#samba performers in London

[londonsamba]

Www.bellydanceparty.com

[londonbellydance]

London Samba dancer Sandrine

Belly dancer in London for wedding entertainment or corporate entertainment www.bellydanceparty.com #londondance

Www.facebook.com/londonbellydancer

[londonsambadancer]

Samba dancer in Berkshire

www.BellydanceParty.com

www.facebook.com/londonbellydancer

[ofmdrecaps]

09/10-17/2024 Daily OFMD Recap Pt 2

TLDR; Taika Waititi; Ruibo Qian; Madeleine Sami; Samba Schutte; Leslie Jones; Rachel House; Minnie Driver; Rory Kinnear;

Part 1 / Part 3

== Taika Waititi ==

New shots of Taika and his fancy drinks keep popping up over on instagram!

Source: Taika Drink Instagram

The main hot news from Taika was all the fun he had at the 76th Annual Emmy Awards (for Reservation Dogs!)

Source: Indigenous.tv Instagram / Post 2

Source: Pope of the Bowery Instagram

And some not so amazing news... but if you hadn't heard already, Taika's new project, Time Bandits has been cancelled by Apple TV. What's worse is they did on Kal-El Tuck (Kevin in Time Bandit)'s birthday Sept 17th. Jerks. I dont know of any petition or campaign to renew efforts-- but if you do please let me know, I'd love to share!

Source: Deadline

== Ruibo Qian ==

Our brilliant Pirate Queen is still visiting China, and she is BRINGING the cat content, I love it.

Source: Ruibo's Instagram

== Madeleine Sami ==

Our darling Archie has so much going on! Deadloch S2 is being filmed in Darwin, and the gals are having a great time!

Not to mention more Double Parked Episodes!

Source: PrimeVideoAuNZ Instagram

== Samba Schutte ==

Samba's new movie, Advanced Chemistry is making it's way around the country! Alec Moore, writer, producer of the movie is spreading the word-- wanna see if there are showings available near you? Check out their website!

Source: Alec Moore's Instagram

Did anyone get to go see Advanced Chemistry in LA?

How was the Q & A ?

Source: Samba's Instagram

Oh and GUESS WHO'S BACK with more Crew For Life Merch and Cooking classes! Wanna get in on them? ShopStands!

Source: Samba's Instagram

== Leslie Jones ==

Leslie's is back out giving the LA Sparks some love!

Source: Leslie Jones Instagram

== Rachel House ==

The Toronto International Film Festival (TIFF) ended on the 15th, but we're still getting some cute shots of her, friends, and the cast of her new directorial movie Te Maunga (The Mountain)! Our Mary Reed really shined at the Festival!

Source: Rachel House's Instagram

== Minnie Driver ==

With everything going on with Mary, how could we forget our beloved Anne Bonny? Minnie's out here looking cute.

AND she and Rory Kinnear (The Badminton Twins) are going to be in the performance of White Rabbit Red Rabbit in Soho Place London in November! Thank you so much to our friends over at @adoptourcrew for keeping us appraised! Want to learn more? Visit White Rabbit Red Rabbit.

Source: Adopt Our Crew's Twitter

Continued in Part 3!

[redglasssky]

Samba performers in London and throughout the UK. www.corporate-entertainment.club

[exactlysuperpanda]

Extraordinary New Year Celebrations Across the Globe: A Comprehensive Journey

In the fascinating tapestry of global traditions, the different new year celebrations around the world offer a captivating and diverse glimpse into the multitude of cultures and customs that color our planet. As we stand on the threshold of a new year, this article takes you on an extended and immersive journey, exploring in detail the rich and unique festivities that define new year celebrations worldwide.

The Spectacle of Fireworks: Sydney, Australia

As the clock strikes midnight, the vibrant city of Sydney, Australia, undergoes a stunning transformation into a captivating spectacle of lights and colors. The iconic Sydney Harbour Bridge and the Opera House become the stage for one of the most breathtaking fireworks displays globally. The New Year's Eve fireworks in Sydney are not merely a visual feast; they are a symphony of pyrotechnic artistry that paints the night sky in a breathtaking array of hues. Drawing millions of spectators both on-site and through live broadcasts, the sheer scale and creativity of the fireworks make Sydney a premier global destination for welcoming the new year in style.

Time-Honored Traditions: Tokyo, Japan

In the heart of Tokyo, the arrival of the new year is heralded by the resonant ringing of temple bells, echoing across the city and marking the transition from the old to the new. Japan, with its deep cultural roots, embraces the new year with a harmonious blend of ancient traditions and modern customs. Hatsumode, the first shrine visit of the year, stands as a cherished tradition. Families gather to seek blessings, make offerings, and pray for prosperity in the coming year. The streets adorned with colorful decorations create a festive atmosphere, and the entire city radiates a serene ambiance as people joyously partake in traditional rituals and celebrations.

Extravaganza on the Streets: Rio de Janeiro, Brazil

In Rio de Janeiro, the new year unfolds in a rhythm of samba beats and the energetic pulse of drums, setting the stage for an electrifying street party. Copacabana Beach becomes a pulsating sea of revelers, dressed in white to symbolize peace and renewal. Reveillon, the Brazilian New Year's Eve celebration, is a sensory explosion. The night sky comes alive with a spectacular display of fireworks, illuminating the beach and cityscape. Music fills the air as locals and tourists alike join together to dance and celebrate under the stars. This vibrant extravaganza is a testament to the infectious energy that defines Rio de Janeiro's new year festivities.

A Royal Affair: London, United Kingdom

In the heart of London, iconic landmarks such as Big Ben and the historic Tower Bridge serve as the backdrop for a regal celebration that exudes sophistication and style. The British capital welcomes the new year with a blend of tradition and contemporary flair. The New Year's Day Parade in London is a grand showcase of creativity and historical significance. Colorful floats, marching bands, and captivating performances wind their way through the city streets, captivating audiences along the route. The seamless blend of history and contemporary flair makes London's celebration a globally recognized affair, drawing visitors from around the world.

Dancing Lights: Reykjavik, Iceland

In the northernmost capital of the world, Reykjavik, the arrival of the new year is marked by a spectacular display of the Northern Lights. As the skies dance with vibrant hues, locals gather to celebrate the magic of the Arctic night. Iceland's New Year's Eve tradition involves a unique twist – a sky illuminated not by the traditional fireworks but by the natural phenomenon of the Aurora Borealis. Bonfires dot the landscape, creating a warm contrast to the cold winter night. It's a celebration that reflects the beauty and wonder of Iceland's natural surroundings, making it a truly enchanting experience for both locals and visitors alike.

New Year's Celebrations Around the World: A Global Tapestry

As we traverse the globe through the lens of different new year celebrations around the world, a nuanced and intricate tapestry of cultural diversity unfolds. Each locale adds its own unique chapter to the global narrative of new beginnings. From the grandeur of Sydney's fireworks to the intimate traditions of Tokyo, and the rhythmic celebrations in Rio de Janeiro to the regal affair in London, the world welcomes the new year in a myriad of ways. It is within this diversity that we find inspiration and shared joy, uniting humanity as we collectively step into the promise of a new year.

Embracing Cultural Diversity

The diversity of new year celebrations worldwide serves as a testament to the richness of global cultures. It is a reminder that, despite our differences, there are universal themes of joy, renewal, and hope that connect us all. These celebrations offer a unique opportunity to learn from one another, fostering a deeper understanding and appreciation for the cultural nuances that make each tradition special.

Reflection on Global Unity

As the clock strikes midnight in each corner of the world, we are reminded of the shared human experience that transcends borders. The celebrations may vary, but the essence of bidding farewell to the old and embracing the new is a universal sentiment that binds us together.

The Significance of Rituals

In exploring different new year celebrations around the world, it becomes evident that rituals play a pivotal role in anchoring these festivities. Whether it's the sacred Hatsumode in Tokyo or the lively Reveillon in Rio de Janeiro, rituals connect people to their roots, offering a sense of continuity and tradition in the face of a rapidly changing world.

Looking Forward: Global Inspiration

As we delve into the intricacies of these celebrations, we find ourselves not only celebrating the diversity of cultures but also drawing inspiration for our own lives. The global tapestry of new year celebrations becomes a source of creative ideas, fostering a sense of openness and appreciation for the myriad ways people express joy and anticipation.

Conclusion

In conclusion, this comprehensive exploration of different new year celebrations around the world invites us to appreciate the richness and diversity that defines our global community. From the grand festivities in Sydney to the tranquil traditions in Tokyo, the rhythmic revelry in Rio de Janeiro, the regal celebrations in London, and the enchanting lights in Reykjavik, each destination offers a unique lens through which we can view the world's collective celebration of new beginnings. As we stand on the cusp of a new year, let us embrace the cultural tapestry that unites us and find inspiration in the shared joy that transcends borders. The world welcomes the new year in a myriad of ways, each celebration contributing to the global narrative of hope, renewal, and the promise of a brighter future. Read the full article

[xtruss]

Photography! Rubbish Fashion: Street Art Costumes Of Kinshasa – In Pictures

In his series Fulu Act, Brussels-based documentary photographer Colin Delfosse captures street artists in Kinshasa, who craft striking costumes out of everyday objects found littering the streets, such as discarded wigs, wires, soda cans and bottle lids, to raise awareness of environmental issues facing the Democratic Republic of the Congo. “The statement behind their costumes is to condemn and inform about overconsumption and its side effects, namely pollution, poverty, lack of reliable investments and so on,” says Delfosse. “By capturing these images, I’m giving an echo to their crucial work.”

Colin Delfosse is shortlisted in the Sony world photography awards 2023. An exhibition of the photographs is at Somerset House, London, 14 April-1 May

Congolese Artist Nada Thsibwabwa posing in his mobile phone costume in Matongé district, Kinshasa. Thirty per cent of coltan, a key mineral for smartphone production, comes from the DRC. Yet every new smartphone has to be imported to the DRC at high cost. Kinshasa is a big market for secondhand phones from all ever the world. In Matongé, a whole market is dedicated to repairing old phones.

Congolese artist Hemock Kilomboshi posing in his rubber costume in Matonge district, Kinshasa. A member of the Kinact platform, Kilomboshi performs in Kinshasa’s streets to raise issues about globalisation and economic plunder in the DRC.

Congolese artist Jean Precy Numbi Samba, AKA Robot Kimbalambala, pictured in his costume made of car spare parts in the Ngiri-Ngiri district, Kinshasa, December 2019. The car market in the capital’s suburbs is mostly made of highly polluting secondhand (or thirdhand) vehicles from Europe.

Junior Lohaka Tshonga in his Bolole Nkemi (‘I’m the idiot’) costume. Junior Is a painter and performer trained at the Academy of Fine Arts in Kinshasa. For several years the artist has been working on the theme of plastic, recycling plastic bottles found in the rivers of Kinshasa.

Abdoulaye Kinzonzi Kiakanda posing in his plastic water bag costume in Selembao district, Kinshasa. In Kinshasa and throughout the country, itinerant street vendors sell sachets of drinking water. Once used, these bags are thrown on the ground, causing mountains of waste. Abdoulaye recycled them into a suit.

Falonne Mambu posing in her electric wires costume in Limete district, Kinshasa. As a performing artist, she raises issues about social development in her own country. The Democratic Republic of the Congo is potentially the biggest electricity provider in sub-Saharan Africa. Unfortunately, decay and corruption have crippled the national Inga dam, which only works to the minimum of its capacity. Nowadays, only 19% of Congolese people have access to electricity.

Artist Junior Lohaka Tshonga posing in his spacesuit in Kinshasa. His suit is a metaphor for protection against ambient pollution in the city – a way to protect the body from toxic materials.

Congolese artist Florian Sinanduku posing in his pill costume in Selembao district. ‘In Kinshasa, and in the whole country, finding medicine is still a big issue. You never know where it comes from and what it is made of. You can find pills everywhere, but most of them are coming from China, and came here without any control,’ says Sinanduku.

[the-vertical-woman]

SanDrine belly dance and samba teacher performer

www.BellydanceParty.com

www.SandrineAnterrion.com

[lokiondisneyplus]

Natalie Holt's timeline was turned upside down last fall when she landed the highly-coveted composer gig for Marvel Studios' Loki series on Disney+.

"My agent got a general call-out looking for a composer on a Marvel project," she tells SYFY WIRE during a conversation over Zoom. "So, I didn’t know what it was. It was [described as] spacey and quite epic ... I sent in my show reel and then got an interview and got sent the script and then I realized what it was for. I was like, ‘Oh my god!’ It was amazing ... Loki was already one of my favorite characters, so I was really stoked to get to give him a theme and flesh him out in this way."

***WARNING! The following contains certain plot spoilers for the first four episodes of Loki!***

Imbued with glorious purpose, Holt knew the score had to match the show's gonzo premise about the Time Variance Authority, an organization that secretly watches over and manages every single timeline across the Marvel multiverse. The proposition of such an out-there sci-fi concept inspired the composer to bring in uniquely strange sounds, courtesy of synthesizers and a theremin.

"I got my friend, Charlie Draper, to play the theremin on my pitch that I had to do," she recalls. "They gave me a scene to score, which I’m sure they gave to loads of other composers. It was the Time Theater sequence in Episode 1. The bit from where he goes up the elevator and then into the Time Theater ... I just went to town on it and I wanted to impress them and win the job and put as many unusual sounds in there and make it as unique as possible."

The end result was a weird, borderline unnatural sound that wouldn't have felt out of place in a 1950s sci-fi B-movie about big-headed alien invaders. Rather than being turned off by Holt's avant garde ideas, Marvel Studios head honcho Kevin Feige embraced them, only giving the composer a single piece of feedback: "Push it further."

Holt admits that she was slightly influenced by Thor: Ragnarok ("I loved the score for it and everything"), which wasn't afraid to lean into the wild, Jack Kirby-created ideas floating around Marvel's cosmic locales. Director Taika Waititi's colorful and bombastic set pieces were perfectly complimented by an '80s-inspired score concocted by Devo co-founder, Mark Mothersbaugh.

"To be honest, I tried not to listen to it on its own," Holt says of the Ragnarok soundtrack. "I didn’t want to be too influenced by it. I watched the film a couple of times a few years ago, so yeah, I don’t think I was heavily referencing it. But I definitely had a memory of it in my mind."

After boarding Loki last September, Holt spent the next six months (mostly in lockdown) crafting a soundtrack that would perfectly reflect the titular god of mischief played by Tom Hiddleston. One of the first things she came up with was the project's main theme — a slightly foreboding cue that pays homage to the temporal nature of the TVA, as well as the main character's flair for the dramatic. "He always does things with a lot of panache and flair, and he’s very classical in his delivery."

She describes it as an "over-the-top grand theme with these ornate flourishes" that plays nicely with Loki's Shakespearean aura. "I wanted those ornaments and grand gestures in what I was doing. Then I also wanted to reflect that slightly analog world of the TVA where everything has lots of knobs and buttons ... [I wanted to] give it that slightly grainy, faded [and] vintage-y sci-fi sound as well."

"I just wanted it to feel like it had this might and weight — like there was something almost like a requiem about it," Holt continues. "These chords that are really powerful and strident and then they’ve got this blinking [sound] over the top. I just came up with that when I was walking down the street and I hummed it into my phone. There’s a video where you can just see up my nose and I’m humming [the theme]. I came home and I played it."

As a classically-trained musician, Holt drew on her love of Mahler, Dvořák, Beethoven, Mozart, and most importantly, Wagner. A rather fitting decision, given that an actual Valkyrie (played by Tessa Thompson) exists within the confines of the MCU.

"I would say those flourishes over the top of the Loki theme are very much Wagner," Holt says. "They’re like 'Ride of the Valkyries.’ I wanted people to kind of recall those big, classical, bombastic pieces and I wanted to give that weight to Loki’s character. That was very much a conscious decision to root it in classical harmony and classical writing ... There’s a touch of the divine to the TVA. It’s in charge of everything, so that’s why those big powerful chords [are there]. I wanted people almost to be knocked off their socks when they heard it."

With the main theme in place, Holt could then play around with it in different styles, depending on the show's different narrative needs. Two prime examples are on display in the very first episode during Miss Minutes' introductory video and the flashback that reveals Loki to be the elusive D.B. Cooper.

"What was really fun was [with] each episode, I got to pull it away and do a samba version of the theme or do a kind of ‘50s sci-fi version of the theme," she explains. "I can’t say other versions of the theme because they’re in Episode 5 and 6…or like when Mobius is pruned, I did this really heartfelt and very emotional [take on the theme] when you see Loki tearing up as he’s going down in slow motion down that corridor. It was cool to have the opportunity to try out so many different styles and genres. And it was big enough to take it all. It was a big enough story."

The other side of the story speaks to the old world grandeur of Loki's royal upbringing on Asgard, a city amongst the stars that eventually found its way into Norse mythology.

"I went to a concert in London three years ago and I heard these Norwegian musicians playing in this group called the Lodestar Trio," Holt recalls. "They do a take on Bach, where they’re kind of giving it a folk-y twist … [They use] a nyckelharpa and a Hardanger fiddle — they’re two historic Norwegian folk instruments. I just remembered that sound and I was like, ‘Oh, I have to use those guys in our score.’ It seemed like the perfect thing. I was like, ‘Yes, the North/Norwegian folk instruments.’ It just felt like it was the perfect thing for his mother and Asgard and his origins."

That folk-inspired sound also helped shape the music for Sylvie (played by Sophia Di Martino), a female variant of Loki with a rather tragic past. "Obviously, we’ve seen in Episode 4 what happened to her as a child," Holt says. "I just feel like she’s so dark. She’s basically grown up living in apocalypses, so she has that Norwegian folk violin sound, but her theme is incredibly dark and menacing and also, you don’t see her. She’s just this dark figure who’s murdering people for a while."

And then there were all the core members of the TVA to contend with. As Holt mentioned above, fans recently lost Agent Mobius (Owen Wilson), may he rest in prune. We mean peace. What? Too soon? During a recent interview with SYFY WIRE, Loki head writer Michael Waldron said that he based Mobius off of Tom Hanks's dogged FBI agent Carl Hanratty in 2002's Catch Me If You Can.

"There’s this thing that he loves jet ski magazines," Holt says. "I had this character in my head and then when I saw Owen Wilson’s performance, I was like, ‘Oh, he’s actually a lot lighter and he plays it in a different way from how I’d imagined.’ But I was listening to Bon Jovi and those slightly rock-y anthemic things. ‘90s rock music for some reason was my Mobius sound palette."

Mobius is pruned on the orders of his longtime friend, Ravonna Renslayer (Gugu Mbatha-Raw), after learning that everyone who works for the TVA is a variant who was unceremoniously plucked out of their original timelines. A high-ranking member of the quantum-based agency, Renslayer has a theme that "is quite tied in with Mobius and it’s like a high organ," Holt adds. "It doesn’t quite know where it’s going yet. But yeah, we’ll have to see what happens with that one."

Wilson's character isn't the only person fed up with the TVA's lies. Hunter B-15 (Wunmi Mosaku) also became disillusioned with the place and allowed Sylvie to escape in the most recent episode

"Hunter B-15 has this moment in Episode 4 where Sylvie shows her her past, her memories. I thought that was a really powerful moment for her," Holt says. I feel like she’s such a fighter and when she comes into the Time-Keepers and she makes that decision, like, ‘I’m switching sides,’ so her theme is more like a drum rhythm. I actually kind of sampled my voice and you can hear that with the drums. I did loads of layers of it, just like this horrible sliding sound with this driving rhythm underneath it. So, that was B-15 and then her softer side when she has her memory given back to her."

Speaking of the Time-Keepers, we finally got to meet the creators of the Sacred Timeline...or at least we thought we did. Loki and Sylvie are shocked to learn that the red-eyed guardians of reality are nothing but a trio of high-end animatronics (ones that could probably be taken out by a raging Nicolas Cage). Even before Sylvie manages to behead one of them, something definitely feels off with the Time-Keepers, which meant Holt could underscore the uncanny valley feeling in the score.

"When they walked in for their audience with the Time-Keepers, it was like this huge gravitas," she says. "But you look up and there’s something a bit wrong about them. I don’t know if you felt that or if you just totally believed. You were like, ‘Oh, this is so strange.’ I just felt like there was something a little bit off and musically, it was fun to play around with that."

Holt is only the second solo female composer to work on an MCU project, following in the footsteps of Captain Marvel's Pinar Toprak. Her involvement with Loki represents the studio's growing commitment to diversity, both in front of and behind the camera. This Friday will see the wide release of Black Widow, the first Marvel film to be helmed solely by a woman (Cate Shortland). Four months after that, Chloé Zhao's Eternals will introduce the MCU's first openly gay character into the MCU.

"I just feel like it’s an honor and a privilege to have had that chance to be the second woman to score a thing in the MCU and to be in the same league as those incredible composers like Mothersbaugh and Alan Silvestri. They're just legends," Holt says. "Another distinctive thing about [the show] is that all the heads of department are pretty much women. Marvel are showing themselves to be really progressive and supportive and encouraging. I applaud [them]. Whatever they’re doing seems to be working and people seem to be liking it as well, so that’s awesome."

Holt's score for Vol. 1 of Loki (aka Episodes 1-3) are now streaming on every music-based platform you could think of. Episodes 1-4 are available to watch on Disney+ for subscribers. Episode 5 (the show's penultimate installment) debuts on the platform this coming Wednesday, July 7.

Natalie isn't able to give up any plot spoilers for the next two episodes (no surprise there), but does tease "the use of a big choir" in one of them. "Episode 6, I’m excited for people to hear it," she concludes. "That’s all I can say."

[londonsamba]

Fitness belly dance Samba performer in London

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[londonbellydance]

London samba dancers Brazilian performers party entertainment 

www.Entertainers.RedGlassSky.com

www.RedGlassSky.com

Wedding entertainment

Corporate events

[londonsambadancer]

Wedding entertainment and hen party ideas, London, Essex and Brighton

Www.bellydanceparty.com

[ofmdrecaps]

09/29-30/2024 Daily OFMD Recap

TLDR; David Jenkins/More Honking; Taika Waititi; Samba Schutte; Kristian Nairn; Nathan Foad; OFMD Rewind; Fan Spotlight: Our Flag Mean Fanfiction Podcast / Never Left Podcast; Love Notes; Daily Darby/Tonight's Taika;

Hey crew! In the essence of I'm gonna keep this fairly short and pick some back up in 10/1. Still spending quite a lot of time with my dad at the hospital (he is slowly recovering! but it's taking a lot of time to drive to and from and also work).

== David Jenkins ==

Well Chaos Dad is back causing a mass honking across the internet today. He found some lovely ass-work in queens and decided to post about it! OFMD Insta however apparently really got on him because he made an edit saying he had to add "#asstonight". Yall are the best.

Source: David's Instagram

So, one thing to note is that there's quite a lot of clowning around this because of the song David chose to use: "Angela" which was the theme song for "Taxi". @adoptourcrew pointed out that not only was Taxi picked up by another network, but that Sept 30 was the day Taxi Premiered on NBC after it'd been picked up. Just something more to clown about for you!

Source: Adopt Our Crew's Twitter

Well and something else AOC wanted us to think about was:

Source: @adoptourcrew's Twitter

As usual, some of our besties decided to join in the fun of #asstonight. Astroglide and Hugo Pierre Martin <3

Source: Astroglide Twitter

Source: HPM's Twitter

== Taika Waititi ==

On Sept 29, Taika joined thousands of folks out at Edens Park NZ to participate in the largest mass Haka on the home soil of AoNZ. He was joined by friend Conan O'Brian, and the Haka broke the world record!

Source: EdenParkNZ Instagram / Conan O Brien's Twitter

Source: CNN Travel

Source: RNZ

== Nathan Foad ==

Just some Instagram Stories to keep us all from missing Nathan too much <3 Have I mentioned I love this man?

Source: Nathan's Instagram Stories == Kristian Nairn ==

Kristian's in London 3 Oct at Forbidden Planet! Come get your copy signed if you have a chance! Anyone get theirs signed yet?

Source: Kristian Nairn's Instagram Stories

Kristian was featured in METRO about his first drag performance!

== Samba Schutte ==

Reminder! Samba is going to be at the Theatre Of Hearts - Youth First Comedy Night happening October 5th in Hollywood CA!

Source: Instagram

Also, Samba chose violence yesterday and posted this mouth-watering dessert, that David and Rhys seem to be admiring <3

Source: Samba's Instagram

Is that a new trailer for the Advanced Chemistry movie I see?

Source: Good Deed Entertainment Also -- Sept 30th was Samba's wife, Aria's birthday! Happy birthday dear!

Source: Instagram

== OFMD REWIND CONT'd ==

Source: Adopt Our Crew Instagram

== Fan Spotlight ==

= Our Flag Means FanFiction =

New Episode of Our Flag Means Fanfiction! This time featuring 'The Kissing Game' by veeagainst read by littlefingies! Check it out on your favorite podcast platform!

Source: OFMFF Instagram

= Never Left Podcast =

Also-- it's podcast day, new episode of Never Left! Visit their linktree for the best ways to listen!

Source: Never Left Podcast Instagram

== Love Notes ==

Hey there lovelies! Happy start to the week! It's officially October as of the day I'm posting this! Welcome to spooky season! I know things have been... a bit stressful in the fandom lately. I know everyone has feelings about different things, and I'm purposefully being vague because I don't want anyone to feel called out.

Whatever happens, whatever frustrations we have with one another crew, remember that that's how families operate. Even the best of friends or families have times of not understanding or agreeing with one another. That doesn't mean you should "put up with it" but just know that it's something that happens regularly, ok? Whatever you nee, and it doesn't have to be permanent, just do things to help you feel comfortable. Not sure how you feel and wanna talk about it? Reach out to friend over DM. We all have our own ways of processing things, and I know there are plenty of people who are willing to talk. I'd like to delve more into this but I'm pretty swamped.

Sending love crew, it's gonna be okay <3

== Daily Darby / Today's Taika ==

I'm late, so it's no longer Murray Monday-- but it IS Taika Tuesday so enjoy some smiles from our guys! Gifs Courtesy of @celluloidbroomcloset and @darkinerry!

[dream-a-little-bigger-x]

5SOS Masterlist

I Can Make You Feel Like a King

You and Calum attend the same award show as you and the band were both nominated for an award and you had to perform your hit single with David Guetta. And someone might like it a little more than anyone else…

What Was Our Life Even Before That? | I Want A Sister (Part Two)

When Calum tucks Kaea, his and Y/N’s four-year-old daughter into bed, she wants to hear the story about how her parents met. It brings a lot of old memories to Calum’s mind and he reminisces with his wife, coming to the conclusion that life was better with their little angel.

Part two:  Kaea is five years old when Y/N finds out she’s pregnant again. Another tiny Hood will be occupying their already busy schedules. They want to tell their friends and family and Calum’s managers immediately. But more importantly how are they going to break it to their little Princess Kaea?

Because I Had You

You and Calum had been broken up for quite a while now and even though you both tried to move on, neither of you could ever love anyone else because you’ve had each other…

Stripped From Safety

When a stranger breaks into the house while Y/N is asleep and it triggers Calum’s security system, he immediately calls his girlfriend. It takes a couple times before she wakes up from the ringing, but once she does, it’s bound to become the most terrifying night of her life.

Nervous

Calum feels nervous around you. 

Damn, You Really Are Hot

You’re ill on a day you and Calum would finally be able to do something together. You think this is ruining everything, but your fever does not stand in the way of Calum spending time with you and taking care of you.

There’s A Jack Barakat On Your Couch

While the boys are filming the cocktail chats, they start inviting people to come over. At the end of the night, it’s become a whole-ass houseparty with people you thought you’d never meet.

Don’t Take It Personal | Part One - Part Two

Calum saw you and he immediately had to come up to you and talk. He offered you a drink, but you declined kindly as you were seeing someone. He never gave up, hoping he’d be able to get a shot. Because personally, he thinks he’d be a better fit for her.

Part two:  Calum and Y/N have been spending a lot of time together, becoming closer. One day, Jake comes along for a coffee and it causes Calum to explode.

You’re My Nicotine

You and Cal had been dating for a good six months now. You made one another happier and better, and tried to help with whatever the other needed help with. The only thing you haven’t been able to do is help him stop smoking. So, when you find him smoking a cigarette after the show, you decide to punish him, much to his dismay.

What Are You Doing, Baby?

Calum gets all touchy and clingy when you’re out with the boys in L.A.

I’m Always Gonna Want You Back | Part One - Part Two

You and Calum broke up weeks ago, but Calum isn’t over you yet. 

Part two:  Calum and Y/N bump into each other after six months of being apart. They decide to have a chat after Calum’s show and talk things out.

Burnt too bright

Based of Babylon by 5SOS -- You and Calum’s relationship was burning out. 

Valentine | Stoner!Calum

Valentine’s day was your most hated holiday until you started dating Calum. 

A Fall-Day Inside | Fall Series

You’ve always decorated your room when you lived back at home the second September started. So, when you live in your own flat, you want to do the same. When Calum comes to surprise you in London, you think it might not happen until Calum suggests you show him the perfect fall-day inside.

Você está se juntando à turma? | Foreigner!Series

This was supposed to be a nice outing at the pub with his buddy, but when Calum passes the small room near the back of the pub where a samba class is going on, he couldn’t help but stop and stare.

Harikasın | Foreigner!Series

Calum meets your parents for the first time, but they don’t speak much English…

I Hope You Mean The Ocean  | Foreigner!Series

5SOS has come to Mexico, Y/N’s country, where she was born and raised. They have been there quite a few times on tour, but when Y/N invites them over for a nice, relaxing vacation on their month off, they see the country in a whole different way.

What Does Chikna Mean? | Foreigner!Series

You and Calum have been dating for a while now and you decide it’d be just perfect to take him to your cousin’s wedding to introduce him to your entire family. It brings you and Calum closer as he starts to understand your ancestry

Esas Son Mamadas | Foreigner!Series

Y/N gets drunk and forgets Calum doesn’t speak Spanish. This causes for some hilarious situations.

Illuminateurs et Bagues | Foreigner!Series

One night when you’re helping Calum to get ready for a show, he asks you what some things are in French. Things take an unexpected turn.

The Don’t-Take-Dates-Home-After-The-First-Date-Policy | Foreigner!Series

When you are on your first date with Calum, he asks you about your country and wants to know everything from the languages you speak, to the weather and the people. He wants to know everything.

A Kiss From Oma Toert | Foreigner!Series

Y/N is a Belgian YouTuber and when her viewers find out she’s dating the world’s beloved bass player Calum Hood, they tell her to teach him some Dutch words on her channel.

Küss Mich, Eichhörnchen | Foreigner!Series

Y/N is perfectly bilingual, but sometimes when talking to her boyfriend, Calum, she forgets an English word and uses a German one instead. Which causes the most hilarious situations sometimes.

Were You Scared? | Cop!Series

While Christmas shopping, Calum is held hostage by a perp and the LAPD is on the scene, trying to negotiate with him. However, Y/N being a cop and being Calum’s girlfriend, isn’t allowed to help and can only watch from the sidelines how her boyfriend is put in a very dangerous situation.

One-way Ticket To Jail | Cop!Series

Calum Hood has got himself arrested and now has to face his cop girlfriend and explain what happened. Now it’s her choice to bail him out or let him rot in jail.

Show Me Going | Cop!Series

Calum and Y/N have been a couple for over three years. They live together, breathe together, are busy together. When Calum is done in the studio one day, he goes to pick up Y/N at the station for lunch, but when the whole squad is huddled over a police scanner, some scary news is being brought upon them.

“Roger That” | Cop!Series

Debriefing about your day with Calum.

Not Me?! | Text Au

You’re in a really bad mood and text your boyfriend for pictures to cheer you up. 

Not After You Betrayed Me Like That | Text Au

You text your boyfriend when you find out he’s watched your favorite show without you. 

Sweatshirts and Cuddles | Fall Series

It’s the coldest it’s ever been since the hot summer you had, and you’re freezing, when you go to put on a sweatshirt, you find yourself tempted to take one that isn’t yours.

My Little Croissant | Foreigner!Series

Y/N is studying for her finals when Luke visits her on his break in France. He tries his hardest not to disturb her, but when she starts cursing, he decides to step in.

Exhilirating Love | Hogwarts!Au

Luke and Y/N are hogwarts’ king and queen when it comes to people being hella scared of them. They practically rule the school, just by scaring every single student. They like to make fun of Grifyndor students mostly. Especially two named Calum and Ashton. But one night, everything goes a little too far.

Not You, Piggy 

You had a terrible week, and all you want to do Friday night is cuddle up on the sofa with your boyfriend Luke. But when you come home to a house filled with your best friends, plans change. Or do they?

The Tea Is Wet | Foreigner!Series

Michael is on tour in Ireland with his band 5 Seconds of Summer when he meets Y/N. Her accent and her absolute beauty is what lures him in to ask her out on a date.

Fryst Yoghurt | Foreigner!Series

Michael hears his girlfriend Y/N talk to her parents on the phone and gets intruiged by the language she speaks. He asks her to teach him a few words.

Encantada De Conocerte, Señor y Señorita | Foreigner!Series

It’s the first time you ever introduce your boyfriend to your parents. It’s going a whole lot better than you expected.

Voulez-vous Couchez Avec Moi, Ce Soir?  | Foreigner!Series

Y/N and Ashton have been on a few dates, and it feels like it’s getting serious. When on their fifth date, Ashton finds out she’s French and it takes their relationship to a whole new level.

Ti Amo, Polpetta | Foreigner!Series

Y/N takes her boyfriend to a family party in Italy for the very first time. He had met your mom once when she came to visit him with you in LA once and your dad when he was in Italy with the band. But now he has to meet your WHOLE family and it’s not quite what he thought it would be.

¡Gilipollas! | Foreigner!Series

You’re working and something’s not going right, turning Ashton on a little as you swear in your native language.

// Currently not writing for 5SOS //

[steamworksandshadows]

Extremely Large Pile of Halloween Music Recs, 2020 Update!

(Reorganized a bit, and with a whole bunch more songs.)

Classical

Come Little Children - Erutan (ethereal classical)

Transylvanian Lullaby - Erutan (ethereal classical)

Transylvanian Lullaby - City of Prague Philharmonic Orchestra (orchestral classical)

A History of Horror (album) - City of Prague Philharmonic Orchestra 

Double Trouble - City of Prague Philharmonic Orchestra (classical)

Carnival of the Animals: Aquarium - Camille Saint-Saens (eerie classical)

Danse Macabre - Camille Saint Saens (dark classical ballet)

Uranus, the Magician - Gustav Holst (orchestral classical)

The Sorcerer’s Apprentice - Paul Dukas (orchestral classical)

Night on Bald Mountain - Modest Mussorgsky (orchestral classical about witches)

In the Hall of the Mountain King - Edvard Grieg (classical)

Dies Irae - Mozart (threatening choral/orchestral classical)

Don Giovanni, a cenar teco - Mozart (growly baritone/bass opera - the bit where Don Giovanni gets dragged to hell, both in the supernatural religious sense and in the modern internet slang sense)

Toccata and Fugue in D Minor - Bach (classical pipe organ)

String Quartet No. 8 in C Minor (III) - Shostakovich (classical string quartet)

Dance of the Knights - Sergei Prokofiev (classical)

Flowering Vines - Unwoman (ominous cello waltz)

The Carny of Mr Dark - Deathwatch Beetle Repairman (goth pipe organ)

Castlevania organ medley - Ulla Olsson (pipe organ)

This Is Halloween - Vitamin String Quartet (classical string quartet)

Vitamin String Quartet Performs The Nightmare Before Christmas (album)

The Vampire Masquerade - Peter Gundry (classical)

Waltz of the Bone King - Peter Gundry (classical)

Masquerade Suite: Waltz - Aram Khatchaturian (dark classical waltz)

The Comedians, Op. 26: Waltz - Kabalevsky (uneasy classical waltz)

Grim Grinning Ghosts - Myuu (instrumental piano)

Rock, alternative, rockabilly

Haunted - Ashcan Orchid (folk rock)

The Last Steampunk Waltz - Ghostfire (rock waltz)

Bad Moon Rising - Rasputina (cello metal)

In the Hall of the Mountain King - Apocalyptica (metal cello)

Get Your Kicks on Route 666 - Exdevils (metal)

Shoot The Zombies - Andrew Huang / Songs To Wear Pants To (sing-along folk)

Something Wicked That Way Went - Vernian Process (circus rock)

Dark Carnivale - Frenchy and the Punk (indie rock)

Come Alive (War Of The Roses) - Janelle Monae (rock)

Gallows - Coco Rosie (goth indie/alternative)

My Favorite Things - Youn Sun Nah (creepy vocal)

Annabel Lee - Psyche Corporation (electronic alternative)

The Devil Wears a Suit - Kate Miller-Heidke (alternative)

Toxic - Yael Naim (neo-folk)

Crazy For You - Venus de Vilo (indie rock)

Witchy Woman - The Eagles (classic rock)

Goodnight Moon - Shivaree (alternative)

Bela Lugosi’s Dead - Nouvelle Vague (alternative)

Bloodletting (The Vampire Song) - Concrete Blonde (alternative)

Tombstone - Suzanne Vega (alternative)

Off With Your Head - Mz Ann Thropik (alternative)

Poison Apple - Charlene Kaye (rock)

This Is The Night - Harry Potter soundtrack (rock)

Look Out Young Son - Grand Ole Party (rock)

Painkiller - Birdeatsbaby (rock)

Haunted - Frantic Flintstones (rockabilly)

Freaked Out and Psyched Out - Frantic Flintstones (album)

Zombie Riot - Batmobile (rockabilly)

Alice in psycholand - Nekromantix (rockabilly)

She’s My Witch - The Radiacs (rockabilly)

Werewolf - Southern Culture on the Skids (rockabilly)

Human Fly - The Cramps (rockabilly)

Munster Beat! - Martinibomb and The Coconut Monkeyrocket (‘60s pop remix?)

Circus punk, dark cabaret

Charmed, I’m Sure - Circus Contraption (dark circus cabaret)

We’re All Mad - Circus Contraption (dark circus cabaret)

Pink Elephants on Parade - Circus Contraption (dark cabaret)

The Last Waltz - The Magnificent Seven (dark cabaret waltz)

Tango de la Muerte - The Magnificent Seven (rock tango)

Bloody Bones - Beats Antique (dark circus waltz)

Monster Tango - Mucca Pazza (circus punk marching band)

Rumanian Dance No. 1 - Mucca Pazza (circus punk marching band)

Mr. Spider Goes Home to Spiderland - Mucca Pazza (circus punk marching band)

The Trouble - Birdeatsbaby (dark cabaret)

Theatre Noir - Robyn Cage (dark cabaret) (music video)

Jekyll and Hyde - Theoretics (hip-hop)

Lament for a Toy Factory - Dr. Steel (circus rock)

Bogeyman Boogie - Dr. Steel (circus rock)

Circus Apocalypse - Vermillion Lies (dark cabaret)

When You’re Evil - Voltaire (dark cabaret)

BRAINS! - Voltaire (dark cabaret)

Careless Whisper (cover) - Unwoman (electronic cabaret)

Katrinah Josephina - Universal Hall Pass (a capella)

Buried in Water - Dead Man’s Bones (dark waltz)

Metropolitan Waltz - Orpheum Bell (folk waltz)

The Buccaneers’ Waltz - GurdyBird (electronic folk?)

Black Waltz - Amber Asylum (electronic circus thing)

Creepy Clown Symphony - Myuu (self-explanatory)

Americana, bluegrass, blues, soul, funk

In Hell I’ll Be In Good Company - The Dead South (Americana)

Stranger - The Devil Makes Three (Americana)

First and Last Waltz - Nickel Creek (Americana)

Ghosts of Mississippi - The Steeldrivers (bluegrass)

7 Devils - The Goddamn Gallows (bluegrass, rock)

Old devils - William Elliot Whitmore (bluegrass)

Death Come Creeping - Stefan Grossman (bluegrass)

The Devil Wears a Suit and Tie - Colter Wall (Americana)

Shankill Butchers - Sarah Jarosz (Americana)

Hellhound - Shawn James (acoustic blues)

Voodoo Woman - Koko Taylor (blues)

Your Hoodoo Man - Studebaker John & The Hawks (blues)

Voodoo - The Neville Brothers (New Orleans soul)

Voodoo - Jo Jo Zep & The Falcons (soul, funk)

The Witch Queen of New Orleans - Redbone (funk)

I Put a Spell on You - Screamin’ Jay Hawkins (rock ‘n roll)

Jazz, swing

In the Hall of the Mountain King - Duke Ellington (jazz)

I Put a Spell on You - Nina Simone (slow jazz)

I Put a Spell on You - Morgan James (slow jazz)

Old Devil Moon - Frank Sinatra (jazz)

Black Magic Woman - Janice Hagan and Kenny Vehkavaara (jazz)

I’d Rather Be Burned As A Witch - Eartha Kitt (jazz)

Thriller (1930s Jazz Cover) ft. Wayne Brady - Postmodern Jukebox (swing) (alternate link)

The Devil With The Devil - Larry Clinton Orchestra (swing)

Swingin’ at the Seance - Glenn Miller (big band swing)

Spooks - Louis Armstrong (swing)

The Headless Horseman - Bing Crosby (swing)

Skeleton Jangle - Dan Levinson’s Roof Garden Jass Band (swing)

Resurrection Waltz - Lee Presson and the Nails (big band waltz)

Spooky - Puppini Sisters (Andrews Sisters-style swing)

Headless Horseman - Kay Starr (swing)

Hell (Remastered 2016) - Squirrel Nut Zippers (swing)

Ghost of Stephen Foster - Squirrel Nut Zippers (swing)

Memphis Exorcism (Remastered 2016) - Squirrel Nut Zippers (swing)

Boogie Man - Lee Presson and the Nails (swing)

Rattlin’ Bones - Preservation Hall Jazz Band (New Orleans swing)

Save My Soul - Big Bad Voodoo Daddy (New Orleans swing)

Skeletons in the Closet - Louis Armstrong (swing)

Skeletons in the Closet - The Moon-Rays (swing)

The Mack - Beat Circus (swing - doesn’t seem very Halloween at first, until the tuba player gets murdered in the middle of the song. I swear it makes sense.)

Balrog Boogie - Diablo Swing Orchestra (swing)

Voodoo Mon Amour - Diablo Swing Orchestra (swing)

The House Is Haunted - Casa Loma Orchestra (swing)

Skeleton Jangle - Viva La Rocca (swing)

Two Little Men in a Flying Saucer - Ella Fitzgerald (swing)

Grim Grinning Ghosts - The Dapper Dans (barbershop)

Grim Grinning Ghosts - The Dapper Dans (in person) (barbershop)

Halloween Medley - The Cadaver Dans (barbershop)

Pop

Full Moon Tonight - Silvastone feat. Bellsaint (pop)

Demons - Hayley Kiyoko (pop)

Season of the Witch - Lana del Rey (pop)

A Little Wicked - Valerie Broussard (pop)

Halloween - Aqua (pop)

Sweet Dreams (Are Made Of This) - violin/cello/bass cover - Simply Three (electronic pop)

Shoot The Zombies (Pink Fluffy Unicorns Remix) - Andrew Huang (happy pop)

I Put a Spell on You (no movie dialogue) - Winifred Sanderson (pop musical)

Electro-swing

Fear & Delight - The Correspondents (electro-swing)

Midnight - Caravan Palace (electro-swing) (alternate link)

Midnight - Swingrowers (different electro-swing)

Old House - Dirty Honkers (electro-swing)

Devil’s Samba - Sim Gretina (Latin-flavored electro-swing)

Devil’s Got My Soul - Victor and the Bully (rock/electro-swing)

Cuphead: Railroad Wrath (Electro-Swing Remix) - The Musical Ghost (electro-swing)

Cuphead: One Hell of a Time (Electro-Swing Remix) - The Musical Ghost (electro-swing)

Bendy and the Ink Machine: The Devil’s Swing - Fandroid (electro-swing)

Bendy and the Ink Machine: The Devil’s Swing (Glitch-Swing Remix) - The Musical Ghost (glitch-swing)

Undertale: Spider Dance (Glitch-Swing Remix) - The Musical Ghost (glitch-swing)

Undertale: Spider Dance (Sim Gretina Remix) - Sim Gretina (funk/glitch/chiptune)

Luigi’s Mansion (Remix) - Qumu Music (chiptune, electro-swing)

Undertale: Ghost Fight & Dummy (Peggy Suave Swing Remix) - Sim Gretina (electro-swing)

Electronica, EDM

Backstreet Bones: Everycorpse - Sim Gretina (uhhh…spoopy Halloween EDM remix of Backstreet Boys? If you click on nothing else, click on this one. It’s very worth it, I promise.)

Macabre Rotting Girl Feat. Kathy-chan - Sim Gretina (adorable electro)

Sim Gretina feat. Kathy chan: Let The Monsters Free (µThunder Remix) - µThunder (EDM) 

Ghost in the Machine - PrototypeRaptor (complextro)

Spooky Tune - PrototypeRaptor (complextro)

Nullifcation [Underground] (Legend of Zelda remix) - PrototypeRaptor (grimy EDM)

Grim Grinning Ghost (Remix) - The Living Tombstone (EDM)

Undertale: Megalovania (Sim Gretina Remix) - Sim Gretina (EDM)

Undertale: Spooktune (Sim Gretina Remix) - Sim Gretina (EDM)

Spooky Scary Skeletons (Remix) - The Living Tombstone (EDM)

Warren Zevon: Werewolves of London (Daheen Rmx) - Daheen (psytrance)

Interlude: Limbo - Yoshimasu Kamiya (ambient horror)

Bloodstone - Amon Tobin (atmospheric glitch)

Volk - Thom Yorke (ambient horror)

The Horror - RJD2 (instrumental hip-hop)

Crybaby - Drum & Lace (indescribable brooding atmospheric)

The Kid Who Drowned At Summer Camp - Hot Sugar (instrumental hip-hop)

The Darkest Evening of the Year - Emancipator (downtempo)

Halloween Funtime REMIXMONSTRousMASHup - Pretty Lights (EDM)

HALLOWEEN Theme Song (DJ Deville Trap Remix) - DJ Deville (trap)

The Oogie Boogie (Man) - Duke Skellington (glitch-hop)

Stranger Things Theme Song (Michael Jobity & The Foreign Machine Remix) - Michael Jobity, The Foreign Machine (synthwave - my personal favorite remix of this theme)

Stranger Things Theme Song (C418 REMIX) - C418 (synthwave)

Stranger Things (Louis Futon Flip) - Louis Futon (chillstep)

Stranger Things Theme (Slicey Remix) - Slicey (trap)

Stranger Things - Theme Song (Oscar Wylde Trap Remix) - Oscar Wylde (trap)

Ghostbusters (Kill Paris Remix) - Kill Paris (EDM, future funk - by far my favorite remix of the Ghostbusters theme)

The Ghostbusters Theme (Remix) - The Living Tombstone (EDM)

Ghostbusters Remix - Matheo (EDM)

Ghostbusters Remix - Fat Noize (dubstep)

Lady Gaga: Monster (Starfuckers Remix) - Starfuckers (EDM)

Lady Gaga: Monster (Chew Fu Remix) - Chew Fu (electro-house)

Michael Jackson: Thriller (James Egbert Remix) - James Egbert (electro-house)

Michael Jackson - Thriller [The Reflex Halloween Disco Edit] - The Reflex (moody, indescribable IDM(?))

Beetlejuice (Dubstep Mix) - Figure (dubstep)

The Addams Family (Figure Remix) - Figure (dubstep)

Hedwig’s Theme (KE KRA’s Trap Remix) - KE KRA (trap)

Stress - Justice (French electronic…something)

Things I thought were funny

Werewolf Bar Mitzvah - 30 Rock (parody novelty record)

A Hard Days Night of the Living Dead - The Zombeatles (zombie rock)

Schüttel deinen Speck - Peter Fox (witches’ dance video) (the track by itself)

In the Hall of the Mountain King - Portsmouth Sinfonia (experimental orchestra from the ‘70s - google them, you absolutely will not regret it)

Gangnam Busters - FAROFF (Ghostbusters/Gangnam Style mashup - annoyingly, it works far better than you think it will)

[twh-news]

Loki' composer on how her MCU score reflects the main character's flair for the dramatic

By Josh Weiss

Natalie Holt's timeline was turned upside down last fall when she landed the highly-coveted composer gig for Marvel Studios' Loki series on Disney+.

"My agent got a general call-out looking for a composer on a Marvel project," she tells SYFY WIRE during a conversation over Zoom. "So, I didn’t know what it was. It was [described as] spacey and quite epic ... I sent in my show reel and then got an interview and got sent the script and then I realized what it was for. I was like, ‘Oh my god!’ It was amazing ... Loki was already one of my favorite characters, so I was really stoked to get to give him a theme and flesh him out in this way."

***WARNING! The following contains certain plot spoilers for the first four episodes of Loki!***

Imbued with glorious purpose, Holt knew the score had to match the show's gonzo premise about the Time Variance Authority, an organization that secretly watches over and manages every single timeline across the Marvel multiverse. The proposition of such an out-there sci-fi concept inspired the composer to bring in uniquely strange sounds, courtesy of synthesizers and a theremin.

"I got my friend, Charlie Draper, to play the theremin on my pitch that I had to do," she recalls. "They gave me a scene to score, which I’m sure they gave to loads of other composers. It was the Time Theater sequence in Episode 1. The bit from where he goes up the elevator and then into the Time Theater ... I just went to town on it and I wanted to impress them and win the job and put as many unusual sounds in there and make it as unique as possible."

The end result was a weird, borderline unnatural sound that wouldn't have felt out of place in a 1950s sci-fi B-movie about big-headed alien invaders. Rather than being turned off by Holt's avant garde ideas, Marvel Studios head honcho Kevin Feige embraced them, only giving the composer a single piece of feedback: "Push it further."

Holt admits that she was slightly influenced by Thor: Ragnarok ("I loved the score for it and everything"), which wasn't afraid to lean into the wild, Jack Kirby-created ideas floating around Marvel's cosmic locales. Director Taika Waititi's colorful and bombastic set pieces were perfectly complimented by an '80s-inspired score concocted by Devo co-founder, Mark Mothersbaugh.

"To be honest, I tried not to listen to it on its own," Holt says of the Ragnarok soundtrack. "I didn’t want to be too influenced by it. I watched the film a couple of times a few years ago, so yeah, I don’t think I was heavily referencing it. But I definitely had a memory of it in my mind."

After boarding Loki last September, Holt spent the next six months (mostly in lockdown) crafting a soundtrack that would perfectly reflect the titular god of mischief played by Tom Hiddleston. One of the first things she came up with was the project's main theme — a slightly foreboding cue that pays homage to the temporal nature of the TVA, as well as the main character's flair for the dramatic. "He always does things with a lot of panache and flair, and he’s very classical in his delivery."

She describes it as an "over-the-top grand theme with these ornate flourishes" that plays nicely with Loki's Shakespearean aura. "I wanted those ornaments and grand gestures in what I was doing. Then I also wanted to reflect that slightly analog world of the TVA where everything has lots of knobs and buttons ... [I wanted to] give it that slightly grainy, faded [and] vintage-y sci-fi sound as well."

"I just wanted it to feel like it had this might and weight — like there was something almost like a requiem about it," Holt continues. "These chords that are really powerful and strident and then they’ve got this blinking [sound] over the top. I just came up with that when I was walking down the street and I hummed it into my phone. There’s a video where you can just see up my nose and I’m humming [the theme]. I came home and I played it."

As a classically-trained musician, Holt drew on her love of Mahler, Dvořák, Beethoven, Mozart, and most importantly, Wagner. A rather fitting decision, given that an actual Valkyrie (played by Tessa Thompson) exists within the confines of the MCU.

"I would say those flourishes over the top of the Loki theme are very much Wagner," Holt says. "They’re like 'Ride of the Valkyries.’ I wanted people to kind of recall those big, classical, bombastic pieces and I wanted to give that weight to Loki’s character. That was very much a conscious decision to root it in classical harmony and classical writing ... There’s a touch of the divine to the TVA. It’s in charge of everything, so that’s why those big powerful chords [are there]. I wanted people almost to be knocked off their socks when they heard it."

With the main theme in place, Holt could then play around with it in different styles, depending on the show's different narrative needs. Two prime examples are on display in the very first episode during Miss Minutes' introductory video and the flashback that reveals Loki to be the elusive D.B. Cooper.

"What was really fun was [with] each episode, I got to pull it away and do a samba version of the theme or do a kind of ‘50s sci-fi version of the theme," she explains. "I can’t say other versions of the theme because they’re in Episode 5 and 6…or like when Mobius is pruned, I did this really heartfelt and very emotional [take on the theme] when you see Loki tearing up as he’s going down in slow motion down that corridor. It was cool to have the opportunity to try out so many different styles and genres. And it was big enough to take it all. It was a big enough story."

The other side of the story speaks to the old world grandeur of Loki's royal upbringing on Asgard, a city amongst the stars that eventually found its way into Norse mythology.

"I went to a concert in London three years ago and I heard these Norwegian musicians playing in this group called the Lodestar Trio," Holt recalls. "They do a take on Bach, where they’re kind of giving it a folk-y twist … [They use] a nyckelharpa and a Hardanger fiddle — they’re two historic Norwegian folk instruments. I just remembered that sound and I was like, ‘Oh, I have to use those guys in our score.’ It seemed like the perfect thing. I was like, ‘Yes, the North/Norwegian folk instruments.’ It just felt like it was the perfect thing for his mother and Asgard and his origins."

That folk-inspired sound also helped shape the music for Sylvie (played by Sophia Di Martino), a female variant of Loki with a rather tragic past. "Obviously, we’ve seen in Episode 4 what happened to her as a child," Holt says. "I just feel like she’s so dark. She’s basically grown up living in apocalypses, so she has that Norwegian folk violin sound, but her theme is incredibly dark and menacing and also, you don’t see her. She’s just this dark figure who’s murdering people for a while."

And then there were all the core members of the TVA to contend with. As Holt mentioned above, fans recently lost Agent Mobius (Owen Wilson), may he rest in prune. We mean peace. What? Too soon? During a recent interview with SYFY WIRE, Loki head writer Michael Waldron said that he based Mobius off of Tom Hanks's dogged FBI agent Carl Hanratty in 2002's Catch Me If You Can.

"There’s this thing that he loves jet ski magazines," Holt says. "I had this character in my head and then when I saw Owen Wilson’s performance, I was like, ‘Oh, he’s actually a lot lighter and he plays it in a different way from how I’d imagined.’ But I was listening to Bon Jovi and those slightly rock-y anthemic things. ‘90s rock music for some reason was my Mobius sound palette."

Mobius is pruned on the orders of his longtime friend, Ravonna Renslayer (Gugu Mbatha-Raw), after learning that everyone who works for the TVA is a variant who was unceremoniously plucked out of their original timelines. A high-ranking member of the quantum-based agency, Renslayer has a theme that "is quite tied in with Mobius and it’s like a high organ," Holt adds. "It doesn’t quite know where it’s going yet. But yeah, we’ll have to see what happens with that one."

Wilson's character isn't the only person fed up with the TVA's lies. Hunter B-15 (Wunmi Mosaku) also became disillusioned with the place and allowed Sylvie to escape in the most recent episode

"Hunter B-15 has this moment in Episode 4 where Sylvie shows her her past, her memories. I thought that was a really powerful moment for her," Holt says. I feel like she’s such a fighter and when she comes into the Time-Keepers and she makes that decision, like, ‘I’m switching sides,’ so her theme is more like a drum rhythm. I actually kind of sampled my voice and you can hear that with the drums. I did loads of layers of it, just like this horrible sliding sound with this driving rhythm underneath it. So, that was B-15 and then her softer side when she has her memory given back to her."

Speaking of the Time-Keepers, we finally got to meet the creators of the Sacred Timeline...or at least we thought we did. Loki and Sylvie are shocked to learn that the red-eyed guardians of reality are nothing but a trio of high-end animatronics (ones that could probably be taken out by a raging Nicolas Cage). Even before Sylvie manages to behead one of them, something definitely feels off with the Time-Keepers, which meant Holt could underscore the uncanny valley feeling in the score.

"When they walked in for their audience with the Time-Keepers, it was like this huge gravitas," she says. "But you look up and there’s something a bit wrong about them. I don’t know if you felt that or if you just totally believed. You were like, ‘Oh, this is so strange.’ I just felt like there was something a little bit off and musically, it was fun to play around with that."

Holt is only the second solo female composer to work on an MCU project, following in the footsteps of Captain Marvel's Pinar Toprak. Her involvement with Loki represents the studio's growing commitment to diversity, both in front of and behind the camera. This Friday will see the wide release of Black Widow, the first Marvel film to be helmed solely by a woman (Cate Shortland). Four months after that, Chloé Zhao's Eternals will introduce the MCU's first openly gay character into the MCU.

"I just feel like it’s an honor and a privilege to have had that chance to be the second woman to score a thing in the MCU and to be in the same league as those incredible composers like Mothersbaugh and Alan Silvestri. They're just legends," Holt says. "Another distinctive thing about [the show] is that all the heads of department are pretty much women. Marvel are showing themselves to be really progressive and supportive and encouraging. I applaud [them]. Whatever they’re doing seems to be working and people seem to be liking it as well, so that’s awesome."

Holt's score for Vol. 1 of Loki (aka Episodes 1-3) are now streaming on every music-based platform you could think of. Episodes 1-4 are available to watch on Disney+ for subscribers. Episode 5 (the show's penultimate installment) debuts on the platform this coming Wednesday, July 7.

Natalie isn't able to give up any plot spoilers for the next two episodes (no surprise there), but does tease "the use of a big choir" in one of them. "Episode 6, I’m excited for people to hear it," she concludes. "That’s all I can say."