#ruby analysis

[lovingdabeessss]

We don’t talk about how these scenes are parallels enough and I think that’s a crime

Like DUH it’s the first time they meet all together and then it’s the first time they all meet together AGAIN (like metaphorically due to how much they’ve changed it’s them meeting again like reintroducing themselves kinda thing which is so fun and insane and great)

And that’s all good and great for OVERALL analysis like it represents the tensions between them all the uncertainty but also how they’ve been through it before and the hope that they can do it again while simultaneously being dooming because it didn’t work out the first time why would it the second and blah blah blah

But that’s not what THIS is an analysis of I’m talking about THE BEESS specifically and how it’s SUCH an on the nose acknowledgment and representation of how they switch places and how they’re whole dynamic is as a whole like COME ON!!!!

So we’re all so very aware of how clearly Yang and Blake are supposed to be like yin and yang(obviously) their color thing with souls and eyes, the cat and dragon thing, they’re whole vibe, like. It’s SOOOOO obvious

SOOOOO obvious, I don’t need to go into that we all know this

But something not 100% glaringly Obvious about Yin and Yang as a concept is that they transform into each other night transforms to day, day into night they switch

And we watch as this happens with Blake and Yang

As Blake becomes mentally better Yang becomes mentally worse that’s pretty much all of v4-5

Blake is awkward trying to start up conversations immediately defending Yang at every turn desperately trying to have a relationship with her again not by asking or begging for forgiveness but by genuinely attempting to earn it by proving she can count on her that she’s not going to run anymore that she does care and understands(she doesn’t really with this part but she’s trying) her feelings

Yang is closed off she’s expecting the worst expecting Blake to be the same as before only allowing herself to be around Blake because she’s willing to go through how bad it was the first time again just to have a little bit more of her life spent with her but never because she actually thinks things will change

They switch dynamics

And this is shown SOOOO clearly and obviously in this scene

Additionally in the first episode when they all meet they have a different first meeting where all but one are there it’s Blake Weiss and ruby arguing about dust and all that fun stuff

We have that here to!! It’s the other!! reunion when Weiss and Yang show up at the house

But of course!!! Yang and Blake are swapped!! Instead of Blake explaining the terrible history of the schnee dust company it’s Yang explaining the history of ozpin lying to them all the time

THEYRE SO RAHHHHGGGGGGG

[dandelionjack]

We Invest Things With Significance, or: Why Sutekh Isn’t Sutekh, But Death Itself. alternative title: Fear Is the Mind Killer.

the Doctor Who Series 14/1 thesis statement

i don’t think that sutekh has literally been attached to the TARDIS since Pyramids of Mars. i think that the salt at the edge of the universe — the grievous mistake that caused all myths to become a reality — was what made him appear. and he’s not the same character as sutekh the osiran, a powerful alien that delusionally believed himself to be a god. he *is* a god. nuwho-Sutekh is Death Incarnate.

ergo, this version of Sutekh is the literal psychic manifestation of the Doctor’s deep-seated, guilt-motivated fear of the idea that his arrival brings death wherever he treads. this death-anxiety was turned into a physical presence, haunting the TARDIS all through the Doctor’s timestream, because of the salt. that’s the reason why the Doctor didn’t spot any Susan Twists before Wild Blue Yonder…

there are two timelines in Doctor Who — relative time and universal time. universal time is the history of the universe. relative time is how the Doctor experiences it. in universal time, Sutekh has supposedly been hitchhiking through the vortex for millenia. in relative time, he has only been doing so since Fourteen accidentally invited myths back into the world.

the Doctor was insecure and afraid and believed the above quote (from the very first episode!! spoken by the very first named character in nuwho to die on screen, no less!) to be true. but until WBY it had only been true on a symbolic, metaphorical level. myths, legends, concepts and stories becoming real after the salt caused the Doctor’s anxiety about being a death-bringer to take the shape of a black dog — a universally recognised symbol of death — wearing the name and voice of his most formidable enemy, Sutekh.

in a way, this plotline mirrors The Woman from 73 Yards similarly being a manifestation of Ruby’s worst fear — that of being abandoned by everyone she loves for something intrinsic and incorrigible inside her that she cannot change. Ruby fears being left completely alone, so “The Woman” causes everyone in her life to leave her. the Doctor fears that his coming always heralds mass destruction (“maybe i’m the bad luck”), so “Sutekh” makes sure that the TARDIS literally becomes an altar of death.

ever since Wild Blue Yonder, stories in doctor who have become sources of immense power. the worst, most potent stories we tell ourselves are the lies that our sick brains whisper to us — secret anxieties that we’re not good enough, that all our loved ones will inevitably leave, that we carry nothing but bad luck in our wake. what better clay to mould a monster from than the protagonists’ own neuroses?

and if anybody’s still in doubt, here’s the plain text, all laid out below:

we invest things with significance. that’s what the salt at the edge of the universe really meant. that’s what almost every episode this series has been about, thematically — the imaginary kastarions, the cosplaying chuldur, the bogeyman written into life because kids need a scary story. myths become real to us because we believe in them, love and death and monsters too.

[i-like-media]

I was wondering when they were going to play with the fact the Doctor is black now. 13 being faced with how people think of women was one of my favourite things in her era, so I was curious how they were going to treat his skin colour this season, if at all.

And honestly, Dot And Bubble exceeded all my expectations on the matter!

What a lot of episodes about racism and bigotry do is coddle the viewer. They make clear early on "this is an episode about RACISM and why it's WRONG!" As if you've never heard of the concept before and don't know it's bad. The episode will often portray racism in an extreme sense and show the viewer the main characters are above that.

What Dot And Bubble did, for the entire episode, was letting the viewer figure it out on their own. There was no coddling, only racism as it silently existed. A perfectly pastel and white community with not a single person of colour and the only visible outlier being a goth white kid. And in this world, the first thing the character we follow did, was to block a black guy with a face of disgust.

The title screen rolls and you're left to rationalise it. Surely it was because he was not in her contact list/saying all kinds of mind blowing stuff... Right? Except when Ruby enters her feed and talks about it, she actually replies back... With an eye roll, but she replies... and keeps talking... and listening.

The episode continues, still not a single POC besides the Doctor. They reveal this is an exclusive place for rich people, and eventually the character in question even admits she thought the Doctor was a different person because "I thought you looked the same".

What this episode also does well, is portraying a character we wish to see change and find a better life behind that change. We see Lindy struggle to navigate the world without her bubble, calling herself stupid, and we genuinely hope she DOES learn to be better, even as you slowly pick up on what's been going on sofar. You are left to hope she'll thank him and realise the error of her ways, and maybe find a new drive to think for herself.

And then she doesn't.

She stays in her bubble, doubling down on how she feels about the Doctor, how they're excited to be like their settler ancestors, and finally CLEARLY revealing to the viewers what's been off this whole time... and the scene asks: did YOU notice the signs? Did you see what went wrong along the way, or did you only notice just now when it's explicitly shown to you? And why do you think that is?

It challenges the perspective of the viewer and tells you to reflect on why you didn't see it coming, and that is so so powerful.

The Doctor's reaction to this scene..... 👌👌👌👌

His mouth is ajar, stunned beyond belief that after all he's done and all he can offer, the offer to literally save their lives, he is reduced to someone who's nothing more than the hue of his skin. He yells at them, telling them he doesn't care what they think of him because he's still the same doctor he's always been, and to still get rejected with a dirty look... Which hits extra hard when you remember how much the Doctor loves being himself. He LOVES being the Doctor again! And he walks with such a pep in his step, celebrating his existence and sharing it with all he meets... and then he tries to save some rich white kids from certain death.

His performance in that moment was literally phenomenal. It's a narrative that's so powerful and so creative in its execution, my jaw was still on the floor throughout the credits.

This episode is definitely up there as one of my favourites sofar

[inbarfink]

So one of the cool and interesting ways ‘Steven Universe’ used to try and balance being both a series of 11-minutes episodes that each have their own satisfying emotional resolution and being an overarching story with complicated character arcs that take multiple seasons to resolve is the… I’m going to call it the ‘Not Quite Right Lesson’ episodes. Episodes where a character kinda learns a Very Important Lesson… but a more careful and retrospective look at the situation shows that what they learned is not Quite the Right Thing for them. They internalized something in that adventure which just ended up causing more Emotional Troubles for themselves farther down the line.

‘The Test’ is the most classic example. 

As a standalone thing, it’s just a sweet episode about Steven learning to accept that his caretakers are also flawed and confused and figuring this shit up as they’re going along just like he is, and then doing a nice thing for their sake.

But looking back at this episode, it is quite obviously the nadir of Steven appointing himself as the Family Therapist and repressing all of his problems so he could better help the Gems’ with theirs. Like, there have been some early warning signs for this Complex, but this episode is the one that really cemented that idea in his mind and probably the reason it took him like the Entire Rest of the Show Including a Post-Finale Season to really untangle it.

But… also, I’ve been thinking a lot about the episode right after that, ‘Future Vision’. I think it’s also a very important ‘Not Quite Right Lesson Episode’ for the character of Garnet, and to some extent, the Crystal Gems as a whole. In many ways, it is to the CGs' character arcs' what 'the Test' is to Steven's.

So in this episode, Garnet reveals to Steven the fact that she has Future Vision. She hoped that telling Steven a little bit more about herself and being honest with him will lead to a greater understanding and a greater bond between them… but it backfired. It just led Steven to become a total paranoid, terrified wreck stuck in a total existential crisis.

And it seems like the lesson Garnet learned is that… she should’ve never taken that risk at all. That it would’ve been better for everyone if she just kept Steven ignorant of the truth forever.

Extremely reinforced with the ending of the episode, where Garnet chooses to once again hide an uncomfortable truth (that he just came very close to dying again) from Steven, for the sake of his own ‘peace of mind’.

So, like, the Gems were already hiding uncomfortable truths from Steven since day one. “If you could only know what we really are” and all of that. But I think… With the actual truth of Homeworld encroaching on them more and more at this point of the story arc, this would’ve been a great time for the Gems to reconsider their attitude and actually Explain to Steven What the Hell is Going On. 

But instead, I think Garnet saw the events of ‘Future Vision’ as a reinforcement of the idea that there’s just some things Steven is Better Off Not Knowing. Actually being frank with him about Homeworld and the Diamonds and the War right there and then, that would have just overwhelmed Steven with fears and worries and would’ve ended up doing nothing but hurting him. And Garnet can’t accept that possibility, not again.

And so, Garnet, alongside Amethyst and Pearl, keep all these truths from Steven as long as possible. Only revealing bits of information when they have to. For Amethyst it’s about her emotionally-evasive attitude (also, she legit doesn’t know all of that stuff herself). For Pearl it’s about how she learned to romanticize Rose’s own fucked-up obsession with secrets. For Garnet, with her usually very direct attitude and preference for the most straightforward solutions, I think it’s very much the events of ‘Future Vision’ that were still playing in her head every time she had the choice to actually Explain something to Steven and decided not to. 

But that, indeed, was Not Quite the Right Lesson. While being bluntly and directly told by Garnet all about the Many Ways He Could Die caused Steven to go into an anxiety spiral and an existential crisis for an episode - the way the Gems have been consistently secretive and evasive with Steven ended up causing him so much more emotional grief to him in the long run. As all of these secrets ended up revealed to him in the most surprising, dramatic and traumatizing way possible.

And the secretive attitudes ended up driving a wedge between Steven and the Gems. 

Even after they promised to be more honest with him. Because the sight of Steven crying on the roof that day is one that Garnet can easily move away from. Because Garnet’s Not Quite Right Lesson was almost as difficult for her to unlearn as Steven’s own. 

But after the big confrontation at the start of the Zoo Arc, Garnet ended up being the most upfront about the Crystal Gems’ history. Almost overeager to share what she knows about the past.

I mean also, again, Amethyst just has less to tell and Pearl is hiding secrets for reasons beyond her control - but I think it’s also important to consider from the perspective of Garnet’s arc.

Because the fallout of the Pink Diamond Reveal is very much centered around Garnet (or, well, Ruby and Sapphire). That was the Truth that was hidden from her 'for her own good'. And at the end of the day, despite all the grief that unveiling that truth has caused

It has also brought them, all of them, a lot closer.

There's a reason why 'the Truth' is Garnet's Final Missing Piece in the movie. It is as central to her character arc in the series as Lesbian AngstTM grief over lost love is to Pearl.

And still, some remnants of the Trauma of 'Future Vision' remained...

After all, even the very last episode of 'Future' was centered around the Gems once again trying to hide things from Steven (at that case, their turmoil about him leaving) for his own sake

Even though it once again just caused Steven a whole lot of grief.

It's maybe notable that at the end of this episode, Garnet, once again, tells Steven what's waiting for him in his Future...

[greenteaandtattoos]

the way in the v9 poster, wby are surrounding ruby but not really seeing her, causing her to feel trapped and smothered.

but then in the new art, wby are behind her. they are giving her space to breathe but they're right there, watching, ready to catch her in case she falls.

[love-takes-work]

[Image ID: GIFs of Ruby and Sapphire from Steven Universe sitting in a fire-lit cave. Ruby says "I've never had a third eye before." Sapphire replies "I've never had more than one! It was nice." /.End ID]

A change of vision

This scene is more complicated than it looks at first glance.

Ruby and Sapphire have just fused for the first time and are awkwardly talking about their experience. Ruby says "I've never had a third eye before." On the surface, that's just a statement of fact, as is Sapphire's "I've never had more than one!" Ruby's only ever fused with other Rubies, and we saw that the Giant Ruby still had only two eyes. Sapphire's never fused at all, so of course she's only had one eye her whole life.

But we know from both the show's subtext and from Crewniverse statements that Sapphire's future vision is quite different from Garnet's. Sapphire sees one future, inevitable, unrelenting, separate from her involvement. She does not interfere; she describes what is. Ruby is the opposite; she is a Gem of action and emotion, impulsive, without much consideration. When they are combined as Garnet, Sapphire's future vision transmutes into something more dynamic. Garnet can see multiple futures, and she can get involved to choose the one she wants.

When Ruby states that she's "never had a third eye before," she's subtly making reference to the experience of seeing in a way that's new to her--not just a simplistic statement of physically having a different number of eyes than she's used to. Through being part of Garnet, she had a new experience of perception. She saw outside of the right now. She saw beyond a life of taking orders and carrying them out without any thought of what's next, any shred of judgment, any expectation of consideration. Even though it was just for a moment, her world opened up in a tantalizing way.

And when Sapphire said she's "never had more than one," she was describing a transformative experience as well. There was always one way before. One future. Vision, but no complexity. No consideration for emotion, for desire, for passion. With Ruby's impulsivity, her chaos, her ability to make destiny change, Sapphire's future vision became multifaceted when she was part of Garnet. She, too, saw beyond in a way she never had before. Suddenly, futures could involve choices SHE could make, and though that was scary enough to freeze her temporarily, she knew she wanted to have an opportunity to take leave of her tunnel vision and see in three dimensions (and beyond). "It was nice."

[Image ID: GIF of Garnet from Steven Universe in her early pink and blue form, looking at the camera with three wide eyes. /.End ID]

[asm5129]

I know this is NOT a popular take in the RWBY FNDM but y’all…I love Jaune Arc. He’s such a refreshing, interesting male character.

He’s Ruby’s best friend, and the two of them parallel each other in such FASCINATING ways. I’m planning a full video essay on this but as some examples:

1) They both have hero complexes, obviously.

2) Ruby is a prodigy who earns her place at beacon two years early, while Jaune cheated his way in and needs to work constantly outside of his school training to be anywhere near capable of huntsmen level combat

3) Jaune’s pain is loud and disruptive, Ruby’s pain is quiet and suppressed (examining their respective expressions of pain through the lens of gender expectations is REALLY interesting)

4) Ruby inherits silver eyes, an invaluable tool in fighting Grimm. Jaune inherited a regular sword, heavily outclassed by most of his peers.

5) Ruby made her weapon but modeled it after her mentor, Jaune had a hand-me-down

6) Ruby leads by developing plans and taking action, Jaune leads by supporting his team and bolstering their strengths with his own.

I’m sure there’s more too but those parallels are why their conflicts in vol 9 work so well for me, they are partners in narrative from literally the second episode.

I also just adore the commentary on masculinity with Jaune. From day one he was deconstructing traditional ideas of masculinity and patriarchal concepts of heroism.

The way he has to learn to reject so many of the things that blockbusters with men at the center have been pushing for decades is fantastic. He tried to pursue revenge like John Wick or Iron Man and it went HORRIBLY.

He can fight when necessary but it’s not where his true strength lies and that’s SO COOL for a male character.

I dunno y’all I just think he doesn’t deserve the hate. He doesn’t butt in on other stories nearly as much as people claim—in terms of Ruby, he actually serves her story quite a bit—and he is a character worth following in and of himself.

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.

[misstrashchan]

I know people have picked up on the board game scene in RWBY V2 Episode 2 (Welcome to Beacon) as foreshadowing the events of the show, but for funsies I want to take a stab at how it foreshadows the general arcs of each four kingdoms myself.

So we have Blake playing as the Kingdom of Vale, and she's completely unaware of the events of the game unfolding and not really paying attention, clearly distracted.

"Alright Blake, it's your turn!"

"Huh? Sorry, what am I doing?"

"You're playing as Vale, trying to conquer the four kingdoms of Remnant!"

"...Right."

The Vale arc is the first three volumes of RWBY, where all our protagonists are at Beacon, but during that time, much like Blake during the game, they're unaware of the larger conflict with Salem, and aren't actively participating in the war at that point. They are ignorant and reactive instead of active. However it's ironic that Blake plays as Vale, since the reason she's not paying attention to the game and seems distracted is because, out of all the main characters in the Vale arc, she is the one most concerned about being kept in the dark and that they're ignorant as to what's really going on.

Blake: I just, I don't understand how everyone can be so calm.

Ruby: (approaching Blake) You're still thinking about Torchwick?

Blake: Torchwick, the White Fang, all of it! Something big is happening and no one is doing anything about it!

She also leaves the game during her turn, much like how she runs away after the FoB and the end of the Vale arc.

"Right. Well, I think I'm done playing, actually"

Yang is playing as Mistral, and she's the most savvy and knowledgeable (hah) player, winning many rounds of the game, teaching Weiss how to play, and has the other players falling into her trap cards.

"Heh, pretty sneaky sis, but you just activated my trap card!"

There's two ways this can be interpreted, with how the Mistral arc (volumes 4-6) is when our protagonists start to gather more knowledge and awarenesses of themselves and the world. It's also in Mistral that our heroes have their most decisive victory so far. It's fitting to have Yang playing as Mistral then, since during the Mistral arc she's the one who who learns from Tai to fight smarter, and to question the authority figures around her from Raven, and after confronting her in the vault is the one who retrives the relic of knowledge.

But, most of the losses our heroes experience are because of Cinder, who is from Mistral, and them falling into her own "trap cards" with the Fall of Beacon being orchestrated by her, killing Pyrrha and Ozpin. And in Atlas the same, with her manipulating Ironwood, undermining the heroes plans to evacuate everyone from Atlas, and killing Penny. She often finds ways to trick and exploit others, and is most dangerous when overlooked and underestimated, like falling into a trap.

Which brings me to Ruby playing as Atlas, where Ruby and Yang have this exchange after Yang's trap card is activated by Ruby:

"Giant Nevermore! If I roll a seven or higher, fatal feathers will slice your fleet in two!

"But! If you roll lower a six or lower, the Nevermore will turn on your own forces!"

"That's just a chance I'm willing to take"

In the Atlas arc (volumes 7-9) the theme of trust and taking risks is very prevalent. Like the move Yang makes in the game it is a risky one, that could end badly for her, but it is one worth taking nonetheless. They take the risk of trusting Ironwood but he ends up turning on our heroes. Oscar takes a risk trusting Hazel and Ozpin, as well as Emerald later on being accepted into their group, and it ends up working out for them. Ruby takes a risky chance in sending a message out to all of Remnant and evacuating Atlas, which saves a lot of people, but they still lose some, including Penny, a dear friend of Ruby's.

"Noooooo! My fearless soldiers!"

"Eh, most of them were probably androids anyways"

"Goodbye my friends... you will be avenged!"

Ruby acts distraught when losing her turn in the game as Atlas, expressing anguish over losing her friends who are described as androids by Yang, just like how Ruby is incredibly depressed and broken after the Fall of Atlas in V9, mourning the loss of Penny, who was both a sentient android and Ruby's friend. (I do wonder if Ruby's comment on avenging her friends might be foreshadowing for her wanting to avenge Penny's death in the future, like how Jaune tried to 1v1 Cinder in V5 to avenge Pyrrha, but I think it's too soon to say)

As a sidenote the fact it is a Nevemore in this turn that has a chance of turning on Yang or helping her is interesting, as it puts me in mind of two characters who can turn into ravens/crows, like the bird and poem Nevermore is associated with. It could pertain to Raven, someone who turns on Yang in v5 during the battle of Haven, but appears to help her and her friends in the V9 epilogue. It could also be about Qrow and his semblance, since during the Atlas arc it begins to evolve so that it is not simply a bad luck semblance, but one that can generate good luck too. In other words he can affect whether the chances are in people's favour or not.

After defeating Ruby (Atlas) Yang says this:

Yang: Not until I draw my rewards! Which are double this round thanks to the Mistral Trade Route!

Ruby: Bah!

Yang: Oh, and what's this? The Smugglers of Wind Path?

Ruby: Bah! Bah, I say!

Yang: I say, it looks like I'm taking two cards in my hand!

After the Fall of Atlas Cinder retrives not one but two relics for Salem, and with Atlas falling into Mantle, two kingdoms are destroyed in one fell swoop.

Then it's Weiss's turn. Weiss is playing as Vacuo, but has no idea how to play the game. Yang takes it upon herself to teach Weiss how to play and what she can do to win the game:

Yang: Well, Weiss, it's your turn.

Weiss: I have... absolutely no idea what's going on.

Yang: (Yang slides up beside her and puts her hand on her shoulder.) Look, it's easy! You're playing as Vacuo which means that all Vacuo-based cards come with a bonus.

Weiss: That sounds dumb.

Yang: See, you've got Sandstorm, Desert Scavenge... Oh, oh! (She pulls up a card to show Weiss.) Resourceful Raider! See, now you can take Ruby's discarded Air Fleet—

Ruby: (crying) Nooo!

Yang: —and put it in your hand!

We know from the end of V9 that what remains of the airfleet of Atlas, as well as the airfleet of Mistral and Vale, have all flocked to Vacuo's defence. What remains of the kingdom of Atlas, the airfleet, but most importantly the people, have now fled to Vacuo and are trying to make a home there.

Yang continues to give Weiss advice on how to win the game to Weiss, building her up, until Weiss starts to get arrogant, believing she's going to win the whole game and is the one in control:

Yang: And since Vacuo warriors have an endurance against Natural-based hazards, you can use Sandstorm to disable my ground forces and simultaneously infiltrate my kingdom! (Yang points a finger at Weiss.) Just know that I will not forget this declaration of war.

Weiss: And that means...

Ruby: You're just three moves away from conquering Remnant!

But then Yang turns on Weiss, activating her trap card, and Vacuo loses.

Since this is may be foreshadowing for the Vacuo arc that we haven't seen yet, I can only speculate what this might mean.

...But judging from the V9 extended epilogue and the books, my best guess would be that if Yang/Mistral is meant to be in part Cinder/Salem and their forces, then Weiss as Vacuo is in part the Crown. In the extended epilogue Jax and Gillian appear to be recieving help from Tyrian and Mercury, meaning Salem has decided to recruit them to her cause.

The Crown wants to restore the Vacuoan monarchy and detest outsiders, especially Atlesians. They do however wish to protect Vacuo from the same forces that destroyed Beacon, aka Salem, and so they are likely going to be manipulated like Weiss is by Yang in the game, being offered aid and giving them advice on how they can win and achieve their objectives, making them believe they can "conquer Remnant", only for them to realise later they were being tricked and used.

"Once again, Vacuo had been isolated from the conflict raging throughout Remnant—only this time it was an opportunity. With the global CCT network disabled, Vale in ruin, Haven leaderless, and Atlas closed off, Vacuo was theirs for the taking. This was likely their last, best chance for a generation. And it was their only hope to defend Vacuo against whomever had been targeting the other kingdoms. In likelihood they had written off Vacuo, like everyone else did, but if they tried to move against the Crown, they would have an unpleasant surprise.

Vacuo wouldn't break this time around."

Weiss: (Weiss stands and a thunder clap accompanies Weiss' overjoyed psychotic laughter.) Y-yes! Fear the almighty power of my forces! Cower as they pillage your homes and weep as they take your children from your very arms!

Yang: Trap card... (Yang's arm appears holding the card.)

Weiss: Huh?

Yang: (Yang shuffles the pieces on the board, Weiss' pieces disappearing in a puff of smoke.) Your armies have been destroyed.

Weiss: (Weiss slumps in her chair, cries and whines.) I hate this game of emotions we play!

Weiss as Vacuo may lose to Yang after realising they've been tricked, but is offered comfort afterwards by Ruby who relates to her losses and empathises with her, which is interesting since Ruby plays as Atlas. So I'm predicting at the end of the Vacuo arc they'll experience somewhat of a loss, whether that's the Crown, our heroes, or likely both, but Atlas will give support to Vacuo and the two kingdoms will come together to heal and ultimately work together, making steps to overcome their tense history with one another.

"Stay strong Weiss we'll make it through this together!"

"Shut up, don't touch me! "

...Which does make Weiss specifically playing as Vacuo especially intriguing, as she is the SDC heiress from Atlas, and Vacuo is a kingdom that has suffered the most in being exploited and colonized for it's natural resources by Atlas. From the epilogue it seems like the Schnees are being confronted directly with all the harm that has been caused by their family and kingdom, so I wouldn't be surprised if Weiss recieves a certain amount of focus during the Vacuo arc in deciding what her legacy as an Atlesian and heiress to the Schnee name will be. Moving forward to make amends, maybe inspiring the citizens of Atlas/Mantle to come together with Vacuo so they can all help and support one another, instead of isolating themselves and suffering alone.

Jaune offers to plays Weiss's hand for a turn also, with Weiss refusing:

Jaune: (Begging with both hands folded together.) Come on, let me play your hand for a turn!

Weiss: I'm not trusting you with the good citizens of Vacuo!

Which is reminiscent of how Vacuo is mistrustful of outsiders, as we've seen in After the Fall and Before the Dawn books.

Yang follows up to say that Weiss attacked her own forces, which could reference the infighting in Vacuo, especially with the Crown.

Weiss: Besides, this game requires a certain level of tactical cunning that I seriously doubt that you possess.

Yang: Uhh, you attacked your own naval fleet two turns ago. (Weiss makes an annoyed sound.)

Overall Weiss as Vacuo recieves the most help as any player during their turn, being taught how to play by Yang, offered comfort by Ruby after losing, and Jaune wanting to help her by playing her hand for a turn. This seems to fit with both how all kingdoms have flocked to Vacuo's aid in response to Ruby's message, but also Weiss as a character, who starts out "the loneliest of them all" but gradually opens up and warms up to other people. The crux of her arc being looking outside herself and at the people around her, relating to their struggles and coming to support them and being supported by them leads to her better understanding herself and becoming stronger for it... Which is kind of what the Kingdom of Vacuo needs to learn too!

Following this is Blake's turn as Vale, which I covered at the start of this post, but that's not the end of Vale's turn. We don't actually see it, but we know the aftermath of the game is this:

Yang: Ugh, we should have never let him play!

Ruby: You're just mad cuz' the new guy beat you!

Blake leaves the game during her turn as Vale, and presumably the "new guy" which is likely Neptune, who they'd just been introduced too, takes over her hand as Vale and wins the game of Remnant overall, even beating Yang and her trap cards. This is likely the endgame of RWBY itself, our heroes return to Vale after the Vacuo arc during the last volume for the final stand, where they win.

How and what that victory will look like I don't know, as we don't see the last turn of the game, so yet again this is even more vaguer speculation. Neptune doesn't really have much plot significance so I can't think there's any meaning to that except that he's a minor foil to Jaune, and the line of it being "a new guy" that wins, so maybe someone who recently joins our heroes side in the final act of the story, possibly Mercury or Cinder.

[grandadtwelve]

so sorry to keep going on about this but the doctor as a parent is truly one of my favorite concepts (not cause I think they’d be good at it, don’t worry, I’m not that delusional) so!

fifteen was lying when he said he hasn’t had kids yet and that is the only conclusion I can draw. don’t know if it’s to protect their identities or just to fuck with kate but these are some of my favorite moments of vulnerability that the doctor has ever shown and, while it would be totally in character for twelve to say that last line just to freak clara out a bit, none of those other lines strike me as potential lies.

solely from looking these scenes together (and then also the fact that he totally kidnapped susan) my headcanon/infereence has always been that the doctor had an estranged relationship with his kid/s who were then killed in the time war (perhaps pre-moment? since I don’t know if I could believe the master capable of killing the doctors children in the post-timeless child reveal destruction of gallifrey)

[anthurak]

So by this point, I think many of us are likely familiar with the idea that the breakup of Team RWBY at the end of Volume 3 is meant to thematically parallel the breakup of Team STRQ in the wake of Summer’s death, ie; Ruby falls into a coma for a few days while Summer disappears and then both their teams fracture. Along with a popular sub-theory that Blake leaving Yang after the Fall is meant to parallel Raven leaving Tai.

But the thing is, if Ruby falling into a coma at the end of Volume 3 is meant to parallel Summer’s (supposed) death and the way this loss caused the fracturing and breakup of their respective teams, then Raven’s actions DON’T really parallel Blake nearly as well as a lot of people think.

And in fact, I feel like Qrow could potentially have paralleled Blake’s actions FAR better.

Like people talk about how Raven ‘abandoned’ Tai just like Blake ran away from Yang after the Fall of Beacon. Except if the point of parallel to the Fall of Beacon is Summer’s death, then the parallel doesn’t work because Raven was ALREADY GONE from Team STRQ by the time Summer disappeared. To the point where Tai, Qrow and Ozpin had (and still have) NO IDEA she was even involved in whatever happened to Summer. Raven can’t exactly have abandoned Tai just like Blake did to Yang if Raven wasn’t even around.

Instead, as I’ve discussed in the past, I think Raven’s actions following Summer’s ‘death’ potentially line up far better with WEISS. Like if it turns out that losing Summer was what actually drove Raven to return to her tribe, then that lines up very nicely with Weiss being taken back to her family/Atlas in the wake of the Fall of Beacon: Both return to the shitty, abusive family that raised them. And given how much of Weiss’s character is tied up in her family and their ‘legacy’, then the way Raven eventually took over her tribe makes her an ideal foil; effectively representing a Weiss who did eventually take over the Schnee family and company, but in the process internalized all the pain and trauma her family gave her.

And as for a cherry on top; if Ruby falling into a coma after the Fall of Beacon is meant to parallel Summer’s supposed ‘death’, then what was one of the last things Ruby did at the Fall?

Run off on a special mission with Weiss, just like we now know Summer did with Raven.

Now going back to my point about how Raven was not even around to abandon Tai just like Blake did to Yang, you know who WAS presumably around when Summer ‘died’?

Yeah; Qrow.

Let’s consider what exactly Blake actually did following the Fall of Beacon beyond just a surface-level reading: Yes, she did go back to her family, similar to what Raven may have done, but given that the Belladonnas are NOT actually shitty and abusive, I maintain that Weiss is still the better parallel to Raven. Instead, let’s consider Blake’s whole arc across Volumes 4 and 5 relating to the White Fang: At first being depressed over loss and perceived failure before being inspired to start working for a better cause, in this case pushing back against and stopping Adam’s takeover of the White Fang.

So I have to wonder; what if this reflects what Qrow did with Ozpin and the conspiracy following Summer’s ‘death’? Maybe Qrow and his teammates had helped Ozpin in the past and knew what he was doing, but what if THIS was the point where Qrow became fully committed to Ozpin’s cause and joined the Ozluminati full-time? Perhaps seeing it as a way of ‘honoring’ Summer’s memory.

Instead of staying with the one teammate he had left (and possible partner) who was now in a massive depressive spiral AND had two kids to take care of.

It starts to make Qrow and Tai feel a lot like Blake and Yang, doesn’t it?

This is one of the big reasons why I think Qrow and Tai are the REAL foil to Bumbleby on Team STRQ. They effectively give us a look at a version of Blake and Yang whose relationship failed. Or rather, were never able to ‘take the next step’ and actually form their relationship.

Qrow is a Blake who fully internalized her self-loathing and belief that she didn’t deserve Yang or that Yang was better off without her and has simply been pining for Yang from afar.

Meanwhile Tai is a Yang who likewise fully internalized her fears of abandonment and fully resents Blake for leaving her or may not have ever even fully recognized her feelings for Blake in the first place.

Essentially, Qrow and Tai are the version of Blake and Yang who weren’t able to work through all the problems, issues and baggage which allowed them to actually start their relationship. Like a Blake who didn’t get that vital pep-talk from Sun at the end of Volume 4, or a Yang who likewise didn’t get that vital talk from Weiss in Volume 5.

Which in turn leads us to what I brought up earlier with Qrow joining up with the Ozluminati full-time, essentially representing a Blake who threw herself into reforming the White Fang instead of returning to Team RWBY and reconnecting with Yang. Meanwhile Tai simply throws himself into a deep depression, grief and ‘moping’, ironically all the things he would later accuse Yang of doing (at some point I’m going to do a post on just how much PROJECTING Tai has likely been doing…)

So now Qrow and Tai have this low-key toxic relationship where Qrow is more-or-less aware of Tai’s extremely dysfunctional parenting but has also been enabling it and a lot of Tai’s unhealthy coping mechanisms over the years because he’s been pining for Tai ever since their Beacon days and still is pining in a very depressed, self-loathing ‘I don’t deserve him/to be happy’ way and also doesn’t want to risk conflict with his former partner and also the only teammate he has left.

Thus Qrow keeps his distance and just goes along with Tai’s dysfunctions and/or lets Tai push him away. Which in turn just reinforces Tai’s abandonment issues.

And Ruby and Yang are still stuck with utterly dysfunctional parental figures.

Oh, and if you need more proof about the deliberate parallels between Blake and Qrow…

Then how about the whole damn song where they sing about how they’ve always felt terrible about themselves but now things are looking up for them.

[dandelionjack]

russell t slayvies cooking with gas again. taking a story from the 70s with orientalist undertones and recontextualising it to partially be about the perils of reckless colonial plunder. from the point of view of a Black Doctor.

he was a different man back then because the Doctor is synonymous with the show itself, and it was a different show back then — progressive, yes, but not exactly anti-imperialist. the narrative is no longer sympathetic to scarman the looting “archaeologist”. the Doctor’s changed faces and the tides of history have turned.

[matt0044]

Regarding the "Does RWBY like women?" poll (yes, yes it does BTW).

You know... the whole poll debacle reminded me of something.

RWBY helped me expand my media diet by telling me that just because people hate something enmass, it could just all be bullshit coupled with mob mentality.

Instead of hatedoms getting me to think:

"Damn, I don't even wanna be associated with that show based on the rage it inspires."

My more skeptical brain is like:

"Okay, so why is it reeeeeeeally hated? Is it reeeeeeeally bad or are people going along with the crowd because critical thinking is too much of a burden in this capitalist hellscape?"

Because bad media literacy is in part a result of the fact that most geeks and normies alike aren't out to be legit critics but rather just want to enjoy the thing, gush about the thing and so forth. They can't exactly articulate their reasonings why like they're trying to get an A+ in Therapy Studies.

And THAT is how the YouTube Video Essay and Angry Critic scene takes off.

We dunk on the Nostalgia Critic (often for VERY real IRL grievances) but his catchphrase: "I remember it so you don't have to" is something many who'd come after would take to heart. These video maker people are taking about a thing you like and are explaining it in a way you not only agree with but makes you feel vindicated.

Be it for love... or for hate.

Because hatedom circles like the RWDE looks to video essays that reassure them, keep them from doubting their stance on the thing and how they enforce it.

With the burden of actually seeing the thing and thinking hard taken off of them, people can confidently say things like "RWBY prioritizes Jaune" despite not looking at any potential evidence in the show that might contridice it.

Which is why this is a call for everyone to question the popular opinions.

Does Jaune Arc reeeeeeally get that much narrative importance at the expense of the main girls?

Was Jaune reeeeeeeally a self-insert?

Was Ironwood reaaaaaally derailed in his character arc?

Was Adam reeeeeeeeally representative of the Faunus?

Was the Faunus reaaaaaally offensive?

And of course...

Was Monty Oum reeeeeeeeally the only one who's vision matter to the show above all else?

Ask yourself these questions and do the work to back them up. If people are giving you responses that contridict you, responses that take evidence from the work itself more often than not, then try to do the same in turn.

Think about that show or movie being panned? What if... you actually like it?

Not everybody is a critic... but we can at least try to.

[wixhing0nastar]

I wanna talk about Blake’s body language around Yang these last two episodes, cuz I think it’s fascinating how open it’s been compared to normal. Like...

This is two episodes in a row where Blake’s body language is uncharacteristically open towards her, three if we count this.

(Which absolutely we should)

But especially those first two poses are very vulnerable body language-wise, which is something we rarely see from Blake. In fact, her signature move body language-wise is this...

Which is very pointedly closing herself off from her surroundings and others, and despite the progress they’d made, she was still doing this around/because of Yang in V7/8.

And Blake has had every reason to be cautious, given what she’s gone through. Which is why this shift is so special.

Not only has Blake’s body language opened up significantly, but she’s pointedly placing her hands behind her back as she does so (and in the case above, also very much getting into Yang’s personal space).

Which is important to note, because in doing so, she makes it much more difficult to defend herself should Yang lash out at her physically (not that she ever would) and more difficult to self-soothe in case of a verbal/emotional conflict.

But now she’s done giving all those concerns a second thought... cuz Yang isn’t scary. And Blake’s tired of Adam’s ghost trying to tell her that she is.

(Thanks to @phazonfire and @chittychittyyangyang for helping me find all the Blake pics I needed).

[maxiemumdamage]

Ok but Summer’s design is basically just Volume 1 Ruby and I mean that as a good thing.

Like, the puffy skirt, the belt/corset, the mid length cape, the frilled trim on the boots, the crossed belt holding the emblem.

Ruby was 100% just trying to emulate Summer even in her earliest days, even before she became the protagonist in our eyes and the story. Of course, we know that come Volume 4 and Volume 7, she changed — and many people pointed out that Ruby’s design then shifted to instead include mementos from the many other people she lost.

(I can’t find it, but there was a post with Ruby’s volume 4 design that circled all the components of Pyrrha and Penny’s old designs that it paralleled - the wrap of her cloak and emblem paralleling Pyrrha’s sash, the high socks like Penny’s, etc.)

The point being, Ruby essentially started presenting herself as an amalgamation of all the people she lost. (There’s a reason Penny’s design elements disappeared in Volume 7 when Ruby learned she was alive. So maybe that’ll see a reappearance, now. Pain.) She’s seeing those people as perfect paragons she has to emulate, to honor their sacrifice.

I think Ruby won’t ascend with Summer’s weapon, or at least I hope she won’t. Because I think she needs to decide who she is for herself, without carrying the guilt and legacy of the mother she lost.

[rwbyrg]

i need to talk about the epilogue again. i need to talk about how Oscar wishes so desperately that he was more like Ruby... while being a near mirror image of her and not even realizing it.

"If there was anything I wish I could borrow from you Ruby, it would be your certainty. You always believed things would work out... up until the moment they didn't."

Says boy who is certain Ruby and her team are not gone forever. Someone who has been working tirelessly to find an answer on how to bring them home. Who believes they'll find a way back to Remnant, to Vacuo, to him, because he hasn't been given enough reason to prove him otherwise.

How very Treasure of him. How very Ruby of him.

"You always believed in the best. Saw people for who they really were..."

Says boy who saw Emerald and Hazel as people who didn't want to cause harm in the ways they had been. Who saw Ironwood's fear and knew it was his weakness. Says Oscar Pine, who has always seen all of Ruby - her strengths and her faults in equal measure. Who questioned how she was able to handle the weight of all these struggles because he - correctly - believed that it was too much for someone in her position to carry. Says boy who, moments after singing her praises about how she "must have been one of the best huntresses at Beacon", also holds space for her humanity, her limits, and sees "how hard this must be on her too". "Man I wish I was better at understanding the people around me" (paraphrased) says only character that clocked how much Ruby was struggling four volumes before anyone else did.

But while he can see these virtues in others... he struggles to recognize these qualities within his own character. When it requires looking inward.

"You always believed in the best. Saw people for who they really were. Some of us... don't know anymore."

Oscar says this despite how he has always acted in the ways that were truest to his values, beliefs, and character; despite Ozpin's influence or any obstacles that tried to get in his way. He says this - lamenting about how he wishes he were more like Ruby - while doing, saying, and believing things that she herself does, says, and is. Including the very things he is praising her for!!

Now, why does that sound familiar? Oh. Oh right. Because Ruby herself is the same way. How she, just like Oscar, is so unbelievably good - both of them wanting to be heroes, who help others, and want to become the best versions of themselves they can be, thanks in large part to the role models that came before them - and yet neither of them can recognize or give themselves enough credit for the things they do right!! The things they appreciate, admire, and learned from those who've inspired them!!

Ruby spends all of Volume 9 doubting herself. She doubts her actions, her choices, her failures. She questions her identity, who she is, and who she wants to be. Compares herself to the heroes from fairytales - an ideal she can never live up to. She questions and doubts her own worth because no matter how hard she tries, she is never enough in her eyes.

And just like Oscar, a fault she sees in herself is something that she acknowledges and praises in him. When she tries so hard to do the right thing, she believes she may have just caused more harm than good. She views herself as worthless. But when Oscar laments the same fear and worry to her in Atlas - that he was foolish to think Ironwood would listen, that every choice he made was the wrong one - she reassures him that he did the best he could, and that she's just glad he's okay. That simply having tried at all is what matters most. That it's enough.

Lastly, can we talk about the poetry of this setup? Can we talk about how Ruby has spent nine volumes slowly breaking under the pressure of her responsibility, and this last season believing she isn't, and never will be, enough... while Oscar Pine stands a world a part from her and speaks about how much he values her? How much he treasures who she is and the things she's done? How Ruby wishes she wasn't herself anymore, but Oscar Pine - who is having his own identity robbed from him - says that if he could be like anyone in the whole world, if he had the choice to decide the kind of person he could be, then he'd choose to be a bit like Ruby Rose? If that wasn't too much to ask for?