#same little quote in the same font in the blog description

[rigormortisangel]

found a blog that. eerily copied the theme of my old blog???

[dca-fanart-gallery]

This is a masterpost for writing image descriptions! For even more resources, check out #image descriptions in our blog. These links are what I found especially useful, and I've quoted portions of them (linked and cited of course) so you can get the information even more easily. What is an image description? Why should I write them?

Image descriptions describe what's going on in an image. Their primary purpose is for blind/low-vision folks, who aren't able to experience visual content otherwise without a plain text ID or alt text.

Alt text and Image Descriptions are Not the Same.

They both serve the same purpose, but are presented differently. Alt text is an HTML element, and can be read by a screenreader. Image descriptions, on the other hand, are plain text, placed DIRECTLY under an image, and is accessible for people without screenreaders.

Is one better than the other?

Nope, it's more complicated than that. Don't listen to anyone telling you, "Don't use alt text AND image descriptions, it gives screenreader users a huge block--" People who have screenreaders can simply skip the plain text description when they realize its the same as the alt text. Using both alt text and plain text ID is the most broadly accessible. Alt text can be glitchy, and there are blind/low vision people who don't use screenreaders, and instead ZOOM in to read. For them, plain text ID are especially helpful.

(A post going into more detail about why using both is most broadly accessible).

How to Format an ID

For plain text IDs: [ID: Image description. End ID]

This is because plain text IDs aren't an HTML element. The screenreader won't indicate when the description starts or ends by reading the website's code. So you need to signify it yourself using ID and End ID. (The brackets aren't required. It's simply personal preference.)

For alt text: Image description

No ID or End ID for the reason I stated above. Alt text is an HTML element, and the screenreader dictates it for you. Common pitfalls with writing plain text IDs

Place them directly under the Image

Don't put them under readmores, if you have multiple images, put the ID of each image after said image instead of at the end of the post in a huge block, DO not put them in tiny text, stylized/colored font, bold, as it can cause eyestrain

How to write the actual content of the ID

Hoo boy. This can get difficult. But I found this UX design about using Object-Context-Action to structure an ID incredibly useful: https://uxdesign.cc/how-to-write-an-image-description-2f30d3bf5546.

Here is this principle in action using the wonderful capybara:

It's incredibly important that your first sentence of your image description contains this vital information because IDs can get long. Screenreader users should be able to get the gist of the image from your first sentence, and then decide if they want to listen to the rest of the description or skip ahead. Do not make them wait to hear Mario is burying Luigi in a grave.

After Object-Context-Action, you add more information. Here is where I talk about context. There will be an entire section dedicated to it, but context determines the length of your ID and what information to include. Something a sighted person would give one glance to SHOULD not have a huge description block.

Here are some guides to what to include in IDs: How to Create Image Descriptions by Antimonarchy Perkins School for the Blind: This resource has so many other links to describe specific types of images that might make you struggle: venn diagrams, memes, food, photojournalism image, and more. Check it out! Little formula to describe artwork by Mimzy Cooper's Guide to Writing Image IDs: This is a guide by a museum, specifically for art. If you want to level up your image description for your artwork, this guide talks about identifying orientation and relationships of objects in your ID, to create a cohesive long description. Just amazing stuff. Fungal-wasted Guide about describing what they see first

CONTEXT

I see so many people get anxious about describing everything in an image, but that can actually be detrimental to your image descriptions. More details aren't necessarily better. There's no way to create a perfect ID, anyway, so think about the PURPOSE of this image and its MOST IMPORTANT INFO. The same photo of a dog will be described differently if it's someone showing off their photography skill or it's a dog on an adoption site.

Here is a great essay on inclusivity by John Lee Clark, a Deaf-Blind person. Read the entire thing when you get the time, but I am specifically pointing out this thing about image description:

I cannot count the times I’ve stopped reading a video transcript because it started with a dense word picture. Even if a description is short and well done, I often wish there were no description at all. Get to the point, already! How ironic that striving after access can actually create a barrier. When I pointed this out during one of my seminars, a participant made us all laugh by doing a parody: “Mary is wearing a green, blue, and red striped shirt; every fourth stripe also has a purple dot the size of a pea in it, and there are forty-seven stripes—” “You’re killing me,” I said. “I can’t take any more of that!” Now serious, she said it was clear to her that none of that stuff about Mary’s clothes mattered, at least if her clothes weren’t the point. What mattered most about the image was that Mary was holding her diploma and smiling. “But,” she wondered, “do I say, Mary has a huge smile on her face as she shows her diploma or Mary has an exuberant smile or showing her teeth in a smile and her eyes are crinkled at the edges?” It’s simple. Mary has a huge smile on her face is the best one. It’s the don’t-second-guess-yourself option

Simple is good. Don't second-guess yourself. Think about the most information, and put it there. It's a skill to develop, to be sure, but if your image descriptions are incredibly long, ask yourself if you're including information that doesn't matter. InternetKatze, who linked the post in her essay, has more to say about that.

More Details isn't Always Better

Common Pitfalls while Writing Image Descriptions

(that I haven't mentioned already)

If you're mentioning the race/skin-color of someone in a photo, describe it for the white people in the photo too. Only describing POC when they appear in an image shows how you subconsciously view white as the default. Also ask yourself if skin-color/race is relevant to the photo too. If it's someone's selfie or it's an image explictly focusing on race (Example: photos of a civil rights march during the 1960s), then yes, you should absolutely mention it. But if you're mentioning someone's POC when it's something like a reaction meme, take note of that. Generally, don't assume race, gender, or pronouns unless you actually know it's correct. This is why I highly advocate artists write IDs for their own work if they're able. I have to do a lot of digging when describing another person's artwork, to see what pronouns the artist uses to describe their artwork.

The Politics in Image Descriptions

Questions I find Daycare Attendant Fans often Asking

Do I need to describe every detail of my DCA OC?

Again, think about context. If it's a reference sheet for your OC? Then yeah, you should describe them in detail! If it's just a doodle where they're fooling around, or their appearance is not the focus of the art? You don't have to describe Mafia Eclipse's outfit and color palette in excruciating detail, describe his toxic smooches with vigilante YN /silly.

What about their clothes?

Is it important to describe their clothes to understand the main purpose the image is trying to communicate? For example, artwork solely to show your character in a pretty dress, then yes, describe it. If it's just their main outfit, and the focus of the image is what they're doing (mayhaps smashing someone's eye in), describe that.

FINALLY: I don't have the spoons/time to write IDs, or it's too overwhelming for me--

You can ask for help! Crowdsource IDs, or keep them incredibly short even if it's a gorgeous artwork you're making. Short ID is better than no ID. Here are links of what you can do to keep writing IDs, or how else you can make your blog accessible:

How to Keep Doing Descriptions (from someone who does a fuckton)

I want to make my posts more accessible, but can't write IDs myself: a guide

Positivity for people who can't do every accessibility practice

Andddd...that's a wrap. It took a couple of hours to write this, because I realized that while there's so many resources out there, the masterposts are a collection of links, while the guides are quite long. I wanted to make a masterpost that gave a broad overview of image descriptions, while linking to bigger posts for more detail. I hope this is helpful. This was, after all, the original reason the Palooza was created.

[book-o-scams]

Ed, Edd n Eddy Series Bible (1996) -Analysis-

You can all finally read/download Ed, Edd n Eddy's official Series Bible right here! Thanks again to Chuckletons for sharing this with me and to Joey/Kongiscool0518 for sharing it in the first place, the Holy Grail of lost Ed, Edd n Eddy trivia!

One of the first posts I made for this blog was the Series Bible page. It was a composite of every source we had ever seen reference the series bible so far-- storyboarders in interviews, CN's old character guides, and the biggest source, an old CN UK posting about the show. Well, I figure now that we have the official source, I better update the old page (so everyone knows it's out of date), and make this new Series Bible post using the official source! Not much new information, but I was intrigued to finally learn the true phrasings of some things we had only heard paraphrased, as well as at least one detail from the movie that I couldn't believe came up this early in conception...

Unfortunately, Tumblr has apparently updated its post system to only let me add 10 images? Gonna try and only use images for what I need since you can read the actual document above, I guess I'll transcribe it too for easier reference and so we don't ever lose some archive of this.

Quickly, let's review what a series bible is:

A series bible is how creators pitch shows to networks. They can be called “pitch bibles” as well. Bibles do not usually get posted publicly, because they are initially under a strict Non-Disclosure Agreement by the network; also the creator may simply not wish to share it because it reflects the earliest stages of development.

The pitch materials typically include early concepts for characters, locations and episodes. Sometimes it exposes secrets, in this case, Ed and Eddy’s home lives, and sometimes the stuff in it is completely abandoned because it’s so early in production, in this case, casual references to school and adults.

Alright, everybody, it's time to gather 'round and read the Ed, Edd n Eddy Bible!

THE YEAR IS 1996.

YOUR NAME IS LINDA SIMENSKY. YOU WORK AT CARTOON NETWORK. A FRIEND OF YOURS, DANNY ANTONUCCI, IS WRAPPING UP A SHOW ON MTV. YOU GET THIS FAX.

Linda Simensky immediately fell in love with this concept because as a child, she was best friends with 2 other Lindas for seemingly no reason other than the shared name.

I love how Danny decided last second to pencil in the correct names over each Ed, since they're arranged out of title-order.

"They're friends because they have the same name."

-the Logline for the series.

Fun fact: one storyboard artist for the movie observed that the movie is essentially all about challenging the series' original notion that the Eds are friends ONLY because of their name.

"A Danny Antonucci Cartuna"

-the label Danny used to use under announcements of new productions.

PAGE 1:

Ed, Edd n Eddy

They're best friends because they have the same name.

A gag laden, beat generated CARTOON bumper car ride of 3 misfit youths on a cul-de-sac in the suburbs of America.

Through summer vacation, part-time jobs, or just hang'n out at the corner mail box, they want to belong....but CAN'T.

From home chores, helping neighbors or eating jaw breakers, they want to fit in...but CAN'T.

Ed is into "B" monster movies, model kits and is quick to break out into rashes.

Lots of luck...

Edd is into chemistry, biology and prone to crushes.

Later...

Eddy is into pranks, is stylish and flaunts himself to the world.

Ya Right...

Ed, Edd n Eddy is a show about confusion and contradiction, that awkward part of youth, pimples, big feet, oily hair and... girls???.

Puberty is unforgiving.

I was fascinated by the lack of art on this page, it makes the pitch feel very focused. AKA logo in the corner, the title logo again up top, then the logline appears again below.

I really love the breakdown of Danny's vision of the show. "Gag-laden, beat-generated, CARTOON bumper ride." Very accurate, and I think "beat-generated" is the phrase that interests me the most. I typically think of "animation beats" as sort of a give-in-- technically all things fit a rhythm, so all stories are essentially just a montage of beats. But this does make me realize how important the strength of the beats and their rhythm are to the pacing of a cartoon and making you feel like "that was a good one." I feel like the "seasonal rot" viewers feel over the course of a show, and the way that perception differs from person to person, depends on the type of beats you want. Even though I am very into the experimental beats of a show in its later seasons, I can definitely see how season 1's beats are more typically appealing to a wide-audience, and how important a focus on that is to the longevity of a show.

I found it really interesting how the scams are initially conceived of here as "summer jobs." It adds to the sense that adults were originally meant to be present. Honestly a little surprised nobody with access to this bible had ever thought to mention that-- scams are not referenced ANYWHERE. Their image in the Series Bible is that they have summer jobs and help neighbors, which is certainly a much cleaner reputation than the Eds ended up with in the show. Makes me realize though, were some of the early scams, like Ed's Hive Bee Gone and their newspaper routes, supposed to be leaning into this early idea of them with almost legit jobs for unseen adults?

I was very amused by the repeated phrase that the Eds simply CAN'T fit in.

Loved to finally see the official phrasing for the confirmation that Peach Creek is in America. Not much different than I was led to believe, but still nice to have the true quote.

Also love Eddy being described as "stylish and flaunting himself to the world." The bold-print reactions to each micro-description is a cute idea too, I truly wonder who we were meant to picture saying those things in reaction. Each Ed? Kevin?

The "corner mail box" is an oddly specific phrase-- the Eds do hang around mailboxes throughout the series, especially seasons 1-3, and I believe the canon map does have a corner mailbox, but the idea that the Eds hang out at one specific mailbox went the way of Bro's supposed secret treehouses.

PAGE 2:

Ed, Edd n Eddy

Show Description

Gag laden. True cartoon style, inventive, non parody, fast paced, stretch and squash

Beat driven. (even when characters stop they hold with a bounce cycle. Adults never bounce. Music can play important part, not just fill.) But not a musical.

Cartoon surrealism. (viewers see the show as Ed, Edd n Eddy would, less important things tend to blend into the background, while objects of Ed, Edd n Eddy's desires are focused. Premise driven.)

The school year's over, (yeah!!!!) and the long HOT summer vacation begins (gulp). What to do?

Stuck on a cul-de-sac in the suburbs of America is the last place you want to spend summer break, especially when you find life confusing and contradicting.

Ed, Edd n Eddy is about friendship, and serves to remind us that they're no "good ole days," just smelly runners.

You can tackle anything, when your with your pals.

Their days are spent, for knowledge, acceptance and some cash for jaw breakers. Armed with pimples, big feet and oily hair the three amigos trek into the unknown.

Ed, Edd n Eddy are dying to be grown-ups, but they're kids, and attack adulthood as only kids would. Simple situations turn into a manic rollercoaster ride. (Don't forget your barf bag).

They just want to belong, and they're willing to pull off any insane stunt to prove it. First they need to figure out what it is they want to belong to.

Found it interesting that on this page, the show's logo is replaced with the title written in a jumbled font. Seems like the font from the show's end credits.

Hehe, the continued reactions to the descriptions. Allow me to be Double D for a moment and point out the increased use of parentheticals on this page, as well as one wrong "your".

I love Danny's insight that season 1 is framed by the context of how hyped everyone still is just to be out of school, but also the sense of pressure to make use of their break.

I really appreciate Danny getting further into the details of his summary of the show's style on the previous page. It only makes sense that he had this much of a vision that early.

A second confirmation of the cul-de-sac being in America! I'm also really into the repeated focus on the Eds finding the world "contradicting." I always loved how EEnE's inexplicable cartoon antics supported that sense that the Eds are highly aware of contradictions in both societal things and the actual characters.

WOW, so I'm fascinated by this dual reveal. Before the wiggling outlines, which Danny usually calls a "boiling line" and describes as a tribute to wiggling inking in early animation, the series bible instead refers to him wanting the characters to do the iconic Fleischer "bounce," which is a much more commonly recognized rubberhose animation technique. Very interesting that Danny decided not to stick to that. Did it feel too out of place? Or was the overseas team not willing to animate a weight-shifting for every single held pose? Haha, guess I can see why boiling was an easier compromise. I wonder if he had any other ideas for how to make it more of a 1930s cartoon.

The other reveal to me here is that the movie's choice, that adults don't always wiggle in the show, was an idea from the very beginning! I guess I can better understand now why it's just too difficult to communicate a stylistic choice like that overseas-- no point making Bro not wiggle, that'd just create confusion.

Also, really disappointed that my wish for a musical is officially squashed in the series bible itself. That's a tragedy. The show's over, ya couldn't let me dream, Danny!? Conversely, I love Danny's forethought to say "non parody," I definitely noticed and appreciated EEnE's avoidance of derivative parody humor.

My spouse had to point out to me that Danny probably means sneakers here, lol. Canadianisms!

The comments about the Eds wanting to grow up but needing to figure out what they want to belong to are so great and relate to the movie so well. I've heard those comments before, but the correct phrasing was cool to see.

PAGE 3:

Ed, Edd n Eddy (image of Ed in right corner)

Character Description

Ed

Attention deficiency syndrome.

He has trouble...

He can't....um...

OK, he draws all day in class.

When Eddy gets a bright idea...Ed's in.

Ed is easily talked into doing Eddy's "hard work". He has great physical strength.

Ed's happiest with his Model kits and B-monster movies. He draws his knowledge from his movies.

Ed smells. Flies are attracted to him.

Ed has sayings for all situations

ED: "you can change your shirt, and Bingo was his name..."

Ed's perpetually a slave to his younger sister's whims and whines.

Ed may have to baby-sit his sister, or let her watch whatever she wants on TV, or let her dress him up in mom's clothes.

Ed breaks out in Rashes. He's allergic to practically everything, especially Guinea Pigs.

Ed's Mom xerox's his sketches and doodles for her therapist.

Ed's Dad hopes to pass on to his son, his knowledge on "pre-owned" auto sales.

Very cute bit wasting the space at the top of the page. Danny seems very invested in Ed's personality already. The old sources we used to have definitely tried to condense these down to simpler blurbs.

Weird how Danny wants to essentially diagnose Ed with ADHD here (phrasing it very poorly, but it was the 90s and... Canada?). I don't know enough on the subject to debate it, but I still gotta point out Ed's canonical cracked skull!

Interested in the comment about Ed being most allergic to Guinea Pigs. I don't think that animal was ever even mentioned in the show. Eddy mentioned an old gerbil once....

Neat to finally have the real phrasing of the official word on Ed's parents! I saw someone comment earlier that this seems to be hinting Ed's Dad is selling stolen cars. I've never thought to question the legality of his apparent second-hand-car dealership (I imagined he works with Eddy's dad, who has received a legitimate award for his salesmanship), but those quotation marks are certainly making Mr. Ed's practices questionable! Best case scenario, Danny meant that more like italics or something, but maybe Ed's dad IS up to no good...

PAGES 4 & 5 (Ed's turn sheet and expression sheet)

PAGE 6:

Ed, Edd n Eddy (image of Edd in right corner)

Character Description

Edd

is really smart.

is really quiet.

Edd is unnaturally-- polite.

Edd hasn't been allowed to take gym ever since the Dodge ball incident. He's been excused to free study time in the library.

Edd doesn't like it when people touch his things.

EDD: "You may enter in my room, but don't touch my Lego robot. Thank you."

Edd's learning to play Peddle steel guitar. (his Mom makes him)

Edd's prone to "crushes". Girls in School, in his neighborhood, TV, anatomy books. He mails "true loves" his socks.

Edd is always ready for action, even though he can calculate the implications.

Edd constantly mumbles.

No one ever sees Edd's parents. They both work nights. They communicate to their son solely through Post-it notes. Edd's not allowed to touch anything in the house while they're gone. Anything.

Interesting how Danny slightly differentiates the barely-used space at the top here from Ed's description, to characterize Edd as more quiet and mumbly, adding an awkward "--" mid-sentence, perhaps to create the impression that Edd halts to choose words carefully.

Everything on this page feels familiar, from the character guides and other old sources. The most interesting thing to me here is that Edd's Mom forcing him to practice Pedal Steel Guitar is established this early, don't think I knew that, but I had noticed that it existed in his room from ep 1.

I love how the explanation in the beginning for why Edd goes along with their dumb schemes even though he's smart is basically just "he's always ready for action." ?!? I guess in a way???

That weirdly phrased Edd quote amuses me because it references Lego, just like the original concept background for his room before somebody nixed the copyright-namedrop.

Edd's prone to crushes thing has been reaffirmed over and over in character bios even though it really doesn't come up outside of the cupid magic in HPH and the pilot-episode heart eyes at Sarah that are barely canon. Still, I've always loved the truly disturbing statement that he mails "his true loves his socks" and how that managed to make it into canon with a comic book example, a cel animation example and a digital era example.

PAGES 7 & 8 (Edd's turn sheet and expression sheet)

PAGE 9:

Ed, Edd n Eddy (image of Eddy in right corner)

Character Description

Eddy

Exhibitionist.

Megalomaniac. (quote from his report card)

Eddy is the unofficial leader of the trio.

He's always got a plan, a stunt or a weird noise.

Eddy's the "class clown". He loves showing off. He loves being the centre of attention-- no matter how stupid the reason is.

Eddy is the only kid in his grade to have been expelled for aw hole week from school. It was his turn to set up the video for science class. He switched "Our Friend Yeast", for a video he "borrowed" from his parent's room.

Before Eddy's brother went....away, he enlightened Eddy with the "legends" of the neighbourhood. Eddy knows where all the abandoned tree houses are, which sewer pipers are safe to spelunk, and the secret recipe for the "El Mongo Stink Bomb" (it's been in the family for years).

He is the one who is most able to pretend that he knows it all... and doesn't care what anyone else thinks about him.

His genes are working the fastest.

Eddy's Dad is constantly concerned that Eddy may grow up to be a ...figure skater.

Eddy's Mom never believes his little darling was involved in such a heinous act.

Funny choice that Eddy's wasted-top-space is just two one-word descriptions, and allegedly lazily swiped from his negative report card.

Wow, we knew the report card quote and the "Our Friend Yeast" story from the UK show guide, but now we also know Ed's page says that Ed draws in class, and now I realize that Ed and Eddy have series bible school blurbs to match Edd's classic dodgeball incident blurb. Anyway, it's great that Eddy's showed his entire school some sort of sex video his parents have.

Very interested that the phrasing for the Bro/El Mongo Stink Bomb blurb even seems to suggest it's a family recipe. Eddy's Dad did have prankster stuff in his closet in JJJ... did Bro learn his prankster ways from Dad?? The neighborhood's secret tree houses have come up in other descriptions (at best, I'd say this could be related to that creepy shack the Eds found in the woods), but I think it's new info that Eddy personally learned the sewer routes from Bro. Interesting...

Thankfully, I had already heard about the Bible's awkward reference to Eddy being the most pubescent as "his genes are working the fastest," lmao.

Once again the Double D in me comes out to point out that the description of Eddy's Mom seems to switch to the Dad's pronouns.

PAGES 10 & 11 (Eddy's turn sheet and expression sheet)

PAGES 12-14 (Sarah, Jimmy, Rolf, Jonny, Nazz, and Kevin lineup of all 6, then 2 zoomed in lineups of the first 3 kids and last 3 kids)

(Funfact: the kids' designs were allegedly freelanced to an outside studio, hence why their refined later-season designs are so different from these lizardy starting places, lmao)

PAGE 15: (images of Sarah and Jimmy next to their blurbs)

SARAH

Ed's baby Sister.

It's her way or the Highway.

She has everything done for her, if NOT she'll "make" them do it.

She can be quick to judge.

Whinney.

A tatrum for every occasion.

More than a handful for Ed...or Edd and Eddy.

Thinks Edd is kinda cute.

Wants Eddy to MOVE...to another planet.

JIMMY

Sarah's best friend

He is always playing with girls, boys are just too tough.

He is accident prone, when ever we see him he has a different affliction, ie: band-aids, patches, casts, lumps...etc.

He is very clean.

The Ed's frighten him, "They're such brutes".

I'm surprised how much of the UK guide was accurate to what was really in the bible for them! Also surprised Danny misspelled "whiney" and "tantrum," one right after the other. Is this how Sarah spells them? ...Sorry, Danny, I yam what I yam.

PAGE 16: (images of Rolf and Jonny next to their blurbs)

ROLF

First generation of a landed immigrant family.

Nationality not important.

He's proud of his heritage.

He has peculiar traditions and/or customs.

He eats "weird" things.

He has hair on his back..... "yuck".

He confuses the Ed's to no end.

He confuses the other kids to no end.

JONNY 2x4

He is a wanderer and very inquisitive

From early morning to supper time, he is always outside playing, with his buddy, "Plank".

"Plank" is a wooden board that Jonny drew a face on with a crayon.

Jonny has wonderful conversations with Plank. ...Plank is a piece of wood.

Jonny makes himself very "accessible" to the Ed's.

Found it interesting that Rolf's bio is less clearly phrased than the UK bio set it up to be-- there they made it sound more like he mixes up who the Eds/kids are, here it's unclear whether it means that or (more likely) just means the obvious statement that everyone finds him confusing. If it's that, what a lame hollow bio Rolf got. This kid's based on you Danny, show some of that personal side!

Always loved Jonny's description, his life sounds so cute. Playing outside literally all day. Interesting to have it confirmed that Jonny drew Plank's face, I preferred to think the Eds drew him and sold him to Jonny, but whatever.

"Accessible" has always been an important vague description of Jonny to me. It really only applies to how chummy they could be with him in season 1, but it still sorta applies to his personality throughout the series as well.

PAGE 17: (images of Nazz and Kevin next to their blurbs)

NAZZ

She's cool, calm and assertive.

She is the most matured of the kids, or so she thinks.

She's into make-up and fashion magazines and Boys.

Sarah thinks she's awesome, wants to be just like her when she grows up.

When she enters a scene, all activity stops... boys freeze, they sweat, their hearts beat faster and faster. They lose their ability to talk. When she leaves, they recover and conclude it was something They ate.

She thinks the Ed's are funny.

KEVIN

He is cynical and sarcastic.

He thinks he knows the "routine". That's because he watches "60 Minutes".

It got a big laugh out of me that Kevin's description is only 2 sentences long. Nazz even has a more detailed character description from inception than Kevin. Love this for them.

Who's the Eds' rival? Well, he's cynical, sarcastic and he watches 60 Minutes, doesn't that tell you enough!?

I love the "mature... or so she thinks" remark about Nazz, a grounded flaw for her to have, being a little overcommitted to being mature like Eddy. It also perhaps suggests naiveté that makes it a little more reasonable that they didn't notice they were dumbing her down at the end of the series, but I do think the movie version of her better reflects the Bible's concept.

PAGE 18:

The Other Neighborhood Kids

Lineup of May, Lee and Marie.

The Kanker Sisters

These gals are tough. They bother, bully, provoke and bewilder everyone.

They live in a motor home park on the other side of the Cul-de-sac. The other kids have never been there.

They are proud of their Tammy Faye Baker memorabilia.

Their project "Cooking with Ketchup" closed down their school for a whole week.

No one likes them, especially the Eds.

They are determined to marry the Eds. They want them to do their dishes.

Amused that the Kankers are essentially being labeled backgrounds characters here, the role they mostly fell into in season 5. "Other" neighborhood kids...

I love that the Kankers have a school blurb to match each of the Eds', and that theirs has similar destructive-intentions to Eddy's video premiere story.

I believe all of this was all known from the UK guide as well, but still, neat stuff!

PAGES 19 & 20 (zoomed in Kanker lineup and their height chart with the Eds)

PAGES 21 & 22 (early promo art that used to be on CN's old Eds webpage, the art of the Eds eating jawbreakers at the end of ep 1 with the overhead text "Ed, Edd n Eddy love JAWBREAKERS!!!", and the art of the Eds all running with overhead text "Ed, Edd n Eddy see something shiny...."Jiggers." That weird "jiggers" statement at the end was normally edited out and I don't know what it means. Looked it up and it seems to be Chinook jargon (like when Ed said he was "skookum at X's and O's") usually said in the same sense as "CHEESE IT!")

PAGES 23+:

The rest of the pages in that bible download are from a 2004 storyboard test. The storyboard sample "It's Raining Eds," which we've seen some submitted samples of before, interpretations with Ed attempting to fly or chew gum and Edd making radioactive gum, I was surprised to find out the outline is just the original outline for the opening sequence to season 3's 'For Your Eds Only', seemingly Jonny was not written into the original outline (or was excised for easier testing purposes) but Kevin's brief cameo was. Now I wonder if they knew this would be used for a test when they wrote it, and if they would've come up with a less random way to include him if weren't forced to be a concise bit for testing's sake. (Your limit is typically 40 storyboard pages in my experience.)

I also noticed that in the included background references, the anonymous adult neighbor house next door to Ed's is officially just referred to as a "generic house."

My analysis ends here, but be sure to download that sometime and enjoy all the raw storyboard sketches at the end of the document!

[imagesbyele]

the theme I don’t know how to describe because it has too many things featured in it and it will take a year or 

aro-ace theme!

note that you are allowed to use the theme for whatever you want, change all colors, images (you want to make it a marvel thing? go for it! It’s personal and you want to use other flag colors? go pick those rainbow colors!), but my inspiration was, well, not having seen aro-ace themes before and wanting to make one. I didn’t upload background images but you have the option. Feel free to edit as you please, just don’t remove the credit or claim it’s yours!

as always in the source you’ll find the link to the post with static preview, code and instructions/extra credits.

theme is contained, responsive, super customizable. It’s free! But as always consider donating to my ko-fi as this was a lot <3  like or reblog if you use! (or just if you like it, if you want to!)

 this post will have: what you can edit from custom page, the widgets/scripts used with credits and some explanations. Asterisks * next to something will indicate that more about it will be said in the linked post. I’d apologize for the length but it’s due to how many things I added to the theme and that you should know about. 

now, what can you edit from your customization page:

-nearly every font and its color and size, so that if a font is by default bigger than others you can easily reduce the size. There is a select menu for the body font with all the fonts present in this blog, so you know what they are and can type the one you want for other eleents. I think I only left a couple to be edited from the editor, like your quotes posts if you reblog them a lot. This includes h2 as it’s what you use as ‘big font’ in your posts and h3 in case you want to personalize it and use it for something on purpose, as it has to be added to the html of the post.

-one of the new things:I used a gradient for the backgrounds of the big container, the sidebar and the posts container, but also of tumblr’s default music player (latter done initially following @octomoosey​‘s tutorial then messed with by me hence no album art).  See static preview posts. You can type the colors straight from the costomization page like this:

if you want one solid color you can just write, for example: black, black as it needs at least two. To bottom/To left/to top/to right change the direction. The only thing you need to edit from the html is if you want to go from linear-gradient (like you see in the sidebar) to radial-gradient (like in the big container which has green in the center and purple on the outside) and vice versa, if you want. 

-you can also upload background images of the sidebar, container and bigcontainer and select the optional blending with the colors, which can be none and you only see the images or something like screen or hard-color and check the results (bigcontainer as an overlay gif on Screen now)  -more typing: you can paste the symbol or the symbol code for the list items and the decorations around the post title, right now both being spades. *

-you can upload up to five background images if you enable the ‘changing background’ function otherwise only the first one counts. They will change when you refresh the page, thanks to @lmthemes​

-you can turn on and off the music box (player3 by @glenthemes​​ ), and if it’s enabled you can add two songs from the customization page (or go to the html editor and up it to four before it can get messy as it shows on hover), typing url, author, url of the album art, and song title. You already have We Are Golden by Mika as an example (takes a second to start due to the recording, watch out not to get scared if there is silence and then the first note)*

-optional searchbar in the sidebar with optional suggestions when you click on it (if you want them though you’ll need to go to the editor to type links and names, but you can turn it off and just keep the searchbar, like I said) also by glenthemes’ tutorials. 

-the separator between text posts image is also optional and if turned on, you can also turn on and off whether the image is the avatair/portrait of the person who made the post, with a link to the original if it’s a reblog, or if you want the image to be one you upload yourself, 50x50px and it should resize to fit in (also with a link, in this case to the post itself so you can open it from the top of the page). One is the toggle button ifshowtinyimage, and the other is ‘tinyimageisthesource’, if you turn that off you upload the image yourself. If you add a source to your posts, it will appear among the permalinks regardless.

more under read more!

-besides all normal colors and borders you can pick the color of the border/glow/shadow (call it as you want) of three different categories, or turn it off: the mainglow for big elements like containers and sidebar and sidebar images, the audios glow for players like spotify, regular one or soundcloud. Finally the images shadow when inside your posts. The latter is set on inherit because it means that if an image is also a link like your tiny-image it will be of the same color of your links and change on hover. That is something you can only change on the editor by searching for color:inherit and change it to what you want, if you don’t want to turn it off. 

-askbox colors have been changed with @eggdesign​‘s tricks! look for ask_form in the editor and try changing the number of filter there to see more effects. Also the askbox never shrink, a fix by @whateverhtml​ -pinned post has a little banner, styled like permalinks. 

-you can pick a color for top-info which are the date and notes. I left it empty because it automatically gets the default links color but you can pick it yourself. 

-turn on and off unnested captions looks for textposts and for all other posts (as people who use xkit to edit previous posts will get blockquotes anyway and may not like the final result) thanks to @annasthms​ code. -blockquotes are of alternating colors, by @bychloethemes​. You can obviously choose the same color if you want them to just have the one. You can also select the type of blockquote, if a solid line or dots or dashes.  -you can choose if your smaller sidebar image, sidebarimg2, is an image you’ll upload or if it’s your avatar/portrait by toggling it on and off. If you don’t want sidebar images and you don’t upload any, there are instructions on top of the html to delete the border so you only see the sidebar bg. (basically just delete their box-shadow) -speaking of which, your title will wrap around the second image like in the preview. If that doesn’t work for you you can try changing sizes and font or by going to the editor and changing the margin-top so it’s out of the sidebar image’s reach and can be a “straight line” again (in case it doesn’t fit and the long title is cut in the wrong place)

-you can turn on and off a copy link of the post button on the far left of your permalinks bar, so people can copy the permalink from dash - also by glenthemes.

-navigation links have two alternating colors, odd links right now are black, even links are white, and their hovers are the opposite of that. You can make them all of the same color, in which case you’ll need to look for .navilink a:hover and change the hover color for both. If you have custom pages and enable the link to show it will be automatically added. To change the cat icons just search for ‘cat’ and replace as pleased. To change the ask icon because maybe you don’t have them enabled look for ‘envelope’ with your ctrl + f. You can type urls and titles of navi links from the custom page, the first two are automatically home and ask, there are three more under the description. All icons from font-awesome have a black border so the white ones don’t disappear on light backgrounds, you can change that looking for .fas 

-you can select post-sizes: 400, 450, 500, 540. Whether the sidebar is next to the container or on top will depend on your post size and the screen width as at some point they may not fit. They always do fit on desktop though, and on screens that are smaller than 800px the sidebar is assumed to be on top and will have a max height of 300px (but you can scroll down). I couldn’t make the bigcontainer get bigger for giant screens as I can’t calculate the right size in which all post-sizes + sidebar will look good.

-lightboxes show images with a glow too. Speaking of which you get lightboxes as always, pxu photoset fix and video resizing fix all by @shythemes​ and with the bychloethemes fix. npf photosets fix by glenthemes. No href.li addition from tumblr when you add a link to a post by @magnusthemes​.

-soundcloud player is minimal and its play button is the same color of your permalinks icons thanks to shythemes tutorial. spotify is also minimal, instructions to change it are there. 

-tumblr controls are small and semi-transparent until you hover, also dark regardless, followed painthemes tutorial.

-chats are styled like imessages by ncrthlanes now deactivated, submit posts have at least the submitter’s url recognizable, reblogged asks also get a background for the answer as well as borders, link posts are styled as much as a link-post can be styled. 

-there are already links and similar things written to be an example in your customization page but in any case you get instructions in the editor and everything is divided in sections as much as possible. Also I’m here for any questions. 

[yourultraarchive]

Hi! Sorry to bother you but I was wondering if there's any chance of a Pro Hero template being added to this blog? The vast majority of my OCs are pro heroes and I don't really want to use the student template for them. If not it's cool, I was just curious!

To quote my FAQ:

Student and Villain templates are currently the only profile types available, so I get asked about the Pro Hero templates a lot. The answer is: eventually. But I’m working on this whole project on my free time and for free, and usually only when I feel motivated to do so, so it’s going to take a while.

For now, if you’d like an alternative and you have photoshop or any other editing program compatible with PSDs, you can actually edit the “New Heroes” template on your own to be more generic, since the “Pro Heroes” template looks basically the same.

(Below images are from this post)

For the data section, the only real differences are:

the top-right tab saying “2nd smash” instead of “1st smash” (which is just a chapter heading from the physical book, so it’s really inconsequential)

the black tab along the right edge of the data box saying “pro heroes/professional heroes” instead of “new heroes”

the quote section being something like “citizen review” instead of “peer review”

the actual “personal data” section having “real name” and not having “prior affiliation” (which for the students usually meant what middle school they went to), but the “personal data” section in my opinion has always been a “put whatever info you deem relevant” section (especially since I think it varies from profile to profile--Present Mic’s didn’t have a “real name”, for instance)

NOTE: All Might’s profile is only a LITTLE special because he has a “true form” thing in the corner there, the rest of the pro heroes don’t have that, so you can ignore it

Those differences are mostly just textual, so you can easily just cut out the text and put new ones in (or heck, just leave it out altogether if you don’t feel like matching font type and size).

For the OTHER sections, the quirk section doesn’t have a “hero outfit” picture or “hero name” (since those were on the other page), and the only major difference is the “hero aptitude” section in the student template being replaced by the “hero activities” section. The only thing I can suggest for a simple edit in that section is just to cut out the “hero aptitude” thing in the grey box and put “hero activities” instead, similar to the other page. Overall it’s a similar structure though, with two images, taglines, and descriptions in whatever layout best suits them. Arranging said images/text should be easy in an image editing program!

I know it’s not the simple online generator, as PSD stuff requires some effort on your end, but I hope this helps! I’m actually gonna slide this into my tips tag in case anyone else needs it too, and I’ll be linking it on my FAQ. Let me know if you need any help with editing or advice on layout, I’ll try my best!

[gravitascivics]

THE MAGRUDER AND GLENCOE CASE, PART V

[Note:  If the reader has taken up reading this blog with this posting, he/she is helped by knowing that this posting is the next one in a series of postings.  The series begins with the posting, “The Natural Rights’ View of Morality” (February 25, 2020, https://gravitascivics.blogspot.com/2020/02/the-natural-rights-view-of-morality.html). Overall, the series addresses how the study of political science has affected the civics curriculum of the nation’s secondary schools.]

This blog is currently attempting to provide the reader a sense of what image of governance and politics the best-selling government textbooks present to high school students. This posting will rely on Magruder’s 2013 edition.  In that edition, Magruder’s veers toward providing a set of inserts that instruct students about how to perform various engaging practices in relation to their local political community, including the local government.

These inserts are entitled Citizenship 101 and while the feature was dropped by the 2019 edition, it does give the reader a taste of how an establishment publication treats political engagement when it chooses to address this topic.  Before starting, the reader might ask how inspiring the effort is or how likely students are, upon reading the material, apt to engage themselves with local political action.

Each insert is dedicated to a different topic:  debates, evaluating leadership, juries, letters to the editor, political campaigns, political roots and attitudes, polls, television news programs, using the internet, volunteering, and writing to public officials.  Perhaps the reader can add to what should be included, such as organizing a “grass roots” campaign.

Each insert takes up about half a page (the entry might take up the entire page, but a lot of the space is taken up with a photo or titling, leaving a good deal of empty space).  Given the font size and spacing of its usual text material, the information in these inserts would take up a good deal less than half a page if it were presented as part of the usual text.  The format is the same for all individual inserts. 

That format begins with a quote or an overall description.  Then there is an introduction to the topic, followed by a list of things to do in order to perform some action in relation to the topic.  For example, the list for evaluating leadership has three steps:  “decide what factors are most important to you;” “match the skills to the job;” and “compare their qualifications.”  For each step, there is a short “how to” explanation to help the student accomplish the step. 

Are these topics written in such a way as to bolster or enable social capital[1] or are they written to promote self-interest agendas as those would be more in line with a natural rights perspective?  This writer is disappointed that these entries are given such small emphasis, but some of the topics are related to social capital.  They are:  letters to the editor, political campaigns, political roots and attitudes, volunteering, voting, and writing to public officials.

Next is a closer look at the six of the twelve topics this writer feels should be highlighted, although whatever one finds in these entries, they are a very small part of this book.  That alone conveys the notion that what they contain is not considered sufficiently important.

This review begins with the insert topic of “Writing a Letter to the Editor.” The institutionalized practice of local newspapers dedicating space, usually on their editorial pages, to letters from their readers is a way to encourage average citizens to voice their opinions, knowledge, and beliefs about current public issues.  It promotes active, public-spirited citizenry.  

So, how does Magruder’s treat this topic? The insert begins with a sample letter to an editor:

Editor:

Regarding the article on additional budget cuts to public education (“Government Proposes Slashing School Funding,” May 9), I believe that every penny spent is a necessary investment in the future of this community.  As a junior at Westfield High School, I know that these cuts would place students’ futures in greater jeopardy.  Last year 15 percent of the teaching staff and 10 percent of all elective courses were eliminated due to severe reductions in funding.  These cuts ultimately impacted the quality of our education, and that is a sacrifice this town should not be willing to make again.

-Thomas Grey, St. Clairsville[2]

This letter couldn’t be a better example of lobbying.  

Take a public policy that negatively affects your interests, manipulate the pitch so as to provide a general welfare angle, and use language that denotes a concern for the community.  Interesting is the fact that textbook funds come out of the same pot of money as those funds affecting the budget cuts referred to in the letter.  Couldn’t another example been used?  

Anyway, this writer believes this example to be well within the guidance of the natural rights construct – a construct that promotes self-interest.  This judgement is further supported by the introduction:  when writing a letter to the editor choose a topic that “affects you” – this writer’s emphasis – “and your community.” Notice the advice does not use the word “or” between “affects you” and “your community.”  

The rest of the insert lists steps one should take in writing his/her letter:  briefly summarize the issue, explain one’s position, make a suggestion, and identify the writer of the letter.  Given this advice, there would never be letters from middle class citizens about, for example, the plight of the poor or what we should do about undocumented citizens or the space program.  Why? Because these sample issues are too far removed from a typical middle or upper-class individual or community.  

In short, in terms of writing to the editor, Magruder’s is far less than a promoter of community development.  It basically presents the topic as just another way to help students get what they individually deem to be their self-interests.  That is, it is addressed with little concern for motivations stemming from a more communal perspective.

A more directly related topic to community welfare or one that advances social capital is “Volunteering.”  This insert begins with a call to volunteer by President George W. Bush.  A few organizations are mentioned as well as the federal government’s efforts to facilitate volunteering. This includes USA Freedom Corps that acts as an information distribution service and as a connector between non-governmental organizations and citizens interested in volunteering.

The insert informs the reader that while 20% of young people engage in some sort of volunteering, the overall number of people volunteering has decreased. The description does mention several sorts of activities that volunteers perform such as tutoring and maintaining hiking trails.  This information is presented in a matter-of-fact tone without any real effort to sell this “obligation.”  The information includes – as with the other inserts – a list of steps that an interested party should follow to hook up with a volunteering effort.  

They are:  make a list of interested activities, seek out opportunities in potential organizations that might recruit those interests, and make contact by emailing or calling.  As for seeking out opportunities, apparently teachers are a source of information to help a student find an appropriate organization or, in addition, a student can research using the Internet to find opportunities.  In making contact, the student is warned that he/she might need a resume or references.

The opinion here is that the insert could do a lot more to encourage this “opportunity.”  It could present case studies of actual volunteers.  It is a topic that should be given a lot more space.  Part of the insert mentions how the system depends on volunteers to provide services that are important but are not mandated by law or covered by government programs.  Perhaps a discussion about whether government should or should not provide some of these services might be suggested.  

In any event, the whole topic is treated as something quite inconsequential. While the overall text benefits from having something about volunteering, it does not warrant the judgment, “well done.”  As a vehicle to promote social capital, Magruder’s effort on this topic does not reach even the level of adequacy.  This review of these inserts will continue with the next posting, but the reader can already ascertain the general efficacy of them in encouraging social capital among a young audience.

[1] Social capital is a societal quality characterized by having an active, public-spirited citizenry, egalitarian political relations, and a social environment of trust and cooperation.  See Robert D. Putnam, Bowling Alone: The Collapse and Revival of American Community (New York, NY: Simon & Schuster, 2000).

[2] William McClenaghan, Magruder’s American Government (Florida Teacher’s Edition) (Boston, MA:  Prentice Hall/Pearson, 2013), 631.

[weibeeen]

Final Brand Style Guide Project

Inspiration

Using what we have learnt from the entire module, alas the final project provided us with an avenue to create a brand identity either for ourselves or for the CNM department. I chose to create a personal brand guide because I realised that I have never really thought of making something for and out of myself (literally), and while the entire month of ideation and creative process was definitely not easy (not an understatement), I am still thankful for such a wonderful opportunity to give my abilities a test run.

So before embarking on a personal brand, I had to perform research on my own self. Using guiding questions provided in the lectures and understanding the essentiality of performing critical reflections on oneself, I knew that I wanted to create something minimalist, professional and classy. Magazine layouts and editorial designs have always attracted me, and hence, in the first FP consultation I displayed some inspirations of vintage magazines and editorial typefaces. However, a part of me realised that this idea was something I desired, but it didn’t represent me as a whole. Taking some time off to reflect again, I made my final decision to anchor my brand based on something that I really loved: food -- and in particular, BREAKFAST. Now, I was ready to start planning for my brand guide; starting off with the most important elements -- the logo, color scheme and typography.

Logo

Incorporating the vibrant and light-hearted nature of food with the minimalist and professional attributes of an editorial theme was an extremely difficult task. Thanks to the feedback of my peers, as well as inspirations on logo designs, I decided to use this logo here to helm the brand guide.

Here, the typeface of my logo provides the professional outlook, and the bite marks and the man eating the burger in the letter “b” injects the more casual and slightly fun direction using the design concept of negative space. The full stop at the end was a creative decision I performed to tie the entire logo together.

There were feedbacks from my instructors that the man in the logo may be too small and hence become unnoticeable when downsized, and that the burger’s color could possibly take on that of the entire logo. Unfortunately, I decided to stay on with my original logo format as I felt that firstly, enlarging the man makes it too distracting in my opinion and I generally feel comfortable with the spatial relations between the man and the space inside of the “b”. Secondly, I chose to change the color of the burger primarily due to contrast and recognisability, and I felt that filling it with the same color as the entire logo would not make the “burger” itself obvious.

Color Scheme

Next, for my color palette, I was looking for an overall scheme that revolved around bread, eggs and tea (my most favourite components of breakfast). Hence, using these self-took images below, I composed my color scheme as shown below.

The colors mostly evoke the vibrant and palatable nature of food, with the only exception of the blue, which was a decision I made to include an accent color that could provide a touch of professional contrast to my overall color scheme.

Typography

Lastly, for my typography, I planned to use a sans-serif font as my character style, coupled with a serif font to provide a good contrast. As I was looking up Google for certain combinations suitable for magazine themes, I came across this pair that really caught my attention.

The article was right. Super Grotesk was the unique sans-serif typeface I needed to embody the dynamic spirit of my layout, accompanied by the serif typeface, Minion Pro, to support my characters with neat and outstanding paragraph headers or prominent quotes. Thereafter, I decided to employ Gotham as the strong title typeface to ground my pages together.

Now, with all my base elements, I was ready to embark on my creative process. After long hours of looking up inspiration from Pinterest and Behance, I embarked on a food magazine theme as the layout of my brand style guide.

Front Cover

Performing a playful rendition of Time Magazine, I came up with the title “Time ...to eat” to introduce my brand guide. Using InDesign, I demarcated the margins of the magazine’s signature red borders using the Layout settings and drew out the borders using the Rectangle Tool and the Pathfinder function as shown in the screen shot below.

As my logo contained bite marks on it, I wanted to incorporate this similar design element on my cover page and hence, I decided to use donuts. Using the Quick Selection Tool on Photoshop, I traced out the donuts from the images I took, created a new layer, and exported this image as a PNG file. With this, I could attach these donuts unto my cover page without worrying about additional backgrounds.

Page 2

Inspired by a design I found online that held a photo frame with a simple quote, I decided to create one to introduce the specific theme of my brand guide. Borrowing the guide lines from InDesign, I created the base and content of the frame, and employed Drop Shadow function in the Effects panel on various elements, as seen in the screenshots below, to create a 3D effect to stimulate the frame hanging on a wall.

Words from the Editor

To formally introduce myself, and also inspired by magazine preface pages that usually feature the author/editor’s message, I also created a page to welcome readers in into what I am about to show them.

Resume

Naturally, I felt that the first thing I wanted to showcase was information about myself. Hence, the first collateral I presented was the resume. Using InDesign’s margins and guide lines, I created the various sections in a typical resume, but added my own touches, and employed the use of various “eaten donuts” to represent my various skill levels. These donuts were also used to demarcate the various pointers under my job responsibilities, to replace the typical “bullet points”. The final product will be showcased at the last segment of this blog.

Logo Ideation Process

While thinking of how to best present my logo, I was inspired by a senior’s work that featured the step-by-step logo creation process. I borrowed this idea and suddenly had this thought of using noodle strands to help the audience visualise the order of my logo ideation. These noodle strands and the fork was vectorised using Illustrator so as to efficiently remove their backgrounds and to be easily embedded unto InDesign like a clipart.

Business Card

For the name cards, I wanted to create a light and dark version, and maintain a professional and minimalist outlook. Firstly, I made use of the Rectangle Tool on Illustrator to create the bases of the cards. While I shortlisted a yellow and blue background this collateral, many of my peers found that the yellow would best represent the vibrancy of the brand and hence, I decided to employ this color. 

For the front, while inserting my logo, I found that the contrasting burger color looked very uncomfortable when downsized. Hence, I made the decision to fill the logo with a full color just for this purpose. For the back, I only wanted to retain minimal information being my name, phone number, email, and linkedin account. But after finding that it might seem a little too plain, I sought to make use of design principles of asymmetrical balance to provide a more wholistic design.

In order to create the paper-like feel for my name cards, I applied a Texturised effect unto the name cards, and dropped a small shadow to create contrast between the product and the background. I borrowed the guide lines on Illustrator to standardise the dimensions and locations of each element.

FINAL BRAND STYLE GUIDE

With that, here is my final and end product. Primarily, these pages were designed and collated on InDesign. As I wanted to stimulate a magazine-feel as much as possible, I created an A4-sized rectangle background on Illustrator, applied the Texturised filter, and pasted them on relevant pages. Other than the two donuts seen in the front and back cover that were edited using Photoshop, the remaining pictorial elements were vectorised using Illustrator.

Do observe that for the second half of the brand guide, I inserted a few quotes below the pages as my form of small interactions with the readers. However, bearing in mind also that I could not fulfil similar formatting with the “resume” section as the entire resume took up a large margin of the page, do kindly note that the titling and quote is placed in a slightly different fashion as compared to the rest.

(cover page - comments were made from my final presentation to include my logo at the front, hence I placed it below and structured it to suit the theme of a magazine front cover. I also received feedback that the background was too heavy in contrast, hence, I decided to change it to a color from my color scheme.)

(food image - this image of breakfast was used to complement the previous page with the quote on breakfast)

(food image - another breakfast food image to accompany and support the previous page that introduces my message to the readers)

(resume - vectorised donuts were used here to indicate my various skill levels, and as bullet points to my job descriptions. I received feedback from my final presentation to bold the institutions and my company and role, as well as to enlarge the relevant dates, which I rectified in this draft above.)

(logo - vectorised fork and pasta strands were used here to guide the audience’s vision to my logo ideation process, with the final logo presented the biggest at the bottom.)

(typography - for my final presentation, while many noted that the simplicity of the page was its charm, some also felt that maybe I could incorporate some visual designs to compliment the other pages. Hence, I borrowed the vectorized image of a man holding a chopstick as my symbol for “placing” and “picking” the right typography for the entire magazine. The image has also been edited to 80% opacity to not take over the spotlight of the page)

THE END

I really hope you have enjoyed this as much as I really had fun creating this. It was a rather intense month coming up with all these ideas and discerning what was effective in communicating my brand, but overall I was very grateful especially to my TA, Zicheng, for entertaining millions of my annoying emails and still being able to deliver the best advices to me, as well as my peers who constantly pointed out the rooms for improvement. It’s really a bittersweet end to this journey, but I’m forever grateful for being able to learn this in CNM and also to retain a project that I would be able to at least be proud of for a long time :-)

[siyaa30]

The essential Tumblr marketing guide

When it comes to social media marketing, the instinctive reaction is to think of popular networks, such as Facebook, Twitter, and Instagram. And that’s not surprising at all. While these three networks have dominated much of the discussion—and traffic—online, many brands have started looking at other social channels as viable marketing platforms, as well. Among them, Tumblr has slowly been rising in popularity over the last few years. Consider this: Tumblr, at one point, had over 738 million unique visitors worldwide. In fact, Tumblr claims that its users actually spend more time on the website than they do on Facebook or Twitter.

But what is Tumblr really? And is it a good idea for your brand to invest in the network at all?

Tumblr is essentially a microblogging social media platform, designed with an emphasis on sharing content. It’s free to join, and allows users to create multiple blogs, and post various types of content, such as text, images, quotes, links, and even music or video. What makes it different from the networks that you know? Tumblr will allow you to customize the color, theme, and layout of your blogs. The amount of control you get is unparalleled, and you can easily find Tumblr blogs that look absolutely nothing like each other.

With regards to social media marketing, the instinctual reaction is to consider well-known organizations, like Facebook, Twitter, and Instagram. Also, that is to be expected by any stretch of the imagination. While these three organizations have overwhelmed a significant part of the discussion—and traffic—online, numerous brands have begun viewing other social channels as feasible marketing stages, too. Among them, Tumblr has gradually been ascending in notoriety throughout the most recent couple of years. Consider this: Tumblr, at a certain point, had more than 738 million extraordinary guests around the world. Truth be told, Tumblr claims that its clients really invest more energy on the site than they do on Facebook or Twitter.

However, what is Tumblr truly? Furthermore, is it a smart thought for your image to put resources into the organization by any means?

Tumblr is basically a microblogging social media stage, planned with an accentuation on sharing content. It's allowed to join and permits clients to make numerous websites and post different kinds of content, like content, pictures, statements, interfaces, and even music or video. What makes it not quite the same as the organizations that you know? Tumblr will permit you to redo the tone, topic, and design of your online journals. The measure of control you get is unrivaled, and you can undoubtedly discover Tumblr websites that look literally nothing like one another.

Regardless of whether your image ought to be on Tumblr is a question that only you can reply to. It will rely upon the crowd that you're focusing on and the sort of content that you need to post. Tumblr would function admirably for a brand that is focusing on a more youthful crowd—near 70% of the userbase are between the ages of 18-34. The site would function admirably paying little mind to the sexual orientation you're focusing, as the socioeconomics sits at half each.

In case you will assemble a presence on the channel, notwithstanding, you should remember that the content you make must be somewhat not the same as different organizations. While you can utilize a professional tone and be fruitful on networks like LinkedIn or Facebook, the Tumblr people group rewards innovativeness and humor. That is the sort of content that you should zero in on in case you will set up your image here.

Marketing on Tumblr

Given how characteristically extraordinary Tumblr is from other social media stages, formulating a marketing plan for the organization can appear to be overwhelming. Where do you start? What sort of content do you post? What should your attention be on? Fortunately, it doesn't need to be troublesome—indeed, assuming we keep our eyes on a portion of the fundamentals and, construct a technique around it, we'll see it very clear to explore. Here are a few things that you'll have to remember while making your technique for Tumblr:

Set your intended interest group and objectives

Likewise with some other organization, one of the primary things that you'll have to do prior to chipping away at your Tumblr marketing technique is to characterize your intended interest group and your objective.

For your intended interest group, I'd suggest that you make the persona of your "optimal client." Get as explicit as possible when you do this. Attempt to get a total profile of your client, including things like age, sex, pay level, interests, and even diversions. This will help you focus on your content all the more precisely. You could likewise investigate the profile of your present clients, and utilize that information to create your intended interest group, also.

You'll additionally have to set your marketing objective. What would you like to accomplish through marketing your image on Tumblr? There are numerous objectives that you can set for yourself, for example,

Producing leads for your business

Making brand mindfulness

Giving client care

Given the idea of the channel and the conduct of its clients, building brand mindfulness would be a characteristic for any business here. Be that as it may, you can likewise pick any of the different objectives relying upon what your business needs.

In the event that you know who your intended interest group is, and the objective that you're attempting to accomplish, you've done a large portion of your work. With this information, you'll have the option to think of your posting system, including things like:

Sort of content you need to make

The measure of content you need to make

Recurrence of posting

Extraordinary, you currently have a procedure prepared for your Tumblr marketing endeavors!

Making and advancing your Tumblr account

Joining on Tumblr is very basic. Simply visit the homepage, and afterward click Get Started. Presently, you should simply enter your email address, pick a username, and afterward select a secret key. It's that simple!

While choosing a username, attempt to get an accurate counterpart for your image's name. On the off chance that that isn't accessible, you could likewise attempt to get a username corresponding to your site URL. Ensure that the profile picture that you pick is consistent with the one that you're utilizing on different channels, like Facebook or Twitter. It's a smart thought to utilize your image's logo as the profile picture on every one of these channels, as this will make it simpler for your devotees on other social media stages to discover you.

Once this is done, you can proceed onward to choosing a subject for your blog. This is the thing that your supporters will see when they visit your page, so ensure you pick one that accommodates your image consummately and will establish an extraordinary first connection.

Tumblr has a gigantic collection of subjects—some of them paid, and a ton of them allowed to utilize. Basically, peruse the various classes that are accessible and pick the one you like best.

Independent of the topic that you decide to go with, Tumblr will offer you tons of customization options that are not difficult to utilize, even with no programming information. Here is a portion of the options that are accessible on Tumblr.

Title: You can give a title to your Tumblr blog that will be shown at the highest point of the page.

Description: In certain topics, you can show a short description just underneath the blog. You can depict yourself, your image, your blog, or whatever else you need your devotees to know.

Foundation tone: This setting permits you to change the connection tone just as the title tone.

Font: You can utilize this section to change the body and title font of your blog.

Header Image: Here, you'll have the option to add a custom header picture to your blog.

Pages: This will permit you to make additional pages for your blog. You could have one page only for your content, and afterward make separate pages to feature your best posts, or to exhibit client-created content, too. This is an extraordinary technique to showcase your content on Tumblr. Tumblr web journals should be perfect, basic, and simple to explore around, however with only one page on your blog, individuals may think that it's hard to look through the interminable stream of content.

To battle this, you make separate pages so your content is more smoothed out and simpler to explore. You can make pages like "Generally well known," or "Should see" to cause you to notice your best posts, or you can even make various pages for various sorts of content. This is a decent method to guarantee that your devotees don't pass up anything you distribute.

Also, these are only a portion of the customization options that are accessible on Tumblr. You can get truly granular and tweak the boundary tone for the hunt bar on your page, and even change how posts load on screen—from a limitless look to having a manual "load more" option. We'd suggested that you mess with these options to sort out what you need to change, and how.

Goodness, and we should mention that every one of the progressions you make can be immediately sawed to the correct side of the customization segments that you see.

Presenting content on your Tumblr

Before you post any content onto your page, it's a smart thought to put the time in discovering Tumblr online journals that are applicable to you and your industry. Also, there are a ton of networks that are dynamic on Tumblr. You'll have the option to discover pretty much anything—there's even a page for felines that resemble Ron Swanson. At the point when we say that you can discover totally anything on Tumblr, we would not joke about this.

At the point when you post on Tumblr, attempt to keep it as outwardly captivating as could really be expected, as these sorts of posts perform best on the stage. Fortunately, posting on this channel is quite instinctive, and you shouldn't have any issues here. Once you're prepared to get moving, you'll notice that there are various kinds of posts that you can make on Tumblr:

Text: Text is the most fundamental type of content on the site. There's no greatest character limit, and these posts can likewise contain pictures and other media. In case you're OK with HTML, you can even add arranging to your posts and alter them however you see fit. Consider Tumblr contributing to a blog apparatus, and use it to give information about your items, administrations, or any new updates for your organization.

Given the youthful segment that Tumblr clients belong to, it could be a smart thought to join humor into your posts.

Photograph: Photo posts are the absolute most mainstream sorts of posts on Tumblr. Here, you can post a few photographs at once, as a collection, and add some illustrative content to it too.

Statement: A statement post allows clients to feature a specific statement they appreciate or find inspirational. This can be utilized in a business context to make a commitment with your objective market by featuring something that you feel is significant for your devotees to observe.

Connection: Link presents are comparable on quote posts, however, they're utilized to feature a particular connection. Your image can utilize this component to cause you to notice any promotional offers that you might be running, or you can even utilize this to attract individuals to your business landing page.

Talk: A visit is a kind of post that is interesting to Tumblr. Clients can mimic a conversation between at least two individuals and it will appear in an exchange design. You can conceivably utilize this for item descriptions or sharing information about your organization, and this can be utilized to add another dimension to your posts. This element can be helpful, as it will give you a lot of freedoms to be humorous

[clarencenicholsonata]

7 First Class Tips to Increase Your Pinterest CTR to Boost Sales & Readership

With the strong growth of Pinterest, the platform is becoming increasingly competitive. While it is still possible to get quality organic traffic from day one, nowadays you have to strategize more before you will get the results.

Every digital marketer has the matra of keywords, ranking, and backlinks deep in his head. This approach has to shift to be successful on Pinterest.

Pinterest is a visual search engine, and though we can apply many similar strategies as for other search engines, we have to think differently.

In this post, we will go over several points to make sure your pin design is as optimized as possible for clicks.

Create Multiple Pin Designs

As in everything marketing related - testing is the key. For every link that you are trying to promote, create several designs, I go with 5 - 10 depending on the importance of the link.

In many cases, I am surprised which Pin works the best. As the one that just seems a bit off, usually will outperform all others. This can be attributed to many conditions but when you see the same design (that you initially did not like) work again and again - always an interesting experience.

Notice that all the designs are different. From 7 designs on average, 1-2 will be winners that I will keep working with. In the following point, we will go over what makes a winning design.

Make the Pin Stand Out

Ugly right? Well, it works. CTR on this one 14%. What makes it stand out is ...that it is ugly. If you put “how to make money on Pinterest” in Pinterest search, you will be greeted by this:

Those are the pins of well-established accounts. For example, the first one belongs to FinSavvyPanda which has over 2mil. monthly views and 18k followers.

Sure, there is nothing bad in getting inspired by pins of others, but it was obvious to me that my (fairly young) account will not be competing for the first page.

To stand out at least a little bit. And it seemed to work. By now you may have noticed a common denominator between all those pins.

Big letters. I would like to get this message over to you - do not be afraid to make big letters and all in all - make the text dominant, if appropriate for the topic.

Choose an appropriate image

In many cases, Pinterest is alchemy. You never know which pin/topic/title/board combination will give you the best results. So you test and test and test until you have the golden formula.

Wondering where to get new images for all of your pins ideas, we got you covered. Here are a few resources where you can use images for free:

Unsplash

Pixabay

Pexels

...and other 20+ free resources

You can find their pictures for any occasion. In case you are looking for something specific or just want to have some genuine pictures made for your needs, I suggest going to Fiverr or Upwork. There you can get to choose from a wide array of photo professionals.

As I told in the previous sections, I am all about testing. You start easy, A/B/C titles testing, design but You want to grow so you start testing new things. Some of them do not work, that is one of them.

One of the popular Pinterest searches is “Habits of successful people”. I had many pins with this title and would like to share a testing result. It might seem obvious for some, but better to know it.

After clicking on any of the pins you have, Pinterest will also suggest some “More Like This” pins, for the image above these are the “similar” images:

All is well. The pin is about having money and the similar pins suggested by Pinterest are about money. Budgeting, saving, debt issues.

Here is another pin with the same title:

Similar logic as in a previous pin. But check out the pins that interest suggests:

Macarons recipes, weight loss, desserts, etc.

This means two things:

The title is not clear enough. While in the first example Pinterest clearly understood what the topic is, and provides relevant pins to accompany it, the second one is completely off.

The image is not relevant to the topic. This mistake is at number two, this was caused primarily by the title. (If it wasn’t, why did Pinterest not put “similar pins” of bags, etc?). But retrospectively, the image is not relevant enough to complement the topic.

These two issues caused lower impressions of the pin, not enough repinning, and all that resulted in the low overall clicks.

2. Do Not Overuse Templates

You created 50 designs, 5 seem to work well, so you make a template out of them and just keep re-pinning similar designs again and again.

Do not do it. There are several reasons why you should not go overboard with templates.

Pinterest likes new content and new images. Whenever I load new pins with new designs I can see a bump in the overall impressions, which will slowly fade out as I am re-pinning the same image again and again. Keep it fresh.

Popular Pinterest profiles completely revamp their designs from time to time. Sure, they keep some elements that reflect their branding, but they are constantly trying to come up with something different.

Tools like Canva can help, as they offer you figuratively speaking - an infinite amount of choices and combinations to try for your Pins.

Let’s have a look at one of the more successful profiles on Pinterest of The Savvy Couple:

Notice that while they keep the same branding, the designs are always different. You can see that they share similar features, but from the perspective of Pinterest - these are completely different designs that will get good traction.

Need help increasing sales with social media?

Book a free call to learn how our team of marketing experts can help you create high converting social media campaigns today.

3. Use The Text To Your Advantage

Yes, Pinterest is a search engine that heavily relies on the visual side of things, but that does not mean it ignores the keywords.

First of all, Pinterest reads the keywords that are on the picture, and second (but equally important) users are reading it too.

To get clicks from your Pins you have to get users to do a “Close-up” which means that somebody clicks on your Pin to have a closer look at the description.

Use several fonts, but no more than 2-3

Emphasize (in bold, or a dominant font) the main keyword

Make sure the size of all the text is sufficient so users can read it without problems

The keyword here is Home Business Ideas. So if we would quickly through this example we would see:

The keyword is on a pin (2 fonts are used, or rather one font but subtitled in cursive).

Keyword is repeated in the title.

For the third time the keyword is repeated in the description.

If you will proceed to that particular Pinterest account (with several millions of viewers per month) you will notice that there are many pins like that - meaning that these types of design work.

When matched correctly you can be looking at the following results with some of your pins:

There are not so many impressions, but what is important that the vast majority of the ones who clicked, continued to post on the site - which is the main goal here.

4. Test Your Texts

We talked about testing the designs of your pins, but I would like to also emphasize the importance of testing the texts that you put on them. The goal is to get traffic on your site, so you must test several calls to action.

I recently conducted a small experiment on a post of mine. I compiled a list of over 640 Inspirational quotes, with various categories. Quotes seemed to be a good middle ground between what Pinterest likes and the overall theme of my site.

15 Pins were drafted to test the best angle.

Here are the keywords that were used for testing:

Inspirational quotes

Positive Wise Words

Success Quotes

Quotes Positive Happiness

Life Quotes

Motivational Quotes For Kids

Motivational Quotes For Life

Motivational Quotes for Success

Quotes About Strength

These keywords both matched the content of the post but also most importantly they matched the search queries and trends on Pinterest.

After a couple of days, these were the best performers in terms of Closeups

This means that:

Inspirational Quotes For Kids

Inspirational Quotes Positive Wise Words

have quite a strong performance that should be developed further (creating more pins focused on these keywords). Unfortunately, I create a very weak generic description, so even though Pins had a good amount of closeups, the CTR rate was minimal (under 0,1%)

So take my advice - I will be working with variations of these two pins testing multiple descriptions, so make sure that the future closeups convert into clicks.

5. Do Not Give The Answer In Your Pin

Your goal with Pinterest is to get clicks. Remember it when designing a pin. The visual has to be interesting enough for the user to want to know more.

If the viewer will receive the answer right there on the pin...why would he/she click to your site?

Let’s have a look at some account examples. Here are pins from MakingSenseOfCents which have over 2mil. viewers.

The goal of your Pinterest endeavors is to get traffic. So you talk about a topic that will interest your audience, but you do not explain it on the pin or in the description - you rather ask them to come to your site for more information.

Let’s take the pin of “How blogging paid off my student loans” a bit of clickbait, but nothing too bad about it. It is interesting, how could blogs pay for the loans? Users click and read the info on the page.

If that pin would also say “With ad-networks, affiliate marketing and growing my blog for 6 years” the CTR would drop. The answer is already there, no need to go any further.

Have you ever noticed that when you are googling for translation? Let's say “manufacturing in Spanish” and go you go past Google Translator results, you see this:

Notice that none of those “snippets” gives you an answer. The reason is still the same, they want you to go to the website to get your information.

What about videos?

“How to make a bow from ribbon” is one of the most popular Pinterest search queries. These are the first few top results:

20% are videos with detailed explanations of how to make a bow from a ribbon. Others are pictures that are there with the goal of getting you to click through to the site.

In the case of videos, you can also get clicks as users will want to see description and other details, but some will just watch it, save the pin and that is it.

What about Infographics?

A nicely done infographic will work well both on Pinterest and outside of it. With SEO you may get backlinks, on Pinterest you may get many repins, saves, and maybe even new followers. So they can be used to grow your profile in the future, but they will not get you to click in the short term.

In conclusion to this section - make pins that are related to the search queries and further lead users from Pinterest to your website.

6. Use Warm colors

While the blues, greens, and yellows can work well. In my opinion red, orange, burgundy, dark pink worked the best.

This study shows that red, orange, and brown performed better than blue 2:1 in repins.

According to, Curalate(published on Wired.com) this is scientifically the best-colored pin:

While this post was written in 2013, do you want to see what is my most successful pin?

Sure, it is not an exact match, but I am sure you can see some resemblance.

What if “warm” colors are completely incompatible with your brand? Well, do not change your whole brand because of Pinterest. See if you incorporate the more “Pinterest friendly” colors.

If that is not possible, keep in mind that color pallets are just one part of the whole “alchemy” of Pinterest algorithms. What you will lack in color you will pay back in content, titles, descriptions, and much more.

7. Avoid Faces

While the strategies of different pinners are different, this study shows that brand images without faces receive 23% more repins. Even though the study is possibly outdated (Pinterest trends change very quickly) I usually tend to avoid them, as I feel that people want to imagine themselves on the pin.

On average the pins with faces will get up to 1% CTR for me, while pins without a face will be higher. On The other hand, these are some of the recent pins of Chasing Foxes (over 10mil monthly viewers).

They repin them constantly - meaning that it works. But they also have over 360k followers, strong boards with high engagement...so you will just have to test for yourself and see if it works for your brand.

Examples Of Successful Pins

In this section, we will go over examples of pins that worked well for me. I will illustrate how various pins behave in different niches so you can plan your Pinterest strategy accordingly.

Recipes

Recipes are one of the top categories on Pinterest. So it is no wonder that I had to try how it works. Though recipes are completely off the main topics of my website, I needed to do some pins and post for testing.

With 8% Closeups, 1% Saves, and 4% CTR this is one of the best pins I had tried. By best I mean that it delivered the most clicks.

As you can see this checks all the boxes in terms of design and color. Red themed picture with a red text background.

In this case, the topic is of great importance. Recipes, fashion, decor, design, travel are all hugely popular on Pinterest.

“Shakshuka recipe for one” is quite a niche search query on Pinterest which does not have many exact results. As you can see the keyword is on the pin, in the title, and description, these all help Pinterest algorithms to discover and further share your pin.

Good Habits

Lifestyle is one of the most popular niches on Pinterest where you can find a wide array of topics. One of the “classics” are topics “Habits of people who…” you can complete with interesting Pinterest trends such as who has money, who stays confident, who stays healthy, who are happy, and so on. Seeing this being a topic on many profiles I had to try for myself.

3% Closeups, 1.5% CTR and 0 Saves may not seem like a hugely successful result. The interesting thing is that the potential of this topic (and related ones) is possibly limitless.

You may see that there are just slight changes but this pin (pinned at nearly the same, on same boards) received 2% closeups, 1% Saves, and 1% CTR.

No matter how many times you will pin for this topic, you will receive constant results. It does not seem to die out.

Continuing on the topic of habits, this fairly simple pin receives over 5% CTR. Which is quite over the average CTR on Pinterest, for your comfort on the right you may see the “scientifically perfect pin” that we discussed earlier.

Personal Finance

Another of the favored topics on Pinterest and I of course had to try how a very basic pin will do.

With 3% closeups and 3% CTR this design seems to be easily replicable. Meaning that changing it to different topics and varieties is not an issue.

As in Good Habits sections, these topics (while less popular than their recipes/fashion/lifestyle counterparts) are bottomless. There are so many angles to take when you are discussing money management, savings, how to manage debt, etc.

This is just another use of the same design, delivering similar results. 2% closeups, 1% saves, and 1% CTR.

Personal Development

Personal development and motivation are very solid choices of a topic for Pinterest, so I wanted to give it a shot with a post on leadership qualities. This pin delivered 1% closeups, 0.5% saves (one of my top repined images by total number), and 1,5% CTR. That can be considered a good result for a topic that is not “dominant” on Pinterest.

This pin delivered 1% closeups, 0.5% saves (one of my top repined images by total number), and 1,5% CTR. That can be considered a good result for a topic that is not “dominant” on Pinterest.

Digital Tools

The main topics of my site are digital tools and creating a business online. So of course I took my knowledge of Pinterest to the test on these topics too. Some time ago I created a post about webinar tools.

While my expectations for this topic were quite low, there were quite a few positive surprises. 2% Closeups, and close to 1% CTR. Saves were under 0.5% so something to work on in the future.

Another example of a simple design that worked even in the digital marketing tools niche is a pin about comparing email marketing services.

These were the testing pins:

After a couple of weeks, the best percentual rates were on this pin:

Closeups rate of 2%, save rate of 1%, and CTR of 2% is a great result for a pin in a more difficult niche.

The issue with these Pins is that they get impressions very slowly, digitals tools is a true niche sector on Pinterest. It takes the right boards and a lot of time to get the pin going. That being said - you can see that it is possible to drive clicks even in niches like this one.

Main Takeaways

We had a look at some pins that worked well for me, now I would like to provide the main takeaways and actional steps that you can take with your pins.

Do 5-10 testing pins for each post. Out of them, 1-2 will be performing above average.

While warm colors seem to be performing well (and better in some niches) do not limit yourself to this rule.

Test your pins with and without a face. While statistics speak clearly, it seems that some niches work better with faces, some do not.

Keep your pins 2:1 or 1000:1500 size. It is the optimal pin size for mobile, which is the dominant platform for Pinterest users.

Modify your keyword to be in line with search queries and Pinterest trends.

Text on the pin should be readable, do not go overboard with fonts.

Check the Pinterest search bar and Pinterest trends for search query suggestions.

Keywords should appear on the pin and in the title and description.

The pin should hint that the question will be answered in the post.

Conclusion

In this post, I shared the tips that I use when creating a pin. Pinterest is growing and changing, and the successful pins change too. Still, some basic rules remain the same.

While we went over the design of the pin and most of its intricacies. I strongly suggest that you read more on the topic of Pinterest boards. After all, if your great pin is pinned on a bad board, you will get nowhere.

Pinterest is a lot about experimenting with designs, descriptions, topics, time of pinning, and boards. While it may be tedious to try to combine all these, once you succeed you will experience an immediate inflow of traffic. This feeling will never let you go, so you might consider yourself “pinned” for life (pun intended).

You might want to check:

10 Amazing Pinterest Board Examples Critiqued (with Best Practices)

Pinterest SEO: A Guide for Businesses

How 5 Businesses Are Using Pinterest Boards to Creatively Promote Their Products

About the Author

Vlad is a founder and a blogger at Costofincome.com a blog about online business and video converters and digital marketing tools.

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[verretest]

URL:  

verreprincesse ( title is Completely Wonderful )

SUBTITLE:

completely wonderful can go here if it looks better as a secondary title.

DESIRED QUOTES:

There you’ll see your dreams unfold, Cinderella, Cinderella In the sweetest story ever told

DESCRIBE YOUR MUSE:

A sweet girl with a fierce determination for loyalty and to just want to be loved by her family and to respect the wishes of her dead parents. She’s not a pushover but she’s not about to arm-wrestle you for no reason. Soft is the word I would give her. Soft-hearted as she forgave her step-sister Anastasia and even helped her get with the baker. Soft with her words as she knows how harsh words can feel. She measures everything she says before she says it, especially if she is upset as she never wants to say something she doesn’t mean. She is also independent. Because she lived on so little, she was able to pull herself from abuse and instead of returning home from the ball she instead stays in town and begins a new life for herself. She opens her own dress shop and over time becomes very wealthy over the success of her business. She also takes back her father’s trading business ( as it was supposed to go to her but her stepmother kept the will from her ) and because of her promise to her father, she never let her stepfamily go without.

DESIRED FONTS:

For titles I like flowy cursive fonts, for body I like georgia as its still soft but readable.

DESCRIPTION:

This is an independent, private & selective multiverse/ship roleplay blog for Disney’s 1950 adaptation of Cinderella. Movie based from all three movies with heavy headcanon influence. Please remember to read the RULES ( link ) & ABOUT ( link to the verses page showing my main as the first about ) pages before following / interacting.

She/Her 21+ Becca 9 years on tumblr.

DESIRED TEXTURES:

I think of the Palace of Versailles when I think of my portrayal of Cinderella but instead of gold, I think silvers, some rose golds, and blues , but more of a Pacific Ocean blues. The textures being something like:

the previous three images reminded me of this phot of cinderella from WDW.

AESTHETIC:

I keep going back and forth on if I want a light or dark theme but I have always liked pastel too. It tends to be my fall back.

COLOUR SCHEME:

Definitely not limited to these two color schemes, but I really love this photo and thought it could be a good base to start with?

THEME TYPE:

I really seem to like Mix Oriented the most as I like the image to not scroll when I scroll down.

IMAGES:

LINKS:

I really like how my verses page is set up ( not necessarily that theme ) but in the aspect that my aus are tabbed and that the links pertaining to that au are under the au name. I also would like the au name at the top and to have an image behind the au title

Each AU needs a link to the au tag ( which the au title can be that link ), the About Page, Relationships, and a Navigation page as for the Navigation page it will link to all the links pertaining to that particular verse.

Navigation needs at least links for:

written

anonymous

answered

drabbles/one shots

closet:

gowns

shoes

jewelry

etc

other:

hates

likes

loves

music

misses

images

For the relationship pages I would like a spot for an image of the character, a link to their blog ( if its someone I’m writing with, if its a character I made up or is canon to the movie but I don’t have someone to write with the link can stay free ), a link to their tag, and a place for a short bio of how the two met or they type of relationship they have.

When it comes to the mun page, I would like all my ooc links on that page please.

ooc answered asks

ooc answered anonymous

mun images

ooc posts

I don’t usually do images for links as I’m never happy with what I pick so its usually just the word for the link.

RESOLUTION:

1536 x 864

OTHER DETAILS:

I would like a music player, but not autoplay.

and possibly and mouse that has sparkles or glitter?? Unless there is sparkles or glitter in any other aspect of the blog then I don’t need a sparkle mouse but I would like glitter/sparkles on the blog ♥. I do like the smaller mouse though.

( OPTIONAL )    COMPLETE PACKAGE DETAILS:

I really like on some of the themes you’ve done where the posts have like flowers or other pieces of art behind them and thought about like pumpkin and mice to go around mine at the bottom of each post??

for the asks i really like this concept of the ‘dreamed’ and having an image for the ask.

Dash icon

Mobile banner / dash banner

Promo

oh! I really like my icons to match my theme too, and the psds i was looking at were these colors

They don’t have to be these colors, but in case you were wondering. I do have the psds in case you want to see what they look like too.

I would also like my ask and submit page on the same page.

i think that is everything, if not, please, of course, ask me! ♥ Thank you so much and I can’t wait to see the beautiful piece of art you bless me with.

[whimsykenzie]

Today we’re talking something I’m definitely passionate about and well-versed in: Instagram.

I know for a fact that I waste too much time on that app, so balance is definitely a goal for this year. But social media can also have really awesome impact!! I have met all of my best friends through this app…seriously. The first time I reached out to my best friend was some reply to her story saying that she looked super cute. I eventually worked up the courage to DM her and ask if she wanted to hang out some time…and here we are!

I met my other very best friend and future bridesmaid on Instagram as well. If you haven’t already read my “Meeting My Internet Friend IRL!” blog post here, you definitely should! The Internet, and social media especially, has opened me up to a world of possibilites, places, ideas, people, you name it! So I’m eternally greatful for that. ♡

As soon as I started my Instagram, I knew I wanted to be “aesthetic.” Yes, my account was private, and yes, my only followers at the time were my parents. My first post had a whopping 12 likes – including good ‘ol Mom & Dad, my aunts and uncles, a few close friends and even my friend’s mom. #therealones

I was always so focused on my “look,” growing up in the age of influencers, watching YouTubers do brand collabs and take trips to Bali. I knew I wanted my life to be like that. Which, granted, is a dream that I’m pretty sure every girl from 10 to 20 has wanted.

But seriously speaking, through Instagram I also began to develop my passion and figure out my career path. I’m no influencer yet – believe me, I know! But Instagram has become my creative playzone, a place to share about myself and my life and have a good time with it. Kinda like this blog!

I love spending time taking & editing photos and videos, figuring out color schemes and design along the way. One of the coolest things I think, is scrolling through somone’s Instagram and seeing how their theme and style has changed throughout the years! You can definitely see lots of different looks on mine…

LIGHTROOM

I’ve used a lot of photo editing apps and tricks throughout the years, but I’m currently hooked on Lightroom Mobile. As the beginner noobie I was when I switched from VSCO I was like what…the heck. What am I supposed to do with all these buttons?! And no filters!?

Turns out Lightroom is super easy to use, and filters here are called “presets.” I have finally curated my own preset that I’m pretty dang happy about (it only took me forever), but there are literally a million availble to purchase and some even for free.

Since I’m a cheapskate I’m obvi going to talk all about the free stuff today! So, when I started using Lightroom, I started with this free preset from Tara Kellie Smith.

my feed with the free Tara Kellie preset

Not only did I love it, it was free, and downloading it and accessing it turned out to be a piece of cake. I’ll leave a link to her video about it here, she goes step-by-step through the process and the link for the preset is in the description!

When I wanted to switch it up a bit, I started looking around on YouTube for free presets or free editing tutorials. I found this AMAZING goldmine of a playlist that I definitely recommend you check out! It’s got tons of presets for almost any influencer you could want: Aspyn Ovard, Jaci Marie Smith, Jess Conte, Marla Catherine, Zoelaz, and Brandon Woelfel, just to name a few. 😉 I’m not kidding, this playlist literally has over 100 videos on it. It also has lots of general presets for different themes and color schemes as well!

The way to maintain a cohesive Instagram feed is to edit all your photos similarly. You can use the same preset on every photo, just keep in mine that it may need to be tweaked a little bit depending on what the light level is, colors, etc.

PICSART

I love bringing my own creative elements into the picture (pun intended!) and playing around with different techniques. My favorite app to do this on by far is PicsArt.

It’s had its ups and downs for sure, but it’s a free app and has lots of amazing capabilities. In the past I used it when I went through my “doodle” stages and wanted to add drawings to my photos. Lately I have been using it for the “sticker” and “collage” options.

Having taken a couple of photography and design classes in high school, I got really used to Photoshop and Illustrator and loved them. Upon graduating, however, I was not willing to pay the hefty price tag just yet. PicsArt is the only app I’ve found so far that has so many Photoshop-like features yet is completely free!

So, when doodling on a photo I simply opt to go with the “draw” option. When making collages, I’ll pick the “freeform” option and select usually the max amount of photos allowed.

Processed with VSCO with c1 preset

  some photos from a cruise that I then doodled on after

my *very* bright doodle feed

Then comes the really fun part. The “sticker” button essentially is a cut-and-paste selection type of tool. Take a photo of yourself for example, and you can completely cut out the background. PicsArt even has some pretty decent facial recognition, which comes in handy when doing portraits!

  a couple of collages I have made, all on PicsArt. I simply gathered photos and tumblr posts/quotes from Pinterest and cropped and arranged as needed!

There are also thousands of stickers added by other people into the app that you can use for free, as well. You can search anything, from “tumblr” to “aesthetic” to whatever color scheme you’re going for. So get out there and spruce up your feed!

PHONTO

If you love creating Instagram stories, iPhone lockscreen quotes, or just tasteful memes, I highly recommend Phonto. It’s a super basic app that lets you put text on your photos. Free and simple, it has everything you need. You can even download fonts off the Internet and add them to the app super easily. I have my own growing library of fonts of all kinds.

      a collection of various wallpapers, lockscreens, and blog post photos I have made with Phonto

UNUM

UNUM is a fantastic app if you really want to plan out how your feed is going to look or even schedule Instagram posts. I mostly just use it to see how a certain photo will match up with the rest of my feed before posting, but you can also set up your caption and hashtags and post directly through the app!

UNFOLD

Unfold is the app you’ve probably seen influencers use but never knew what it was. With Unfold, you can create really gorgeous little setups of photos, videos, and text for your Instagram stories. I love to do it especially when I have story posts to make about my blog and blog posts.

————————————————————————————————————————–

And those are pretty much all my photo editing tips & tricks! Everything I talked about is 100% free to get started with. I don’t use all of these apps on a daily basis, but they’re super helpful from time to time. I hope you enjoyed these post and found it super helpful, till next time, cheers!

Kindly, Kenzie Marie

HOW I EDIT MY INSTAGRAM PHOTOS Today we're talking something I'm definitely passionate about and well-versed in: Instagram. I know for a fact that I waste too much time on that app, so balance is definitely a goal for this year.

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Best WordPress Tumblr Style Themes | Templified

New Post has been published on https://templified.com/best-wordpress-tumblr-style-themes/

Best WordPress Tumblr Style Themes

This is a strong, comprehensive list of the best Tumblr style themes, inspired by the incredibly popular social media site, perfect for blogs, for creative portfolios and other amazing sites.  Tumblr has taken the world by storm and it’s now among the biggest, most popular social media networks on the planet.  Tumblog style is pretty unique, with it’s infinite scrolling and multiple post types, but WordPress offers all of that same functionality and more, if you want to create a Tumblr style blog on the WordPress platform.  If you’re not down with the Tumblr knowledge, it’s a new kind of microblogging platform and it allows users to make a wide variety of micro-blog posts in just about any kind of multimedia format there are, like audio, video, image, GIFs and more.  Tumblr is also a new style of social networks, allowing users to reblog other peoples posts, follow one another and also comment on people’s posts.  It’s the wave of the future!

This is a strong, comprehensive list of the best Tumblr style themes, inspired by the incredibly popular social media site, perfect for blogs, for creative portfolios and other amazing sites.  Tumblr has taken the world by storm and it’s now among the biggest, most popular social media networks on the planet.  Tumblog style is pretty unique, with it’s infinite scrolling and multiple post types, but WordPress offers all of that same functionality and more, if you want to create a Tumblr style blog on the WordPress platform.  If you’re not down with the Tumblr knowledge, it’s a new kind of microblogging platform and it allows users to make a wide variety of micro-blog posts in just about any kind of multimedia format there are, like audio, video, image, GIFs and more.  Tumblr is also a new style of social networks, allowing users to reblog other peoples posts, follow one another and also comment on people’s posts.  It’s the wave of the future!

Dulce

Dulce is a sweet, tasty WordPress theme that supports 7 different post formats, kind of like Tumblr does.  There are 4 different color variations, three layout options for gallery posts and the theme options panel is simple, to-the-point and very easy to manage.  You get a built in lightbox for images, video content can be posted using oEmbed, there are multiple options for showcasing gallery posts and plenty more.  If you need a smart looking, stylish, user friendly and creative blog theme, this one is a great starting point.  Some folks say this style is for microbloggers, and I guess I can see that being a pretty apt description.  The Dulce theme gives you a variety of post types, it’s versatile and attractive, flexible and it makes your content the most important thing on the page.

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Aside

This theme is called Aside.  This theme is a great way to migrate your content from an existing Tumblr page to your very own WordPress website. With all of the features that are included, this theme can be a stylish and presentable way to make that happen. Key features include a page builder, font awesome icons, multiple language support and clean, fast loading bootstrap code. You get access to all of the latest Google fonts, infographics, jQuery lightbox Evolution, slider Revolution, Ajax portfolios and even WooCommerce.

This Aside theme is a full-featured theme with quite a number of pre styled designs. In terms of support and documentation, this responsive portfolio and Blog theme offers access to an online support form with loads of information about customizing your website and adding those little touches that help separate your website from the competition. There’s even a video guide to help you get started quickly. You get support for 7 different post formats, standard, video, gallery, image, audio, quote and Link post types. That’s one of the first and foremost things that Tumblr offers that many WordPress themes don’t. You get 9 portfolio templates, a fully responsive design, unlimited colors and more. For a full screen theme, this one does a great job of displaying all of your content to make it the center of attention.

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Memoir

Designed with a clear focus on blogging, the Memoir WordPress theme makes your writing the center of attention.  This theme has a really neat typography setup, it’s ggot a couple different blog layouts and three distinct footer widgets for adding social media, featured posts, contact forms, links or something else.  There’s pretty much nothing that can’t be put into a widgetized area to expand the functionality of your website.  Memoir is clean, it’s functional and professional.  For a personal or travel blog, a journal or a site for keeping in touch with old friends, this theme has a nice design and plenty of features.  One of the things that makes this a solid Tumbr style theme, the array of post types available to you.  There are 9 in total: links, status updates, gallery, image posts, quotes, asides, audio, video and a general blog post for mixed content.  This is a strong theme overall and the familiar Tumblr style makes it great for all kinds of bloggers.

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Anew

A classic Tumblog style theme, Anes is a great way to create a variety of content, since it features 10 different post types.  There’s pretty much no type of post that you can’t create with Anew.  With a perfect 5 star rating, it’s proven to be quite popular as well.  Anew offers both boxed and wide screen layouts, it’s 100% responsive, so it looks ideal on all devices.  This is a high resolution theme, it provides awesome, sharp displays on large and small screens alike and it’s got all the post formats you could want.  With extensive styling options and unlimited widget areas, you can create all the sidebars you want, widgets can be assigned to individual pages, posts or standard WordPress sections.  In terms of fonts, you can select any Google font you want, you can add your social links to keep in touch with readers on all the popular social networks.  There are a lot of back-end options, Anew is SEO optimized and the code is really well commented and straightforward.  This is a solid theme if you’re looking to migrate a Tumblog to the world of WordPress.

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PixelPower

PixelPower is a WordPress creative theme that works really well for portfolios, blogs and more.  For more creative WordPress themes, check out this collection.  Pixel power is a clean and modern WordPress Tumblog style theme that I think works great for personal bloggers and portfolio sites. This perfectly responsive theme adapts its layout to all screen sizes. While it is not a mobile-first design, it still displays perfectly on all size and shape screens.

Now, some of the bad news. Well this theme has exactly a 4.5 rating, which is the bare minimum that we used to recommend themes, it has not been updated in almost six years. Frankly, that is not acceptable to me. In fact, I think that WordPress themes absolutely must be updated quite often. The reason is security. WordPress is continuously updating its code and hackers are continuously working on ways to defeat that code. If you leave yourself open to attack, you could easily have your website hacked and that is not a good feeling, believe me. Now, if you are quite experienced with WordPress, you can always take care of those updates yourself, but I don’t believe that that is something that you should have to do. I think that you should be able to count on the developer to update their site to keep it relevant, to get rid of bugs, to keep it secure and to provide continuing support for new features.

Anyway, this is a look at this template, it has a distinct look that is very reminiscent of Tumblr. Tumblr seems a bit outdated to me, to be perfectly honest, but some people are still looking for that style. If that’s you, you’re in luck. Assuming you’re steady and knowledgeable WordPress user.  Okay, check out more WordPress personal blog themes in our full collection.  It’s the place to find the absolute best personal blog themes anywhere.

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FastBlog

This theme is called Fast Blog, it’s a really interesting looking theme that has, honestly, a bit of a retro or throwback look about it.  Maybe it’s for you, maybe not?  The point is, it’s a really solid choice for many webmasters.  Fast Blog has some features that are reminiscent of Tumblr, which is really interesting.  If that’s still a style you want to emulate, then this is a great choice.  Fast Blog works really well as a more traditional blog theme too.  Six post types are included, article post type, images and links, audio and video post types and, finally, quote post types.  That’s pretty much exactly what Tumblr includes, right?

Want to see a few more personal blog WordPress themes?  Our collection is a really solid place to start.  This theme has over one hundred and six different social media icons, five short codes with over 100 different variations, a full-width page template and Ajax powered contact form, just to name a few. Fast blog is certainly one of the oldest themes that I would still recommend, it was released in 2010. As such, it is sort of a throwback to an older era, or more simpler time of WordPress. But, I think that it is still going strong and worthy of consideration.

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X

Despite its enigmatic name, the X WordPress theme has won kudos as one that is very non-coder-friendly since even those with no knowledge in web design and coding can use it to make highly-responsive and attractive websites. One of the things that make it stand out is the sheer number of extensions it comes with, which are designed to greatly improve site functionality. More code-savvy users will appreciate its clean code, which eliminates unnecessary code that can cause the site to load slowly. It is a great theme for both amateur and professional web developers. The package comes with four unique designs (called “stacks”) that come with their own unique skins, functionality, features and styles. But, don’t worry; these stacks are customizable simply by overwriting the styling using a child theme that you create. Each stack is designed to be most effective for particular users, although anyone can use them. The Integrity stack, for instance, is best for entrepreneurs and small business owners since it is multifunctional and can be adopted for a host of requirements. Each stack has its own demo content, which you can download so that it can be quickly applied to the website you’re designing; there are 33 demos in all that you can choose from.

X features a proprietary page builder tool dubbed Cornerstone. Cornerstone is designed to be intuitive and easy to use, so that anybody can use it to create custom page layouts. The newest version comes with a host of new extensions, including UberMenu, Superfly, Typekit Integration, ConvertPlug, Envira Gallery, Essential Goal and Content Dock, for no extra cost. There are also plug-ins for integrating the site with Google Analytics, Facebook Comments and MailChimp. Other features include free support and updates, 20 training videos on Internet marketing, 400 vectorized icon fonts, 41 built-in short-codes and video and text tutorials on WordPress and how to use WordPress themes.

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Grido

Joining the already sizable lineup of Tumblr style themes from Themify, this one is called grido.  It’s sort of a blend of Pinterest style design with classic Tumblr functionality.  Grido has a nice looking masonry grid layout, it’s perfectly responsive, there are a load of post formats, three different layout options and an overall style that is classic and classy.  I’ve removed several other themes that are a bit older, but Grido is still going strong, so here it remains.  If you want a user friendly theme for replicating a Tumblr style blog, this one is a wonderful solution.

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Minblr

This is Minblr, a Tumblr style WordPress theme brought to you by Themeify.me, one of the oldest and most trusted developers of WordPress themes around.  Minblr has a clean, classic style, plenty of post types and it’s easy to use.  if you need a simple, clean way to present your posts and pages, this is a great one to get started with.  As a bit of an older theme, it doesn’t have all the bells and whistles of some newer themes, but it does have enough to provide a fast loading, attractive platform for your posts, no matter what type of content you’re generating.

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Sans

This theme is called Sans, it’s a blog theme that’s reminiscent of Tumblr in it’s style and functionality.  Fully responsive and looking great on all devices, Sans has a home page screen that’s got tons of features and flexibility, it supports embedded or self hosted videos, just like Tumblr does.  There are options for filtering portfolios, there’s a responsive jQuery slideshow, built in lightbox for image galleries, 4 widget ready sidebars, 3 custom widgets, Twitter and Flickr feeds, contact forms and more.  This is an intuitive theme with an unbranded and user-friendly theme options panel for customization.  All in all, the style is what you want and the features are what you need if you want to set up a blog that looks just like your Tumblog.  Here are some additional portfolio themes you might like.

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Social Media Examiner http://j.mp/2BdMh2y

Are you struggling to build professional relationships on social media? Want to develop a network that generates business but don’t want to make content?

In this article, you’ll discover how to use social media to increase your exposure with prospects and peers without publishing any content.

How to Succeed in Social Media Without Posting Any Content by Valerie Morris on Social Media Examiner.

#1: Unify Personal and Business Channels With Consistent Branding

One of the best ways to use social media involves very little original content at all. It involves rethinking your approach to social media as a tool for relationship building and communication, rather than simply as a broadcasting platform.

It starts with a solid foundation. This means branding your personal and business profiles to accurately reflect who you are and what you do. Remember that everyone who connects with you via your profiles gets cues about you and your business.

Take a quick glance at your business profiles to see if your main message is clear to new connections or followers. Think through your personal accounts as well.

Here are a few details that need to be spelled out on all of your profiles:

Job description or company description

Website URL

Colors and fonts to match your company branding

Consistent imagery

#2: Build Connections From Your Personal Profiles

One underutilized social media tactic is to use your personal accounts to share subtle messages to support your business. Remember that personal profiles allow you to interact and build relationships too, and a natural extension of those relationships is curiosity about your business.

The easiest way to build your audience is simply to add new friends and connections. This technique works especially well if you’re the face of the business or the owner.

It’s also a lot easier to get people to interact with a personal account than with a business account. Think about it: You can network your way to request a connection with almost anyone in the world on LinkedIn. Not only that, but you can have thousands of LinkedIn connections. This means you can build a large network of people without ever inviting them to follow your business page.

You can apply this same tactic on many other social media channels too.

#3: Listen and Engage Personally, Not Professionally

Whether they’re face-to-face or online interactions, we’re typically focused on getting our voices heard. However, if you’re willing to listen on social media, you can learn a lot.

Listening lets you discover needs you can meet, trends in consumer behavior, and other details about people’s lives. Learn what’s new in your connections’ lives and use that information to take face-to-face conversations to the next level.

If you know someone recently spoke at a conference, start a conversation by asking how the talk went. Social media gives you clues about what your network and customers need, but only if you’re actively looking for them.

People love to be heard, and engaging with their posts and content on social media is a great way to stay top of mind with your audience and build loyalty. Every time you hit “like” or “heart,” comment on someone’s post, or even share that post, the other person gets a notification. That notification has your name and face connected to it.

If you do this consistently with your network, they’ll naturally become more familiar with you, think of you more often, and view you in a positive light.

I’ve seen this technique work well in real estate. Title officers and mortgage originators work largely off of referrals from others in the industry. The more they stay engaged with their top real estate agents, the more likely those agents will send clients their way.

Here are a few tips for engaging with and managing your own network on social media.

Facebook

On Facebook, use friend lists to segment people into groups so you can look at posts and updates from people in specific circles. This helps you focus your attention on building relationships with key contacts and avoid the temptation to waste time surfing Facebook.

To create or access a friend list, go to your news feed page and click on Friend Lists under Explore.

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On the next page, select the list you want to view or click Create List to set up a new list. Scroll through the posts from people on relevant lists and start interacting with them.

Twitter

On Twitter, you can set up Twitter lists to follow specific people. Lists can be public or private depending on how you plan to use them. They help you filter out the noise and narrow your focus to specific groups of people.

To create or access your lists, click your profile icon at the top right and select Lists from the drop-down menu.

Then select the list you want to view.

A new page will open up with tweets from only the people who are on this list.

If you want to set up a new list, click Create New List on the left side of the screen and then select the users you want to add to it.

Instagram

One of the best ways to get someone’s attention on Instagram is to go to their profile and interact with 2-4 of their recent posts with a heart and a comment. When you do this, it signals to the other person that you made an extra effort to check out their profile instead of simply coming across a post in the main feed.

#4: Use Private Messaging to Carry on 1:1 Conversations

Most social networks have private message functions already built into their software. Sixty-four percent of Facebook monthly users use Messenger, which means you can get one-on-one time with people on a platform where they’re comfortable interacting.

Going after funding, looking for speaking opportunities, and connecting with prospective clients are just a few ways you can build relationships on social platforms, and private messages let you communicate with key contacts directly. You’ll know your message got in front of their eyes, instead of just hoping that it got visibility through the news feed algorithm.

Here are a few ideas to use Messenger to stay top of mind on Facebook:

Share an article a contact might find interesting.

Offer congratulations or send a birthday greeting.

Thank people or simply let them know they came to mind.

Try these tips for using LinkedIn messaging to build rapport:

Thank new connections for accepting your connection request and maybe even ask a question to keep the conversation going. Almost everyone I’ve messaged on LinkedIn this way sends a response back, or has gone and viewed my profile. Just be careful not to rush a sale until you’ve developed a relationship.

Send a birthday greeting or congratulations on a recent promotion or new job. It’s amazing how many people don’t do this and it’s a simple excuse to get in front of someone.

Ask a specific question. For example, if you’re working on a blog article or eBook, reach out to key contacts in your network and ask them one or two simple questions to get a quote you can feature.

Conclusion

Social media channels often get a bad reputation for being time wasters, but they can also be valuable tools for building long-term loyalty and uncovering new opportunities for your business. Focus on interacting with people instead of just getting the megaphone out to share your own message, and you’ll find that social media is an even more powerful tool than you ever imagined.

What do you think? Do you use some of these tactics to build professional relationships on social media? Do you have some tips to add to this list? Please share your thoughts in the comments below.

More articles about how to use social media to build relationships:

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Why we have a ginger emoji

New Post has been published on https://nexcraft.co/why-we-have-a-ginger-emoji/

Why we have a ginger emoji

In November 2014, a tech-industry consortium announced a new set of emoji that would diversify the physical appearance of the pictograms.

“I checked and saw that redheads were just not on there,” says Emma Kelly, editor and founder of the site Ginger Parrot. “I wondered, has no one brought this up? Is there no one at Apple with red hair? Has everyone forgotten about Ed Sheeran?”

Kelly fired off a post on her blog, launched a petition on change.org, and fed quotes to The Guardian and other media outlets. But she soon discovered it would take much more than an online protest to get her way.

Emoji are subject to a complex technical bureaucracy. The type and number of new pictograms released each year are strictly controlled by the Unicode Consortium, an international nonprofit organization of companies—including, most notably, representatives from Apple, Google, Microsoft, and Adobe. Unicode’s core mission is to convert the world’s alphabets and symbols into code that all smartphones, desktops, laptops, and computers can read. The dollar sign, no matter the phone or font, is U+0024. The taco: U+1F32E. Websites, email clients, word processors, and other interfaces then transform that code into words and icons—and vice versa.

For most of its 27-year history, Unicode was concerned with simple characters—musical and mathematical notations, currency signs, punctuation marks. Starting a decade ago, this group of accomplished linguists, font designers, and software developers began including the smileys that had become popular across several Japanese telecom companies. Thereafter, these technical overlords were tasked with debating such matters as the prevalence of unicorns and the cultural import of a pile of poop. A deeper look at Kelly’s campaign for ginger representation reveals that they do not accept their responsibility blithely.

Chapter one

Adopting pixelated cuteness

Emoji began in 1999 in Japan, a country with a long history of pictographic language. In 2007, Unicode members started seriously debating how to include stylized picture characters to make it easier to exchange them across platforms. By 2010, the updated Unicode standard, version 6.0, had some 722 emoji.

Michael Everson, linguist; Irish national representative to the International Organization for Standardization, which helps develop Unicode: Emoji were originally these little pixe­lated images that people could send along with their text messages in order to augment them with cuteness. A lot of people thought all of this stuff was, shall we say, unsuitable for encoding.

Doug Ewell, emeritus member, Unicode Consortium: Are people going to be sending each other face-palm emoji in 10 or 20 years? It’s like encoding a shag carpet.

Everson: We said, OK, if it has to be done, it has to be done.

Ewell: What Unicode ended up doing was to add these emoji to the standard in such a way that it would be possible to interchange them as if they’re characters.

Paul Hunt, font and typeface designer, Adobe Systems; member, Unicode Consortium emoji subcommittee: To your computer, it’s just the same as a letter A or a Greek Alpha. Your computer sees a code that maps to a particular concept. For alphabets and other writing systems, the code matches to letters. For emoji, it maps to a particular little picture.

Everson: We added a whole bunch of emoji and moved on. Nobody knew what was going to happen.

Ewell: We assumed it was not going to grow out of control, and, over the years, it did.

Fred Benenson, author of Emoji Dick, a version of the novel translated into emoji: Integrating emoji into Unicode turned them into a standard that was easy for hardware vendors to implement. Before that, it was just this mess of glyphs—things like hearts, arrows, and cat faces.

Jennifer 8. Lee, co-founder, Emojination, a diversity advocacy group; vice chair, Unicode Consortium emoji subcommittee: The fact that they are not infinitely variable, that there is a very controlled set, makes them a common ­vocabulary across people and cultures.

Jennifer Daniel, creative director for Google emoji, Google: At first people used them as nouns. Now they’re being used more as punctuation to indicate intent, the way an exclamation point signals enthusiasm. Emoji allow people to text the way they talk, with tone and emotion.

Chapter Two

Diversifying the emojiverse

Each year, Unicode approves more emoji, but the organization doesn’t determine their final appearance. That’s up to vendors such as Apple and Google. As these companies began to render their versions, user expectations changed.

Marcel Danesi, anthropological linguist, University of Toronto: Early emoji removed issues of gender, race, and class completely. They were abstract symbols devoid of any of those connotations.

Everson: When Apple released a version of iOS with emoji in 2011, everyone thought it was cute and fun. Except Apple had screwed up skin color, because they hadn’t made all the people blue Smurfs or yellow Simpsons. They made them white people.

Danesi: If you’re using these a lot, one day you’re going to say, I’m tired of using the basic yellow smiley face. It doesn’t reflect my own skin.

Daniel: People don’t want to go to the emoji keyboard and not recognize themselves.

Everson: I proposed a fix that if we needed five grandfather emoji, let’s just encode five grandfather emoji. What Unicode ended up doing was encoding five skin-tone patches that relate to the Fitzpatrick skin-burning scale.

Thomas B. Fitzpatrick, dermatologist (1919–2003), “The validity and practicality of sun-reactive skin types I through VI”: A simple working classification was proposed, based not on hair or eye color, but on what patients say their responses are to an initial sun exposure.

Unicode Technical Standard #51: Five symbol modifier characters that provide for a range of skin tones for human emoji were released in Unicode Version 8.0. (Ed. note: Fitzpatrick’s two fairest tones, I and II, share a modifier.)] ED-11 emoji modifier: a character that can be used to modify the appearance of a preceding emoji in an emoji-modifier sequence.

Hunt: These things happen below the level of user interaction. The user just uses their emoji keyboard, and it will spit out the corresponding Unicode sequence for “princess with medium skin tone” or “woman runner with dark skin tone.”

Everson: It was a way of dividing this thing up reasonably. There was a problem, and Unicode fixed it. It works, and people seem to be happy using it.

Apple had screwed up skin color, 🆘 because they hadn’t made all the people blue Smurfs or yellow Simpsons. 🌈 They made them white people. 🙄

Chapter Three

Great, but what about the hair?

With the release of version 8.0 in June 2015, Kelly and other redheads were fuming. Modern Family actor Jesse Tyler Ferguson tweeted his disappointment, and comedian Scott “Carrot Top” Thompson wrote a think piece for Time. As far as Unicode was concerned, dye jobs weren’t part of their job description.

UTS #51: It is beyond the scope of Unicode to provide an encoding-based mechanism to represent every aspect of human-appearance diversity that emoji users might want to indicate…. No particular hair color is required; however, dark hair is generally regarded as more neutral because people of every skin tone can have black (or very dark brown) hair.

Kelly: I was quite angry at the time, so I fairly hurriedly created a change.org petition. Eventually we gathered more than 20,000 signatures. Unicode originally told me that what these images look like wasn’t actually up to them, that it was up to Apple and Google and the others.

Daniel: There are differences in how we render them. Apple’s emoji are highly rendered and realistic. Google’s are more illustrative and playful. The circles, for example, aren’t perfect circles. They’re kind of squishy and soft. But that softness helps because it makes the illustrations friendlier.

Kelly: We wanted to physically go down there. We put out a call for redheads. A group of them went to Apple headquarters and delivered the signatures in a carrot-shaped USB drive.

Apple Inc.: Did not respond to multiple requests for comment.

Kelly: Of course, Apple being Apple, we have not heard anything from them. Someone has got it somewhere there.

Daniel: Ultimately, vendors like Google are at the mercy of what Unicode passes and fails. The amount of emoji being added every year, and which are added, is really up to them.

Lee: We want to slowly ratchet it up as opposed to dumping them all at the same time. Fifty to 70 per year is a good target.

Hunt: The process starts with a proposal. If you want a new emoji to go into the Unicode standard so everyone in the world can use it, you need to create a report. Unicode ­provides a template, which is on its website.

Benenson: I think it’s kind of a bar for people who care about submitting emoji that shows they’re putting thought into whether it should really be an emoji. Adding that little bit of process helps weed out unserious people.

Lee: It’s really not that hard to create a good proposal. If you did reasonably well in high school, you could figure this out. It’s the level of a high school lab report.

Benenson: If it’s a food-related emoji like the oyster, you have to take screenshots of Google search results on oyster versus hamburger to show that it’s popular.

Kelly: I thought it was crazy that I had to do a proposal. It was so obvious that the ginger emoji should be there. So, as a form of protest, I refused to do the proposal.

Lee: It’s not like the emoji subcommittee is rejecting ­proposals willy-nilly.

Everson: The committee did delete the frowning pile of poo as a candidate. I made a lot of noise about that. Proponents cited reasons such as, “We need this because what if you had digestive issues and wanted to text your proctologist.” Can you not use words? Do you have to send your doctor a picture? What is wrong with you people?

You want a bagel emoji? ❓OK, let’s make an emoji that looks like a bagel. ✔️ But the ginger — it’s not straightforward. 🤔 What are we coding? 🤷

Chapter Four

Let there be gingers!

On January 17, 2017, emoji subcommittee vice chair Jeremy Burge, citing social-media and online buzz, submitted a proposal summarizing the group’s options for adding redhead emoji. Gingers were still far from official. Unicode would spend more than a year debating how to implement the hair-color change.

Hunt: We have quarterly Unicode technical committee meetings. That’s where we’ll decide which emoji will progress, how they will be implemented, and what the mechanisms will be.

Lee: The meetings are so long—it’s like C-SPAN but with emoji. It’s four weeklong meetings, and emoji are between one and two hours a day for the first four days. With the ginger, we had to go back to the drawing board three or four times.

Hunt: Part of why it was a difficult problem was that there were many ways this thing could be handled.

Lee: You want a bagel emoji? OK, let’s make an emoji that looks like a bagel. But the ginger—it’s not straightforward. What are we coding? Redheads could be old, babies, boys, girls. How do you approach that? Modifier characters are used in only one situation: skin tone.

Mark Davis, lead internationalization architect, Google; president and co-founder, Unicode Consortium: Changing the architecture by adding more modifiers typically requires code changes that might be difficult to retrofit to older devices.

Hunt: It was going to be easier if the hair colors were treated as Zero Width Joiner (ZWJ) sequences—the sequence that involves several emoji glued together.

Davis: Existing and older systems know how to handle ZWJ sequences without code changes.

Unicode Technical Report #51: The U+200D Zero Width Joiner can be used between the elements of a sequence of characters to indicate that a single glyph should be presented if available.

Lee: If you don’t have the underlying emoji to glue together, then you still need to create the atomic-level ones—say, the happy woman on her own. One concern was, what does it look like when one piece of the puzzle is missing?

UTR #51: When an emoji ZWJ sequence is sent to a system that does not have a corresponding single glyph, the ZWJ characters are ignored, and a fallback sequence of separate emoji is displayed.

Everson: At one point, they suggested combining the person with a separate red-hair glyph. Basically, they were suggesting encoding scalps, which I thought was offensive. We got that changed to a dotted face with the hair on top—a way of showing that it’s a control character if the sequence unravels, so you’re not sending someone a disembodied scalp.

Chapter Five

Bagels, lobsters, super-villains, and redheads

*Unicode announced on February 7, 2018, it would add 157 new emoji, including superheroes, the infinity sign, and red, white, curly, and bald hairstyles. As Kelly awaits Apple’s digital gingers, Unicode members and designers ready their keyboard updates and ponder the future of emoji. *

Hunt: The process isn’t completely finished at that point. Once the Unicode standard becomes official, then Apple and Google and the other vendors will take that information and do their own renditions.

Daniel: We consider a range of questions when designing an emoji. Is it abstract enough for you to relate to? Or is it overly specific? If it’s a person, did we get the expression right? Some emoji are really difficult and require lots of back and forth.

Hunt: Once the vendors update their operating systems with the new characters, people can start using them on their smartphones.

Daniel: Some you just kind of nail. The redhead is fairly straightforward from a design standpoint: You just change the hair color to red or orange.

Kelly: I felt relieved, mostly because it had been going on for so long, and I was very happy that all the work we’d done had finally paid off. It was long and confusing, but hey, we got there in the end.

Benenson: I want people to sympathize a little with Unicode. This is a standards body of software developers, and due to a fluke in corporate history, it ended up in charge of this extremely salient cultural touchpoint and creative expression.

Hunt: It’s a lot of work, but it’s still fun. That’s part of the reason why people love emoji. They’re fun, and it will be interesting to see how this does evolve and how it changes the way we think and talk and communicate.

Everson: I don’t think 70 years from now people will be sending each other pictures of eggplants to discuss certain matters. I don’t think 70 years from now people will be sending each other colorful emoji at all.

Daniel: Really, I’m interested in finding a way to mix and match these emoji to create something new. In the same way language and slang evolve, I hope there’s a way for emoji to evolve.

This article was originally published in the Fall 2018 Tiny issue of Popular Science.

Written By Gregory Mone

[andreihan-cipm]

Scoping the Project (S2)

 Meeting the Client:

I would firstly like to clarify the fact that I will be my own client and I will create this magazine under my own supervision and using my own skills for me to achieve the final outcome. I however think that working along with a  business owner or a client other than me, it would have given me the opportunity to experience what working in the media industry really feels like. I also think that working by myself towards this project, will allow me to do my own research on the topic that excites and and interests me the most. This way I can really aim to collect as much information as possible. Overall, I think that both ways have their own ups and downs, but either way, I am confident enough that my artefact will meet my expectations.

Identifying clients previous multimedia experience:

Previous Experience - My very first professional experience in Media was back in secondary school when I chose to study Photography for my GCSE for two years. During that time, I had the opportunity to use DSLR cameras both outside the school and within the school campus, and also explore different techniques using various software (mainly Photoshop) to edit the photos with. A few of the projects that I managed to create were based on landscape photography, subject cloning, close up photography and portraiture. Along with this, I have, for the first time, learned how to use studio lights and do risk assessments. Several project required me to ask my classmates to take part in my  projects, which I believe it has been successful, due to the fact that my ideas were pretty creative, also thanks to my teacher for supporting me through all the work. Along with all the work, towards the end of my GCGS’s, I have also learned how to present artwork in a unique and creative way. I have done this by creating a photo collage of one single picture, using small glass tubes, inside a cardboard box. The other portraits and photographs were for instance, several clones of myself within the same image, close up photography of the human eye (studio work) inspired by Suren Manvelyan, different types of portraits of my classmates, and self portraiture, followed by re-working the lighting and adding special effects by using Illustrator. All this has been delivered onto PowerPoint presentations, along with documentation and techniques and resources used. Also, just for the record, I still own every single bit of work from my GCSE’s. 

Previous Experience - The second professional experience I had was during college. After having received a C in Photography for my GSCE, I felt more confident and thought that I could take my creative skills to the next level, and chose to study 'Interactive Media’ in college. While studying this course, a few of the units that I have come across were pre-production techniques, communication skills, research techniques, creative media production management, working to a brief, digital graphics, working freelance, advertisement production, stop motion, producing video installation, photography and photographic practice, interactive design, sound, page layout and design. For each one of these units I have had to create a specific artefact. However, I must mention that the work required was not expected to be fully professional, but as I was eager to push my limits, according to my diplomas, the best things I was best at were pre-production techniques, working to a brief, production management, digital graphics, advertisement production and page layout and design. A few of the project I was entitled to create, and have created were a mobile app design, a stop motion animation film using a little plastic figure toy, a perfume advert, which I filmed and edited using Adobe Premiere Pro, a short film production, advertising for my teacher’s website (banners/business cards) and many more. The ones stated above were the most successful projects that I carried out.       

Current Experience - After having finished college, I chose to carry on this  route, by taking a degree in Digital Media at university level. Before carrying on elaborating this experience, I must admit that many of my previous units at college are very similar to the ones being studied at university. The only difference is that university level coursework require much documentation and evaluation on our projects, along with enough relevant research made on your preferred topics, and a much more professional outcome. I have managed to improve my professional look during the first year of university, by completing units such as creative coding, digital graphics, e-portfolio, film and sound etc.. I have to admit that they were not the best units I’ve come across, but they taught me a lot of things, especially how to step up from the type of work I did in college to working professionally to a brief and slowly getting to understand and experience what the media industry has to offer, along with raising my standards when working on my own/other’s projects. My previous units are relevant to this project because since I’m creating a magazine, it will involve branding, which can be taken forward to creating a website/blog for this magazine. Along with this, the digital graphics unit has made me want to explore how software such as Illustrator and InDesign work, therefore, according to my current knowledge, I have decided that creating a magazine would be just perfect for me to show how I can apply those skills. Since finishing the first year of university, my interest in Adobe Illustrator has increased, and because of this, I have spent a whole summer working on unique pieces of art posters. This demonstrates that I have high potential in this area and I could publish some of my current artwork in my magazine. 

I believe that I have the required skills and experience, and all the information stated above will result in me submitting a successful, one of a kind artefact.

Mind Map - 

Content

Cover Pages (Front/Back - Inside/Out) - Title, Background, Issue Title, Adverts

Index/Credits - Page number/Topic, Editor, Design, Special Thanks, Contact, Printing/Publisher, Copyright, Directory

Editors Letter - Aimed to readers, Personal, Black and White

Sticker Page - Custom Sticker, City List

Portfolio - Own Artwork, Photography

Other Artists Portfolio - Profile, Background, Images, Description

Adverts - Independent Products, Clothing Brands, Software, Technology

Articles/Interviews - Own Experiences, Art Galleries, Stories, Lifestyle/Culture, Social Media

Directory - References

Design and Layout

Cover Pages - Magazine Title , Issue number, Original artwork featured

Background Colours - White, Black, Custom

Fonts 

Headlines

Sub-Heads (Issue Name - Amongst Few

Body

Paragraphs

Q/A’s

Borders

Images

Captions

Credits

Quotes

Understanding the breadth and depth of the project:

BREADTH:

By analyzing the brainstorms above, I came to a conclusion that both of them will require the same amount of attention and research, and that they both have a huge role in this project.  I also believe that all the elements above will be mixed with one another to create a final look for each page/section of the magazine. In my case, every element from the ‘Content’ section will include most of the elements from the ‘Design and Layout’ section. This way, every page and article will have its own ‘personality’, by the use of COMPOSITION. In order for me to complete logical articles, I will have to use current knowledge of the main four subjects (Art, Music, Fashion & Culture) and further research on many other relevant areas of those topics.  Since this is the first magazine I’m establishing, I will have to thoroughly ensure that I follow all the pre-production stages and be aware of all the things that might go wrong, such as schedule, quality of the product, and finances. 

DEPTH:

I will make sure that all the elements in the ‘Design and Layout’ have been thought about carefully, after conducting further research on all the different elements that a magazine can include. In this case, further research stands for exploring other magazines of such kind, and relating thoughts and ideas made both by me and other writers/editors etc... By proceeding forward in this project, I should have already gained enough knowledge about the type of work I will be creating and all the types of elements I will be using to create my artefact, from aspects such as fonts or colours to all the intricate details of each object. I will be managing this project mainly by the use of different work schedules, such as a GANTT Chart. I will have to analyse the strengths and weaknesses of this project by using a SWOT analysis template. Lastly, but most importantly, I will conduct a Risk Assessment, so I will make sure no one (in this case, especially me) will not get hurt while out working on this project.

Questionnaire:

The magazine:

1. What will be the title and the issue name for the magazine?

2. What software will you be using to produce this magazine?

Collaborations - 

3. Who will you collaborate with?

4. Are they relevant to the chosen topics?

Audience - 

5. Who would be interested in your magazine?

6. Why would the audience be interested in your magazine?

7. How will your audience find out about your magazine? 

Design and Layout - 

8. How many pages will your magazine include?

9. What is the style and layout of the magazine?

10. What is the size of your magazine?

11. What kind of paper will the magazine have?

Content - 

12. Is copyright required?

13. What current knowledge do you have related to magazines?

14. Will you magazine have any special features? 

Selling and Distribution - 

15. How will you distribute this magazine?

16. What are the production and delivery costs?

17. What is your budget?

Answers:

1. What will be the title and the issue name for the magazine?

My magazine will be titled as ‘EAZZY’. The reason for this is because I own a sticker that says ‘Easy Does It’. Therefore, the magazine was initially meant to be called Easy, but after doing some research, it has already been taken, therefore I have changed the ‘S’ to a double ‘ZZ’ so it can be distinguished from the other magazine. This way it gives it a personality and originality. The issue name will be ‘Amongst Few’, because I would like to present the featured artists in my magazine as ‘unique’, ‘rare’ and ‘talented’. 

2. What software will you be using to produce this magazine?

I will be mainly using ‘Adobe InDesign’ to put all the elements together. I will install the ‘Blurb’ plugin onto my software and I will then choose the size of the magazine and type of paper. I will then be watching tutorials and other tips from fellow editors, and try to accumulate as many skills as I can while producing the magazine.

3. Who will you collaborate with?

I am going to get in touch with as many students as I possibly can. They will be students that study in the creative faculty, in Eldon Building, on courses such as Fashion, Art, Music, Architecture etc..I will get in touch with them by both, email and face to face, and explain what their roles are along with why I want them to be featured on my magazine. Moreover, I believe I will also require a few adverts in between articles, therefore I will have to get in touch with certain business and ask for copyright permission. I will be doing this by sending formal emails that will include a brief description of the project and my aims with the magazine, along with required material.

4. Will the featured artists/students be relevant to the chosen topics?

The reason I chose them to be featured in my magazine is because I believe they have a very high potential and their work needs more credit. Therefore, since some of them are my friends, I have been amazed by the amount of great work they did, so I decided to give them an opportunity and let them open up to the public, and present their work in a very distinctive way. They are suitable for this magazine, because the main topics that my magazine is based on is Music, Art, Fashion, Culture/Lifestyle. After making a list of people and their key skills, they have all matched my chosen areas of exploring.

5. Who would be interested in your magazine?

I believe that after releasing the first issue of the magazine, the public would be pretty curious to find out what the type content it holds. Overall, I am aiming this magazine to be specifically delivered to young artists, preferably students, who have high potential in their field and want to share their talent with the world. Through the issues of Eazzy Magazine, people such as other popular artists, such as painters, graphic designers, DJ’s, fashion designers etc. will be able to use the magazine as a source of inspiration and news in the latest trends in those fields.

6. Why would the audience be interested in your magazine?

They will find my magazine interesting because I, as the Editor in Chief, will have to make sure that every element is presented in a unique way and the composition has a decent overall look, because any person looks at the style and layout before they get digging into the contents. However, I will probably struggle creating real articles for each of the featured artist, because I have no main key skills in journalism. The main reason my audience will probably have an interest in my magazine is because the magazine will present artwork that has not yet reached a lot of attention yet and artists who are looking to collaborate and show off their hard work. This way, the magazine will become personal to the audience and hopefully, whoever gets their hand on it, will stay interested until the other issues will be released.

7. How will your audience find out about your magazine?

I believe that it is not about who you know, but about who they know. After the first issue will be released, the word of mouth will be the main way the magazine will be going round. But for people to actually view it and give feedback, it’ll be using Blurb.co.uk (or issuu.com) to upload a PDF version of the final artefact, which can be then forwarded to anybody just by sending a link. 

8. How many pages will your magazine include?

I am aiming to have in between 5-10 articles. Each article would have an average of 4-5 pages, excluding all the double spreads for adverts, features, portfolios, directory, and Q/A pages. As an overall, I would like it to contain at least 50 pages (25 double spreads).

9. What is the style and layout of the magazine?

The style of the magazine will be modern, but simple. It will have simple, but effective key features, such as clear quotes, that stand out and paragraphs that will not have broken words, by deactivating the ‘HYPHENATE’ tool. Each article will have an intro double (or single spread) that will basically give an overview of that particular artist and the topic name. Each one will have a different look, layout, background, colours etc.. depending on the person and its chosen area of study. Every other element such as the table of contents, directory , credits will be plain and easy for the audience to read (strong big fonts, black on white).

10. What is the size of your magazine?

According to blurb.co.uk, the most popular magazine size would be 8.5in x 11.5in, which is a portrait style magazine. According to the research I made on other types of magazines, I found out that this is the most common size for a magazine.

11. What kind of paper will the magazine have?

I am aiming to produce high quality content for my magazine, therefore I’m expecting it to be delivered in a high quality type of paper. According to blurb.co.uk, they can provide standard or  premium matte paper, and only softcover for the 8.5in x 11.5in magazines.

12. Is copyright required?

In order for me to feature other brands or companies, will firstly need their approval to use material created by them. I will create a copyright form and send it out to whoever it may apply to, for instance, the brands featured in the advert sections, or the artists whose work is featured in the magazine. 

13. What current knowledge do you have related to magazines?

Before I started this project, I made a lot of research related to the type of magazines available on the market, their style and layout, what elements put together make a magazine complete and how to get started on actually making a magazine. I have been using Adobe software for many years, and yet I am about to find out what Adobe InDesign really feels like. I have put a lot of time into research while creating the project proposal, and it allowed me to find out things such as what happens during pre-production stages,  schedule and time frames, how to plan things ahead and how to find content, how and where I can get the magazine printed etc.. The last thing remaining is putting all the things I’ve learned together for my final artefact.

14. Will you magazine have any special features?

To make the magazine stand out from the other magazine, I have decided to personally attach a sticker with the issue’s name on the 2nd page of the magazine. This way, the magazine will have a gift attached for the audience.

15. How will you distribute this magazine?

Since blurb.co.uk has a special feature for selling and distributing, I could use that as an e-store and get my magazine to be sold on there, and add a higher price than showed, for me to get a commission out of it.

16. What are the production and delivery costs?

Production costs at blurb.co.uk start at £3.99 for 20 pages(premium). From there onward it will cost £0.20p per page. Standard delivery would cost somewhere around £8.50

17. What is your budget?

My current budget to get the magazine printed and delivered is up to £50. However if the magazine will end up being cheaper than expected, I will order a few copies.

[touristguidebuzz]

What’s the Matter With Lonely Planet?

When I decided to quit my job and travel the world, I walked into a bookstore and bought Lonely Planet’s Southeast Asia on a Shoestring. I was in Thailand and was eager to get started. Buying that guidebook made my impulsive decision seem real. Thumbing through its pages on my flight home, I was hooked. I loved its emphasis on budget travel and backpacking, the offbeat destinations, and its quirky and funny writing. As I planned my trip, LP’s “shoestring” guides were stacked high on my desk — and I became a permanent customer of Lonely Planet guides. Their personality matched mine and I was hooked.

Dubbed “the backpacker’s blue bible,” Lonely Planet’s guidebooks focused on unique destinations and budget travel, which made them a staple of travelers worldwide. For good or ill, Lonely Planet often made destinations, hostels, and restaurants.

Sure, its guides became synonymous with mass tourism, but for me, they were a great resource to thumb over while on a bus or train, or in a hostel. I navigated with LP maps and used LP guides for basic activity information and to figure out transportation.

But, lately, their quality seems to have gone down a lot. The last couple of times I’ve used their website and guides ended in frustration and disappointment and made me ask myself:

“What the heck is the matter with Lonely Planet?”

While it’s still the largest guidebook company in the world with 25% of the market, it’s fallen from its perch as “the bible” for budget travelers. After being sold to BBC in 2007 and then sold again to a reclusive billionaire named Brad Kelley in 2013, Lonely Planet is a shell of what it used to be. Kelley hired a 25-year-old photographer named Daniel Houghton, who came on board and “invested heavily in a digital revamp and laid off nearly one-fifth of the workforce.”

To further quote that Outside article, “I [the author] ask what the market research says about all that. ‘I didn’t really look at it,’ [Houghton] says, lowering his voice conspiratorially. ‘I don’t really go with market research. I kinda go with my gut.’”

And that’s where much of the blame lies.

What the market really says

As I sat down to write this article, I asked readers on social media what they thought of Lonely Planet. While most people still used Lonely Planet (and guidebooks in general) for preplanning, they reiterated what I kept hearing on the road: the books seem to get more out of date, the writing has lost its edge, the guides have gotten more upscale and less about offbeat and budget destinations, the website is hard to use, and blogs are often better. Here’s some examples of common responses (click here to see them all):

Over the years, travelers I’ve met in person have echoed the same complaint: that LP’s special je ne sais quoi is long gone. In fact, I’ve had some good bonding sessions over the topic!

Clearly, the market has a different opinion about the guides than management. Travelers, while still using the guide, don’t like it as much. I still see people using guidebooks on the road so the problem isn’t that people don’t use guidebooks.

The problem is Lonely Planet itself.

Last year, the CEO was interviewed in Amuse and talked about how he was making LP an uncurated (my word) travel content company: “We’ve never looked at Lonely Planet just as a book company, or a guidebook publisher — in fact my first interaction with Lonely Planet actually was on our website, probably when I was in college — we’ve always looked at it as a content company.”

But guidebooks are not content companies, they are curated resources from experts. We buy them because we don’t want a TripAdvisor or a generic source of information — we want someone who has been there and done that to help us do the same. Whether app, e-book, or paperback, consumers want a trusted source of information. We want someone to cut through the noise for us. If LP is just another generic content company that lists everything and exists to generate ad revenue, then what makes them unique? Are they just a bigger version Condé Nast Traveler or Afar?

It’s true Lonely Planet had problems long before the current management. Tony and Maureen Wheeler, the company’s founders, will be to the first to tell you they failed in the digital space. This is part of the reason they sold LP to the BBC. The BBC in turn just didn’t do much with the company and let Thorn Tree — LP’s forum and the best part of the site — struggle, as there were many mishaps and closings, as well as poor management.

Yet that was in 2013. The current problems are owned by the current management. Their desire to turn Lonely Planet into a content company is a terrible decision that is out of touch with what travelers want.

A rapid decline in quality

The decision to ignore market research and go with their gut explains much of the decline and why the books are a shell of what they used to be. When the company was last bought, most of the old execs were fired, bought out, or driven out. In their place was installed a management team with little knowledge of the industry they were now in.

Multiple sources reached out to me for this article to describe their experiences with Lonely Planet since the buyout. Authors complained about LP’s lack of communication, respect, and input, and about policy changes that communicated to their contributing experts “please go away.”

It’s something I’ve been hearing for years from my LP friends. (When you’re a travel writer, many of your travel-writing friends will be LP writers.)

I’ve long heard rumors and whispers about LP’s recycled content and desk updates (i.e., information written in the office, not from research at the destination), and that seemed to be corroborated by current employees. Often, I’ve heard, Lonely Planet contributors are told to use Google and TripAdvisor to create content.

LP has this giant content management system, where the author submits their research and, from that, they make the guidebook. But I’ve been told that now, after writers enter information into the database, another person — who may have no knowledge of the destination — comes along and assembles a book. So, in the end, you get this disorganized — and often wrong — book.

Because of these changes, writers seem to have developed a disdain for the company and merely deliver what’s “just good enough.” They aren’t paid a lot, work under tighter and tighter deadlines, and don’t feel part of the company anymore.

How much of this is “sour grapes,” I don’t know, but I’ve heard this complaint for enough years by enough sources that I believe it. I don’t blame the writers. I’ve seen my friends on assignment. They have a lot to do and little time to do it in – plus, the pay is terrible. So, it’s no surprise that if you treat the content creators poorly, you’re going to get poor content.

I – and many others – see that reflected in the quality of the guides.

A terrible website

And this decline can be very clearly seen on the LP website. After Houghton first took over, the website looked like this:

I mean, what is this? It’s a bunch of squares (for ants!*). Who thought this was good? It would take me ages to find the square I needed. Often I gave up and simply found a blog instead.

Now, while I like many things about the new Lonely Planet website — the larger pictures and bigger font — the content sections are hard to follow, and navigating the website is just as difficult as ever. I was trying to find information when I was in Lyon recently — and it was just scrolling and scrolling and scrolling. Why? They list like every place in the city – every church, attraction, park, or restaurant. (They do it for all their destinations.) I don’t want every restaurant or attraction — I want guidebooks and experts to give me the best. Distill the information down for me! If I wanted an endless list, I’d go to TripAdvisor or Yelp!

Plus, the information is so hard to find now. Here’s an example of LP’s California page in 2010 and now:

2010:

Now:

(Well, the page is so long and empty that I can’t take an accurate screenshot so here’s a link to see for yourself.) 

In the old version, all the essential information is on the page (and if you go to the link for the page, you’ll see that essential information is just below the fold). It was easy to get to where you wanted to go, there were no endless lists, and they gave you the facts you needed. It had what you wanted. In the new version, you scroll, scroll, and keep scrolling. There’s a lot of space, not a lot of curated information, and it’s really hard to find what you are looking for.

It’s not just the California page. One just has to go to Paris to find that Lonely Planet’s “top list” is never-ending. And the descriptions of attractions, restaurants, and bars are even less useful than what Google or Yelp offers. Here’s a description of the Prescription Cocktail Club in Paris (one of my favorites):

With bowler and flat-top hats as lampshades and a 1930s speakeasy New York air to the place, this cocktail club — run by the same mega-successful team as Experimental Cocktail Club (ECC) — is very Parisian-cool. Getting past the doorman can be tough, but once in, it’s friendliness and old-fashioned cocktails all round.

That basic information doesn’t really tell me much about the décor, ambiance, or incredible drinks: the cucumber water you get when you sit down, exposed brick walls and dark wood bar, the jazz music, or the inventive cocktails. (Also, there’s no doorman. That’s simply wrong.) I’d take a Yelp review over the above any day.

When I was searching for things to do in Lyon, it was so difficult to find basic information (again, it’s just endless lists) and suggestions that I just gave up and consulted Yelp and blogs. These sites were better organized, gave me a curated list of places, and provided more detailed descriptions.

So what is the matter with Lonely Planet?

LP’s desire to be a “content company” is clear: the increased articles on the site that seem to exist to only drive page views, the sponsored content from the places (and companies) it reviews, the funneling of people from content to booking sites, the TripAdvisor–style listing of everything (more page views), and the plethora of ads that now litter the site. Additionally, the heavy emphasis on selling tours to destinations seems to go against the grain of independent travel that the company was founded on. You can tell the company has changed simply by what they focus their online content on.

We consumers go to travel blogs and guidebook companies because we want an expert to tell them what’s best. We want someone to distill it all down for them so we don’t have to do the work. It’s why we carry LP guides and not Condé Nast Traveler or Outside magazines on the road. Those are great for inspiration, but not on-the-ground information.

By losing that focus, trying (in my opinion) to appeal to everyone, and attempting to compete with sites like TripAdvisor (and even blogs to an extent), LP has lost what made it great.

I believe companies are better off when they have one thing they focus on. Andrew Carnegie once said, “ ‘Don’t put all your eggs in one basket’ is all wrong. I tell you, ‘Put all your eggs in one basket, and then watch that basket.’ ”

Lonely Planet should be a guidebook company. Being a guidebook company doesn’t mean you have to focus on physical books, but it means you focus on your one thing. Its shift from its singular mission to becoming a “digital content hub” means that it’s no longer unique — and when you are no longer unique, consumers have no reason to stay loyal. As Simon Sinek once said, “People don’t buy what you do, they buy why you do it.”

You used to know what the Lonely Planet brand meant and what they stood for. Now, I don’t know what the company stands for.

LP still is king because of its sheer size. It is the Microsoft of guidebook companies. Not one person I talked to had any loyalty to the brand anymore. They often bought the guides simply because there was no one else selling one to their destination.

I’ve been a loyal LP customer since 2005. Their guidebooks are all over this website. I still buy them. They are often the only game in town to where I want to go. But, lately, I’m not so sure about them anymore. I haven’t given up on them – but I’m getting closer to doing so. It’s hard to watch them morph into something so….forgettable.

So what’s the matter with Lonely Planet?

In short, just about everything.

* Zoolander reference: “What is this? A center for ants!” Ahhh, never gets old!

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