#s*olbricht

[niconote]

LISTEN BACK :: SYNTONIC ep. 13 w/NicoNote on Radio Raheem

Here I am with the spring episode of Syntonic, my monthly appointment at Radio Raheem. I am always excited and happy to share this listening journey across multiple visions. Syntonic ::: On Air Thursday, March 23 at 22h.        Listen back on podcast:  https://www.radioraheem.it/syntonic/syntonic-13/

SYNTONIC ep. 13 w/NicoNote

Tracklist

NICONOTE  LifelessTown

KETY FUSCO  Starless

GENEVIEVE ARTADI  Message to self

WILLIAM BASINSKI  Allthese too, I love

ROMEO POIRIER  Muscle de Sable

FENNESZ & SAKAMOTO  Amore Remodel

MARINA HERLOP  Shaolin Mantis

MATERIAL THINGS Guided by these Markings

RIECHMANN  Weltweit

KRONOS QUARTET & VREBALOV   Element I

NICONOTE  Field Campane e carrozza  (Unreleased)

S OLBRICHT  Flanhat  

MR. SCRUFF   Fish

Outro: DEMETRIO CECCHITELLI  The conception of a mineral  (Unreleased)

Pic by Enrico De Luigi  / NicoNote Archive Morphine 2002

[fenytkepezo]

P.A.L by  Gábor Kitzinger and S Olbricht @FROMS /// CHB - Collegium Hungaricum Berlin

[easterndaze]

Budapest’s New Underground

Although the international reputation of the country, whose PM hailed illiberal democracy as his preferred NWO, is not the best (to say the least), there's a parallel culture that largely operates independently of state-run infrastructure, creating several microcosms with their own audiences and worldviews, implicitly turning against misogyny, discrimination, narrow-mindedness, and reflecting the techno-dystopian times we are living in at the moment.         "...The goal of our underground is to create a second culture, a culture completely independent from all official communication media and the conventional hierarchy of value judgements put out by the establishment", wrote Ivan Jirous, a member of The Plastic People of the Universe, in 1975. For the purposes of this article, we will focus only on Budapest. Hungary, in general, is very centrist, even more so than its neighbouring countries. Most of the cultural happenings take place in the capital. "It is worth mentioning that to me the 'underground' seems to be an arty, intellectual, middle-class, mostly Budapest-centred, or at least city-centred thing", explains popular music scholar Emília Barna. "For instance, there is so much rap music made in the outskirts or the provinces, extremely poor areas of Hungary, scenes that thrive in these localities as well as on the internet – music that I would certainly call political because these artists directly address issues of poverty, social deprivation, criminality (gangster and prison life) etc. – yet as far as I know this music is never referred to as part of 'the underground'".

UH Fest

"A strong stage performance and powerful art are always political acts", says Krisztián Puskár, one of the organisers behind UH Fest. The experimental music staple was established at the dawn of the new millennium, taking inspiration from the now-defunct Austrian phonoTAKTIK festival. Since 2000, UH Fest (also known as Ultrahang) has staged approximately 500 performances. From noise techno, through avant-garde improv, to an hour of drone, UH Fest aims to challenge its audience's expectations and break the boundaries between various genres and generations. Thus, over the course of the week of the festival, the likes of Romanian spectralist Iancu Dumitrescu rub shoulders with Low Jack, KTL, Sote and Richard Dawson. Unlike many other similar urban festivals in Europe, UH Fest is not institutionalised, and is largely run on a volunteer basis. "To this day, we are just ordinary citizens without an institution behind us. We have a foundation, which is a legal entity, but not in terms of an office or infrastructure. It was a grassroots initiative, a family venture in the beginning, because my sister and brother-in-law were also involved", says András Nun, the organiser of the festival and one of the most pivotal figures of the Budapest underground music scene. Aside from its main event, which usually happens in late September/early October, the festival has also organised so-called "Demo" events for up-and-coming local talent, which acted as a springboard for several successful musicians such as The Death of Rave artist and Mark Fell collaborator Gábor Lázár, Opal Tapes and Lobster Theremin producer S Olbricht (whose own Farbwechsel imprint we'll discuss later), and the improv duo 12z.

OMOH

OMOH is a new addition to Budapest's queer scene, shunning the music played at mainstream gay events and embracing a more abrasive type of techno and underground house. The name itself comes from Russian police special forces and can be interpreted "as a sort of middle finger to all homophobic legislators of the world", explain the organisers, whose identity remains a mystery. "No organisers, no line-ups" is their egalitarian motto. The monthly (or so) OMOH party takes place at the top of a decaying shopping centre built in 1926, the home of the infamous Corvin Club & Bar. This sprawling venue is wedged between the 7th district, renowned for its tourist-filled ruin bars, and the up-and-coming, working-class 8th district. "Lively, chaotic, and most definitely an architectural, urban and social war zone – not postcard material. Which fits our mindset perfectly." The right-wing parties who came to prominence across Central Europe – most prominently in Poland and Hungary – championed heteronormative, Christian, conservative, nationalist values, the resonance of which can be felt in places like OMOH: "Even if club owners and managers have no problem with the LGBTQI crowd, the organisers still have to deal with the suspicion of the staff and the regulars – to put it mildly. And our audience, quite frankly, is a division of brave little foot-soldiers claiming their share of an environment which is by no means a so-called safe space."

Auróra

About 10 minutes' walk from Blaha Lujza Square, deeper into the dimly lit streets of the 8th district, the increasingly gentrified inner-city "ghetto" which is also one of the most ethnically diverse and lively areas of Budapest, lies Auróra. Located in the street of the same name, Auróra is based in an inauspicious building – you will have to ring the bell in order to get in. This family house with a cosy garden has become an oasis of alternative culture and thinking in its purest sense. Aside from its music programming – which largely centres around the weekend – the space also provides offices to several NGOs such as Budapest Pride, Roma Press Center and DrugReporter, maintained by a platform called the Auróra HUB, which is funded from Auróra's profit. The genealogy of the space can be traced back to Sirály, a former squat located on one of the busiest commercial veins of the city, at Király St 50, which was shut down in 2013. Several activist groups and a few political parties emerged from the vaults of Sirály – one of which was the collective behind Auróra (another established Gólya, a venue also located in the 8th district). Auróra's music programming is diverse, and encompasses over 40 gigs per month, ranging from free jazz, techno and punk to experimental electronics – all of this without any official state support. "The political situation doesn't let us cooperate with culture-politics at all", say Auróra's Fanni Tóth, Áron Lukács and Zsuzsi Mekler. "You can see self-censorship, fear and unpredictability across cultural institutes all over Hungary. We think the only possible way to keep this platform of NGOs and the lively discussion about issues in our country alive is to run a social centre like this, totally independently."

RNR666

RNR666, or Rock'n'Roll 666, is a music community established in 2005 by three friends from rural eastern Hungary: Csühes Pali, Lavor and Szabo, whose backgrounds include music, art and fanzine publishing. Initially begun as online radio, the RNR666 RADIO SHOW, the group widened its activities to include concert organisation, online publishing and record releasing. Their collective spirit is marked by a fiercely DIY attitude and punk-inspired ethos. They began in the era of Myspace, which connected them to the global underground and the low-budget, so-called "food-flat-and-beer bands". 10 years later, not much has changed in terms of the frugality and DIY aspect of this scene. "Lots of the venues here don't care about the fact that you want to do small, but subculturally very important events, they are just interested in profit", says Lavor as we sit in Kék Ló, an improv venue/bar in the 8th district. These days, they might do one gig per month, largely due to the lack of resources, inviting mostly foreign bands – they have to finance everything from their own pockets. This is how they released their first 7-inch, a psychedelic garage rock split between Piresian Beach, the moniker of Budapest-based singer-songwriter Zsófia Németh – who is also a member of the collective – and JC Satán. Although event promotion has shifted to Facebook, they still make posters and spread the word IRL: "I still party six days a week, so I get to talk to people that way."

Farbwechsel

Farbwechsel is a truly glocal label based on friendship and personal connections, sourcing its roster almost exclusively from local talent and organically spreading the "Budapest sound" abroad. This happened largely thanks to acclaimed producers like Route 8, S Olbricht – who established the label with Bálint Zalkai aka Alpár in 2012 – Norwell and Imre Kiss, all of whom released their debut albums on Farbwechsel. You'll often find musicians associated with the imprint jamming in each other's bedrooms, sometimes perusing vintage hardware instruments borrowed from Zoltán Balla, an avid collector and member of Farbwechsel-signed project Wedding Acid Group. Even though several artists from the label's roster have gradually begun to release music on foreign labels such as Opal Tapes and Lobster Theremin, they remain faithful and committed to the imprint that brought them recognition, and they also organise regular events in Budapest. Their sonic aesthetic has been described mostly as lo-fi house, but that doesn't do them justice. There's a sense of ghostly melancholia and longing, perhaps an aural appropriation of their home city, a place constantly hovering somewhere between the past and the present. This is most prominent in Mikolai's work, which centres around the dancefloor and transgresses it at the same time. The label roster has become stable over the last five years, with names such as Saint Leidal The 2nd, Aiwa, S Olbricht, Norwell, SILF and Alpár. 

Küss Mich

Küss Mich… and follow me to a gritty basement, where we'll dance to abandon and the music will elevate us beyond our physical selves, bodies sublimating in communal spirit. Küss Mich is a romantic event – romantic in its truest, least-saccharine sense. Founded in 2008 as an irregular DJ club event at the iconic drinking den/underground basement Vittula off Blaha Lujza Square, Küss Mich is a legendary night in the context of Budapest nightlife – a place that hailed eclecticism before it was in fashion and steered clear of the corrosive irony inherent in postmodern hipsterdom. Their sonic cocktail contains a blend of DIY-synthwave, punk, Italo disco, acid and industrial – in a concert or DJ format. "The motivation was to entertain ourselves. One of us had an industrial-dark-synth-punk background, the other came from techno and acid-oriented electronic dance music. We were both tired of the narrow-mindedness of these scenes", says Krisztián Puskár who also DJs under the moniker Splatter, one of the founders of Küss Mich alongside Gábor György alias Gördön. Adopting their outsider status and subverting expectations of the then-segregated music milieu, rediscovering past gems and presenting them alongside current sounds and bands, enabled them to navigate the muddy waters of contemporary music, aided by a devoted audience. "To choose a German name was pretty strange, fun and uncool back then. Now it's totally the opposite of that. German party and brand names will vanish or become out-of-vogue, but great people will still be there to do things on their own. And us too. If there is no money in it, there must be another motivation, right?"

JazzaJ

JazzaJ is a compound word combining "jazz" and "zaj" (which means "noise" in Hungarian). The event, which aims to bridge the free jazz and noise/experimental scenes, based on improvisation, was founded in 2011. "We wanted the noise musician to meet the free jazz musician. The underground rocker to meet the folk musician. The baroque player and the avant-garde music-philosopher to meet the electronic music geek", says Ernő Zoltán Rubik, one of the organisers of the event. Over the last five years it has grown into a communal gathering of discerning listeners, who welcome anything that JazzaJ offers them. "Listening is a creative act", adds Rubik. The main task that musicians who play at JazzaJ are given is to leave their comfort zones. "We believe in no style". Recently, JazzaJ began to invite musicians to be curators – each month a musician puts together the line-up, which sometimes creates rather interesting and surprising juxtapositions. This way, they've staged "hardcore-like nights" courtesy of Balázs Pándi, video operas with Miro Tóth, baroque and noise improvisation with Albert Márkos, and 12 saxophonists running around the room via Gergő Kovács. The JazzaJ community is sourced from the sprawling local scene, but remains tightly connected not only to neighbouring countries, but also the European and international scenes. "Our way of promoting improvisation as an act of freedom and tolerance, listening and presence, is already political without naming it so. There were times when we felt that for some people, this was a weekly refuge, a hideout from everyday cruelty and ignorant aggression taking place on social and political fields, or the streets." (photo: Attila Nagy)

T+U

T+U stands for Technologie und das Unheimliche, or the uncanny, the strangely familiar – that which repulses and attracts you at the same time. Established in 2014 as a publishing project and cross-disciplinary movement by Mark Fridvalszki, Zsolt Miklósvölgyi and Márió Z. Nemes, T+U is located somewhere between Berlin, Budapest and Leipzig. Their leitmotif is an exploration of the confrontation between the age-old dichotomy: the human condition – its various manifestations and cultures – and technology, through theme-based issues and events. Music plays an important role in their modus operandi. They have a regular radio show on legendary Tilos Rádio and create guest mixes, employing a specific sonic aesthetic that chimes with their ideology: dark, technoid, dystopian. Some of T+U's members have left Hungary for personal and political reasons. "Within the recent years, mostly due to the socially and morally harmful cultural politics of the current political establishment, there is less and less air for progressive art and subversive thoughts", says Zsolt Miklósvölgyi via email. "This catastrophic hedge-hop mainly caused by the anti-intellectualist, reactionary attitude of the ruling right-wing populist party and its substandard cultural myrmidons, obviously forces many of us into 'exile'. But within our techno-capitalist era, the image of 'living in exile' no longer means that you exchange one geo-cultural location for another, but you are in constant transition. You are not only characterised by the place you are from, but rather by the way you are rewriting these already-existing cognitive landscapes and cartographies."

Drrpnc

If you are a musician or into underground rock and extreme metal in Budapest, you will probably have passed through Keleti Blokk and the adjoining Dürer Club at some point. The sprawling complex neighbours the green oasis of the city park, whose integrity is threatened by a huge makeover that, for the foreseeable future, may replace much of the greenery with shiny concrete. Drrpnc is a secret cellar somewhere in the underbelly of the aforementioned space. A cross between a rehearsal room and a gig space, Drrpnc has become one of the city's most prominent havens for the punk/hardcore and extreme underground metal. Needless to say, the modus operandi of their activities is strictly DIY. "We have always had some challenges, such as leakage, electrical damage, etc., but the Hungarian scene is a community, so we can solve all of our problems through our common strength", says Adam Mjöl. The future remains uncertain. "This building, where we are now, will be probably demolished, so we have to start looking for a new place."

Davoria & Külvárosi Techno

The seeds of Davoria were sown around the year 2000. The collective began organising sound-system parties in the summer, as part of the then-thriving freetekno scene and its annual summer teknival gatherings. Ever since their beginnings they have always been part of both worlds – throwing events at regular clubs as well as the outdoor, illegal parties. These days, Davoria's monthly events take place at Müszi (situated in the 8th district at the aforementioned Corvin shopping mall), a space for alternative culture that also includes the offices of the civil watchdog Atlatszo.hu, as well as Auróra. The sonic identity of the event remains faithful to their beginnings: hardcore techno, noise and experimental electronics. "We call our parties tekno, because we feel that this term is open enough to represent different kinds of genres, from tekno to experimental music", explains Davoria organiser Péter Márton, who also produces uncompromising techno (or tekno) and noise under the respective monikers Telesport and Prell. Davoria also host a stage at the now-legendary underground techno event Külvárosi Techno (Suburban Techno), which takes place several times a year in the industrial premises of the large studio space and now-defunct venue R33. Ideologically, their stance hasn't changed over the last fifteen years. "We try to show that even in a commercial world, you are capable of doing productive, good things while keeping your freedom."

Originally published in Glissando magazine #30 

Lucia Udvardyova

[vergaarbak]

My first Redlight Radio Show now online

[senorboombastic]

What’s On Michael Portillo’s iPod: POZI

Here at Birthday Cake For Breakfast, we like to get to the heart of what an artist is all about. We feel that what influences them is just as important as the music they make. With that in mind, off the back of releasing their latest EP ‘Typing’, we’re delighted to have POZI talking us through a host of records and other items that helped shape and inspire them. Words: Andy Hughes Devo – ‘Come…

[dustedandsocial]

Dustedandsocial Bestof 2021 part3

Pictured: Monokultur

01. Nape - Forum Freaks 02. Monokultur - Decennium 03. Aum Taeppers - Ferrio 04. Antoine Loyer & Mégalodons malades  Bégayer - Il y a d'autres chiens rasés 05. Bobby Would - Natural Killer 06. Some Exercise - Some Bias 07. Snake Union - Nattmara 08. Houschyar - Temassiz 09. Spivak - Bitumen Frenzy 10. Lili Putana - You are asked to feel at ease in a place where you will never belong 11. Wukir Suryadi - Sembilan 12. Froid Dub - Frozen Chips Sandwich 13. Schade - Pas assez 14. Véhicule - Poddema 15. CIA Debutante - Pier 16. Palo Alto & Richard Pinhas - The Tears Of Nietzsche 17. Alessandra Novaga & Stefano Pilia - Glimpse #9 18. Delphine Dora & Jackie McDowell - All This Struggle 19. Heta Bilaletdin - Varjoi 20. Sagat - Money Magic 21. Euphoria Echoes Of Inotai - Loops Of Hope 22. Roy of The Ravers - Day 7 in D# 23. Lostsoundbytes - Street Stalker 24. Mazut - Schtanza 25. Wendy Lavone - It's Faeces That Make The World Go Round 26. Ena - 51th 27. Miss Mårble & V. Luchansky - Bär 28. Saadet Türköz & Nils Wogram - Navel 29. François Dumeaux - alma 30. Claypipe - Yeah I Making Gold

Download: https://mega.nz/file/ONVkyBgJ#CfOap4wZm5KEVmbQRBfWf9MWQlsOVZFV11X7HTQJSlM (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

Dustedandsocial Bestof 2021 part4

Pictured: Teresa Winter

01. Amygdala - Synthetic Humans 02. Schulverweis - Blut 03. Teresa Winter - Hard Life In Plastic 04. Reymour - Cent Abus 05. Klara Lewis & Peder Mannerfelt - You Need to Be Kind 06. Tupperwear - La Costa De Cemento 07. Dame Area - La Doble Luna 08. Wulffius - I Am Weird 09. RM - Point 3 10. Human Koala - I'll Be Fine 11. Elena Colombi ft Ece Ozel - Pine Seedlings 12. Maenad Veyl & The Sarcasm Ensemble - Irreconcilable Differences 13. Taurus - Das autonome Wesen 14. Пурпурный Дядя - Taylak feat. Misha Sultan 15. Troth - Komodo 16. La Union Metalurgica - Control de Calidad 17. Dollkraut - Amoebe 18. S Olbricht - Beat Me Suzy Mango 18. Weith - Forever Today 20. The New Me - Dexter 21. Liliane Chlela - Charr 22. Yeulmaus - Mother 23. Kesa Getame - A1 24. gFFr - Haptic Feedback 25. Ambulance vs Ambulance - Colourful Ring Of Death 26. Merlin Nova - Big Heart, long time love 27. Heimat - Deine Frau 28. Boli Group - cottagecore crisis 29. Bolivian fireships - Sturm and Drang [JGSparkes reinterpretation] 30. YL Hooi - WO Love

Download: https://mega.nz/file/7YcShJZC#sumnis_EGNY2MaIolwilgNOSDIqiGm0PTGLzgoa6Oh0 (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

Dustedandsocial Bestof 2021 part5

Pictured: Mephisto Halabi

01. Electric Drywall Band - 3 02. Psychic Graveyard - Hijack a Star 03. NH Meth - Unknown Gen 04. YOR - Look At Me 05. Mephisto Halabi  -  Watch On The Orient part I 06. Pure Shit - A New Word For Love 07. Z.B. AIDS - Djerek Bailey 08. Dead Neanderthals - Scalp Wounds 09. Brigitte G. - Echoes 10. Jerusalem in My Heart - ‘Ana Lisan Wahad (feat. Farida Amadou & Pierre-Guy Blanchard) 11. Zeena Parkins, Mette Rasmussen, Ryan Sawyer - Begiunners, begges, beattle, belt, believers 12. Les Conférences Bunker - Girouette Amulette 13. Senyawa - Kabau 14. Jean-Luc Guionnet & Will Guthrie - The RUBDOWN 15. YLP - The Image of 36 16. Maximum Ernst - UFA-USA 17. Jérôme Noetinger x Lionel Fernandez - CALCUTTA 18. Offensive Defiant Disorder - Adversary 19. FS Massaker - Her Metal 20. Aaron Dilloway & Lucrecia Dalt - Demands Of Ordinary Devotion 21. ORCHESTRA OF CONSTANT DISTRESS - Dedication 22. Jaco - Las procesiones 23. Drop Zone - Tiny Towel 24. Laughing Gear - Flake 25. NP [Jad Atoui & Anthony Sahyoun] - Higgs Field 26. Al Karpenter - EYES WITHOUT FACES 27. Anji Cheung - Even Flowers are Black at Night 28. maurice lɔndɔn - of unsound mind 29. Skogar - Passing The Torch 30. Noiseboys - Power Machines (take 1)

Download: https://mega.nz/file/vIsCBQ6S#RZ0kc3c-oB7gbzz3lMttVzxUA5qEi4LqT-IeLd3peR8 (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

Dustedandsocial Bestof 2021 part6

Pictured: Theoreme

01. Panoptique - Slippery 02. Cosey Mueller - Antisozial 03. Double Job - Decouverte 04. Maraudeur - Le Couloir Du Soir 05. Mary Bell - Dog on a Leash 06. DIE A.R.D. - Laufband 07. Fake Last Name - Gadfly 08. Theoreme - Radionucléides 09. Hits - Linoleum Bureaucracy 10. Le Chemin de la Honte - Le traffic des cours 11. Kneeling In Piss - Return, Return _ Types of Cults 12. Los Pirañas - Sir de Gusano 13. Emily Robb - Saucer 14. Morświn - Stary skończony 15. Nusidm - Jealousy 16. Calamita - Sidi Mansour 17. Catalina Matorral - Grande Table 18. Gotou - WET背 19. Moin - No to Gods, No to Sunsets 20. Pays P. - Fureur 21. Katherine - Eye of the Beholder 22. Middex - Host 23. Princess Diana of Wales - Still Beach 24. Wadada Leo Smith & Bill Laswell - Tony Williams 25. Kris & Tavi - So, That Happened 26. Cynthia & Dupree - Future Plant Music 3 27. Ghédalia Tazartes & Rhys Chatham - Encore 28. Unda Fluxit - ( sunset rain) طلو و باران 29. April Magazine - Sugar Daddy 30. Amateur Hour - Baby You are all I want

Download: https://mega.nz/file/CQtUALoT#ktx2nRNh1QDG3wBrMRVRu60WOJ01iDFb5xwN81g7UUA (copy link url and paste if clicking on embedded link doesn’t work. “href.li” may delete key in url when it redirects from tumblr)

part1 / part2

[aktionfsa-blog-blog]

Der Widerstand gegen den Faschismus war viel größer

Jahrestag des Attentats von Stauffenberg auf Adolf Hitler

    Georg Elser wollte Hitler umbringen, damit er keinen Erfolg hat.     Stauffenberg wollte Hitler umbringen, weil er keinen Erfolg hatte.     Jan Böhmermann, Nov 2019

Eine lange Zeit konnte ich mir in der Jugend nicht vorstellen, warum niemand den Mut hatte einen Menschheitsverbrecher wie Adolf Hitler zu stoppen. Erst Jahre später erfuhr ich vom politischen Widerstand und seinen vielen Opfern - und das wurde nicht in der Schule vermittelt.

Abgesehen von der Tatsache, dass ich in der Schule weder über den 1. noch den 2. Weltkrieg etwas "lernte", denn nach der 10. Klasse, wo wir bei Bismarck angekommen waren, ging es in der Oberstufe wieder in der Steinzeit/Bronzezeit von vorne los. Das mag an der Unsicherheit der Lehrer im Nachkriegs-Westdeutschland gelegen haben und heute hoffentlich nicht mehr gelten.

Trotzdem wurde um den 20 Juli, wenn nicht schon Sommerferien begonnen hatten, an das tollkühne Attentat des Claus Philipp Maria Schenk Graf von Stauffenberg gedacht. Immerhin, er und seine Mitverschwörer haben endlich etwas gegen die Mordmaschinerie getan. Aber sie waren selbst ein Teil davon.

Aber auch Stauffenberg begrüßte 1933 die Ernennung Hitlers zum Reichskanzler und die anschließende Gleichschaltung ausdrücklich. Ein Brief an Stefan George aus dem Juni 1933 ... zeigt zugleich, dass er der „nationalen Erhebung“ durchaus positive Aspekte abgewinnen konnte. (s. https://de.wikipedia.org/wiki/Claus_Schenk_Graf_von_Stauffenberg#Werdegang_in_der_Reichswehr) Schon im Mai 1933 wurde er zum Oberleutnant befördert. Der militärische Aufstieg setzte sich bis in die oberste Heeresleitung fort bis zu seiner Beförderung am 1. Juli 1944 zum Oberst i.G.

Besser spät als überhaupt nicht

Erst 1943 nach der sich abzeichnenden Niederlage und dem Untergang der 6. Armee in Stalingrad im Winter 42/43 suchte er Kontakt zu den Hitlergegnern um General der Infanterie Friedrich Olbricht. Fast 20 Jahre war ein überzeugter Militär und Nationalist. Viele Militärs(!) hatten bereits Jahre zuvor ihren Widerstand gegen die Kriegspläne Hitlers zum Ausdruck gebracht, was Anfangs zum Jobverlust, später zum Tod geführt hat. Beispiele sind

Frühjahr 1938: die Blomberg-Fritsch-Krise führt zur Verabschiedung in den Ruhestand.

1938: Der Widerstand in den Kreisen der ranghöchsten Offiziere der Wehrmacht in der sogenannten Septemberverschwörung zerfiel nach der "friedlichen" Annexion von Böhmen/Mähren

November 1939: Oberbefehlshaber des Heeres Walther von Brauchitsch und sein Stabschef Halder wollten Hitler verhaften lassen, sobald er den Angriffsbefehl gegen Frankreich geben würde.

13. März 1943: Bombe von Henning von Tresckow und Fabian von Schlabrendorff im Flugzeug Hitlers zündet nicht.

21. März 1943: Rudolf-Christoph Freiherr von Gersdorff will sich anlässlich einer Ausstellungseröffnung im Berliner Zeughaus mit Hitler in die Luft sprengen, doch Hitler geht vorher.

November 1943: Der junge Offizier Axel von dem Bussche ist bereit ein Selbstmord-Attentat auf Hitler durchzuführen, 3 Gelegenheiten scheitern an britischen Luftangriffen, Umplanungen der Heeresführung ...

11. März 1944: Rittmeister von Breitenbuch, Ordonnanzoffizier des Generalfeldmarschalls Ernst Busch, wollte Hitler bei einem angesetzten Lagevortrag auf dem Obersalzberg mit einer Pistole erschießen. Er wird an diesem Tag nicht vorgelassen.

7. Juli 1944: Der Mitverschwörer Generalmajor Hellmuth Stieff will im Schloss Kleßheim bei Salzburg anlässlich einer Vorführung neuer Uniformen Hitler umbringen. Er fühlte sich jedoch außerstande, das Attentat auszuführen.

11., 15. und 20. Juli 1944: Mit einer Bombe sollen Hitler, Himmler und Göring getötet werden. Bei den ersten beiden Terminen fehlt jedoch Himmler, bzw. Göring.

Also anerkennen wir seine Tat als aktiven Widerstand gegen Adolf Hitler aber vergessen nicht die vielen Anderen, die über 11 Jahre gegen die faschistische Diktatur gekämpft haben. Zu denen gehört auch Georg Elser, der in einer beispiellosen Ein-Mann-Aktion versucht hat Adolf Hitler zu töten und dafür im KZ Dachau am 9. April 1945 ermordet wurde.

Eine weitere Lehre aus den vielen gescheiterten Versuchen ist aber auch, dass man die Diktatur verhindern muss, bevor sie die Macht in Händen hält. Also wehret den Anfängen!

  Als die Nazis die Kommunisten holten, habe ich geschwiegen;   ich war ja kein Kommunist.   Als sie die Sozialdemokraten einsperrten, habe ich geschwiegen;   ich war ja kein Sozialdemokrat.   Als sie die Gewerkschafter holten, habe ich geschwiegen,   ich war ja kein Gewerkschafter.   Als sie mich holten, gab es keinen mehr, der protestieren konnte.

  Martin Niemoeller

Mehr dazu bei https://de.wikipedia.org/wiki/Stauffenberg-Attentat und https://de.wikipedia.org/wiki/Claus_Schenk_Graf_von_Stauffenberg#Werdegang_in_der_Reichswehr und https://de.wikipedia.org/wiki/Georg_Elser

und https://www.aktion-freiheitstattangst.org/de/articles/7334-20200720-der-widerstand-gegen-den-faschismus-war-viel-groesser.htm

[if-you-fan-a-fire]

March 14, 2020: a new episode of The Anatomy Lesson at 11pm EST on on CFRC 101.9 FM. ‘Shoot! Shoot! Shoot!’ Music by Triune Gods, Strega, Rejoicer, Cobra Killer, Anne Dudley & Jaz Coleman, Negashi Armada + more. Tune in at 101.9 on your FM dial, stream at http://audio.cfrc.ca:8000/listen.pls or listen to a special archive here: https://www.mixcloud.com/cameronwillis1232/the-anatomy-lesson-march-14-2020/ Rejoicer / iogi - “Up in Flames” Spiritual Sleaze (2020) Norwell & S. Olbricht - “12% Morphine” Untitled (2014) Yuri ft. Internazionale - “Jaguar” The World Is A Granular Instrument (2019) Coniferous Myst - “Found...In the Great Sky” V (2019) Anne Dudley & Jaz Coleman - “The Conqueror” Songs From The Victorious City (1991) Triune Gods - “The Voyage” Seven Days Six Nights (2011) Cobra Killer - “Wound Water” Cobra Killer (1998) Nightmarish - “In Great Distress” Utrecht (1993) Morah - “Sirines” #006 (2017) Strega - “La Chiesa” Mezzanotte (2015) Consumer Electronics - “Murder The Masters” Repetition Reinforcement (2015) Bruta Non Calculant - “Civilisation” World in a Tear (2014) Kallabris - “Balbur” Journey Into Pain (1989) Negashi Armada - “Boardwalk (ft. Brittnii)” The Silverprint (2019)

[tropdepoires-blog]

Picture 

The royal botanic gardens, pamplemousse

http://www.leszoosdanslemonde.com/documentation.jardin-botanique-sir-seewoosagur-ramgoolam.php

[foggyfrequencies-blog]

In between

[collegiumhungaricumberlin-blog]

Charlotte Simon + S Olbricht = Spiral Residencies #3

[mmmnmnm]

Új számok (április)

Gnork – Intergalaktik Konga: Gnork a friss Outskirts-ön ("label specialised in all things interesting, unfinished, imperfect or wierd") kazizik. Ez róla tényleg egy intergalaktikus konga klassz baselinenal.

Gnork __ The Lost Tapes by Outskirts

Új Bála — Romantic Paris Every Night: Új Bála visszatér egy rilízetlennel. A tag pedig "mr.muscle's lonesome hard drive wank". Jó Ki Nyer Ma kérdés. A szonik élmény hibátlan. Via SoundCloud: S Olbricht — Rioppa: S Olbricht is visszatér, mitöbb föltámad, egy szép dallammal és egy keveset mondó "deep house" taggel. Via SoundCloud: Buttechno — Poleva: Cukormáz. Buttechno siklik tova, ez a Trilogy Tapes-en fog megjelenni. Via SoundCloud: White Wigwam – Zrnění: Ilyen tuti képeket lehet találni, ha rákeresünk a címre. Azt csiripelik, hogy nemsokára felénk jár a W. Wigwam.

Zrnění by white wigwam

Gosheven — Excluded and Abused: gosheven az Urbanplayernek: "Évek óta én is dolgozom egy gosheven elnevezésű projekten, a munka egy része hamarosan meg fog jelenni egy angol kiadónál, az Opal Tapesnél. Ez arról szól, hogy a gitáromat addig-addig farigcsáltam, amíg egy olyan állapotba nem került, hogy gyakorlatilag bármilyen hangolásban meg tudom szólaltatni." Via SoundCloud: Az összes szám playlistje: itt (csak SoundCloud). SC.initialize({ client_id: 'FDXT2vur4COrcQLjVtcOfO6r2iCF8Y0U', redirect_uri: 'http://example.com/callback' }); var running_player; SC.stream('/tracks/315538900').then(function(player){ var myPlayButton = new playButton("#Button_315538900",player); myPlayButton.init(); }); SC.stream('/tracks/315230513').then(function(player){ var myPlayButton = new playButton("#Button_315230513",player); myPlayButton.init(); }); SC.stream('/tracks/316539588').then(function(player){ var myPlayButton = new playButton("#Button_316539588",player); myPlayButton.init(); }); SC.stream('/tracks/318437338').then(function(player){ var myPlayButton = new playButton("#Button_318437338",player); myPlayButton.init(); });

[ravedeathaesth]

S Olbricht - Floa1

[pesura]

16 min long tantric set: S Olbricht Boiler Room Budapest x Lobster Theremin Live Set

[vergaarbak]

Favoured. Alot. 

[mmekelevra]

Blckstr pres. S Olbricht(Lobster Theremin)

Mózg, Warsaw