisation at uncovering yet another one of his half-truths. You know he'll be gone the moment he drops you off on the harbour. "Okay."
John doesn't mean to put all of this on you so quickly. Everything just spiralled, spun, until it was a big, tangled mess beneath his feet. Time a mere whisper in the wind. His absence is a glaring black hole that you can't avoid. 
It's all pithy excuses that do little to assuage the weight of everything he'd done, but you take it right on the chin like he knew you would. A sharp nod. The barest hint of a frown. 
That is the only thing you can do, isn't it? Swallow it whole and try not to choke on it because no promises have ever been uttered between him or you. Nothing to substantiate this growing, cancerous lump of emotions that feel too fast and too slow, and too—
Dangerous. Perfect.
In his silence, a crater forms again, and he's reminded how much he prefers the sea to people; gyres to love. The brittle embrace of his cabin to the warm arms of a lover. 
He was made for the ocean. Meant to sink into algae blooms, and discover reefs untouched. To battle waves bigger, more meaningful than himself, and find sustenance on crated bartletts and scored tuna. 
But—
But. 
His hands curl around your waist, pulling you back into the broad expanse of his sun warmed chest. The heat of him liquifies your spine, and you melt, readily, into him with what might be a sigh. 
It's all so quick, isn't it? And yet, he can think of nothing else except the almost perfect torture of waking up beside you each morning. Of suffusing his atoms to yours. 
"Come with me," he murmurs into your hairline, breathing in the scent of you. Loam. Pine resin. Soft and earthy. And that's what you are, aren't you? Made for the land. The earth. Gaia. Terra. Can he really take you from this place and expect you to live like him on the sea? 
You don't answer. He feels the disappointment like a searing knife to his gut, but he understands. Gets it. This isn't the sort of proposal a sane person would make to someone they've known for only a few, short months. 
He wonders if you think he's only saying it to get into your pants. He probably isn't the first—and definitely wouldn't be the last—to make a litany of false promises just to taste you on his tongue, but he means it. Means it with every fibre of his body. Captain is roomy. Has always been too big for one person—too lonely. But it's a heavy question. A big ask. One that he selfishly presses into your hands as he litters your neck with kisses sharpened with the edge of his teeth. Leaving his mark on your skin. A semi-permanent stain only he knows is there. 
It's easy to pretend this won't be the last time when he lays you out on the sheets, fingers digging into your skin as if he was trying to crawl inside of you—and maybe he is. Maybe he wants to. Maybe he could stay suffused to your ribcage for the rest of his life, waking up and falling asleep to the sound of your beating heart, and die a happy man. For once in his life, something that belongs to him that isn't shadowed by ghosts or regret. 
(Something he will never, could never, deserve.)
There's something heart achingly desperate about the way he clings to you. Folds himself over you, murmuring promises and pleas into the bruised skin of your neck. Soft murmurations easily swallowed by the sounds you make as he ruts into you at a maddening pace. All clumsy and unrefined because he refuses to let go of you. Refuses to unglue his skin from yours, his teeth from your neck. 
He's never had it like this—drenched in sweat, pinned in place over top of you like a weighted blanket; sloppy, messy—but he feels the curl of addiction setting in when he feels the hiccups you make when he pushes in just so. When your flesh dents under the tips of his fingers, and he feels your bones in his grip. Each moan, every tremble and quiver somehow magnified in the small cabin that's much too big for one person. 
John wants to take you to this reef he stumbled onto off the Azores. Wants to walk on the sandy atoll, and fuck you under the stars. The first—and only—people on earth to feel the white sand under their skin, to whisper into the inky black of night. 
You'd like it there, he thinks. This lonely, isolated patch of land just barely rising out above the ocean. Filled to the brim with tropical fish, and hammerheads. Sea turtles. Orcas chasing seals in the distance. 
He presses his lips to your hairline, and breathes life into this little picture of you on the shore, whispering promises wrapped in desperation, devotion, into your skin. 
"John," you gasp, and he's not sure if it's a reprimand—please, please, please shut up, stop talking about that because you know I can't, I can't—or a plea—take me, bring me there, please—but he doesn't stop. Can't. He's too invested in this picturesque fantasy, the same one he dreamed about when he fucked his fist to the thought of you. "John, please—"
His veins are filled with blood-red wine. A sudden potent cocktail that makes him dizzy. Drunk on the wisps of ethanol that burrow deeper into his body until it floods his atrium. 
John wants to lean into it. Relish in the white-hot heat of it all. Wants to drag you down into the sand, into the unending sea, and stay there forever, just at the cusp of where land meets water. Your own kingdom in the domain of Poseidon. Children of Phorcys. Pontus. 
You grip him tight, and he thinks like this he could pretend it's not the last time. That when your body shudders beneath him, it's not out of sorrow or finality. 
"John," you say, but he can't bear it. He kisses you instead. Drows in the taste of you until his head spins. Spins, spins—
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He wakes up in a tangle of limbs. Your arm strewn across his broad chest, anchoring him to the bed below. Your head nestled in the crux of his armpit, nose pressed tight to the swell of his ribcage. Mouth open, he notes, drooling into wry curls that blanket his torso in swaths of dark umber. 
With you very much cocooned to his side, thigh trapping his pelvis down, he feels the sharp sting of claustrophobia raking talons over the bone encasing his eyes. He's buried under you—your body the soft swell of tumulus—and for a moment he nearly forgets himself. Nearly bolts from the bed, your arms. The room. Running, running—it reminds him too much of being a captive. Tied down. Restrained. Unable to move of his own free will—
But you mumble something in your sleep, the words lost to the blood rushing in his ears, and he finds the pieces of himself he'd lost. Lulled, almost to the point of complacency, by your breaths ghosting across the thick, coarse hair on his chest. Rhythmic. Calming. 
He leans into it. Buries himself deeper. 
You smell of sweat, sex. Fennel. He burrows his nose into your crown, breathes in the scent of you until his lungs burn. He wants them to scar over with just the thick scent of you. To leave a mark so deep, so permanent, that each time he inhales, all he can taste in the back of his throat is the lingering residuum of you. 
There's this earthiness to you that feels like digging his feet into sand, and he wants to slink deeper into the embrace, into you, but there's a lingering forethought in his head that he ought to get up. That this moment of brief comfort will come at a cost, with its teeth bared and wrapped around his bones, and it's a price he can't afford to pay. 
There's an almost cognitive dissonance between what his body wants, and what he needs to do. 
It takes most of his willpower to divorce himself from your clutch, but he does. Slowly. Reluctantly. With his fingers leadened with torpor. 
Regret is the feeling of cold wood under his feet. His arms relieved from the weight of you. Fix it, something inside his chest screams, but he can't. Can't. 
He doesn't look back when he leaves the small bedroom that smells of you. Not that it matters. 
In the separation, he finds he cut a little too much off from himself, leaving more of himself with you than he intended. 
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John doesn't expect much. Hasn't, really, since he set sail with his compass pointed away from home, and threw each sorrowful piece of himself into the reefs he encountered along the way. 
It's the same when he gathers everything together in the morning, running through a mental checklist of what needs to be done before he sets off into the mid-Atlantic, hopeful to reach Bermuda within four, maybe five days. From there, it would be nearly fifteen days before he reached the Azores, some nine thousand and twenty nautical miles between the destinations. 
He expects the winds this time of year to be between zero to twenty three knots. Waves, at most, around four to nine metres. He can keep up with it all, he's sure, but he's feeling less inclined to make the trip solo, and thinks, as he trawls back to shore with you sleeping in the cabin still, if he might pick up a small crew in Carolina before setting off. Or maybe he'll take solitude until he heads into the Azores. He isn't sure. The only thing he is certain of is that, for the first time in years, he doesn't want to be alone at sea. 
An oddity, of course. John always wants to be alone. 
(Until you—)
The notion is tucked away into the space inside his head where all the things he doesn't want to think about go to moulder. To rot. The idea that he's more gangrenous parts than man sits idly behind his teeth, a fleeting whim, but that, too, is shoved aside. Buried. 
—like the weight of you on him. His own personal grave, a tumulus—
Another limb severed at artery. Left to bleed. To rot. He considers leaving it out, making it hurt. Salt to the wound he has no intention of healing. 
He cauterises it instead, and uses the flame to spark up his last cigar for the occasion. 
(There's nothing worth celebrating, but he thinks he's due a belated birthday gift to himself.)
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The brackish waters in the inlet are muddied with loess, and he considers taking the longer arc into the harbour to avoid the sudden swelling of waves lapping at the sides of his vessel. Pure pride, of course. He's not a captain of a dirty ship—an oxymoron at best and a idling thought that takes the shape of stalling for time—but he trudges forward in spite of the twitch in his knuckles, the urge to notch his wheel just everso slightly to the right. 
It passes, and Newfoundland curves out of the waters in a splotch of green against dour grey. Another overcast morning. The inlet, he'd heard on the radio, is dense with fog trickling down from the rolling hills in the background of this rugged landscape. 
Fog on the ocean isn't rare. With a simple flip of a switch, he changes his visualisation from naked sight to sonar, and leans back on the balls of his feet, blinking restlessly into the thick plumes of smokey-white. 
The cabin door rattles when you open it—the only indicator that you're awake—and the sound sits heavy across his shoulders. A noise he thinks he could get used to hearing. 
"Give'er a shake," he calls, voice ashen, thick from sleep. He hasn't spoken a word since he radioed in to let them know he was moving down the channel. That was nearly two hours ago. 
You appear in his periphery, wrapped up in a shawl he keeps at the end of the bed. One he thinks he picked up when he was working on a shipping vessel in Pacific, just after he'd split from the navy, and was docked for a week in Taiwan because of bad weather. 
It looks good on you. The colours accentuate your features in a way that makes it difficult to focus on the black screen of the sonar, but you make it easier for him when you pad closer to where he stands, yawning around a good morning as you fic yourself to his side, reaching for him. 
You curl against him as he steers into the estuary, one arm tucked around the small of his back, and the other above his groin in a sideways hug. A small shiver wracks through your frame when the chill from the frigid waters sneaks in through the open companionway of the helm, and you burrow deeper into his side, nose nuzzling against his bicep to keep warm. The weight of you is comforting. Steady. 
It's a clumsy dance to free his arm, but he does it somehow without dislodging you in the process, and lifts his arm, steering with one hand through the maw of the Labrador Strait, before he quickly loops it around your neck, keeping you tight to his side. You fall into him in a hurry—maybe from desperation to keep the bitter cold at bay or for some strained, final moments of closeness before he leaves the docks, and you. 
The silence is heavy. A potent cocktail of shaky uncertainty admixing with all the regret he feels for not acting on his impulsive feelings sooner. It sits low, thick, in his guts, and vacillates between mocking him for what could have been weeks of satiating himself on the fill of you, and taunting him for starting this in the first place. 
Especially when he knew exactly how it was always meant to end. 
And in a rather vicious moment of cruelty, that particular ending bobs up from the brackish waters with its stark brown oak pillars cutting through the dense fog. He doesn't need sonar to see the pier in the distance. Three clicks to the west. 
His throat pinches tight at the sight of it—rather irritatingly unassuming in its lacklustre beginnings, but a garish knife to chest all the same. It constricts. He tries to swallow but can't get the weight around his neck to receed. 
He takes his hand off the wheel, scratching at the raw skin along the column of his neck. 
His jostling seems to wake you from your sleepy stare out the window. You clear your throat. He tenses. Guts wringings themselves into a frenzied coil. Don't, he wants to say. Don't speak. Don't say anything—
"Listen, Price," you start clumsily, cautiously. And despite knowing where this is going—some apology for why you can't go with him, for why you're saying no—he makes a noise to dissuade you from continuing. He gets it. He does. It's a big ask to have someone give up several months of their life to traverse the open ocean with a stranger. 
"I know. S'alright, love. I'll—" the words are bitten through when he realises where they're headed. The offer to call. Or write. Things he knows he won't ever get around to doing, but the loose attempt to placate is better than hearing whatever you might say. A selfish need to keep the silence. 
"No, listen," you stress with a huff. He hears the eye roll in your tone, and fights back a scoff at the image. "You're stubborn, you know?"
It's nothing he's never heard before but it still makes him laugh—some broken, ugly thing in the base of his throat. Clawing up his oesophagus. 
After a moment of silence, you nuzzle your cheek against his peck, pressing a soft kiss to the edge of his heart. 
"I'm not a sailor, and this is probably the craziest thing I've ever done in my whole life, but—" his heart leaps, banging against the cage of his ribs, still scarred with your name. 
"—love—"
"—I don't want to just write you. Or—or wait for a phone call. I don't want to—" 
He hears the click in your throat when you swallow. Feels the herringbone floor open up beneath his feet, plunging his aching heart into the empty maw of his stomach. Still. Through the blooming sense of hope tangling vines around his falling heart, he reaches for the water bottle on the console, wordlessly passing it to you to drink. 
You sniff, and it's an ugly, wet noise that sends a shudder through his being. A sound he could hear, happily, for the rest of his life. 
(Sappy, tragic fool—)
"How long do I have to pack?"
If he'd been a lesser man—or maybe a better one; a good one—he would have crumbled. But he's too grizzled to take his eyes off the shoreline, and maybe—just maybe—too fucking scared to. He doesn't want to look down and find this whole thing has been some horrific joke. Doesn't want to see the derision in your eyes as you ask him why you'd ever pick him, a stranger, over the sanctuary of land. Your home, even. 
But he doesn't doubt you. 
It's an odd juxtaposition, John finds, but he's always been the sort to work in strings of abstract hypocrisy, hadn't he? Implicit trust in the men around him, but not enough to ever let go of the urge so just do everything on his own. To shoulder the burdens a man like him was seemingly built to carry. 
(And made to crack under the weight of them; a thousand fissures that were small enough to go unnoticed—until Gaz grabbed him by the lapels, shoving him against an iron door just to keep him from throwing an innocent man to his death for no other reason than his notched sense of safety—but big enough to leak a caustic ugliness into the word that threatened make the men around him bonesick.)
But he isn't thinking about that right now. Or, rather, he shouldn't be—
Because he believes you. He just believes in himself less. 
So, he has to ask. Has to. "Are you sure? Hard to change your mind when you're in the middle of the bloody ocean, love." 
The exasperated huff let out into his bicep seems to be the only answer he'll get from you on that particular topic, but it's not enough. Despite the miffed squeeze you give when he pulls his arm back, resting his hand against your cheek to pull your face back far enough to peer into your eyes, you go along with his demands, soft as they are. Maybe the way his thumb brushes along the curve of your cheekbone quells the stubbornness that brims at having your choice picked apart until it was nothing but bones. All just to satisfy his own internal dilemma. 
Or a mockery of one, anyway. 
"You gotta be sure," he says, and winces when it comes out rougher than he intended. "This is a big leap. It isn't go to fuckin' Tesco's on a Sunday—"
"First of all," you mumble, eyes narrowing up at him. "We don't even have Tesco's in Canada so that comparison is useless to me. Second of all—" and suddenly, all of that bravado falters. Shakes. You glance away from him—in askance, maybe, at your stutter, at his inability to take something someone tells him at face value. 
"Love—"
There's a fire in your eyes when you turn back to him. A defiant tilt to your chin when it lifts. Sure, and firm, and a little bit proud—drenched in the same shade of stubbornness as himself—and the sight is an electrical shock to his system. A jolt to his chest. One that hangs, heavy, around the nape of his neck, the drape of his shoulders. 
"I'm sure," is all you say. 
And it's enough. Inexplicably, overwhelmingly—enough. 
"Now, how long until we set off? I just need to get some stuff in order before we leave, but I can hurry it as much as—"
It goes against every rule in the book to take his eyes off the horizon and his hands off the wheel, especially this close to shore, but he needs—he needs to touch you. To know. To feel the commitment under your skin like an electric hum. 
"However long you need, love, fuck—" his lips are on yours, stifling the rest of what he meant to say in the taste of you. "Whatever you want, whatever you need—" he makes promises he might not be able to keep, but he thinks if he could, he'd steal the stars and the moon, and let you wear them like pretty gems. 
It'll never come to fruition because all he can really give you is a boat and a broken man who is only good at sailing the seas to escape everything that might get too close. None of it seems to matter. Not to you. Never to you. Every wall he's thrown up has been meticulously chipped down, and this, he finds, is no different. 
You lean into him, heedless of the war in his mind, and breathe in deep. Inhaling the scent of stale tobacco, sex, and sour sweat. There's something facetious about the way you hum into the kiss, nails scratching along his crown, as if you're not committing nearly a year of your life to a man you watched crumble at the altar of your feet just for a sip of you. 
"I've always wanted to go to Spain."
He groans a little into the kiss. Can't help the noises that spill out when you start mapping whimsical plans into something concrete. Something tangible. 
(Permanent, if you'll let him.)
"We'll go. Spain, Portugal, Liverpool, Italy, Cuba, Jamaica, Fiji—" he names each place between a searing kiss and keeps one eye open, listed toward the horizon. He says it all in a hush, caught on the tendrils of desperation. Urgency. There's a quiver in his voice. Blood in his throat. "I'll take you anywhere you want to go. Just name it, love."
And you just smile like you know he will. That those words, caked in some amalgamation of earnestness and madness, are a promise. An oath. 
"Anywhere," he swears again, brassbound in certainty, tangled in seagrass. 
Your name scars the brackets of his breastbone. Notched into marrow. He feels it heavy in his ribs when he pulls you closer, wanting nothing more than to sink into you until your veins are filled with him. 
Anywhere, he thinks, hushed in its reverence as the levee keeping everything he let rot cracks in your hands. Always. 
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YOU—
There's a certain dreariness that comes from living by the ocean, one that's often difficult to put into words or explain to someone who hasn't spent their entire youth being told, never turn your back on it. Never trust it. 
(It, of course, because somewhere along the line, the sea stops being a place, a thing, an artefact, and becomes an entity all on its own. A living, breathing manifestation with its primordial history, its own mythology, all so distinct from anything someone on land could ever dream up.)
Because despite what you might wish, the sea will never be your friend. It's incapable of distinguishing the difference between affection and malice, and shows its love by dragging you to the darkest depths imaginable until your lungs fill with its briny breath and your drops to the floor, a human-sized whalefall. 
The ocean loves you in the worst way. 
It wants to make a tomb of you. A graveyard of algae covered bones. Bloated and unrecognisable. Picked apart until nothing remains but the ghost of you treading its pool. 
In spite of this, the ocean doesn't scare you as much as it should. It's a constant in your life. Permanent. Careless guard your iron shackles. 
(And maybe it's a little bit deeper than that because you never really understood the difference between obsession, devotion, and fear when they all make you feel the same.)
And being so far out from the rest of the people who live along the very same coast—well. That, too, is hard to simplify. 
Life by an unpopular harbour isn't as busy as someone might assume. With its deadened boardwalks, gimmicky shops, and lack of personality to draw a crowd or any would-be tourists, it stagnantes. The place begins to look like a tchotchke. A painting on a faded, sunbleached postcard rather than a cohesive ecosystem. The cogs are rusted and broken, and the delineation between them and the people begins to blur. 
And maybe that's because time feels slower in this liminal space perched between the sea and the swell of a bucolic dreamland, as if it's drenched in molasses. Bound with a ball and chain. Boring simplicity, perhaps. 
Sloughing along is the most apt descriptor you think of to describe how your tarry-thick time is spent. 
Work life balance loses its meaning when you feel the same at home as you do behind a counter. Listless. Lacklustre. It's hard to find inspiration when you've been to every nook and cranny in the valley. When all secrets have been exposed thrice over, and gossip is as stale as the bread Lucy always brings to the potluck each year.
It's fine, of course. 
Work. Home. Work. Sometimes, you'll drive down to Halifax. Maybe stop at Shoppers Drug Mart and squint at the overpriced brands on the too-white walls. But something brand name at Marshalls for more than you can afford to placate that gnawing sense of unease that comes with realising your life can be summed up in three paragraphs or less. 
Age does that, you find. Because when you're stuck in a place that never changes, when the ghost of your childhood runs along the same trails you take as an adult and feels more bitter than nostalgic, growing older starts to feel like a taunt. A jeer. 
Burdened by the encompassing emptiness of time. 
Somewhere along the line—or maybe from the very beginning—you start to stagnante, too. The overwhelming, unignorable feeling of growth weighing you down forms; barnacles clinging to your skin, softening your flesh as they burrow deep, deep, until striking bone. 
You're fine, you think.
Until him. 
Until a man shows up, hiding kindness behind a surly disposition, and offers you nothing but gruff company. Terrible jokes. Cloying sweetness drenched in nicotine and dusted in ash. 
John Price makes you consider your love of the ocean in a new, tangible way. 
There have been others, of course. People before John who have offered to pull you away from this anaemic corner of the world, making promises of taking you somewhere else. Or ones who offered to stay. To join you in this dreary town. An accumulation of hydrozoan floating aimlessly down this solitary stretch of ocean. 
They've all come and gone, and your answer has remained unchanged. Fixed. No. And if you're being kind—no, thank you. 
Because, really—
When you can't tell the difference between fear and devotion, how are you supposed to know if the ocean fills you with reverence or dread?
So, you stay.  
This place might be drenched in tar, forgotten by the masses in favour of the bigger, prettier cities that share the same oceanic view, but it's home. And your roots run deep (but your shackles are even deeper). 
It's odd, too, isn't it? That home feels less like a sanctuary and more like an obligation. A pact you have to keep. So, you do. And maybe you resent this place a little bit each year, but it's easy to forget all about that when John fits inside the spaces of your ribs that you didn't know were empty to begin with. 
It's good. Good—
—but this is better:
You wake up to the sound of the naked ocean, unencumbered by the shore. It's quieter than you expected it to be, but you suppose without land to get in its way, there's little reason to roar. 
The change in noise—and sometimes, the absolute absence of any at all—is the biggest shift you have to adjust to, but four days into your journey traversing the untamable Atlantic, the sea teaches you things you didn't know about yourself. That maybe there's a certain sort of madness that comes from being so far away from anything remotely resembling land. And a lethargy that's hard to tie down into something concrete. An abstract sense of disillusion, maybe. Bone-deep torpor. 
Something, too, that feels a bit like an atavistic fear of the yawning abyss that never seems to end. It's one thing to stand on land, solid ground, and admire it from afar, or to hug the coast on a cruise ship. Seeing it like this, in all its pelagic glory, is somehow sickening in its terrifying splendour and incredible enough to snake existential dread along the curve of your fragile insides. 
There's awe, as well, but in more muted shades of tyrrhenian. 
Still. You take to the barren sea like a once captive orca who forgot what freedom tastes like beneath its curled dorsal fin. It's exhilarating. And in equal measures, a true shove against your mettle. Your resolve. There's no help so far out to sea. No one to depend on but yourself and this enigmatic man who brushes his lips across your forehead when he thinks you're asleep, and then snarls at the ocean in the morning about not having any cigars as if he knows nothing at all about tenderness. 
It's a comfort you cling to. Embrace until your fingers ache. 
John mutters something under his breath about needing sleep. Whisky. A cigar. A good fuck in a better goddamn bed—and in no particular order, he gripes when you poke his back with your index finger. 
"Thank fuck," he rasps around a cigarette—a shitty fuckin' imitation—and pinches your side when he draws you close. Payback for the jab but it just makes you giggle. "Bermuda is only nine hours away."
"Nine hours," you breathe, surprised. Nine hours. It feels inconsequential. Brief. And maybe that's because time feels different out here. Inconsequential outside of where the sun sat. The only thing that matters about it is its position, and your internal clock begins to shift, turning into a sundial. To hear a length of time outside of morning, midday, noon, afternoon, evening, and night is strange. 
John's gaze flickers over to you hiding something that feels a bit like an appraisal as those burning sapphires run over the length of your expression, catching every twitch. 
His chest rumbles under your hand after a moment. "Excited for land, then?" 
Land. You consider it—his question, and, of course, the weight of it. The way it feels. Tastes. 
It's only been a sliver into your journey, barely anything at all in comparison to the kilometres left to go, but the sea feels as comforting as it does terrifying. The darker patches of blue signifying a depth so unfathomable that you feel breathless thinking about it. About the unquantifiable pressure, some metric tonnes of atmosphere pressing down on those pretty pools of navy. 
In comparison, Captain feels fragile. Delicate. Brittle bones of wood and plastic and foam contending with the vastitude of the sea that sprawls out in every direction. On a map right now, you'd be invisible. The tip of a pen would be too wide to accurately pinpoint your exact location. That massive gap, bigger than the whole of your country, sometimes gives you nightmares. And some nights, the boat lists as it bobs with the rolling waves that never end, dipping down much too low for your mind to ever feel comfortable with. 
The terror is almost equally as present as the awe. Both one-in-the same, almost. And it reminds you of your love for the sea. Where the lines between fear and devotion blur. It doesn't surprise you, then, that some mornings you wake up with something that curls around your head, and feels like divine euphoria, and others—
You can't stop thinking about every shipwreck movie you'd ever seen, especially when you know you'd passed over the same channel the Titanic sank in, that your bare feet stood right over top of a graveyard at a depth that hurts your head a little bit to even think about. 
But—
Land. 
John said you'd be missing it in due time the first hour into your trip, when you were still buzzing with the adrenaline of cacoëthes and watched the shoreline get swallowed whole by blue. 
In fact, he'd expected it. Seemed to keep himself at a measurable distance, as if waiting for you to turn to him and command that he bring you back home. 
A silly thought, in hindsight. 
You're shackled to the sea just as much as you are to him—maybe with a bit more willingness added in. The sea feels like home in spite of the endless dreams of capsizing in the frigid waters. 
And really. 
You can't imagine being anywhere else but here. With him. 
"I'm excited to see Bermuda," you confess, nuzzling your cheek into the warm Sherpa of his jacket. "But more so because I've never been anywhere outside of my own Country. But I like this better. I like being on Captain with you. It's—"
There's a weight in your chest. One that's almost equally composited into the ashen blue of his eyes when they flicker to you, clinging to each word. Each sentiment that spills from your sun chapped lips. 
"It's home, y'know?"
John goes quiet for a moment. Far quieter than you ever expected a man like him to be capable of—someone who got road rage out in the middle of an empty sea, and screamed himself hoarse whenever he had to talk to the absolute fuckin' muppets of the coast guard or passing ships your eyes weren't good enough to see through Fata Morgana—and it almost humbles you in a strange way. Makes you consider the stunning realisation that you've only chipped the surface of his rough, wonderful, insufferable man. In that, a keen sense of wonder brims, bringing with it an insatiable curiosity. You want to strip him down to nothing but bones, and crack them open like the claws of Snow Crab, sipping from the nectar that is his marrow. His essence. You want to map him out in greater depths than you ever dream of doing to the sea. 
His fingers spasm on your hip in a strange clench and release rhythm that makes you wonder if he's holding himself back for some reason you can't ascertain, but eventually, he breaks. His hand tightens, and pulls you closer to him. You feel his nose press against your hairline. Hear the sharp inhale as he breathes you in until his chest expands under your hand. Wide and broad, and filled with the scent of you. 
"Yeah," he rasps, humid breath fluttering across your skin. "It is. For however long you want it—"
"Forever." You catch smouldering blue just before it's eclipsed by endless black. "If you'll let me."
"Fuckin'—Christ—" 
With his words mangled in his throat, they sound more like an animalistic snarl than anything that resembles something human. The force of it seems to rattle through your flesh, dredging against bone like an anchor on the muddy sea floor until it catches. 
"Forever it is, then." It's a promise. An oath. And maybe a little bit of a threat, too, in the way only John can make something so romantic sound so gruff, and when he speaks again, you smell cinder and taste the ash in the back of his throat. Sealed in charcoal and salt. 
"I guess you're stuck with me, then," you tease, smiling when he huffs in a facsimile of exasperation, but you catch the softening in the corners of his eyes, and the low purr of happiness that rumbles out from his broad chest. 
"Can think of worse places to be."
"Like London?" You quip, echoing his words, and there's something heavy in his eyes, something that blankets around the unease that never really goes away even as you acclimate to the sensation of being landless. Adrift. It's something deeper than devotion. A black hole you could fall into.
"Yeah, exactly." He murmurs. You taste salt on his tongue when he kisses you, and wonder how you could ever dream of being anywhere else that wasn't with him.
Home, you find, is where his heart beats next to yours.
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littjara-mirrorlake · 1 year ago
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I've been thinking for a while about using the wilds of Capenna, everything outside of the main city, as a fantasy RPG setting. We know it's the ruins of a medieval fantasy setting, populated by humanoids, Phyrexians, and mythical monsters. There's more to the plane than the city.
With that, here's my setting pitch.
Capenna. A name equated throughout the Multiverse with glittering glass and chrome spires, the heat of rivalry and the blood of angels—but not to you. Your home is not the shining facsimile built by demons upon a husk of the divine. You inhabit the wastes beyond New Capenna's Halo-misted streets, where humanity had once built a sprawling world, where your ancestors were forsaken when the invaders arrived. What the demons' chosen don't know is that Old Capenna lives on. Villages, towns, and adventurer's guilds eke out the same existence they always have, amongst the ichor-blackened ruins of their old enemies. Your compatriots are holy knights who never took the name of Broker, mages who never became Obscura. Alongside you roam the people of oil and metal—some fanatics of a dead god, others seeking repentance, all reeling from the history alive in their veins. Planeswalkers whisper of New Capenna, its temptations and glories and excesses. But this wild land beyond of explorers, of survivors, of adventurers? This is Old Capenna, the true Capenna, and it is your world.
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uwmspeccoll · 7 months ago
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Manuscript Monday
Shown here are pages from our facsimile of one of the most popular texts of the Middle Ages, Speculum Humanae Salvationis (The Mirror of Human Salvation). The text was written to expound upon the medieval idea of Biblical typology, or the ways in which the Old Testament of the Christian Bible foreshadows its New Testament. This type of book is part of the genre of speculum literature, which was made to record encyclopedic knowledge of a subject within a single book. The popularity of the Speculum led to it being copied many times, and hundreds of copies in several languages remain extant today from the medieval period.
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Our facsimile, published in 1973 by the Akademische Druck- u. Verlagsanstalt in Graz, Austria in an edition of 72 copies, is from a 14th-cenury Latin manuscript housed in the Benedictine Kremsmünster Abbey Library in Germany, and catalogued as Codex Cremifanensis 243. It is one of the oldest copies of the Speculum.
The pages of the Speculum hold three Old Testament stories corresponding to one New Testament story, along with an astonishing 192 illuminations. While its subject matter is Biblical, we can see the everyday objects and clothing worn in the 14th century, since Biblical characters were dressed in contemporaneous clothing and architecture in the background is from the same period. This gives us an interesting insight into 14th century medieval culture by showing us the objects and places that surrounded these people in everyday life. Throughout the illuminations, some of the faces are smudged out with black ink; this shows viewers that these are the villains in the stories, though I have to say that in most cases, (especially where our poor friend is being sawed in half) it is pretty obvious.
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View more manuscript posts.
View more Manuscript Monday posts.
– Sarah S., Former Special Collections Graduate Intern
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reality-detective · 2 months ago
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Inside the Deep-State Cloning Labs: Clones, Doubles, Actors, and CGI—The Greatest Show On Earth 🍿
Biden was already old. Gray hair. But look closely: Hair style. Complexion. Nose structure. Chin. Mouth. Does it all align? Or are we staring at something far more sinister?
The excuses keep coming: Plastic surgery. Aging. But is that enough to justify the glaring differences? No. It’s time to pull back the curtain.
The Cloning Agenda Unveiled 👇
Reports suggest Biden isn’t Biden. A clone, failing before our eyes. His voice altered, his features disintegrating, and yes—his ears seem to be falling off his face. This is no accident.
The Kamino Corporation—a shadowy operation behind these clones—was allegedly approached by the DNC in 2019. By April, Biden’s clone was ready to run for office. The model? A T-1000, initially flawless but now deteriorating rapidly. And it’s not just him. Sources suggest Marjorie Taylor Greene herself could be another clone—crafted from the same tech.
Widespread Clone Recall in Progress 👇
The cloning company is now recalling their T-series models after mass failures. Nancy Pelosi, Olsen twins, Guy Fieri, Boris Johnson, Tom Brady—all suspected clones. The fix? A sinister "patch" of hydroxychloroquine and adrenochrome, designed to slow cellular decay but incapable of erasing character flaws.
Executions, GITMO, and Replacements 👇
Tribunals authorized by Trump’s Executive Order have reportedly been running since 2019. Charges? Treason, crimes against humanity. Results? Executions. Clones and doubles now serve as placeholders, masking the truth until the public awakens to the depths of their depravity.
Inside the Labyrinth: Revelations from a Deep-State Scientist 👇
Captured in 2023, a cloning scientist unveiled the horrifying scope of the operation. These clones, designed to live only three years, are summoned back to reclamation centers before their programmed expiration. There, they’re dissolved in acid and replaced by new facsimiles.
He revealed that Joseph Biden has had three clones released since 2012. The real Biden? Some speculate that possibly he was eliminated under Obama’s regime. Each clone is equipped with a microchip—a GPS, health tracker, and a recall system ensuring secrecy.
The Rabbit Hole Runs Deep 👇
This conspiracy is not just about politics. It’s about control, deception, and domination. The exposure of these clones forces us to confront the hidden hands pulling the strings. Who else among us is real?
Stay Vigilant. The storm is here.
We’ve waited for years… and now it’s here. The Deep State’s downfall has begun, and nothing can stop it now. 🤔
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rarepairdumpster · 18 days ago
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Viktor Doll AU
Inspired by THIS ART
Pairing: Viktor/Silco (Arcane) Rating: M C/W: Canon Divergence, Dub Consent (over being made into a doll), First Meeting Bickering, Jinx being Jinx
Viktor Doll AU, but it backfires because Silco survives the shooting and sees what the fucked up Piltovan scientist did to one of Zaun's own. Silco liberating the doll because he won't have the memory of another one of his people defiled and tarnished by a Piltovan.
And the doll is a doll.
While it's been programmed with a facsimile of Viktor's personality, it doesn't understand the concept of captivity and liberation.
It's a shell of who Viktor was, with none of the ambitions that Viktor had.
Jayce quickly gets bored because he didn't realize that what he really loved about Viktor was his personality and ambition.
Regularly leaves the doll to be on its own while he's working.
The other Zaunites that worked in the lab, look at Jayce like he's the worst kind of monster, and they all quit over what he's done to Viktor's memory 
And that pisses him off.
Jayce sees it as him trying to preserve Viktor. Those Zaunite scumbags just don't get it.
But whatever. He hadn't wanted to hire them anyway.
He only did it because Viktor had made such a fuss.
When Viktor doll asks where the other scientists are and Jayce says they're gone, Viktor just responds with a calm smile and a tip of his head. "I'm sure it's for the best."
None of the anger that should have been there or demands to know why.
And Jayce goes off to be by himself and punches a hole in the wall.
Viktor-doll's existence however sparks a whole new level of interest among hextech sponsors though.
And Jayce soon starts receiving requests for more dolls.
Including some for the same model and Jayce shuts those down immediately
Silco sends Jinx to liberate the doll and steal the related research as a sign that he still trusts her implicitly, even after the shooting, and Jinx is anxious about fucking up, but that memory of realizing that she'd shot her dad by accident keeps her stable somehow, in a way that accidentally killing Vander and the others hadn't. 
Jinx is the one that one that fixes Viktor's programming, makes him more like himself.
And then she sets fire to the research because that shit's fucked up.
Jinx pulls what she can from the journals she found in the lab. She also broke into his old room to find his personal journals.
Jayce was too focused on just having Viktor back to even consider what makes Viktor him.
Newly reprogrammed Viktor-doll looking down at his metal hands and sounds so lost and confused as he says "What....what happened to me?" 
He still has a memory recall of his time with Jayce, after being activated, but it feels distant. Strange. Like a hazy dream.
And Jinx pushes her goggles up on her forehead and answers cheerfully, "I fixed you, silly."
Viktor looks down and covers his crotch up even though there's nothing there. 
"Some clothes or a sheet would be nice"
Silco's coat is there.
Jinx hadn't thought to ask for it.
But he'd thought to leave it.
And Jinx hands it to Viktor,
Viktor wraps it around his waist and attempts to stand, but he has trouble with his right leg. (He discussed it in his journals and so the program implemented it)
Viktor looks down at his leg.
Frowns.
Viktor looks around Jinx's work space, notices the outrageous colour schemes, and feels a jolt of recognition.
"You! You robbed from me!"
Jinx curses. "Shit I thought I took that part out of the feed"
Viktor scowls, starts looking for his cane automatically, but it isn't there. 
because the cane was buried with the real Viktor
"I need to go home," Viktor blurts. "I need to find Jayce."
"Oh, you don't want that guy," Jinx huffs, nose scrunching. "He's a freak. He's the one that did this."
Jinx gestures to pretty much all of him.
Viktor finally takes the time to look at himself and notices the hexgem enclosed in the center of his chest.
Oh, Jayce what have you done
He turns back to Jinx. "You fixed me as you say? Do you have notes?"
Jinx shoves a disorganized pile of papers at him scribbled with a mix of crayon, marker, and colored pencil.
Viktor looks so....disgruntled about what was used to write the notes, Jinx almost starts laughing.
"Silco has your journals" Jinx pouts a little, using air quotes to emphasize. "Said you wouldn't 'appreciate' my 'creative additions'."
Viktor hums and glances at her.
"He might be right. You're a genius, but our aims are polar opposites."
"HAH!" Jinx shouted, jumping from her chair. "You called me a genius! No take-backsiessss~"
She pressed a button on her desk that made an alarm noise. The label above had a stylized "S" and several hearts around it. Viktor assumed it must be a way for her to contact Silco.
Silco arrives almost in a hurry, coming down the steps and crossing the narrow "bridge" into the lab.
"Ah, you're awake," Silco says, running a hand though his hair as he gets closer. "Viktor, correct?" He holds out his other hand in greeting, a little startled at the strong grip from the automaton.
Strong and warm.
The Arcane's power is literally thrumming through him.
"I suppose that is the closest to who or what I am," Viktor explains.
"I am sorry we never met earlier," Silco says. "I always admired your work."
"So, you had her steal from me," Viktor muses, "instead of approaching me for a discussion. Interesting method for demonstrating admiration." 
Silco shoots a look at Jinx.
"No. She broke into the lab on her own the first time. But I am the one who sent her to rescue you."
"Also bold of you to assume that your partner," Silco spat the word like a bad taste, "would even allow me to have an audience with you."
Viktor opens his mouth to defend Jayce reflexively, but falters. Remembers the bridge. The barricade. Being locked out of Piltover and having to wait to have his identity "confirmed" by Councilman Talis. How Jayce had dehumanised and vilified Zaunites to his face.
Looks down at is hand.
At what Jayce did to him.
Viktor pulls his hand back and remembers the coat around his waist. "Does this rescue happen to include clothing?"
"Of course." Silco heads back in the direction he'd come from and beckons "We take care of our own. Come and we'll get you sorted."
Viktor went to take a step forward but collapsed against the railing. 
"Ah, a cane too, if possible," Viktor added, annoyed.
Silco looks at Jinx, clearly annoyed and expectant. 
Jinx huffs and rolls her eyes before hopping up onto the work-table. 
"The journals said his leg was fucked, so I worked that into the programming. You said to put him back the way he was!"
Arch + Woods
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t-top-apologist · 1 year ago
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At the end of the day the average civilian wishes to be catered to like an old money steel baron or perhaps one of those chaps from Downton Abbey. The entirety of modern society has come together to enable this, mass-producing cheap facsimiles of fortunes that should rightly either be built on child labor or perhaps serfdom.
Their lawns, taking up what could otherwise be used to grow crops or serve as "outdoor garage space," exist to ape the wide ranging estates meant for the nobility to chase down a fox while adorned in silly jackets. Their houses sport columns and stupid windows meant to imitate three different classical artforms at the same time because of something called "economies of scale." They even have male-centric social clubs meant for parlour games, discussing sports, and dining with friends, in this case franchised out under such names as "Buffalo Wild Wings."
This aping of the upper class continues to the hire of "artisans" to do relatively simple work deemed too complicated to warrant the time of the average citizen. It's not that the jobs are too taxing for your average person, but rather that the market has crystallized around the desire to live like budget royalty. Therefore they take their wafer-thin computers to artisans (now more commonly called "experts" or "Apple geniuses") for repair and have democratized the position of carriagemen to 22 year old dealership lube techs named Ryan who will turn a 15 minute job into a 30 minute endeavor thanks to frequent vape breaks and a brief brush with what the industry refers to as "a misplaced drain bolt."
The mid-40s project manager and mother of 3 is no less competent when changing oil than her grandfather before her who knew what "Valve Lash" is, but what separates the two is a series of wars in the 1900s that required an entire generation of men to become very familiar with operating and repairing machines better than the Germans and Japanese (an exercise that Chrysler would later abandon in favor of the phrase "if you can't beat em, join em").
This conflict ended with a surge of able-bodied men finding themselves returning to their project management jobs (like their granddaughters after them) but armed with captured German weapons and a comprehensive understanding of tubochargers. Just as a line can be drawn from troop drawdowns to political violence, there's a distinct correlations between GIs returning home and the violence with which Ford Flathead V8s were torn apart by inventive supercharging methods paired with landspeed record attempts.
Give a man a racecar and he'll crash it on the salt flats in a day. Teach a man to repair a racecar and it will sit in the garage of his suburban house for a few years in between complete engine rebuilds required by what can only be described as "vaporized piston rods."
Of course this hotrodder generation created the circumstances we live in today, as the market saw their fast cars cobbled together from old prewar hulks and simply stamped out new ones from factory, faster and more convenient for the next generation than building one from scratch. Now the project manager mother of 3 drives a 4wd barge with climate controlled seats boasting more computing power than the moon mission and an emissions-controlled powertrain with more horsepower than her grandfather's jalopy and her fathers factory muscle car combined. And she doesn't care at all.
Yet Amongst the average civilians there walks a rare breed: people who know how to change their own oil. We the chosen move among you silently, bucking the system, operating outside the cultural helplessness and trading in forbidden knowledge in almost-abandoned forum threads (flame wars over conventional vs synthetic).
While we do have a marked air of superiority about this, I can't say I haven't stooped to imitating the rich myself. I've been known to wear a silly jacket from time to time.
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aihoshiino · 1 year ago
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chapter 143 thoughts!
remember when tokyo blade was the longest most drawn out arc of oshi no ko. remember when that was our metric. i want to go back to those blissfully innocent days.
This chapter falls in line with a lot of other chunks of the Movie Arc where as a standalone tidbit of the story there are things about it that I like but taken in the greater context of everything around it, I have decidedly more mixed feelings on it. This is very much "chapter 123… 2!" with all that statement implies. If you liked 123, this will probably be like crack cocaine for you but if you were hoping for a more concrete resolution to what's going on with Aqua and Ruby then you're probably in the same boat as me in terms of coming away feeling frustrated.
Lacking resolution aside, I did really like a lot of what we got in this chapter, both in terms of the twins' relationship and as individual characterisation for them both. Immediately what stood out to me was Aqua's avoidant response to… well, basically everything Ruby says up to a point. It's funny to remember that he was the one who called Ai out on avoiding important conversations and yet here he is doing the very same thing. Like mother like son, huh?
Ruby's first line is also interesting. It definitely makes sense for her to fear a separation from Gorou given that it's basically happened twice now, but her specific fear that if she doesn't affirm his existence it will simply vanish implies a certain lack of security in his presence that I think is very interesting. We haven't really gotten enough time in Ruby's head for me to really dig into what that means for her, but I'm putting a pin in it nonetheless.
Aqua's response here also lines up with my prediction last chapter that we were heading for a rejection. Even if indirectly, he spends most of this chapter trying to turn Ruby away and shut her down without actually addressing her proposition, which I really don't blame him for lmao. Free my boy. Even when he does finally give Ruby an inch, so to speak, and start playacting as Gorou, it doesn't feel at all like a sincere moment of self expression. He's indulging her with a facsimile of their old dynamic, sure, but the actual words he's saying aren't particularly encouraging.
Of course, that's not how Ruby sees things. Or rather… That's not how Sarina sees things. She spends more or less this entire chapter with no stars in her eyes whatsoever. This makes a very interesting contrast with Aqua who, even in the moments that he identifies most strongly with his past self, never loses his stars. In this chapter, "Gorou Amamiya" is never anything more than an act for him but Ruby seems to have entirely returned to being Sarina, at least in this space.
Aqua snarks about her mental age not changing and I think this is truer then you might assume - I do think Ruby goes through a bit of a regression in this chapter and I mean this in an entirely value neutral sense. If you've ever returned to a place or people that defined a certain period of your life, it's very easy to find yourself slipping back into the mindset and behaviours that characterized you at that time. The quickest and easiest example of this is probably a person who lives on their own going back to their childhood home to spend the holidays with their siblings and parents. For better or worse, a return to old dynamics means a return to that old headspace - and that's just for regular people without any reincarnation baggage in the mix.
Ruby's experiences as Sarina have always been extremely foundational to her as a person and at least as of the private audition, she is characterized as seeing herself equally as both girls. So in a situation like this where she's finally getting to see and talk to Gorou again, it makes sense for "Sarina" to have taken the lead here.
As I've talked about before, this difference in how they individually view their reincarnation and how it affects their sense of self is always something that's had the potential to cause friction between the twins and we see it here, I think. The two of them aren't quite on the same page.
That said, this is a sweet conversation. It touches on the unique position the twins are in to give each other closure in a way nobody else really can. That said, it does feel really weird that this talk just… never happened before? I guess you could argue that this is a make or break point for their relationship and it took them being really pushed to have this honest of a talk but even then, I can't think of any real reason it didn't come sooner other than "the author didn't want it to happen yet".
i do have to ask though. where did aqua get those glasses. has he been wearing contacts this entire series and we never knew??
The question of to what degree the twins should be considered the people they were before their reincarnation has been a pretty consistent subject of debate in the fandom, particularly as pertains to Aqua. Wherever you stand on the issue though, I think Aqua is right when he says the Gorou Sarina wants him to be is a person who no longer exists. Too much time has passed and way too much has happened. Even removing reincarnation from the equation, there's not a person on this earth who's the exact same as they were 20 years ago. Living changes you just as much as dying does. Even if some intrinsic, unchanging core still exists, his experiences as Aqua Hoshino have changed him way too much for the "Gorou Amamiya" Ruby wants to see to be anything more than a performance.
more absolutely goated expression work from Mengo, btw: that wonky, rueful smile when Aqua first takes off Gorou's glasses. Sooooo good.
It's also just so so good to finally get some insight into what's going on with Aqua after he's been out of focus for so long. It's also really fantastic to finally see him let his walls down a bit and admit to some of the turmoil rolling around in his head. I think this is part of why we see him slip back into a single white hoshigan here; while the stuff he's saying here is concerning, it's honest. Possibly the most honest Aqua has been for a good long while and him finally letting himself be vulnerable with someone he trusts could be a really good positive step for him.
I say could be because… well, I don't think Ruby quite has a handle on how to help Aqua here. She's not even thinking of helping Aqua after all; she addresses him (in the Japanese text) as 'sensei' over and over to an almost excessive degree. Not only that but her responses to him are a little…
The core of this talk between Aqua and Ruby is the idea that Gorou-as-Aqua has changed in a way that leaves him unable to perform the role he once played in her life, while Ruby argues that nothing has changed. And like… to a degree, both of them are right and wrong. Gorou's core values are something Aqua inherited from him and they continue to drive him. But it simply isn't true that nothing has changed. Like I said up above: twenty entire years of living changes a person even before you factor in the trauma of Ai's death and everything Aqua has done to himself and other people in the name of avenging her. But this is something Ruby is unwilling or unable to see.
More great paneling work from Mengo: When Sarina hesitantly asks if 'Sensei' likes her, there is a very pointed beat panel of Aqua's face with his eyes hidden before he pops the Gorou act back on and goes 'uhhh yeah sure'. Once again, we see 'Gorou Amamiya' as avoidance and insincerity at least in the context of this chapter. It's an act Aqua is half-heartedly putting on but to Ruby-as-Sarina, this is the miracle of their reunion happening again before her eyes. And if they're 'Gorou' and 'Sarina' right now, what happens next shouldn't be a surprise.
And… this is the part of the chapter where I stop having nice things to say. Because believe it or not, I don't mind the kiss and I think in the context of this chapter, it makes a lot of sense and it helps to have had the story finally, explicitly lay down that this is 'Sarina' pursuing 'Gorou', at least from Ruby's POV. I also really liked the framing; that clashing of tones returns again, with the double spread shoujo looking kiss ruined by Aqua's pin-eyed look of alarm and dismay. This is the moment of tension breaking transgression the series has been building up to for over 140 chapters…
And we immediately cut away from addressing it. For at least one more week. I'm going to be really honest… this fucking infuriated me! It feels like an implicit admission that this is going to be needlessly dragged out even longer even though we finally had the perfect opportunity to properly address and solidify what is even going on with Aqua and Ruby right now. It feels like cynical reaction bait. It feels like a roided up version of 123 - throwing AquRuby shippers scraps so they'll keep reading while also avoiding undeniably canonizing an incest ship to not scare off the wider audience. My man has created the Schroedinger's Cat of incest. Is the guy in the box nailing his sister or not? Well gosh, you'd better tune in next week and maybe you'll find out!!!!
In short, the lack of resolution just sucks and the fact that it really seems like we're just leaving things there and moving on to something else makes me want to scream. The Movie Arc has been such an unfocused mess for so many chapters now and this really just takes the cake. Like… remember when this was supposed to be about Ai? Remember when this was supposed to be about finally digging into her past and her private life? If half the stuff in the script is just made up then why am I even supposed to get invested in what's going on in the movie in the first place?
At this point, I just desperately want this arc to be done so we can move on. Say what you will about Tokyo Blade's pacing, but at least that was focused and cohered with itself on a week to week basis. The Movie Arc by contrast feels so far removed from any of the ideas we started with that I have no clue what to expect or anticipate from it going forwards or if I should even bother to try.
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Text
Headcanon - Charlie Learns About Rain
Always meant to write this one.
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Charlie hears about rain from the others, but only understands the concept as applied to Hell's (or at least Pride's) acid rain, so it's weird to her when people talk about running through it or jumping in puddles. She didn't see missing limbs or exposed muscle and bone. Perhaps it was a funny joke? Angel expresses that he misses it too one evening over a game of what seemed to be poker using uno cards; and Husk sort of agrees, his cat demon form automatically rejecting the idea with a bristling shuddder of horrror.
Charlie questions how the plants on earth and all their things stayed safe, if they didn't have magic?
Angel, working it out, tries to explain in the kindest way he can think of. She wants to believe him but...
Overhearing, Alastor and Lucifer (after some sniping while they individually attempted to ascertain how to make this happen, then realised that they might need something from the other and went about teamwork in the same way others might prepare for a fistfight to the death) work on a little truce that they will never publicly acknowledge.
Alastor doesn’t overtly like people in his space, but he does ‘allow’ the others to camp in his bayou for a night as a bonding activity or however Lucifer sold it to Charlie. They’d had a big old argument about the logistics… and then it had happened - think dad-off part 2. All for the benefit of the others, of course. They weren't friends, but they weren’t completely enemies at this point. The point of this was to trick everyone into one place with enough alteration that it was a close a facsimile of Earth as possible, without having to conjure a new realm (which lucifer COULD do thank you he just didn’t remember how long ago he did something like that and well the bayou was right there…) Well, when everyone had turned in for the night after tent based shenanigans, and certain demons checked that the tents were actually of the waterproof variety and not just pitched sheets stolen from other rooms… Lucifer starts off his own little 'trick'. Tinkering with the wards and adding a flare of his own Creation magick to the mix, coaxing clouds and winds to the place without disturbing the ecology conjured within.
Quietly, gentle rain begins as clouds fill the once starry sky of this extradimensional pocket of reality, and then… the wind rustling in the leaves awakens the confused sinners. Thinking they must have misheard.
Charlie is naturally quite timid about this revelation, her brain being all ‘acid rain is ouchy’ which was a hard learned lesson for all hellborn and sinners alike from a young age/appearance. Vaggie is cautious. But Lucifer calling them out is reassuring… even if they were in the evil deer’s freaky swamp.
Angel is out and twirling in seconds, face up and all arms extended. A long-missed sensation coming back from the depths of his brain… Husk crawls out with ears down, eventually loosening up to enjoy it. Perhaps not enough to fully enjoy being grabbed and spun about… and wait, was that ‘Singin’ in the Rain’?
“Dad? Alastor? Did you…?”
“Why Charlie… your father felt it was important to your education to learn of what rain on earth is like, that it can be gentle or somesuch nonsense.” He waves it off, pointedly not bringing more attention to his sodden state, because it was hilarious to see his hair flattened against his head like that. 
“That’s right, duckling! Check it out! This is just basic rain but we can do something called a ‘monsoon’ that your uncle gabriel worked on for a few aeons before he got it just right-...”
Alastor leans slightly closer to the manic monarch, dripping on him, as he adds in a low voice. “Your majesty, if you intend to drown us all, then by all means go ahead. But if you are not aware, on the ground a monsoon can involve flashflooding, high winds that tear buildings apart and associated lightning related fires. I, for one, would love to see this little bonding exercise engage a more competitive life-and-death component… but I do not believe that was your intent.”
“What? No way, they swirl and twist in big groups of clouds from… ah, the sky, where I was watching… and not on the ground. Ooooookay, alright, scrap that. Who wants to see ball lightning? I have waaaay more control over that. No fires, promise.”
Excitement, delight. 
If his heart was anything more than a dead lump, perhaps the radio demon might find some semblance of joy in the open wonderment of the hotel staff and guests at the literal devil's childlike antics with his godlike powers. How foolish of such a creature to wield cataclysmic abilities… and do this? Etc melancholic bs, so deep etc. Loosen up man.
Charlie dashes through the rain with Vaggie, eventually ending up in a splashing war with Husk, Angel and Niffty in the puddles. Lucifer comes back to stand by the pretending-he’s-not-drenched deer and laughs at the scowl he gets, when Alastor realises the former angel is completely dry. How the-...
“We did good, today. Look at how happy they all are…” sighs the king, wistfully.
“Indeed… but I can’t help thinking that getting them to shower and settle before anyone takes ill will be as infuriating as attempting to herd cats.” Alastor replies, seeing the telltale tremors in Niffty’s smaller frame beginning.
“At least they’ll sleep well tonight. I think-… I think they really needed this. With everything that’s happened.” 
“...hmmm.” his reply was noncommittal. The chill was seeping through his last layer of clothes and through… well, the blasted bandages.
“Look, I’m just saying that as joint but not equal dad figures to Charlie, who is MY daughter and only your manipulated pseudo daughter and I’m not mad about it anymore… we did good with this little,” he waves his hand, gesturing to everything. “So, how do you wanna play this? I can see Angle and Hunk over to that side, but I can’t see where the little one went… Neaty?”
“Niffty, Highness. She is a delight and a terror, very good at camouflage. I would watch where you step carefully. She does tend to bite when excited… tell me, are you able to regrow limbs rapidly, or must you wait like the rest of us?”
“I… don’t want to give you that answer, at all.” 
“Alright, I will corral dear Charlotte and Vagatha who I believe are in that direction… you get Husker and Angel Dust to return this way however you can. Ah, perhaps you’d best remain airborn if you can in this weather… Niffty could be anywhere.”
“And then what?” 
“Why, then we coerce them into changing from their sodden attire and settle back abed. Naturally, I will raise the island slightly, to prevent water seeping into the tents. I had not assumed such... volume when we first chose ths location.”
“Alright, see you back here in a few then.” Lucifer twists away, sheering through the rain like it’s nothing. The droplets slide down that skin in a way that suddenly makes Alastor wonder if the idiot king might have some sort of waterproofing inbuilt, given how closely connected to ducks he seemed, and the oils on their feathers.
Another reason to loathe his Lowness. His mind wondering how to go about cursing the tiny monarch with sodden socks in his boots for a decade. Just to even the odds and all, naturally.
Foregoing shadow travel when the quarry was in sight, he merely walked towards them and extended his shadowself to stop the pair before they made a misstep into the quagmire a few feet beyond. That did happen to have a number of angry little surprises, like alligators and water moccasins…none of which he desired to see the pair trigger. For strategic purposes of course. Nothing sentimental, you understand.
Conversation. Sends them back to camp, following his shadow to guide their steps across the marshland.
Alastor leans heavily against a trunk, slipping partially into the shadows to obscure his form, breathing heavily through a quavering smile.
This little show was nothing, NOTHING to his normal power but… after the battle, it seemed even small displays of power took far greater effort. Disgusting. But at least none of the others had noticed, and that was a comfort.
After all, if the people he was bound to and saw him daily didn’t assume anything amiss, then surely he was hiding it well enough to avoid the scrutiny of other overlords or upstarts looking to move up in the world. It was an inconvenience, that was all, and it would fade as the injury healed. He was certain. He had to be…
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“Yes I CAN snap you all dry, but if you recall… half the fun of getting cold, wet and muddy is the hot shower afterwards, right? Nothing like getting toasty and into dry clothes… ahhh, just the best.”
Something in the mud lurches out, straight at a startled Vaggie, who only just realises its Niffty at the last minute.  “Urgggh, this is going to take forever to clean off you Niffty, WHYYYYYYYYYY”
“Aw Vaggie, we can help her together. I’m sure it won’t take long!”
Angel makes a comment and Husk thwacks him, but grumbles about how they could share one of the two conjured bathrooms amidst the trees… IF angel behaves.
Heart thundering in his ears, Lucifer slowly felt his adrenaline settle. That little maid was the scariest thing in hell… and she wasn’t even trying. 
Speaking of spooky in the swamp, where the hell did that daughter stealing deer fuck off to?
His eyes pierce through the surrounding as if he was looking through the objects, and indeed on one of the other planes he actively was but that was hard to explain to humans or ex-humans.
They never got more than 5 senses, not that Lucifer hadn’t been pushing hard for them to get Taicha and Rhuush at minimum, because it was only fair they got those to make up for… y’know, the other limitations of mortality. 
“There you are, I was looking for you!” He chirps, grin taut as he glides about the tree with ease, and is suddenly taken aback by the look of surprise the other gives.
He’d actually STARTLED the radio demon. What the seven rings was this? This whole place was wired to the core with Alastor’s magic, it shouldn’t be possible to sneak up on him here.
His reptilian tongue darts out to taste the air, mind shifting through the heavy flavours of rain and bog, of wet bark and sodden clothing and that lingering curl of dark energy from the shadows. Until a very familiar, and horrible tang makes him retract the appendage.
“You’re… hurt? And whatever happened involved something angelic, I can scent it all over you now.” It was then that the deepening red of the man’s suit became apparent.
“Well, this is… not great. It’s… hmmm. Okay you fucking idiot, how did this happen and why didn’t you say something? I mean, I absolutely hate you for trying to steal Charlie’s affections and because you’re a slippery motherfucker at the best of times, but I would have helped.”
“There’s nothing wrong, your lowness.” Which would have snapped into an automatic fight had Lucifer not been worried about the slur in those words. 
“Alright, be a stubborn baby about it, but I can do THIS!” Lucifer launched forwards, grabbing a cold wet wrist in one hand and snapping a portal open behind the other with his free hand. Sending them crashing into the floor of his once pristine room, and leaving both somewhat dazed at the impact.
Shaking his head, Lucifer snaps his fingers again and focused, drying them instantly. He could technically do it with a thought, but he'd found sinners disliked things happening without being able to trace the actions back to him. Odd little things.
“Now strip, you fool, so I can try and fix this mess.”
Static, and a startled chirp that made him think of deer. 
“Absolutely not, the immediate concern has passed now we are dry again. I will take my leave…”
“Hah-ha, nope. Fuck right off with that, this room’s warded to the eyeballs so you can’t get in or out without my say-so. So strip, or I send that shirt down to Lust Ring and you may not want it back after that. Turns out that Overlords are a bit of a turn on down there for some fucked up reason. Though..." and here Lucifer lets a bit of the Devil leak into his shit-eating grin. "You might look good in white..."
Alastor chokes, revolted, the mental image quite… elaborate and horrifying.
Gritting teeth, he slides each layer off like the most disgruntled burlesque performer on earth. 
The bandages are useless, having been sodden and then snap dried didn’t fix the issue, so Lucifer hooks a claw under them and slices. “Yep, that’s fucked. How are you not dead? Don’t answer that, I’m pretty sure the answer is aggravating. Let’s see what I can do to fix this mess.”
There's a half-attempted song battle about healing it, but Alastor is clearly exhausted, so his retorts aren't near as sharp as Lucifer expected. Still, he negotiates it as... a favour to Charlotte, nothing owed, nothing taken or extorted in future.
Healing.
Pair fall asleep, wakening with mussed hair and terrible aches in their bodies from being on floor all evening. At least Lucifer had managed to keep his head on a plush rug. It took a little angelic flourish to banish the discomforts.
Return to camp in the morning.
“Oh, didn’t realise you just sent the kids to bed so the Daddies could have fun!” Angel winks.
“Pfft, I have much higher standards,” quips Alastor, just to annoy the king. Lucifer rolls his eyes. Alastor's expression sharpens. “Yes, anything above yea-high, in fact…” Waving a pompous hand over the top of the king’s head.
Angel dramatically plumps his chest fluff and slicks back his hair. “Sounds like it’s my time to shine…” only to dissolve into laughter at the semi-horrified expression that both Husk and Alastor sent his way. “Just kidding! Kidding! Promise!” 
Did they have fun etc? 
Repeat activity or something.
Alastor suspicious that Lucfer does not tell anyone. Wonders at the price.
“Listen, I don’t hate you but I don’t like you much either, not yet anyway. But I’m sorry that whatever the fuck kind of life you led before and after death makes you question one sort of friend slash ally slash I'm keeping full custody so don't you fucking try anything I own the Goetia high courts and can overrule Satan if I have to sorta shared parent thing, helping another vaguely sorta friend slash ally slash fake dad to MY daughter, out of a near fatal incident without thinking you owe them. You can, I dunno, be nicer to Hunk or something? That’ll do.”
Etc.
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zukkacore · 9 months ago
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Beloved moot said it better and more concisely than I did but
Jace can never win but he’s always competing but he’s also already won.
Ain’t that the way with the god of war I guess.
Something something Porter Hadestown etc etc. he’s grown so afraid that he’ll lose what he owns that what he doesn’t know is that what he’s defending is already gone.
I love my beloved sb moots but it is imperative when I import to everyone part of the reason I like them so much and it’s fucked up is that there have always been 5 Jaces. This is not a bit. 5 Jaces sounds like a bit but. Jaceprime is the center of Porter’s world which makes him different from all the other disposable Jaces. But Jaceprime also was built on top of a person that was dead since the beginning of FHJY. Porter loves who Jace is—was—but also loves who he thinks Jace can be and should be. But the thing is. Porter loves who Jace was (real, first Jace) while also loving the idea of Jace & who he thinks Jace can and should (post shatterstar Jace). But Porter also loves who Jace is (post shatterstar Jace) while also still being hung up on the person this jace could be. Used to be. (Real, first Jace). He grieves someone who is still here. Am I talking in circles here
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sweetvox · 1 year ago
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@tobisaw well see what if you were just some guy that went thru a traumatic event and suddenly your friend gordon disappears and things keep escalating and your family probably has something to do with it and youre really stressed out. and you go to your best friend about it [even tho you dont want to admit that going thru that traumatic event took away your trust in your best friend bc he had no qualms about hurting you in the end. but you dont want to rock the boat so its Fine]
but your best friend is throwing a gay little tantrum about gordon disappearing and you know he liked gordon but everyones upset about it, its not just him, and hes kind of being really selfish about the whole thing. and he wont really comfort you like you want and isnt really reflecting on why bc you supposedly “like mean people” so whats the problem
and you just want to cry bc you miss how you and your best friend used to be, when he was chill and funny and not trying to hide that hes angry all the time at someone whos not even here anymore. so you two start fighting when you never used to fight bc youre finally just tired of it after years and you just want someone to Look at you bc your friend group is falling apart
but also bc your entire social circle is falling apart, youre so lonely and things outside in the world are getting Bad. and bc this friend groups love language is bickering with each other this is kind of the closest thing to a close relationship you even have and you know its the same for him so it kinda devolves into a Situation. ship. and you know its not the healthiest to on-again off-again fight and make up with him, but when the world is ending and your dad is hinting at you taking his job soon that you really dont want, a facsimile of a close relationship with your old best friend is probably the best escape you have at the moment, even if things arent the same anymore and they havent been that way for a long, long time.
anyways i made this earlier and i think i spelled it out better here in writing but i also think this tommy is cute so im making everyone look at it anyways
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