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oonajaeadira · 1 month

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Leave Off Your Wandering pt. 4: Winter

Fandom: The Last of Us (TV)/ Joel Miller

Pairing: Joel Miller x f!reader

Reader: Adult female. Old enough to have been an adult on Outbreak Day. Wyoming born and bred. Sheep farmer, easy-going but confident and self-sufficient. Likes to sing, not a great cook. Childhood friend of Maria. No other physical descriptors; no use of y/n.

Rating: Mature.

Warnings: Mentions of sex but nothing explicit. Canon-typical violence, bodily harm, death, (blood, broken bones, knife wounds, shooting, blunt force) and PTSD.

Summary: Revenge comes calling and you work though it as a family.

A/N: Series set after season 1 and then diverges. Does not acknowledge the existence of further plot/seasons, although it does use some characters/elements from the second game.

I’m so sorry it’s taken this long to get to winter. This one was difficult for me to face writing for reasons that may be made clear. But it was very rewarding. <3

The air is thin and cold this morning, takes your breath and makes a show of it as you quickstep it down to the stables. The sun is just starting to make the frost sparkle and no doubt Goldie will be using up the rest of the firewood at the Roost today.

Good thing you have a Joel who’s ready to chop more.

Although he’s also a Joel that’s forgotten his tea, the “stuff with the things in it” that Willa gave him for the stiffness in his knees. With this cold he’s going to want it today on patrol and the last thing you think you can stand is the tug in your heart when he comes home complaining of the cold and the ache and you sitting warm and cozy with his thermos on the counter when you had the legs to trot it on out to him.

It’s a relief to round the corner and find the patrol party still at the stable gate, Tommy helping one of the teens with their rifle strap, and Joel waiting on horseback, weaving his gloved fingers together, packing them down at the valleys to get his hands all the way in.

He’d laid one of those hands on your cheek this morning. Gentle. First thing you saw when you opened your eyes. Like most mornings now. His thumb rounding the rim of your cheek so he could lean in and take a good long drink of a kiss.

He likes it that way…soft, slow. Likes to pull you in as close as he can, twist his forehead into your temple when he hits his peak, jaw clenched in agonized pleasure, kisses along your jawline when you find yours, his eyes half-lidded and watching you in a hazy awe. He’s quiet but thorough, completely present like he can’t believe he’s got this little slice of warmth, sighs a hushed curse in your ear and calls you sweetheart in the same breath, and then sleeps like a baby the whole night through.

He doesn’t like to talk about the past much, but listening’s your specialty and it comes out in bits and pieces, stuck between the little he does say. You come to understand that he very rarely got to be very close with anyone while Sarah was growing up. There were the years when everything was a nightmare. Then there was Tess and she brought him out of that, thank goodness. But it took time. And there was also denial and survival and means to their ends. There might indeed have been strong love there. But you have the feeling he’s not had this–or anything like it–for a long, long time.

So if he wants it soft and slow, then who are you to deny him?

Maybe it shouldn’t be so surprising that it was him who pulled you in a little closer.

“What if you didn’t move in with Tommy and Maria this winter?” He’d lingered the morning after Christmas, leaning one shoulder against the frame of your bedroom door, savoring the show of you getting dressed for the day.

“And waste the fuel? Why? So we can cuddle up now and then without your brother down the hall? You keep me plenty warm, Joel Miller, but I’m not going to heat this whole house just for me and your more-than-casual visits. Everyone’s got a responsibility here to conserve in the winter. This is how I do my part. And besides,” you purred as he stepped in to button up your flannel for you, freeing up your fingers so they could run through his curls, “I know where you live and your bed’s good as mine.”

“You seem to like it there well enough.”

“I do.” His beard was growing in all but a patch on his jaw that was now your right to kiss.

“Well I was thinkin’ we just make it ours for the winter.”

His hands had circled your hips and his words had stopped your heart, but there was little for to say with his lips pressed against yours.

So mornings often started as they did today, waking to find Joel beside you, roused because you can feel him watching you with that little half smile that reveals the crack in his weary heart where the light shines through. Who needs spring to come with sunshine like that to turn to? Now there are family breakfasts with Ellie and cozy days knitting in the company of Maria and Riley and then warm nights with Joel on one of those pillowtopped mattresses that were all the rage before the outbreak…the ones that are great when you have a stiff back, but even better because the springs don’t squeak…

“Aw dammit,” Joel says when he sees you nearing the stables with the thermos, “Knew I forgot something.”

“Two somethings,” you say pointing to his bare head and passing your hat up to him in the saddle. “Your ears are already bright red. Here. Take my hat.”

“This’s Ellie’s.”

“Huh. Guess I just grabbed one on my way out. Oops. Be a man. Wear a pompom.”

He pulls it down over his ears and smiles. “Matches my scarf.”

You’d had a small batch of deep red wool you’d managed to squeak a hat and scarf out of and gifting the hat to Ellie around Christmas, but the scarf went to Joel. He may not want anyone to think of him as sentimental, but it was worth your while to make it easy on him by giving him something that was also practical. Even if he had his jacket zipped up all the way, it was always there, tucked around his neck; he may leave his ears to the elements but he never went anywhere without that scarf.

The line of horses start making their way toward the Jackson gates and you squeeze Joel’s shin before stepping out of the way, letting him and his horse follow the group. He simply lets a gloved finger glance your cheek as he passes by.

All the way out here on this side of the apocalypse and humans still have a million variations on saying “I love having you around and I’d like to keep it that way.”

________

“Ellie’s more than welcome around here if you and Joel don’t want to leave her home alone.”

Maria’s lightly bouncing a wet-faced and blubbering Riley on her lap, trying to tempt him with a frozen carrot for his teething. He has tommy’s curls and they sproing with every boing.

“Nah, she wants to come out. We’ll be dividing the ewes and driving part of the flock into the old town for the rest of the overwinter and she wants to see how it's done. Should see it, if she thinks she’ll be entering the rotation at any point. Speaking of,” you grunt, leaning down to gather your knitting basket and gather your things, “I promised I’d meet her after school. She’s gotten into collecting cassette tapes and the commissary says she’s hit her quota on goods this week. Gonna give up a couple credits so she can discover the wonders of Joan Jett and the Beastie Boys.”

“That’s throwing gas on the fire. She pick those out herself?”

“Nope. My points, my choice. And I say that girl needs to fight for her right to party and put another dime in the jukebox, baby.”

Maria rolls her eyes, chuckles, goes light on the sarcasm. “You’re the coolest auntie.”

“Don’t I know it,” you laugh, tying up your boots.

“Joel’s gonna just love that.”

Leaning in to bop a quick kiss to Riley’s head, you give Maria a crazed grin. “So much.”

Ten minutes later, Ellie has her doubts, holding up a cassette at the commissary. “But there’s a dinosaur on this one! How can it not be great?”

“Listen, missy. I’m not saying Dinosaur Jr. doesn’t have a place in music history, but I’m telling you that you’re likely to be disappointed. Trust me. Just this once.”

Ellie makes a face but you glance past it, distracted by what you see through the window behind her. Following your focus, she turns to look too. “Who’re they?”

All of the patrol horses coming back in have two people on them–a member of the party, and a stranger. And all the strangers can’t be more than teenagers.

“Dunno, but it looks like you’re about to get some new classmates. I’ll sign these out. You go ahead and make a good first impression.”

“You’re just sending me out there because you know if they’re infected, I can’t catch it.”

“If they were infected, they wouldn’t be on those horses or inside those gates. I’m sending you out there because you have a way of reading people. Go.”

Something in that puts a gasp in her throat and a sparkle in her eye and her ponytail whips behind her as she goes, striving to live up to the compliment.

But really, you just want half a minute to take a good look at the kids without Ellie asking questions. They’re all scrawny and filthy. Backpacks. Been traveling and living rough for a while now. Where’d they come from? What’s their story? Not an adult among them. How have they survived? You’d swear something feels off, but that’s the world now. Can’t be too careful. Everything seems off all the time.

Question is, off by how much?

You find Joel in the group; he’s the only one riding with a kid in front of him rather than hanging on behind. And once he gets down off the horse and reaches up to help his passenger down, you can see why.

She’s pregnant.

Shit. She’s what, fifteen? Sixteen?

Shit.

“There’s a house up near mine has good plumbing turned on.” Tommy’s speaking over his shoulder to the small group and leading his horse to the stable door as you come out of the commissary. “We’ll get you all washed up and fed. There’s at least two beds there and some other furniture fit to sleep on if it makes you comfortable to stay together. Give me a minute to put Lady away here and we’ll walk on up together. Joel? A word?”

Handing off the pregnant girl’s backpack to her, Joel takes the reins of his horse and follows his brother inside, leaving the newcomers to look around them and take in the town.

All but one. A girl with hair that’s neither light brown or dark blonde, somewhere in between. Your mother would have called it dirty dishwater blonde and you always thought that was rude. But your mother also would have said the girl had a hatchet of a face with a strong jaw like that. And it’s that girl whose head whips around the second she heard Joel’s name, quickly scanning the patrol to ascertain who belonged to it, and stands watching the stable door in thought long after the Miller brothers were gone.

Was Joel her father’s name? Her brother’s? Is it hers or close to hers? Is she a Jo or Joelle?

“Abby. Hey,” a boy calls and she turns. “Mel should get a bed and we can share. Manny and Nora can share too…if you’re okay with taking a couch.”

“Fine,” Abby says. Her eyes and mouth all unmoving lines.

“Hey. Welcome to Jackson. I’m Ellie.” Your starling jams her hands in her pockets as all the new eyes turn her way. “It looks like you’ve been wandering. Where you coming from?”

The boy who spoke before blinks and opens his mouth to say something, hesitates. You’d take him for the leader up until the moment Abby speaks for him.

“West of here. QZ. Seattle.”

“Oh. Cool,” says Ellie with a bounce to her nod. Easy. Instantly welcoming. “I came out of Boston.”

Seattle QZ. The same one your dead husband and his sister came from. Not a good place. Warring factions and nothing but oppression and disease, last you heard. Good that they got out. They’re gonna need to be de-loused.

But Seattle’s also much harder than most zones to break free of. You’ve been told the Western Liberation Front makes FEDRA look like a bucket of clowns.

“Seattle?” Now it’s your turn to pull focus from the group. “We’ve had refugees from there before. You really get out of there in one group like this? With no grown ups?”

Abby rips her eyes away from Ellie. “It’s a long story,” she says, shutting the questioning down.

There’s a moment that hangs between you and that stinks faintly of threat, but is mostly just the smell of feral kids. Tension breaks as the men emerge from the stable.

“We all ready?” Tommy says, making his way down the road and waving a hand for them to follow. “New home’s this way.”

Ellie starts to fall in with the group and you pull her back in close, speak low. “Go with them if you want, but keep your distance.”

“What? Why?”

“These are your first refugees. You’ll learn that they sometimes bring things with ‘em.”

Her face screws into a question mark. “What things?”

“Fleas. Lice. Viruses. Just give ‘em some space for a while.”

After the quickest flash of disgust, Ellie’s tried and true compassion kicks in and she gives an understanding nod as she turns to go, tape cassettes clattering in her jacket pocket.

You keep watching her even as you speak to the owner of the hand snaking around your waist. “Where’d you find them?”

“Up at the old crossing. They were under attack.”

“Jesus.”

“Nope. Infected.”

“Been a while since we’ve seen any of those stumble through here.”

“Infected? Or the kids.”

Turning to him in exasperation you look him over. “Both. And the same goes for you as for Ellie, Foxy. Let’s take you home and wash that scarf and hat. Run a fine-toothed comb through that hair just to make sure.”

“I’m sure it’s fine,” he says, stopping when he catches your zero-temperature glare. If it’s something else you love about Joel, he recognizes when something’s important to you and answers a lady with composure and respect. “Yes, ma’am.”

____

“You couldn’t have found her some Cash or Fleetwood Mac or something?”Joel grumbles into the fireplace as he places another log on the coal bed and moves the poker around like he’s doing something.

Ellie sits on a blanket near the fire, reading a comic book, headphones on, Joan Jett’s grinding guitar bleeding out into the otherwise quiet living room. With his face turned to the fire and Ellie facing away from you, she most likely can’t hear the conversation that’s happening around her if you keep your voices low.

“You’re just jealous that she asked me to pick something out instead of you,” you smile on the couch, picking up your feet and swinging them into his lap as he sits down beside you. “80’s rock is good for her spiky little soul.”

“80’s means trouble,” he counters, considering her as his hands absently squeeze and rub at your feet.

You go back to your book. Seemingly anyway. It’s easy to steal observing glances from where you are. The thoughtful concern he has for Ellie. You can see him looking over the wood in the hopper and calculating how many days of fuel he has before you all head out to the Roost. A twist of a lip tells you he’s realized he might be a day short and needs to chop more. His gaze drops to his lap as he lightly massages your feet–just running his hands along their contours, pressing a thumb in here and there to tenderize a muscle. The firelight loves him, plays at the edges of his curls, slides down his nose, kisses the purse of his lips.

You jump as he slides a tickling fingertip up the sole of one foot. “Hey!”

“What you get for staring.”

“I wasn’t staring at you, I was reading.”

“Must be pretty small print you don’t turn a page for five minutes.”

Taking off your readers and closing the book, you sit up and deposit them on the coffee table. From here it’s easy to scoot up to him and lean an elbow on the couch back. “What’s got you so thinky tonight, hmm? You look like you’ve got your worry pants on.” There’s a curl right behind his ear that’s so easy to twirl in your fingers and you indulge. You’ve found a little touch helps him open up.

“I can’t help thinking about those kids, thinkin’ they could just wander out in the world like that. If it weren’t for us hearing the runners….” He goes quiet a minute and you let him, his gaze haunting Ellie’s direction but living somewhere in the past. “They gotta be somebody’s kids. I can’t believe Seattle’s so bad they just let ‘em run wild…let ‘em run away from the best you got for ‘em.”

A faint guitar blares from Ellie’s headphones as she flips a page, purses her lips, absently nods along.

“Yeah, well teenagers rebel, Foxy. That’s what they do.”

“No,” he says, softly, resolutely, a tick of his jaw. “Not all of ‘em. Not if they’re loved. And fiercely. And I don’t know a love that isn’t fierce.”

It’s the look on his face that makes you believe him.

Love isn’t a word that Joel bandies about. It’s easy to see it work in him. The way he tells Ellie no when she wants to do something reckless but promises her something just as exciting, going to any length to make her smile. The way he holds Riley’s head in the crook of his arm, his other hand reflexively coming out in defense if anyone gets too near the baby’s soft spot. The way he shoves his brother with a laugh when Tommy picks on him or how he helps Maria to her feet when she’s been on the floor too long, even if she says she doesn’t need it.

The way he… with you he…

His hands work at your feet again. He understands the minute levels of his strength, knows how firm to go without bringing pain.

With you, it’s the way he rolls over and shows you his soft places, invites you in to be a part of it.

Not really what you’d call fierce. Does that mean he doesn’t–

“Is a cherry bomb like a little bomb or a big bomb?” Ellie asks, an earpad pulled away from her ear and spilling Cherie Currie’s stuttered chorus.

“It’s a little one. A firework. But it packs a big punch. It’ll take your fingers off. Hello, world, I’m your wild girl, I’m your ch-ch-ch-ch-ch-ch-ch-ch cherry bomb,” you sing, pushing your foot against Joel’s thigh with every beat.

“Alright, that’s it,” he says, wrapping a big hand around your ankle to secure it. “Ellie, run on up and get my guitar. Lemme teach you a better song.”

In the minute it takes for her to come back, Joel foregoes softness for force, tickling relentlessly, almost ending up with a foot in his face with how much you squirm.

___

Church isn’t really your thing, never was. You have your own way of listening to the beauty of the earth that doesn’t mean sacrificing a morning sleeping in to listen to lessons you’ve already learned and hold true.

But today you’ve come to the after-brunch curious to welcome the new residents and managed to show up a little early. So you’re standing in the back of the mess hall with Maria and Riley, waiting for the final hymn to end, for the preacher to call an end to the service and a beginning to the meal.

Maria leans in and murmurs in your ear as the final chorus comes. “Tommy and the crew are working on one of those bigger houses with the vaulted ceilings in the new district so the church can have its own building.”

“They’re not gonna like having to walk over there.”

She shrugs, adjusts Riley’s teething toy and bounces him up a notch. “Might cause some of them to move over there. Thin out the density. Easier on the power grid. We do have five new residents.”

You watch as one of the new boys–Owen–helps the pregnant Mel to her feet. “Soon to be six.”

Once the kitchen starts serving, Owen and Mel find their way over to your table, eager to meet Riley and ask Maria all kinds of questions about childbirth and your friend finds herself in a mentoring role she didn’t ask for. She’s not opposed to being helpful, just lets her judgment slide through on the whole babies having babies thing which completely flies over the kids’ heads.

They’re good enough kids, but something tastes a little sour when Owen tries to include you in the conversation.

“What about you? You and…is his name Joel? You gonna have any kids?”

It’s a rude question. He’s earned your side eye and he knows it, but smiles through it, playing innocent.

“Already got one. One’s enough,” you laugh, sly, chewing through some boiled oats and letting him know you’re gonna let that one slide.

“Oh, yeah, right. Ellie, right?” he asks, with a flick of his eyes to a table behind you. Turning, you find Abby at a table with some other residents and when you turn back it’s with a dry expression that tells him he’s worn out his turns at beating the bush and should be out with it.

“We just were wondering if she’d show us around,” Mel explains. “She’s the only one of the children here who will talk to us.”

You snort. “Don’t let Ellie hear you call her a child. She’s short for her age, but she’s not much younger than you. She likes people, but that won’t win you any points.”

“And don’t worry about the other kids,” Maria takes over, shooting you a look. “They’ll come around. A lot of them were born here and they don’t see a ton of new people.”

“Are they not coming to the brunch today?” Owen asks.

“Who?”

“Ellie and Joel.”

Shaking your head, you swallow your latest bite. “Joel and Tommy are off getting some work done in the new sector and Ellie would bite my face off if I woke her up before high noon on a weekend. But she knows where you’re staying. I’ll send her around to you once she’s up and acting like a whole human.”

You’re about to change the subject and ask them a few questions of your own but Riley starts fussing and Mel asks to hold him and the whole baby talk starts up again.

When you look over your shoulder, Abby is gone from the table. Left her dish for someone else to clean up.

There’s a thought creeps in that maybe Ellie can teach them all some manners. And then you remember the mouth on your starling and smile.

____

“And Owen showed me some of his drawings and they’re so amazing. He’s like a fucking Picasso or something. He says he’ll give me lessons if I can get Mr. Scowlface here to take him out hunting. Says he misses hunting deer with his dad. And Abby wants to go too. I told her how you taught me to use a shotgun and she seemed really interested to learn. She might want to join the patrols some day. But I told them not this week since we’re going out to the Meadow and they all had questions about that. Abby especially–”

Ellie has a remarkable talent for chewing and talking at the same time. She catches a piece of apple that escapes her mouth, slurping it off the back of her hand where it landed, then downs the rest of the milk and wipes her mouth with the cuff of her sweater, leaving you to negate your silent praise of her manners from earlier in the week and giving you a break in the chatter to speak.

“Well, you’re a little young to be recruiting your own Roostlings, but if Abby or any of the others want to come out sometime and see what the fuss is about, they’re welcome. I’d rather them wait until spring though, or at least until we get the whole of the flock back from the deep winter holding grounds. Chickadee’s taking up the caboose on that.”

As you push the carafe of chicory coffee toward Joel and clear the breakfast plates, Ellie snatches the last hunk of bread you left on yours, shaking her head. “Abby’s afraid of heights. Didn’t even have time to tell her about the Roost being up on stilts. What’s a caboose?”

Joel scoffs. “Last car on a train.” He takes a long, loud drag of his coffee, pouring on the annoyance to get a glare out of the girl and succeeds. “Well, if she don’t like heights, she’s not going to enjoy learning patrol duty either, not with the watchtowers and the mountain trails. And don’t go promising services you can’t guarantee. I’m not a scout leader.”

“What’s a scout leader?”

“Someone with a lot more patience than me. Get.”

Taking up her backpack, Ellie makes her way to the front vestibule to pull on her gear.

“Don’t forget your hat and scarf!” You call to her, but smile at Joel as you perch your butt against the table and tuck a little curl behind his ear. He’ll ask you to cut it soon. And you’ll put it off for as long as possible.Tickles, he'll say. I know, you'll say.

“Thanks, Gramma Betty!” she calls back and pulls the door shut behind her as Joel lays a warm hand on your outer thigh.

“What’er you getting up to today?” he asks.

You shrug. “I’m in carding mode. Got a whole bag of washed fleece needs combing. I’d ask you what you’re up to, but I assume you and Tommy are gonna be tearing down some poor old house.”

There’s a moment where he squints, thiinking. His thumb tracing the outer seam of your jeans.

“I want you to come with me. Got something to show you.”

“Really. Well I like the sound of that. I could use a little walk in the bitter cold with a mystery at the end of it. Gonna have to go pull on a heavier sweater though. Might need to take this one off first. You wanna come watch?”

There’s a knock at the front. Tommy. The door opening.

Joel only grins fondly and pats your thigh, sending you off, before pushing the chair back from the table and separating himself from his coffee mug. “I’ll catch the later show. ‘Specially if it calls for audience participation.”

Five minutes later, bundled and booted, the three of you head out toward the new section, Joel with his scarf tucked in tight and hat pulled down low, and Tommy with a set forced upon him because you’re quickly becoming the winter clothing police around here.

It’s not a long walk. Jackson was never more than a few miles wide and this is just the first expansion of the wall. You’ve wandered over during the construction crew’s activities enough to know the way without being led, but what you’re expecting is for Joel to lead you away from the furthest street, away from the beautiful A-frame house so neatly repaired along with its pretty neighbors and up the street with Tommy to the next clutch of houses they’ve been working on.

But instead, Joel tells his brother he’ll be along in a minute, and Tommy smiles knowingly as he continues on, leaving the two of you in the walkway up to the pretty A-frame that’s so much like the Roost’s bigger sister.

“You know what today is?” Joel asks, hands in pockets, squinting up at the peaked roof.

“Friday?”

“Probably,” he says, shifting focus to his boots. “I was thinking more holiday-wise.”

The air’s particularly crisp today, hitches in your lungs as you take each mental step and catch up with him.

February 14. Valentine’s.

As your mouth drops open, he jerks his chin at the house. “You like this one, right?”

“What…what are you….Joel?”

There’s a cringe that belies his confidence, maybe a tinge of regret. “I just figured we were gettin’ along so well, that maybe you’d… It was just an idea–”

He can’t even look you in the eye until you yank his hand awkwardly out of his pocket and wrap your gloved hand around his. He seems almost shocked to see your tears welling up–true, half from the cold–but he’s also relieved. Big breath in, big breath out. That must have been the hard part.

Words aren’t Joel’s way. This is how he tells you just how deep his feelings go. You know he’s had time to imagine with every window replaced, every floorboard leveled out, every load bearing wall reinforced, just which family was going to get to live in this house and what kind of life they might make in it.

What kind of life you might make together here.

So you take his lead and say only what’s necessary, as steadily as you’re able.

“Take me inside.”

His sheepish grin confirms that it was exactly what he’d hoped to hear.

The interior’s simple, but gorgeous. The dark wood gleams, and the whole back wall of the A frame is windowed. The triangle at the top replaced with a leaded stained glass in a sunrise of orange and rose that reflects the undertones in the timber inside and the pines out the window, the mosaic just high enough to catch the last rays that will come in over the mountains at the end of the day and turn the whole place into a dream. The open floorplan has the kitchen near the door, but over by the windows….

Joel gives the tour. The hand-laid stones in the fireplace. The built-in shelves for your books. This is the corner where your favorite chair can go, nearest the fire and where there’s good light for spinning. This rug was here, still good. He points out to the little shed in the back–a place for wool dying, he can hang pegs in there however you need them.

If he weren’t so occupied in explaining the wood he chose to finish the countertop, the way he followed the original dovetailing in the doorframe, the pattern he made with the reclaimed wood in the floorboards, he may have seen you admiring the most important part of the house…or, rather, the most important person in it.

There’s more. Two bedrooms, one off each side of the main part of the house, each with its own bathroom, the larger one with its own porch overlooking a little creek.

“The basement’s not quite done, but I figure I’ll just use that for my own. Felt you might not like the…vibe…”

Ah yes. The former owners. He took care of that too.

He took care of everything.

“I love it, Joel.”

“Yeah?”

“If there was a stronger word, it would be yours, believe me.”

He only wraps his arms around you as you dive in to squeeze him.

“Good,” is all he says. Breathes in the scent of your hair. “That’s good.”

________

The ewes hate the leader ropes, but they follow, bleating now and then as you slowly guide them through the woods toward the Meadow’s north entrance. Joel’s got two behind his and Ellie’s horse, and you’ve got four behind yours, a small party, but the only ones that were ready to come on back out after the coldest weeks.

Goldie’s happy to lead them out to the rest of the flock while you and Joel go up and get situated, get warm, get ready for the week ahead. Ellie follows Goldie and Joel hangs his watch by the door. All’s quiet in the Roost.

Until Joel’s tongue clicks. “That beam is bowing,” he points up to one of the main rafter struts on the far side of the room. “Wood stove keeps this side warm and the snow melts off, but there’s no balcony on the other side. No way to rake the snow off the roof. Tommy should have known better.”

“Well it’s not like he’s had a lot of practice with big boy tree forts, I’m guessing,” you say, dumping a sack of potatoes near the cook pile and throwing the stack of fresh sheets onto the bed. “Does it need to come down?”

“Don’t think so. But come spring we’ll add on another balcony and do some reinforcement.”

As he runs his hand up the wall seam, you come up behind him, hugging him from the back with the sole purpose of distracting him, your way of letting him know he’s obsessing like an old man. It gives you the right angle to grab onto his open jacket and start pulling it off him. “Take this off and stay awhile.”

“Yes ma’am.”

Goldie takes her leave on your horse, guiding Joel and Ellie’s behind, glad to be going back to more warm water than she can heat on a stovetop, and Ellie helps to cart a few buckets of the colder variety up from the stream so you can all just stay in for the night.

Then it’s stew and cards, and Ellie kicking Joel’s ass at Scrabble, all of you bundled in wool sweaters and slippers handmade by you and Chickadee, the firelight glinting off the game tiles, highlighting the glee in the girl’s eyes, the resigned agony in Joel’s smile.

Almost a whole year now she’s been coming out here with you, and it’s wondrous how much she’s grown inside and out. You never felt lonely at the Roost, in fact, you had always very much enjoyed the solitude. Now you don’t think you could abide it. It’s only a home for a week at a time, but only when they come out here with you now.

It’s a nice night. Stars are out. Ellie’s still staring out at them as you and Joel fall asleep in the big bed.

_____

It’s the scent of woodsmoke that wakes you in the middle of the night, sitting you up straight in bed. Or so you think, except that the embers in the stove are low, so it can’t be that.

No. It’s a voice outside.

“Burn in hell, Joel Miller!”

Is that…Ellie? What’s she doing outside? No. Not Ellie. No it’s–

“Abby?” Ellie says blearily from the bunk above you.

There’s someone in the room moving swiftly toward you from the windows, hulking, with a rifle–

Joel.

“Get up. Both of you. Get out. The place is on fire.”

It doesn’t register.

“What? What fire? Joel? What’s happening–”

He shakes your shoulder, pulling you from the bed. “Get Ellie out. Now!”

There’s no other thought, just fumbling in the dark as Ellie jumps down beside you and dives for her jacket, shoving her feet into her boots without doing up the laces while you reach out one hand to catch hers for when it comes to you. The other gropes the near table for the walkie and thumbs the button.

“Meadowlark to patrol. Meadowlark to Goldfinch. We’re in trouble, there’s a fire and–”

The whole cabin sways. A gunshot from the balcony. Joel growling over his shoulder. “Get out! Now!”

“Joel–!”

“NOW!”

The ladder is still sliding down into place when you jump on it and ride it part of the way down, still waking up as Ellie’s boots come fast, almost kicking you in the face as she follows you down the rungs two at a time, moving through a plume of choking blackness only to come out below it to a roaring bonfire that’s eating through the Roost’s supports.

Oh god. The Roost…

is burning….

“JOELLLLLL!” you scream up as your stocking feet hit the ground hard, as you catch Ellie and pull her off the ladder and stumble backward, as something hits your head hard and causes you to let go, as separate sets of arms grab each of yours and drag you roughly backward, fast enough to keep your feet from catching up until you’re on your knees.

There’s a crackle in the air– “Patrol to Meadowlark. What’s the trouble?”

The walkie lies somewhere in the pine needles just out of reach and you’re screaming at it for help but all that comes out of your mouth is a string of names and no’s and helps. You’re able to yank your non-dominant arm free, pitching forward, clawing for the radio, until a flash of hard silver–a meteorite, exquisitely dense and smooth, malignant, swift, direct–cracks down on your forearm with a sickening thud, shattering the bone.

The world slides out of focus through a screen of sudden pain.

At first, you assume you’ve been shot in the arm. But then a figure steps around to your line of sight. Abby. With a golf club? What? Why? Where did she get that? The commissary? Why the fuck would they stock golf clubs? What the fuck is going on?

And you watch as Abby picks up the walkie. Tosses it into the fire.

The hands are back upon you now, forcing you back to your knees, and a third set joins them, wrapping around your forehead and chin, pulling you back against a belly and you struggle.

Where’s Ellie.

You’re able to twist your head to one side despite being held. She’s there on the ground, face down, groaning, with Owen’s knee in her back.

“Ellie? Honey?”

One pair of hands holding you twists you hard, meaning to pull you further away from her without compliance from the other hands or consent from your muscle structure and there’s a sickening pop as your shoulder leaves its socket and then your scream drowns out everything even the roar of the fire.

“She keeps it in her pocket,” Abby says. Rooting into Ellie’s pocket, Owen finds the knife and pulls it out–the one she cherishes, imbued with the legend of her mother, given to her on the same day as her name, her life, and her orphanhood.

The day Ellie told you the story, you’d taken steel wool to the knife and cleaned it. Oiled the hinge. Shined it up good and pretty.

It flips open easily in Owen’s paw. It twirls swiftly around, and points downward, his fingers closing over the hilt, thumb curling over the butt of the handle to give it more leverage when he’s ready to bring it down.

The night is horribly black and lit along the edges in orange fire.

There’s a loud crack. Owen’s thigh explodes in a splatter of blood and he falls backward off Ellie, screaming. The hands around your head let go and Mel runs to him.

Joel stalks out of the plume of black smoke, cocking the rifle, pointing only long enough at Owen to confirm he’s down and then swinging the barrel around to Abby.

A stand off. No sound or movement but the whoosh of flames and a few ground-muffled cries from Owen, a few sniffles and shushes from Mel.

“Who the fuck are you,” Joel growls out over the steel barrel, his cheek quivering in barely hinged anger.

Abby stands, solid, unyielding, straight as the blonde braid hanging down her back, club wound up tight, ready for the pitch, a face full of lines and soot and destruction.

“The last survivors of the Firefly massacre. You didn’t think to check the rest of the compound? Like the whole team was just one-offs? Like none of them had family, you sick fuck? You fucking orphaned us. Left us to fend for ourselves. Go ahead and shoot, old man. Marlene always said you weren’t so good at keeping kids alive, actually surprised you got as far as you did. So go ahead. Not like we’ve got nothing to lose. We just came to return some favors and finish the job.”

It’s only in the moments later, before the dawn, when you’re laying on your back looking up at the stars, one arm laying broken and useless in the snow beside you, the other cradling a weeping Ellie Williams as tight as you can, that you’ll be able to slow the film of your memory and play out the next thirty seconds frame by frame.

The series of snaps and cracks as the support under the Roost gave way and the whole structure tumbled out and away from the scene, pulling several pines down with it, the crashing and burning the only sound you remember now.

Ellie trying to shuffle along the ground toward you and away from the fire.

Owen pulling himself up enough to raise the knife and bring it down into the meat of Ellie’s calf.

Owen’s body flying backward as a bullet ripped through his skull.

A wrench of your neck and the warm splash of blood from above you as another shot rang out, one person holding you falling away and back, gone, but still pulling you down with their dead body.

The roar of an angry Abby and the clank of a club shaft on a rifle barrel.

Another gunshot.

The sound of metal hitting flesh.

Thirty seconds. And now you can see the stars. Orion. The Milky Way.

Somehow you’re lying yards from the little patch of burning trees with Ellie cradled in your good arm. Someone dragged you here.

There are voices and flashlights. The patrol. Bear and Tommy. Goldie and Willa and Chickadee.

And Maria. Laying on the ground beside you, exhausted from the effort of dragging two humans out of the burning thatch of trees.

“Joel. Where’s Joel.” It hurts to speak. Breath comes fast and shallow.

Then he’s there with the others, a bruise blooming purple beneath his eye, saying only what scant words he needs to move past them and get to you. To Ellie.

His hands are gentle, but his eyes are cold.

Two still, black pools reflecting fire.

_______

Perhaps unsurprisingly, you dream of Troy, his mangled face open and bleeding, laying in the hole next to Ash, mutilated, stopped at the moment of transformation into something more sinister, your ex-husband and his sister lost to you because they were headstrong, foolish, too devoted to each other….

Ash’s eyes open, what’s left of them anyway. “Abby’s afraid of heights. Didn’t even have time to tell her about the Roost being up on stilts. What’s a caboose?”

They didn’t know the Roost was elevated. They followed us out here and didn’t have a good plan. Is that it?

They don’t answer. They get up and climb out of the hole, turn their backs on your and walk into the forest. You call after them, desperate to have them back after all this time, begging them not to leave you.

But you’re calling after them wrong. You can’t seem to say Troy. You can’t say Ash.

You’re only calling out for Joel and Ellie.

_____

The next thing you know, you’re sitting up in the snow, leaning against Goldie, the girl patting at your cheek as you’re coming around. “Come on, come on back, baby.”

The sun’s up, but not high enough to breach the mountains circling the meadow. Everything’s still lit by the slowly dying flames.

The one two punch of Willa setting the bone and popping your shoulder back in must have sent you off. Looking down, you see you must have thrown up as well.

“Holy shit,” you groan, “I’m sorry. Oh my god, holy shit that hurts.”

“I know, I know,” says Goldie, smoothing your hair and kissing your forehead.

“Here,” says Willa, handing you some dark root. You forget what it’s called, you just know you gotta chew. “Don’t swallow,” she reminds you. “You ride with Goldie. She’ll keep you upright once that sets in.”

“I gotta get up,” you mumble, struggling to stand and inhaling sharply at the twinge of pain the movement brings to your bandaged and immobilized arm. Goldie’s able to help get you up, but seems hesitant to let you go. “Ain’t nothing wrong with my feet, lemme go. Where’s Ellie?”

But you don’t need to ask, she’s just behind you, laying on her back in the snow, one arm flung over her eyes, breathing heavy to manage the pain, leg bandaged and tourniqueted.

Good. Next priority. “Where’s Joel?”

Goldie points to the fire. It’s starting to die down, enough to make out the bodies of three teenagers consigned to the flames. Past them, the group of the regular patrol. Joel shaking his head at them, speaking. Jacket zipped up to the top, no scarf, no hat; probably got left behind in the Roost. Rifle over one shoulder. A backpack over the other.

But not his backpack. Why would he have someone else’s backpack? Why would he have one at all…

He’s…. No.

Pushing off Goldie, you immediately find out that walking is hard. Even if the pain’s just in one arm, everything’s connected, everything hurts; it’s disorienting. Your knees are bruised and even your soft sleep pants feel like sandpaper on them. Feet cold and wet, no boots…

Joel sees you struggling to get to him and walks away from the group and the fire, meeting you partway, catching your good arm as your fist falls hard on his shoulder and yanks, fingers digging in hard to his coat, doing your best to hold on tight, to keep him here, to convince him not to go.

“Don’t you dare, Joel Miller. What do you think you’re fucking doing???”

He says nothing, only lets you collapse onto his chest, to sob. There’s not even an arm to comfort you, he gives you nothing but the bare necessity, a wall to keep you standing, and you know nothing you say will make a difference. In essence, he’s already gone.

“Please. Joel. Don’t. Please don’t go.”

“Trail’s fresh. Best to get on before it snows and covers the tracks. One of them’s the pregnant girl. One of them’s bleedin’. They can’t get that far.”

“You don’t have to. Just come home.”

“They’ll just come back. Maybe not soon, but someday.”

He’s right. You know he’s right. Stepping back, it hurts to look at him. The Joel you love has been asked to step aside, the care and fondness he’s come to show you locked up somewhere secure, somewhere where it won’t get in the way.

I warned you, this Joel seems to say, void of emotion, jaw set, brow even and low, hand on the strap of his rifle. You took me in knowing exactly what I am.

He’s right.

“I need you here, Joel. Ellie needs you here. Don’t you dare go…unless you can come back.”

“I need you here too. ‘S why I’m going.”

Nothing. No kiss goodbye, no waiting for approval, he just turns and walks.

Maybe this is the last of it, just one last loose thread, then he can finally leave off wandering, finally shake off the killer and just come home, just be your Joel.

Convincing yourself of this is the only choice you’ve got.

________

You find yourself out on Maria’s back porch that night. Unable to sleep from the ache of the mending bone and the swell of your assaulted shoulder, it seemed like the best remedy was to find the toughest jerky in the kitchen, to sit on the porch in the cold and chew through the pain, and to lean back in one of the porch chairs with a soothing snowpack between it and your back.

The moonlight plays illusions like the canteen filmstrips–a summer image of Tommy and Joel teaching Ellie the mechanics of tackle football. The twinkle of the fireflies lending veritas to the picture…which in reality is only the twinkle of a dusting of new snow.

Not enough snow to make tracking impossible, but enough to make it difficult.

The back door opens and a blanket lands over your lap.

“Was gonna ask you if you wanted company, but then I decided, it’s my house and you don’t get a choice.”

Maria plops her own blanket in a nearby chair before disappearing and returning with two steaming mugs of tea as offering for the table between you. She takes her time covering you just so before wrapping herself up and joining you on the porch. “Suppose I should have asked if you want that cold pack changed before I get too comfortable,” she says, not really offering, but leaving the suggestion there between you if you need it.

It’s not necessary to talk for a while. She knows exactly what you’re thinking. Sees what you see.

“Did I wake you?”

“No. Riley did,” she lies. You’d heard her shift when you got up from the bed–her bed, well, hers and Tommy’s. But hers and yours for now.

“Thanks for taking care of us.”

“You say that like you’re not my family.”

“Well then, thanks for staying behind as if you are.”

It’s hard to see her out of the corner of your eye, backed by dark shadows. But the moon plays little crescents on her face, the curve of her nose, her cheek, her chin. Her voice comes out velvet from the dark.

“I know you’re pissed at Joel for going, but he’s doing the right thing.”

Now you make the effort to turn, rotating more from the waist than the neck to save the injury from twinging, but it does anyway, mirroring your spike in irritation. “Really? You think so? Is that why you sent Tommy with him? After all that time you spent bemoaning the things Joel made Tommy do all those years ago–”

“This is different. This is about the greater good.”

“You know that’s what the villain always says, right?”

She presses her lips together, hating that you’re right. “Okay, so maybe not the greatest good for the morality of the remainder of the human race, but. For the good of Jackson.”

“Two grown men hunting down two teenage girls is the greater good.”

“They won’t be teens forever. They’ve both got reasons to come back for their revenge. And now they know where Jackson is. They get taken in by the wrong people, and then the wrong people will know where Jackson is too and when they come back they won’t be alone. They’ll know exactly how many and what kind of folk to bring.” She holds your gaze for a few seconds, steady and wise but also warning, her warmth only thinly veiling the matronly protectress behind it, like a Durga on her throne. “You know why we have patrols. You know what happens to people that get too close. Two more drops in the bucket is all.”

“Three. One of those little girls is pregnant.”

She has no answer to this. Rather, your dig brings no new argument to the table. It’s just words, just a fact on the wind. It doesn’t sway the needle one way or the other.

It’s exactly what you’d been thinking about, staring up at her bedroom ceiling. Then out here on the porch. It’s like she knew you needed to hear the justification out loud.

“They would have killed him, lady. And Ellie. And you. I’m surprised you don’t want them hunted down like dogs.”

You turn your attention to the back yard, the smallest hump of leaves under the big tree there not quite scattered to the wind, sparkling with snow cover. You can almost still hear Ellie’s high laughter as it sounded the day she experienced her first leaf pile.

“Oh, I want them run down,” you say. “I’m all for that, let ‘em eat lead. I just didn’t want…” It’s not really necessary to continue. Maria knows exactly what you want. She always does. That’s why she sent Tommy with him. To keep him tethered to humanity.

To the way Joel watched Ellie jump and disappear into a poof of leaves. The sun in his smile. At peace. At home. Free from the old violence. Reborn.

I just didn’t want Joel to be the one to do it.

______

Maria’s dinner table feels empty. Funny, you think, it was always the two of you. For a while there was four, what with Troy and Ash, but most of the time just the two. Then Tommy. Then Joel and Ellie. Now Riley…well, that is, if he’s still up during family dinner.

You’ve slept through most of the light of day and was hoping to talk to Ellie at dinner, but Maria’s been taking all her meals to the guest room for her. Mostly so she doesn’t have to walk down the stairs on her healing leg, but also because Ellie’s not been talking since that night.

And you can guess why. It has less to do with the injury and assault or the fire, and more about the truths she learned during them.

Not much to do. The arm has to stay stable, strapped to your body. At least they fucked up the non-dominant one so you can still hold a fork, still brush your teeth. But knitting? Spinning? Helping Maria clear the dishes? Fat chance.

Not much to do but chew root, smoke wild weed, and sleep it off.

Maria reappears with a plate needs washing. “There’s a break in the clouds. I got three whole words out of her. This might be your chance.”

“Oh. Joy.” It’s getting to be less of an effort to stand now that you’ve got rest and food in you. The stairs are daunting only because of the conversation that waits at the top.

A knock on her door only grants you silence.

“I’m coming in, Starling girl. Best not be naked.”

No answer. You take that as the opposite of opposition. Tolerance.

She’s sitting on the bed, propped up by pillows behind her back and under her knee, her bandages freshly changed, no more blood pooling or free bleeding. She plays with the cuffs of her sweater, tugging at a loop in the knit, a book abandoned by her side as if she’d put it down when you knocked. A good sign. She doesn’t want to hide.

You crawl in beside her, awkwardly, one-handedly, a big showy sigh of relief when you finally land. “You know, if I was your mom, I’d probably start off with ‘what’cha reading there, kiddo?’ just to get you to say something, but I’m not your mom and I’m not here to make you talk if you don’t wanna–”

“Well I don’t.”

“Good. I didn’t come up here to hear you yap anyway.” You detect the tiniest twitch of her cheek, not quite a smile, perhaps a sneer…to scare away a smile. “Don’t talk, just listen.”

“I don’t wanna do that either.”

“Tough titties. I’m cashing in exchange for all the time I had to listen to you go on about Sally Fucking Ride.”

Now she does smile. Barely. Gives you the teenager face you wanna slap sometimes. “Tough titties? Really?”

“They didn’t have tough titties in the orphanage? Seems off-brand.” The smile fades. “Tell me how you’re healing. I’m not asking, I’m demanding.”

A big breath in. But the air doesn’t come rushing back with a dramatic sigh, just melts out of her with a single tear she doesn’t move to brush away.

So you do. “That bad, huh.”

“It fucking sucks. It fucking sucks so bad.”

“Heh, tell me about it. I miss the good old days of ibuprofen. Shit. I miss morphine. You’re young though, you’ll be up and running in a week or two. Me? I’m gonna be aching for–”

“He fucking lied through his teeth.”

Ah. There it is.

Now the colony of tears follows the first scout, pouring out over the plains of her cheeks until she covers her face with those cuffs she’s been picking at, relieved at being able to let it all out in front of someone who might understand, but probably scared as hell to let herself be this messed up in front of someone who might not. A gamble.

And a win. You’ve still got one good arm and you put it to good use, pulling her into your side. “Yeah, you’re right. He totally did. He’s a fucking asshole. Why the hell would he do that.”

“It wasn't time that did it,” she hiccups from under her woolen cuffs.

“I don’t know what that means, Starling” you say, unable to stop yourself from kissing the crown of her head.

She wipes her nose and comes up for air. “I mean I know why. But he fucking lied about everything. Straight to my face.”

“Well, you’ve got every right to demand an explanation and an apology when he comes back. Straight to his face.”

“If he comes back.”

You let that sit a moment between you. It’s her way of saying that she knows you’re mad at him too, that she heard the conversation you had with him when he left. It’s her way of poking at your own fears and getting you on her side.

“Those girls aren’t armed and the Miller boys have a lot more experience with being hunters than those kids do being prey. He’ll be back.”

“I hate him.”

“I know. But also. You don’t.”

“I had a… a purpose. A fucking purpose.”

“Well….I know you did, but…probably not so much as you think.” She looks up at you but you can’t meet her eye, she’s right to mourn, and you can’t deny her that. “Remember what I told you about my sister and her treatments?”

“The research hospital.”

“Yeah. Cancer’s been killing people on this earth far longer than cordyceps and they’d had millions of patients to test on. Still couldn’t crack it. How many people are immune like you? Because if it ain’t millions, you just become one part sample in a petri dish and another part dead body that maybe give some vague clues and then you’re all parts in the bin, end of story. I mean, I’ll be honest. I don’t blame him. You’re quite a keeper.”

Now her sigh is dramatic. “And then he fucking lied about it.”

“So you would feel good about it. Accomplished in your goal. Also so you wouldn’t hate him for caring about you more than you do.”

“Why didn’t he just say–?”

“Do you know that man to be good with words?”

This quiets her. Both of you. For a few minutes. She goes back to picking at her sleeves.

The sun’s set completely now and her little bedside lamp can’t even drown out the stars so bright on the other side of the window. Clear night. Cold out there.

After a moment you take your arm back, jostle her with your shoulder. “Hey. I’m going out to the Meadow tomorrow, check in with Willa, look over the damage. If I bring you back a piece of the Roost, you wanna do some carving or whittling or something? We’ll build a platform like the old one and it’s probably just gonna be a tent up there for a while like it used to be, but hopefully this spring or summer we’ll get a structure up there and we’ll need a cornerstone or a plaque or something signifying its importance. Since you’re on your ass all day with nothing better to do, and you’re the star recruit, I’d love for you to do it.”

Her lips twist, half smiling at the request, but then in regret. “I lost my knife.”

“The one from your mom?” She nods. “Well if you’ll do some carding for me while I’m out there, I promise to look for it, ask around, maybe one of the patrol picked it up, okay?”

“Okay. Oh. By the way…How are you healing?”

“I’ve been worse. But mostly I’ve been better. Thanks for asking. ‘S kind of you. But don’t you worry about me.”

“Okay. Um…I’m…sorry about telling them about the meadow and all.”

“Why? You’re a Roostling. It’s your story to tell.” Sliding off the bed you head for the door. “Oh hey. I meant to ask–” you nod at the book by her side. “What’cha reading?”

She doesn’t miss a beat. “Oh…just porn.”

“Cool. G’night.”

“‘Night. Hey Meadowlark?”

You poke your head back in before the door closes completely. “Hm?”

“Thanks. For all that. But mostly for not calling me kiddo.”

You smile. Nod. Give her a warm wink. “Sure. I gotchu, kiddo.”

It’s worth the eyeroll you catch as you close the door.

________

The most sickening part of coming in through the north passage isn’t seeing the burn scar on the pine grove in the middle of the Meadow, isn’t missing the outline of the Roost through the trees, but rather the feeling that your home has been breached, that for a moment it wasn’t safe and now you’ll always wonder if it will be.

Riding across the north plain, you close your eyes and breathe, let the horse plod on without your guidance, he knows the way. Once spring comes and the valley fills with flowers and the music of the lambs calling for their ewes takes over from this cold silence that comfort will be renewed.

But for now, there is no comfort on the Meadow in winter, not without a pretty little fireplace and a warm spot to watch the snow build up on the mountains.

You know what’s coming, but it turns your heart inside out all the same when you open your eyes.

Where once there was a cabin in the treetops is now a void leading downward to a pile of blackened rubble and debris. Off to the side under some lower trees is the old canvas tent with the vent hole and a friendly little trail of smoke rising from it. Willa always knew her way around a fire and didn’t mind keeping a low one going on the inside. You never were that confident, even with a fire-treated tarp.

She’s been at work out here, pulling useful things out of the rubble. The woodstove. The pulley jacks. A few timbers that are mostly unburned.

But there’s a pile of other things too, useless items that shouldn’t be mixed back in with the earth: a burned walkie. Twisted silverware and blackened plates. The iron tools from the rafters. Shattered tile. Your charred and mangled boots.

All that’s left in the major wreckage is wood. And glass. And bones.

Three blackened skulls, three sets of eye sockets and three jaws gaping up at the sky as if they were caught in the moment of realizing their plans were going terribly awry.

Stupid fucking kids. ….Just kids.

If someone asked you how you knew which one was Owen’s, you wouldn’t be able to say. You just know. The memory of him sinking that knife into Ellie’s leg…of hurting her…intent to kill… His skull breaks like a cracker when you put your weight on it.

Willa doesn’t say anything when she comes up along side to stare down at the bones with you. It's not the first time you've stood with her at the edge of a burned down home.

"I hate that it’s gonna take me a while to sift though all this,” you say.

“We’ve decided to skip your turn for a while. At least until there’s a new platform.”

You nod, resigned. You don’t love it, but it’s best. Trauma lingers longest of all hurt.

“How’s the flock?”

“They’re over it.”

“Figures. Fluffy shits. Any chance you found a pocket knife out here?” You ask her.

She nods, reaches into a jacket pocket and there it is, like it’s been waiting to come back to its keeper, made itself shiny and easily found. It’s passed between you like a sacred object, holy, a relic saved and cared for, a thing infused with deep love and meaning. There’s an instant relief as your fingers curl around it, your shoulders relaxing and releasing a little of the pain.

“Thank you.”

“There was this too.” From the same pocket Willa pulls a disk of silver and glass, turning it over and placing it in your hand with the knife.

The watchband is burned away. But it’s otherwise unharmed.

Willa may be a stoic, but she knows enough to recognize a release through tears and to hold you while you cry.

Later that afternoon when you knock on Ellie’s door, you’ll hand her the knife and a piece of the old Roost to carve to consecrate the new one. And then you’ll give her the watch and ask her to be your hands, to help you with one more thing.

________

Two days later, you’re standing in Joel’s living room, never having been here when it’s so quiet, dark, and cold. With you and Ellie staying with Maria, there’s been nobody here to light a fire, to make the place live. You wouldn’t be here if Maria hadn’t made a side comment about maybe you and Ellie’d been in the same clothes for a day too many. Not that you thought you’d be with her that long.

She was right. It was nice to change into something clean–a soft fleece and some sleep pants. While the sword of Damocles kept things in check at Maria’s house, it did feel just this side of an extended girl’s night sleepover, might as well dress for it. Ellie had asked for something soft and comfy so you decided to go for it, an assortment of sweats and sweaters in the duffel at your feet.

What you’re eyeing at the moment is an empty hook on the wall by the fireplace.

You put your hand in your jacket pocket and pull out the watch.

Ellie did a beautiful job with it, took directions like a champ. Sitting together on her bed, listening to Joan Jett and Pat Benetar, you’d instructed her how to design the plaid stripes into the strap, how to knot and plait in patterns.

“Macrame. MACrame. Mac. Ra. Mayyyyyy,” Ellie’d chanted. “It’s a fun word to say. What’s it mean?”

“Fringe. Knotting. It’s just the name of the technique. I dunno. Probably something prettier in French.”

The strap clasps had been lost in the fire, so you’d had Ellie work him a new strap out of dyed and tightly-spun wool, something a little longer so he could tie it on. Most likely he’d come back here first, so you want to put it somewhere he’d see it, that way he could have it again without a lot of fuss but knowing at the same time you were thinking of him. So you slip the end loop over the hook, gently let it slip through your fingers and rest against the wall.

If he comes back…

The front door opens. Boots on the wood. The thump of a backpack.

By the time you’ve turned, he’s coming in through the front hall.

When he sees you standing here, he stops.

You never imagined this moment. You should have. It might have prepared you for the yellowing bruise on his face, the majority of his left pant leg browned with dried blood, his knuckles raw and just beginning to heal over.

You struggle with finding the right question. Find ‘em? They dead? Finish the job? No survivors?

I’d ask you what the hell you did, but I know and I don’t wanna hear you say it.

Instead all you can muster is a nod at the blood on his jeans.

His eyes slide to the staircase, already looking to move on, and he only answers with a short and shallow nod of his own before doing just that.

You find yourself sitting on the couch, staring at your hands, the duffel, the watch, back at your hands. Listening as he moves around upstairs, dropping boots, his belt buckle clapping to the floor. The shower running for a long, long time.

Sun’s going down. Getting colder.

The squeaks from the staircase are slow, softer than usual. He’s taking his time coming down. Doesn’t want to force himself back into a space so safe and quiet after pushing through one so big and mean.

He barely shifts the couch as he sits on the far side. Clean shirt. Clean jeans. A pair of socks you knit him.

“Where’s Ellie?” He sounds like he hasn’t spoken to anyone in days. You’d wager he hasn’t.

“With Maria. We’ve been staying there. I was just getting us some clothes. Didn’t think you’d be gone this long.”

“Neither did I. They had a head start. Younger. Faster. But you’re safe now. You’re both safe now.” He’s quiet long enough for the house to give a settling creak as the wind picks up outside. “How’s that arm?”

“Joel, you can’t keep us safe from the world. The world is what it is.”

“The fuck I can’t,” he whispers back, defiant, stubborn, with enough venom that he seems to scare himself and he breathes in deep, keeps it, holding back.

All you want is your Joel back. Even in all this mess. All you want is for him to lay down his fear and love you the right way.

So instead of arguing, you get up and stand before him, give him the time it takes to understand you’re going to straddle his lap whether he helps you or not. He reaches for you on your way down, guides and supports you, allows you to rake through his wet curls before leaning in to take possession of his lips, to will him–by kissing through to his very soul–to come back to you.

He can’t help but respond, his whole body coming to life, and in the cold, twilit living room, you become a tangle of silhouettes as his hand pushes up under your sweater–somehow still keeping an aura of care around your ruined and wrapped arm–to squeeze almost painfully at your curves, rough and wanting, panting between devouring kisses as he paws beyond the waistband of your sleep pants, sucking at your neck when you throw your head back as he reaches what he was searching for….what you hoped he’d find…

There’s a tousle of repositioning and a clatter of belt and zipper. You’re both raw and rough and needy, and you both take advantage of the emptiness of the house to fill it with the sounds of desperation, of effort, the song of casting off of all inhibition, a duet of total and grateful release.

But through it all, it’s the way he holds onto you that tells you how much he wanted to get back to you, how close he intends to hold you and never let you go, a desperation that tells you exactly where his faults lay…

…that it was necessary–and always will be–to eliminate any chance of someone taking you from his world by force.

It’s not so much possession as a fierce and burning need to be possessed. A need to belong, concentrated down to its basest form.

“I’m sorry,” he says as he softly kisses your temple, spooning you in the afterglow that burns bright in the darkening room.

“For what? You didn’t hurt me.”

“Rushed it a little. Tend to act before thinkin’ sometimes.”

You’re not completely sure what he means by that. At first you think he’s talking about the rough sex, but you get his meaning. Stalking off after Abby and Mel so impulsively. For being impulsive in general.

For acting out of trauma.

Or love.

“I’m not the one you need to apologize to for that, Joel.”

You can tell the moment he understands when his forehead gently meets your shoulder. “Shit.”

It’s probably the best time to break it to him, while he’s still a little softheaded and euphoric. “She’s ready to listen. But I won’t promise it’ll be easy. It might just be you and me here for a while.”

Once his breathing evens out, he shifts, still holding onto you, but just coming back down, settling back in.

“What’s that?” He mutters, just on this side of falling asleep, lazily pointing at the watch on the hook by the fireplace.

“Your Valentine’s Day present. From both of us. Sorry it’s late.”

________

Taking some shifts off from the Meadow rotation affords you time to start slowly moving things over to the new A-frame, Maria helping you to load up a skid now and then and unload it, walking beside you as you lead the horse that tows it.

After a week or two, Ellie’s up and walking–well, limping, but healing–and starting to talk to Joel at dinner again. She’s on the verge of actually gracing his bad jokes with a smile or even a laugh, but she’s making him work hard for it. Good for her.

You haven’t asked either of them how the talk went. Don’t know if you ever will. That’s between them, the less you interfere, the better.

But you know that things are on the mend when you find Ellie playing Joel’s guitar–learning some Johnny Cash song you know he loves.

And you have a feeling that spring is on the way when you drop off another load at the new house and find a new frame on the wall–a handmade, custom carpentry display shadowbox.

With a watch hanging inside.

_______

PREVIOUS: AUTUMN

NEXT: SPRING AGAIN (coming soon)

MASTERLIST

SERIES MASTERLIST

#leave off your wandering #tlou fanfiction #joel miller #joel miller x reader #joel miller x f!reader #joel miller x meadowlark #joel miller x mature reader

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wood-white-writer · 9 months

Text

"Didn't mean to make your heart Blue" || [3/...]

- OPLA!Buggy x F!Reader

"And I am the idiot with the painted face, in the corner taking up space. But when he walks in, I am loved."

— Mitski, "Me and My Husband"

Pairing: Buggy the Clown (Live action) x F!Reader

Part 1 | Part 2 | Part 4 | Part 5 | Part 6

Summary: You were an apprentice of Gol D. Roger’s crew in your youth, long before his eventual demise. Along with the Red-Haired Shanks and Buggy, you were a formidable trio; the embodiment of a new generation of pirates yet to come. But times changed, and so did you and your friends. Years have passed since you last saw Buggy following the dispute that you thought ended your friendship. When you finally reunite with the blue-haired menace you once considered your closest friend, it’s under less than “friendly” circumstances.

Warnings: Canon typical violence, LA!Verse, Buggy is a lonely asshole, flashbacks, semi-canon divergence, Reader is strong AF,

A/N: I forgot to mention this before, but I guess this technically does hold some spoilers from the manga/anime. Keep in mind, I've not seen/read either piece, so it's merely used to give their stories some background.

Taglist: @kurinhimenezu, @carpinchootaku (If you want to be tagged for this story, just send me a message or comment :))

Fuck, fuck, fuck, where the fuck are you?

After some time of searching, Buggy finds you sitting by the docks, your feet gently swaying with the waves, almost free of any earthbound weight. He’d join you if he could, but he’s not brave enough to get too close to the waters yet.

However, he’s content enough to just watch you from a safe distance. The sky is free of clouds and the moon is full, which illuminates your shape like a bright lantern in the night.

Beautiful, that's what he thinks you are. In fact, that's what he's been thinking for a while now, not that he's ever told you that to your face. He wonders when he stopped looking at you like something more than a friend.

Maybe it was when he caught you smiling at him after you'd successfully managed to steal a bottle of fine rum from the local bar, and you both ended up getting blackout drunk on the ship deck?

Maybe it was when he saw you win a round of arm-wrestling against one of your other crewmates, despite being significantly younger than the opponent.

Maybe it was when you beat a guy black and blue for making fun of his nose in public, with both him and Shanks cheering you on from a safe distance?

It doesn’t matter when it was. What matters is that, for a while, he has found it difficult to take his eyes off you. Even if it’s just a peek, it usually takes him a while to force his attention on something else.

The rest of the crew are on the Oro Jackson, celebrating their recent endeavors, yet here you are, celebrating on your own. He finds it odd; you’re usually happy to participate in any celebrations with the crew, but you’ve decided to be here instead. It was your absence on deck that prompted Buggy to go looking for you.

The wind picks up and he can feel goosebumps spread across his skin like wildfire. He shivers and tugs his jacket tighter around himself, and that’s when he notices that you’re not wearing any additional clothing to stave off the cold in the night.

He finally calls out to you, a little throaty for reasons he refuses to disclose aloud. “You’re gonna get a cold like that, dumbass! You wanna get pneumonia and die or something?”

You subsequently turn around to face him, and his breath gets caught in his throat. Your sharp eyes, when caught in the moonlight, sparkle like a thousand treasures — compiled of gold, diamonds, and millions and millions of berries — holed up in two caves.

Smiling in the way that makes his pulse quicken, you proceed to wave your feet in the water. A few drops land on your arms, sparkling in the air before landing on the skin of your arms. “I don’t think so? If we get to the South Pole, maybe there’s a higher risk?”

He frowns and crosses his arms over his chest. “The North Pole is colder!”

“Ah, well,” you snicker. “In that case, then I’m not likely to get pneumonia unless we’re there.”

“You can still get cold! What are you, a moron?”

For someone who can’t keep his eyes off you for extended periods, that doesn’t keep him from being rather crass in terms of vocabulary with you. That’s alright. You’ve never been one to appreciate honeyed words if your frequent bickering with both him and Shanks says something.

With another swing of your legs, you reestablish contact with with wooden platform and make your way over to him. That’s when he finally realises that you haven’t brought your shoes with you, but you don’t seem bothered by it. “By the way, what’re you doing here, Buggy?“

He considers telling you a simple lie that won’t clash with what he knows to be the truth. He was coincidentally going for a walk, he needed some air, he was purposefully looking for you…

“Noticed you weren’t on the ship,” he finally settles on with a hmph. “Had to make sure you hadn’t accidentally up and drowned or something. You’re a shitty swimmer,”

“Not as shitty as you,” you counter and blow him a raspberry.

He’s about to tell you to fuck off or something when, again, he finds himself pausing.

You’re smiling at him, so softly, and it feels so warm that the wind no longer has any effect on him. He can feel his cheeks scorch up and his heart is pounding so hard that it feels on the verge of breaking his ribs.

He hastily looks away and coughs a couple of times, trying to maintain what little dignity he has left.

“Are you alright?” You ask with faux concern. “Did you just catch pneumonia or something?”

“S-Screw you!”

You laugh, and it’s like music to his ears. Your laughs are usually raspy and hardly appropriate, but he finds that it’s the prettiest sound in the world. Your smile, your laugh, they are so warm that he hopes that you’ll never stop making them.

Out of the blue, you wrap an arm around his shoulder and begin tugging him on the path to the ship. “Come on, before they leave us behind.”

“Y-Yeah, let’s.” He doesn’t move to tug your arm away, and no power on this earth will make him.

------

Now that he's closer to the kid, Buggy realizes the stupidity of asking if he was yours. The two of you are nothing alike, but the truly defining factor lies in your eyes. Rubber Boy's eyes are too bright, too round. Whereas yours are knives ready to strike, his' are simple spoons.

He begrudgingly has to hand it to the kid; he's a fearless one. Even stretching his limbs beyond human capabilities does not diminish his spirit. Buggy doesn't know whether to applaud or reject the determination the boy has.

"I want you to think of this, like an artistic exercise," he explains. "Because pain leads to art, and art reveals truth."

He can't hear any commotion from the backrooms where he keeps you contained. Truth be told, he never expected it to keep you for long, only detain you for a limited amount of time. If he wants to both get the map and keep his life in one go, he is going to have to try and get it without necessarily ruining the kid too much.

Still, it doesn't keep him from testing the lines. He tries to pry the answers out with a needle, but no matter what he does, the kid remains infuriatingly mute.

So, he decides to dig a little deeper.

"Now, what makes a boy want to grow up to be King of the Pirates? Who are you trying to impress?" He tilts his head with inquisitiveness. "A lost love?"

On cue, he can vaguely make out a gnarling sound coming from the back rooms. The sound of chains rattling, which he perceives as you probably moving in the enclosure. He thinks about sending someone to check on you and find out what you're up to, but he does not want the number of supporting casts to reduce.

"An absent parent?" He continues, ignoring the noises as he closes in on the boy. "Or was it someone that you worshipped? A false idol."

Try as he might, the boy fails to feign any indifference to him. A master of performance himself, Buggy knows when he's hit his target "That's it."

He yanks the dumb straw hat off his head, and the boy's protests against it further dig a nail into the coffin. "Give me back my hat!"

"I used to know a pirate that wore a hat just like this." Buggy's grip on the feeble thing drastically tightens as memories of the past resurface. "Red-Haired Shanks."

"You knew Shanks?"

"Ginger? Three scars, left eye?" Of course, how could he not know of the bastard? "We served together on a pirate crew when we were about your age. In fact," he glances at the boy from over his shoulder. "Your friend, Cross-Hairs over there, was with us at the time."

The kid blinks in confusion, clearly not aware of this little piece of information. "I knew she served with Shanks, but she never mentioned you."

In all honesty, it doesn't surprise him, yet he still perceives this as a slight against him from your side. The underlying hypocriticism in that doesn't evade his notice, but he elects not to address it.

Buggy can feel the straws under his digits lightly crack beneath the pressure of his grip. "She did, but before then, it was the three of us. For a time, I even thought we were friends." His nail pierces a hole through the inside of the hat. "Until they betrayed me, like all the others. He wanted to keep me out of the spotlight! He wanted to keep my star from shining too brightly!"

"They wouldn't do that," Rubber Boy is quick to protest, rather vehemently too as if Buggy just insulted his entire lineage. "You don't know her, and you don't know Shanks. Don't talk about them that way."

"I bet I know her far better than you do, Rubber Boy." He smirks and raises a knowing eyebrow at the kid. "Does she still snatch specifically red apples off vendors when you're in town? Does she still tend to store her knives in her boots when she thinks no one's looking?"

The kid doesn't have to answer. His silence is all the confirmation he needs, and it makes him feel victorious in some sense.

"Let me ask you something else, then. How'd the famous Captain of the Cross-Haired Pirates get stuck with a simple-minded nobody like you? What did you do that was so special that she decided to stick around until now?"

The damn brat doesn't answer.

He presses on. "Apparently, she made a promise to someone, and though I have a sneaking suspicion as to whom, I don't want to jump the gun." He grasps harshly at the kid's face, no longer smiling. "You know, and if you tell me, I might be convinced to lessen the restraints."

The damn brat still doesn't fucking answer, and it vexes him greatly. Even so, if there's one thing he's learned, it's that the kid's silence can be substituted for an answer.

So, he finally asks the billion-berry question:

"Was it Shanks?"

Rubber Boy does not answer. He doesn't fucking answer, and Buggy's patience snaps like a twig.

You would be willing to go through all of this trouble, to keep the kid safe and help him achieve his dream, just because you made a silly promise to what was once your mutual friend. You would give up your career as one of the most successful pirates in the modern age, just for that?

Just for him?

Deep down, he feels something carve at him. Carve at the boyish version of him he left behind the same day he left you. Would you have been just as loyal to him as you were to Shanks, if only he stayed?

He does not voice these thoughts aloud. Instead, he can't help but beam, because everything he's theorized up until this point has just been verified. It aches, and it hurts, and it cuts, but even so, he can only smile down at the boy.

"Stretch him until he breaks."

------

Although you hear a commotion coming from the stage room, and despite the urge you have to just break out and be done with this all, you deliberately remain in your cage. One leg pulled up to your chin whereas the other one rests uncomfortably on the stale ground boards, you do nothing more than let your temper simmer down.

Honestly, what a mess.

You made one thing perfectly clear to Shanks the day you agreed to disband your crew and keep watch on the boy. It had not even been a week after he returned to the docks of Fooshia Village, one arm short and the boy by his side.

------

"I am not his parent. I will not be held responsible for the mistakes he makes when he decided to leave land. I will only keep him alive until I decide he can do that himself; after he's earned his first bounty. After that, I'm off."

"And what will you do after?" he had asked, genuinely curious.

You didn't answer, because you didn't know.

"Look after the lad for me, will you? Help him achieve his dream." He had taken your shoulder under his warm remaining hand and said:

"Maybe one day, you'll find your own."

------

If you'd known that Luffy's dream would one day lead you back to him, you would've been more reluctant to make that promise. At the time, you had little interest in picking up the shattered pieces of your childhood dream, yet it seems that now it has decided to search you out instead.

Or rather, he has.

Your head hurts.

This is not the time for heartfelt reunions if there ever was one. Buggy has only one goal in mind, and that is to get his hands on that damn map. Harming Luffy will serve as a means to an end in achieving that, which happens to clash with your goal. You're not Luffy's parent, you tell yourself, but you're willing to extend the promise to Shanks just this once.

And so, after some careful deliberation, you make your escape.

You hit the metal once, and it bends significantly. Then twice, and on the third strikes, they bend and crack, finally granting you access to direct contact with the ground. It's never felt so relieving to be earthbound, and you even go as far as to tap your feet a few times to enrich that feeling.

Having most likely heard the noise, two troupe members march through the curtains to see what's going on. The first one barely has the time to register your escape before you lunge.

You're quick to subdue them, knocking the first one out with an easy choke-hold whereas the other mysteriously ends up with half his body stuck in what remains of your previous confinement. His ass hangs out in a rather humiliating position, but the point is, he's out of the way.

The adrenaline is the one part of piracy you've missed. The surge of energy that flows through your veins, feeling the air brush your face as you make your move, the warmth in your heart that substitutes any pain or hurt you've ever felt if only for a moment.

You relish it.

You happen to find your weapons in the room, hidden in some crates. Your knives and your pistol, are both unscathed and fully functional, but you know that you'll end up relying on your hands for this. After all, it's personal, and personal matters are handled in a personal way.

When you're certain the two troupe members are of no concern to you, you exit the back rooms and find yourself in the opening between the audience rows shortly after. The lights have been killed and there's an ominous silence stretching in the atmosphere.

You look up at the terrified audience, and though you're almost in clear view of them, none dares stray away from the view up ahead.

Said view in question being of Luffy halfway submerged by seawater in a tank, already struggling to keep himself afloat.

Fuck this. Fuck him.

You don't even stop to coordinate your next move as, as you would've done under ordinary circumstances. No, the moment you spot Buggy standing there, trying to reason with the kid with the promise of belonging and having a place on his crew, you lunge for the kill.

------

All Buggy sees just as you make your move is a flash of sharp eyes that seem to glow in the dim room. There's no word upon your entrance, no sound, not a single warning at all. A shriek resonates through the air, shattering the silence that had unknowingly settled over them, and it's his own.

The air gets knocked out of his lungs as you shove your fist straight into his stomach. Ordinarily, that specific portion of his would've just straight up dislodged itself from his body, but it doesn't this time. He remains intact, a contradiction to what you had threatened to do, and he falls back several good feet on his back like a kicked dog.

A raspy groan is all the noise he manages to get out, heaving his chest in search of the air that was stolen from him. He throws one arm to the ground and gets his upper body up.

When he finally manages to somewhat stabilize his line of sight, all he sees as the world remains blurred around him is you standing over him with a dangerous glimmer in your eyes. One he's already familiar with.

This is not his old friend or his old flame crew member. This is Cross-Hairs, the feared captain of the vicious Cross-Haired Pirates. The Beast of the East. The one whose aim never misses, and if it does, she'll hunt her target down to the ends of the earth.

And now, he's officially become your target. No longer a passive one at that, but the only one your eyes are set on. He doesn't know if he's content or unnerved by this.

There are no palpable emotions on your face, but he can read your eyes well enough to know that you're angry. No, angry doesn't even begin to cover it; you're absolutely, positively, completely pissed.

"What?" He forces out, still aching from the punch to his abdomen. "Going to make good on your promise? Going to finally kill me after all this time? If so, then just get on with it!"

You don't answer, and he hates it even more than he would've had you responded. A part of him wants you to kill him; wants you to show that you care enough about him to just fucking do it.

No, instead, all you give him is a glare. That same glare that's never left your face since he first laid his eyes on you. You turn your full attention to the tank and, with one simple hit, you break the glass to try and free Rubber Boy. You free him, without even a moment to hesitate, and it feels so much more painful than if you’d just ended him on the spot.

He wants to scream. Buggy wants to scream until his lungs give in. Scream at your inability to fully look at him. Scream at your apparent concern for a boy who is no more a pirate than he is a banker.

Scream, because even after all this time, you still refuse to choose him.

Never him.

#buggy the clown x reader #buggy one piece #buggy the clown #buggy x reader #one piece live action #one piece x reader #buggy the clown fanfiction #buggy x you #buggy x female reader #one piece #buggy #buggy live action #captain buggy #one piece buggy #one piece fanfiction #one piece netflix

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vagabond-umlaut · 11 months

Text

gray cashmere

Solitude makes many a tough decision too easy to make.

However, is one truly ever 'one'? Or are they 'one' from a collection of many such 'one's' — guaranteed to be affected by the actions of one another?

Strictly isolated systems are mere hypotheses, anyways.

[Alternatively: Amanai Riko's life overlaps with that of three young students from Tokyo Jujutsu High for only fifty-five hours, yet the effects they leave on her and the effects she leaves on them– they can be felt even after a period of one-hundred-and-fifty-five months.]

▸ student! gojo satoru x student! fem! reader; 4400 words of me trying my best to forget the horror of the 'Hidden Inventory Arc' by writing THE CANON-DIVERGENT FIC I DESPERATELY NEEDED TO FUNCTION ATP; riko is the little sister yours truly the reader never had; kuroi is the gentle sunshine on a winter afternoon; THE sweet romance between satoru & reader; suguru is the most awesome best friend and/or brother figure ever; FUSHIGURO TOJI IS HIS OWN WARNING; Hidden Inventory Arc Spoilers with Canon-Level Violence; Angst with a Happy Ending.

▸ notes: The reader's CT was to read others' thoughts freely without them knowing, but after a binding vow she undertook when young [disgusted with the way the old geezers governing the jujutsu society misused it for their personal gains], she lost it, gaining the ability to instantaneously kill an entity the moment she opts to read their mind in place. Not even a special-grade can stop her attack. Aniki = older brother in Japanese.

▸ belongs to series we're the summer to our winter rain but you can read this as a stand-alone if you wanna!

▸ the gif, divider and characters used ain't mine. please don't plagiarize, translate or repost this. enjoy reading! ❤️

DAY 1; 11:44

Yours is a beautiful, awful life when it's the one chosen for the sake of all.

Everyone everywhere will remain smiling, crying, speaking, yelling, moving – living, if put in a word– yet you'll be nothing more than a name and, if lucky, a fading face filed away in a mind. Yet, yet, yet– everyone everywhere will remain smiling, crying, speaking, yelling, moving— and one young Amanai Riko thinks that's what makes her fate so bearable.

Too bad one of her three bodyguards doesn't think along such lines.

"She's too young to die. Why is she even agreeing to this merger?"

Your quiet voice breaks Riko's scuttling from one room to another, in search of the things she needs for school.

Craning her neck, she peeks into the room, only to find you standing by the windows, holding a cup of tea delicately as you look intently at your companions. Geto's shoulders rise and fall in a short sigh. Gojo gets up from his slouch on the couch to drape an arm round you.

The girl thinks it's the softest she has seen the goggles-wearing boy appear in the time you all have been here.

(Honestly, this is the first time she is seeing Gojo act so careful and you, so disquietened, in the three hours the three of you have been here—

A jarring contrast to the way the boy introduced you as 'the coolest and hottest jujutsu sorcerer ever' who also happens to be his 'better half' while you greeted them with a beam (which did not reach your eyes) and turned away, focus switching to your beeping mobile.)

(Geto looked like an old grandpa then, when he whispered to Kuroi, a wide smile on his face as he looked at you, how difficult it was for the two of you to get together as a couple – and how happy and relieved he and your other friends are now, watching the two of you be so very in love with each other. Kuroi let out only a tiny quiet sigh with a small gentle smile at his words.)

Your boyfriend's voice pulls her away from her mind.

"You heard the brat, didn't you? She is Tengen-sama; Tengen-sama is her. So she isn't really going to die; she's going to live forever and ever and eve–"

"I thought I was the one who couldn't read between lines well in this relationship, 'Toru," you interrupt him, frowning. Riko finds it too hard to stifle the giggle that threatens to follow – albeit, the threat doesn't stay strong for long, vanishing away at your next words. Thrown into the room, a mix of visible anger and despair.

"The kid was obviously spouting all that nonsense, more as a means to convince herself than to convince us," you say; the young student considers bursting into the room, exclaiming she ain't a little kid, yet a voice in her urges her to stay put outside the door. Begrudgingly, she listens to it. You continue, tone the same as before.

"There's some part in Riko-chan which doesn't really want to merge with Master Tengen, but a burden once dumped on one's shoulders has to be carried, and Riko-chan has no option left but to choke that wily voice in her head until it quietens forever."

Gojo's eyes drift over to the door once. A bit startled and a lot scared, Riko shrinks into herself, yet budges not an inch from her spot. Focus returning to your puckered features, the junior high schooler watches him croon softly into your ears, "Babe, how about we discuss–"

"I don't think there'll be a later, Satoru," you say, then exhale air out in a burst of clear frustration, "And I seriously cannot understand how in this world you and Geto senpai can be so relaxed about this? Y'all are answering Yaga's calls as if Riko's an important but lifeless mail, while we three are some FedEx employees and not three sorcerers leading a girl a few years younger than us to her death, grinning and singing."

The cup in your grasp looks dangerously close to shattering; not to mention the way your cursed energy swells and swells until it comes too close to suffocating the hell out of her — it ebbs away faster than it came.

Face morphing into an easy smile, the girl watches you slip out from under your boyfriend's arm and walk over to her. She wishes the grin she shoots back is half as bright as she hopes it is.

"Hey, Riko-chan," you greet, voice shifting into a soothing melody, "Ready to go to school? Geto senpai's already called the driver. He must be waiting downstairs."

"Oh, I see," Riko responds, a bit lost as her gaze rakes over your face, then darts over to the two still in the room. The weird-bangs-sorcerer offers a small smile while he cuts an apple into slices. The other boy's eyes remain trained on the back of your head, upbeat nature nowhere to be seen.

She looks back at you. Kuroi asks her to hurry via a frantic yell of her name. The girl sighs and slowly moves into the direct line of sight of everyone.

"Have any of you seen a thin blue notebook anywhere? I can't find my music no– OH MY GOD, ONEE-CHAN!!! YOUR STUPID AS HECK BOYFRIEND DID NOT JUST MAKE PAPER PLANES OUT OF MY NOTES, DID HE!?!?"

———

DAY 2; 19:55

"Satoru is not really bad, y'know?"

Your comment arrives few hours and many adventures later – though Riko wonders how much of an adventure they were for you or the two upperclassmen of yours, given the way you three were kicking ass for the entirety of the time, both before and after Kuroi was captured.

Lips curving into a teasing smile – one which the woman, taking care of her since the latter's childhood, shares – the teenager returns her attention to you.

You blink back, a tiny smile playing with the corner of your lips before it widens, digging into your cheeks and crinkling your eyes.

"What?" you ask with a giggle, "Is there something on my face? Or is suggesting my boyfriend to be kind of good really that outlandish of a concept?"

"Hmm, do you want the nice answer or the honest answer?" Riko asks back, plopping a spoonful of the ice cream you bought, then breaking into a shiver as her brain freezes from how insanely cold it is. Neither you nor Kuroi bothering to hide your chuckles, you hum. "I'm not sure which I will find honest and which, nice; why don't you shoot both my way, Riko-chan?" you suggest then add, mirth gleaming in your voice, "Of course, when you're okay again, only then."

The girl thinks of retorting to you with a silent glare but opts to think better of it. Couple of minutes pass in almost silence, Kuroi and you chit-chatting about Okinawa in general while the three of you amble down the sidewalk lining the inky-black sea, casting eerie shadows in the sparse lights dotting the streets — when she decides to reply to your suggestion from before.

"I don't really think Gojo-san is a bad person," She says, stopping and offering you a smile over her shoulder. You too stop and accept it with a bright smile of your own.

Riko continues, "I mean, yeah, he's very, very annoying all the time – making fun of me and calling me a kid or brat – but if you chose him to be your boyfriend, I guess he's kind of fine. Maybe. Plus, you don't really seem to have a bad taste," she adds with an appreciative once-over at the sundress you're wearing.

You crack an amused grin. Riko turns to her caretaker. "C'mon, Kuroi. Tell onee-chan. She has a pretty nice taste in outfits, doesn't she?"

"Yeah, you do," the other woman is quick to agree with a kind grin, "I suppose Riko-sama is correct in saying this; although, Riko-sama..." trailing off, Kuroi smiles at the addressed girl the way she used to in her childhood, whenever the latter used to babble the stuff children always do, and gently rebukes.

"Having a good taste in outfits is not the best indicator of someone's taste in men. You must never view a person from an angle as shallow as that."

"Kuroi-san is right, Riko-chan," you pitch in your two cents an instant later, then cast the woman beside you a sly glance, "Though I wonder if that was an indirect criticism of 'Toru... I hope it wasn't – was it?"

"No, of course not," Kuroi denies with a small laugh. Riko watches you crack a freer smile at her words, which slowly softens when you move your gaze back to her. The ice cream in her hand seems four seconds away from melting; still the girl decides to ignore it in favour of giving you her undivided attention.

(Ever since she met you three, you've always struck the young girl as someone a bit... different.

From the way you train your focus on your opponents during a fight; to the way you speak, neither too loud nor too quiet, just the perfect loudness and pitch required to snatch everyone's attention and keep them for yourself; to the way you carry yourself, neither as pompous arrogant akin Gojo nor as discreet smug as Geto, but as a girl who is aware of her worth and won't hesitate to show another their place, if the need so arises.

Riko thinks if she lived a little longer, she might have wanted to make you her role model. Not that it matters now, though.)

Your musing voice break through her thoughts.

"Satoru was the one who suggested this trip," you say, sharing a half-smile with Kuroi, "The best option would have been to take you back to the school as soon as possible, where you and Kuroi-san would be safe and sound. Plus, our mission too would have been complete. An extra feather to our cap, given we delivered the Star Plasma Vessel to Tengen-sama and secured the foundations the entire Japan is based on. Yet he argu–"

You abruptly fall silent, the loving look on your face withering to one of helplessness and profound sadness when the ticking hands of the wrist watch you wear catches your eye; and you shove your emotions beneath a forced chuckle.

"Oh no, it's almost eight," you say, a faux buoyancy to your words, "Do you wanna go back to the hotel and have dinner there, Riko? Or some place outside, maybe? Our schedule's packed tomorrow – our littlest Riko-chan needs some good sleep tonight to not be fussy tomorrow, doesn't she?"

Glancing at Kuroi, only to find her with the same tense cheerfulness, Riko stifles a sigh and parts her lips into a mirthful beam she doesn't feel at all.

"I really wanna try the soki soba and the yashigani. Do you know any good restaurants nearby?"

You nod exaggeratedly, lips thinning into a solemn line though the faint ray of fun can still be made through the grey clouds cast over your irises. "Don't you worry, Riko sama. Your two faithful servants will certainly find a place to dine to your liking. You just keep being the cute little princess that you are."

The girl opens her mouth to snap back at being called a little girl yet again – you aren't very different from your boyfriend, after all – then shuts it, then opens it again, a teasing giggle wanting to bubble out.

"Y'know, onee-chan," she says, skipping over to you and smiling in an innocent fashion, "I answered your second question, but I never gave a reply to the first one – you wanna know it?"

You take a second before shrugging. "Um, yeah, why not?"

Throwing a mischievous glance to Kuroi, who hides her mouth with a palm and looks away, shoulders shaking a little, Riko returns her eyes to your expectant smile. And beckoning you to come near, whispers.

"There isn't anything on your face. But the foundation's on your neck and shoulders is kind of off, I guess. Were you bitten by a bug, onee–"

An obnoxiously cheery ringtone cuts the girl off. Your face burning a deep hue of coyness, she watches you pluck your phone out of your bag, then walk a few steps away, voice dropping to a hushed murmur – which takes a minute before growing shrill then silent. Your cheeks and ears sport the deepest shade of red Riko's ever seen.

Asking them for a little more time, grin so sheepish and flustered, you whirl on your heels and walk a couple of feet away, your hand fiddling with the Okinawa keychain your boyfriend bought you today at noon.

Lips quirking in a fond smile, Riko looks away from your shy giggling figure to the chuckling Kuroi, to the big ocean waves crashing on the sands below.

Yeah, it might've been good to have a chance at a bit longer life.

———

DAY 3; 15:08

This is not good.

Oh heavens no. This is so not good.

Tears springing forth and streaming down her cheeks, Riko moves to take a step towards you. Then, stills when you put up a bloodied hand asking her to stop. Face scrunched into a smile which, the little vessel knows, conveys nothing of the agony tearing at your insides; you cast a glance at the gaping hole in your palm, then drift your gaze back to her.

Something acidic and pungent surges to the girl's mouth — though not at you, never at you – but at herself, the sole reason why you're clutching your profusely bleeding wound, left by the bullet originally meant for her; why Geto stands shocked and numb, with a hundred curses looming round the room, ready to attack at the slightest hint of an order; why Gojo's probably lying near the torii gates, dead and swarmed by cursed maggots – if what she heard less than a minute back, isn't a lie, that is.

Judging from the sharp gasp of air you drew in then — it isn't, Riko thinks.

Your smile stays as pathetically serene as ever; the only traitor now being those rivulets of grief carving their courses on your face. You part your lips in a heart-wrenching plea.

"Run, Riko-chan. Run to a place far from here. Somewhere none can find you. And don't ever come back. Please."

Shaking her head a 'No!' as fiercely as she can, the girl bites back her sobs. A cold hand pulls her by the shoulder towards the entrance; she keeps her feet firmly planted to the ground.

Everything was going so, so well– why then did this abominable man have to appear out of nowhere and upend everything in her life? Only when she realized she did not want to be the sacrifice for the sake of everyone else, and that, she too could afford an ounce of selfishness — why then did this man have to appear and extinguish that singular flame of hope lit in her world? Why, why, why—

A harsh bark of a laughter barges into her thoughts.

Your eyes develop a pinch of panic as they travel from the man you froze in the entrance to them, then back to him. The victim of your cursed technique sneers.

"You're that girl with the psychic powers, aren't ya? Thought you can only use your power to kill a person; since when can you freeze them like a statue, eh— can see, hear and feel everything, but can't move a single muscle, except to speak, huh? Or, no, wait–" A second raucous laugh rings through the halls and corridors; you clench your wounded hand into a fist so tight, she thinks she too can feel the pain weighing on your senses right now.

The assassin jeers, "You must be so, so tired to not be able to kill this poor cursed energy-less bastard, hm? And on top of all that, you also must not have refined the technique enough to shut me up, yeah?" A vein throbs in your temple; the man speaks, more gleeful than ever.

"And given how I'm slowly losing the numbness in my arms and legs... your technique is so fucking weak, girl. And the jujutsu society called you their messiah, eh? Fucking fools, the whole lot. Their six eyes in a pool of his blood outside while their other trump card's soon to meet a similar miserable end at this monkey's hands. How funny, ain't it?"

Giving no semblance of a reply to him, you turn your eyes back to her – no, to Geto who's standing behind her – and urge him, so desperate and desolate, every breath you take a short jerky heave of your chest, "Take Riko somewhere safe, senpai. And don't return till you've gotten help. Now, go. Quick."

Craning her neck upwards, the teenager catches a glimpse of the boy grasping her shoulder firmly — hoping he'll refuse to listen to you and stay right there, fighting the monster right beside you — but finds no fragment of dissent on his face.

Extreme reluctance? Yes.

Profound melancholy? Yes.

Stifling resignation? Yes, yes, yes.

But dissent? No.

It makes an appearance, now and then, but never persists for long.

She makes yet another attempt to get closer to you.

"Onee-chan, no," Riko begs, snarling and thrashing from under Geto's unyielding hold on her arm now, "please don't do this. I wanna live my life to the fullest, but I cannot if I don't have y'all beside me. So, you–"

"Riko-chan, no–"

"–ask me to go away like an escapist coward–"

"Riko-chan, listen–"

"–staying right over here, next to–"

"RIKO!"

The harsh call of her name makes the girl stumble and stutter. It isn't you who called her so; it's Geto, peering down at her with moisture in his eyes. An ugly sob crawls out her throat. He mumbles, "You're way too young to understand all this, but know that, if you're out there in the world– safe, free and happy– the Star Plasma Vessel mission can be marked successful only then. Whatever sacrifices all of us made or are going to make today," a glance at you shows the bittersweet smile you're wearing; Riko's wails worsen, "they won't make any sense if, at the end of the day, you're harmed. So, please listen to us and escape with Kuroi-san, yeah?"

The man to her not-so-distant left flexes his fingers a bit. The three of you look at him before looking at one another. You look a few minutes away from passing out, skin paling and breaths growing labored with every second that elapses.

Eyes screwn shut, Riko lets go of the fight she was harbouring in her body. Geto's voice breaks with unshed moisture. "Try not to die, kid. I already lost a best friend today, don't wanna lose a sister too."

Riko doesn't need to open her eyes to know your reaction; the heart-rending sob paired with the "No promises, aniki," you let out tells her enough – before your cursed energy expands yet again, and a chilled palm pulls her by the hand into a swift run, the hit of her shoes on the floor echoing in the stuffy underground air.

Air which soon switches from the suffocation of ancience to that of blood and death — the teenager takes but a moment to realize who the person is. Biting down harshly on her lower lip, she swallows the raw anguish tearing her sinews apart, and keeps her eyes shut firm.

Willing the darkness reigning behind her eyelids to overtake every part of her body – especially her mind, being hurtled one memory after another, and another – Kuroi making her lunch for school; Kuroi teaching her to tie her braids; Kuroi congratulating for every success of hers and supporting her after every failure, be it big or small; Kuroi being the family she once thought she had lost in a car crash–

The sharp ding of the lift and the crackling warmth of the sun on her tear-stained cheeks are the last two things Riko registers, before the world round her fades away into a noiseless black — finally.

———

DAY 4718; 16:02

"Anableps can see both above and below the water at the same time, y'know?"

The statement and the awed "Woo!" that follows it rouses Riko from the siesta she was teetering on the brink of. She yawns and rubs her eyes. Then yawns again, a bit more subdued this time, considering a family walks past her.

Uni's been very stressful of late, and to top it all off, the woman who's supposed to handle this shift has called in sick – so, as fucking same as before, the manager is gonna call in some newbie to work instead.

The newbie being none other than Riko – very unfortunately – on a tiring Friday afternoon as today.

At least, the job pays well and she gets to spend time explaining fish and their world to excited kids, plus the occasional one or two adults who look a touch different from their usual bored indifference.

But, of course, there's always a group of friends who come bounding in.

Worse than a class of kindergarten children fighting for the single toy of a dinosaur their teacher has brought — Riko avoids such crowds of like the plague. Storming past them, turning down their query, asking a coworker to fill in for her – the young grad student applies all tricks and methods known to her to escape the situation.

To escape the familiar buzz of cheer and enthusiasm.

To escape the familiar weight of nostalgia and gloom.

To escape the—

"Um, miss, where can we find the whale sharks' tank? Heard it's the main attraction here... And, uh, we're also a little lost, actually."

Trains of thought thrown off-track, the young woman squeezes her eyes shut, then opens them again, a customer service smile flitting onto her lips as she turns back. And holds back a very exasperated groan. Why the fuck did Mio had to leave for a snacks break now of the innumerable times she could have gone before? And why does this crowd have to be the very thing she hates dealing with? Ugh... Never mind–

"Just turn to your left, go down the corridor, then to your right. You'll find the whale sharks there."

The pink-haired boy accepts the reply with a nod and a bright thanks, before the black-haired boy places a hand on his shoulder and he falls quiet. The latter looks strangely familiar, Riko thinks... ignoring it, she shoots the boys a quizzical smile. "Is there anything else you would to like to ask or—"

"You're my mom's friend. I've seen your pictures at home," he cuts her off, brows furrowing. His friend looks at him, so perplexed, not much unlike how Riko's feeling. He pays no mind, continuing, "You attended a Catholic school, love music and aquatic life, and have an obsession with coconut crab meat and soba, don't you?"

"Megumi..." A slightly older girl standing behind them with two girls donning identical t-shirts, begins in a lightly chastising tone, but the tour guide feels she's miles away from them. Catholic school, music lessons, aquariums, soki soba, yashigani, Okinawa... it simply cannot be you—

"Tsumiki! Mimiko!" A voice, Riko once was under the impression she'll never be hearing again, except in nightmares, rings through the near-empty hall of the aquarium, soon followed by the appearing of a face she thought she'll never see again, except in the sole photograph left with her on the phone Geto gave her, besides 5000 円 and contacts he asked her to get in touch with, as soon as possible, that evening a good twelve years ago in Osaka.

You reach a stop before the group, a young brown-haired girl trailing you with a worried scowl on her face. Dumbstruck, Riko watches you sigh and pinch the bridge of your nose.

"I can understand Nana-chan's phone is busy being used in clicking photos but the same excuse cannot be extended to you, can it? No. So, why on earth can't any of you four pick your mobile up when I'm calling you, hm? Or please don't tell me the batteries are dead. Again."

The blonde girl, presumably Nana-chan, smiles smugly while three out of the addressed four kids shoot a sheepish smile your way. Your frown slowly gives way to a fond grin and you huff a chuckle, shaking your head – which only grows in intensity when the girl following you lets out an annoyed hmph! and launches into a tirade how extremely worried the two of you were and how much dumb and careless them five are.

Eyes welling over with emotions percolated over the course of many, many years, Riko watches you grin so freely — only for it to still and fade when the spiky-haired boy says he has met your friend from the photograph, and you look from him to her standing inconspicuously, half-hidden in the shadows.

A painfully slow second passes.

The entire gaggle of kids falls quiet at the disbelieving watery chuckle you let out. Taking two steps forwards, she offers you a mirror image of your expression.

"Told you the aquarium's fun, didn't I?"

A call of your name bounces off the grey walls in a saccharine tone: Riko knows instinctively, can be no one's except one blue-eyed and white-haired bastard's. You cast a glance at the tall man rushing to you, then return your gaze to her, with the same radiant beam you gave on that day twelve years back, when Riko first expressed her real thoughts out in the air.

The young woman wastes no moment before running to you and engulfing you in the tightest hug she can possibly manage, tears rushing down her face. Your gentle voice shushes her, the way an elder sister would do to a younger sister.

Riko's lips stretch in the widest and freest grin she has felt in forever.

Joyful and thankful her onee-chan is finally back in her life, giving the added length it received some much-needed hues — 'cause a longer life is obviously good but it's the best when your life is long and spent with your near and dear ones.

▸ notes: The reader was in the process of developing and perfecting a new CT, hence her CE was so unstable – spiking and ebbing – besides the fact it drained her energy like hell. Toji was a smart man, he figured it out pretty quickly and easily. [And for the ppl who're wondering how the reader was able to stop the attack on Riko: she used a tendril of thoughts emanating from a person's mind to detect their presence, instead of their cursed energy remains.] [She can't read those thoughts, though.]

▸ masterlist

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galvanizedfriend · 4 months

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Klaroline Fanfiction Masterlist

It's been a minute since I last updated my masterlist so I decided to go ahead and start a new one. Yokan // ▪ Multi-chapters

. The Wolf Series [I, II, III and Outtakes - Incomplete] When Caroline wakes up shackled, powerless and very far away from Mystic Falls, she knows she's in serious trouble. But when a woman named Sophie Deveraux reveals the reason why she's been kidnapped and taken to New Orleans, she realizes things are far worse than she could've ever imagined.

[The Originals rewriting where Caroline is a witch and gets pregnant with Klaus' child. Seasons 1, 2 and 3 complete, season 4 coming.]

. Vice and Virtue [6/6 - Complete] As the second son of a Duke, Klaus Mikaelson has the means and all the time in the world to indulge in every manner of wild activity with very little respect for the regiment of polite society. That is until his brother decides he's had enough of his vulgar ways and gives him an ultimatum. Caroline Forbes is a young debutante in search of true love and adventure. Except her aunt wishes for her to marry a somber Viscount who's already buried three wives. When their paths cross, they realize they might yet strike a deal that could satisfy their relatives and benefit them both.

[AH Regency!AU inspired by Bridgerton and a dozen other period novels I have been reading lately.]

. Pedulum [2/2 - Complete] This is what Klaus Mikaelson knows: death isn't the end for him. From the moment he is brought into the world to his final shuddering breath, Klaus' life is pretty much the same as everyone else's. The difference lies in what happens after he dies: he goes right back to the beginning, a child in London with the memory of dozens of lives lived before. Nothing ever really changes, including the fact that no matter how hard he tries, he can never save Caroline Forbes' life for too long.

[AH/soulmates!AU with a slight magical twist. Technically a one-shot, chapter 2 is just an alternate ending.]

. We'll Always Have New Orleans [3/15 - Incomplete] Caroline wakes up in a world where everything looks exactly the same, only nothing really is. For starters, she's no longer a vampire, and no one else in Mystic Falls has ever heard of witches, vampires or werewolves - no one except for Klaus, who woke up just as human and twice as angry about it. Their search for answers and a way out takes them all the way to New Orleans, and Caroline could never anticipate how much this crazy fake world was about to alter her reality forever.

[Canon-divergence!AU. Set right after TVD 4x18.]

. Speed Dating [3/4 - Incomplete] Klaus is having a bad month, so Caroline decides it's a great idea to drag him along to a round of Speed Dating. Other men in the room do not approve.

AH/AU fluff that was inspired by an episode of House (yes, it is fluff, I promise).

. Gasoline [2/2 - Complete] "He doesn't apologize, of course he doesn't. He doesn't care. He calls everyone love. It's not meant to mean anything. Except it did, once, and it makes Caroline's stomach churn away inside, as she feels Klaus crawling underneath her skin like he never left at all. I've still got you."

AH/Band!AU. Two years after Klaus walked out on his band - on her -, Caroline finds herself in her least favorite place on earth - New Orleans. She really did try to stay away from him, escaping an event just to keep off his radar. He finds her anyway.

. Like It's Christmas Again [2/2 - Complete] As Christmas approaches, Caroline Forbes, a New York-based event planner, is sent to a quaint small town in Virginia to organize their holiday festival. But her plans are momentarily hindered by the presence of Klaus Mikaelson, the Mayor's brother and a grumpy billionaire lacking in any holiday spirit, who's in town to close the sale of his family's manor - the charming estate she was hoping to use as a venue.

[AKA that time when I committed Christmas fic. AU/AH inspired by a Hallmark movie, I kid you not.]

. Spin [5/5 - Complete] Since she was seven years old, Caroline Forbes has been preparing herself to become President of the United States. But before she gets to the Oval Office, she needs to win the election for senior student president at the prestigious Saint Sebastian High - which would be in the bag if only goddamn Klaus Mikaelson hadn't decided to run against her.

[AH/AU lovers-to rivals-to-lovers The Politician!AU where everyone takes school elections way more seriously than they should.]

. How Far I'd Go [2/2 - Complete for now] Set in TVD S6/TO S2. Unable to control Caroline after she turns her humanity off, Stefan reaches out to the only person he can think of for help.

[Slices of moments of Klaus in Mystic Falls while Caroline has her humanity off.] ▪ One-shots

. The Sound of Settling Klaus hates his job at Mikaelson & Sons. He hates wearing a suit. He also hates his brothers constantly butting into his life. Everything will be better once he gets his much desired transfer to the New York branch. Caroline Forbes is the owner of Mystic Café, and when Klaus accidentally wanders into her coffee shop, his whole perspective changes. [AH/Coffee Shop!AU where Klaus is a lawyer. Fluffity Fluff. Lots of Mikaelsons and some Carenzo friendship.] . The Witch Queen Caroline always knew she was different. She was keyed into her own otherness very early on. Strange things happened around the Forbes women. Her mother never really had to spell it out to her, give it a name. Caroline could always sort of feel it, and then at some point the feeling blossomed into comprehension, and comprehension hardened into fact. And with that came an altogether different kind of certainty: this was not a secret she'd be able to keep forever. One day, no matter how hard she tried to hide it, everyone would find out. And when they did, they would come for her.

. Worst Things Have Happened Klaus Mikaelson is a prince with a very dark secret that threatens to destroy his family's legacy. Caroline Forbes is a sorceress whose job is to make sure his secret remains buried. But would it hurt him to put some clothes on? [Royal!AU, with a magical twist.] . The Unexpected Grace of Falling Apart The whole incident was bound to go down as a funny anecdote to be shared among friends, a Oh, you think you've had the worst hook-up ever? Hold my beer kind of story. Provided, of course, that she never had to see him ever and could just wipe him out of her life and memory for good. Given that they live in different time zones, it shouldn't be too much of a hassle.

That is precisely why Caroline is livid when she emerges from the arrivals area at Richmond airport to find Douchebag, in the flesh - sunglasses indoors and all, like the proper jerk that he is - holding up a sign that readsClarisse.

[AH/AU. It's Tyler's wedding weekend and Caroline is back in Mystic Falls for the first time after the most traumatic and depressing year of her life. And it's about to get even worse as she's made to share breathing space with Klaus, The Worst Guy Ever. Except they might have to join forces to save the wedding, and to the discovery that things might not be what the seem. As Caroline teeters on the edge of a breakdown she'd been trying very hard to conceal, an unexpected savior appears to help her through the haze.]

. love, the monster's got me now [Canon compliant. Set in TVD S03E09 Homecoming.]

"Don't run," he says calmly, sounding almost bored, but with a clear warning. "I'm in the mood for a chase. Little spoiler: you can't outrun me." His eyebrows twitch up when he finally turns around to face her, lips curling into an amused grin. "Tyler's girl," he states, gesturing towards the now empty yard. "You missed out on the celebrations, I’m afraid."

[Or: the missing Klaroline scene between "There's your pretty little girlfriend, Caroline" and "There's a whole world out there waiting for you." Klaus and Caroline meet after Homecoming.]

. When It's Gone Suddenly, Caroline hates how nice the bed feels. How soft the pillows are. How smooth and cool and expensive those goddamn sheets are against her skin. She hates the giddiness in her belly, like she's a stupid schoolgirl when she's not allowed to be one anymore. She hates how right the space between Klaus' arms felt, how easily she molded against him. His lips were as full and as soft as they looked, but his hands were gentler and more reverent than they had any right to be, and Caroline hates it. Hates it, hates it, hates it. She hates that it suits her, hates that she wants it, hates that none of it is hers to keep.

[Set after TVD S04E19 Pictures of You. Caroline hears about Klaus' impending departure after a mysterious letter and decides to have some words.] . Wishing Each Sigh Might Be the Last The first time she sees him, Caroline thinks he's an angel.

[Set in 1800s New Orleans. As Caroline lies dying, she prays for God to send help or end her torment and save her soul. She thinks an angel has come for her. But he's no angel at all.] . Feel the Madness Closing In Set in TO S3. Caroline is in New Orleans when Lucien and the Ancestors make a move against the Mikaelson family - and they know exactly who to target in order to get to Klaus. Paranoia sets in, sending him to a very dark place, and Caroline finally learns the price of being loved so profoundly by a monster. . Issues When Klaus' Hollywood career takes a down turn after a nasty divorce and a viral mug shot, his manager decides his life is not yet miserable enough, bringing in a PR company famous for its high-profile damage control cases.

[AH!AU where Klaus is a problematic movie star and Caroline is a PR agent with no time for his BS.] . Urban Legend "I hate myself for saying this, but I have to agree with Little Miss Sunshine," Caroline cuts in. "This is Whitmore. Nothing ever happens here. Least of all a possession that leads to a massacre of slasher movie proportions."

"Thank you, love," Klaus returns brightly. "Very flattering to be validated by you."

"Bite me, Klaus."

"Find me later, after my shift, and we can see to it," comes the shameless rejoinder.

[Or: Caroline tries to navigate life in college having the worst roommate ever, a douchebag who cannot take a hint and a nosy journalist whom she's definitely not attracted to. Never in a million years.]

#klaroline #klaroline fanfiction #klaus x caroline #klaroline fic #kc fanfiction #kcfic #kc fandom #klaus mikaelson #caroline forbes #the originals rewriting #the vampire diaries fanfiction #yokan writes #masterlist

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cywscross · 2 months

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Title: To New Beginnings (So Long As It's With You) Fandom: Teen Wolf x Solo Leveling Character/Pairing: Peter Hale/Stiles Stilinski, Stiles Stilinski, Peter Hale, Original Characters Rating: T Word Count: 6,517 Summary: A single deviation lands Stiles and Peter in a whole new world.

They both agree that they're far better for it. Tags: Post-Season 6A, Canon Divergence AU, Dimension Travel, Crossover, Crossovers & Fandom Fusions, Original Character(s), Established Relationship, Domestic, Outsider POV, Multiple POV, Alternate Universe - Solo Leveling Fusion

Submitted For:

- 51+ Crossover Fandoms - 022. partnership - Post-July Break Bingo 2023 - "I can't lose you too." - 100 Prompts Challenge - 010. Stranger - Across the Universe Bingo - Dimension Hopping - Gen Prompt Bingo [Round 25] - Fork in the Road AU - Seasonal Delights Bingo: Language of Flowers [Card 2] - Sweet Pea - Seasonal Delights Bingo: Types of Love [Card 1] - "With You, I Found That it's Not as Lonely to Be Alone" (@seasonaldelightsbingo x2) - Lyrical Escape Bingo - "Until the dawn of time, we'll hold on." (@lyricalescape) - Any Fandom Angst Bingo - Trapped (@anyfandomangstbingo) - Winter Break Advent 2023 - December 11th-15th: Physical Hurt/Comfort | Going Through it Together | Kidnapped or captured by the same person | If you think that I'm someone to give up and leave - that'll never be me | Desperate measures + Working together - Fandom-Free Bingo: Frosty Edition - Stranded - Fandom-Free Bingo: Flight Edition - Opportunities - Fandom-Free Bingo: Valentine Edition - Begging Not to Go - Fandom-Free Bingo: Wild Edition [Card 2] - Falling Asleep on One Another - Fandom-Free Bingo: WBN Edition [Card 2] - The Truth About (Lies) - Fandom-Free Bingo: Maritime May Edition [Card 2] - Curled Up On Their Chest (@fandom-free-bingo x6) - Eclipsing Bingo - Sharing a Bed (@eclipsingbingo)

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anime-owo-kage-san · 3 months

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Husk rescuing Angel from Valentino or pretty much any danger in general is still my favorite —incredibly common but still favorite— huskerdust trope. Especially, him (whether in comics or in fanfics) carrying Angel in his arms and flying to safety —Aaaah! 🥺 That’s a whole fluffy dessert for me!

I try to find and read every fanfic and comic I see (AU or canon-divergent), especially the ones where Husk wins Angel’s contract from Valentino.

I know Angel Dust shouldn’t be subjected to being a damsel in distress, because there is more to his character. But, like… come on. While the sweet thing doesn’t really need protection, he needs to feel and know somebody will do it anyway.

Ofc, this is just my craving in fanworks.

As for canon and what I actually want to see happen in the show, to get Angel free from his contract:

1.) Angel shoots/stabs/etc. Val from the fucking front (with some slight hesitance because he technically ruined his clean-streak for doing it).

Oooor, what I like better, bc it involves Huskerdust:

2.) Husk invites both Angel and Valentino somewhere private, to make a bet through poker.

Husk: “One round of poker. You lose, Angel’s soul no longer belongs to you. You win, you get to keep his contract.”

Angel panics and tries to knock some sense into Husk, even though Valentino is disinterested in the whole thing and was going to say no anyway, but plot twist ——>

Angel: “Do I have to slap the fucking White Knight Syndrome outta ya!? I told ya, ya crazy motherfucker! I can handle myself!”

Husk: *smiles* “I know.” *hands Angel his the deck of cards* “Which is why I’m letting you, handle this. Go win your soul back, Legs.”

Angel: *shocked* “B-But that’s even worse! I only beat you, like… once in this game!”

Husk: “And you only need to beat Valentino once too. I know you can do it. But, if you think you can’t, well….” *smirks* “That’s why I’m here.”

Angel: “What do you mean…?”

Husk: “Since you suck at valuing yourself so much, I thought of giving you a better motivation to work with.”

Angel: “Better motivation…?”

Husk: *turns to Valentino* “There’s more; if you win, you not only get to keep Angel, but you get to have my soul too.”

Angel: “HUSK!”

Valentino: “HA! And why would I want the soul of a old rundown alley cat?”

Husk: “My soul is owned by Alastor. Imagine what Vox would think, about the idea of Alastor losing one of his souls to you.”

Angel: “Does Smiles know about this deal yer makin’ right now!?”

Husk: “Yes, he does. And he agreed to it.”

Valentino: *still disinterested* “Not convinced, gatito. You’re still not rubbing me the right way~”

Husk: “I’m not done. I’m not like any other soul, he owns.”

Valentino: “Mmhmm…”

Husk: “I have some information on why he disappeared for seven years. Not the complete context, but it’s still a big secret he definitely wouldn’t want any other overlords to find out about.”

Valentino: “Oh? Well, now that’s interesting. Voxxy would be pleased to hear anything about the radio demon.”

Angel: “Okay, does Smiles know about THAT!?”

Husk: “Hm? Nope. I’m completely fucked if he finds out I told the Vees what I know. He’ll definitely tear my soul apart and broadcast my screams longer than anyone else’s….”

Valentino: “I take it you want protection?”

Husk: “No. Not necessary. If my soul gets handed off to you, and I give you the needed information, you’re not obliged to protect me.”

Valentino: “Now you’re talking my language, gatito~ Game on. Come Angel! Prepare to lose your little boyfriend over here.”

Angel: *ignores Val and grabs Husk by the shoulders* “Husk! We’re leaving now! I don’t want anything horrible to happen to you!”

Husk: “And nothing will happen to me. I know you can do this. Or…. Am I being too full of myself to think you’d give your all for me?”

Angel: “Wh-What…?”

Husk: “I get it. We may be getting used to each other, but I’m not all that important enough to you!”

Angel: “Bullshit!” *grabs him by the suspenders* “You go through so much for my sake! What makes you think I won’t do the same!? I’d go through this hell twice, just to repay all the times you had to deal with me!”

Husk: *smiles softly and places a hand on his cheek* “Then go win this game, Legs.”

(Basically, instead of rescuing Angel himself, Husk tricks Angel into finally getting out of his contract, by putting his own life on the line).

#hazbin hotel #angel dust #husk #husk x angel dust #angel dust x husk #huskerdust #valentino #alastor

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hualianisms · 26 days

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🍉Fics for Gaza

Inspired by the fan Gotchas for Gaza and @ficsforgaza, i will be joining @ficsforgaza's initiative where fic writers write fics in exchange for proofs of donation to valid Palestinian fundraisers.

I will be offering: fanfics, poems about a character/pairing, or simple pfp icons/avatars of a character/pairing.

fandoms available include: any mxtx, jwqs, orv, jjk, genshin, rgu and more (see this list).

HOW IT WORKS:

1. Donate to any verified Palestinian fundraiser from gazafunds or to Gaza Municipality's water campaign. I will also accept donations to Sudan (Khartoum Aid Kitchen), separate from @ficsforgaza's initiative.

2. DM me proof of your donation - a screenshot of your donation receipt or confirmation email (*please edit out your personal details e.g. full name, bank/credit card details!)

3. DM me your prompt, specifying fic/poem/pfp, and any specific likes or dislikes/triggers/things you want me to avoid.

Limited to 3 slots for fics + 3 slots for poems + 5 pfp slots at a time.

(After I finish the first round of prompts, I'll open more slots later on when I have more time. I'll do my best to finish your prompt within a few weeks, but please be patient with me if I need more time and understand that longer fics may take 1-2 months as I am busy irl + writing for multiple Gotchas for Gaza at the same time🙇)

RULES:

I will do: sfw, nsfw*, canonverse, modern AU, canon divergent, other AUs, genderbend, angst, fluff, humour/comedy, emotional hurt/comfort, hurt/comfort, heavy angst

I will not do: dead dove, underage, incest, rape/noncon or dubcon, omegaverse, mpreg, certain kinks that im not comfortable personally writing. also will not accept a prompt that's racist or prejudiced against a marginalized group

(*note: Only adults (18 and above) can request nsfw. Minors cannot request nsfw. Please have your age somewhere in your bio/carrd or I will reject your nsfw request!)

FIC INFO:

for SFW: every $1 = at least 150 words, capped at ~3500 words (for me to avoid burnout)

for NSFW: every $1 = at least 100 words, capped at ~2500 words (for me to avoid burnout)

you may donate enough more for multiple prompts, but please specify how much is for which prompt (e.g. you can donate $15 for a 1000 word nsfw fic ($10) + a 750 word sfw fic ($5)

samples of my fics on my ao3

POEM INFO:

$5 = 1 poem (up to ~5 stanzas)

can be about a character/ship/platonic dynamic. see this page for the list of characters/pairings available

link to poem samples in this page

PFP/ICON/AVATAR INFO:

$1 = 1 pfp

any character from any fandom accepted so long as you are able to provide the picture/screencap you want made into an icon. pfps will be just the character + a pride flag background, plain color background, or gradient color background (specify what color/pride flag you want)

samples here

more info in my carrd here! please read everything carefully before requesting, thank you so much!

#fics for gaza #open requests #tgcf fics

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tetheredfeathers · 4 months

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Some of my favourite fics set during CF

My favorite everlark moments are the months before and after the announcement of the quell. Anyway here are some fics to fill that void. All are canon compliant except for one.

Because she couldn't possibly..... by ETNRL4L

An absolute favorite, the eyelash scene in Peeta's pov. The writing is impeccable.

knit 2 together by loveleee

Katniss knits, Peeta paints. So sweet.

Seven Days by ThirtySomething

Another one about them working on the plantbook, so bitterweet.

The Archer's Aim by sophinisba

A villanelle for the Catching Fire training montage. Let's just say I cried.

The Last Sunday by IzzySamson

Training before the quell in Gale's Pov. Loved the insight into Gale's head watching everlark be so angsty and obvious lol.

Capital Vices and Distinct Virtues

This one is so beautiful and well written I cannot emphasize enough.

Katniss and Peeta debate the merits of mankind, its virtue and vice, with District Twelve as a stage. Katniss begins to realize something she won't fully understand until after the rebellion. Canon-compliant CF interlude. Round 4 PiP submission for the sin of pride, though all seven make an appearance.

Sneak Attack by burkygirl

This one is so fluffy and cosy, ughhhhh loved it. SLight canon divergence tho. This is the only one rest are all canon complaint.

A surprise during Peeta's walk home from the bakery could change everything. A little winter Everlark interlude post-Victory Tour. Written for Day 1 of the Yuletide in Panem: 12 Days of Christmas challenge on Tumblr.

Intimate Bystander by burkygirl

Love this author so much.💕💕

Katniss said it was just for the cameras. Gale believed her until he discovered she screams for Peeta in the night. In the days before the Quarter Quell, Gale finds out there’s more to Katniss’s relationship with Peeta than she’s led him to believe. In-Panem, mostly Canon. Everlark Fic Exchange, Springtime Edition, Prompt 1 – Gale walks in on/eavesdrops/overhears Everlark being intimate.

Conversations by tethered_feathers

Last but not least one by me, still writing tho.

Peeta and Katniss' conversations over the course of CF

#katniss everdeen #the hunger games #everlark #peeta mellark #katniss and peeta #katniss x peeta #the hunger games katniss #thgseries #thg fanfiction #thg series #thglibrary masterlist #everlark fanfiction #ao3 fanfic #fanfic #ao3 writer #ao3fic #everlark smut

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cowgurrrl · 3 months

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The Palace in Flames

Pairing: Javier Peña x CIA!reader

Author's note: okay two things 1) fuck it we ball on this timeline 2) i don't love how this turned out but I need to finish it otherwise I'm gonna stare at it for god knows how long so enjoy anyways

Summary: "I'm not a violet dog. I don't know why I bite." [3.8k]

Warnings: canonical violence and language, alcohol, a little bit of backstory, discussion of PTSD like symptoms, a touch of misogyny, canon events but slightly canon divergent timing i think

There's not a lot you can do at the scene of the car bombing. You and Javi talk to local police and take witness statements from frightened neighbors and anybody else willing to come forward with information while Steve takes pictures. From what you can tell, it looks like it was a crude C4 bomb, one of the easiest to make and detonate. All it takes is the right amount of pressure, and boom. A few unfortunate souls died right beside Jorge as they walked past, unaware of the explosion to come. A hit for one quickly turned into a hit for five.

You're good enough at your job to recognize the fact that Steve and Javi went poking around for information about the person who ratted on you, and then a few hours later, he's dead, not even ten minutes outside of your neighborhood. Medellín is a big place. It could've been a coincidence, but you're almost certain it's not. You really hope you don't have to make good on your promise to return to the US if they go after you again.

You, Javi, and a handful of other police officers finish with the witnesses and join Steve by the truck. All files and statements will need to go through the proper channels tomorrow, and it's too late to do anything else. You'll start fresh in the morning: follow through on the plan to send out CENTRA SPIKE to see what they can find, monitor movement, and stay vigilant. But tonight, you deserve to get a drink with your two self-appointed bodyguards.

The great thing about working at the Embassy is that everyone touts interagency cooperation and work, but in reality, you rarely want to see each other in the same place. DEA will hang out at one specific bar while CIA will go to another. You don't even want to know where soldiers and higher-ups go once the clock hits six o'clock. Every agency thinks another agency is fucking them over or doing their job wrong. Everybody wants a medal for being in Medellín and fighting the narcos and communists but rarely wants to work together. You like to think your agencies have the upper hand with the three of you being friendly and sharing information without going through official, classified paperwork. It's not the most recommended or legal way to go about it. But, you've been able to pass on valuable information Javi let slip in between rounds and shared cigarettes under the guise of a Confidential Informant.

You were friends with Javi first. He came to Colombia around the same time you did, and you worked the same hours. You did him favors, and he returned them. You learned not to ask each other too many questions and to take what you're given and hope it leads somewhere. You've gotten little victories here and there: guerillas extradited, kidnapping victims recovered safely, witnesses given protection and visas in other countries. It was nice to have someone you could rely on and bounce theories off of when the office was empty, and you two were puffing your way through a pack of cigarettes. The lines got blurry about six months in. It happened fast and without warning, and you swore it was a one-time thing. And then it happened again. And again. And again. Then, it just made sense to keep doing what you were doing instead of going through the cycle of fighting about it and giving each other the cold shoulder, only to end up fucking in his apartment before the end of the day.

Steve, however, got stuck with you. When he became Javi's partner, he was forced to know your name and seek you out in the office when he needed something. At first, he wasn't super keen about the idea of having to rely on CIA for things— something to do with that DEA machismo of not needing anything from anyone— and then he realized how good you are at your job. Once you helped them get an especially important collar, he opened up. He told you about the killing of his last partner and a little bit about his career up until this point. He practically begged you to talk to Connie when she started getting homesick and having doubts, and you came to care for her. Now, you're an inseparable trio (quartet if you count the nights Connie makes her way from the communa clinic and into the bar).

You think Noonan knew that when she asked Steve and Javi to join the Colombian police on your recon. Something about friendly faces in an unfriendly territory. She was right. You stuck to Javi the entire ambulance ride to the hospital, and they each took turns at your bedside. Even Connie showed up to take care of you during those long few nights in the hospital. You were less willing to accept help once you were discharged, but Steve would knock on your apartment door every night and leave a covered dish on your doormat while Javi bought you groceries. You owe them a lot, though they'll never let you admit it.

Javi buys the first round to celebrate your reinstatement. He gives a brief, flattering toast to your work, and you roll your eyes but clink your glasses together anyway. You avoid talking about theories and leads in the bar, even though you probably could talk about those things in English and get away with it. Everybody already knows you work for the American Embassy. No reason to give anybody anything to report back. Instead, you talk about stupid things like Steve being unable to speak Spanish.

"I can understand a little," he tries to defend himself, and you and Javi share a knowing look. He definitely doesn't understand enough to quantify it as a little. He might pick up every tenth word and know enough commands to dole them out when he's in the field, but that southern accent anglicizes every single syllable he utters. "Alright, y'all can go fuck yourselves." He says at your silence, making you laugh.

"Don't worry about it, Murphy. Couple more years and you'll be running circles around Javi."

"I don't know about all that, but she's right. You'll get better," Javi takes a sip of his drink. "Eventually."

Over two more rounds, you talk about things back home, tell stupid stories, and whatever else you could think of. It's nice to see Steve and Javi acting like they kinda like each other outside of work. Lord knows they're at each other's throats most of the time. You enjoy hanging out with them, and even though you know you can handle yourself, you like feeling protected by them. Years of CIA training and undercover work don't mean shit when all people see is a woman alone at night.

"Alright, I've gotta get home," Steve says as he drinks the rest of his whiskey and puts his cigarette out. He probably should've been home hours ago, but that's none of your business.

"Tell Connie I said hi." You say, and he smiles, nodding and mumbling a quiet "yes, ma'am." He loves her so much, even just the mention of her makes him light up. Your thought from earlier creeps up. A good man. And yet he's here, doing the same shit you and Javi are. It's a little funny how squeamish he still is about things, but you figure that's the last sign of his humanity. God, please let that linger for as long as possible. Javi takes a drag from his cigarette and blows the smoke away from your face.

"Yeah, give her a kiss for me." He says. Before Steve can even open his mouth, you smack the back of Javi's head and groan.

"Ay, Javier," you scold. "Malo, malo, malo." Javi smiles, a rare sight reserved for moments like this, as Steve bids you goodnight again and leaves the bar. The second he's out of sight, you reach over, snatch the cigarette from Javi's hands, and bring it to your lips.

"Get your own," he grumbles, but there's no heat behind it. You roll your eyes and exhale.

"Stealing from you is so much cheaper, though," you shrug as you hand it back to him. "You think he got suspicious when we showed up at the same time?"

"We live down the road from each other and got the call around the same time. Even if he figured it out, he wouldn't say anything. Plus, I think your little attitude at work throws him off." He says, and you raise your eyebrows at him.

"My little attitude?" You ask. You know he said it just to piss you off, and you hate that it's working. He smirks and you shove his shoulder, stealing the cigarette back from him. "Pinche cabrón." You mumble, and he laughs. He gets a new cigarette from his pack and lights up. A comfortable silence falls over you as you sit there, his hand finding a home on your thigh under the table.

"So, how're you doing?" Javi asks, seemingly out of nowhere. You shrug and ash your cigarette into the half-full tray in front of you.

"'M fine." You say, and he hums. He takes a long drag of his cigarette and glances around like he's looking for something you can't see. He blows smoke away from you and leans in.

"So, waking up screaming is fine for you?" He asks. You didn't want to talk about it when you woke up, and you especially don't want to talk about it now. You poke your tongue into your cheek in annoyance.

"If you thought I wasn't okay, why'd you push for Noonan to clear me?"

"I didn't say I didn't think you're okay."

"Then, drop it."

"Look, I know you wanna go all in again, but maybe you should take it slow—at least for a little while," he says, and you scoff.

"Give me a fuckin' break, Javi. Did you take it slow when you got shot?" You ask.

"Getting shot and getting kidnapped are two completely different things."

"And yet we both survived," you say, gesturing between you as proof of your survival. "The doctors wouldn't have cleared me to come back if they didn't think I was ready."

"Yeah? How much you pay 'em off for that signature?" He asks. You sigh and bite the inside of your cheek. You're not going to dignify him with a response but you so easily could. "C'mon, just... let your feet get wet again. Everyone knows you've already got the lay of the land, but they don't know that you won't freak the fuck out once you're fully back in the field. I think some of them are waitin' for it," he says. It would explain why everyone's treating you like you're a time bomb. "If you won't do it for yourself, at least do it because I'm asking you."

"And are you asking me as a coworker or a friend?" You ask. He's staring at you in his weird Javi way: hardened brown eyes softening just enough to bring your guard down. It's not something he learned from years at the Academy or in the field. That's all him.

"Would it make a difference?" He asks quietly. Answering a question with a question. What a cop.

"Not really." You say, and he sighs. He scrubs a hand down his face and picks up his drink, a cigarette lingering between his fingers.

"I'm asking as someone who saw what they did to you." He says before taking a big gulp of whiskey. You haven't talked about it. Not about what he saw and knew before finding you or what exactly happened in that room over those few days. You spent hours upon hours repeating the story for doctors, depositions, agency paperwork, and even to the court-appointed psychiatrist who had to screen you before they could even let you back in the building. So, you weren't necessarily gunning for the opportunity to repeat it again when Javi asked you about it. There are only so many sympathetic looks and half-hearted reassurances one person can take.

Even though you relied on him to tether you back to earth during those first few days, he took the brunt of your emotions. You refused to answer his questions and pushed him away. "I'm just trying to help," he told you when he tried to take care of you. "Where was your fucking help when they grabbed me from the street, huh?" You snapped, exhausted and sore and a little out of your mind. It was mean and unfair. You know how hard everyone worked to find you. You know how he blames himself. You know how scared they were to find your body.

When he puts his empty glass down, you look at him and nod. You can't take back what you said, but you can soften it a little. You put your hand over his and trace the contours of his knuckles. They're a little bruised and cracked, but still a part of him. You take a deep breath and rub your thumb against his skin.

"Okay," you concede quietly. "I'll slow down for a little while, but the second we have good intel, I'm all in again." He lets out a relieved sigh and squeezes your thigh.

"Thank you." He mumbles. To anyone walking by, you two would look like a couple having a drink after a long day of work before going to your shared home and sleeping it off. You indulge in the thought for a second longer than you meant to before you retract your hand and reach for your drink.

"You're gettin' soft on me, Peña." You accuse, and he chuckles.

"God forbid I wanna see you make it outta here alive." He says, and you hum as you finish the rest of your drink. His eyes stick to the corner of your lips where a few drops of tequila spilled, his thumb twitching as he stops himself from wiping them away. "What're you doing for the rest of the night?" He asks. It's an opening. An invitation to finish what he started earlier. What happened with Alemán earlier in the day must've wound him up, made him tense and in need of release. Unfortunately for him, there are few things you like more than making him sweat.

"Well, I've got a dinner I need to pack away in the fridge and dishes to clean."

"I can help."

"I don't think you can," you say as you stand and grab your jacket from the back of your chair. "Besides, I'm supposed to be taking it easy. I should probably get some rest before my first actual day back, right?" He rolls his eyes as you throw a couple of bills down on the table for your share of the drinks, and you smirk. "I'll let you walk me home, though."

"You'll let me?" He asks, but he's already standing and pulling his own jacket over his shoulder. Like clockwork, you think.

"Figured it's the least I could do." You say, and he scoffs, swatting at your ass when he passes behind you.

"Vámonos princesa."

You get a warm welcome back to the office by immediately getting thrown into the chaos of the CIA. A corkboard with all known names of M-19 and other communist group members looks like a serial killer's wet dream with all the notes and grainy photos that stare you down as you talk about recent developments in the jungle. Honestly, you don't care what a group of kids are doing or planning to do, but everyone else in the CIA seems to think it's the most pressing matter.

Despite what the Agency and Reagan want you to believe, you know communists are not the most dangerous group in Colombia right now. Narcos are practically running the country and ruining countless lives with their rampant murder and exploitation. So even though Lou wants to sink a billion dollars of American taxpayer money into fighting guerillas in the jungle, you have one eye on the situation with the narcos. You're just waiting for the message to come down through the ranks that it's all hands on deck for taking down Escobar. Lou knows about your indifference and exacerbates it every chance he gets.

"Agent, I want you to work with Mil Group on tracking their movement to see if there are any patterns. I want to know where they're going and what they're planning." He says, pointing to you. You give him a look and cross your arms over your chest. You hate working with Mil Group. It's a group of guys with sticks up their asses and, somehow, never see the outside of an office. You catch Javi and Steve walking by through the windows, obviously going somewhere, and you lose whatever patience you have.

"All due respect, Colonel, but Ambassador Noonan took me off of desk duty effective immediately. I think I could be of more help in another area concerning M-19." You say, and he raises his eyebrows at you. You're also not fucking boss, you think.

"I'm sure we can find the time for you to show us how big and bad you are another time, sweetheart, but right now, this is where you're ordered to go." The nickname is abrasive in your ears, and you want to correct him, demanding your title as Agent, but Javi's words ring in your ears. They're waiting for you to freak out so they can send you home. They're waiting for you to blow up on somebody for a small thing. They want you to fail. You sigh and bite your tongue.

"Yes, sir." You say before making your way to the Jarheads.

For being off of desk duty, you still feel like you're doing mind-numbing work. All you're doing is plotting points on a map where satellite phones have pinged off of cell towers in an attempt to triangulate where they might be hiding out. Considering how there are barely any cell towers that reach that deep into the jungle, and even if they did, the calls drop after about thirty seconds, you don't have a ton of riveting information to work with. You listen to the recorded, half-legible calls and translate what you can to another agent, but nothing suggests they're planning anything. If they are, they're keeping it off your radar.

After wasting a stupid amount of time doing that, Lou draws up a bigger map and makes you replot all the points down with an estimate of where they might be. You're not CENTRA SPIKE or well-versed in how triangulation even works, and he knows this. It's a fool's errand at best, but he demands it by the end of the day. "So I can give it to the tech analysis guys." He says. You're about one more pointless task away from bashing your head into a wall, but you start on the map anyway.

You're about halfway through when you hear Murphy calling your name, and you turn to see him and Javi walking through the crowded Mil Group office.

"You're working with the Army now?" He asks, and you sigh.

"For the day. Lou is on everyone's ass about this M-19 shit and thinks I'm the best person for the job, apparently," you say. "Please tell me you have something better than this."

"We just got a sicario's son off the street. Dumbass was distributing in broad daylight in front of a cop." Javi says, and you furrow your eyebrows.

"We both know that's not a good enough reason for a cop to pick up a sicario's kid. What're you holding out on me?"

"Apparently, the cop heard him bragging about rigging a car with a bomb. He said something along the lines of, 'That's what happens to rats,' and then said something about going after La Golondrina next." Steve supplies. So this sicario's kid rigged the bomb to kill the informant who sniffed you out, said he also had a bomb for you, and now he's sitting somewhere in DEA custody? If Escobar's men weren't going after you before, they definitely are now.

"Do you think he even knows anything? He might just be daddy's errand boy."

"He asked for a deal," Steve says.

"Wheeling and dealing might not be grounds for extradition, but threatening to blow up a United States CIA agent just might be," Javi says. Something shifts in his eyes just enough for you to catch it, and you know it has to do with the conversation you had at the bar. You shake your head and break eye contact with him to look at Steve.

"Right, but you know how Wysession and Jones are. If it doesn't involve communist groups, they don't even want to look at it."

"The kid told us that some of Escobar's men have been talking with one of the leaders of M-19." Bingo. You throw down your marker, stand from the desk Wysession relegated you to, and all but march into his office with Steve and Javi close behind you.

"How's that plotting coming along, honey?" Lou asks as he looks up from his paperwork, his face falling at the sight of the two men behind you. Lou might not like you, but he dislikes Javi and Steve more.

"Agents Peña and Murphy have intel that Pablo is communicating with M-19 guerillas," you say. "That means there could be a joint attack coming, which means we can't keep separating the communist and narcos task forces."

"Has this information gone through Noonan?" He asks.

"No, sir. We wanted to relay the information to our Agent here first since the intel involves her kidnapping." Steve speaks up, using your actual title, and you have to bite the inside of your cheek to keep from smirking.

"Is your intel good?" Lou asks Steve, ignoring you and Javi, and Steve gives him a look.

"You think we'd be wastin' your time if it wasn't?"

"Well, then, you better get a move on and go tell her." He says like he doesn't actually like the idea, but he can't think of anything else to say. You, Javi, and Steve quickly leave his office and start the trek to Noonan's office when Steve gets a call on his sat phone. He looks like he's about to ignore it before remembering it could be Connie, and even though she's supposed to be at work, he doesn't take any chances and answers it. You're close enough to him to hear her frantic chattering on the phone and saying something about M-19 and Escobar. The walk to Noonan's office turns into a run, but it doesn't matter. By the time you get there, thousands upon thousands of pages of evidence against Pablo Escobar are burning on the TV as M-19 takes over the Palace of Justice.

This isn't just a singular agency fight anymore. You doubt it ever was. You know that the Palace of Justice Siege will change everything for better or worse, and you have to be ready for it. Promises made over glasses of scotch be damned.

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