#salon montrouge

[memorabilia-memoria]

Je vis pour les angles

Montrouge, octobre 2023

[artspaume]

Vous connaissez l'artiste peintre français Ibrahim Meïté Sikely (FR)

Ibrahim Meïté SikelyTête d’étoile, 2021huile sur toile / oil on canvas150 x 70 cm Né en 1996, Ibrahim Meïté Sikely vit et travaille à Champigny-sur-Marne et Paris. Il a obtenu son DNSEP à la Villa Arson à Nice en 2022 et est actuellement étudiant à l’Ecole nationale supérieure des Beaux-Arts de Paris. Il a récemment participé à plusieurs expositions au CAC Brétigny, au FRAC Lorraine, Metz, au…

[lagendageek]

La Y/CON 2023 aura lieu à Montreuil (93) du 4 au 5 novembre 2023. La Y/CON 2023, le salon des homo-fictions, aura lieu les samedi 4 et dimanche 5 novembre 2023, au Paris Montreuil Expo ! Sortez vos agendas ! Déménager la Y/CON dans une salle plus grande était déjà une volonté depuis 2018 qui se transforme désormais en nécessité suite au succès retentissant de l'édition 2022. Le Beffroi de Montrouge devait nous accueillir les 3 et 4 décembre 2023 mais, suite à une incompatibilité logistique, c'est finalement au Paris Montreuil Expo que la Y/CON 9 posera ses bagages. Cette nouvelle salle, plus grande, nous permettra d'accueillir plus de stands et plus de visiteurs dans de meilleures conditions. Son accessibilité vous permettra aussi de vous y rendre en toute simplicité via la ligne de métro 9, arrêt Robespierre. Investir une salle plus grande s’accompagne de l’augmentation du budget et entraîne une légère hausse des prix. Ainsi, les prix des billets d’entrée et des modules exposants vont évoluer. Accès Bus : 102, 318, 115, 122, 127 Métro : Ligne 9, Robespierre Vélib' : 31005 - PARIS 2 (MONTREUIL) (8m) Vélib' : 31013 - CENTENAIRE (MONTREUIL) (21m) Vélib' : 31709 - MARCEL (BAGNOLET) (24m) Vélib' : 31004 - PARIS 2 (MONTREUIL) (31m) Vélib' : 31006 - REPUBLIQUE 2 (MONTREUIL) (36m) ________________ Y/CON : pourquoi ce nom ? • Le Y regroupe bien entendu le Yaoi* et le Yuri*. Mais c’est aussi le Y de « You », vous en anglais, puisque cet événement est pour vous, et constitue un safe space dans lequel vous pouvez vous épanouir, où personne ne vous juge ni ne dénigre votre passion. • Le / (slash) incarne les relations homo-romantiques que les fans imaginent entre certains personnages de mangas, de séries et films, de romans ou autres supports. • CON est bien sûr l’abréviation de « Convention », terme anglais pour désigner les salons et rassemblements de fans. Vous pouvez acheter votre billet sur place ou en prévente.

[monadortindeguey]

http://www.artistikrezo.com/art/la-63e-edition-du-salon-de-montrouge-est-prete-a-ouvrir-ses-portes.html

[cheesecakeandabottleofwhiskey]

I copied my CV from a PDF and it all lined up to make me laugh ...

Solo Shows/ PAINTING Galerie MOTUL LE, Chateau Kerduel, 2015 First Glimpse, Edinburgh, Scotland, 2015 Galerie Davimsy, 2015, Paris Galerie Rauchfeld, 2013, Paris LDE&O, 2013, Paris la petite conciergerie, 2012/13, Paris Annette Huster, 2011, Paris Galerie R9, 2011, St. Saveur en Puisaye Galerie Monica de Champfleury, 2011, Paris Galerie Le 5 opéra, 2010, Paris Galerie aeViard, 2009, Venasque Kirchman Gallery, 2008, Johnson City, Texas Galerie Valéria Ruiz, 2007, Paris Culturissimo, ITG, 2006, Paris Espace Bassano, 2006, Paris Galerie Jacques Lévy, 2004, Paris Espace Cinna-Bastille, 2003-2006, Paris Galerie Le Garage, 2002, Lorgues Galerie Jacques Lévy, 2002, Paris Espace Bassano, 2001, Paris Galerie Jacques Lévy, 2000, Paris Annette Huster, 1999, Paris Group Shows / PAINTING Maire, Saint-Didier, 2017 Annette Huster, 2014, Paris Le Medicis, 2014, Paris Galerie Caroline Vachet, 2011, Lyon Annette Huster, 2009, Paris Russell Collection, 2009, Austin, Texas Benini Foundation and Sculpture Ranch, 2008, Johnson City, Texas Kirchman Gallery, 2008, Johnson City, Texas Maison des Arts, 2008, Carcès Annette Huster, 2007, Paris Galerie Valéria Ruiz, 2007, Paris The Benini Foundation & Sculpture Ranch, 2006, Johnson City, Texas 5e Symposium de Peinture de la Place Dauphine, 2006, Paris L’été contemporain, 2005, Draguignan Annette Huster, 2005, Paris Maison des Arts, 2004, Carcès Elan Gallery, 2004, Rockport, Maine Galerie Jean Fournier, 2004, Paris Annette Huster, 2004, Paris Espace Klee, 2003, Paris Galerie Jacques Lévy, 2001,Paris Annette Huster, 1999, Paris Art Fairs / PAINTING Venice Biennale/L’art de l’apparence/l’apparence de L’art, 2011 NEXT/art chicago, 2011 Scope Miami, 2010, Miami Cutlog, 2010, Paris Salon de Montrouge, 2001, Montrouge Scenographies / La tagueuse élégante Drite Warniging, Gothenberg, Sweden 2018 Hotel de Crillon, 2017/19 Le Fournil de Venasque, 2016/2017 La Mousse Gourmande, Pernes les Fontaines, 2016 Violette, Avignon 2016 Liquides Imaginaires, Paris, 2016 Céline Wright, Paris, 2016 Violette, Avignon, 2016 Musée des Beaux Arts de Tournai, Belgique, 2016 Hotel de Crillon, 2016, Paris Maison et Objet, Stand Expressions Ephémères, 2016 B I S O N, Paris, 2015/16 La Mousse Gourmande, Pernes les Fontaines, 2015/16 VEOMA & Co, 2015, Paris Assuroféminin, 2015, Paris Réseau Daubigny, 2014/2015, Paris La Ferronnerie, 2014, Paris Heilmeyer und Sernau, 2014, Berlin Launch, Baby & Co, 2014, Seattle Osiatis, 2014, Paris Banque CIC, Paris, 2014 Le MEDEF, 2014, Paris La Grande Crypte, 2013, Paris American Friends of the Musée d’Orsay, Paris, 2014 Etat Libre d’Orange, 2013, Paris Ken Okada, 2013, Paris #1, The Craftshop, 2013, Paris la petite conciergerie, 2012, Paris marina life, 2012, PARIS and private client living rooms. Performances/ Corona Improv Sessions, Ars Electronica, 2020 All Women’s Networked Jam Session, Ars Electronica, 2020 Upside Down Goats, 2018, Mojave Desert La Cage Royale, London, 2017 GIF, Newcastle, England, 2017 Ecris-moi une lettre sur la beauté, Montreuil, 2017 Cross Reference, Saint Didier, 2017 Be Precise in Your Abandon, Saint Didier, 2017 Instant Pudding! Impromptus, PARIS, 2010 - 2017 La tagueuse élégante and the Dandy, Avignon, 2017 Mathematical Poetry, Avignon, 2017 Pure Improvisation, Théatre Christiane Stroë, Bouxviller, 2016 Liquide Imaginaire, PARIS, 2016 Find Your Island, with Laura Sarah Dowdall, Berlin, 2016 Words, Les Egarés, Jonquières, 2016 Presence Perfect, Festival Territori, Bellinzona, Suisse, 2016 Pourquoi Pas? , Avignon, 2016 DIVA POP, Boutique Céline Wright, Paris, 2016 Calendrier de l’Avent, Tanzhaus Zurich, 2015 Pure Improvisation, Théatre Christiane Stroë, Bouxviller, 2015 Batir Pluri-elles, Bouygues Construction Nord Nord Est, Lille, 2015 Cocotte Power, October Rose, Paris, 2015 Galerie Motul LE, Kerduel, Bretagne, 2015 IMPROXCHANGE, BERLIN, 2015 Going Dutch, The Core Project, Chicago, 2015 (with Sudden Geography) Presence Perfect, Scuola Téatro Dimitri, 2015, Verscio, Switzerland Stay Put and Look at the World, Scuola Téotro Dimitri, 2015, Verscio, Switzerland La Petite Robe Noire, Paris, 2015 La Pause, CGPME 13, 2014, Marseille 20PARIS2014, 2014, Paris Writing the Future, Eating the Dust, (bones), 2014, Paris Celebrate Everyday, La Maison Pernoise, 2014, Pernes les Fontaines Darkness, Baby, Chateau Unang, 2014, Provence A pudding for lunch, or just a drink?, Prickig Katt, 2014, Gothenberg Live your Love, Baby & Co, 2014, Seattle Le Médicis, 2014, Paris Le MEDEF, 2014, Paris Where is the Chicken?, and related ideas, 2013, Venasque Splash, Galerie Rauchfeld, 2013, Paris Galerie Christian Berst, 2013, Paris Courrèges, 2013, Paris Emergences, Hotel du Sauroy, 2013, Paris PerformancesKalendar, Rosskha Museum, 2012, Gothenberg Espace Pierre Cardin, 2012, Paris Solutions RH, 2012, Lyon et Paris Unlimited Bodies, Palais d’Iena, 2012, Paris Carpet Talk, Palais Royal, 2010, Paris Festival International de Théâtre dans la Rue, 2007, Aurillac Residences / Murmurings, Davidson Studio, The Hague, 2021; Dansverk, Gothenburg Sweden, upcoming, Château de Monthelon, Invited Artist with Lara Buffard, 2017 The Banff Centre, CANADA, Invited Artist, 2014 l’Arpège, Le Gros Chesnay, Fillé sur Sarthe, FRANCE, Artist in Residence, 2008 - 2010 Publications / Play x Play, Seymour Magazine, 2014 Implicit in Viruosity, PROVA, Royal College of Art, 2018 Andrew Morrish in Conversation with Anat Ben-David and 20 students, Critical Correspondence, 2019 The World getting Smaller, Imagined Theatres, Emergency, April 2020 What’s the Matter, with Anat Ben-David, Journal of Embodied Research, 2020 Prosody, Prodigy – Language as a Lyrical Tool, Inprofil, Autumn 2020, upcoming What IIIF? Nowhere & Everywhere, Improfil, Autumn 2020, upcoming Passages - Moving with the Minor, Thought in Motion, with David Roussel, Cole Robertson, Agata Kit and others, projected Spring 2021 Education / PhD in Improvisation, Royal College of Art and in private residency. Certificate of Advanced Studies in Performance, Accademia Téatro Dimitri, Stéphanie Lupo, 2015 Improvisation and Performance - Masterclasses with Soraya Djebbar, Yumi Fujitani, Julyen Hamilton, Andrew Morrish, Miquel de Jong, Maya M. Carroll, Heini Nukari, Stéphanie Lupo, SOIF Compagnie, SITI Company NYC (2002 - present) i-Lead Coaching, 2004 - 2008 Dialogue Coach, 2005 Rotary Fellow, DESS, Institut des Relations Internationales du Cameroun, 1983 Georgetown University, Bachelors of Foreign Service, 1982

[bongianimuseum]

RETROSPETTIVA di MAURO  MOLINARI “TEXTURES - Racconti e trame per un immaginario gentile”

Comunicato stampa

SPAZIO OPHEN VIRTUAL ART GALLERY

RETROSPETTIVA di MAURO  MOLINARI

“TEXTURES - Racconti e trame per un immaginario gentile”

Ciclo di opere ispirate ai motivi tessili con opere del 1994 - 2007

a cura di Sandro Bongiani

Preview:  4 dicembre 2020

dal  5 dicembre 2020  al 14 marzo 2021

L’evento partecipa alla giornata del contemporaneo

promossa da AMACI

Associazione dei Musei d'Arte Contemporanea Italiani

#GiornataDelContemporaneo

  S’inaugura sabato  5 dicembre 2020, alle ore 18.00, la mostra Retrospettiva “TEXTURES - Racconti e trame per un immaginario gentile”, dedicata a Mauro Molinari, con 72 opere dal 1994-2007, che cerca di fare il punto sulle proposte tessili e immaginative dell’artista romano. In questa retrospettiva l’autore ci introduce nel mondo del linguaggio simbolico, nei racconti e tra le trame di un immaginario gentile dove ogni cosa sottesa racchiuse un senso, anche se possiamo percepirlo soltanto come una suggestione “appena trascritta” con il procedimento antico dei tessuti e carte utilizzate, rievocando lontani richiami per divenire suggestioni poetiche di una realtà sempre più evocativa e immaginaria.

Il percorso di Mauro Molinari, in circa un cinquantennio di lavoro, è contrassegnato da cicli diversi, come quelli dedicati all’informale, alla poesia visiva, ai libri d’artista, alla reinterpretazione degli antichi motivi tessili e nell’ultimo quindicennio al racconto della realtà urbana. Una lunga e appassionata ricerca contrassegnata da momenti diversi, tra filo, trama, intreccio e contrappunto, con un’attenzione assidua sulla presenza  che apre un varco nel tempo e sul vuoto spaziale in un intreccio di momenti e tempi diversi alla ricerca della relazione e dell’equilibrio per manifestarsi. Alla fine, l’intreccio diviene filo conduttore di storie e di significati che si dipanano in un viaggio carico di suggestioni e vibrazioni poetiche suggerite per frammenti di senso.  

A partire dagli anni 90, i motivi tessili rielaborati come segni, frammenti e presenze simboliche di forme naturali, vegetali e persino araldiche prendono forma fantastica su carte e tele, su preziosi libri d’artista, teatrini, abiti di carta, scarpe, cravatte e anche paramenti liturgiche, paliotti e pianete.

Sandro Bongiani nella presentazione in catalogo scrive: “Un universo assai complesso dettato da una specifica motivazione alla ricerca dell’invenzione creativa e dell’interpretazione fantastica. Il tutto avviene in circa 15 anni di lavoro con una pittura lieve e insostanziale che si deposita sulla pelle velata e fragile della carta per divenire sfuggente apparizione.

Libri teatro di  carta dipinta su tessuto, libri oggetto, libri giocattolo, libri a rilievo da aprire e libri  d’artista non sfogliabili che purtroppo non possiamo mai aprire, nelle sue mani tutto diventa favola e racconto ordito tra filamenti e trame di apparizioni che si stabilizzano nello spazio provvisorio della pittura, in un tempo sospeso e precario in cui l’immaginazione s’incarna alla ricerca dell’invenzione. Da questo incanto nascono presenze assorte nate tra le trame e i vagiti di remoti tessuti per divenire delicati racconti poetici di una realtà  tutta contemporanea.

Una lunga  e proficua stagione creativa “tessile” in cui l’artista è intento a indagare in modo assiduo un possibile recupero della memoria e a svelare le simbologie e i grovigli della vita con una verve visionaria in cui le coordinate del tempo e dello spazio si dilatano e perdono le loro abituali caratteristiche logiche in vista di nuove associazioni e traiettorie. La traccia di un suggerimento di memoria può ora finalmente distendersi tra la fragile carta e i brani di tessuto reale e divenire “ordito gentile”, trama e frammento di racconto che si libera dalle costrizioni in una narrazione a più livelli di lettura che s’intersecano e convivono. Solo in questo modo i frammenti del passato possono prendere forma e divenire materia lirica in rapporto alla vita, in un succedersi cadenzato e assorto di accadimenti e di intrecci allusivi che emergono da un tempo remoto per divenire contemporaneità  e soprattutto  essenza concreta di assoluto”.    

 BIOGRAFIA

Mauro Molinari Nato a Roma, vive a Velletri (RM). La sua ricerca artistica si è svolta per cicli che vanno dai registri informali degli anni ’60 alla pittura scritta e alle geometrie modulari del ventennio successivo. Nel 1974 personale alla galleria d’Arte Internazionale di Roma, pres. S. Giannattasio. Nel 1975 le sue opere sono presenti alla X Quadriennale di Roma. Dal 1974 all’81 partecipa alle rassegne internazionali sul disegno della Fundació Joan Miró di Barcellona. Nel 1979 personale alla galleria Il Grifo di Roma , pres. D. Micacchi. Nel 1982 personale alla galleria Il Luogo di Roma, pres. M. Lunetta e C. Paternostro. Nel 1983 e 1985 partecipa all’International Drawing Biennale di Cleveland. Nel 1987 personale alla galleria Incontro d’Arte di Roma, pres. I. Mussa. Negli anni ’90 si dedica alla rielaborazione pittorica dei motivi tessili avviando un ciclo che dura più di 15 anni. Nel 1995 nasce la collana di Orditi & Trame, di cataloghi editi in proprio. Il primo illustra la mostra itinerante promossa dalla Tessitura di Rovezzano e presentata a Roma alla galleria Pulchrum, pres. L. de Sanctis. Nel 1998 personale allo Spazio de la Paix e alla Biblioteca Cantonale di Lugano, pres. A. Veca. Dal 2000 al 2014 partecipa ai Rencontres Internationales di Marsiglia. Dal 2000 al 2008 collabora con la rassegna internazionale Miniartextil che si tiene a Como ogni anno. Nel 1999-2000 crea il ciclo Stellae Errantes sculture dipinte ispirate ai tessuti sacri, che è stato ospitato in numerosi musei italiani in occasione del Giubileo. Nel 2001 personali alla galleria Il Salotto di Como e al Museo Didattico della Seta di Como, pres. M. De Stasio. Nel 2001 personale al Museo dell’Infiorata di Genzano, pres. C. F. Carli. Nel 2002 personale al Museo S. Maria di Cerrate Lecce, pres. L. Caramel. Nel 2003 sala personale al Musèe de l’Impression sur Ètoffes di Mulhouse, pres. L. Caramel. Nel 2004 personale a Oman Caffè di Como, pres. L. Caramel. Nel 2005 esposizione allo Spazio Mantero di Como e al Salons de l’Hôtel de Ville di Montrouge, pres. L. Caramel. Nel 2006 Salone d’Arte Moderna di Forlì, pres. F. Gallo, e sala personale al Museo di Palazzo Mocenigo di Venezia, pres. L. Caramel. Nel 2007 personale alla Fondazione Venanzo Crocetti di Roma, pres. C. F. Carli e C. Paternostro. Nel 2008 sala personale alla VI Triennale Internazionale di Tournai, e personale alla Biblioteca Angelica di Roma, pres. E. Di Raddo. Dal 2008 sviluppa un ciclo pittorico dove è centrale la figurazione, che si pone come naturale evoluzione del suo percorso creativo. Nel 2009 personale alla galleria Renzo Cortina di Milano, pres. A. Veca. Nel 2010 personale al Museo Carlo Bilotti di Roma, pres. A. Arconti e L. Canova. Dal 2011 al 2016 e 2019 partecipa al Festival del Libro d’Artista di Barcellona, pres. E. Pellacani. Nel 2012 e 2015 Galleria Gallerati Roma primo e secondo progetto mixed media. Nel 2013 due personali alla galleria Baccina Techne di Roma, pres. G. Evangelista e personale allo Spazio Ophen Virtual Art Gallery di Salerno, pres. G. Bonanno. Nel 2014 personale allo Spazio COMEL di Latina, pres. M. Cozzuto e a Roma presso il Municipio Roma III, Aula Consiliare, pres. G. Evangelista. Nel 2016 Dante e i Papi nella Divina Commedia Fondazione Pescabruzzo a cura di Giorgio Di Genova, donazione delle opere. Dal 2014 al 2019 Artisti per Nuvolari Casa Museo Sartori Castel d’Ario (MN). Nel 2017 Museo Jean Lurçat Angers Francia, donazione bozzetto originale. Personale Spazio Medina e AF CasaDesign pres. F. Farachi. Antologica 1990/2006 Museo Diocesano e Sala Angelucci Velletri, pres. Sara Bruno e Claudia Zaccagnini, donazione di sei sculture. Nel 2018 donazione di un’opera al costituendo museo di arte contemporanea SAmac di Benevento, Antologica 2007/2017 Tibaldi Arte Contemporanea Roma a cura di Carlo Fabrizio Carli. Nel 2019 il Museo Comunale di Praia a Mare ha acquisito l’opera “White and Brown. Nel 2020 Retrospettiva “Textures - Racconti e trame per un immaginario gentile” , Ciclo di opere ispirate ai motivi tessili con opere del 1994 - 2007 - Spazio Ophen Virtual Art Gallery di Salerno a cura di Sandro Bongiani

 Studio: Interno 5, via Paolina 25, 00049 Velletri (RM) Italia, info: cell. 328 6947561 www.facebook.com/mauro.molinari.73 e-mail: arte@mauromolinari.it web: www.mauromolinari.it sito web storico: www.caldarelli.it/molinari.htm

 SPAZIO OPHEN VIRTUAL ART GALLERY - SALERNO

COLLEZIONE BONGIANI ART MUSEUM

http://www.collezionebongianiartmuseum.it 

Orario continuato tutti i giorni dalle 00.00 alle 24.00

http://www.collezionebongianiartmuseum.it/sala.php?id=14

http://www.collezionebongianiartmuseum.it/sala.php?id=89

[agnesdelmotte]

anne le troter. liste à puces. grand prix salon de montrouge 2016. palais de tokyo.

[lemomentfatal]

October 31, 2022, 1:03 pm

This is the last day I can call. Tomorrow I am going back to Paris, back to the exhibition space, to see the performances programmed on the last day of the show. Two days ago, I fell on my bike, nothing serious, just kind of stupid, and the screen of my phone broke, the device no longer accepts my headphones, the transmitted sound is not distinct. There are parts of what this young person tells me that I cannot make out. It is the first time she has come to the Salon de Montrouge, she is here on her own, it is the beginning of the holidays. She thinks it is a great idea to call the visitors. She is a student in a preparatory art school near Paris. Her teachers told her go and visit the exhibition; she was very keen to come.

She is standing in front of a house, she thinks it is made of lead, it is a piece by the artist Corentin Darré. She finds it funny to encounter this material here, because last year she did some work on church windows, she thought a lot about this material which she did not like at all, because of its toxicity.

She does not identify herself as an artist, but this year she is being asked to create things. It is a beginning, on a small scale, it is not very concrete yet.

It scares her that as an artist you are not supposed to be there with the audience of your work. There is something about the things having to be finished, that disturbs her. Her interest in art began with theatre. This February, she went with some friends to see a play, which really touched her. She has been thinking a lot about stage design since then.

Our conversation does not quite flow. I ask her several times to repeat words that I cannot make out, there are silences while I take notes, she waits for me. She speaks slowly, but the phone obscures her speech. I explain that I have a problem with the sound, that my phone is broken.

It is a quiet hour in the exhibition. She is now next to a lot of small, white bunk beds that multiply in space because of a mirror, it is a piece by the artist Camille Sart, she thinks it is great.

She goes towards the drawings. She asks me if they are the ones with people with funnels in their heads. She reads the text on the title card, she likes Roland Topor too, the first thing she saw of him, but without knowing it, was the film La Planète Sauvage, with the blue people.

I feel like I have not asked people the right questions. What did I really want to hear from them? What did I want to give them? I want these calls to have a certain importance; I was looking for a certain sense of intensity that I often feel is missing in exhibitions. Today, I have the feeling that I am not really achieving it. The words are mumbled, as if I were under a duvet. It is the last day, it is the end of this framework of writing, this way of narrating that I have imposed on my life since the first day of the exhibition.

She asks me if I have talked a lot with the other artists. I say that I do not think I have talked enough with them, that the days of installing the exhibition and the opening were a bit feverish, that maybe I should start calling the other artists. She laughs. She asks me if I am happy with our exchange. I say that I am very happy to have spoken with her. I wish her a good day, good luck, and so does she.

[artrefusals]

Votre candidature au 66ème Salon de Montrouge

From Work Method

Tuesday, May 10th, 2022 at 10:44

Bonjour,

Dans le cadre de l’appel à candidature de la 66ème édition du Salon de Montrouge, qui se tiendra du 13 octobre au 1er novembre 2022 (vernissage le 12 octobre), nous avons bien reçu votre candidature et nous vous en remercions. Le comité de sélection s’est réuni le 3 mai, afin d’examiner chaque dossier.

Nous avons le regret de vous annoncer que votre candidature n’a pas été retenue, sans que cela n’engage en rien la qualité de votre dossier. En raison du grand nombre de candidatures reçues, nous ne pourrons malheureusement pas répondre aux demandes individuelles concernant les modalités de cette sélection.

Nous vous remercions chaleureusement de votre intérêt, et vous souhaitons une excellente continuation dans vos projets artistiques et personnels.

Bien cordialement,

Guillaume Désanges et Coline Davenne - Work Method

Commissaires artistiques

Salon de Montrouge

13 octobre-1er novembre 2022

[whokillsgraphicdesign]

salon de montrouge designed by atelier baudelaire and general public studio www.camillebaudelaire.com www.generalpublic.fr

[parisaimelart]

Paris fourmille d’incitations à découvrir l’Art contemporain. A l’Espace Thorigny Marais jusqu’au 20 février au soir, deux jeunes curateurs, Arthur Haegeli-Sarrazin et Charles Gelis nous font partager leurs coups de coeur artistiques. Six artistes, rencontrés aux Beaux-arts de Paris, au POUSH de Manifesto ou au salon de Montrouge exposent quelques unes de leurs oeuvres autour du concept du corps. Nos jeunes entrepreneurs ne manquent pas d’esprit puisqu’ils ont appelé leur exposition « fenêtre sur corps ». Alors, que découvrons nous ? Camille Beauplan dont les oeuvres, faussement naïves, sont fraîches et spontanées. L’artiste travaille à partir de ses photographies. Ses acryliques restituent, avec poésie, l’étincelle mentale à l’origine de la peinture. Le talent de scénographe de Lou Chenivesse. Son installation mystique et sombre nous amène aux confins de la conscience. Les tableaux déroutants en noir et blanc de Charlotte Menut-Yovanovitch. Derrière leur apparente austérité, les sentiments s’expriment avec puissance. Antoine Medes, prix Emerige, qui réhabilite brillamment la céramique en tant que médium artistique. Les gravures vernaculaires et surréalistes de Lucile Piketty qui nous entraînent dans un calme contemplatif. La créativité de Charlotte Vitaioli qui investit, avec humour et poésie, les supports les plus divers. Vous appréciez mes idées de sorties culturelles ? Choisissez votre prochaine exposition en vous abonnant à mon compte Instagram paris_aimelart @haegemonie @a_hgl @c.beauplan @louchenivesse @charlottemenutyovanovitch @antoinemedes @lucilepiketty @charlotte.vitaioli #curator @lefrancbourgeoisofficiel #lefrancbourgeois @collotthierry @frederique_rousseau #parisaimelart #parisaimelart #paris_aimelart #parisexpos #parisexposition #parismusee #exposparis #paris #parisculturel #quefaireaparis #artparis #parisart #artcollector #artcollection #lefrancbourgeois #paris https://www.instagram.com/p/CaKOvQxoj5e/?utm_medium=tumblr

[pinkpong-art-contemporain]

— L’Ecole Nationale de l’Aviation Civile - Centre Culturel Léonard de Vinci - 17 nov > 15 dec Virginie Loze Le scintillement des événements

© Viginie Loze

À l'initiative des élèves de l'ENAC, responsable du Foyer, du Bureaux des Arts et du Club dessin, le service culturel de l'ENAC a proposé à Virginie Loze dans le cadre des résidences l’Artiste sur le Campus de la Ville de Toulouse, la réalisation d’une fresque avec la participation des élèves pour la Salle des Arts Communs, dit le S.A.C.. Ce lieu est dédié à des répétitions de groupes musicaux étudiants qui se produisent au foyer des élèves lors de temps festifs. L’ensemble de la fresque, a pour objectif de surprendre en proposant une interprétation imaginaire des centres d’intérêts des élèves et des disciplines de recherches de l’ENAC. Le choix des thèmes et des sujets de représentation tiennent compte de ce contexte en évoquant les thèmes suivants : l’espace, le cosmos, la fête, les oiseaux, la connaissance à partir d’images polysémiques qui se découvrent en deux temps, comme les paréidolies ou images doubles. La gamme colorée est vive et joyeuse. La composition, les couleurs, les formes sont à la fois rigoureuses et fantaisistes. 

Virginie Loze est diplômée du DNSEP avec mention à l'isdaT de Toulouse. Elle crée une imagerie peuplée de créatures étranges en proie à des métamorphoses monstrueuses et inquiétantes prises dans des situations cocasses, révélant les menaces qui défient l’individu et les atteintes portées à son intégrité. Amplifiée par une grande maîtrise du dessin, les lignes se révèlent de faille et de fouille, l’artiste nous donne à voir dans ces œuvres énigmatiques des visions heuristiques, des images-rêves.

Elle a participé au 37ème et 38ème Salon de Montrouge, a exposé à la galerie du Jour Agnès B, à la galerie Sin Titulo à Nice et à la galerie l’Officina à Pérugia. Elle a séjourné de nombreuses fois en Amérique du Nord et Amérique Centrale, en Europe, Afrique du Nord et Asie du Sud Est. Elle a vécu 10 ans à Paris. Ses oeuvres sont dans la collection du FRAC musée Les Abattoirs Occitanie.  Cet automne, ces oeuvres ont été exposées à Toulouse lors du festival Le Printemps de Septembre. L’artiste y a présenté des peintures au Musée FRAC Les Abattoirs et d’autre part, une œuvre monumentale in situ produite par le festival à la liaison piétonne du Jardin Raymond IV et de l’Hôpital La Grave.

Résidence d'Artistes - Partenariat et Production : Ville de Toulouse, Ecole Nationale de l'Aviation Civile

Vernissage Mercredi 17 novembre 21| 17h30 | Art Contemporain | Salle des Arts Communs – Bat Orly – ENAC Campus de Toulouse

Visite possible jusqu’au 15 décembre 21 sur rdv Lundi, mardi, jeudi sauf vacances scolaires

ÉCOLE NATIONALE DE L’AVIATION CIVILE 7 avenue Édouard Belin 31400 Toulouse Tél accueil ENAC : 05 62 17 40 00 -

Dans le cadre du plan Vigipirate, l’accès au campus est règlementé, une pièce d’identité sera présentée à l’entrée + d'information :

www.enac.fr vie étudiante https://www.pinkpong.fr/grapheine https://www.pinkpong.fr/expositions

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salon de montrouge designed by atelier baudelaire and general... https://ift.tt/2I2IEOK

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Parade, video installation and performance at the Salon de Montrouge, October 23-31 2021. Wall painted with homemade potato starch paint, drawings, oil painting, video, fabric cover, homemade flight case, crochet hand with vegetable-dyed yarn. Featuring a concert poster by Corentin Canesson. Photos by Hilary Galbreaith. Co-production : Ville de Montrouge, Ville de Rennes, Cripta 747 Residency Program

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http://www.artistikrezo.com/art/la-63e-edition-du-salon-de-montrouge-est-prete-a-ouvrir-ses-portes.html

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PLATFORM centre is pleased to announce Into Uncertain Present, a group exhibition featuring the work of Anna Ill (UK), Anna López Luna (ES), Chantal Rousseau (CA), Felice Hapetzeder (SE), Mounir Gouri (DZ), Muhammad Ali (SE) and Tracy Peters (CA). Into Uncertain Present is curated by Abir Boukhari (SE) and runs from 30 April – 29 May 2021. The virtual residency is organized by AllArtNow (SE) in partnership with PLATFORM centre (CA), MAWA (CA) and Jiser (ES). The project is supported by Kulturradet (SE), The Institute of Culture of Barcelona City Council and OSIC of the Generalitat of Catalunya

EXHIBITION | 30 April–29 May 2021

“The art residency acts as a mechanism to encourage and support intellectuals, artists, and cultural workers in the process of their artistic research and creative development. It fosters sustainability for the artistic body of ideas in an inclusive open society. The pandemic crisis illuminates the value of creativity, and the ways that new ideas can be generated in uncertain times.

The Strategy for many art residencies have been implemented through the virtual exchanging of artistic experience and many questions have been raised about the digital residency. Would it be more applicable in the future?  Will we develop and adapt new formats for the art residency?

We began to explore the virtual residency format in 2020, and the program will continue with the second edition in 2021. Three events will be organized during the year, in three cities, Winnipeg, Stockholm and Barcelona. The residency process unfolded through webinars, first proposing the project, then giving the artists time to meet, discuss the concept, produce work and finally exhibit in venues in Winnipeg, Barcelona, and Stockholm.

The Albert Camus’s quotation inspired our concept for this version of the residency “Until now I always felt a stranger in this town, and that I’d no concern with you people. But now that I’ve seen what I have seen, I know that I belong here whether I want it or not. This business is everybody’s business.”  The Plague, p.209

In the novel, the narrator is a stranger who finds himself separated from his own home and his wife because of the Plague which invaded Oran City. First, he is looking for a way to escape the city but later on, he decides to stay to support the others in solidarity.

This collective fight against the pandemic leads to equality and belonging, where all people experience a form of exile, live in isolation, separate from their beloved, and fight against death; we are all prisoners, sharing the fear and the uncertainties of the moment.

Do we understand the plague as a collective disaster that we all must fight against in support of each other? Or, do we experience distress as individuals and believe that one’s own pain is unique and separate? Does this encourage solidarity and compassion between humans or is it a reason to blame each other?

For this residency, I invited seven artists to have online meetings using the selected quotation as a starting point, to discuss and share their thoughts, and create work which reflects on the current situation in relation to their own experience.” – Abir Boukhari, Stockholm, 2021

BIOGRAPHIES

Anna Ill holds the BA in Textile Art from the Escola Massana Barcelona, and the MA in Art and Space from Kingston University London. In 2015, she was selected among the spanish artists for the JCE Biennale 2015-2017, she was the recipient of the 3 month funded art residency program by Le Beffroi de Montrouge in Paris. In 2018, she was part of Sala Parés Prize <35Art in Barcelona and the XXI Biennal Contemporary Catalan Art. In 2019, she was the recipient of the month funded art residency program at Jiser in Tunisia. In 2020, she won the Sala Art Jove Prize (Barcelona) and Inund’art (first Prize Artpertot) with itinerant exhibitions in Spain and France. Her works are present in the Sabadell Bank collection since 2018. In 2021, her work was selected for Video Art program Ten Little Indians organised by MLAC and Khlab (Italy), and she is among the spanish artists for the Vila Casas Sculpture Prize 2021.

Anna López Luna (b.1983/Barcelona) lives and works between Barcelona and Paris, where she studied at Ecole Nationale Supérieur d’Art de Cergy-Paris. Her work is focused on the body’s perceptions and the relationship between intimate, social structures and historical memory. Her work has been shown at the Les parralléles du Sud – Manifesta 13 in France (2020),  the Fonds d’Art Moderne et Contemporain de Montluçon, in France (2019), the Westfälischer Kunstverein in Münster (2019), the Tabakalera, Donostia in Spain, the Ateliers Sauvages in Algiers, Algeria (2017), Les Bains de Géronde, in Switzerland (2018), the 61th Salon de Montrouge in France (2016), the MUDAM in Luxembourg (2015), the Centre Civic de San Andreu, Barcelona (2010) and at Kulturfabrik in collaboration with the Casino du Luxembourg Forum d’Art Contemporain in Luxembourg (2008).

Chantal Rousseau has been a practicing artist for over 20 years. Her work has been exhibited across Canada and internationally, including: Hallwalls Contemporary Arts Centre, Buffalo; Canadian Cultural Centre, Paris; The New Gallery, Calgary;  Latitude 53, Edmonton; Mercer Union, Toronto; and La Centrale, Montreal. In the fall of 2020 she had a solo exhibition at the Agnes Etherington Art Centre in Kingston, Ontario. In 2020 she was also awarded two temporary public art commissions, one for the City of Kingston, the other for Erindale Park in Mississauga. In April of 2021 she organized EXPO-MOTEL, an exhibition at the motel Le Nordet, working with two local artists and in partnership with the Bureau Satellite Vaste et Vague, a site-specific programming arm of the local artist-run-centre. She will be the first artist at 4elements living arts new mobile studio residency on Manitoulin Island, in May and June of 2021. In 2022 she will be participating in an artist residency at the Klondike Institute of Art & Culture. Chantal Rousseau has been involved in multiple artist collectives, including the Agitated Plover Salon, a group of Kingston-based artists who exhibited in non-traditional spaces in 2013 to 2014, as well as the Toronto-based collective Persona Volare, who were active from 2000 to 2009. She is a graduate of the University of Guelph (MFA), and Emily Carr Institute of Art and Design (BFA). Her work is in the collection of the Agnes Etherington Art Centre, Dawson College, as well as numerous private collections.

Click here to listen to an audio piece Chantal created during this residency.

Felice Hapetzeder is a visual artist (b 1973) with MFA degree from the Fine Arts department at Konstfack College of Art, Crafts and Design in 2002. He is interested in the aesthetics and social context of creative practice as well as cultural heritage production and manipulation of collective memory and oblivion. His methods span across video art, installation, sculpture, workshop-performance and photography. Much of his work can be read as expressing a marginal voice, an independent channel outside the dominant narratives. He works both independently and in collaboration with others; interested in the border between documentary storytelling and dramatization or learning as artistic expression. Hapetzeder also works as an independent manager of art projects, often by way of international exchanges and as an art educator. He is the founder of Samtidskonst i Bro – Contemporary art in Bro community 2017 to current, part of the video art exchange and development collaboration Carousell 2013-2018, a part of the artist duo Local A. 2008-2017 and one of the initiators of ak28 independent art space in Stockholm 2003-2008. https://hapetzeder.com

Mounir Gouri (b.1985 Algeria/Annaba) is a multi-disciplinary artist. He is part of the young generation of visual artists concerned both by his status as an artist but also by what young people of his age encounter on daily basis difficulties on the social, cultural, and political level. Being born in 1985 means having lived his childhood and adolescence in the harsh climate of civil war, which influenced his work. Mounir Works as a multi-disciplinary artist. Gouri participated in several group and solo exhibitions. He received the special prize of the friends of the Institut du Monde Arabe in 2019, as he exhibited in Germany at the Westfalischer Kunstverein in Munster, an exhibition in London at the Mezzanine Gallery participated in the Jafre Biennale and in October 2019 as he was artist in  residency of La Maison des Arts in Malakoff. Recently, he was one of the Algerian artists of the exhibition Waiting for Omar Gatlato comisarié by Natasha Liorens at the Columbia gallery in New York.

Muhammad Ali has a multi-disciplinary approach in his artistic practice, which spans across video, installation, digital art, painting, and drawing and explores how the meanings are constructed and understood. He is often focusing on life as he blurs the boundaries between consciousness and unconsciousness. Muhammad’s work has been exhibit in many countries and venues as Moderna Museet Sweden, AllArtNow Syria, Kalmar Konstmuseum Sweden, Bornholms Konstmuseum Denmark, Porin Museum Finland, Malmo Konstmuseum Sweden, Scope Art New York. He invited to be artist in residence in Boktyrka Konshtall Sweden, Delfina Foundation London and IASPIS Sweden.

Tracy Peters is a multidisciplinary artist based in Winnipeg on Treaty 1 Territory. She uses photography, video and installation to examine the interactions between organic and human-built environments. Peters has received grants from the Canada Council for the Arts, the Manitoba Arts Council and the Winnipeg Arts Council, and has attended residencies which include a partnership between Void Gallery and The Social Studios and Gallery in Derry, Northern Ireland, the ArtCenter/South Florida-MAWA artist exchange program in Miami, Florida, the Plug In ICA Summer Institute in Winnipeg, Manitoba, the Independent Imaging Retreat (Film Farm) in Mount Forest, Ontario, and The Banff Centre in Alberta, Canada. Her work has exhibited across Canada, in Europe and Australia.

Abir Boukhari is a curator from Damascus, Syria, based in Stockholm. She is the director, curator and co-founder of AllArtNow that is considered to be the first independent collective space for contemporary art in Syria, founded in Damascus in 2005, but has since the war broke out in 2012 turned into a nomadic space, working from different places. Since 2019, AllArtNow opened a project space in Stockholm. In Damascus (2005-2012), she run the artistic programme for AllArtNow, and was the artistic director for Living Spaces Festival for Contemporary Arts, the artistic director of Studio1 (an informal school for contemporary arts in Syria) and the co-founder of Boukhari House for Artist Residencies and the culture center Maktab Creative Zone. Since her move to Stockholm in 2015, she curated and collaborated with a number of arts organisations and institutions in the Nordic region and the MENA region, among them: Botkyrka konsthall/Residence Botkyrka (Sweden), Pori Art Museum (Finland), The World Culture Museum in Göteborg (Sweden), KRÆ syndikatet (Denmark), Sörmland Museum in Nykoping (Sweden), Jönkoping Läns Museum (Sweden), Kultivera in Tranås (Sweden), among many others.