#sad scene from gravity falls

[yetiheyeti]

Grunkle Stan 😔

[hopelesslydimwitted]

pls accept my humble offering 🤲🏻

[whatonearthisgoingon]

Gravity Falls animatics

If anyone is interested, and because of the rise in Gravity Falls content, here's some fun stuff made by the Gravity Falls Fandom from YT and Tumblr:

Canonish Angst and issues: - "Take a Slice - Gravity Falls Animation" by achromaticEgoist on YT, @achromaticegoist on Tumblr. - Topic: Weirdmagedon. - "Achilles Come Down | Gravity Falls animatic" by nogiiarts yt on YT. - Topic: Ford's research/past and the Pines family - (It's back!) A Sadness Runs Through Him - a Gravity Falls PMV" by Kinseis on YT, @kinseis on Tumblr - Topic: An au representation of the relationship between Ford and Dipper, with Bill's negative influence - "DR. GASTER // BOOK OF BILL PMV" by mistxmood on YT, @mistxmood on Tumblr - Topic: Bill's time in theraprism vs. how the pines are doing after Weirdmagedon, a brief summary of deals and Weirdmagedon, and Ford finding the Book of Bill. - "Sleep Walk | Gravity falls animatic" by Hoodedjelly on YT, @hoodedjelly on Tumblr. - Topic: Young Ford and Bill, the abuse from Bill to Ford. - "Sleepwalk | Gravity Falls Animatic" by InkcapAnimation on YT, - Topic: Young Ford, Fiddleford, and Bill; the abuse from Bill to Ford. - "Real as Ever" by @heyitsspiders on Tumblr. - Topic: The abuse and control of Ford from Bill. - "DRUNK (Gravity Falls Animation)" by marineflames on YT - Topic: Bill's possession of Ford and Dipper. - "Devil's Train (Gravity Falls Animatic)" by YannyDo on YT. - Topic: Bill introducing himself to Ford. - "CONFRONTATION Bill Cipher and Ford Animation (CW FLASHING LIGHTS)" by marineflames on YT. - Topic: The internal battle of control between Ford and Bill, and the abuse from Bill to Ford. - "THE FINE PRINT / Billford / Gravity Falls / Animatic" by Plantain_Xd on YT. - Topic: The deal between Bill and Ford, the abuse from Bill to Ford, and Weirdmagedon.

The Mystery Trio and Bill: - "Double life animation meme // Gravity Falls [I KNOW U HEARD THE RUMORS]" by KimukoDoesALot on YT. - Topic: A quick summary of all the on screen possessions we see, along with the Still Bill Theory. - "Gravity Falls | Colors" by Typhord on YT, art by @kiki-kit on Tumblr. - Topic: A history of the two Stans, Ford's research, and Stanley's effort to get Ford back. - "BEZOS | Gravity Falls Animation Meme | cw bright colors, flashing, strong language" by Possumbreath on YT. - Topic: Fiddleford Mcgucket and his Cult: The Society of the Blind Eye. - "The Gun | Gravity Falls Animatic/ Storyboard (LOUD AND FLASHING)" by Clever Reference on YT, @call-me-clevy on Tumblr. - Topic: Fiddleford and Ford fight over the memory gun. - "shine a light (reprise) || gravity falls" by hummise on YT, @hummise on Tumblr. - Topic: Bill convincing Fiddleford to use the memory gun. - "The World's Greatest Actor - GF Animatic" by tendebill_exe on YT. - Topic: Stan's life. - "Drift Away || Gravity Falls Animatic" by CosmicCrossing on YT, @shima-draws on Tumblr. - Topic: Stan and Ford's relationship slowly drifting apart, then the reunion.

Bill behavior and past: - "BILL CIPER REANIMATED | Gravity Falls [Flashing Lights]" by R0V1 on YT. - Topic: A reanimation of Bill Cipher's "death scene" in Gravity Falls. - "The mind electric // gravity falls // bill cipher // billford animation" by H3MI on YT. - Topic: Bill using his talents of manipulation to gain sympathy from the AXOLOTL, his interference in the Pines family's lives, and his failure at Weirdmagedon. - "September in Euclydia" by L Void on YT - Topic: Bill reflecting on the destruction of Euclydia. - "how bill cypher destroyed his realm - gravity falls comic dub" by Count Julius VO on YT, art by SHEOL on X - Topic: Bill's childhood and the destruction of his dimension - "THERE I AM AGAIN! (Bill cipher animation)" by CandySwirl on YT. - Topic: Bill's appearances in the Gravity Falls world. - "THE ACCIDENT - GRAVITY FALLS / THE BOOK OF BILL AMV" by PeteyTheParrot on YT, @peteytheparrot on Tumblr. - Topic: Bill being moved to Theraprism, and the destruction of his dimension. - "GOOD LUCK BABE | Gravity Falls Animation" by nntsu on YT, @nntsu on Tumblr (pretty sure). - Topic: Bill's relationship with the AXOLOTL, as he ignored the AXOLOTL's advice of not dominating Earth, and glimpses at Bill's past. - "rockabye billy - gravity falls BoB animation" by ashana on YT. - Topic: Bill's childhood, and the accidental destruction of his dimension and parents. - "Uncanny ( Bill Cipher Short AMV)" by Jøzlyn Moon on YT, @jozlyn-moon on Tumblr. - Topic: Bill regretting his deals and decisions in Theraprism. - "BRUTUS | Gravity Falls Animation" by achromaticEgoist on YT, @achromaticegoist on Tumblr. - Topic: A complicated au; details in the video's description. (I liked the video)

Billford: - "GETTING OVER YOU - Book of Bill animatic" by Scoopy Sketches on YT. - Topic: Ford and Bill's past relationship, and the toxicity, manipulation, and obsession from Bill's end. - "Sky Fall // animation // billford // gravity falls" by H3MI on YT. - Topic: Ford and Bill's past relationship and Weirdmagedon. - "A human’s touch // gravity falls" by H3MI on YT. - Topic: A quick show of Ford and Bill's relationship in the past, versus during Weirdmagedon. - "HUMAN’S TOUCH- A GRAVITY FALLS ANIMATIC" by M0CH4 CUP on YT. - Topic: A showing of Bill and Ford's toxic relationship, where Bill was using Ford for the portal, the events of Weirdmagedon, and Bill's time in Theraprism.. - "RULER OF MY HEART | Gravity Falls Animation" by ORXA on YT, @orxinus on Tumblr - Topic: The toxicity and obsession of Bill and Ford's relationship. - "THE RED MEANS 'I LOVE YOU' || Gravity Falls Bill Cipher Animatic" by R0V1 on YT. - Topic: A showing of Bill's sadistic tendencies, and his physical abuse and obsession of Ford. - "THE TORTURE TANGO | BILLFORD ANIMATIC" by vikzo on YT - Topic: Bill's torture of Ford in the Fearamid during Weirdmagedon. - "Just the two of us // Billford // Gravity falls animation" by I.V.Y on YT. - Topic: The negative progression of Bill and Ford's relationship. - "BILLFORD -every breath you take- animatic" by Gloom_arts on YT. - Topic: Bill's obsession with Ford throughout his life. - "My Goodbye - BillFord Animatic" by Gallows on YT. - Topic: Bill and Ford arguing about their past relationship during Weirdmagedon - "Stanford Pines - No Children" by clarisimart on YT. - Topic: Ford regretting his relationship with Bill. - "PORK SODA - BILLFORD [FW]" by Eldoodlez on YT. - Topic: The beginning of Bill and Ford's relationship, then Ford learning the truth. - "[GRAVITY FALLS] BILL CIPHER & STANFORD PINES – GOOD LUCK, BABE! | ANIMATIC." by Punkiinx_neon on YT, @punkiinx-neon on Tumblr. - Topic: Bill singing his apologies to Ford in Weirdmagedon, and Ford being annoyed at Bill.

Comment if you think of more big ones I should add (try to avoid song repeating tho, I already did it too much in this T^T)! I only have Youtube and Tumblr tho, so any artists on other medias, I will not add.

[void-dude]

Hey there Void!

I was wondering,

Does Tad holds a grudge towards Bill because of what happened in Euclidea? Are they mad at eachother in the present day? I mean during the events of gravity falls

(Cuz I was doing a headcanon comic and realised I might be totally off without knowing, whoops)

Btw love ur work, bye!

Hello haii!!

Tad's feelings towards Bill and his dead dimension are very complicated. I suppose he does hold some sort of a grudge but the feelings that bubble up in his head are mostly grief, guilt, sadness, nostalgia and depression. Anger isn't something he expressed as often, especially not towards Bill.

If it ever came to a discussion between the two, there could be a snapping point where Tad TRHOWS the death of their world at Bill as "it's YOUR fault" or "I wish you just listened to me!"

It would be followed up by guilt, anger leaving his body as quickly as it came.

Bill doesn't hate Tad. If anything he, maybe, will be hurt by Tad avoiding him as long as he did. Well only if he finds that out. Which is a whole other can of beans!

Also glad that you're enjoying my stuff! I'll be looking forward to seeing what you're making! :]

Edit: Actually now that I think about it, if Tad EVER got angry at Bill it would kinda be like that one scene from the new Deadpool-Wolverine movie! You know! The one that makes ya shut up just like Deadpool did! Before they started beefing in the Honda!

[nenoname]

Gravity Falls DVD Commentary Highlights

(just a huge, and I mean huge, dump of random quotes that stuck out to me, which I sorta separated into characters+their relationships and it's probably gonna be obvious that Stan is my fave lmao

I dunno how to make this legible for anyone but whatever, just take all these rando character tidbits. Stan Twin pranks! Sonployee essays! The concept for a post-Weirdmageddon episode that Alex insists is just too miserable but I want it anyway! The Pines family making me cry!)

Stan

"We love the idea of Stan [in Boss Mabel] having a minute to uh, having a context where we want to see him be his worst self and seeing his big brash personality in like a setting that everyone can understand, because the Mystery Shack is a little bit ungrounded because he's in his world of his characters, but seeing him out in the outside world is funny weird."

We really enjoyed the fact that he's as awful as ever and he's rewarded for it. We like those anti-morals where Stan uses his terribleness to succeed incredibly well.

I think it was a little hard for people to understand in the writer's room at the beginning of the series was that, even though Stan is following a lot of these tropes of being a miser, he's not grumpy. Like he actually loves being himself. He really revels in it like even though he's got some kind of sorrow inside, his kind of day-to-day like he's more about just the uncle who loves to hear himself and make dumb jokes than he is somebody who's mean or cruel or cynical per se.

The [NWHS] storyboards managed to make Stan this awesome action hero while still keeping him Stan. Like I like the fact that he steals a wallet in the middle of it. He steals a wallet, he smashes somebody against the wall, he sasses him but he also has this just great Inception moment. And it's because we're building to a big question about “who is Stan?”, I felt a moment of seeing him be kind of awesome further increases your “who is this guy?” He keeps going back and forth between like “oh geez my back” and you're like “all right that's the Stan I know” and then like “whoa, he just did an awesome jailbreak! Is he some kind of super villain? Who is he really?

There's more of Ford in Stan than I think Stan realizes that I think only comes out in certain moments.”

Why did Stan keep a clipping of himself titled “grifter at large”? I think he thought he looked cool in that picture. “You know I kind of have a Clint Eastwood look in this grifter at large photo. I think maybe I'll use this as an About the Author one day. I gotta hold on to this one. You know what, I'm a criminal but I'm a nostalgic criminal! Loving the past is my greatest crime now!”

I know how Stan feels in this [Principal talking to his family] scene, when somebody comes in and says like “You know what? There was a race you didn't know you were running and you're already behind, way behind.” 

And you know even though Stan is a guy who looks like he's having a fun time, I always, in my gut, thought of him as somebody who is a huge well of sadness, a loss of human connection. And that need to please, that trying to get laughs from the crowd and constantly telling dumb jokes and you know putting on a big show in the Mystery Shack, he's trying to get from them the affection that he never got from his family and lost with his brother.

Stan has been waiting for years to have a reunion with his brother. He's always felt like a screw-up. Stan once again had an idea of how he thought things were going to go. He thought that his brother was saying “I need your help” for the first time. He's going to go up there, they're gonna have some drinks, they're gonna catch up and instead he ended up shoving his brother into another dimension and running out of food and money. It's sort of his worst nightmare. But this was Stan's entire character, from the very beginning of the series, was built around this idea that he's living with this tragedy. He's a guy who outwardly seems like he doesn't appreciate family but in fact wants it more than anything in the world and feels like maybe he's not worthy of it and would do anything to prove that he is.

Seeing Stan figure out what he's good at felt important to me. Like he's never been good at anything in his life and he makes a stupid hokey joke and it suddenly turns into a profit. I felt like without [showing how the Mystery Shack was created], I was missing something and understanding why he would do this, how this would be the solution to his problem.

We would like the idea that Stan appears to win through dumb luck, that it's sort of Intelligence versus Guts but Stan wouldn't actually bet everyone's life on a dice roll. He's a cheater! At the end of the day, I believe Stan has been thrown out of Vegas for counting cards and for weighing dies and I believe he could con his way out of any game, particularly for an obnoxious wizard like this. The idea that Stan would gamble everyone on pure chance is like no. No, he's got a plan. This is the guy who escaped prison using gravity leaps, he's got a way out.

The one big thing [The Stanchurian Candidate] does is really highlights Stan's inferiority complex compared to his brother. Part of what he's doing is he's trying to be an important man here and this episode is actually a pretty good setup in many ways for Weirdmageddon Part 3. When we see Ford they're all going on this rescue mission to rescue Ford and this episode shows you just how much Stan wants to be the hero like the reason that he can't shake Ford's hand when they're in that circle.  The cold open of this where he sees everyone loves Ford and now that Ford's back, he's the best. Stan's like “well, how about I run for mayor!” It's just to boost his ego and make him feel better about himself.

Dipper and Mabel

“Straight man protagonists are really hard to write because every other character had a comedic hook. We understand that Soos is kind of this weirdo, his brain is in another place. Mabel has this exuberance and sees the best in every situation and is very creative. Stan is a crooked conman. Dipper is… the normal guy and a character like that can often feel like they don’t have agency, start to feel just reactive.

Waddles is Mabel's only love that lasts the summer. Mabel is very prone to love at first sight and Waddles is able to love back with Mabel's degree of love.

[In Sock Opera] Mabel's in love with Gabe, Dipper's in love with the Author and they're both willing to do something crazy to get get closer to that thing

There kept being layers of adjustment to make it, “okay what would it take to get Dipper to make a deal with Bill?”  1: He would have to not understand the rules of the deal. He's been tricked, he thinks he's just giving a puppet, he didn't know was himself. Classic genie rules, you get what you wish for in a way you didn't expect.  2: There's a little ticking clock that just started, which if he doesn't do it by now, he's gonna lose all this.  3: Bill rightfully points out that Mabel has been kind of not sacrificing for him and he maybe needs another ally right now  4: He was sleep deprived and actually you'll notice that Dipper blinks right before Bill arrives and that's our way of suggesting that that countdown might not have even existed

I think Dipper and Mabel are of equal exact intelligence but Dipper's insecure. He sees his accomplishments as a way to make himself better and thus is motivated to focus on things that are accomplishment type things. And Mabel is very confident and likes having fun and when she's having a good time, she has a little tunnel vision for the people and the things around her. That's one of her biggest flaws. She's actually really, really sweet when she notices and understands your pain but not when she's doing a bit, when she's doing a scene, when she's doing a gag.

Ford

Originally [the fake Author] looked a little bit more like an oddball wacky inventor and I felt he had to be pretty idiosyncratic. There's certain color things about him you'll notice. He's more or less got the color scheme of the Journal, you know maroons and golds, so that you kind of feel instinctively like maybe that's him. A lot of these motifs though we would end up using in Ford's design, as well the gloves and the coat and all that but much cooler later on but preparing you, it's Ford Lite. 

Now this is there's no logical reason that Ford would break [the warnings about the portal] up into all these books this way but up until this point he's been shown as this sort of all-knowing mysterious Puzzle Master that it felt appropriate, even though it's not logical.

It works for the storytelling so when Ford wrote that, that's when he was super sleep deprived. He realized that Bill had betrayed him, he was starting to have a hard time differentiating between fantasy and reality, he was losing sleep and scribbling all sorts of lunatic serial killer looking stuff about the end of the world.

In Time Traveler’s Pig, we see what should be a young Stanford Pines even though again, the design's a little off but we knew big sideburns, bushy hair. Although that Stanford looked a little bit more swole than this guy and that's one of the what we thought were very subtle clues in season one that helped a lot of fans figure figure everything out way too soon.

[Using the memory gun on the agents scene] needs to show that Ford's really awesome and so we could get rid of the agents and show that Ford can pretty much handle anything that Stan can't and also call back to our memory ray all in one.

There was a lot of fan speculation when we first met Ford. Generally when television shows introduce a new mysterious character late in the game, they turn out to be a villain like 9 out of 10 times. They turn out to be a villain or they're there to get killed off to show the stakes of something and like we could have made Ford evil but I always felt that that would be less interesting. The point that I was trying to get to is that Stan and Ford had this relationship that fell apart and it was both of their faults and I thought that if I'm Stan, I'd be more frustrated if Ford is actually a good guy. It would drive me insane if he's pretty reasonable, pretty rational, better at me than everything.

So we've flirted with this brief moment where it seems like he's a villain and we worked really hard to make it so that like his eyes are being covered by the reflection of the light. His dialogue is ambiguous enough here that for a moment you believe what Dipper believes, which is “maybe he's possessed by Bill.” You just saw him shaking Bill's hand, what is he supposed to believe?

I like that Ford has this photo with him, he had for a really really long time all the way through multiple dimensions. And he's probably told himself- I almost imagined if McGucket found that photo in his coat while they were working on the portal or something, like “What's this here?” and Ford would say “oh yes, that's a photo of a very important moment! That's when I…  that's when I first decided I want to be an inventor!” There would be no reference to the real reason he's keeping it. “This is me and my brother.” It would be like, “oh yes I was thinking about science as a horizon, a frontier to reach towards– you know like a boat, like a ship, like science! It's about science!”

Soos

You choose family. That you create over the course of your life and if that somebody earns being your family, like the Mystery Shack. These kids and Stan, they’re Soos' family and he's happy about that.

I feel like Soos gained something out of [Blendin’s Game]. He gains the knowledge that like “I'm tired of thinking about this man who I'm missing, who doesn't care about me. I'm going to concentrate on the people in front of me, the people that are my true family.”

Soos is a fan of the show even though he's in it. He's a big fan of Gravity Falls and [NWHS] killed him.

I always knew what I wanted Soos’ end to be Soos running the Mystery Shack. I imagine that Soos is actually way better at giving tours than Stan is because he loves all that stuff truly and he believes it. That's part of the difference. Stan’s like “um, all right suckers, this stagnant puddle is the befuddle puddle!” while Soos is like “yeah, one time I looked in there, I think i saw like a cyclops dude. Like, I really think I saw one! Like it might have been a reflection combining my pupils, but like?” and people are like “Whoa, really??”

McGucket

They hired a bunch of people and then they erased their memory. That’s my explanation for why there's like such amazing inventions that would take whole teams of people. McGucket secretly hired a number of contractors and erased their minds. Like I think of McGucket as being like a really sweet nice guy completely in over his head who just like “oh well, once I've erased one guy's mind, I gotta erase ten more guys’ minds to cover it up” and it just sort of builds into like “I guess I'm kind of this kingpin of crime and I'm starting a cult I didn't mean to. Whoopsy daisy!”

When we get to Ford and see their backstory and see their relationship, it just makes all the stuff that happens with the portal and what happens with Ford and all that more poignant that he had someone there who was not only his friend but also a voice of reason and telling him to stop and that he wouldn't listen to him, as opposed to Ford being down there on his own with nobody to bounce off, anybody to say “hey wait a minute, is this a good idea?”

“McGucket was the assistant and he was maybe this assistant who was sort of put upon and Ford kind of brought a college buddy together with him. You know Ford as somebody who lost Stan, and even though he rejected his brother, he kind of needs that other person and he tried to find that in this kind of sweet prodigy and he just pushed him too far.

[The test scene] is meant to show sort of what it was that McGucket needed to erase, what it was that drove him to madness. It was partially seeing the Nightmare Verse and the way it messed with his head and also partly just realizing that this thing has apocalyptic consequences and he doesn't want to be a part of it. And if he can't destroy it or talk Ford out of something, he can forget about it.

Because If Ford's weakness is pride, McGucket's weakness is weakness. He's got a kind heart and he can't stop people, he can't destroy things. I mean he should have basically knocked Ford out with a wrench and take this thing apart piece by piece. He's the one who understood how to build it but I think he's kind of a follower and I think he's the kind of person who could get suckered in by a cult leader. He’s the kind of person looking for instruction and he really respects Stanford and can't bring himself to uh, he's like “I just got out of a bunker! I don't want to go work for another guy down in another bunker! This is my third doomsday cult this year!”

Stan and the kids

Stan and Mabel have such a different life perspective it seemed natural that at some point they would get to a major conflict

Seeing Grunkle Stan and Dipper bond like, I sort of believe that both of them are bad with women and both of them would rather believe there's a giant conspiracy than that they have they just can't get ladies 

Can this idea about Mabel's relationship with Waddles actually reveal a rift between Mabel and Stan where Mabel and Stan actually get along pretty well in the series you know? When they they're both such strong stubborn personalities that when they conflict, they conflict hard like in Boss Mabel. But this idea that Waddles is sort of a metaphor for what Mabel loves and Stan loves Mabel but he doesn't really think that anything she thinks is necessarily smart or right. He loves her like “guys she's my sweet niece but she doesn't know anything you know? She doesn't know anything about a pig” She forgives a lot with Stan but like Waddles sort of represents like the purity of her deepest love and the idea that Stan would threaten that is genuinely a shock

In the previous season it ends with Dipper giving up his journal and there was a lot of argument about “oh is it lame if he just gets his journal back?” Another thing we struggled with, we knew that Stan knows the importance of this journal he wouldn't give the journal back to Dipper so it was a bit of a convolution we'd written ourselves into a corner. We wrote ourselves out, we said “okay he's photocopied it. he's giving it to Dipper because he knows that Dipper's really precocious and he'll never stop asking.”

“We knew that we wanted everything to come to a head when the kids are going to discover Stan's secret and they're going to discover it in such a way that they only get little bits and pieces and they have to decide for themselves based on the limited information. Is Stan's a good guy or if he's a bad guy? Ultimately that decision will be a decision of heart versus mind. And Dipper's mind, Mabel is heart and they're fighting with the scraps of information they have.  Should we trust our heart about how we feel about this guy over the course of the summer and everything we've been through or should we trust the clues? That seemed like a believable way to get Dipper and Mabel to begin a rift between them that is resolved by the end of the series.”

The way Stan acts in [NWHS] is like, to me part of what feels so grounded about it is like I'm a child of divorce and like I know that when parents or parent figures know that hard times are coming for the kids. They kind of lay it on thick they're like who wants ice cream you know what I mean? Like Stan being extra nice to them at the beginning is like it's kind of a realistic thing that that adults do when they know like big changes are coming.

I felt it was really important that we added the scene where they're at maximum bonding. They're up on the roof, they're shooting firecrackers. Stan knows in his heart that when his brother arrives everything is going to change in ways he can't predict and he's really savoring this moment because he knows, even if things goes completely smoothly, which they don't. the kids are still going to be mad at him, especially Dipper for basically lying.  They had this big meeting after the end of Scaryoke where of course Dipper also crossed his finger but Stan crosses his fingers and says “oh I'm telling you everything” and he knows that the kids are not going to be happy about the fact that he's been keeping this all from them because they've done amazing things together already and he should have trusted them before now. 

This act break is them saying, “wait, Stan might be a random grifter who maybe killed our real uncle!” That's pretty heavy for any show let alone a cartoon show.

What that would mean for them if all this stuff is true is so much further than just like, “oh he lied to us about a couple things.” It's just like, “no he's straight up just some random dude that we don't even know uh and the guy that I've been pining for this whole time is dead!”  We really try to stack the deck so it's like Mabel's perspective and Dipper's perspective are both kind of racing to see who gets in front and there'll be a moment where it's like yeah you kind of buy with Mabel she feels good about about Stan and then this scene is the most you’re ever with Dipper where we discover this huge crazy curveball and this feeling that you have looking at this newspaper and looking through these fake IDs this is how Dipper feels all the time.  If you want a window about what it's like to be Dipper, this moment where a giant conspiracy reveals itself out of little pieces and seems to suggest that no one is trustworthy like that's that's where Dipper lives and this to him confirms every bit of suspicion and every bit of paranoia he's ever had and he's willing to run with it. 

I love these characters so much that, for me I was like “I need to see Stan saying goodbye to the kids at that bus. And I don't want him to be some guy who isn't Stan, who doesn't even remember the kids.” That would be really dramatic. It might make you cry more but to me it doesn't actually mean anything. Their relationship which they've built, he was willing to sacrifice his memories to save them. That's how much they meant to him but because he was willing to do that, I think he deserves to get him back.

Stan and Ford

But I think Stan's hope is, that in Stan's mind this is going to play out one way which is that; he's going to free his brother, his brother's gonna come out of that portal after 30 years. Stan's probably imagining that Ford is weak, emaciated, wrapped in a blanket, that he'll stumble forward, through a beard. through blurry eyes, he'll be “my brother, is that you?” He'll embrace Stan, he'll hug him, he'll say, “all these years I thought I was goner but you saved me! I was wrong to mock you, I was wrong to call you the stupid twin! Dad was wrong about you! You're the greatest man and let's be friends again and who are these niece and nephew?” Like that was what Stan was kind of hoping. He knows it's there's a million things that could go wrong, including potentially the destruction of this dimension, but he so desperately needs to believe that he can make up for the problems of the past. He's hoping for this but he knows that things are going to change

When I started the series, I always knew Stan had a twin but all I knew about Ford from the jump was that he's everything Stan Isn't. So Stan is a guy with a huge chip on his shoulder, he's kind of a loser at life. There's somebody who is a winner at life or at least was a winner in all these ways that Stan wasn't.

We realized that in order to bring out the maximum amount of frustration in Stan, [Ford] needed to have a bit of a heart. Like here we see him being kind to the kids, he's not he's not all bad which is what's so infuriating to Stan. The idea that he would quickly get along with the kids when he can't get any respect from them. Ford is designed for what would bring out the most amount of conflict in the family. What would be Dipper's hero, what would be Stan's rival and who's somebody that we could empathize with. I mean, it’s  hard to empathize with a character that comes out and punches one of your characters in the face, basically before he almost says anything.

You see that at this age, that all the stuff [in their room] that would cross over, that would appeal to both of them. It's not just like “there's science stuff here” and then there's “what Stan would be into.” but no, they both like all this.

There was also a version [of ToTS] where early on, they'd rigged the school water fountain. They did sort of like a caper, it was science and a scam together when they were in elementary school but we decided to save the science for the science fair stuff.

We played around with the idea that you would see them working together doing little science games or pulling little pranks. There was actually a scene that some of it was even storyboarded where they're in a treehouse together and Crampelter and his friends have tracked them down and are begging for their lunch money and Stan and Ford have used their jerkiness and geniusness to rig up like a water balloon throwing machine that knocks Crampelter in the head. I remember him saying, “oh no, my old-timey paper crown!” We were really hanging a lampshade on all these sort of Little Rascal cliches.

Ford's not a villain. You know he's getting in Stan's face and saying “I want my life back” but hopefully by the end of the episode even though you don't root for his perspective, you understand his perspective where it's like Stan ruined his science project, Stan shoved him into the portal, Stan took over his house. He’s not completely unreasonable to want it back and he's not completely unreasonable about his request. He says “okay you've got till the end of the summer” and Stan's little look there tells you everything you need to know about how he feels about the situation.

We needed pressure to be at the point where Stan and Ford recognize their lifelong rivalry and Ford does a sincere apology to Stan and almost more importantly, he acknowledges Stan's intelligence. He says “you wouldn't have fallen for Bill's nonsense.” He recognizes that his brother has a kind of intelligence he doesn't.

I always imagined that as kids, Stan and Ford were like this dynamic duo. They were getting into scrapes and like planning pranks and with Stan's creativity and Ford's genius that they were an unstoppable awesome team, before life turned them against each other. I imagine that as kids they were always swapping glasses and tricking their parents so that they could get double presents. And this is a move they did back in New Jersey constantly. We had to figure out who's gonna make a sacrifice and how and even though it's Stan who agrees to be “I'll be the one erase my mind, it's fine, it's worth it”, it's a sacrifice for both. Ford at this point is willing to get his brother back and he has to lose him again. 

Stan and Ford, when they can finally work together, do bring out the best in each other. They just have been missing it for so long.

Post-mind return, Stan and Ford get along and that scene where they both threaten the bus driver gives a hint of what would happen if their powers were combined. We've never seen them working together as adults, they would be a really formidable duo.

Pines Family

[The Blind Eye has] such a great scene between Mabel and Wendy. We don't have a lot of scenes that are just them hanging out and she can kind of be like the cool older sister. Mabel's so obsessed with boys and Wendy's just like "yeah, whatever. They're a dime a dozen."

“in the storyboard, the postcard that Soos is holding up from New Orleans actually said Vegas and at the last minute we got really worried that people were gonna see that and think that that was a clue that Stan was Soos's deadbeat father. And because like our audience, we've trained them to look for clues and to connect dots, they start connecting dots that are not connected. And I called a late retake because, and I see people be like, “wouldn't that be cool if Stan was actually Soos's father” and I hate that headcanon. Whoever's listening and you think “that's a great idea!”-- that's a terrible idea!! Because it means that Stan ran out on his kid and then came back in his life. And weirdly pretends to not be his dad. It flies against the moral of this entire episode which is like, you know this guy who is Soos’ blood relative like cast him out and didn't come back and didn't make time for him and all these people did. These people are Soos’ real family and to say “Stan would be Soos' real father more if he was genetically–”, I'm like “no, no forget that!” Like relationships are about what you do. To me friendship is thicker than water and family is something you can create so I really didn't want anyone to think that we were suggesting that because to me, it actually wasn't just the wrong idea, it was like thematically against what the show's about.” "

"[In NWHS] Every character faces their worst possible choice, which is “Mabel must choose between Dipper and Stan” and “Soos must choose between Stan and the kids,” like “guard that thing with your life. I'm not going to explain to you why.” I believe that Soos would do anything to guard Mr Pines's secrets and these are the only two characters that could possibly make him doubt Stan, these two kids that he loves so much."

"For [DD&MD], you want to set it up as being like [Ford]'s like the coolest toy that's down in the basement that Dipper really wants to play with and he is not allowed to play with him."

"The first three quarters of the series are sort of about Dipper's crush on Wendy and this final quarter is sort of about his crush on the Author. He's such a fan of this guy and he's so used to being denied that which he's a fan of and he's never found anybody who cares about his nerdy stuff. Mabel doesn't care, Stan doesn't care, Soos cares but on a different level. He's so hungry for the approval of somebody like Ford This idea that they would bond over a nerdy board game felt like sort of the way to do this big idea in a sort of grounded way that I like better than like Ford presented Dipper with the Five Trials of the Genius Boy. “I passed these when I was your age! Can you do it too?” and it's like nope he just likes the same dork game that he does."

"The arrival of Ford is creating the two sets of twins starting to pair off between the Brainiacs and the Maniacs"

"Actually I enjoyed that [Ford putting the die in a cheap plastic case] got a little bit of a reckless side because it shows you the Stan part of him. The Stan part of Ford, the little bit that likes a little bit of danger, he likes a little bit of risk. If he would show that side, it would be in when he feels at ease, with a kindred spirit. Around Dipper he’d be like “isn't this pretty cool?” He'd never be that irresponsible around Stan.  I like that Dipper is sort of a little bit of a Achilles heel for Ford as well. Ford has certain blind spots and Dipper exacerbates some of those just because he's willing to encourage, he's willing to “yes and” Ford towards whatever dumb idea he might have."

"Dipper, Mabel, Stan and Ford, they're all characters who need each other. Without Dipper, Mabel's just in a fantasy land. Without Mabel, Dipper is just sort of just spiraling into misery, spiraling into his own neurosis and not being pulled into those social situations, not growing as a person."

"You want [Stan] to be true to our various awful grandfathers, so I feel like for the most part you know that [being shitty to women] a plausible thing for Stan to do, that you only forgive because you know he's not a role model. Nobody wants to be like Stan. The kids never look up to him. The only person who looks up to Stan is Soos and Soos is enough of a comedy character that you understand the joke is “oh this guy thinks the worst way to live is good.” And then at one point you realize why. We made it clear why Soos looks up to Stan is because he gave him his job. He gave him a father basically, he’s essentially Soos’ father. And of course Stan who's had a life of just chaos and disappointment, the only person who would be a surrogate son is [Soos] but also Soos has the biggest heart in the world. So only the biggest heart in the world could forgive all of Stan's many flaws and also if Soos can love Stan, then maybe there's something in there worth loving, then maybe we can too."

"Stan, even when he's sweet, he still has to threaten to murder his niece and nephew."

"I do think the value of [Stanchurian Candidate] is that we're learning just how important it is that [Stan]’s seen. At this point, the kids have become a surrogate family. At the beginning of the show, they were just kind of a little nuisance and then he kind of tried out getting the family from them that he never got from his brother and the idea that he would lose them to his brother is his greatest nightmare and the only way he can really express that is by trying to be impressive to them and trying to be his brother's rival."

"Ford offers Dipper this apprenticeship because Ford sees Dipper as somebody who's special like himself. That Ford's great flaw is arrogance. He believes that there's special people and everyone else and that you can be held back by your siblings. That human attachments are actually weaknesses. The song and dance that he's giving Dipper right now is the exact song of dance that he gave McGucket back when they were younger which is like “sure you could continue working on your job and computers but you and me are different. We're better than everyone else, we have a path that no one else can understand. Only us can do this.” And it’s a very seductive idea for Dipper but he starts to be a little insecure here. He’s kind of “I can't believe it” and he's sort of right to be suspicious because Dipper is a smart kid but Ford's projecting. Ford loves Dipper because he sees someone who tell him yes to everything. He'll never challenge him and if Dipper had taken Ford's apprenticeship,Dipper probably would have gone the way of McGucket, turned into a kind of insane paranoid hermit with no friends, just kind of losing his mind. Like it's a seductive offer but also ultimately Dipper needs to learn not to try to grow up too fast."

"This entire time Dipper's been having this journey of self-discovery and seeing his future as this wonderful thing that he can't wait for. Mabel has been, piece by piece, seeing her idea of the summer fall apart."

"As Ford and Dipper's relationship grow stronger, Stan and Mabel also find much more sort of connection. They both feel like the sibling that's getting kind of sidelined."

"I think [amnesiac!Stan] would be hardest on Soos, second hardest on Ford but Soos would show it. Probably third hardest on Mabel, fourth hardest on Dipper just because where their hearts are. Dipper's not heartless, that's a testament to just how heartbroken those other characters are."

Series goal+ The Finale

"So our idea was; the memory gun can erase a concept as designated by the dial. It stores it. It records you and it keeps that recording and that if you watch that recording things start to come back a little bit, that it hasn't actually completely erased it from your mind. It's more sublimated somewhere where it's really really hard to reach and in the series finale, my concept of Bill is that; if he hadn't gotten in all those forms and fought Stan, Stan is the one that destroyed Bill. Were it just the mind eraser itself that he would be sublimated somewhere but he was weakened in the mindscape and destroyed in the mindscape. But Stan's memories were being sublimated and by looking at the scrapbook in the same way that McGucket's memories come back, they start to come back to the surface."

"I think part of what makes [NWHS] work also is that it has the strongest ticking clock. Yeah, I mean. it has a literal ticking clock. Also the sun is going down it's also, the town is starting to drift apart as the characters are starting to drift apart. There's just such a sense of Doomsday and even though we have like a three-part apocalypse, to me nothing feels as apocalyptic as this episode now."

"The entire purpose of [ToTS] is that Stan and his brother have had this huge rivalry that remains to this day and threatens to tear apart Dipper and Mabel and briefly does, and then Dipper and Mabel are able to find their way together, which is meant to repair Stan and his brother's past."

"Here we're teeing up the rest of the conclusion of the series which is just “whoa this is different. The status quo is shifted and is it going to shift us?” and that was the mission of this entire story was shift. Shift things such that it pits Dipper and Mabel against each other so that they can ultimately make things right and fix their uncles’ trauma in the process."

"“Let's try to set things into motion such that all of these characters who we love, who love each other are placed at maximum odds”. So Ford's entire existence in the series is basically a wrench in the relationships between Stan, Dipper and Mabel, that Stan has had a sibling who he didn't get along with and they've grown up having this horrible rift. Dipper and Mabel are these two twins who love each other but are very very different and are at this sort of volatile growing up moment where if something goes wrong could they turn out like Stan and Ford."

"[The convincing Gideon] scene works for me because it sort of represents the full completion of Dipper's Wendy Arc. Even though he's talking about Gideon and Mabel, he's really talking about himself. That idea that you can't force someone to love you but you can strive to be someone worthy of loving. It really does come down to like be the best you, you can be and the right person will see and feel that."

"It was gonna be W1, W2, W3 and then some kind of goodbye story. I remember it being something vaguely about some sort of other time travel. Bringing Blendin back because he just kind of vamoosed in the middle of this big story. There was that discussed like time traveling back to the first day when the kids arrived. The challenge was thinking of a valuable arc. So like each episode needs to have like a new problem and a new resolution and I was trying to brainstorm what's something that could feel valuable for like a final episode after the apocalypse, after Stan's mind has been erased and he's in the process of getting it back. "

"The thing I remember I wrote one out it was it's the last day of summer. Dipper and Mabel are packing uh they're planning to go home, they're feeling like nostalgic, they kind of don't want to leave. Blendin shows up and he explains that there's all these time bubbles left over, these weird anomalies because of all the time business and what Bill has done and just to watch out and be careful. Then Dipper and Mabel actually accidentally trip into one of these bubbles that are sent back to the very first episode or actually beyond the first episode, their first day in Gravity Falls um and somehow this was meant their character arc was to go from being like a little sad that they're going to leave Gravity Falls to seeing what it was like on the first day. When they were scared to be in Gravity Falls. The idea is like their first day they're like “oh Grunkle Stan, he's this weird old man and we hate living in this house and like we missed our place of comfort back home! And this is a kind of scary new adventure that we don't like.”  The kids see their own growth and realize like “the way we felt about going to Gravity Falls like we don't think we can handle it, is how we feel about leaving.” That feeling of going into a new experience means that something new and exciting is going to happen you're going to grow. There was some thought that maybe over the course of that episode, Stan would get his memory back and something that the kids had done in the past would help him in the present, get his memory back.

"What's supposed to be happening here isn't that Stan's entire memory reappears in an instant. It's supposed to be a couple days of work and we see the beginning of that process when he looks at the scrapbook and then we're kind of jumping ahead a few days. maybe a week of just intensive memory therapy with Stan before he gets there."

"When we were trying to crack the half hour episode after Weirdmageddon, it felt like we were just kind of wallowing and Stan not having his memories. It was a very depressing thing. And we didn’t get to have Stan for the last episode, which was like “it's a great it's great i think you get the emotion like in this episode. It tears you apart when you see it. You could last a little bit longer on it. But going much longer, then you just feels like well what are we doing? Why are we just kind of wallowing in our own sorrows for no good reason.”

"When we had discussed the idea of an episode beyond this episode, a fourth episode, it was basically 20 minutes of [amnesiac!Stan]. This is so intense, you might think you want it but good lord, this is enough."

"Bill singing “We’ll meet again” was something that just felt like the perfect reference because this is kind of an ending about endings in a lot of ways and we know we know Bill's going to be defeated. We know that people like Vill and have grown attached to him and for him to sing “We’ll meet again” is sort of the perfect mysterious way to say like “I might be going, I might not be going.” It’s a reference to Dr Strangelove, a movie that famously ends with nuclear apocalypse and the song “We’ll meet again” so it's for those pop culture savvy. It's already tinged with a kind of a fear and an irony and the apocalypse built in, so it's perfect on a number of levels."

"The concept of the Zodiac as existing in our current canon is this idea that the prophecy was that friends and enemies would need to come together, seemingly impossible alliances would need to be made to stand up to Bill for this prophetic moment. You know that characters like Gideon who was who used to be an enemy, characters like Pacifica, like Robbie, that we've reached the point where thanks to the kids’ kindness and growth, they are now friends with Pacifica, they've resolved Robbie's jerkiness, they've helped McGucket with his memory. They've even overcome this issue with Gideon in W1 and so it seems like friends and enemies have all been restored, leaving only one thing which is Stan and Ford have to shake hands. And their pride once again is what dooms the entire world but they get so close."

"It's clear Stan, even though he's being stubborn here and holds things up, he's ready to do it.  He clasps Ford's hand and then Ford can't help but correct his ignorant brother with something that doesn't matter at all after professing how important all this is and how important it is to put pettiness aside, he's the one who ends up being petty in the end."

"I like that Stan [during the deal] is just thinking “all right, think white, think white, think white.” He's like “think about nothing but sitting on your lazy boy.” "

"Stan and Bill had never interacted in the series up until this moment  because he had just been taken over when he was asleep. We'd seen a lot of Ford and Bill, but Stan and Bill has never happened. And Bill sort of represents all the mystery and weirdness, and Stan is the guy who just wants to have a good life and protect his family. He's the one who never invited Bill in but he's willing to take Bill out."

"If Mabel's going home with a pig, Dipper's going home with this symbol of his friendship with Wendy. And even Stan he's wearing that Mabel sweater. That's a visual symbol of; he's softened up, he's embraced family, he doesn't need to be the tough guy all the time."

[gayelderstourney]

OLD MAN YAOI BRACKET ROUND 2

Propaganda:

Fiddleford McGucket/Stanford Pines:

lab "partners" who broke the laws of physics and nature together but it went horribly wrong and one of them got stranded in alternate dimensions and the other wiped his memory so hard he went mad. 30 years later and they were finally able to reunite during the apocalypse. even though both had changed so much they wanted to forgive each other and move forwards

if fiddauthor isn't real then why is there only one bed in the bunker. if fiddauthor isn't real then why did they go stargazing and talk about wanting to start a family. if fiddauthor isn't real then why "my partner" and "my fiddleford". if fiddauthor isn't real then why does fiddleford subconsciously hang out around the shack decades after he stopped living there. if fiddauthor isn't real then why does ford have dreams about him every night. if fiddauthor isn't real then why did fiddleford leave his son and his failing/failed marriage to go live alone in an isolated cottage in the woods with his best friend from college. if fiddauthor isn't real then why is ford's ideal world one where he gets to work with fiddleford for the rest of time. if fiddauthor isn't real then why "life would be a nightmare without them" and "it's the most meaningful thing in the world". if fiddauthor isn't real then why did alex hirsch change that one scene in the book to sound less gay. if fiddauthor isn't real then why did fiddleford make his laptop password ford's name. if fiddauthor isn't real then why did they hold hands while hugging. if fiddauthor isn't real then why "i could have sworn that as he joyfully played, i could see the age lift off his face, and see the fiddleford who had been my friend so many years ago". IF FIDDAUTHOR ISN'T REAL THEN WHY DID FORD'S MORE HONEST RETELLING OF THE PORTAL SCENE FEATURE HIM GENTLY CRADLING FIDDLEFORD IN HIS ARMS

Bob Zanotto/Helmut Fullbear:

THEY LITERALLY MADE MR CRY THE FIRST TIME I PLAYED THE GAME. THEY LOVE EACH OTHER SO MUCH AND THEY FINALLY GET TO BE HAPPY TOGETHER. YOU DONT UNDERSTAND HOW MUCH THEY MEAN TO ME.

they are married in canon and are epic and amazing. they had sad canon events where bob thought helmut was dead for like 30 years or something but helmut WASN'T dead his brain was still alive and they are reunited in the game first by way of stealing an evil dictator's body and then later on they put helmut's brain in a ball as a temporary fix while they go out to find his body which has been frozen in ice. the game forces you to walk through bob's memory of saying his vows at their wedding ceremony and it's seriously some of the most romantic and heartwarming shit i've ever heard, especially "just when i thought i was turning to seed, you made me bloom again" like my god. i love them

they're gay and old as hell!!!! there's a level dedicated to their wedding!!!

Helmut is voiced by Jack Black and is currently a brain in a ball, and Bob knows him so well that the mental image of him in his drunken mind says things Bob KNOWS the real Helmut would never say. Also Helmut is temporarily in the body of a guy voiced by Elijah Wood-

[fushizhuo]

Synopsis: You're the youngest member of SKZ and the younger brother of Bang Chan. However, you're sick. And your parents sent you to the US to get treatment. But, they couldn't treat your disease. No matter how hard they tried. So as a final goodbye, you sang a song for your hyungs and your fans.

Genre — Angst.

Warnings — Death

Pairing — M! Reader x SKZ (platonic)

AN note — Transferring my wattpad works over to Tumblr, I made this when I was 12 don't judge 🤞🏻

WC — 4.8k

The arena hums with quiet anticipation, the energy heavy with sadness. Stray Kids are on stage, but the usual vibrant atmosphere is missing. Eight members stand in a row, their faces somber. The space next to them is empty—the place where you always stood.

Chan steps forward, his hands gripping the microphone tightly, his voice trembling as he addresses the crowd. “STAYs, tonight is… different,” he starts, his eyes flicking back to the members, all barely holding back their emotions. “Our member, y/n, couldn’t be with us tonight. But he left us something. A message for all of you.”

The crowd stirs, sensing the gravity of the moment. Then, the massive screen behind the group flickers on, and there you are, sitting in a chair, pale but smiling gently at the camera. You look weaker than ever, but you’re trying to be strong, for them, for the fans.

“Hello, STAYs,” you begin, your voice soft, yet steady. “I’m sorry I couldn’t be there tonight with my brothers. The truth is… I’m sick. Really sick.”

The arena falls into a deafening silence. Even though rumors had been swirling for weeks, hearing you confirm it feels like a punch to the gut for everyone present.

“I’ve been fighting this for a while,” you continue, a sad smile tugging at your lips, “but it’s gotten worse. And… I don’t think I’m going to survive this.”

The weight of your words sinks deep into the hearts of the fans, many of whom have already started to cry. The members on stage are barely holding it together. Felix wipes at his eyes, his face twisted in sorrow, tears falling down uncontrollably with I.N comforting him, while Hyunjin clenches his fists, his shoulders trembling.

You pause for a moment, as if gathering the strength to go on. “I’m sorry I couldn’t sing live with you tonight. But I wanted to say goodbye properly, the only way I know how—through a song. This is my final song, and I want to dedicate it to all of you.”

The camera zooms in slightly as you take a deep breath. “STAYs, thank you. You made me braver than I’ve ever been. Every moment on stage, every song, every smile—I did it because of you.”

You look down for a second, composing yourself, before looking back up at the camera, your eyes brimming with tears. “To my hyungs, thank you for taking care of me. You’re my family, and you’ll always be my home.”

With that, you reach for your guitar and start strumming the familiar opening chords of Castle on the Hill. The stadium quiets, listening intently, as your voice fills the arena.

"When I was six years old, I broke my leg,

I was running from my brother and his friends."

The soft, nostalgic melody washes over the crowd, each note filled with bittersweet memories. The camera flashes between you, playing your final song, and old clips of Stray Kids—the early days when you were all just starting out, moments in the dorms, behind-the-scenes laughter.

"And I miss the way

You make me feel,

And it’s real."

Your voice trembles slightly, but you keep going, pouring everything you have left into this performance. The members on stage are frozen in place, their eyes locked on the screen as you sing about the good times, about the innocence of youth, and about home.

"When we watched the sunset

Over the castle on the hill…"

The song continues, each lyric hitting harder than the last, and the fans can barely contain their sobs. You sing not just for them, but for your hyungs too, for the family you’re leaving behind.

"One friend left to sell clothes,

One works down by the coast,

One had two kids but lives alone,

One’s brother overdosed,

One’s already on his second wife,

One’s just barely getting by."

As you sing these lines, the camera flashes again to moments from the members’ lives—Chan struggling as a leader, Lee Know dancing through exhaustion, Han and Changbin composing until the early morning, Seungmin’s late-night vocal practices, Hyunjin’s quiet moments of self-reflection, Felix’s smile breaking even through the toughest days.

"But these people raised me,

And I can't wait to go home."

Your voice catches on the word home, and it’s clear that you’re thinking of the members—your brothers who stood by you through it all. The camera shows clips of all eight of you together, laughing, crying, working, living.

"And I'm on my way,

I still remember these old country lanes,

When we did not know the answers."

The music swells, and the arena is filled with your voice, with memories, with everything you’ve been through together. The fans, the members, everyone is united in the sadness of your goodbye.

"And I miss the way

You make me feel,

And it’s real,

When we watched the sunset over the castle on the hill,

Over the castle on the hill,

Over the castle on the hill."

As the final chorus fades, the screen cuts back to you. Your guitar falls silent, and you look into the camera one last time, tears filling your eyes but a soft smile still on your lips.

“Thank you, STAYs. You made me feel alive. You made me brave. I love you all so much.”

Your final words are barely above a whisper. “I’ll be home soon.”

The screen goes dark. For a few moments, the arena is completely still. No one moves. No one speaks. It’s as though the world itself is holding its breath, not wanting to acknowledge what just happened.

Then, the sobs start—quiet at first, then louder, until the entire stadium is filled with the sound of heartbreak. The members on stage are in tears, clutching onto each other for support. Chan tries to speak, but no words come out. He steps forward, wiping his face, and finally manages to say, “Thank you, y/n. We love you.”

The concert ends not with an encore, not with cheers, but with the weight of your goodbye hanging in the air. STAYs leave the arena with heavy hearts, each one carrying a piece of you with them, your voice still echoing in their minds, the final notes of Castle on the Hill playing over and over.

You never made it back. But in that final moment, you felt at home.

[milkyboybluewriter]

The Disappointing Case of Wendy Corduroy

Wendy Corduroy has a lot of potential, but too often is pushed to the side by a lot of fans, and even by her creator.  But not for lack of trying, or an interest in the character.  In fact, Alex’s idealised view of Wendy may have been her greatest obstacle in receiving a story of her own.  Dipper isn’t the only one who seems to consider her ‘the coolest person he knows.’

Wendy was inspired by the first girl who ever spoke to Alex Hirsch, as well as several people the creative team thought were cooler than them. These were likely special memories or people in order to base a fictional character on them.  But that puts her on a pedestal.  And when someone puts you up there, it’s hard for them to take you back down.  Either for fear of ruining you or concern that, when others look closer, they’ll be disappointed in what they see.

He wanted her to be a main character (in the same way Soos is, if not Stan, Dipper, or Mabel) but in many ways Wendy feels like a side character.  She never receives her own episode, and lacks the character arc that even some side characters like Pacifica and Robbie received.

Her family, her friends inside the Shack and out, her physical abilities and survival skills, the drama of being a teenager, not to mention being a resident of the weirdest place on Earth.  All of these can lead to a hundred stories across the spectrum.  So why do people not write more stories about her?

Maybe it’s because she wasn’t given the opportunity that others had.  

As a cool, older redhead, Wendy’s main role in the show was being Dipper’s crush.  Which already puts her at a disadvantage because it means they designed her purpose first, character second. In fact, this is probably why she changed so drastically from her vegan-hippie prototype seen in the Gravity Falls bible.  Everything from her boots to her hat has changed since then, save the way she makes Dipper’s heart go faster.  

Most of her appearances in season one featured this one-sided romance and Dipper’s attempts to impress her, which usually resulted in a morality lesson about being yourself and not doing dumb stuff to impress others.  Pretty standard cartoon crush territory.  But between the episodes, a real friendship bloomed. 

In The Time Traveller's Pig, she gives an indifferent shrug as she casually agrees to go to the fair with Dipper, yet before her injury - and in the timeline where she avoids it altogether - she’s shown to genuinely enjoy his company.  A couple of episodes later and she’s outright excited at the prospect of working alongside Dipper at the pool.  They have regular movie nights.  They crack jokes and tease the Shack’s customers.  Climb trees and play at the arcade.  Wendy spends more time with Dipper than any other character.  Which means she must care about him more than she does the rest.

The crush might be one-sided but the affection is not.

But in the DVD commentary of Into The Bunker, Alex Hirsch, Matt Chapman, and Rob Renzetti mention that fan feedback convinced them to end Dipper’s crush sooner rather than later, even supposedly having ‘KILL THE CRUSH’ as one of their main story goals for season 2.  Understandable.  The crush episodes weren’t always the best, and if it was always intended as an unrequited attraction then better to get it over with rather than draw it out.  And it’s a good lesson to have a young boy learn, especially around twelve.  Love and puberty are relatable, but no less frustrating for it.

Into the Bunker is my favourite episode for multiple reasons, not least for Wendy’s presence in it.  She shows off her friendship with Dipper in the cold open, reveals her lumberjack and fighting skills later, and shows she would be an excellent adventurer.  I see it as a prime example of What Could Have Been.  I especially adore the ending, where she lets Dipper down so gently, it’s a beautiful scene.  As sad as Dipper feels, he’s also been told by someone very special to him that he’s very special to her too.  Maybe not in the way he wants, but perhaps in an even more important way.  

I had high hopes after that episode.  I remember thinking this meant she would develop beyond just being his crush, especially now we’d seen her hold her own against the weirdness and danger.  I really wanted to see more of this adventurous, sensitive Wendy we’d missed in season one, and wanted her to be a regular companion and friend to the twins.

Wendy appears in 16 episodes in the first season, and 15 episodes in the second if you don’t split Weirdmageddon 3 into two.  In season one she appeared in but didn’t participate in the adventure of key episodes like Dreamscaperers or Gideon rises.  In season two, she joins the adventure in Society of the Blind Eye, The Last Mabelcorn, and the Weirdmageddon trilogy, but has limited interaction or story impact in most episodes, save Love God.   She only has what amounts to cameo appearances in Not What He Seems and Tale of Two Stans, two of if not the most important episodes of the series.  

Including each of the Weirdmageddon trilogy, she’s referenced via Dipper’s lingering crush six times, including episodes she doesn’t even appear in.  So, after Into The Bunker, Wendy goes from being Dipper’s crush to…his crush that appears less.  

Wow, they really failed that Kill the Crush mission, didn’t they?

Perhaps the biggest issue is that she is so keenly tied to Dipper.  I love the Dipper and Wendy relationship, I could write a massive essay on that alone.  But it is such an incredible waste that she didn’t get a chance to interact with the others nearly so often. Every other main character has relationships with others.  Soos has a father-son bond with Stan as well as a friendship with the twins.  Ford was introduced later in season 2 and still interacts with Soos and Fiddleford as well as his family.  It’s a hindrance to her character that most of her interactions were for Dipper’s arc, yet she received nothing of her own.  

Wendy spends some time with Mabel, trying to help her with boy trouble (not the best person to get dating advice from, Mabel) in Hand That Rocks the Mabel and Society of the Blind Eye, then goes along with the girls to keep them safe in Last Mabelcorn.  This lets us see her affection and big sister vibes don’t end with Dipper, and should have been explored far more.  Her interactions with Soos and Stan are also limited, mainly to the workplace.  Her only dialogue with Ford is one line in Journal 3.  

Yet we also never see her be by herself.  We never see her home life, or how she entertains herself away from her friends or work. She's always interacting with a main character or her group of friends.  No alone time or personal interests are seen beyond pranks and reading magazines to avoid work.

We even get to see Robbie Valentino’s home life and musical hobbies, but not hers.

This lack of independent material has even continued in the Book of Bill where two of her very limited mentions is in regards to Dipper being stuck on a tree and another is his search history.  Even her own dream is made into a joke at Dipper's expense.  Ten years later, and so much of her is tied to Dipper, specifically to mock his feelings for her.  I don’t know if that’s more insulting to Dipper or Wendy at this point.

Speaking of dreams, let’s get to another issue: her mother.  Who we know nothing about.  In a show so heavily focussed on mysteries, the fate of Mrs Corduroy is a question that’s been left hanging since season one and we have come no closer to an answer of any kind.  Even a direct question from fans on both the Alex Hirsch and Bill Cipher AMAs were answered so vaguely they told us nothing.  She’s no longer with her?  A Fountains of Wayne reference?  Even the Book of Bill’s reveal that Wendy dreams about her most nights says nothing.  Are these good dreams?  Nightmares?  Memories?  The implication is that she’s dead, yet not even that has been confirmed.  For all we know, Mrs Corduroy could be dead, missing, abandoned her family, or could be working on an oil rig for the summer.  Your guess is as good as anyone’s by this point. 

We know she’s Manly Dan’s oldest and his only daughter, but we didn’t even learn her brother’s names until a paste up sheet was released in 2017.  She barely shares a scene with any of them, and when it happens it’s in the background.  The only exception I can think of is their group hug in the Fearamid.  A tender moment which would have been so much better if we’d actually seen her engage with them beforehand.  Her lack of interaction is especially jarring considering her confession in Society of the Blind Eye:  "Okay, I'm not actually laid back. I'm stressed, like, 24/7. Have you met my family?"

Not really, no.  And for a show that’s about family as much as it is about mystery, it’s a shame that Wendy is let down in both areas.  

Even side characters like Robbie, Pacifica, and Grenda receive more character development, despite their limited importance or screen time.  In fact, it was recently pointed out to me that Archibald Corduroy, Wendy’s ancestor, is more integral to Pacifica than his own descendant.  Once again, Wendy’s interactions come up short, including from her own family.  

With the release of the Book of Bill, some people were hopeful that she might finally get some attention.  I wasn’t.  Personally, I think Bill simply has a low opinion of Wendy anyway since he called her a pushover in his AMA, so it can be fitting he doesn’t mention her often.  But it’s also the context of these mentions, and those on the website.  On Thisisnotawebsite.com she’s referred to twice - Her one contribution is a simple note where she pranks the reader.  Then she’s mentioned in Stan’s list of embarrassing moments.  

Ten years later and not only are her contributions incredibly minor, but they’re as much to do with other people as herself, if not more so.  She’s supposed to be a main character but she might as well be a cameo.

Her lack of representation is so bad, that I realised my friends were celebrating her being mentioned in The Book of Bill.  That’s how desperate we’ve become for Wendy material.  And I’m sick of it.   At this point, I’m anticipating a Wendy story as much as I am Winds of Winter.

Last month I was discussing some of my writing ideas with my father.  And he gave me a very hard truth: it doesn’t matter how good your ideas are, if you don’t act on them, they’re only ideas.  And he was absolutely right.  It doesn’t matter how great these ideas are in my head, if they’re only in my head then what good are they? 

Hirsch has been saying for years he’s wanted to do more with Wendy, but he hasn’t. Not in the show, the comics, or the other material.  Intentions, like ideas, are useless if you don’t do something about them.

I honestly hate how harsh this sounds.  I love Gravity Falls.  And I love Wendy.  And I believe Alex Hirsch does too, he just…doesn’t know what to do with her.  As he says in the Inconveniencing commentary: “We wanted to honour her so much that we couldn’t figure out the right episode with her because we didn’t want to mess her up.”  He’s put her on a pedestal just like Dipper did.  And I think she needs to come down so we can see how awesome she really is.

So, what can be done to fix this?  Well, when creators don’t have the time, interest, or ability to do something for a series, that leaves the fans to fill in the gap.  

I urge other Gravity Falls enthusiasts to try and give her the attention and character development she sorely deserves, especially now there’s a resurgence of activity and interest.  Draw or write her if you can, have her interact with other characters, not just be a crush, explore her depths.  And if you can’t, seek out those who have or can and ask their advice, or thank them for their work, offer encouragement.  For Wendy if not for them.

I want to leave this on a happier note and say that I’m going to follow this up soon with another essay, this time offering advice on writing Wendy.  Even talented writers I admire have surprised me by saying they struggle to write her, yet I’ve found it pretty easy.  So hopefully I can encourage other people to write her too.   

But if I could summarise what I want to see and what I think will help people write Wendy, it would be this: She’s not just Dipper’s crush, and she’s not just the cool girl.  She’s bigger than that.

She’s Wendy Flippin’ Corduroy and she deserves so much more.

Cheers, Milky Boy Blue

[a-collection-of-cool-ideas]

Thank you wonderful fanfiction authors! You do a great part to make life wonderful. Recs below the cut (I CANNOT believe I haven't rec'ed some of these before!) Previous recs: 2018, 2020, 2022. Looks like I only do these every two years lol.

Gravity Falls

Feels Like We Only Go Backwards, by @dubsdeedubs / WDW; complete multichapter. A heartbreaking concept with a happy ending. Sad but wonderful and a really fun idea. Working out just what is happening is a great challenge, and watching the pieces fall into place with mounting consternation is awesome.

In Search of Antidotes, by @astriiformes / azhdarchidaen; complete multichapter. An awesome Historical AU, and neither Ford nor Stan go through the portal (there’s still suffering though). Bit of freakiness, bit of funniness, bit of stubbornness, bit of coolness. A very cool read! A much more classic demon-possession story than canon with its modern sci-fi overtones. The gothic sci-fi horror takes the floor here. Jekyll and Hyde, Frankenstein, Dracula, it takes inspiration from all the best roots!

Just a Game, by @nikxation / nikxation; one-shot. Intense! High stakes! Well-written! Doesn’t mess around getting to the point, and hammers its beats into you! LOVE it! Bill holds a gun on Ford, while in Ford's own body. The tension in this is unbelievable!

An Outreached Hand, by @dubsdeedubs / WDW; incomplete multichapter. Something freakishly supernatural happened to Stan during his homeless days. It’s called Ghost Trick AU, and it’s super interesting and utterly engaging! It’ll have you tearing through it wanting to know what the heck is going on! The characters are all so intense in their own ways, and the plot is drip fed to you piece by delicious piece.

Snapshots from an Alternate Reality, by Rethira; one-shot. PORTAL STAN!! Just a short little one-shot about this alternate version of events, but incredibly cool to read. Love the writing style: it takes you through the scenes like a skipping stone, its wake mesmerising.

All Things Go, by @cantica10 / Cantica10; incomplete multichapter. A weird (in the best way) idea of a crossover between Timestuck AU (where Mabel is trapped in the past) and a Wings AU (where, you guessed it, everyone has wings). Adorable Stan and Mabel bonding, but is SO not afraid to get really dark. That being said, it’s also so sweet and fluffy, and explores the effortless love that Mabel feels for Stan, and that (broken, scared, young, sad) Stan feels for her. This is one of those fics I am compelled to keep coming back to. It’s such a full experience to read.

Snow and Pine, by @ancientstone / TheArchaeologist; incomplete series. A great concept!! Loved the idea of these two brothers being forced together by circumstances instead of intention. Some great selective description here, and the plot itself is a very fun ride. WERE. WOLF. STAN. Need I say more?

Lighthouse Keeper, by @impishnature / impish_nature; incomplete series. There’s a lot to this story; the main work is mostly a series of one-shots, with other works sprinkled between. The idea is so eerie and haunting, and the vibes are pretty different to most other things I’ve read. The instigating artwork by @sightkeeper is magnificent and Imp has managed to capture the images very well!

Triptych, by @scribefindegil / scribefindegil; one-shot. A very cool character study on Stan. Great for informing his central motivations. It's kept short and sweet, but the analysis is no less thorough for it. I loved the insight into my favourite character's life and mind. Scribe writes him so well.

Blind Faith, by pinesinthewoods; complete multichapter. Come on, how could I NOT mention this one? It's one of the many here I'm astonished not to have rec'ed earlier. Super dark, super scary, an AU where both Stan and Ford fall into the portal. Ouch, but cool. Really good, but be prepared to yell out loud in horror. This is a doozy, don’t expect a lot of happy feels going into it. That being said, it is INCREDIBLE. The structure of the story is fantastic, perfectly encapsulating the reliance each of the brothers’ needs to have on the other and how one has to step up when the other can’t. Stan and Ford are forcibly tied together in this, and they find they each mean more to the other than expected after ten years of bitterness and radio silence. A STAPLE of Gravity Falls fics.

Like They Were a Perfect Fit, by @sensitiveowl / hapful; one-shot. Aw, ow, cries. Love! Lots of tangled-up emotions and scenes that will tug at your heartstrings thinking about Ford’s life journey. Speculations on the importance of the photo that Ford is implied to have carried around with him for 30 damn years.

30 Seconds Later, by @invisibletinkerer / shayera; incomplete multichapter. Loved this to death! A really great concept executed fantastically. An AU where while it took Stan thirty years to rebuild the portal, Ford was only gone for thirty seconds. The characterisation of paranoid Ford and his interactions with the rest of his family are perfect, as is his reaction to finding himself in the future and his relationship to Stan. And Stan is wonderful in this too! A very good examination of age, aging, and the associated changes in perspective.

1 Step Forward, 20 Years Back, by @infriga / Ppleater; complete multichapter. An AU where Stan is turned into a kid in the midst of Ford’s pre-portal paranoia over Bill. It adopts the wonder and innocence that comes with youth, but still retains the darkness of Stan’s adulthood - wait, actually, his entire life has been kinda dark in this fic. This is one of those fics you can tell the author had a lot of fun with. It’s palpable in the chapter titles and the art :) The illustrations are beautiful, the story is heartfelt, and it is not at all afraid to go into some dark places. A very enjoyable, loveable, read!

The Road in Front of You, by @nicnacsnonsense / Nicnac; complete multichapter. Ford falls through a portal potty and gets dumped in Stan's path. MAN!!! This fic has a really great concept, and Nicnac’s writing is impeccable as always. A great look at Ford and Stan’s relationship post-high school, how their personalities have developed and changed, and most importantly how they reconcile the changes in each other.

Nothing a Little Sleep Can’t Fix, by AkitaFallow; one-shot. Oh MAN. WOW. Okay. A heavier look on the mark Sock Opera leaves on Dipper, featuring repercussions throughout the rest of Dipper’s summer. Absolutely, heartbreakingly, entrancing. The slow build up of the plot perfectly mimics the rising emotions that poor Dipper is struggling to keep a lid on until they inevitably explode, and watching the people who love him pick up his pieces afterwards is just golden.

Ad Infinitum, by @nicnacsnonsense / Nicnac; one-shot. My first read of the Same Coin Theory and it was awesooooooooome!!! There are so many repetitions of phrases that spark in my mind because of how great they were, and the aspects of Stan contrasted with Bill that thread through it are incredible. Kind of an unsettling concept. I couldn’t get enough. For a fic that’s all about cycling around, you'd think it'd get repetitive, but every paragraph is rich with novelty. A FEAST.

Some Sunny Day, by @anistarrose / anistarrose; complete multichapter. Another Same Coin Theory fic. The beats of the plot in this are stunning, with some truly awesome lines that left me reeling and thinking Oh SHIT that did NOT just happen!!! In the best way possible. A highly interesting story and some excellent takes on the Pines family and the world of Gravity Falls.

Towards the Sun, by @notthistimespock and pinesinthewoods; complete multichapter. EXTREME BROTHERLY FEELS. Incredible! Love the in-depth examination and speculation on Ford and Stan prefinale. A different ending for Weirdmageddon, following Ford’s journey through Stan’s mind. It gets sad, it gets scary, it gets freaky, you shed tears. Another one of those staple fics for the fandom. The story is a wild and heartrending adventure, full of imagery that stuck in my brain for years after the first time I read it.

Fisherman’s Knot, by @scribefindegil / scribefindegil; complete multichapter. MORE EXTREME BROTHERLY FEELS. Deals with postcanon adventures on the Stan’O’War II, including some reeeaaaally bad mental states/situations. Have tissues handy. I think this is generally regarded as the be-all-and-end-all of Stan twin angst. It is long, it is HEAVY, but it is also heartwarming and hopeful, and full of adventure and magic, and the kind of love it's made with really comes through.

Mob Boss Stan Pines, by Capricious_Passions; complete multichapter. A fic that you HAVE to read over again to get the complete picture. Complex and well-thought out, incredible attention to detail, but the first read will baffle you! A lot of fun trying to figure out what’s happening, and even more fun on the re-read picking up all the details you missed the first time!

Scrapbook, by Shyeye; complete multichapter. The complicated weight of grief hangs heavy over everyone in the story, and the difficulties in dealing with it are at the forefront of everyone’s minds. The depth each of these characters are written with is very much appreciated, not-so-pretty parts and all. This was a wonderful, touching, read.

Rescind, Reset, by @endae / endae; one-shot. Canon divergence where Mabel temporarily lost her life during Weirdmageddon, and the aftereffects on her and the rest of the family. It is one of the most beautiful things I’ve read, very emotionally raw. I cry every time. This incredible story is wrought with a filter of broken hearts being pieced back together as the characters live through the aftermath of their happy ending. It’s a shining, nuanced take on Mabel and how someone with her personality deals with the plot premise. I love the complexity of the emotions in this, not only from Mabel but also from the rest of the Pines as they work through their own traumas.

Safe as Houses, by @beastenraged / Beastrage; complete multichapter. If I could whistle I would! An entrancing read about the Pines family’s adventures from the perspective of their home. Some great and not too far-fetched ideas about how the Shack may have come across to its inhabitants over the years.

Greyscale, by @impishnature / impish_nature; one-shot. OH MY LORD. Incredibly touching and heartbreaking, I can’t look at this directly for fear of being emotionally blinded. Loss, and gain, and loss. Striking, powerful, so, so beautiful and painful. The aftermath of Weirdmageddon: another canon divergence where Stan lost his life. Except... Reverse Portal AU Stan stumbles across this sad dimension soon after. I swear, no fic has made me cry so hard and left me so much in shock of what the heck just happened to me. I love the look at how loss has affected the characters, and I especially love the path to recovery that is laid out for them.

Buying Gold, by @dubsdeedubs / WDW; incomplete series. Veeeery intriguing. It’s not really Same Coin Theory, but it’s a great read about the similarities between Stan and Bill and some cool speculation on Stan post-defeating Bill.

Any Family You Choose, by @nicnacsnonsense / Nicnac; incomplete multichapter. So sweet! Portal Dipper finds a young Stan Pines and decides to help him out. This concept is so wonderful, and the characterisation is blindingly clear. Keeps you guessing at the backstory!

Across the Universe, by Queen_Mab; one-shot. SUCH a great set of adventures. The multiverse really tries to hammer in its lessons sometimes, whether they stand a chance of sticking or not. Extremely well-written and fun, I devoured every word ravenously. Some scenes of Ford's portal time, with some VERY interesting encounters.

Star Wars

Anything Brighter than Even the Sun, by @hamliet / Hamliet; complete multichapter. The Rogue One crew survives and continues rebelling, as does Galen! The main focus is on Jyn and Cassian's characters and relationship, and how they navigate growing into a family. I love Jyn's character especially in this, with all those hard edges guarding a deep, deep well of passion.

Chirality, by @niobiumao3 / Niobium; complete multichapter. A Tech was CX-2 fic! It's great to see this fan theory explored, and Niobium writes so well! The plot is entrancing and has you hooked on the edge of your seat waiting for all the pieces to fall into place for our poor brainwashed guy. The way CX-2 thinks and melds with the personality of who Tech once was is beautiful and his interactions with his family and Phee are a sight to behold.

Crash Landing by @returnofahsoka / delightwrites; complete multichapter. Another Tech is CX-2 fic, can you tell this idea has a hold of me. The characters' voices in this come through SO clearly, it's insane, and the writing style is perfection. Jumbled and pained and confused and grieving, all threaded through with that little bit of hope. Wonderful.

I'll Keep You Safe (You Keep Me Strong), by @miadeardn / sheikahs; oneshot. An AU where Crosshair's chip never activates and he is as embroiled in adjusting to being on the run with a new little sister as the rest of the Batch. Just a sweet little moment between the two. Both of them are written very in-character, and it's great seeing a side of Crosshair that never came to regard his brothers as his enemies.

Talking in Defence, by @buskuta / buskuta; oneshot. An awesome look at all of Hunter's complicated feelings regarding Omega and Crosshair's relationship post-Tantiss. He's not a paragon of perfection, he's human. I can't emphasise enough how much I love this and how well he's written here.

Unyielding, by Face_of_Poe; complete multichapter. The scene immediately post-reunion between Omega, Hunter, and Wrecker, with some speculation on Crosshair's internal strife at that moment. There's a chapter for each of the remaining Batch and Wrecker's is EXCEEDINGLY well-written in my opinion. We don't get nearly enough exploration in canon or fanon about the depth of his thoughts and feelings.

Plan 100, by Face_of_Poe; complete multichapter. An awesome canon-divergence speculating on Omega and Crosshair's escape from Tantiss. The action is great, the strategy and coded communication is so sharp, and the feeling of desperation as Omega and Crosshair fight to evade recapture is fantastically taut. I especially love the small moments in this showing just how close these two have grown, and, in Crosshair's case, how little he's realised it happening. It feels very true to their characters.

Through Darkness Unknown, by @stardustandash / StardustAndAsh; complete multichapter. Holy shit the stakes are so high in this. A Tech Lives canon divergence of Omega and Crosshair's stay in Tantiss, and you can really FEEL just how helpless they all are to Hemlock's control. I absolutely love how this fic does not pull its punches, really forcing Crosshair and Omega into relying heavily on each other. There's so many great scenes in this that are seared into my brain!!

Ask Yourself, by StoneSage; complete multichapter. Omega is captured by the Empire while Crosshair's still working for them. I freaking love the complicated messiness of Crosshair's response to this- he's constantly challenged to act on the callous persona he projects, and constantly comes up short realising what he's actually willing to do to his family when it comes down to it. Very true to his character, and the quandaries Rampart presents him with a subtly terrifying. A fantastic examination of character and a great plot to go with it.

The Space in Between, by Misvet; incomplete multichapter. A series of stories focusing on the complications and dangers involved with Omega joining the Bad Batch. The writing style is great, the plots are great, the characters are great! It's all great! Just read it!

Maybe Fate Has Different Plans, by hanged_albatross; complete series. God I love this so much. Some incredibly touching and well-written moments of the Bad Batch protecting each other in a dangerous galaxy, with Omega, of course, at the centre. She is characterised so well in this, and constantly written with the idea of despite being so young, she is also no less protective of her brothers than they are of her.

Modern Batch, by kaydear; incomplete series. DUUUUDES just read this. It's such a sweet collection of stories about an alternate universe of the Bad Batch in a contemporary setting. Life is tough and complicated and full of pain, but also there are others right beside you to lean on when you need it, and so life is also full of love. I have cried multiple times while reading and re-reading this.

Skulduggery Pleasant

I Will Lay Me Down, by mcginnis; oneshot. This is perfection. A rewrite of the aftermath of the Lord Vile reveal in Death Bringer. I wish this was canon. Valkyrie and Skulduggery are PERFECTLY characterised in this scene, and the nitty-gritty of how they're both feeling is thoroughly explored and explained, and the tone of the story never once diverges from canon's- it is complicated, dark, and interspersed with ridiculous levity.

Pride and Prejudice

A New Addition, by @ralkana / Ralkana; oneshot. A great fic about Elizabeth and Darcy and childbirth, various moments in this are imprinted in my mind permanently. High emotions all over the place, incredible tension and wonderful dynamics between the two main characters and the rest of the family.

Mr Bennet Travels Through Time, by AMarguerite; oneshot. A truly great fic with a wild concept that totally works. Mr Bennet is actually from the 1990s. Weird and funny, but also touching and sad, and goes leagues towards explaining a lot of this man's quirks and contradictions. I was fully invested in this all the way through reading, and it did not disappoint. Utterly satisfying.

Once Upon a Time

The Worst, by @alchemistc / alchemistique; oneshot. The real-life dynamics of these ridiculous fairytale people had me grinning ear to ear. The mortifying ordeal of your family of fictitious characters helping you move into your college dorm as told from Henry's perspective. Love it to death.

[spop-romanticizes-abuse]

another theme between spop and gravity falls that i want to point out is one of the characters being shelved for most of the series, and revealed to be alive towards the end. Micah and Ford.

only difference being:

1. Foreshadowing

from the first episode, we see that Stan has some sort of a secret and that he's working towards something.

and throughout the series, we get hints that indicate the existence of a twin brother, one episode even straight up SHOWS Ford (but viewers were led to believe it was Stan).

Micah, on the other hand? the only scene that could be proof of him being alive is during the fake reality in s3 finale.

Micah: Angie, Angella wait! I'm not-

people assume that Micah was trying to tell Angella that he's not dead, but we have no way of knowing for sure. it could have been anything.

so basically, there's no foreshadowing that Micah was alive and i'm pretty darn sure that the writers only wrote him in so that the viewers would forget about Catra killing Angella. Glimmer just needs one of her parents, it's not important which one.

but that's just before. what about after? do these characters have any importance after they are finally revealed to be alive?

2. Plot Relevance

even before the big reveal, Ford was a very important part of the plot. he was the mysterious author of the journals, he was the missing puzzle piece in Stan's life, his connection with Bill was clearly seen in the structure of Mystery Shack.

and after he emerges from the rift, he is even more relevant to the plot. especially because of his history with Bill and his knowledge about the supernatural. even though Stan is the one who defeats Bill in the end, it could not have been done without Ford.

not to mention, his relationship with Stan is essential to the plot. they are a direct parallel to Mabel and Dipper, and the entire series is about familial relationships.

the show just wouldn't be the same without Ford, because he was always one of the main characters, even before he was officially introduced as a character.

and how about Micah? he literally plays no role in the narrative after he is introduced.

one similarity between Ford and Micah is that they were both stranded in an unfamiliar place for years, with no connection to humanity.

but the difference is that while this is used for comedic purposes with Ford, it is also given enough emotional importance, especially when it came to his trust issues and his relationship with Stan.

whereas with Micah, it is solely used for comedic purposes and we never see how being forced to survive on a deserted deadly island has affected Micah's psyche or his relationship with people.

coming back to my point, Micah doesn't even seem all that bothered after learning that Angella is dead. he is shocked and sad for a moment, and then that is completely forgotten.

reconnecting with Glimmer? everything is settled with just one generic emotional speech and a hug.

reconnecting with his sister, Castaspella? barely touched upon.

like Ford, Micah had history with a master manipulator - Shadow Weaver. they could have expanded on this, shown us how Shadow Weaver's treatment of Micah had an impact on him.

but no, apart from him being all "you can't trust Shadow Weaver!" he provides no new insight. if anything, he just got in the way of Shadow Weaver trying to do something good for once.

other than that, he's just a silly goofy dad who wants to bond with his daughter. that's it. he has absolutely no relevance to the plot other than making a fool out of himself, and kind of forming a connection with Frosta.

we're supposed to believe that Micah was this powerful sorcerer and the king of Brightmoon, when even the writers don't give him the respect that he deserves.

newsflash: you can make a character funny and important to the plot. Ford had his fair share of comedic bits, but that didn't take away from his emotional moments and his role in the narrative.

[browniefox]

I asked for fic recs so it only makes sense that I provide some.

The Invisible Stan by The Last Speecher (HeidiMelone)

Simple, short, but elegant. You know how hanahaki disease is a trope? I feel like this should be a trope, but idk what you'd call it - Ninny disease sounds bad, but like it's clearly based off of Ninny from the Moomins. Anyway, great fic <3

An Outreached Hand by WDW

Ghost trick au! Love a good ghost trick au! I reread this recently and it still holds up so well, still so good even if unfinished. Haven't played ghost trick since, some of the twists make a hair more sense - especially the twist in the last chapter posted and being like 'OH IT'S *THE* GHOST TRICK'. Shoutout to undead creepiness and cute kitties :3

Retrograde by scrawling_stardumb

Kissing this one on the mouth. Only one chapter and unfinished, but it's a long chapter and really makes you go 'whoa'. It's interesting because the summary *technically* gives you more info than the chapter itself, but it's that kind of dramatic irony that fits the writing so well. A good solid McGucket POV too, which there really isn't enough of. Tbh, it stands okay almost as a one shot? I wish this became a whole popular au like all the others, bc it kicks ass as a concept.

Finding the Right Frequency by impish_nature

A pretty cute one! Ford trying to figure out how to deal with Bill, and Stan having found a stable job, and someow their two worlds intersect. Cute moments between the two, and some good Stans getting to reconnect.

Things You Can't Take Back by thesnadger

Classic by the Snadger! I always appreciate people who take Stan's memory less and make it more complicated, or at least have there be aftershocks to have your whole life erased :D So well written.

like they were a perfect fit by hapful

Stanford Pines and the photo he never looses. A beautiful story about Ford throughout the ages and his opnions on family, specifically Stan.

putting the dog to sleep by parsnipit

Old Yeller is such a sad story, and also some of this made me think of Mice and Men, and ugh just Stan and Ford and beign willing to kill something you love - sometimes because you love it - and it's such a perfect analogy to them I could die.

none of those phds is an md, you dumb idiot by untrustworthyglitch

I always love a fic that acknowledges language barriers. It reminds me of a really old fic where I did something similar, but like, being away from Earth would lead to you forgetting a lot of things, including language.

Too Late, Too Soon, Not Enough by IncomingAlbatross

Ah, gotta love a good fic that shows the missing scene of Ford and Stan switching places. Who came up with the idea? Who needed to be convinced? What swears do they get to use while off camera? Stan I love you so much, and Ford I lov eyou for beig nso complicated.

Raising Stakes by MaryPSue

Mwah! A Classic if I've ever seen one! While I'm partial to werewolf!Stan, Vampire!Stan does have so much potential and MaryPSue puts it to use so well! A great look into what Gravity Falls was like back in taht time period, and I love when people utilize Susan in fics that take place pre-portal <3 Also, Carla! I miss you so much Carla <3 It's drama, it's action, it's everything!

Lost and Found by PengyChan

Tate & Fiddleford have a lot of untapped potential, and while I think going the angst route makes a lot of sense, this one is almost more fluff and catharsis, I guess? I love it, near and dear to me.

Off-Season by anistarrose

Time Travel fic, but not a timestuck au? More likely than you think! A cute oneshot with particular focus on Stan, Mabel, and Dipper. Just a fluffy little thing with a couple strangers helping Stan out through a difficult winter.

Persist and Dwell by fencesit

A bit of Soos's trust in Grunkle Stan, and a mystery that isn't so much mystery as it is simply just not explicitly said. One of the final scenes has still stuck with me, and this is defo a concept I'd love to see explored more.

flee from your ghosts (burn your house down) by thepolysyndetonaddictsupportgroup

While typically OTGW x Gravity Falls crossovers are, like, Pinescone, I'm partial to this version where Wirt is their dad. There'a few details that didn' sit well with me, but over all so incredible and well written. Some of the metaphors are just so evocative I could eat them. The descriptions are to die for. And I love the depiction of a dad struggling to get his kids to open up to him that feels like it's part dads struggle with teens and part those pines twins just won't tell the truth.

If you have any Gravity Falls fic recs, feel free to comment them!

[profundcherrylady]

With the Book of Bill that came out recently and the amount of new things that have been revealed, I think it's clear for everyone that the canon existence of the multiverse and alternate timelines has given the fandom a lot to talk about. Some of the ones that have been most pointed out have been the Dipper who didn't get his body back from Bill, the Mabel zombie, Dipper in the digital world, Mabel the gnome queen, Dipper killed by Gideon and even Mabel possesed by Bill. I, however, haven't seen that many people talk about that one specific timeline that we can also see there, which is the one from the episode "The inconveniencing" where Mabel dies from eating too much Smile Dip (can't exactly remember where she is at the image with the other timelines, but she's there in some corner). I get that some (if not all) of this alternate timelines are pretty dark, but I think this one is not nearly talked about enough. I mean, imagine you're Dipper and you decided to lie about your age to look good infront of your crush so she lets you hang out with her and her older friends, tag your sister along and you all go to a creepy abandoned convenience store that is supposedly haunted. Everything is cool at first, then you see your sister find some discontinued candy which you know is banned from the country for being highly toxic, yet you get quickly distracted by the fun and games. You have fun and play around with your crush and her friends, completely distracted from whatever it is your sister is doing or how she is. During a breif moment, you see her again and notice that maybe she's eating too much from that stuff because she's clearly hallucinating due to the toxic contents of the candy, and yet again, the fun and attention your crush is giving you by saying you'rr pretty mature for your age redirect your attention away from your sister. A while passes and you probably realize you haven't heard her in a while, like not even the slightest sound of her or sign that she's doing anything. No laughing, screaming, jumping, footsteps, and you probably wonder if it was a good idea to let her eat that much candy, so you figure you should go check on her only to find out that she's passed away right there, probably surrounded by empty Smile Dip packages and covered in sugar. Just like that, she's gone. That's not even paranormal or anything, that's just... sad. A literal intoxication, which is like, super real. Probably the realest death in all these alternate timelines, because this is something that didn't even happen because of a sueprnatural event related to Gravity Falls; it was just... a consequence of various bad and irresponsible decisions. Of course I do know that in this episode of the series there's a whole ghost situation but that isn't even related to the Mabel's death itself; it happened on it's own. And we don't know how these events ended up happening, if they did happen, exactly. I can just speculate and form an idea of what most likely was the course of events. I'm guessing it could be during the scene where Dipper asks Mabel how many Smile Dips she had and she answers "Bleven-teen" could be a good reference of when she passed away on that alternate timeline. Like maybe Dipper is seeing the store is haunted, he goes and tries to ask his sister for help since no one is answering the phone at the mystery shack just to find that she's dead (which I would hope made the whole group leave the store before even attempting to step on the place where the owners died, but who knows how that turned out). Anyway, I could be here all day trying to speculate a hundred different scenarios from a hundred different timelines, but I'd rather leave that for another time maybe

[hispieceofcake]

Stayford was selfish, his emotional dependence on Bill Cipher and how he ruined the lives of those who loved him without he realizing it

Look, first of all, I want to make it very clear that this is not an attack on the character, Besides Ford, he's my favorite character after Stan, but i think Ford has some aspects that I think we should notice.

Firstly, it's that thing from the last post I mentioned that I mentioned, that Ford doesn't love the stand as much as it loves him, that Ford doesn't value Stan as much, but even so Stan he spent years and years dedicating his life to trying to bring his brother back and even so, Ford didn't pay attention to it, he didn't care, so much so that as soon as he left the portal he arrived and punched Stan in the face and he didn't even apologize for that, afterwards and didn't even thank his brother, because as I said, at the end he said thank you, but it was also a sarcasm thank you.

It kind of starts there, his brother was always by his side, took care of him, defended him and when Stan needed him Ford wasn't there, when Stan was being kicked out of the house due to an accident that he didn't even intend to cause committed, Ford didn't do anything, it's not that I'm saying he doesn't have the right to be upset or mad at his brother for ruining his chance of getting into college, but still man, it was his twin brother and he didn't even try to talk to his father or try to resolve things and didn't even try to defend Stan like he always defended Ford, he didn't do anything.

And then years later, when he did all that shit there because of Bill, he simply calls Stan for help asking him to go as far as possible with the diary even though he knows that Stan's biggest dream was to live with Ford. And furthermore, based on what I said in the previous post, about their anniversary there is that page in Bill's book where he says that Bill gave him that gift that was dead rats.

But then, nothing about Stan, nothing, he didn't even think about his own brother because he was so fixated on Bill and his research.

Everyone here probably knows Fliderford and knows how much he cared about Ford, to the point of putting Ford's name as the password on his computer and losing years and years with his family. To end up going mad because of Ford's ambition for knowledge that was fueled by Bill Cipher. I bet Fiddleford had tried many times to warn Ford about Bill, so much so that a scene of Ford meditating on an altar to Bill shows Fiddleford looking at him disapprovingly.

And one thing that makes me a little resentful of Ford is the Christmas pages, which Fiddleford took the time to make a gift for him and not one for his son or wife, showing how much Fiddleford put Ford first before his own family, and Ford probably didn't notice it.

I've been thinking and reflecting and I think about how Fiddleford is a suffering and even sad character. Losing years and years of his family, losing his mental health and sanity, losing the love and attention of his son, and all because of one thing... Stanford.

Look, I don't think Ford was aware of all the damage that was happening, because he apparently always had his head stuck in his research and in Bill Cipher, but I don't put all the blame on Bill, since Ford was an adult and should have known better who to trust, yes, he was manipulated, but if he hadn't trusted Bill Cipher a lot of things would have happened differently. (Gravity Falls probably wouldn't even happen)

But now back to the main topic, I also want to point out that he called Dipper to be his assistant and apprentice, I'm not saying this was bad, it was actually a great opportunity for Dipper, but what I mean is that Ford didn't think about Mabel, he didn't even think about how he was shaking the relationship between the two younger twins, just like he did with his relationship with Stan. Think about it, Dipper and Mabel's parents were probably in the middle of a divorce (as mentioned in Dipper's dream about him accidentally witnessing his parents fighting) and Mabel was going to be alone without the person she loved the most and who was always there for her, the story of the Pines twins was going to happen again.

It upsets me that Ford didn't think of Mabel as much as he did of Stan in his teenage years (when Stan was kicked out of the house).

"Ah, but Stan had Mabel as his favorite."

Yes, I know that, but even so he never stopped thinking about the two twins, so much so that he only teased Dipper with the intention of helping him grow and become stronger so that he wouldn't have to the same fate as Stan, he cared and thought about the future of both twins, unlike Ford who chose only Dipper.

I'm not saying he doesn't love Mabel, he actually adores her and has a lot of things in common with her, like writing in a diary and wearing sweaters, but that part about her breaking up with Dipper is what bothers me.

Now about your emotional dependence on Bill Cipher. I think he has this because he seemed very attached to Bill and several times in the book he says that he missed Bill when he disappeared from his head, not caring how much harm Bill did to him and his body when he took control of him. Ford says several times in the book that his body was sore from the highly dangerous things and situations that Bill put him in and yet Ford never put a stop to it. He only stopped when he saw how traumatized Fiddleford had become and when he confronted the yellow triangle who quickly gave the game away and exposed that he had been deceiving Ford all along.

And then in the final moment where he would shoot Stan with the memory-erasing gun, you can see that Ford was hesitant, about having to shoot Stan but also about erasing Bill Cipher, the muse he had for so long.

Ford spent several fragile moments with Bill Cipher and became very attached to him. Bill in turn did the same, because it is clear how bad Bill felt after separating from Ford.

Bill and Ford are a relationship just like Lapis lazuli and Jasper in Stiven's universe, a toxic and harmful relationship for both parties in the relationship, in addition to dependence, emotional overload, trauma, and physical damage. Ford probably got a few scratches here and there from when Bill would take over his body and roll around on the floor or any dangerous place, plus a tattoo in a very... specific place (In the area above the butt).

Bill is also a character with a great story and tragic lore behind him, but I will talk about that another time.

Look, guys, I see Ford as a lovable character who has suffered a lot and made a lot of mistakes and who is learning from them, yes, he is often selfish as I have shown, but he regrets it. As demonstrated when he apologizes to old Mcgucket in the end it is even shown that he tried to repair his friendship with the same one who forgives him.

We make mistakes, we are human, we make mistakes and we learn from them. It is not wrong to make mistakes but it is important to learn from them.

Well, folks, that's all for now, from what I can think of at least, Ford is my favorite character along with Stan and I love exploring the personality and attitude of the two that they had, because as I said rather, liking a character means knowing their good and bad points.

If you have a different opinion or something you would like to add, please share it, but please do not be rude or offensive.

Thank you for reading, bunny kisses 🐰💋

[phoebepheebsphibs]

Hide & Seek references compendium

I put so many little easter eggs and hidden things in my Hide and Seek fic, so here is my little ongoing list of references I purposefully put in the fic for those of you who like this kind of thing idk man

Chapter 1, Disney's Hercules: "Hey, Mack! Ya wanna buy a sundial?" Disney's Jungle Cruise: “Trader Sam’s! Come shop at Trader Sam’s! He’ll give you a great deal on shrunken heads! Two of his heads for one of yours!” the Holmes Hotel, Hugh's Pies is a reference to Nickelodeon's Jimmy Neutron series, Lilo's Stitches and Embroidery is a nod to Disney's Lilo and Stitch, "Crusty the Crab" is a nod to Spongebob Squarepants, Chell's Portal Stop is a reference to the game series Portal, and the final scene is from the ROTTMNT episode "Hidden City's Most Wanted".

Though this is not technically a reference or Easter egg, I wanted to add this note… I made a point of referring to Splinter as Lou Jitsu when he was mad or angry or selfish, and as Hamato Yoshi when he was scared or sad.

Chapter 2, Leo's determination to have Raph call him "the world's greatest ninja" is a reference to the film, Leo's quote "Land safely!" is taken from the episode "Mystic Mayhem" as well as the episode "The Evil League of Mutants", Leo's complaining to be leader is a nod to his future role, Raph referring to his father as a "sewer monster" is a reference to the episode "Man vs. Sewer", Splinter has a flashback from the episode "Goyles, Goyles, Goyles" and the line "OW! Why, you little--!" is also taken from that same episode.

Chapter 3, Mikey's dream is obviously a nod to all that he will do in the future.

Chapter 4, The origin of Lace Face from the episode "Man vs. Sewer".

Chapter 5, Phineas and Ferb "Escape from Phineas Tower": "That's some mole!" The line "Raph! Your enormous body is crushing me!!” is a reference to Disney's Lilo and Stitch, "sweater town" is a reference to the Gravity Falls episode "The Hand that Rocks the Mabel", the line "I didn't want to believe it, but... *sigh* science." is taken directly from the ROTTMNT film as well as a moment when Leo mentions that Donnie was wrong, Donnie uses two really's, a reference from the episode "Breaking Purple", Donnie gives Leo the comic seen in the episode "Jupiter Jim Ahoy!"

Chapter 6, Splinter's tv flips through several channels which include clips from media. These include a Thomas Sanders vine with "Weatherman Al", the quote "My leg!" from Spongebob Squarepants, part of the Fairly Odd Parents' theme song, Mrs. Cuddles' catchphrase "Let's be friends forever!", "I've got bad feeling about this" is a quote from Star Wars, the fake show about "Goosey" is an easter egg to @gooeseyleo and her Gooseyleo series. When Leo goes onstage, he does "a few improvised dance moves", which is a nod to Ben Schwartz and some dance moves he did in the Netflix improv comedy special "Middleditch and Schwartz”. The Lou Jitsu play the boys perform is a parody of the Godzilla franchise and the Pacific Rim films. Donnie's line "I strive for accuracy" is a reference to @sleepis4theweak 's comic (which I think about every gosh darn day), Horsebot-3000 and Splinter's line "I liked Horsebot-3000" are references to the show Community, season 3 episode 7: "Studies in Modern Movement".

Chapter 7, in the illustration Leo and Donnie are wearing Transformer and Decepticon t-shirts, respectively, and in the background you can see spray paint that spells out "Atomic Lass", as well as a drawing of the turtles' weapons.

Chapter 8, a young BEBOP AND ROCKSTEADY make an appearance, as does a very young Harvey Hokum from the ROTTMNT comics. When Bebop tries to sell Leo, he calls him “Shelly”, a reference to my pet turtle of the same name. In the illustration you can see a goldfish on the shelf, which is meant to be Piebald.

Chapter 9, How It's Made, APRIL O'NEIIIIILLLL, Harvey Hokum, Warren Stone and Kendra are referenced, "Operation Blue Suede Shoes" contains the title of a song, a reference to how in the show there are several similar code-names used for the characters ("Purple Rain" for Donnie, "Yellow Submarine" for April, etc.) Leo says that Mikey has empathy amplified, a reference to the fanfiction of the same name written by @filsa-mek on AO3.

Chapter 10, the boys watch "Wallace and Gromit: Curse of the Were-Rabbit". Leo promises to never leave Raphael alone and to always find him. Raph offers several scenarios that actually happen in the future where Leo searches for Raph - sewer monsters (a reference to the episode Man Vs. Sewer), getting captured by bad guys (the episode Bug Busters), and aliens attacking (the events of the film). The chapter as a whole is also based off of a few sketches I made - one of which shows the boys watching the film with Splinter, and one where Raph has a bad dream and wakes up to seeing he hurt Leo, who offers to help and gets the bros together for a turtle pile.

Chapter 11, the episode is heavily inspired by an episode of the audio drama series Adventures in Odyssey, specifically the episode "Mandy's Debut". The line "Wow, the shortcake of death" is a reference taken from said same episode! During Leo's flashback, a reference to the meme "She knocked that smug look off my face, but fourtunately I had a smaller smug look underneath" when Leo takes off his sunglasses to reveal a cooler pair of sunglasses underneath. Leo and Raph make a note to the fact that Leo is not the eldest in this universe.

Chapter 12, Raph, Leo, and Mikey teach April a game they play in the episode "Late Fee". When using sign language, Donnie tells Leo to "Stop yelling at me", which is inspired by a moment in Spy Kids 4. April introduces Raph to Ghostbear's starting career. Mikey repeats a line from the episode "Bug Busters", which is "Remind me not to ask questions anymore." Mikey uses the phrase "hydrate or die-drate", which is taken from a meme but is also something I say constantly as well. When in the Hidden City, Splinter hears people calling out to customers, one uses the lyrics to the Fairly Odd Parents' theme song, another is selling Mary Poppins' umbrella, a third is selling the three mystery journals from Gravity Falls, the fourth is selling Cinderella's glass slippers, and the last one is selling the Stanley Parable bucket of reassurance. Ochimizu is a Japanese mythical elixir of eternal life. The introduction and origins of Loathsome Leonard and the Mud Dogs. Malicious Mickey uses the "creepy doctor" line from "Stuck on You".

Chapter 13, Donnie delirium is directly based off of my own experiences with delirium, as well as his and Leo's conversation about whether or not Leo would miss him when he dies (which was an actual conversation I had with my mother when I was sick with croup as a little girl). The second half of that conversation was adapted from a scrapped fic called "The Kids Are All Dying". Donnie references the song "Big Yellow Taxi". The seven-tailed fox comes from Japanese folklore, but specifically this one was a reference to Naruto! Mikey sings the first line of the "Wonderfilled" song by Owl City. The secret ingredient being a discontinued soda was inspired by the ending of the musical "Be More Chill". The toad yokai becomes Heinous Green.

Short story, in the illustration you can see several signatures and sketches on Leo's cast, such as Raph signing "Mad Dawgs" and Mikey drawing his stickers. On the wall behind Leo is an eye exam that has the words "RISE" and "PHOEBE" on it. There's also a computer monitor in the back with Leo's vitals on it, as well as a notification about the trackers, and a list of all Hamatos Donnie tagged.

I will update more when I post new chapters... ;)

[dazeddoodles]

I’m new, can I play?

!Wholesome!

(Excuse my shitty grammar pls)

Raine likes to draw/paint.

They used to secretly doodle Eda when they were younger, until she found out and was like “oh dude it’s cool you can draw me” and so they did.

When they started dating she would pose and they would paint her.

!Suggestive!

Eda(when they were adults obviously) would pose suggestively for the singular purpose of flustering Raine.(ie. probably with a item(s) of clothing removed)

Young Raine secretly drawing Eda is so cute 😭

Like they'd both be in class not paying attention and Raine's just staring at Eda doodling her or they'd be listening to her talk at school and sketching Eda while she's distracted by playing with her ball.

The one day Eda notices and asks what they're drawing, Raine panics and tries to hide it but Eda SNATCHES it from them. Raine, worried she's gonna be weirded out, tries to say they were only drawing her because they needed practice and used her as a refrence because they're always together.

But then Eda cuts them off and is like "Woah that's so cool, can you draw me with a sword next?!"

Cut to when they're dating Raine says something one day about how they need practice with anatomy to which Eda's like "I can help with that ;)" and proceeds to STRIP DOWN ("What, this is how the humans do it Rainstorm. Haven't you seen all their paintings of naked women?")

Shortly after the breakup Raine would sometimes find themselves doodling Eda on one of their papers without thinking. But when they realize, they can't bring themselves to throw it away, so they just shove it into a drawer or box that they never open.

On a less sad note, they probably kept those naked drawings too. Probably shoved into an instrument case 🤨

Does anyone remember that scene in Gravity Falls where Mabel was moving one of Dipper's boxes, drops it, and a bunch of pictures of Wendy fell out? Imagine that but it's Darius like "Raine, stop leaving your instrument cases laying around". Attempts to move it, drops it, and all THOSE Eda drawings fall out-

[pinesfamilyguidetotheweird]

Gravity Falls Thoughts: Ford and Trauma™ (Part 01; because I know I'm turning this into a multi-part series)

So...when you start to think about it, Ford has been through a lot. Because of Gravity Falls' nature as a 2-season Disney cartoon, I feel that we've only scratched the surface of all the crap this man went through.

And thanks to the fandom...good Lord in Heaven, all the flippin' Trauma!!! Sweet Moses...

I mean, other than Bill Cipher and Weirdmageddon, Ford has a level of trauma that not a lot of people have.

Of course, Ford isn't the only one with Trauma™. Really, all four of the Pines are traumatized in some way. I mostly want to focus on Ford for now.

Now, most of the trauma Ford is given is fan speculation/interpretation. The thing is though, is that these traumas would make sense if Gravity Falls was given a more serious direction. (sort of like Steven Universe, a show that is more emotionally driven)

Okay...first things first, nutrition.

In a previous post I've made (I think it was about the Feral Ford headcanon; which I may or may not go into further detail in this series), I said something along the lines of how Ford wouldn't be all that bothered by weird looking food or could even stomach strange food combinations.

While a part of me still thinks this, another one thinks of something else thanks to reading a lot of fanfics of his essentially living off of nutrient pills.

This is from Ford having to be constantly on the move to avoid Bill's reach during his travels. I'd imagine it's a rare occurrence for him to be able to sit down and have a decent meal, either at an establishment or even hunting for food. Not only that, but you have to remember that a lot of the places he went to probably don't have food suitable for humans.

So, Ford has probably taken to nutrient pills so that way he's always on the go, among other foods he's able to preserve and carry.

The thing is, living on mostly nutrient pills could only take you so far before it could be more of a bad boon. Nutrient pills wouldn't exactly give you the appropriate amount of calories a human adult male needs. Especially if they are constantly in danger.

This can lead to some malnutrition.

Yes. I took time to research this so we can properly make Ford's life more like hell.

Signs/Symptoms of Malnutrition (according to NHS)

(Other than the main concern of weight loss and BMI being low)

reduced appetite

lack of interest in food and drink

feeling tired all the time

feeling weaker

getting ill often and taking a long time to recover

wounds taking a long time to heal

poor concentration

feeling cold most of the time

...feeling cold most of the time...

"feeling cold most of the time"

...And who wears a turtleneck sweater/trench coat combo during the summer?

And, lastly, Low mood, sadness and depression.

Furthermore, it would seem that Ford would have developed a low tolerance to actual food (other than bland, mushy stuff) and is probably incapable of eating a whole meal without throwing up.

It's a struggle to be sure, especially if Ford already has a history to forget meals, even as a child (may or may not be projecting here as someone who forgets to eat)...not to mention the months of paranoia due to Bill prior to being sucked into the Portal.

I'm honestly imagining a scene in which Abuelita (bless her soul) tries to feed Ford when she sees how skinny he is...or at least what she perceives as skinny. And no one (no one) can say no to Abuelita Ramirez. And it's Mexican food. There is absolutely nothing bland about it. And Ford does his best to eat it...only to scurry into the bathroom after three bites. He didn't mean to be rude. It was honestly very delicious. Ford's body just couldn't handle it at the moment.

At least Abuelita is understanding of the situation and becomes Stan's right hand woman on his quest to help Ford with his eating habits.

...Great, another idea for an upcoming fic...I had a title in mind but I feel like I should call it *Trauma* Ford Edition.