#ronnie barlow

[postmoderntongues]

Best Plot Arcs in Oz

1. Robson’s gums and the resulting fallout

2. Ronnie Barlow with his beautiful eyes

3. Andrew Schillinger

[bflowsmoustache]

I really like the killers, and robbie williams maybe even take that, oh and madison beer, and the sturniolo triplets, and p!nk and the killers.

[hot-boyband-tourney]

Welcome to the Tournament of the hottest boy band members of the 80s/90s

It was inspired by all the tournaments pitting famous beautiful people versus famous beautiful people of specific eras and specific jobs. The polls should start on the 8th of April, leaving around two weeks for submissions. I’ve compiled a list already but you can submit other boys that aren’t on the list through a google form. Feel free to submit non english speaking boy bands.

Propaganda

The only pictures accepted will be pictures from the 80s/90s and very early 2000s. To submit propaganda either use the same google form as for submissions (even if the guy in question is already on the list) or through the submission box or tag me on posts.

The List

Backstreet Boys

Nick Carter

Kevin Richardson

Brian Littrell

AJ Mclean

Howie Dorough

Take That

Robbie Williams

Mark Owen

Jason Orange

Gary Barlow

Howard Donald

NSYNC

JC Chasez

Lance Bass

Justin Timberlake

Joey Fatone

Chris Kirkpatrick

New Kids On The Block

Jon Knight

Jordan Knight

Joey McIntyre

Donnie Walberg

Danny Wood

Jodeci

Joel "Jo-Jo" Hailey

Donald "DeVante Swing" DeGrate

Dalvin "Mr. Dalvin" DeGrate

Cedric "K-Ci" Hailey

G-Squad

Chris Keller

Marlon

Gérald Jean-Laurent

Mika

Andrew Mac Carthy

Seo Taiji & boys

Seo Taiji

Lee Juno

YG (Yang Hyun-suk)

H.O.T

Moon Hee-jun

Jang Woo-hyuk

Tony An

Kangta

Lee Jae-won

Sechskies

Eun Jiwon

Ko Jiyong

Kim Jaeduck

Lee Jaijin

Jang Suwon

Kang Sunghoon

2Be3

Filip Nikolic

Frank Delay

Adel Kachermi

Westlife

Shane Filan

Mark Feehily

Kian Egan

Nicky Byrne

Brian McFadden

Boyz II men

Shawn Stockman

Wanya Morris

Nathan Morris

Marc Nelson

Michael McCary 

5ive

Scott Robinson

Ritchie Neville

Sean Conlon

Abz Love

J Brown

Boyzone

Ronan Keating

Keith Duffy

Michael Graham

Shane Lynch

Stephen Gately

98 degrees

Nick Lachey

Jeff Timmons

Drew Lachey

Justin Jeffre

Jonathan Lippman

Dream street

Matt Ballinger

Frankie Galasso

Greg Raposo

Jesse McCartney

Chris Trousdale

B2K

Omari Grandberry

Jarell Houston

Dreux Frédéric

De'Mario Thorton

BBMAK

Mark Barry

Christian Burns

Stephen McNally

LFO

Rich Cronin

Brian Gillis

Devin Lima

The Moffatts

Scott Moffatt

Clint Moffatt

Bob Moffatt

Dave Moffatt

New edition

Ralph Tresvant

Bobby Brown

Ricky Bell

Michael Bivins

Ronnie DeVoe

Johnny Gill

East 17

Terry Coldwell

Brian Harvey

John Hendy

Tony Mortimer

[singeratlarge]

HAPPY BIRTHDAY to the 1990 unification of Germany, India Arie, the great P.P. Arnold, Dawayne Bailey, John Perry Barlow, Lindsey Buckingham, Ben Cauley (Bar-Kays), Chubby Checker, Eddie Cochran, Stephen Crane’s 1895 novel THE RED BADGE OF COURAGE, Frank Hannon (Tesla), Lena Headey, Pamela Hensley, James Herriot, Keb’ Mo’,��Ju-hyuk Kim, Josh Klingenhoffer, Ronnie Laws, Tommy Lee, G. Love, Alan O’Day, Steve Reich, Madlyn Rhue, Kevin Richardson (Backstreet Boys), John Ross a.k.a. Chief Tsan-Usdi, Simone Segouin, Rev. Al Sharpton, Jake Shears, Ashlee Simpson, Shannyn Sossamon, Gwen Stefani, the 1962 stage premiere of STOP THE WORLD I WANT TO GET OFF, Billy Strings, Steve Tracy, Stevie Ray Vaughan, Jack Wagner, George Wein, Thomas Wolfe, Allen Woody, and the great, uber-successful, diverse, and prolific British actor Clive Owen. I wrote this tribute song on a whim one day and recorded it to utmost satisfaction with Bret Alexander and Ron Simasek of The Badlees. Fans of early psychedelia (think Yardbirds), spy movie music, and twangy guitars will dig this one. Meanwhile, God bless Clive and his family. Thank you for the quality cinema you’ve given us.

#cliveowen #britishactor #badlees #bretalexander #artrock #romance #johnnyjblair #singeratlarge #singersongwriter #sanfrancisco #ronsimasek #poprock #powerpop #earcandy #psychedelic #spymovie #twang #humor #urbanhumor #birthday

[world-cinema-research]

Four favorite films(Cultural Dimensions) By Ronnie Bitzer

The four movies I watched during the class and liked are The Seventh Seal, Bonnie and Clyde, Terminator, and Solaris. The two Cultural Dimensions I picked for the movies are Hofstede's Uncertainty Avoidance Index and Trompenaar's Individualism vs Collectivism.For The Seventh Seal Uncertainty Avoidance Index related to the time, place, and culture of the movie since it depicted the end of the Crusades, the start of the Black Death and set in the Middle Ages.Individualism and Collectivism start to play when Antonius met a family and had to decide the fate between him and his group and the family with his chess match against Death. His priorities were at the family and not the whole group because the family had love of which Antoninus had love but chose to be a Crusader for war. Now Antonius is depressed and asks Death about God and whether he has a chance to find love ever again or meet his demise and succumb to Death. The dimensions show that when Bonnie and Clyde started robbing banks they weren't afraid of the police, but when they were called "The Barlow Gang" they had more group members. Then they started to show uncertainty about the police tracking them down and taking them to jail. Showing Individualism vs Collectivism by expressing that they didn't care about the members and treated them as pawns acting like bait for the police while Bonnie and Clyde make a run for it leaving them behind. During the beginning of "The Terminator "Sarah had a normal life until "The Terminator" came and started killing women with the same name as her. She started becoming uncertain when people with the same name as the news talk about women named Sarah are being killed and she was being followed by a guy. That's when Sarah met Kyle and immediately became a group in which Kyle kept Sarah safe away from "The Terminator" and he told Sarah why "The Terminator" was after her. Towards the end of the movie Sarah is on her own and how it shows Individualism vs Collectivism was how Sarah treated Kyle like a group member, but she had to do this on her own since she had to find a way to defeat "The Terminator" and safe her unborn child's life. Solaris showed the Uncertainty Avoidance Index when the doctor died and crew members started to hallucinate, realizing the ocean is brain and had to find a way for it to stop showing past hurtful memories. Individualism vs Collectivism shown in Solaris was the different ideas the group had with dealing with the hallucinations, Kris wants to forget about his dead ex wife but can't since she is part of his conscience.Then as Hari and Kris spend more time together Kris wanted to take Hari back to Earth but the other crewmembers told him not to because she is just part of him and she can't survive down on Earth. Everyone has different ideas and Kris showed Individualism by wanting to take Hari down even though she is just part of him.

[brookstonalmanac]

Birthdays 10.3

Beer Birthdays

John Gorrie (1803)

John Gund (1830)

Fred Horix (1843)

F.D. Radeke (1843)

Alois Alexander Assman (1856)

Sean Lewis (1984)

Five Favorite Birthdays

Harvey Kurtzman; cartoonist, Mad magazine founder (1924)

Clive Owen; actor (1964)

Greg Proops; comedian (1959)

Stevie Ray Vaughan; rock guitarist (1954)

Gore Vidal; writer (1925)

Famous Birthdays

Louis Aragon; French writer (1897)

P. P. Arnold; soul singer (1946)

Dr. Atl; Mexican painter (1875)

John Perry Barlow; poet & songwriter (1947)

Giovanni Battista Beccaria; Italian physicist (1716)

Gertrude Berg; actress & screenwriter (1899)

Pierre Bonnard; French artist (1867)

Benjamin Boretz; composer & theorist (1934)

Wade Boteler; actor & screenwriter (1888)

James M. Buchanan; economist (1919)

Lindsay Buckingham; rock guitarist (1949)

Johnny Burke; songwriter (1908)

Neve Campbell; actor (1973)

Natalie Savage Carlson; author (1906)

Chubby Checker; pop singer (1941)

Eddie Cochran; rock singer (1938)

Chris Collingwood; English-American singer-songwriter (1967)

Giovanni Comisso; Italian author and poet (1895)

Antoine Dauvergne; French violinist & composer (1713)

Pierre Deligne; Belgian mathematician (1944)

Gerardo Diego; Spanish poet (1896)

Jean Grémillon; French director, composer & screenwriter (1901)

Fulke Greville, 1st Baron Brook; English poet (1554)

Eirik Hegdal; Norwegian saxophonist & composer (1973)

James Herriot; English writer (1916)

Roy Horn; illusionist, with Siegfried (1944)

A.Y. Jackson; Canadian artist (1882)

Allan Kardec; French author (1804)

Jessica Parker Kennedy; Canadian actress (1984)

Pyotr Kozlov; Russian archaeologist & explorer (1863)

Ronnie Laws; jazz, R&B, & funk saxophone player (1950)

Tommy Lee; rock drummer (1962)

Henry Lerolle; French painter (1848)

Rob Liefeld; author and illustrator (1967)

Gustave Loiseau; French painter (1865)

G. Love; singer-songwriter & guitarist (1972)

Leo McCarey; film director (1898)

Keb' Mo'; blues singer, songwriter (1951)

Janel Moloney; actress (1969)

Alan O'Day; singer-songwriter (2940)

Emily Post; etiquette columnist (1872)

Steve Reich; modern composer (1936)

Kevin Richardson; singer-songwriter & actor (1971)

Aleksandr Rogozhkin; Russian director & screenwriter (1949)

John Ross; Cherokee nation chief (1790)

Josephine Sabel; singer & comedian (1866)

Sebastian Anton Scherer; German organist & composer (1631)

Seann William Scott; actor (1976)

Al Sharpton; politician, civil rights activist (1954)

Jake Shears; singer-songwriter (1978)

Laurie Simmons; photographer & director (1949)

Ashlee Simpson; singer-songwriter & actress (1984)

Shannyn Sossamon; actress (1978)

Gwen Stefani; rock singer (1969)

C. J. Stroud; football player (2001)

Tessa Thompson; actress (1983)

Sophie Treadwell; playwright & journalist (1885)

Johann Uz; German poet & judge (1720)

Buket Uzuner; Turkish author (1955)

Carl von Ossietzky; German journalist & activist (1889)

Jack Wagner; actor and singer (1959)

Dave Winfield; San Diego Padres OF (1951)

Thomas Wolfe; writer (1900)

Allen Woody; bass player & songwriter (1955)

Sergei Yesenin; Russian poet (1895)

[transfemme-shelterdog]

Also, a significant number of famous cis metal singers have long hair

George Fisher

Ronnie James Dio

Tim Lambesis

Peter Steele

Ozzy

Nocturno Culto

Matt Barlow (at one point)

Dave Mustaine

Fenriz

Yusaf "Vicotnik" Parvez

On and on and on.

[culttvblog]

Second Verdict: Who Killed the Princes in the Tower?

In October 2023 I published a post about an episode of the police series Barlow. I made the mistake of commenting in it that Stratford Johns played exactly the same character in numerous shows over the years and listed the ones I thought he was in. Naively I hadn't realised that I still didn't have the whole list of his appearances as Detective Chief Superintendent Barlow, and have since found that he was teamed up with a co-star in the Softly Softly series (Frank Windsor, who played Detective Chief Superintendent Watt) in other shows as well.

So these two actors played the same roles (I'm going by IMDb here) in Z-Cars (1962 to 1965), Softly Softly (1966 to 1969), Jack the Ripper (1973), Softly Softly Task Force (1969 to 1976),and Second Verdict (1976). These come up to a total of 345 episodes, and honestly they must have felt like they could do their job blindfold. In addition Johns played Barlow in Barlow at Large/Barlow (1971 to 1975) to a total of 374 episodes, playing the same character for 14 years! He even drifted into the role while a guest on the panel on Whodunnit and spoofed the role in The Two Ronnies.

I hope you're not that bored of your job.

In Second Verdict they come together as these fictional characters dramatically to try to solve long-standing mysteries. I'm fascinated at this format of having fictional characters solving real mysteries, and unfortunately it only lasted for six episodes (there was another series about Jack the Ripper which I will come to in a separate post). There is a mystery of studio and location filming for our fictional detectives and the testimony of the real people is acted out. It's clever television, and I'm afraid I can only echo what so many of the reviews on IMDb say, namely that you couldn't possibly make this nowadays. The reviews refer to this sort of TV as 'two men talking in a room', but I don't think that is that much of a problem when so much of the 'content' on the internet is people talking in a bunker echo chamber to their base nowadays. Rather I suspect that viewers (nowadays and possibly even then) wouldn't want to watch a show where they feel they are watching a conversation. This TV is more like watching a symposium or discussion than being told something.

The subject of the episode I have chosen is the disappearance of the deposed King Edward V and Richard of Shrewsbury, Duke of York, from the Tower of London in 1483. There has always been an assumption that they were murdered, probably on the orders of Richard, Duke of Gloucester, who ascended the throne as Richard III. Just to be my normal annoying self I'm not going to say what Barlow and Watt conclude.

Even if you don't follow the line of reasoning and evidence that closely (and I'm sure there are endless enthusiasts of the subject who watched this with notebooks and screamed at the screen) this is delightful television. It takes us back to a former age of England, and anything with any scenes set in the Tower of London can't fail to do that.

There is a possible criticism of this show that it is possibly misnamed because they don't always reach a second verdict on these cases: clearly if you are considering a suspected murder committed in 1483 there is unlikely to be any evidence which hasn't already been extensively chewed over in the search for a solution.

Other cases reconsidered in the series are the Lindbergh kidnapping, the Henri Desire Landru murders, John Alexander Dickman who was hanged for murder, Lizzie Borden, and the arson attack on the Reichstag in 1933. Some of these are currently available on YouTube on a channel which is adding new contact so they may all still be available online.

This blog is mirrored at

culttvblog.tumblr.com/archive (from September 2023) and culttvblog.substack.com (from January 2023 and where you can subscribe by email)

Archives from 2013 to September 2023 may be found at culttvblog.blogspot.com and there is an index to the tags used on the Tumblr version at https://www.tumblr.com/culttvblog/729194158177370112/this-blog

[llpodcast]

(Literary License Podcast)

The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ronny Howard, and Paul Ford.

 Released by Warner Bros. on June 19, 1962, the film was one of the biggest hits of the year and was widely acclaimed by critics. It was nominated for six Academy Awards, including Best Picture, with composer Ray Heindorf winning Best Music, Scoring of Music, Adaptation or Treatment. The film also won the Golden Globe Award for Best Motion Picture – Musical or Comedy, and Preston and Jones were both nominated in their respective acting categories. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

 Island of Love is a 1963 American comedy film directed by Morton DaCosta and written by David R. Schwartz. The film stars Robert Preston, Tony Randall, Giorgia Moll, Walter Matthau, Betty Bruce and Vassili Lambrinos. The film was released by Warner Bros. on June 12, 1963.

 Opening Credits; Introduction (1.22); Background History (37.48); The Music Man (1962) Film Trailer (38.58); Our Feature Presentation (39.47); Let's Rate (1:07.13); Introducing Our Next Feature (1:11.47); Island of Love (1963) Background Footage (1:12.40; Lights, Camera, Action (1:14.05); How Many Stars (2:23.54); End Credits (2:33.51); Closing Credits (2:35.10)

 Opening Credits– Epidemic Sound – Copyright . All rights reserved

 Closing Credits:  Once Upon A Christmas Song by Peter Kay introducing Geraldine McQueen.  Copyright 2008 Peter Kay and Gary Barlow

​

Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. 

 All rights reserved.  Used by Kind Permission.

 All songs available through Amazon Music.

[postmoderntongues]

Ronnie Barlow and the balled of Yandere-Keller's severe untreated cluster B disorder is such an undersung arc on Oz I forget how much i love it every time

[longliverockback]

Kerry Livgren Seeds of Change 1980 Kirshner ————————————————— Tracks: 1. Just One Way 2. Mask of the Great Deceiver 3. How Can You Live 4. Whiskey Seed 5. To Live for the King 6. Down to the Core 7. Ground Zero —————————————————

Barriemore Barlow

Ronnie James Dio

Phil Ehart

Gary Gilbert

Paul Goddard

Kerry Livgren

David Pack

Jeff Pollard

Robby Steinhardt

Steve Walsh

* Long Live Rock Archive

[clonesupport]

thank you @natesofrellis and @strangefable for tagging me to do this picrew!💞

these were like way harder to do than i thought-

Seph Wilde and Sam Drake | Uncharted | during their time in italy, trying to stay under cover at the rossi estate all the while sam can’t keep his hands off his pretty gf, definitely asking for more than a few kisses and stealing a bunch more, nate definitely third wheeling and feeling grossed out.

Matty Harlowe and Sharky Boshaw | FC5 | for being back on my sharky bs and currently thinking about matty’s story development, please take some some barlowe content cuz they’ve taken over my brain sharky being way too enthusiastic about asking for a picture with mateo, she gladly agrees of course, how can she say no to such bouncing puppy.

Ronnie Kana and Vicar Max | TOW | ayo this one didn’t have to be so hard ronnie being flirty as ever with her attempted pda, max is still trying to get used to it but let’s be honest he probably never will, not her style of pda anyway-

i tag @confidentandgood @sstewyhosseini @socially-awkward-skeleton @captastra @galaxycunt and anyone who wants to try it out!

[singeratlarge]

HAPPY BIRTHDAY to the 1990 unification of Germany, India Arie, the great P.P. Arnold, Dawayne Bailey, John Perry Barlow, Lindsey Buckingham, Ben Cauley (Bar-Kays), Chubby Checker, Eddie Cochran, Stephen Crane’s 1895 novel THE RED BADGE OF COURAGE, Frank Hannon (Tesla), Lena Headey, Pamela Hensley, James Herriot, Keb’ Mo’, Ju-hyuk Kim, Josh Klingenhoffer, Ronnie Laws, Tommy Lee, G. Love, Alan O’Day, Steve Reich, Madlyn Rhue, Kevin Richardson (Backstreet Boys), John Ross a.k.a. Chief Tsan-Usdi, Simone Segouin, Rev. Al Sharpton, Jake Shears, Ashlee Simpson, Shannyn Sossamon, Gwen Stefani, the 1962 stage premiere of STOP THE WORLD I WANT TO GET OFF, Billy Strings, Steve Tracy, Stevie Ray Vaughan, Jack Wagner, George Wein, Thomas Wolfe, Allen Woody, and the great, uber-successful, diverse, and prolific British actor Clive Owen. I wrote this tribute song on a whim one day and recorded it to utmost satisfaction with Bret Alexander and Ron Simasek of The Badlees. Fans of early psychedelia (think Yardbirds), spy movie music, and twangy guitars will dig this one. Meanwhile, God bless Clive and his family. Thank you for the quality cinema you’ve given us.

#cliveowen #britishactor #badlees #bretalexander #artrock #romance #johnnyjblair #singeratlarge #singersongwriter #sanfrancisco #ronsimasek #poprock #powerpop #earcandy #psychedelic #spymovie #twang #humor #urbanhumor

[world-cinema-research]

Bonnie and Clyde By Ronnie Bitzer

The film I watched was Bonnie and Clyde created in 1967 by Arthur Penn. The film is significant to me through the sheer number of violence, graphic scenes and how Bonnie met Clyde.The significance this film may have to others would be feeling sympathetic,gratitude and feeling waves of controversy at Bonnie and Clyde.The film made over $70 million,from a budget of the film was $2.5 million.The film became one of the highest grossing films of the year. The main reason for making Bonnie and Clyde was simplifying their lives and the creation of the Barlow Gang.Another film similar to Bonnie and Clyde is a movie called Gun Crazy which is about a pair of gun obsessed drifters who fall in love just like Bonnie and Clyde.Gun Crazy was also the inspiration for the making of Bonnie and Clyde because it set the standard for drama centered around lovers who are turning to crime.The textbook says about the type of film is true because it has crime fiction true crime since Bonnie and Clyde robed banks adventure because Bonnie and Clyde travel to different states, romance since they are falling in love and action since it has different scenes of violence.

Many critics say they like the character development,supporting class is great and that the cinematography is amazing.The one critic I agreed 100% with is a critic named Judith Crist she said "Naturalism-in characters and background-is the mark of this film in its technical perfections.Saturated in time and place,we are left with the universality of the theme and its particular contemporary relevance. Since while watching the movie I was immersed into what makes the characters think and act and what the major turning point in the film is and what its main idea is.

During 1967 some major events happened during the released film of Bonnie and Clyde:

Large portion of an estimated 5000 who listen to Dr. Martin Luther,King who spoke at Sproul Hall, at the University of California administration building in Berkeley on May 17, 1967. Dr King reiterated his stand for non-violence and urged young people to support a peace block that could potentially influence the upcoming elections of 1968.

https://www.theatlantic.com/photo/2017/02/50-years-ago-a-look-back-at-1967/516174/ Links to an external site.

The central theme of the movie is violence and how crime and violence are interrelated and one can't exist without the other one."They're young, they're in love and they kill people".

https://www.tcm.com/tcmdb/title/24779/bonnie-and-clyde/#overview Links to an external site.

Bonnie and Clyde film became one of the highest-grossing films during that year. Earning $70 million off a budget of $2.5 million.

https://collider.com/bonnie-and-clyde-changed-cinema-overnight/#:~:text=Its%20portrayal%20of%20such%20heinous,budget%20of%20just%20%242.5%20million) Links to an external site.

Bonnie and Clyde were small-time gangsters that tore through the Midwest during the Depresion-ridden 1930's, in the film they became the embodiment of 1960's anti-establishment sentiment.

https://salempress.com/Media/SalemPress/samples/ci_bonnieclyde_pgs.pdf Links to an external site.

The major debate on the film was signifying examples of oral sex,ridicule of law and radical social justice. An example would be Bonnie clasping her lips around the Coca-Cola bottle signifying oral sex, her and Clyde taking pictures with the sheriff and posting them on newspapers and being like Robin hood by taking from the rich and giving to the poor, from one scene in the movie where Clyde said to the bank teller to give the money back to the farmer.

The look and feel of Bonnie and Clyde where it signified a cross point between old cinema and new cinema and breaking away from the norm of Classical Hollywood by giving you new perspectives on sex and different parts of violence.A particular shot that stand out to me was when Bonnie was visiting her family and the setting was hazy and nostalgic because the producers were shooting the film through a window to get that kind of effect. They tell the story about how being an outlaw is stressing Bonnie out and how she wants to see her mom and her family so she can reconnect with them.

The facts I know that intertwine the movie with the culture is defining the classification system happening in the US by rewriting scenes of screen violence happening in the movie.Also by showcasing what its like in the thirties and how you are defined by a classification system if your rich you get everything if your poor you lose your house and have to move. In Bonnie and Clyde they depict different cultural dimensions for Hofstedes it shows Indulgence vs Restraint by Clyde and Bonnie robbing banks and restraint by hiding from the law and laying low.On Tropeneer's model the characters shown feelings of Neutral vs Effective in some scenes it shows Clyde crying and talking about his feelings and in one scene it showed Bonnie sad because of what her mom said to her when she saw her at the family reunion.From Lewis's Model the characters are shown as Linear-Active since they plan ahead of what happens during the bank robbers and are shown to have a restrained body language.What is shown in the film is the amount of realism it had based on the genre of film and through the use of real locations,lighting and sounds.How it was shown in the movie was when they were having shootouts the gun sounds almost sounded real and old-fashioned.The world im seeing the film is by the use of a new technique called "New French Wave" by using the technique the film by characterization of the main protagonists, fast cuts and spontaneous music to shift the tone.If the film had to change by my point of view was by changing the genre of the movie to something more campy or horror style and change the way Bonnie and Clyde is told to a story about me and my life and the ups and downs adding my friends and family to the movie.The movie also shows the amount of realism into the characters and the setting and the use of the New French wave technique that brings the movie into a new setting or format.

The movie would definitely be unconventional since it was telling unconventional story techniques even though it sparked a lot of controversy in the film from the use of the techniques and the ways some may foreshadow some of the events that happened.The movie wasn't intended to make money even though they made a lot of money and the movie ranked as one of the grossing-films during that year.They did use the real life part of Bonnie and Clyde,however they told it from a different point of view and it wasn't historically accurate.The film was easy to understand and clear, through the characters, plot and different use of setting points.All the pieces do fit together and act like a book through the beginning, the middle of the chapter that talked about what the characters did and what the outcome is and to the ending if they characters live on or they die due to their actions.The movie may be a twist on a familiar story and that is Robin Hood since they are both set at different time periods, Robin stole from the rich and give to the poor similar to Bonnie and Clyde and how the stories both have similarities because they are implying about the classification system and the pros and cons of it.

[kwebtv]

Salem’s Lot  -  CBS  -  November 17 - 24, 1979

Horror / Miniseries (2 episodes)

Running Time:  183 minutes

Stars:

David Soul as Ben Mears

James Mason as Richard Straker

Lance Kerwin as Mark Petrie

Bonnie Bedelia as Susan Norton

Lew Ayres as Jason Burke

Ed Flanders as Bill Norton

Fred Willard as Larry Crockett

Julie Cobb as Bonnie Sawyer

Kenneth McMillan as Constable Parkins Gillespie

Geoffrey Lewis as Mike Ryerson

Barney McFadden as Ned Tebbets

Marie Windsor as Eva Miller

Bonnie Bartlett as Ann Norton

George Dzundza as Cully Sawyer

Elisha Cook Jr. as Gordon "Weasel" Phillips

Clarissa Kaye as Marjorie Glick

Ned Wilson as Henry Glick

Barbara Babcock as June Petrie

Joshua Bryant as Ted Petrie

James Gallery as Father Callahan

Reggie Nalder as Kurt Barlow

Brad Savage as Danny Glick

Ronnie Scribner as Ralphie Glick

[barklyvanish]

Robbie Williams #let me entertain you #takethat #robbiewilliams