#s2 easter eggs

[fuckyeahgoodomens]

Terry Pratchett painting in the Dirty Donkey pub ❤❤❤

[caemidraws]

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[aetherixs]

i’m feeling so normal abt this

id: screenshots of storyboards from ‘apology tour’. first one is blitz leaning towards stolas with the note ‘blitz just lets go, stolas does not need to push away’. the second is blitz grimacing with a note that says ‘silently cursing self out’

[synchodai]

Arcane S2 wasn't as good because it wasn't about air

The common critique of Arcane season two was that "it didn't let the story breathe." I'm going to one-up that and state that season one set up an entire story about breathing and forgot that in season two.

Yes, yes, Arcane was a story about Piltover oppressing the undercity, but unlike a lot of other stories about social stratification, Arcane was very explicit about the methods Piltover uses to disenfranchise Zaun. Season one was clearly a story about eco-apartheid maintained through extractivist practices.

WHAT IS ECO-APARTHEID?

Ecological apartheid (also known as enviromental racism) is a form of disenfranchising and spatially separating a class of people through pollution, exploitation, and abuse of their local environment.

[E]nvironmental apartheid was largely instituted through rural marginalization, the use of rural space as an environmental means of marginalization... - Environmental apartheid: Eco-health and rural marginalization in South Africa

Topside and the undercity are basically one nation state with a blindingly stark fence between them. Piltover and Zaun are simultaneously connected and separated by the Bridge of Progress. Progress unites them and alienates them from one another. Progress is why Piltover is wealthy and clean, and it is why Zaun is impoverished and polluted. It is was on the Bridge of Progress that Silco incited the riot that led to Vi and Powder's orphaning and Vander's betrayal. It's where Ekko and Jinx have their standoff, and where the Hextech core is exchanged. In other words, progress is a border.

WHAT IS EXTRACTIVISM?

Prior to the proliferation of shimmer and the chembarons, industry in the undercity appears to be heavily centralized around one thing — fissure mining. Vi and Powder's parents used to be miners along with Vander and Silco. Jayce and Vi visit one of these mines and she explains the masks the workers use. Oh, and let's not forget the children don't have to yearn for the mines when they're dying in the mines!

The Zaunites' livelihood being dependant on the extraction of natural resources for the benefit of the Piltovans is what is known as extractivism — the exploitation of a resource-rich land and its people by a separate "global North."

In practice, extractivism has been a mechanism of colonial and neocolonial plunder and appropriation. This extractivism, which has appeared in different guises over time, was forged in the exploitation of the raw materials essential for the industrial development and prosperity of the global North. - Extractivism and neoextractivism: two sides of the same curse

The "North," in this case, clearly being Piltover. The resources being abused and exploited here aren't only the fissure mines, but also the bodies of the workers and those born around them. Viktor's illness, for example, is a product of growing up around the gaseous waste of the fissure mines. The Zaunites take the brunt of the side-effects of the pollution so that the topsiders don't have to. The "dregs" are kept below while materials, both people and things, that are deemed useful get to rise to the top. The processing of raw materials and shipping happens in Piltover, so it's the Piltovans who get a final say on the profits.

Silco and the chembarons establish their power by creating an industry that operates outside of fissure mining that doesn't rely on the patronage of the global North. Needless to say, drug dealing isn't exactly a noble trade, but extraction, processing, and distribution are mainly controlled and operated by Zaunites, which allows them a source of wealth and power that they can leverage against Piltover. To use a more recognizable phrase, they own the means of shimmer production.

I find it fascinating that shimmer is made by killing innocent underground creatures. Cannibalizing your own kind for a temporary boost of strength that eventually turns the user into a monster? It's a poignant metaphor about the infighting of not just the chembarons' gangs but of oppressed groups in general. And while shimmer offers power and brings in wealth, that's not what the undercity truly needs and only corrupts it even further.

Nah, the show has been very clear that what Zaun needs is breathable air.

SEASON 2 FORGOT ABOUT AIR

Even outside of the air pollution caused by fissure mining, the theme of breathing and air is everywhere in season one. Ekko and the Firelights' community is built around a tree — the clean air it provides is the reason they've been able to sustain themselves. It is considered an oasis in polluted Zaun. Jinx's is often heralded by brightly colored smoke, and the way she signals to Violet is through a flare that emits it. Silco's altercation with Vander involves him almost drowning — Vander literally choking the air out of him. Silco, in reponse to this traumatic event, teaches Jinx to willingly submerge herself in a place without air by baptizing her in the same filthy water he was choked in.

In other words, air is life and purpose. Zaun's aesthetics are defined by gas masks and smoke. Meanwhile, the scenes in Piltover are clean and clear. Ekko and the Firelights' tree represented hope and the possibility of clean air in Zaun. Viktor was similarly associated to flowers that grew in the underground, symbolizing how beautiful things can live even in the harshest circumstances.

Environmental degradation, more specifically air pollution, is the raison d'être of topside-undercity conflict. Silco says as much when he threatens the other chembarons and reminds them of why he's in charge.

Have you forgotten where we came from? The mines they had us in? Air so thick it clogs your throat — stuck in your eyes. I pulled you all up from the depths, offered you a taste of topside and fresh air. I gave you life. Purpose. But you've grown fat and complacent, too much time in the sun. We came from a world where there was never enough to go around. That is why we fight. Do you remember? - The Boy Savior, Arcane S01E07

But by the second and third acts of season two, pollution may not as well exist in Zaun. How does Viktor's commune plant its flowers and grow its fruits? Does the Firelights' tree ever get cured of its corruption? Did everyone forget that the undercity is literally suffocating? Seriously, why is Ekko's storyline with the tree never resolved? Why give Jinx that monologue about a wispy goddess of air the fissurefolk pray to and never go anywhere with it?

JINX SHOULD HAVE BEEN ASSOCIATED TO JANNA

The Grey presented an opportunity for Jinx to be the revolutionary hero Arcane wanted her to be. The enforcers have clearly aligned themselves with pollution and poison, and Jinx could have been the herald of their wind goddess come to answer the people's prayers for relief. But the people don't rally behind Jinx because of her association to Janna, clean air, or her repelling the invading cops using bioweapons.

I firmly believe that Jinx being a symbol of the revolution because she blew up a government building is missing a few steps. She'll get radicals who already hated Piltover behind her, sure, but the everyday Zaunite would more likely blame her for causing chaos and bringing trouble to their streets. Because the average person doesn't really care who's on the council or if a politician so far from them dies. But they do care if the cops are suddenly at their door with tear gas because an extremist junkie decided to commit arson.

The first act of season two had me very optimistic that the show was picking up where it left off with its enviromental themes. The enforcers use The Grey, polluted air, to surpress dissent and hunt down Jinx. Jinx fights back under a mural of Janna, the goddess of clean air. Her plan involves her using air to push back The Grey and send the gust up to Piltover. After being actively gassed by the enforcers, Jinx and her association to colorful wind becomes a symbol of hope and revolution to the people of the undercity.

Except that's not what happens. The Grey is only shown affecting targeted criminals with no collateral damage to civilians despite it being deployed all over the trenches. The gusts of wind Jinx pushes up to Piltover don't make topsiders experience the air pollution Zaunites suffer. Instead, it just midly inconveniences them with paint splatters. In the end, The Grey is forgotten and has nothing to do with their fight in front of Janna's mural. Caitlyn gets a promotion despite gassing the entire underground with nothing to show for it, and the undercity idolizes Jinx despite her being the reason they were gassed in the first place.

ECOLOGICAL RESTORATION IS INTERPERSONAL RESTORATION

Unlike in the game, Arcane chose topside and the undercity to be originally established as one city — and I don't think that was done without reason. The nation of Zaun and its identity is established as a reaction to the suffering of those underground. A community developed centered around helping one another cope and survive through the pollution. In short, Piltover created Zaun.

Thus, the interplay between Piltover and Zaun extended to all plotlines and the relationships they explored and developed. Jinx and Vi, Vi and Caitlynn, Viktor and Jayce, Ekko and Heimerdinger — these are all relationships that reflect the tension between Zaun and Piltover. Family torn apart by civil war, bitter ex lovers, different ideological approaches to scientific advancement, intuitive inventiveness and practiced genius. Their relationships are born from a common desire and degrade because of that looming border inflicted by the pursuit of progress.

Piltover and Zaun is a single house fractured because of how it threw all its detritus in the basement as it sought to build a tower that will reach the skies. The whole building is threatening to crumble, especially now that someone threw a bomb at it like in the finale of season one. The status quo Arcane and we as a globalized eco-apartheid have is extremely precarious as is any foundation built on abuse and exploitation. A lot of people will cheer on the Jinxes who don't care so much about fixing it than they do burning it all down to express their understandable rage and grief, but that doesn't really fix the problem of having breathable air, does it?

Unfortunately, we'll never know how the show will wrap up the Zaunite plight because it was all but forgotten in season 2. The problem of Zaun was never that they needed to evolve or be perfect — it's that their environment and the people by extension were being suffocated.

In my perfect world, the finale would have addressed the lack of light and clean air in the underground. It would have mirrored how some bodies and relationships can never truly fully recover the damage that has been done. As in real life, restoration is not a substitute for not doing harm in the first place. But it could have ended with a hopeful message that burning it down and running away isn't the answer either.

When Viktor was healing Vander and decided that, despite the unprecedented effort and time, his natural, non-weaponized humanity was worth saving because of how much he means to his local community, I thought that was what they were going for. Alas, they didn't let the show breathe.

[capsizedskeleton]

was going frame by frame through last episode for isha details on jinx's hot air balloon mech ship thing, and realized.

mister bunny on the warship

[frame from s1ep3]

that toy that says violet's name, that powder had right before she tried to help

after all this time

[applebuttercringe]

"I'm playing our song, Vander! The one we danced to! Me. You. Vi." -Jinx

Source: Jinx Fixes Everything game Act II

[shadebloopnik]

I know this was probably pointed out countless times already, but just love how you can really tell this wasn't Blitz's spotlight episode bc of the inconsistency of his outfit lmaooo

Like

These are all taken from the same scene

It fr changes with almost every angle change lmaooo

Animators said "They'll be too busy focusin on Fizz, so dw bout makin a lil mistake" and they were RIGHT-

[aduckwithears]

Good Omens: A Matter of Life and Death

Easter eggs and references! We know from the obvious placement of the movie poster in the title sequence and Maggie's shop (and even from Neil's asks) that inspiration was drawn from this movie.

I'm not going to dive deep into a lot of meta connections, but I wanted to share some of the parallels. For a great summary of the movie (A Matter of Life and Death aka Stairway to Heaven by Powell and Pressburger) and some general info relating it to Good Omens pop over to this article. This will contain some spoilers for the movie - now on with the show!

This one is before the movie even starts - The Archers is the production company of Powell and Pressburger - their target logo looks a lot like the one in the magic show portion of the title sequence.

We open in space - looking at stars and supernova, talking about the big, expansive universe. Fascinating how our view of the cosmos has been changed by modern telescopes (Crowley is so proud).

June (our heroine) is an American radio operator and picks up British squadron leader Peter's plane as he is crashing into the channel. They form an instant connection. Her hair was the inspiration for the Starmaker's amazing do.

Peter's fellow airman dies and ends up in Heaven, waiting for him. The angel administrators are very serious, very organized, very well dressed, and Heaven as a whole is colorless.

But Peter doesn't die - in fact he washes up on the beach near June, where they meet and immediately fall in love. Conductor 71 (the heavenly employee who was meant to collect Peter but lost him in the fog) is sent to convince him to come to Heaven, stopping time and freezing June to have a conversation with Peter.

I'll stop here to keep this from getting too long... More to come?

[aithusarosekiller]

Screaming rn

[chirpsythismorning]

Lonnie's last appearance in The First Shadow [source]:

"It wasn't me. I didn't do it!"

Lonnie's first mention in the series (1x01)

Which reminded me...

Kate Trefry talking about The First Shadow [source]:

We always try to go back to the original pilot and say, what more is there to learn about this moment?

Based on the leaks out there, there seems to be very few Lonnie scenes in the play, and yet it also sounds like he's gotta be the most consistently portrayed when compared to his character on the show, more than anyone else, even down to this very line, this concept of him having nothing to do with it. This tells me that with what little they were willing to give, there is a major significance to it and what it means for his character and for his role in the story overall.

So what is it? What does Lonnie have nothing to do with?

In s1, it's about Will and his disappearance. But clearly it's more than that because they made a point to have Joyce say it twice, to trust her on this.

If Lonnie has nothing to do with this, and that's a theme they want to carry out in this play in a way that quite literally juxtaposes his first mention on the show, taking us back to the very beginning, what does that mean?

Idk. Maybe it just means he has nothing to do with this. Maybe it means he has nothing to do with Will more than we realize...

It's giving

[fuckyeahgoodomens]

The Good Omens book in the Good Omens show. :)🥰❤

[velveteencryptid]

Just finished rewatching Good Omens season 2 for the first time and so many Easter eggs but dear god I have theories about who Crowley was as an angel now and also damnit you beautiful dummies why are you so dumb

[goodomens-girlie]

does crowley ever eat in good omens?

even in the second episode when he offers Aziraphale the Ox ribs, he doesn’t eat any of it

he drinks all the bloody time but he never eats

[seagull-scribbles]

Happy Easter from the Egg Boiz

[aazel-art]

Missing time???

Before the kiss....

9:25ish am?

After the kiss...

9:40ish am????

~15 minutes of unaccounted for time.

[peculiaritybending]

The whole “Hanzee gets plastic surgery to become the white mob boss in season 1” thing is bullshit to me. Like sorry but no. That’s so ridiculous, racist and unrealistic. I firmly believe that the man (who looks a lot like Tripoli from season 1 might I add) who gives him the new name is in fact Tripoli and Hanzee got brought into his crime syndicate instead. It makes so much more sense and also isn’t fucking stupid so that’s what I believe to be canon. ​Why the fuck would his resolution to suffering through racism his whole life be to get extensive reconstructive surgery (in the late 70’s/early 80’s by the way) to look like a white man? Makes no sense. I don’t care what anyone says, I don’t buy it. The guy on the park bench is the mob boss in season 1 and Hanzee worked for him for some time.