#ryann graham

[marksandrec]

Marks and Rec: Misc #2517

Ryan: "Dude, come on." (Dialogue from tumblr.)

[a-mild-malady]

my grandma: what are you listening to?

me, pausing the hannibal asmr of will talking about murder that i play to relax:... taylor swift.

[spillingthefarm]

Ok but the issue is that these captions lose sight of who and what captions are supposed to be for. Captions are supposed to be there to ensure an equitable viewing experience for d/Deaf/HoH/APD viewers-- an experience as identical as possible to the hearing viewer's experience. When you have a different "cutesy" caption for the same logo ping in each video, Deaf people are EXCLUDED from the full joke. A Deaf fan may remain forever unaware that it's just the same trademark logo ping being played each time and may really believe that a different funny sound is being played each time. Who actually has access to this joke? Only people who can hear. So instead of creating an equitable viewing experience for Deaf people, the inequity is actually Exacerbated instead. These captions are not being written for Deaf people's Needs in mind; they are being written for hearing people's Enjoyment.

Also I can think of one other sound that did get censored in favor of cutesy captions. There was a Too Many Spirits episode where someone said "meow." The captions, instead of printing like four characters for meow, said something like "the sound that Shane's good boy OB makes" which took up Significantly more space on the screen in the very short time it took to say meow; thus it was this huge line that just flashed there and would have made anyone who didn't hear and couldn't read fast enough Very confused. This example is even worse than the logo ping because it is not only a joke, it is an inside joke that requires requisite knowledge that Shane has a cat and that the cat's name is Obi. If you did not have this knowledge and could not or did not hear the audio, you would have No Idea what had just been said. It also gives me the uncomfortable impression that the subber gets very bored while working on subtitles, wish they didn't have to do it, and is trying to blow off steam lol. That's just the impression it gives, not saying it must be true. I really hope they have replaced this bad sub with meow by now. If I find it again I'll link it.

If Watcher really wants to continue with jokey subs that only hearing people and some HoH/APD people can enjoy, they can-- but they must provide alternate, true CC as well. I am referring to the fact that you can have multiple versions of subs on a YouTube video. You can provide English: Winky Face as well as English: CC for Deaf and hard of hearing. This is common to see on home media/streaming platforms, where people who can hear but need a lil help at times can select regular English, which only describes dialogue, not sound effects, while d/Deaf people or anyone else who needs it will select English: CC, in which non dialogue sound will additionally be described, and accurately. Although the easiest and best solution is to just stick with a single track of subs and have it be as accurate CC as possible. The goal of your CC should be to make sure d/Deaf/HoH/auditory processing disorder folks can derive the same amount of enjoyment from your content as a hearing viewer would-- not to turn to your hearing viewers and be like here, these extra jokes are just for you. Because that results in hearing people who have the subs on getting More content and enjoyment from that content than Deaf people. When hearing people somehow end up with even More access than Deaf people to what is supposed to be the same content, that defeats the purpose of providing CC in the first place. Closed captioning is about providing equity to the people who need it, not about winking at the people who don't.

Also it's not lost on me that providing any official subs at all is already above and beyond what most YouTubers do for accessibility. Thank you Watcher. I am grateful, but also tired of seeing hearing fans praise the subs when they're not fully accessible to the people who actually Need them lol.

Some more on issues in Watcher video subs (mysterious new character Dix that only subs-on fans know about). Some of their series do CC better than others, so it's probably multiple people who work on subs.

@wearewatcher

@everwizard feel free to hook me up with those mutuals, I would love to hear what they have to say about this kind of issue and what their experience with watching Watcher content has been.

Whoever makes these little subtitles c’mere let me give you a lil kiss on the head

[gunterfan1992]

Episode Review: “The Star”/“Jerry”

(Fionna & Cake, Eps. 7–8)

Airdate: September 22, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Iggy Craig, Graham Falk, Jacob Winkler, & Sonja von Marensdorff

Directed by: Ryann Shannon (supervising), Hans Tseng (art)

It is hard to believe that we are already privy to the penultimate episodes of the Fionna & Cake miniseries. So far, this series has been hit after hit. So do "The Star" and "Jerry" live up to what has come before them? Read on for more...

The plot to "The Star" is deceptively simple: Fionna, Cake, and Simon are transported into a universe where Simon was killed by vampires, which led to Marceline being abducted the ice crown-wielding Vampire King (once again played by the wonderfully sonorous Billy Brown) and turned into his protege, known as "The Star." While the world has been almost entirely overrun by vampires, a Mad Max-esque version of Princess Bubblegum is still putting up a hell of a fight (Mad Max Bubblegum is aided in this task by Peppermint Butler-as-a-Tank, a human[?] version of Huntress Wizard, and a non-psychopathic version of Martin). Cake's shapeshifting impresses Mad Max Bubblegum, and so she decides to enlist Fionna, Cake, and Simon's help in defeating the Vampire King and his evil 'daughter.' Alas, as goes the best-laid plans of mice and men... The episode ends on a purposeful anti-climax: Fionna, recognizing that all is effectively lost, forcibly teleports herself, Cake, and Simon away from Vampire World while Mad Max Bubblegum and The Star struggle in the sky, with neither wanting to land a killing blow. The fate of Vampire World is thus left unresolved.

As a major fan of Stakes, I was delighted to be transported back into the world of vampires in "The Star." And this time, the show does a very solid job showing just how powerful and scary these monsters actually are (despite their Kermit the Frog-meets-Nosferatu appearance). And let us not forget Evil Marceline (oh, where to start)! I quite like that Ooo's Marceline is a heroic anti-anti-Christ, but even I found the titular antagonist of "The Star" to be a terrifying delight. It has been a good long while since Marceline has rightly pranked someone, and while I don't know if killing people or sucking souls count as pranks, it was nonetheless wonderful to see her ornery side return—only this time, turned up to 11. You can tell that Olivia Olson had a lot of fun recording her lines for this episode; her performance is energetic, her tone mocking. When I heard The Star taunt Mad Max Bubblegum and Co., it took me back to when I first heard Olson's voice acting in "Evicted!"

It was a clever move having The Star and Mad Max Bubblegum be sworn enemies, as it allowed the series to explore their dynamic as a couple without focusing on their past or present relationship. In the Vampire World, we learn that the two have never been in a relationship together. But despite this, still found themselves pulled toward one another in an almost preternatural way. Who knows… Just as the souls of Finn and Jake seem to be destined to always find one another, perhaps Marceline and Bubblegum are "soul mates" in a similarly metaphysical sense? Regardless, the hesitancy to kill one another that both characters show at the end of the episode speaks volumes as to how they feel about one another, even in a universe where they are sworn enemies. (Man, I really hope we get a Bubbline spin-off one of these days…)

Ah, I feel like I could talk about the Star for days, but there is more to consider, so let me move on to…

Airdate: September 22, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Jim Campbell, & Jackie Files

Directed by: Steve Wolfhard (supervising), Hans Tseng (art)

"Jerry" begins with Fionna, Cake, and Simon finding themselves in a dead and desolate world—humorously dubbed "Crapworld" by Cake—that we later learn was created by the Lich's wish in the season five premiere "Finn the Human." (As a mythological aside, when the Lich made his initial wish, it seems that Prismo did not simply wipe out all life in the Oooniverse; instead, he effectively created a copy of the Oooniverse within the Oooniverse. After killing off all life in this bubble dimension, Prismo then transported the Lich to his new wish-altered reality. Really, it is turtles all the way down…) While searching for the Crapworld ice crown, Simon tries to cheer up an increasingly despondent Fionna by telling him the story of how he and Betty met.

Eventually, our heroes run into Crapworld BMO, who upon learning that Prismo's remote is out of juice, attempts to recharge it with his robot heart. This does not go as planned (it actually results in Crapworld BMO spectacularly exploding, which is somehow both horrifying and funny), and Simon, Fionna, and Cake decide to track down Crapworld BMO's oft-mentioned friend "Jerry" and tell him that BMO has passed. Upon finding Jerry, however, the trio discover that he is actually the Lich… albeit a depressed Lich; it seems that after fulfilling his mission of ending all life, the Lich lost a sense of purpose. (I've been there, dude...) Simon sees this as an opportunity, and using the Crapworld ice crown and the Lich himself as a conduits, he manages to summon GOLB just as Scarab materializes to deliver divine punishment.

To be continued!

"Jerry" is a decidedly bleak episode that more than anything radiates the creative sensibilities of its supervising director, Steve Wolfhard. For those out of loop, Wolfhard was a storyboard artist on the original Adventure Time series, and he helped write some of the show's strongest outings (e.g., "Puhoy," "Lemonhope," "Escape from the Citadel," "Graybles 1000+"). Wolfhard has a unique approach to writing, often using humor/cuteness to paste over more existential horrors, and while he did not storyboard "Jerry," the episode nevertheless feels like the apogee of his "voice," brimming as it does with a darkness that is only lightly covered with a veneer of humor. Indeed, many of the episode's funniest moments (e.g., the scene in which BMO cheerfully, stupidly kills itself, the reveal that the Lich has depression) cannot be described as anything other than gallows humor. Wolfhard often joked in interviews that many of the episodes he pitched involved main characters dying. With "Jerry," he finally got his chance.

Ultimately, what prevents "Jerry" from becoming a bummer-fest is the way the episode is interspersed with flashbacks that tell the story of how Simon and Betty fell in love. Despite their being the emotional heart of the episode, I do not have much to say about these scenes other than they are sweet. They largely expand upon details that we already knew, but in doing so, they enliven those details, infusing them with a sense of affect that exposition or background detailing could never convey. There's a couple easter eggs thrown in for die-hard fans (e.g., several relics from the main series are name-dropped, we see when a photograph of Simon from "I Remember You" was taken), and its all tied-up nicely with a new HALF SHY song, "Everything in You." All in all, these scenes are the sweet, sweet eye bleach we need, given the tone of the episode's other half.

My biggest gripe with these episodes is that they both lean too far into Fionna's failures while somehow not leaning in far enough. The former issue is most noticeable in "The Star," the beginning of which sees Fionna follow up her candy genocide by making a series of increasingly bone-headed decisions, one of which leads to the direct death of a character (although, Mad Max Bubblegum was also quite bone-headed for letting Random New Girl put everyone in danger immediately after introducing them to her few crew members). Put simply, I feel the episode excessively plays up Fionna as a gullible girlfail, which seems a bit much. Paradoxically, in "Jerry," the show did not have Fionna properly, fully, believably consider the ramifications of the mistakes she had made; instead, the episode focuses much of its emotional energy on the story of Simon and Betty's relationship. Yes, Fionna does have a realistic breakdown in the middle of the episode, but almost immediately, the show decides to have Simon distract her with more of his own love story. None of this sinks the episodes, but it does make them less than perfect.

For some, the episodes' bleakness might also be a defect: indeed in both "The Star" and "Jerry," lots of characters die, and the fridge horror is off the charts. But while I have criticized the show for such cruelty in the past (e.g., my review of "Wizard City"), the bleakness in these episodes is not meaningless. Instead, it arguably serves to underscore that without Simon Petrikov existing and doing all that he has in the Ooo Prime universe, the world (any world) quickly goes to hell. (This is perhaps most noticeable in "The Star," given that the big twist of that universe is that Simon was killed by vampires, presumably before he placed the ice crown on his head, thus resulting in Marceline's capture and indoctrination by the Vampire King.) Even in his crazed "Ice King" state, Simon is something like a cosmic lynchpin holding together reality! Considering how much Simon/the Ice King is a woobie in the original series, it is nice to see Fionna & Cake accentuate just how important he actually is.

Final “The Star” Grade: A-

Final “Jerry” Grade: A-

[j4gm]

One interesting thing about this batch of episodes is that there's a bit of a board team shuffle; in previous batches the Ryann Shannon directed eps (odd numbered eps) were boarded by the teams of Hanna K/Anna and Jacob/(initially Haewon, then starting with Destiny, Sonja), while the Steve-directed eps (even numbered eps) were boarded by the teams of Iggy/Graham and Jim/Lucyola. However with this batch, the Ryann-directed The Star was boarded by Jacob/Sonja and Iggy/Graham, while the Steve-directed Jerry was boarded by Hanna K/Anna and Jim/Jackie.

Yeah I noticed they had swapped around. Guess it helps keep the boarding style distinctive for each episode.

[inbarfink]

One thing interesting about Fionna & Cake and it being a half hour show; is that it's not that there's 2 4-person board teams (and an extra floating boarder), but rather there's 4 2-person board teams with 2 teams per episode. The distinction seems moot at first, but now you got a shuffle with this week's episodes, with one of the teams previously on the odd-numbered Ryann-directed eps (Hanna K/Anna) being on the even-numbered Steve-directed Jerry, and vice versa with Iggy/Graham on The Star, with the other teams (Jacob/Sonja on The Star and Jim/Jackie on Jerry) remaining where they were (other than Jackie replacing Lucyola)

Oh, yeah, that is pretty interesting! (Also the much smaller number of boarding teams compared to Regular Adventure Time certainly helps F&C feel a lot more thematically and emotionally consistent from episode to episode)

[wearewatcher]

and my flight was awful, thanks for asking

[magnus-is-swagness]

Matching icons for when you and your bestie find out that a singing cloud knows who committed the JFK assassination 💕🥰

[fandoms-unite]

[trans-pilled]

i’m just like ryann

[noa-nightingale]

Watcher, We Tried The Extravagant Wigs That Killed Marie Antoinette • Pretty Historic

[sweetaspiesammy]

it’s back!! ​the c dogs bit has returned!!

[lumiereandcogsworth]

shout out to the fake!professor’s evil joker laugh that will now forever haunt my dreams

[watcherwatts]

SHE CAME BACK TO US !!!!!

[gunterfan1992]

Episode Review: "Destiny"/"The Winter King" (Fionna & Cake, Eps. 5–6)

Airdate: September 14, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Jacob Winkler, Sonja von Marensdorff

Directed by: Ryann Shannon (supervising), Hans Tseng (art)

One of my favorite moments from Adventure Time comes at the very end of season four's "The Lich" when we are introduced to "Farmworld" for the first time. When the episode aired, this reveal was positively huge, adding as it did a brand new reality to the already complex world of Ooo. The show would go on to expand our understanding of Farmworld in the season five premiere "Finn the Human"/"Jake the Dog" and the season seven episode "Crossover," but even with all those episodes, I never could shake the feeling that there was so much more the series could have done with Farmworld. You can thus imagine my surprise when I learned that Fionna and Cake of all people would be journeying to this strangely normal alternate dimension!

"Destiny" picks up with Fionna, Cake, and Simon landing in Farmworld, roughly 10 or so years after the events of "Crossover." Following the destruction of the Farmworld crown, things returned to their (post-apocalyptic) normalcy, and Ice-Finn (or, as the people in Farmworld call him, "The Snow Man") has grown into a strapping Man-Finn who is busy raising three children (his wife, it seems, has died). One of Finn's kids, Jay, overhears Fionna, Cake, and Simon asking around about the Farmworld crown, and so he steals them away to meet his father. Once Man-Finn discovers what it is Simon and Co. seek, however, he bids them to leave. Going against his father's wishes, Jay sneaks Fionna, Cake, and Simon to the crater where the Farmworld Bomb had detonated, where they all discover the charred remnants of the crown. At this point, Jay reveals that previously when visiting the crater, he had discovered one of the crown's jewels. The final act of the episode is a sees Fionna, Cake, Simon, Man-Finn, and Jay square off against the Destiny Gang and Scarab, who we learn has been trailing our heroes this whole time. After securing the jewel from Big D's turncoat daughter, Simon fuses it with Prismo's remote, zapping himself, Fionna and Cake to another reality just as Scarab stabs(?!) Man-Finn in the head.

First and foremost, I must stress that "Destiny" feels very much like an episode of the "original" Adventure Time. This is likely a result of the Farmworld setting: as a world, it is overflowing with an absurdist energy and out-there characters (e.g., Big D!) that I intimately associate with the adventures of Finn and Jake. And let me know emphatically state: This is not a bad thing. Not at all. I love how the producers have been able to weave the Adventure Time "feel" into something new. It is like meeting an old friend after a long time apart (only for that old friend to get stabbed in the head by a space-god).

OK, but seriously… did Farmworld Finn die? I hope note. If he did, that would mean that Jay's actions were directly responsible for his father getting killed. That's pretty dark. And considering all the bad dads in the Oooniverse, it would be nice if one of the good ones was allowed to live a (relatively) happy life.

Airdate: September 14, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Iggy Craig, Graham Falk, Jim Campbell, Lucyola Langi, Nicole Rodriguez

Directed by: Steve Wolfhard (supervising), Hans Tseng (art)

After zapping away from Farmworld, Simon, Fionna, and Cake teleport to a reality ruled by the "Ice Prince"—an alt-universe Simon Petrikov who has somehow managed to avoid the madness that plagued Ice King. Simon quickly tells his fellow Petrikov the group's goals, and the Ice Prince gallantly agrees to help them by duplicating his own crown. Things are going swimmingly until the evil "Candy Queen" swoops in and snatches away both Simon and the Ice Prince. Fionna, Cake, and Ice Prince's guards dart to their rescue, brutally (but humorously) massacring dozens of hideously mutated candy citizens. Fionna and Cake rescue Simon and the Ice Prince, but once Fionna and Ice Prince share a kiss, the awful truth is revealed: Ice Prince is not some gentleman who overcame the madness of the crown through sheer will. No, he was a self-centered "wad" who used magic to deflect his madness onto the poor Candy Queen… who, as we quickly learn, is just an alternate universe version of Princess Bubblegum. Thanks to fairy tale logic, Fionna's kiss breaks Ice Prince's magic spell, which causes his crown to lose power. He subsequently crumbles to dust and everything he has created melts away.

So far, of the episodes we've gotten, I think "The Winter King" has been my favorite, largely because of the way it explores Simon's psychological character.

One thing that made Ice King’s story so tragic was how Simon, in his original form, was fundamentally a good person, buried deep within the mind of an outwardly "evil" wizard. "The Winter King" neatly conveys the opposite of this situation by showing us an Alt-Simon who, while outwardly "good," had long ago squandered his sense of morality for selfish gain. Not to get too analytical, but all of the good/bad talk reminds me of what the psychologist Carl Jung called the "Shadow." Put in simplest terms, the Shadow is a part of the unconscious human psyche in which repressed, rejected, or unrecognized aspects of the Self are contained, far from the light of conscious thought. The Shadow tends to seal away attributes of the Self that we wish to downplay or dismiss, making it "the home of the suppressed monsters of our inner world," in which "the energy of [our] dark side" bubbles (to quote Christopher Vogler). Furthermore, the Shadow exists as the inverse of our conscious Ego (meaning that, as Jung put it, "when one tries desperately to be good and wonderful and perfect, then all the more the shadow develops a definite will to be black and evil and destructive"). And because it is unconscious, the Shadow eludes easy detection. Nevertheless, its contents can often be ascertained by keeping an eye out for psychological “projection,” wherein a person denies their own foibles and instead recognizes those defects in others.

Now consider this topic in relation to "The Winter King." Let us start with Ice King, a hyperbolically crazy and "evil" wizard. I would argue that Ice King is a textbook of Simon's Shadow made manifest: He is everything that Simon consciously does not want to be brought to the surface in its entirety. The tragedy of Simon is that, while he doesn't often talk about it, he knows deep down that Ice King, while corrupted and warped by the crown, was an aspect of himself. In fact, this entire series feels very much like Simon’s journey to fully recognize his own Shadow.* And the fact that he starting to do this despite it being a painful process is, in my opinion, the clearest evidence of his ethical/moral character. Conversely, Alt-Simon is not like this. When presented with his Shadow, he does not choose to begin the painful recognition process. Instead, he projects it onto an innocent person; he builds up an elaborate "nice king" persona while literally condemning someone for his own sins. It is important to note that psychological projection is a pretty normal occurrence and thus not a surefire marker of "evil" or anything like that. What makes this instance of projection so bad is that Alt-Simon does this fully aware that it will cause someone to suffer for crimes they did not commit. Alt-Simon is like the "pious" archbishop who burns the "evil witches" at the stake all because he cannot come to terms with his own inner demons.

Now that is messed up!

But you know what isn't messed up? The voice acting in this episode. I do not say this to be hyperbolic: "The Winter King" may very well be Hynden Walch's finest performance to date. Her take on the Candy Queen is truly horrifying in a decidedly blursed way. So fundamentally different is her performance that at first I thought it was someone else! Also stealing the spotlight in this episode is Brian David Gilbert, erstwhile writer for Polygon and maker of many a wacky YouTube video. Gilbert's Ice Prince exudes the perfect amount of over-the-top flamboyance and faux chivalry. Both Walch and Gilbert get a song apiece in this episode, and both do a stellar job. (As an aside, have we ever had a true-blue PB song? Does the Candy Queen's song count?)

Oh, and as a quick aside: "The Winter King" features a few short scenes set in Fionna's non-magical world that follow Marshall Lee and Gary Prince as the latter tries to bake something that will earn him greater renown. Going into these scenes, I thought I would have found them a bit dull, but they were quite endearing. It's obvious that these scenes are a way for us to explore how Marceline and Bubblegum got to know one another, but from the parallax angle of a genderbent world, and I am here for it!

Final "Destiny" Grade: A

Final "The Winter King Grade": A

* My Prediction: Simon will attempt to become the Ice King, only to realize that a full-on transformation is not just necessary but ultimately dangerous. Recognizing one's Shadow does not mean you become synonymous with; it simply means that you know it's there.

[bergoozter]

#don’t mess w her