#s: headband

[b4kuch1n]

THEE audiodrama disguised as podcast

[cherry-bomb-ships]

Silver screen, cathode ray Brighter than the light of day Lover, when you see that glare Think of it as my despair Think of it as my despair for you...

So uhhhh. Y'all know about Hadestown? 👉👈💖💖💖💖 It's not one-to-one but I do think Hades and Persephone have some parallels with my self ship, one thing led to another and here we are >w< (Also go check out my partner's @rexscanonwife art for her selfship with Utonium as Orpheus and Eurydices, it SLAPS 💖💖💖💖)

[💚 Reblogs and comments are greatly appreciated!! 🥺 Click for higher quality, tag list under the cut! 🩶]

By the way, check out my pinned post to find my Taglist form, to be added or removed!

@absentmoon @ava-ships @bee-ships @beetleboyfriend @berryshipbasket @canongf @flabbergasting @cloudyvoid @derelictdumbass @dissonantyote @edencantstopfallininlove @final-catboy @flowering-darkness @gible-love-nibles @nagirans @hoppinkiss @hotrodharts @hyperionshipping @iwishihadfangs @iyamifucker @judetama @lex-n-weegie @lficanthaveloveiwantpower @little-miss-selfships @little-shiny-sharpies @loogi-selfships @mandrakebrew @mintpecks @mothfinite @mrs-kelly @nameless-self-ships @nerdstreak @orbitingaroundyourlove @paper-carnation @p-i-t-s @qilinkisser @reds-self-ships @rexscanonwife @rotten--cotton @ship-trek @spacestationstorybook @squips-ship @toogayforthistoday @winterworlds

[diwns]

ᓚᘏᗢ⋆˚⭑.ᐟ˖°

[kyeomies]

SEVENTEEN JAPAN 4TH SINGLE 「消費期限」 Concept Photo 2

[frnkiebby]

LOOK AT HIS BIG PATHETIC BROWN EYES

grrr biting all his tattoos

I LOVE HIS BIG PATHETIC BROWN EYES

i love him sm

his pretty eyes and gorgeous tattoos

just everything~🎃

[duoghnut]

adagio redesign ^_^ love punk-rock-ifying characters for no reason

[peachy-kun]

G Gundam's been on the mind again randomly... so did some quick Domon art, because I still like this guy

[courtillyy]

when talking about potential allies gem saying to joel "I bet etho likes us right?" literally !!!

[devdas5z]

[grrrrriffin]

Thrifted outfits from yesterday

[sigskk]

happy holidays :)

[ID: A reddish monochrome drawing of Sigma and Chuuya from Bungou Stray Dogs. They are standing side-by-side and looking into the camera.

Sigma is on the left and is noticeably taller than Chuuya. He's wearing a reindeer headband and is dressed in a light turtleneck sweater and a thick overcoat.

Chuuya is on the right and is wearing his hat with a holly leaf and berry decoration on it. He's dressed in his standard button-up and trench coat.

The background is a muted, dark red with lighter snowflakes drifting down. End ID.]

[zmediaoutlet]

hello. huge fan of ur fics. do u think sam and dean/deanna could ever get past their internal cringe to explore petplay.

friendo I want so much to be the person who responds to this with a nice 2k of porn that would suit your lowercase desires, esp since you have been so nice to say you like my fics, but sadly I cannot get over my own internal cringe to write you some Sam/Dean(na) petplay. I can only apologize.

But also, yeah, I don't really see them doing it either. I mean -- unless I'm missing the mark entirely, and someone please let me know if I am -- petplay is essentially formalized D/s with different props, right? Like when you get down to the (milk)bones of it. If you like my fics you know that I'm obv into a certain amount of power play, even skating right up to the edge of properly formalized D/s, but with Sam and Dean specifically I just... can't get to that spot of like actual rules/roles/props being taken seriously enough to really make it... work. Like this is the same reason I never write Dean calling Sam 'sir' or them using the traffic light system or whatever the hell. That's just... not how they operate, together. (Barring like 10k of lead-up for why they might, obv.) Calling your brother your good little puppy is just. A bit beyond the beyond.

Now, I can sorta see it entering as a joke. Like, they're at a sex store and Dean sees one of those plug tails and makes a joke and next time they're in bed he half-assedly pretends he's wagging and they laugh about it. And then maybe it slips into something a tiny bit more serious? Sam says good boy and Dean's dick says, oh, yes, he's a very good boy indeed. But even so that's not about the pet, that's about everything else. With all that though I also can't see it fully getting into the like -- paw glove thingies and ear headbands or masks or whatever.

As far as Deanna's concerned, I feel like that's WAY less likely although if we spin it from dogs to cats then maaaaybe Sam could make some crack about her being a lazy house cat and she squints an eye at him and goes meow and he gets a weird catgirl boner, lol, but even so. If they're gonna do powerplay they're going to do it barebones, and not rawhide bones.

[mewkwota]

Due to various circumstances, I forgot how Richter looked with his hair down, but I'm kinda surprised how quickly I recalled it after a few sketches. To make things easier for me, he's wearing that silky top again, so we get some more looks at a sleepy Richter. :>

[cantsayidont]

July-August 1948. Long before Supergirl donned her controversial headband, stories set on Krypton had regularly shown Kryptonian men wearing headbands. The above panel from SUPERMAN #53 is possibly the earliest example, at least in the comic books. Not all Kryptonian men wore headbands, but many did, including Superman's father, Jor-El. In 1973, an installment of the "Fabulous World of Krypton" backup strip finally offered an explanation of this unusual custom. This story, by Elliot S! Maggin and Dave Cockrum, is also one of the most distinctly Jewish-coded stories in the Superman canon. Let's take a look under the cut …

There had been flashbacks and time travel stories set on Krypton going back to the earliest Superman adventures, but "The Fabulous World of Krypton" strip first appeared in SUPERMAN #233 back in 1971. These backup strips, generally running between five and seven pages, ran fairly regularly through the early 1980s; the last was in 1982. While many were narrated by Superman, who often appeared at the beginning and end to provide a framing sequence, this one, from SUPERMAN #264, is noteworthy in that neither Superman nor Supergirl is even mentioned, save in the logo:

This story is set on Argo City, home of Supergirl. Although Argo City survived Krypton's destruction (in fact, in pre-Crisis history, Supergirl wasn't born until more than 15 years after Krypton exploded), the red sky in the first panel indicates that this story takes place beforehand. Nim-Ed and his unnamed mother were created for this story and never mentioned again; they're just ordinary Argonians with no particular relationship to any of the major Superman characters.

A noteworthy point here is that while Nim-Ed is shown to be on his way to school, the following account is a story related to him by his mother at home — it's a folk tradition, not an academic history, although since Nim-Ed obviously knows at least part of the story (and his mother implies that he should already know the rest), we can probably assume it's part of Kryptonian school curricula.

Exactly when this story is supposed to have taken place is vague. The pre-Crisis history of Kryptonian civilization spanned almost 10,000 Kryptonian years (over 14,000 Earth years); we only get snippets of it, establishing any kind of sequence of events is difficult, and it's not always clear how literally some of these stories should be taken. (For instance, an earlier installment indicates that all Kryptonians can trace their lineage back to two stranded space travelers named "Kryp" and "Tonn"!) However, if you've ever been to a Passover seder or watched THE TEN COMMANDMENTS, it's hard to miss the parallels here. ("When Krypton was [space] Egypt land …")

An intriguing detail is that we're shown that headbands were already worn prior to these events for a different cultural purpose: as part of marriage ceremonies. The origin of that custom is left to the imagination, but it obviously suggests a longer history of which this is only part. (One segment of THE KRYPTON CHRONICLES #3, published eight years after this story, indicates that the Kryptonian marriage ceremonies of an even earlier era involved bracelets representing Krypton's two original moons, which implies that the marital headbands may have been an evolution of that older custom.)

Note also the presence of the priest, which is relatively unusual: Pre-Crisis Superman stories were generally very cagey about discussing Kryptonian religious practice, although other stories indicate that earlier polytheistic traditions were eventually subsumed by a monotheistic system of belief based around Rao, previously a sun god whose name remained Kryptonians' name for their red sun. Where this priest and his ankh symbols fit into that progression is anyone's guess.

Note also that neither Rik-Ar nor Jani is any kind of warrior; Rik-Ar is a healer and Jani is a teacher.

This bit of business with the fake plague doesn't make a great deal of sense, except to illustrate that Pharaoh, er, Taka-Ne, is a cruel tyrant who doesn't believe in sick days. However, many of these stories revolve around the characters contriving some kind of clever invention, and it's conceivable that editor Julius Schwartz insisted on it here. Also, Exodus involves 10 plagues, so perhaps Maggin figured a story that evoked the Exodus ought to have at least one.

The guards' reaction to the headbands is nonsensical: The guards saw the rashes themselves and were frightened of them, so why would they assume the plague was psychosomatic? Of course the point is that Taka-Ne doesn't really care so long as it doesn't trouble his slave labor force, but it's an odd digression.

Another point of note: ALL of the slaves are wearing the headbands, not only the men.

Here we segue from Exodus to Spartacus, as the slave laborers take their liberation into their own hands. For a Superman story of this time, this is unexpectedly violent, and it's a little surprising that all the strangulation passed editorial muster — comic book editorial standards of the time, not to mention the Comics Code, tended to frown on types of violence that readers might readily imitate, and this would seem to qualify.

Faced with the threat of imminent bloody retribution, Taka-Ne doesn't harden his heart, but seeks instead to cut a deal. The narrative captions would seem to emphasize that there's a lot of lethal violence taking place — not surprising in context, but unusual for a Superman story in 1973. Note that we see women as well as men attacking and presumably killing Taka-Ne's guards.

Note again that in the celebratory scenes, women as well as men are wearing headbands, just as we previously saw women using their headbands as weapons. However, Nim-Ed's mother then describes the headband as "the symbol of a free man on Krypton." The story she's just described took place thousands of years earlier, so the chauvinism of this tradition's modern practice presumably evolved in the interim. Combined with the fact that the headbands previously had a quite different ceremonial significance, it emphasizes that Kryptonian culture is not static, with such signifiers taking on distinct meanings at different times. In that light, Supergirl's later decision to adopt the headband herself makes perfect sense, representing both the liberalization of a current cultural practice (which is how she describes it in SUPERGIRL #17) and a hearkening back to the folkloric tradition from which it emerged.

This story doesn't delineate any specific cultural or tribal divide between Rik-Ar's people and Taka-Ne's, although it's clearly implied that the overthrow of Taka-Ne occupies a similar cultural space for modern Kryptonians as the story of the Exodus does for Jews and Christians. In that regard, it's also noteworthy that this is presented as the story of a secular liberation; it may also hold religious significance that's not mentioned here, but this is a cultural tradition rather than a specifically spiritual one. (The Adam Strange story in MYSTERY IN SPACE #76, also edited by Julius Schwartz, though written by Gardner Fox, presents a comparable historical liberation as part of the story of the foundation of Ranagar City, the home of Adam's girlfriend and later wife Alanna.)

Finally, the actual use of headbands among modern Kryptonians seems at least broadly analogous to the practice of wearing kippot (yarmulkes). Nim-Ed's mother's remark about wearing headbands to dress up might suggest that the headband is more comparable to a necktie, but that isn't really borne out by the stories in which the headbands appear, which show some Kryptonian men wearing headbands even in casual surroundings and others going un-headbanded in quite formal situations. Consider for example Jor-El's fateful meeting with Krypton's ruling council in SUPERMAN #53:

These are Krypton's highest officials in an official proceeding, and their garb otherwise seems quite dressy, but only Jor-El has a headband, so the choice to go headbanded seems dictated by something other than just the formality of the occasion. There's no specific indication that it's a matter of religious expression, but that would explain most of the variations in practice.

(It should be said, however, that headbands appear much more commonly in Bronze Age depictions of Kryptonian culture — particularly in stories published after "The Headband Warriors of Krypton!" — than in stories published in the 1950s or 1960s, and later depictions of the same events will sometimes show characters wearing headbands who were not in previous versions. However, there are still characters who rarely if ever wear one, including Superman himself.)

[prettyboykatsuki]

random thought i had to share with someone today: so sick by neyo is such an atsumu song i don't know why? also bumpy ride is too (i do know why)

anon you are SO right about this

[jennicheck]