#roman's breakdown theories

[sillysausag]

I felt SO bad for Kenji this season. Like, you find out your dad, a man you really did trust, is a immoral businessman who used Dinos to his advantage. Then, when you’ve finally healed, you have to go back and face him. All the years he neglected you. And, when you think you’ve finally got some chance at a relationship with him, he gets mauled by raptors in front of your eyes.

[noxdemon]

I think Roman is taking anti-anxiety meds. He is fidgety and low energy, and in the car he complained that the seatbelt was choking him. A side effect of anti-anxiety meds is a sense of emotional blunting, a psychic flatness that limits emotional range. With how monotone he's talking, how he has a lack of reaction to anything, and barely makes any of his usual jokes I think this adds up.

[loganslowdown4]

I wrote this a long time ago

After WTIT (can you believe it’s been over 2 yrs already?)😳

Anyway, you know how my brain doesn’t stop?

I think I was in spiral mode back then lol (it’s a bit angsty)

(And this is like worst case, I don’t think it will go down this way anymore) Enjoy!🤪

[trippinsorrows]

looking through your eyes + five

authors note: soooo, i both hate and love this one. can't tell if i'm just being super hard on myself, but it feels flat and a bit boring, but i also know if i keep messing with it, i'll never feel wholly satisfied, so here is the best version i could come up with!

it does include more of roman's background though so....there's that at least lmao

if any cw/tw’s are missed, please let me know, and i will add them!

cw/tw: sexual harassment, language, violence, ptsd episode (dissociation, avoidance, breakdown), torture

song inspo: ‘looking through your eyes’ by leann rimes

words: 8k

Solana has come to the realization that training isn’t entirely awful.

Or maybe it’s the fact that along with training, she’s allowed the chance to socialize, to be around other people and learn to not be so nervous all of the time. Naomi is a great person for that, bubbly and naturally personable. She’s created such a welcoming space that has left Solana feeling less and less nervous.

A couple weeks into training, Solana also feels like she’s growing more comfortable in her learning. It’s still the very basics, a lot of focus on flexibility, but it feels good. It feels almost relieving to be able to learn certain skills and tips that she can use to maybe one day defend herself. 

To maybe one day be able to take care of herself.

Or maybe some dreams are just too big to wish for.

It’s the end of her session with Naomi, and Solana is in the women’s locker rooms, having just finished her shower. She’s in her head a bit, mentally going over what she’s going to make Roman for dinner.

He’s been gone more often than not the past couple weeks, and she’s torn on that. On one hand, it’s nice not to be around a man who she’s supposed to be figuring out a way to kill, a man whose presence alone creates an additional layer of anxiety on top of the pre-existing baseline that is her everyday anxiety 

But…..

But, there’s also a part of her that….that wouldn’t be too opposed if he was around more. Being alone in the big house also creates a space of anxiety. If…if he was present more, maybe she could learn how to interact with him.

Could learn him.

It’s this strange thought process that’s so confusing and almost overwhelming for her that it keeps her from noticing the pending danger lurking just steps away.

“Hey, Solana.”

Solana gasps loudly, spinning around, her eyes widening at Austin Theory who stands before her with that same predatory smile. She opens her mouth to scream, but she’s too slow. 

Austin backs her against the lockers and slaps his hand over her mouth. His other hand moves to pin her hands over her hand. Instantly, her heart is beating out her fucking chest, an intense weight of dread anchoring her down. 

Solana feels paralyzed. She is paralyzed. 

“Always so damn jumpy. All we wanna do is get to know you....”

It’s almost perfect timing when another man appears, Grayson. But, it’s when he sees Austin and Solana that he frowns, walking over, “man, what the hell are you doing?”

Austin rolls his eyes, laughing. “Come on, don’t be a little bitch. It’s just a little fun.”

“This isn’t funny, Austin. If Reigns finds out—”

“What the fuck is he gonna do, huh?” Austin scoffs, gaze returning back on Solana who has her eyes clenched shut, tears threatening to spill over. “And you’re not going to say anything to him anyway, are you?” 

Solana gasps, breathing uneven as Austin lowers his hand to tug on the knot of her towel just enough to loosen it but not enough to undo it. Regardless, it’s that one act that truly immobilizes her because she’s no longer standing before this man as a grown woman.

She’s that 12 year old little girl completely unaware of what night of horrors is about to be unleashed on her, the way an unspeakable act of evil perpetrated on an innocent child is going to lead her down a dark, depressing path.

And she’s frozen, frozen in time, forever stuck in that state of suffering. 

Grayson’s eyes fall on Solana, seeing that she’s almost no longer present, dissociating, and that seemingly freaks him out even more. He tugs on Austin’s shoulder. “You had your fun, mate. Let’s fucking go.”

Austin has never been one to listen to others. Ever. But in a testament to his cruelty, Solana’s lack of reaction, lack of struggling and displaying helplessness in front of him wanes the enjoyment. He doesn’t get off as much, doesn’t feel as empowered as he does by making people feel small.

So with a scoff and not an ounce of influence from Grayson in his ear, he releases her, stepping back with a smirk as she instantly moves her arms over her chest. 

“Relax, Mrs. Reigns.” She’s anything but, and it brings a smile to his face. It’s so fucking easy to get her unnerved. “Just messing with ya, that’s all.”

There’s more distant talking, snickering and combatting with someone speaking quietly but urgently. Solana can make out part of that as she gradually returns to a state of awareness. Enough to where she’s eventually cognizant of the fact that they’ve left, that she’s alone, that they no longer pose an immediate threat.

But, they do. They do, because what if they come back?

Chest still tightening, breathing still erratic, Solana rushes over to the door, shaking hands managing to shut it closed and locked. But, it’s not enough to just be alone, to know that no one can come in and try to hurt her. 

Because she still feels it.

Still feels hands on her, restricting her, bounding her, and it makes her sick.

Hand over her mouth, Solana does her best to push back the nausea, rushing over to the showers, turning the knob so that it’s at full strength. 

And heat too.

Shoving the towel off her body, she steps under the scalding water and grabs the soap, immediately scrubbing at her body. It’s unnecessary force, unnecessary heat, unnecessary altogether, but it’s the only thing that gives her a faux sense of comfort. She needs to wash the feeling of them off of her, scrub until her skin starts to look wrinkled and raw, her complexion tinging with redness from the heat of the water.

Eventually, the scrubbing stops feeling like enough. Nothing feels like enough, and she falls back against the wall of the shower, sliding down as she pulls her knees to her chest.

And she cries, the water blending seamlessly with the tears that filter out the drain in a way she wishes the heavy feelings wrecking her body would melt away.

Safe.....

It's a dream that she'll never achieve.

A wasted hope.

A lie.

—-----------

“The RKO proposal is pretty decent.” 

“But not good enough.” Roman’s dismissal is swift and to the point. “I want 75% of all profits.”

Rikishi presses his lips together, calmly reminding, “that’s gonna be a hard sell.” 

“Orton is desperate. He’s an imbecile who uses more products than he moves and is running Bob’s legacy into the ground.” Roman is a man who prides himself on always being on the up and up. He makes it his business to know what’s going on with all competitors and even partnerships. “He should consider my offer fucking mercy. 75% or nothing.”

Rikishi sits back in his chair, a proud smile growing on his face. “I’ve taught you well, Uce”

There’s a modicum of truth to his cousin’s words, but for the most part, Roman has learned more on his own than anything anyone could have ever taught him.

“What’s the status of the imports from Columbia?”

Jey leans forward, answering without pause. “Scheduled to arrive just on time, assuming nothing goes awry.”

“Who’s managing?”

“Tama.”

Roman nods. “It’ll be fine.” His distant cousin, Tama Tonga is a bit on the……eccentric side, but he’s never failed to see a successful shipment through from beginning to end.

“If…..” Paul’s low but firm voice enters the conversation, Roman’s lazy gaze falling on the man. “If I may, my Tribal Chief?” With the nod of approval from the Head of the Table, Paul clears his throat. “By my calculations, there’s a way for us to improve on the total time it currently takes for us to move product by over 40% with some minor….changes.”

Jimmy, who sits almost bored at the other side of the table, feet propped up, asks in a suspicion tone. “What kind of changes?”

Paul clears his throat. “If we were to have access to the Eastern harbor—”

At that, both Jimmy and Jey land eyes on their cousins head counsel. Jey is the first to speak though. “You know that’s Nightmare territory, correct?”

Paul’s voice is surprisingly calm. “I do.” A nervous set of blue eyes settle on the man who sits at the head of the table, the primary one who needs to be convinced of the possible benefits of what he’s about to suggest. “If we would just consider—”

“No.” Roman’s rejection is loud and echoes throughout the conference room. “How could you even fucking suggest that shit?”

“My Tribal Chief, if you could please hear out my—”

Roman’s fist banging against the table sends an alert to all members of this current meeting that the Tribal Chief word is final and unchanging. “I said…..no.” 

Rikishi shakes his head, thankful that a stern rejection is the extent of his cousin’s reaction. He can’t believe Paul could even be stupid enough to even suggest such a thing to Roman. Perhaps he could be swayed over to see the business and financial benefits, but Roman…..no, that history runs too deep and bleeds too much red for Roman Reigns to ever consider some sort of ceasefire or let alone alliance with The Nightmare Factory. 

“Well, that shit got awkward real fast,” Jey mutters, uncomfortable with the sudden shift in the atmosphere. Even if it makes all the sense in the world. “How about that marriage life?

Roman shuts his eyes. It’s jumping from one annoying topic to another. “What?”

“Man, Big Dog living good over there,” Jimmy’s smile is wide as he rubs his hands together. “Lil Soso can cook her ass off!”

“Stop calling her that.”

“Speaking of ass, she pregnant yet?”

This is why Roman didn’t want to get on this subject, because he knew where it would lead to, another road he’s not trying to go down right now.

Rikishi chimes in, “their delivery is trash, but the question is still fair. Is there a chance she’s pregnant?” A sly smile falls on his face as he teases, “I know you well enough, Uce, that I don’t need to remind you of the importance of trying.”

Jey snorts. “That ain’t never been a problem for any of us. Especially Roman. Man, I still don’t know how you don’t have a gaggle of lil mean mugging ass kids running around here.”

The answer is simple, and Roman expresses as such. “Because I know how to fucking use a condom unlike you idiots.”

“Hey. I don’t know what you talking about. All my kids by Nicki.”

“You say that like it’s a good thing.”

At that, Jey jumps out the chair, Jimmy rolling his eyes as Paul shakes his head and sighs heavily. “Ayo, you the Tribal Chief and everything, but you not gon’ keep disrespecting my wife like that, aight?”

“Where did you sleep last night, Jey?” Roman’s tone is both bored and knowing, especially as Jey’s gaze drops the same way his ass does right back in his seat. “That’s what I thought.”

“Just…” Rikishi’s voice is louder, allowing him to realign the conversation. “Keep us updated, Roman. When she does get pregnant, you’ll need to up her security.”

“I’m aware.” Just like he’s aware of the fact that unless this girl is the virgin fucking Mary and will have an immaculate conception, there’s no need to worry about that right now.

Or ever. 

His business phone lighting up with a familiar name across the screen is both a welcomed surprise as well as distraction for Roman. Without hesitation, he answers, watching the TV anchored on the wall light up.

Roman’s shoulder straightens as he leans back further into the soft Italian leather of his chair. “Dwayne.”

“Roman.�� Dwayne removes the stereotypical dark glasses Roman always grew accustomed to seeing his cousin wear in any interaction. His smile beams. “Long time no fucking see, cousin.”

Roman shrugs, answering honestly, “been busy.” 

“I saw that. Congratulations on the marriage. An invite would have been fucking nice.”

At that, Roman chuckles, calling out his bluff. “Like you would have come.”

Dwayne’s laughter echoes through the office. “Fair.” He then greets the rest of the men present, though it’s a surprise to no one that his initial exchange is solely with Roman. They’ve always had a great bond, even better business partnership, hence the position Roman has placed him in. “You know why I’m calling though”

And there goes the ‘fun’ while it lasted. Straight into business with his big cousin. He respects it immensely though. Dwayne is all about profit and efficiency and ensuring the smoothness of operations. “The same reason you always reach out, cause it’s not that often.”

“It’s been a couple years, cousin….”

“I’m aware.” 

And he is. 

6 years, to be precise. 

“You need to fly out here.” Dwayne isn’t saying anything Roman doesn’t already know, hasn’t already heard. “They need to see your face.”

“They have you.”

Dwayne snorts. “They hate me almost as much as they hate you.” They being that other side of Roman’s family, the side that he could go on with the rest of his life without seeing or speaking to. The side that probably feels the same about him and his Tribal tattoos, long hair, and skin that is not like theirs. 

Yeah….hate is definitely the right word.

“Do you care?”

“Hell no.” The answer is surprising, unlike Dwayne’s next statement. “But, I do care when shit starts to get more openly disrespectful.”

“What do you mean?”

“They’re becoming bolder with questioning your leadership. Less subtle. More direct.”

At that, Roman’s attention is fully captured. He sits up in his seat. “Is that so?”

The twins, Rikishi, and Paul all exchange knowing glances, having been wisely quiet to allow the Head of the Table to conduct business as he sees fit. But this, they all know where this is going.

“Maybe it is time I remind them who the fuck is in charge here.” As much as Roman loathes the idea of having to be around and interact with these fuckers, nothing vexes him more than having his authority challenged. 

Like he’s not the one, the two, and the three they’ve been looking for. 

“I’ll see about flying out within the next week.” 

Jey speaks up for the first time. “I can’t just leave on that short notice—”

“Did I say I needed you to come with me?” It’s a bit of a rhetorical question. “I can handle this on my own.”

As is his preference with most things, because in Roman’s opinion, most things are handled better and in the way that most pleases him when he does it himself. His expectations can only be set and maintained or exceeded by him.

“At least take Paul with you, Uce.” Rikishi suggests, and in the moment, it’s last thing he wants. Paul’s already pissed him off enough for the day. “They need to be straightened out, not taken out. Paul can help you keep that balance.”

Roman isn’t obstinate enough to disagree with that. Paul does have his uses, one of which being his ability to talk Roman down when the preference is to just kill motherfuckers the second he deems them annoying. 

And that’s not the goal for this trip.

Not yet, anyway.

“Fine. Wise Man and I will go.” There are far too many other things on Roman’s plate for him to push back on a plus one. This is immaterial to the larger picture. “Dwayne, start the preparations.”

“You got it, brotha’. I’ll keep in touch.” 

The screen goes dark as Dwayne ends the call. Roman reclines back in his chair, a mixture of muddy, dark, bleak emotions. The idea of having to be around his maternal family is quite literally sickening to him. He hates those sons of bitches almost as much as they hate and despise him.

But on another hand, the idea of getting away from all this, from this Solana dilemma, there could be some benefits. He’d be gone for a couple of weeks, perhaps even a month. Maybe in that space he’ll come back to a different kind of woman. A woman who knows how to fucking stand up for herself instead of being so scared all the time.

And as if reading his cousin’s mind, Jimmy breaks the silence, asking, “Ayo, Roman, you sure you should be leaving—”

A knock on the door seems to only exacerbate the tension as Roman snaps. “What?”

Alicia, his secretary, easy on the eyes and effective in what she does, opens the door just enough to stick her head through. “I’m sorry to bother you, Mr. Reigns—”

“So why are you?” It’s well known that Roman is a man who hates interruptions, especially when he’s in the middle of a briefing meeting, and she knows this well. Might be time for a new secretary.

Alicia swallows and calmly explains, “your cousin, Nia, is on line one. She says she needs to speak to you immediately.”

“She can wait.”

“With….all due respect, sir, it sounds like an emergency. She’s been blowing up the lines all morning.”

Curious, Roman turns his personal phone over and sees his lock screen littered with missed calls, texts, and a voicemail all from one person. 

Nia. 

With a heavy sigh, Roman dismisses Alicia. “I’ll handle it.”

Quietly, she closes the door and he unlocks his phone to return the call. Nia never makes such an effort to get in contact with him. Some shit must have went down, though his mind still wonders what level of bullshit could have occurred that even she can’t handle. 

Phone laid on the table, he dials and places it on speaker.

“It’s about fucking time, you asshole!” Her introduction is unsurprising. “I’ve been trying to call you for almost an hour.”

Roman is already tempted to hang up the phone and block her until further notice. “What do you want, Nia?”

“You need to get down here now.” He’s still not hearing anything that would warrant him moving an inch. “Your fucking Princess Peach wife—”

But at that, Roman’s interest is piqued. He sits forward in his chair. “What about her?” 

“I don’t know, she had a mental breakdown or something and has locked herself in the locker rooms. We can’t get her to come out—”

Right away, Roman gets to blaming and accusing. “What the fuck did you do to her?” Nia can’t respond before he asks the next important question. “Where the fuck was Solo!”

“I didn’t do anything, Roman! And Solo can’t be with her in the fucking women’s locker room!” Nia’s defense is as sharp as his imputation. “I told you that girl isn’t made for this life. She’s a fucking problem! Come get her now, or I’m going to blow the damn doors off myself.”

Highly vexed with Nia’s smart ass mouth as well as the nature of the situation, Roman slams his finger on the end button and stands up from his chair, rolling his shoulders. “Fucking hell.”

Jey, just as confused as everyone else, decides to be the sacrificial lamb, asking, “Roman, what was that—”

“You two come with me. Wise Man. Rikishi. Finish and send out the response to Orton’s proposal.” Roman issues out indisputable commands as he marches out of the room, the twins not hesitating to hop up and follow suit. Confused or not, they know better than to question their cousin when he’s in one of these moods.

They don’t even say anything for the beginning portion of the ride to the Warehouse, a rarity for them considering they always have something to say. But this time, they wait for Roman to break the silence, and he eventually does, still just as angry. 

“I don’t have time to be dealing with this shit!” To say Roman is pissed would be an understatement. He’s livid. For a lot of different reasons, really, maybe even mostly at the fact that his head counsel had the unmitigated gall to even utter Rhodes name around him.

Roman would see the entire empire go up in smoke and flames before he’d ever agree to any sort of alliance with that son of a bitch.

That only adds on top of the fact that the Italian faction of his empire seems to be questioning his ability to lead, as if the data doesn’t clearly support that business has never been better. The cash flow is endless. Numbers don’t lie.

But, Roman knows the real reason for their insubordination. 

It’s because of his father, the Samoan blood that runs through his veins. His being afakasi. Mixed. They believe that following that night, the alliance between the Bloodline and the Guild, an alliance sealed by the marriage of his father and mother, should have been dissolved. That someone from his mother’s side, a full blooded Italian, should sit on that metaphorical throne.

But, that’s not the case.

Roman assumed power because it is his by birthright, and he’ll be damned if he lets some ignorant fucks try to take it from him.

So yes….there are a lot of different reasons for his anger.

But, it’s a lot easier to blame it on the reason he’s in an SUV now, heading to a place he didn’t even plan to attend today.

“I’m not going to keep dealing with this shit with her.” He’s not even entirely sure who he’s speaking to at this point, or if he’s directing his statements to anyone in particular. Just needing to vent and get it out.

“What do you mean keep dealing?” Jimmy is the first to pick up on his cousin’s wording. “Something like this happen before?” 

The twins look between each other and then back at Roman who runs his hand over his face, realizing that if there’s anyone he can trust to keep this between them, it’s the twins. Annoying and sometimes dimwitted, they’re notoriously loyal and can sometimes provide sage advice.

“She had a complete meltdown on the wedding night. Panic attack, wouldn’t stop crying.” Roman conveniently leaves out the part of him talking her down from a panic attack. They don’t need to know that. 

No one needs to know that.

“After ya’ll….”

“No.” He answers, honestly. “We didn’t even do it. She was too hysterical.”

“Wait a minute.” It doesn’t surprise Roman that Jimmy is the first to put two and two together. “So you ain’t even fucked her yet? But you said—”

“I know what I said.” He doesn’t need to be reminded of anything. Roman’s memory is long and sharp. “I also know what I do and don’t feel like dealing with right now.”

“Uce, the only reason you even married this girl was so that she could give you an heir. How the hell is that supposed to happen if she won’t even let you touch her?” As much as Roman wants to snap at his cousins, he can’t. He can’t because they’re right. It’s something he’s thought about on and off since the wedding night.

It’s painfully evident to him that Solana’s mental state is….fragile, to stay the least.

He doesn’t need fragility.

He doesn’t do fragility.

The same way he apparently can’t do her.

“Maybe you need to just annul the shit and cut your losses while it’s still early.” Jey suggests, and Roman can’t deny the idea has a level of appeal to it. Until the next part leaves his cousin’s mouth. “Send her back to her family.”

“No.” That’s an easy no. He’s not entirely opposed to the idea of annulment, but what’s not an option is sending her back to that house of horrors. The only way he can see himself doing that is if he’s put a bullet in both her brother and father’s head, which technically, is the plan anyway.

He would just be making some…..timeline adjustments.

“I won’t send her back there. That’s a death wish.”

Maybe set her up with some money and a house. Let her live out her days with her damn writing, reading, and cooking, the only three things she seems capable of doing without fear. But even thinking that, Roman wonders just how capable she is of living on her own.

Xavier kept the girl so damn sheltered. He’d have to keep a security detail on her at all times. Maybe keep Solo with her. She seems to have grown somewhat comfortable with him. 

The same with Naomi.

Or, so he thought. People who are moving in the right direction don’t lock themselves in public fucking locker rooms.

Jimmy also points out, validly, “well, you obviously can’t keep her around if she literally can’t do the one job she has.”

“Let’s not be irrational, alright?” Jey, in a twist of faith, tries to be the voice of reason. “That girl can cook.”

Jimmy’s eyes light up. “Oh shit, I forgot about that.” Sure enough, he switches his tune. “Man, Soso ain’t even that bad, uce. You just gotta be patient with her.”

The change of tune doesn’t surprise Roman, but his suggestion is almost comical. If not for the fact that he’s already in a sour ass mood. “Do I look like a patient man?”

“No, but you do look like a man who could benefit from learning how to be patient,” Jimmy’s rebuff is quick and sharp. “That’s why you and Jey on high blood pressure medication right now. Both ya’ll hotheaded asses be getting yourselves all upset over nothing. Probably why you’re going gray too.”

There may be some element of truth to what he’s saying, but it’s also irrelevant to the issue at hand.

“I’ll figure something out,” he mutters, and it’s the truth, because that’s what Roman does. He figures shit out. 

He always figures shit out.

The SUV is barely parked when Roman flings the door open, slamming it shut behind him, not knowing exactly what he’s about to walk into.

“What happened?” Roman’s demand is accompanied by his powerful stride into the Warehouse, Nia immediately rolling her eyes and pointing to Naomi.

“Ask her. She was the last one to interact with her.”

Naomi is unsurprised by both Nia throwing her under the bus as well as Roman directing his fury in her direction.

“What the fuck happened?”

As someone who’s been involved with the Bloodline and their family members for over a decade, she’s used to both Roman’s anger as well as being on the receiving end of said anger. So, her response is calm and to the point. “Like I told Nia, we trained, and she was fine. She actually did well today. I had another training session after her, so we agreed on the next date, and she left for the locker rooms. That’s it.”

Naomi’s answer is unhelpful, but he believes her. Knows she’s being honest. It’s just that her honesty doesn’t do shit for him.

“Clear the place.” It’s directed to Nia even if his focus is still on Naomi.

Nia steps forward, irritation undeniable. “Roman, seriously? We have matches lined up—”

“I don’t care. I want it cleared now, Nia.” She’s about to protest again, but he lifts his hand, warning, “I’m not in the mood, so don’t fucking test me.” 

Nia isn’t stupid. She might be able to teeter the lines some days with her cousin, but this clearly isn’t one of those days. Grumbled protests stay within the confines of her inner dialogue as she turns on the edge of her heel to start emptying the Warehouse.

The twins step forward, asking, “what you need us to do?”

Nothing. He doesn’t want anyone to do anything aside from leaving him the hell alone, but that’s not an option. So, he moves quick to find a task for them. Naomi as well. “Check the cameras. Something happened, and I want to know what.”

“What if—”

“Check the cameras.” At this point, Roman’s about to kick them all out if people keep questioning him like he isn’t the fucking Tribal Chief. 

Control has always been a big thing for Roman.

When one doesn’t have much, or any, as a child, they overcompensate, and then some, as an adult.

He recognizes that fully. 

As all parties move to follow through on his orders, Roman heads toward the locker rooms, ignoring the complaining of the gym goers having to prematurely leave against their own volition. He’s not focused on that, just on the panel near the doors, a panel he’s never had to use until this day.

A panel only he can operate and use as its his biometrics and only his. Again, a man who likes control.

It takes less than a minute for him to gain access, the door automatically opening. Roman steps in and closes it behind him. 

“Solana.” He’s certain she won’t answer him, won’t magically do a 180 and feel well enough to step out, but he does feel like at least making his presence known to her will minimize her fear and surprise. 

Because one of the first things he notices and hones in on is sound, listening for any and all sounds that could lead him in her direction, and it’s a bit on the easy side considering there’s only the sound of running water coming from one area. And if he had to guess, one specific shower stall. 

Carefully, his steps take him from one end of the room to the other, moving in the direction of the woman he needs to find.

And he does find her. 

He finds her sitting on the floor of the shower, naked, enclosed in the corner, her legs pulled up to her chest, staring like she’s in a state of shock, like she’s not aware of where she is or what she’s doing. Like she’s not aware of the heat of the water bearing down on her body.

“What the hell?” Roman’s first reaction is a modicum of shock, the heat from the steam alone almost instantly suffocating him. Naturally, he moves toward her, to cut it off, but her scream of terror stops him prematurely. 

“No!” It’s been a while since Roman has heard that level and depth of fear in someone’s voice, in the hefty depth of their sorrow. She’s petrified. “P–please don’t.”

It’s for that he actually hesitates, doing his best not to shout at her because that’s clearly the last thing she needs. “Solana, I’m not gonna fucking touch you, but you’re burning yourself!”

While he does his best to keep his eyes focused on non–inappropriate areas, he can already see the reddening of her arms and back. If she already hasn’t burned herself.

Again, he tries to reason with her, which is such a strange experience. Roman doesn’t negotiate with people. He does whatever the fuck he wants and cuts down anyone who has something to say about it. But this, this is a completely different experience he’s not entirely sure he knows how to navigate in a way that won’t fuck this girl up even more than she already is. 

“I’m just going to shut the water off.” Announcing his intentions seems like the next best thing, even if it seems to do little to calm her. So, he bites the bullet and moves fast enough to where she can’t protest until it’s already done.

Which is exactly what happens. 

“No! I—I need—I need to get clean. I need—” She starts crying again, hugging her legs closer to her body. “I can still feel—their hands—”

“Did someone touch you?” Interrupting her isn’t a good idea, especially with the way anger naturally floats into his tone. It’s almost impossible for it not to. If someone fucking touched her….“ Solana….what happened?”

She gasps, shaking her head, pleading almost. “Please….please don’t m–make me t–t–talk about it.”

There’s a distant look in her eyes, one that’s both uncomfortably but extremely familiar to Roman. He knows what it looks like for someone to be physically present but mentally elsewhere. That’s what Solana is right now. 

She’s not talking about today but something else, something much darker that whatever happened today only triggered. 

Roman slowly starts to crouch down in front of her but she jerks back. “I’m not going to touch you, Solana,” he again reiterates. “But you can’t stay in here.” He starts to remove his jacket, reaching it over to her. “We have to go back to the house.”

Again, she’s panicking, protesting. “I can’t—I can’t go out t–t–there.”

“I had the place cleared,” he explains. “There’s no one out there except for the twins, Naomi, and Nia.” Truthfully, he’s starting to wonder if he should have asked them to leave too. He didn’t know she'd be this frazzled. 

“Come on," he encourages.

Eventually, she accepts his jacket, and Roman stands back up to his full height, turning around and allowing her the privacy he’s sure she’d want. She steps forward, Roman seeing she’s hugging herself keeping his jacket covering her body. 

She keeps her head down, obviously still shaken up, still messed up from a lot of things. He honestly doesn’t know where the trauma stops and ends with this girl.

Roman directs her. “Get dressed. Meet me outside.” He looks down at her, needing some level of acknowledgement. “Okay?”

Solana surprises him by glancing up, nodding softly, walking away to what he would guess is the locker where her clothes are. 

Pleased that she’s at least well enough to be left alone to follow through on a simple task, Roman exits the locker room. He approaches the desk, the twins immediately standing up. It’s not lost upon him that Naomi and Nia are nowhere to be seen. If he had to guess, Jimmy sent Naomi home, not wanting her to bear anymore of Roman’s wrath. And Nia left to avoid unleashing her wrath on Roman, neither of which he’s entirely upset about. 

He has no interest in seeing either of them right now.

Jimmy speaks first. “We found something.”

“Send it to me.” Roman is smart. Always has been. It’s not difficult for him to connect the dots to see that someone clearly fucked with Solana. And he’s almost certain whatever footage the twins found will confirm and show exactly how she was fucked with. The same way he’s entirely certain that managing his anger seeing as such is damn near if not wholly impossible.

And she doesn’t need that right now. She’s already a hot mess. Being exposed to his explosive temper will only exacerbate that, so being sent the footage for him to view when he’s alone and can respond as violently as he wants is the best route.

Especially with his next order.

“Whoever it is, bring em’ to Asylum.” He adds, as if it needs to be specified. “Tonight.” 

Jey nods, and Roman notices there’s an edge to his voice. The same way there’s an edge in Jimmy’s expression. They seem pissed. “You got it.” And for some reason, Roman has a burning guess that it has to do with whatever they found rather than it being directed toward him. 

Waiting for Solana to exit the locker rooms, Roman blows out a deep breath and scratches his beard. This day has been a shitshow for a variety of reasons, but this reason in particular, this thing with Solana, it ranks pretty high up there.

He hasn’t a clue what he’s doing to do with this girl. 

“Jimmy.”

“Whassup?”

“Text Paul. Tell him I want Solana’s medical records. All of them.”

Roman knows now he needs answers, specific answers regarding exactly what he’s dealing with. And Solana is clearly in no position to share these things with him, not that he’d even want her to. 

She’d probably have to be admitted somewhere if he tried that shit. 

Jimmy looks understandably confused but affirms, “I gotchu.”

And with that, Roman also pulls out his phone, scrolling through his contacts, selecting the thread and typing out a message he doesn’t really think twice about.

Roman: Dwayne. Change of plans. I’ll come when I can, but now’s not a good time. I have shit here I need to handle first.

Roman: In the meantime, take my name out their fucking mouths. 

————

“Why didn’t you tell me?”

And just like that, Solana knows that he knows what happened. Knows about Austin and Grayson.

And it turns her stomach. 

Roman took her back to the house. He left her alone, giving her time and space to come down from her breakdown. And even in sitting in her room, writing out her feelings about the day's events, she knew. Solana knew that it wasn’t that simple. That Roman wouldn’t just leave what happened today at that.

That he’d want to know what happened, what triggered it, but naively, she tried to convince herself he’s too busy of a man to deep dive and find out on his own. To push her for answers. 

She’s wrong.

She’s wrong because that’s the first thing to leave his mouth when he finds her in the kitchen. 

Roman’s question, however, is valid and understandable, even if just the thought alone of having this conversation makes Solana physically uncomfortable.

Still, given everything that’s happened today, she can’t blame him for wanting answers.

She just doesn’t have them to give.

Her voice is barely above a whisper. “I—I don’t know.”

“You don’t know?” His tone is full of mockery and frustration that she also can’t blame him for but physically finds herself feeling unsettled. “Bullshit. I want an answer, Solana.”

Her skin feels hot, stomach starting to knot. “I just—I don’t—”

“I can’t handle problems you have if you don’t fucking tell me that you have a problem in the first place.”

“I’m sorry—”

At that, Roman snaps, unintentionally, but also a build-up from all of the day’s events. “Stop fucking apologizing!”

What he doesn’t expect is for her to jump back away from him, so much so that she falls to the floor and hurriedly moves back against the cabinet, as she shouts in a panic, “I’m sorry!” Her arms are crossed in front of her body, a defensive position, like she’s waiting, bracing.

Waiting for him to hit her.

Roman’s been in this position countless times. Standing before people as they begged for mercy, begged for him to not enact his vengeance, to rule out his judgment as judge, juror, and executioner. And it’s always been a thrill for him, a boost to his ego, a reminder of his power.

And not once has he ever felt bad for causing such a reaction.

Not until this moment. 

With slow, careful movements, Roman also moves to the floor, one leg outstretched, the other hiked so his foot is planted on the ground. His arm casually resting on his knee. “Solana….do you remember what I said to you that day at your job?”

She's still waiting for the inevitable, waiting for him to lash out, for him to hit her. But, she’s confused by the fact that instead of him doing so just yet, he's sitting on the floor opposite of her. And somehow, she finds it in her to focus on his question. He said a couple of noteworthy things that day, but somehow, she knows exactly what he’s referring to.

“My…..my clumsiness.” Clumsiness he told her she wouldn’t have to worry about, but she’s been more than worried about it, more waiting for it, expecting it at some point or another. 

“And I meant that shit.” His head is leaned back against the cabinet, and Solana suddenly feels even worse. He seems so stressed out from all of this, from her. “You’re my wife now. I’m not going to let anyone lay a fucking hand on you. Not your dad. Not your brother. Not fucking Theory and Waller.” There’s a bit of a pause as he adds, almost quietly, “and especially not me.” 

Solana is unsure what to make of what he’s saying to her. Not sure how to process and take it at face value. It’s hard for her to digest the fact that one of the most dangerous and violent men in the country wants her to believe that he’d never put his hands on her. That he’s not someone she needs to be scared of. 

And she doesn't understand it, can’t comprehend how he can not be like every other man in her life. “W–why?”

“Cause unlike your piece of shit family, The Bloodline has morals. I’m not a good man, Solana, and I don’t pretend to be. But, I’ve never hit a woman, and I never will.” Roman never pictured himself having to explain to a woman why he has no desire to beat her. Yet, here he fucking is. “Real men don’t do that shit.”

Solana doesn’t know what to say to that, is still not sure what to say to any of it. But then, Roman is speaking again.

“It’s no secret. I have a temper, and that’s not going to change. I’m not going to change. Not for you, not for anyone.” Solana knows this, knows this very well, and understands it just as much. She would never expect him to change his ways, especially for the likes of her. “But, I—I’ll try to be mindful of it around you.” 

That…..throws her for a loop. Why? Why would he do anything for her? What has she done to make him even feel like he should? Except stress him out and cause him unnecessary problems.

Roman continues, asserting, “but, you’ve gotta start fucking telling me shit. I need you to meet me halfway here. I need you to communicate with me. You can’t spend the rest of your life writing what you refuse to say out loud.” 

She licks her lip, a nervous action, replying as best she can, “I’m not—I’m not used to—” She’s not used to people caring about her, caring about her wellbeing, and maybe that’s too strong and too inaccurate to describe what Roman is saying. It’s certainly how it feels though. “I—I’ll try.”

He seems pleased by this, probably not fully satisfied but enough for him to drop the subject. And she appreciates that, and is thankful for it. This day has already been a lot, too much. She’s so fucking tired. 

Roman says nothing else, not that she needs him to, not that he needs to. But, as he stands up, turning to leave, she finds herself asking him, “where—where are you going?”

His answer is simple but ominous. “I told you. No one lays a hand on you.” He grabs his jacket off the sofa, sliding it on as he vows, “I’m gonna make sure everyone understands that shit from here on out.”

—-------

Asylums, historically, have been places of horror. Where the lives of so many end in cruel and undeserved ways. Screams and pleas falling on deaf ears, memories of terror forever etched in the walls and halls of a building that’s only seen suffering.

It’s a fitting name for Roman’s location for interrogation. 

Torture. Because there is no being interrogated by the Tribal Chief. It’s just straight up, unadulterated torture. And truth be told, it’s a bit of a last, or maybe second resort. Killing someone in the moment is much easier, preferred. A shot to the head, a knife across the throat, even the snap of a neck. All much easier than methodical, drawn out ending of lives.

But some instances, some circumstances call for something more, something sinister, something lasting.

And that’s exactly what Theory and Waller are going to get.

By the time Roman walks into the building, sliding and tossing his jacket to the side, the twins have done a decent job roughing them up. One of them—he could never tell the difference—nor did he care or will it matter in a few hours, has a black eye that’s swollen shut. The other’s nose is crooked and bleeding, most likely broken. Their clothes are already stained with sweat, blood, and dirt. 

They’re both tied down by their wrists and ankles that he can see have started to dig into their skin. Their chairs are situated opposite each other. Good. That’ll make this even better. Calmly, Roman walks over, snapping his finger as Jimmy and Jey step back, visibly pleased with their warm up. 

He crouches down between them, looking back and forth between both with a smirk. “Gentleman, I don’t think we’ve been introduced.” One of them, the taller of the two looks scared shitless while the other is glaring with idiotic defiance. Like he clearly thinks he and his friend are going to leave this building alive. 

They’ll leave.

Just in pieces.

“I’m Roman.” His voice is slick ice. “Roman Reigns.” There’s a rush of adrenaline that soars through Roman’s big body seeing the fear flash in both sets of irises. Good. They should be fucking terrified. “But, I do know someone you have met.” His voice goes cold again. “My wife.”

“Actually, I saw you meet my wife, but you didn’t just meet her, did you?” Roman smiles, shaking his head. “Naw man….ya’ll did a hell of a lot more than that.” 

Roman doesn’t need to have footage of just what happened in that locker room. He can paint the image all on his own, and it’s an image that makes his blood go cold. The footage of them in the hallway was damning enough. “You cornered her, didn’t you? You waited until she was alone and vulnerable and you harassed her. You sexually harassed her. My wife.” 

Roman shrugs, looking between the two. “What ya’ll think should happen?” Their mumbled and grumbled voices are incoherent against the gags in their mouths. Laughing quietly, he continues, “now, now, I’m a fair Tribal Chief.” Roman stands up, walking over to the wall of tools and weapons laid out. He settles for the hunting knife. “So here’s what I’m gonna do, I’m gonna let you tell me which body part goes first.”

He motions for the twins to remove their gags and upon that removal, the defiant punk is the first to speak, “what the fuck is wrong with you!”

The other one, however, is damn near in tears. “Pl—please. We–we’re sorry.”

“Shut up, Grayson! He–he’s bluffing.” Theory, he thinks, decides to prolong his torture even longer by reiterateing, “we didn’t even fucking touch her. The bitch is ly—”

Roman sees red, again, most likely a buildup of the day's events. But, it’s pure rage that fills him as he slams the Buck 119 down against Theory’s left hand, cleanly slicing off four of his fingers. 

Theory’s screams fill the room as the twins chuckle, Jey taunting, “who’s the bitch now, huh?”

Roman grabs his chin, vowing, “I’m gonna make you suffer the longest.”

“We didn’t hurt her, I swear.” Grayson is now crying, clearly ready to beg, plead, and whatever else it takes to get him out of this hell. “Austin just—he had her up against the locker, he–he pinned her, but we didn’t rape her. I swear!”

Grayson unintentionally paints a picture in Roman’s head of what he already figured is what happened, what he figured is what sent Solana into her traumatized state.

Big mistake.

Roman brings the knife down on both of Grayson’s thighs, intentionally aiming for near the top of his knees, his quadriceps, effectively rendering him permanently paralyzed. His screams of pain are music to Roman’s ears. Roman grabs him by his jaw, screaming, “who the fuck do you think you are! She’s mine! You hurt her and think I’m not gon break every bone in your fucking body? You don’t ever fuckin touch what’s mine! You understand me!”

The younger man is practically hysterical at this point. “Please….” Roman looks down, hit with the stench of urine, seeing that the one with the accent has pissed himself. Disgusted, he backs away, hitting the pathetic son of a bitch with a blow across his cheek that sends teeth flying out his mouth.

He turns back around, eyes focused on a now teary eyed Theory. “I was going to be fair, let you decide in which order I dismember you, but now…now I’m just gonna make you watch as I kill you both, piece by fucking piece."

He looks over at his cousins who seem completely unaffected and almost indifferent to the gruesome scene unfolding before them. “Jimmy.” Roman doesn’t hesitate, a sadistic smile on his handsome face. “Give me the saw.”

—------

Blood is such a pain in the ass to get out of almost everything. 

Roman showered a good twenty minutes before leaving the Asylum, and he can still see specks of dried blood, or maybe it’s bone, or flesh. 

There’s a sense of satisfaction that fills him though, that almost calms him as he imagines the look of pure terror and fright on their faces as he methodically took their lives, piece by piece. Well fucking deserved in Roman’s opinion.

And he’d do it all over again if he could.

Minus the blood and guts and shit, because that's just fucking annoying. Roman readies to take another shower, hitting the light switch near his bedroom door when he immediately notices the brown journal sitting in the middle of the bed.

There’s a second to pause and another second for him to realize he’s seen a similar book before. Solana. He’s seen her writing in one very close to the one on his bed. 

Less apprehensive, Roman walks over to see it’s open to a page filled with neat writing he knows must belong to Solana.

Lifting it, he reads what she’s written.

Roman,

I know you don’t want me saying sorry anymore, and I know you want me to talk to you, but it’s really hard for me. I’m not used to this. I don’t know how to talk to you. 

And I know you said I can’t write, but writing has always been the only way I can express myself, so I will try to talk to you more, but….until then, can I just write?

Solana

Right off the bat, Roman’s first and initial response is no.

Because why the fuck would he write like something out of a damn movie when she could just fucking talk to him?

But, that’s the thing, that’s exactly what she’s trying to express to him, that she can’t, that it’s too hard for her. Right now, at least. Because there’s also a promise, a promise to try to transition to more verbal communication, Roman’s preference.

Granted, he hates talking to most people in general, but it’s preferred over writing damn letters like the 1700s.

And then he thinks about it, recalling earlier today and the pure terror in her voice, the fear wracking her body so much so that she didn’t even realize she was this close to third degree burns. He has to be realistic here, realistic about what she is and isn’t capable of.

As frustratingly slow as it is, she is trying, in her own way. He can’t fault her for that.

Regardless of how he feels about it, this is the best she can do. For now. And he’ll hold her to working towards that, because growth doesn’t happen in comfort zones. She has to get used to being uncomfortable with new things. That’s just how it is.

But this….he can meet her halfway.

Grabbing a pen out his nightstand, Roman writes out his response, taking and laying it out on the kitchen island for her to see first thing in the morning.

Solana,

I recognize communication is challenging for you. If this is what works for you, I’ll do it. For now.

Do you work this weekend? If so, call off. 

I’m taking you somewhere.

Also, there's nothing you can't tell me.

I promise you that.

Roman

[praazlwurm]

Giratina's Temple and the Celestica Ruins

aka Giratina/platinum clan theory is back (also sorry for using mspaint lmao)

So we all know about the Shrouded Ruins, yeah?

(This is the only spoiler warning for Pokemon Legends: Arceus you're gonna get)

Spooky. Ever-cloaked in mists and mystery, surrounded by black-stoned cairns like graves and home to the giant Odd Keystone that once (?) housed 108 souls. Very ghost-centric.

Well what if I told you it was a temple?

Greco-roman temples (and, problematic or otherwise the celestica are absolutely greco-roman coded) are constructed relatively uniformly, with an outer later of columns holding up the roof and an inner layer holding up an internal structure, providing additional support, ect.

We have a perfect in-game model to project from, too, in the Temple of Sinnoh (pre-explosion). You can see that some of the smaller columns are sometimes decorative - likely they held up torches or, in the case of the two nearest the 'altar,' offerings

So knowing that style and having the remaining structures we do see in-game, we can approximate a lay out of what the building may have looked like.

What makes this a temple, however, is more open to interpretation. My evidence to support that it is is actually the blue-tinged pedestals seen within the outline of the building - the place(s) of honor in any temple. Irl, the inner structure - the cella - was often fully-walled in, though sometimes this was constructed via wood and other materials that don't withstand time.

Now, ENORMOUS shout-out to pokemaniacchris and the incredible Crimson Mirelands Archeological Survey Project for a really detailed, in-character breakdown of the ruins structures throughout the mirelands. I can only assume the 'surveyors' hadn't reached Mt. Coronet yet in their explorations.

Pedestals like these (at least superficially similar) are found beneath dozens of statues around Mt. Coronet, including beneath Giratina, Palkia and Dialga in the Sacred Plaza area. Now, I know I'm supposed to be claiming that this is a temple to Giratina, but if we work on the assumption that the four pedestals corollate with Giratina, Palkia, Dialga, and Arceus, a new conclusion can, perhaps, be drawn:

That whoever built this temple saw all four of them on the same 'level' of power or -- and this is my hc taking over -- if the statues were placed in a certain orientation (see below) that they saw Arceus and Giratina on equal footing, with Dialga and Palkia one rank below.

And there is, imo, more evidence to support this disruption of the 'creation trio' into two pairs on equal footing, found in the Celestica Ruins! So, among the structures there are two notable, circular buildings that the Greeks also utilized, called tholoi (plural). Irl, tholoi were a mix of secular-use and small-scale temples, and seeing as these two are small (maybe 10ft across inside?) I would maintain the claim that they're small temples.

And they align/mirror each other just as the statues of Palkia and Dialga do.

This part becomes pure conjecture, but I like to think the smaller structures in the ruins might be other small-scale temples for the various mythicals, honoring each much as the Greeks honored a pantheon.

Lastly, the CMASP describes the "Gapejaw Bog Complex" as being potentially an entire agora all its own and I can't agree more. Such evidence would support the idea of there being two groups of Celestica (Note: Not the Clans.)

I actually found myself wondering if the mirelands weren't always quite so swampy, and instead flooded at some point in the past with the depressions around Gapejaw - left by housing foundations - filled in with swamp water.

At the end of the day, I think there's a lot of evidence that the Celestica revered Giratina as well as Arceus, Dialga and Palkia - at least early on. Something happened to cause this schism, and the Old Verses/Plate inscriptions point to an outburst of rage from Giratina -- though, in "pick a god (and pray)" I actually argue it was mispercieved on the part of the Celestica and this misperception is what caused Arceus to despair and withdraw.

Open to discussion!! fellow nerds please interact!!

[a-little-nerdy-dude-with-wings]

TW: Discussion about Roman’s possible ED

Something that I think doesn’t get talked about very much is everyone asking/commenting on Roman’s condition pre-pilot/the pilot.

Like we know that he was out of the company as things weren’t working out at the studio.

But they are also commenting on his appearance, saying he looks fantastic. Now this could just be Logan being polite as he’s not seen Roman in a while, but he hasn’t seen Shiv or Connor either and doesn’t comment on their appearance. And he never brings up appearance later on.

I have a theory that it was more than just Roman being a bad fit and maybe he had a breakdown or even possibly a bad period with his body issues which the show alludes to at other points

I have a theory that it was more than just Roman being a bad fit and maybe he had a breakdown or even possibly a bad period with his body issues which the show alludes to at other points

And also the way Roman kind of shows himself off after Logan compliments him

Almost like “Yeah Dad look at me now, I’m doing great”

But as he gets roped into the company again, scenes suggest that not everything is okay

[armenianwriterman]

RWBY THOUGHT TIME!

God it is so upsetting to see Ruby like this

Also, I know you're having a severe mental breakdown, but how dare you yell at Little like that.

The spotlight on Ruby is a very interesting visual device

IS THAT THE FREAKING ROMAN HOLIDAY VANILLE FAMILY PORTRAIT?!

Talking Roman portrait is definitely not where I expected this episode to go.

Oh my god I theorized there'd be dead character illusions but GOD I didn't think it'd be true.

I like how that little talk with WBY

THAT FUCKING PENNY SPEECH?!?! THAT WAS SO FUCKING RUDE?! LIKE YOU DIDN'T NEED TO DO THAT CRWBY!!!

Oh that Oscar moment was sadistic (probably should've expected that from Neo but still).

NEO I AM GONNA ISEKAI MYSELF INTO THE EVER AFTER TO BEAT YOU UP FOR DOING THIS TO RUBY (and probably lose horribly but still)

I FUCKING KNEW THAT CAT WAS EVIL!!!!

OKAY I ACTUALLY HAD A CRACK THEORY THAT THE BROTHERS MADE THE CAT AND I WAS RIGHT!!!

LITTLE COMING IN CLUTCH AGAINST THE CAT LETS GOOOOO!!!!

THERE IS NO FUCKING WAY THEY JUST FUCKING KILLED LITTLE?!?!?!?!?!

RUBY DRINKING THE POISON RIGHT WHEN THEY ARRIVED?!?!?! WHAT THE ACTUAL FUCK IS THIS EPISODE?!?!

DON'T YOU FUCKING DARE TRY TO MAKE ME FEEL SORRY FOR NEO AFTER THAT SHIT!!! I'M SORRY BUT THERE IS NO FUCKING WAY YOU CAN MAKE ME DO THAT ESPECIALLY NOT IN THE SAME EPISODE.

JESUS CHRIST THE CAT POSSESSING NEO WAS ACTUALLY HORRIFYING

WHAT THE FUCK IS THIS SHOW?!

[hallo-anon]

Gaz, reading graffiti: "I fucked your mom shitless, Roman's 12:24"

Soap: Yeah, I'm pretty sure I remember that one in the Bible

----------

Soap: Did you ever get a nap hangover from napping too hard? That shit is real

----------

Ghost: Being mentally ill is weird

Ghost: I can go through traumatic shit with a poker face

Ghost: But then have a mental breakdown over losing a pen

----------

Horangi: Anxiety is literally just conspiracy theories about yourself

Konig, about to rethink his entire life:

----------

Ghost: Maturity is losing interest in everything

Price:

Price: That's depression Simon

----------

Ghost, who is having a very loud argument with Soap: Arguing with me is pointless. I knew I was wrong ten minutes ago! I'm just trying to piss you off now!

Soap: Well, it's working!

Gaz, talking to himself: Really? Hadn't noticed

----------

Ghost: I respect all people

Gaz, dreading where this is going: Okay?

Ghost: Trans, straight, gay, bisexual, BUT

Gaz: Here we go

Ghost: If you're a fish, I will show no respect!

Ghost: No mercy and no remorse!

Ghost: I will pluck you from your homes and use your flesh to feed

Gav, worried, amused, and disappointed all at the same time:

----------

Gaz, trying to get Soap to leave him alone: Just give him the ol' JFK

Soap: The what?

Gaz: Messy head in the backseat of your car

A very, very horrified Laswell:

----------

Ghost: Something's off

Soap: How so?

Ghost: Something's wrong

Soap: What?

Ghost: Something

Soap: Like, can you give me a general idea

Ghost: Something

----------

[thefandomenchantress]

So I know I’m a little late to the party on this one, but I wanna talk about the David MV.

I finally decided to watch that nearly three hour video on the Literature Girl Insane MV, (by @/1moreff-creator) and HOLY SHIT IT’S SO GOOD. I wish I watched it sooner and wonder why I didn’t, I watch almost exclusively 1+ hour videos about random topics I know nothing about, and now there’s one for something I care a lot about! Why didn’t I watch immediately?!?

But my lapse in sanity aside, it finally got me motivated enough to talk about the David MV!

…Except only the part about Ace because of course that’s all I want to talk about. 9 out of 10 of my posts are either about him or have him involved somehow.

Anyways! Here’s the part I find very interesting!

This is arguably where Ace is most relevant, and therefore it makes sense I want to talk about it today.

Now, first things first, the Roman numeral. V (five) is Ace’s Roman numeral, as assigned by the crossword. The line attached is:

“Right now, why do you go insane?”

Which definitely fits. Ace could easily be framed as going insane, because he has mental breakdowns at a worryingly high frequency. Him and Veronika (who this might also be referring to if color theory is to be believed) are basically assigned the role of being seen as mentally unhinged within the class.

(…Ever think about how weird it is that the title is Literature Girl Insane, implying the star of the MV, David, is going insane, yet Ace is the one getting called insane, possibly by David? I think that’s interesting. But let’s get back on track.)

As established by other Roman numerals, the words in the background when a numeral shows itself also apply the character attached to said numeral. This is most obviously shown in the line near the top of the photo.

“A cat has 9 additional lives”

This is also easily applicable to Ace, since he survived Nico’s murder attempt against all odds. If Eden and Teruko hadn’t just so happened to be on the 2nd floor and walked into the gym when they did, he would’ve died. While the actual methodology of Nico’s murder attempt is unknown, it’s also possible that him even surviving long enough for Teruko and Eden to find them was a miracle. Either way, it fits.

The last quote on-screen intrigues me the most. It’s a quote from Hamlet.

“I am but mad north-northwest. When the wind is southerly, I know a hawk from a hand saw.”

Now, first let’s look at just those words, without further context. It’s important we know what the words themselves mean before we do anything else. Let’s start with the definition of north-northwest, since that word is pretty important to the quote.

I’m sure most are familiar with north, east, south, and west. The four main directions on a compass. As well as Northeast, Southeast, Southwest, and Northwest. That splits the compass into eight directions, splitting the sections of north, east, south, and west in half.

Similarly, north-northwest is a direction that comes from splitting the compass into sixteen parts. It’s the half of the northwest section that’s closer to north.

Next, what the hell does “I know a hawk from a handsaw” mean? It’s almost half the quote, so it’s important we know.

Well…*extremely loud sigh* Shakespeare, as you know, was alive a very long time ago. As such, he writes in old-time-y English that’s hard to understand. And this quote has the misfortune of being something people argue over the translation of, at least as far as I could tell while researching.

Some people think Shakespeare meant a heronsaw, a type of bird, not a handsaw. Others think that no, he meant handsaw, but heron, in his time period, was also a common word for a tool that holds plaster/mortar/etc..

Either way, Shakespeare was probably referring to two types of birds, or two types of tools, which have key differences from one and other. I don’t think which one the DRDTdev thought was right really matters in this instance, since the quote makes sense either way. 15/16s of the time, Hamlet (the speaker of the quote) is sane and can tell two birds/tools apart.

The quote is, in summary, saying that Hamlet is mad only when it’s north-northwest, aka 1/16th of the time (I’m not sure if that somehow connects to there being 16 participants in the killing game, but I’m going to assume it doesn’t). The other 15/16s of the time, Hamlet is perfectly sane, thank you very much.

So, without context, this quote is saying that Ace is only insane 1/16th of the time. The rest of the time he’s sane.

Next, I think another important thing we have to do is take into account the whole screenshot as a whole. By that I mean we should not only look at each line individually, but how they relate to each other. In bold is the “why do you go insane?” Line, and to the left, in a font that blends more into the background, is the Hamlet line.

There is a contradiction of opinions here. One person says, “Why do you go insane?” while the other insists they’re only a little bit insane.

This could be referring to the opinions of David and Ace. After all, one could argue it was David underestimating Ace that led to his secret being revealed. David doesn’t bother being careful around Ace in the trial, despite Ace’s volatile nature. He piles suspicion onto Ace by saying it’s weird he didn’t see him on the second floor the night before the murder, even though it isn’t. After all:

Ace was in the gym. David was in the relaxation room. Those are on opposite sides of the floor, so of course David wouldn’t have seen Ace. He didn’t even have to walk anywhere close to the room Ace was in. But David saying this information like it’s weird and suspicious makes everyone else think it is.

David thinks: But what’s Ace gonna do about it? Somehow get the whole class on his side, even though almost everyone likes me more? Is everyone really going to trust the mentally unstable (one could say insane), dumb, cowardly jockey over me?

Yes, yes they will.

All this is to say, David, in the grand scheme of things, doesn’t really care about Ace throughout chapter two. He steals Nico’s secret from him, antagonizes him in the trial, and doesn’t care. Ace doesn’t matter. Ace, of all people, can’t be the one to ruin him. So who cares if Ace dislikes him? Ace is of no use to David, and Ace certainly isn’t smart enough to figure out David’s scheme. This is what David believes.

However, this leads to him not taking Ace’s volatile nature seriously enough, believing he is above the harm of someone like him. But hey, even a pawn can play a vital part in checkmating a king.

When David pisses off Ace, believing Ace can’t do anything besides get angry, yell, and make himself look more suspicious…That turns out to be a crucial mistake that ruins everything.

…Y’know, the irony of the class idiot being the one to beat the so-called master manipulator will never not be funny to me.

Anyways, we can sort of apply this to Hamlet, too. If Ace is Hamlet, since this is Hamlet’s line, and David is Claudius, his father-in-law, we do have a pretty good parallel.

Claudius, who secretly killed Hamlet’s father and then took his throne, is secretly not as righteous as he seems. However, Hamlet finds out about Claudius being the one who killed his father and seeks revenge. Claudius thinks Hamlet to be mad, but when Claudius isn’t around, Hamlet says, “But my uncle-father (Claudius) [is] deceived. I am but mad north-northwest. When the wind is southerly, I know a hawk from a hand saw.” Eventually, Hamlet kills Claudius. So in DRDT terms, Ace finds out about David’s manipulation, David is unaware of this, and Ace eventually kills David’s public persona. Obviously this is an extreme simplification of the plot, but still.

…Of course, there’s also a chance this contradiction of opinions isn’t about Ace and David specifically. After all, David isn’t the only one to boil Ace down to his core traits of “dumb, angry, overall not a well-adjusted individual”. The whole class does this, at least for the most part. This Hamlet quote could just be trying to say what Ace has been saying. That everyone sees him as a loudmouth, stupid, cowardly and nothing more, when in reality there’s more to him than that.

I might have gone a little overboard with this part…I got excited…Hopefully this all actually makes sense, I had to revise some of this post because it got ramble-y and overall pretty cluttered.

So yeah. Here’s my (very late) contribution to the David MV discussion. Here’s what I think Ace’s part means. If you want me to elaborate anywhere, feel free to tell me, or if you want to tell me your thoughts, I’d love to see that!

[inevitably-ineffable-husbands]

Crowley's Past: Was He Archangel Camael?

With S2 now having been out for a few weeks, and the theories running wild, I think one of the unanimous beliefs within the fandom is that Crowley was SOME sort of Important Angel Before™. I touch upon the MANY clues in the various parts of my initial GOS2 Thoughts Meta, so I won't go into too many of those here, but inevitably this separate meta started out as the pulling-and-expanding-upon of the Archangel Crowley theory, primarily the "Raphael" theory, since I have loved that theory to bits since its inception early post-S1.

That was until my friend Peter finished watching the season early last week, and presented to me an alternative theory as to Crowley's identity that I thought deserved its own post breakdown, since I haven't seen this theory before.

NOW, I should make it clear I haven't been as DEEP in the fandom as many of y'all since S1 aired, so it's probably come up before S2 as just a light mention, but I personally haven't seen anything, so what follows is a joint speculation between my real-life, not-in-GO-fandom-spaces-whatsoever friend Peter, and myself, with my contributions being the expansion of his theory and linking it to what we already know.

The theory is this: Crowley might actually be Archangel Camael.

Please, PLEASE note that I am aware that authors and writers change things for creative liberty and originality, so please take this entire theory with a grain of salt (or go nuts with me, I'm happy either way!).

I'll TRY to keep this concise, but y'all know me. You can skip right to the "Conclusion" for a point-by-point breakdown if you don't want to read everything, but I hope you'll at least give me a chance to explain within the body of this meta.

I apologize in advance if any of my thoughts are a bit scattered. Here we go:

The Initial Text

Here is the initial text Peter sent to me after he finished watching S2 (and this was after I mentioned that the popular running fandom theory is that he's actually Raphael):

Okay… well - disclaimer I did not go to religious school and my biblical studies were a great many years ago. As I recall Lucifer was not one of the 7 archangels - he was meant to be but he rebelled before he was appointed (and there is some wiggle for a fictional story). So, based on what we have seen Crowley was one of the 7 but he hung out with the wrong people and asked too many questions. He never says his real name when we see him as an angel it is comically dodged - for a good reason. Crowley has a login and proves he had clearance way above a level 37th angel. He can see the top most important meetings… like he may have been allowed to attend in a previous life… And one line sticks out to me “one fallen prince has already gone to Hell. Two shows a problem.” As I stated Lucifer was not a Prince - we are not talking about him. Gabriel was banking on going to Hell like his “brother” - I’m guessing Camael, the one who Sees God - who ironically has cursed eyes now as a demon - the Prince of Fortitude (also Love and Charity). He often breaks his demonic spirit in cases of charitable needs or love. Crowley is one of the big Seven to be entrusted with creating the cosmos ;)

Naturally, this had a lot of things click for me, and I'm going to break them down below, with my additional research into the points that Peter made since he mentioned that he was going off memory.

Who Was Cameal?

When Peter mentioned this angel, it boggled my mind that I never actually recall knowing of this archangel. I went to a Roman Catholic school up until Grade 12, and with that comes Religious Ed classes, which also feature World Religions in the later grades. Funnily enough, I found out WHY I never heard of Camael:

Camael is not recognized by the Catholic Church due to the Vatican's decision to ban the veneration of angels not mentioned in the Bible [SOURCE]

Kind of explains why I only heard of Gabriel, Michael, and Raphael (which now adds another layer to a theory I will cover further down in "Does Crowley Remember?"), then.

Reading further:

[He] is the Archangel of strength, courage and war in Christian and Jewish mythology and angelology. [SOURCE] He is claimed to be the leader of the forces that expelled Adam and Eve from the Garden of Eden holding a flaming sword. However, in iconography he is often depicted holding a cup. [SOURCE]

A Flaming Sword, you say??? Interesting. Here's a good place to point out that there IS also a theory that Crowley and Aziraphale are one single archangel that was split into two (and Gaiman has stated that in original drafts of the original book, they were at first one character, so this fact might be an afterthought of that original idea). Also, interesting that this angel is depicted with a cup, traditionally used in Christianity to depict wine, which is Crowley's drink-of-choice. So, there's that.

Another standout point for me is the Adam and Eve bit (which I bolded above). The Snake of Eden is TECHNICALLY the instigator (the "leader") who encouraged the expulsion of Adam and Eve from the Garden. "Forces" in this reading of it could be the metaphorical definition of it; the knowledge of good and evil, and the desire to see beyond the Garden. AND also the Flaming Sword itself BEING the object of force given to the couple for protection.

Furthermore, Crowley's a strong and brave character, given all the shit he endures time and time again. Strength (and bravery for that matter) can mean many things: emotional strength, physical strength, possibly also a strength of character and an unwavering belief in the values one holds dear. I should also note that it's interesting that an angel of war, should Crowley indeed be this character, wants nothing to do with a war and is actively trying to stop one: an angel of War can absolutely NOT want a war, because he knows it's wrong.

And without the Angel of War up in Heaven to PREVENT any war at all? Well, they would just get all willy-nilly crazy on the idea of War without having any pushback on it, wouldn't they?

Kind of like how Gabriel was to be demoted (cast out) for denying Heaven a War. Funny old world, isn't it? Seems the parallels write themselves.

What's in a Name?

Because Peter mentioned the name meaning, I had to look into it myself, and indeed, one of the various meanings of Camael is apparently "he who sees God" in Hebrew.

As Peter stated above, I think this is very significant because it's seemingly only Crowley who has "demon" eyes that he himself cannot change. It's the ONLY part of him that always remains a constant, and why he is forced to hide them. We know from S1 and bits of S2 with Shax that other demons can change their eyes because we see them mimicking other humans time and again without the black eyes if they choose to.

Crowley's eyes could have been cursed specifically because was ordained as "the one who sees God" and possibly was the ONLY angel who ever "saw" a physical God in the literal sense (it's implied in the show that no one actually SEES a physical god). It's possible that Crowley being cast out literally burned his angelic eyes and left a visible scar that can't be fixed or erased – a forever-reminder of what he did and can no longer do. AND as the one who sees God, he indeed was a very high-ranking angel.

In the GO universe, I suspect he was indeed the FIRST Supreme Archangel, tasked with creating God's Vision (HAH) of the Universe. And when Crowley questioned what the point of creating such beauty was only for it to be destroyed, God (or, I suspect more likely, the other Angels) saw it as Crowley questioning their "vision" in the metaphorical sense.

Does Crowley Remember?

In light of Season 2, and some interesting exchanges and moments of Crowley with other angels, some people speculate (and as I watch the series more, I'm starting to also agree somewhat) that Crowley may not remember everything from Before.

Now, while I do like this theory a lot, and it makes sense with the context clues from S2, I don't think it's that he doesn't remember anything at all, however, as many versions of the theory postulates.

My speculation is this: what if, by having his Angelic Name removed from recognition in the Bible, and going through a similar Trial to Gabriel, THEN by Falling the traditional way, the memories are still there, but they're just a bit fuzzy and scattered? It could also explain why some of the other Archangels DON'T remember him... he was removed from the memories of other ranking angels (Saraqael is the only angel to seemingly remember who Crowley was, so I postulate that she WASN'T a top angel until fairly recently, because of the named angels in the next section).

The show brings up the Book of Life in S2 on several occasions, leaving me to believe that this will be an important item in the next season. What if the phrase "it will make it like you don't exist" literally means "don't exist in memories"? Maybe a Book of Life 1.0 existed at one time, and everyone who Fell was forgotten because their angelic names were removed. Because wouldn't that be more awful than never having existed? Remembering that you WERE something or someone, you had a name that you can't remember, that you WERE important to people and events, and having everyone around you who you considered family forget who you are? It's its own kind of personal Hell ... kind of like George Bailey in It's a Wonderful Life, a movie that references angels, funnily enough. And Crowley remembers the furniture being there but not where it all belongs. I think his memory haziness is also a side effect of Falling the traditional way (burning sulfer and all that jazz, possibly causes trauma amnesia?).

It's a stretch here, I know, but I thought I would put this one out there as a possibility as to what it could mean (given that Gaiman and Pratchett tend to "play on words" a lot, I think it is worth mentioning this as an alternative meaning).

In S2, when Gabriel was sentenced, the Trial stated that Gabriel would forget his time as Gabriel, but not his time as an angel. I think a similar thing happened with Crowley, only much more violently with the "burning the eyes out" and "staining his wings black" thing.

My friend Peter mentioned that the show avoided Crowley's Before-Name "to a comical degree". I reckon, rather, that Crowley just simply doesn't remember his Angelic name, and his changing of his demon names is him possibly trying to find an identity. I think he recalls it having started with a "C", maybe? And now he's a snake, so he's kind of crawl-y, must be "Crawley". As time moved forward and as he learned more and more about humanity, he changed is namee to fit in better. Having a full Human-esque name makes him feel more connected to the Humanity he prefers.

And because I'm a romantic sap at heart, I think he enjoys spending time with Aziraphale because perhaps some part of Azzie's presence helps Crowley remember bits and pieces of his broken memory. He is LITERALLY Crowley's Emotional Support Angel – remember Shax can read into people, it seems. Azzie brings comfort to him, and seeing another Angel that also questions the choices Heaven makes allows Crowley to feel less alone.

The Original Seven Archangels

It's brought up a couple to several times in S2 the point that "God loves sevens". I actually couldn't remember why Seven was such a big Biblical number so a bit of quick Googling reminded me that "Seven [...] communicated a sense of “fullness” or “completeness” [...]. This makes sense of the pervasive appearance of “seven” patterns in the Bible." (SOURCE).

And of course, after Peter had mentioned it, I had to look a bit more into who the Original 7 could possibly be. Wikipedia mentions it could be Michael, Gabriel, Raphael, Uriel, Camael, Jophiel, and Zadkiel.

Peter was correct in his assumption that Lucifer wasn't one of the original 7 archangels, so that leaves us with Raphael, Camael, Jophiel, and Zadkiel, if we're assuming that Crowley is one of these top Archangels.

I would also like to speculate that "God likes 7's" could also mean (if you allow me to reach a bit) "God's favourite angels are the initial 7". If Crowley happened to be one of these 7, it could explain why he's able to get into Heaven without raising alarm at all, why he still maintains his immense power that set off alarms in Heaven when it was used purposefully against Heaven, why he was able to access the Gabriel Files, and why Sarqael allowed Crowley to continue watching the Trial (because if God allowed Crowley access even when he's no longer an angel, then Sarqael has no reason to believe that he's still not important to God).

Perhaps, in Modern Day, only having four archangels making the decisions symbolizes that, indeed, God's not really calling the shots anymore – and hasn't been for a long time – and that the whole system is all broken and not complete.

It also begs the question: if Crowley was one of the Original Seven (if they are indeed going to go in that direction), what happened to the other three? Did they also suffer the same fates? Were they turned to Scriveners just like Gabriel was to be?

Here is where I will also throw out there that my random thought that Muriel possibly also may have been one of the other three, as my own expansion of this theory, but I digress.

Anyway, I think I found the original Fandom Wiki that Peter quick-referenced when doing his quick message to me, and it's very interesting:

How they were founded as a unit is unknown, but it is said that it happened during Lucifer's rebellion. When Lucifer rebelled against God, one entire choir of angels followed him and was lost. Many angels from other choirs also followed him in his rebellion. It is revealed that Lucifer was meant to be apart of the Seven Archangels as well, however, since his fall he was replaced by Camael. 

Disclaimer here that I understand that Fandom Wiki isn't THE BEST resource, but we're also talking about a fictional story that loosely references actual scripture, so I think it's valid enough, heh.

But I bring this point up because Peter links it to Metatron mentioning the "Prince of Heaven" falling, as Gabriel as being "another" one. "Another one" what?? We have to assume that Metatron means another "Supreme Archangel" as holding the title of "Prince of Heaven", meaning Gabriel was NOT the first and only Supreme Archangel. I don't think Metatron is referencing Lucifer here. In fact, they deliberately avoid saying a name. We just ASSUME that it was Lucifer because that's the "common knowledge".

If GO is going to reference the theory that Lucifer actually fell BEFORE becoming an Archangel, then that means in my theory Crowley became his replacement of the Original Seven. And given that he was possibly the One (and only angel, in my above theory) Who Sees God, he was in-turn given the position of Supreme Archangel, charged with creating, again, God's Vision of the Universe.

I think having Crowley be the one who witnesses Gabriel's Trial is important if we're going on the theory that they are mirrors of each other in S2. What if:

Crowley ALSO had a similar Trial when he questioned God (or the other Archangels) about "what's the point of" the destruction of the universe, then subsequently saying "nah" to having Armageddon 6,000 years before the events of S1?;

In said Trial, Gabriel was a presiding member, and, given that we know his prior cruelty from S1, he voted on Camael being cast out in a vicious and cruel fashion "for betraying God". Thus, his eyes burnt and forever scarred to prevent him from ever seeing God again, had his name and memories removed from the Book of Life, and sent to on a one way trip to Hell. I speculate this because Trial-Gabriel certainly believe he was going to "Fall" that way. I'd also wager Camael/Crowley was the last angel to ever "properly" Fall, which is why the modern angels still think that they do it this way, rather than the way they planned for Gabriel. I realize that this point DOES contradict my theory about the other missing Archangels quietly being erased and reassigned, but perhaps BECAUSE Gabriel is SO High up the chain, they HAD no choice but to make an example of him. Perhaps Metatron just quietly deleted the other Archangels' original names without anyone's knowledge.

We now know from S2 that regardless of an angel's status, the angels will veto against anyone who goes against their interpretation of The Great Plan. We now also know that the "Supreme Archangel" is also a "title only" job that has benefits only if you're going to go with the Majority Vote. And if you don't, they're going to make an example out of you.

And I reckon Camael/Crowley, just like Gabriel after, tried to "go his own way" (as quoted by the Metatron) and got banished for it.

Aziraphale really now has himself in a pickle, and I suspect that he will figure ALL of this out when he gets there.

And finally because this is the "Sevens" section of this meta, I also want to mention these "a-bit-reaching-but-still-plausible-theories" that I came across while I was researching:

This tweet speculates that Gabe is morse coding "7"

Michael tweeted 7 dots after S2 aired

CONCLUSION

While this theory doesn't outright bust the Raphael Theory (since there are some similarities with Crowley and Raphael within the theory), as well as the "he was Lucifer" theory (which I also really like, but Crowley mentioned in S1 he was "hanging out with Lucifer and the guys" before he fell, so... I'm more apt to not really run with this theory). BUT it does tie up a lot more things, and it connects things better than the Raphael one does, in my humble opinion.

The TL;DR of this entire post is this:

I think Crowley was an Archangel, that is the only CERTAIN thing I feel.

I think he was Camael, The One (and only angel) Who (Literally) Sees God. He was the First Supreme Archangel who created God's Vision of the Universe.

I think that Camael questioned the Council of Angels why they need to destroy beauty that God created. It didn't make sense to him.

They told him about Armageddon (the S1 one). As the angel of war, and as the Supreme Archangel who had final say, he said "nah". And he tried "to go his own way" to avoid Armageddon.

The Council and Metatron did not like this, saw it as blaspheming against God. Camael then had a Trial similar to Gabriel's.

I think this all happened shortly after the war that sent down Lucifer and the other rebelling Angels, so Heaven was still VERY tetchy about anyone who questioned God and The Great Plan. Because Camael was a Supreme Archangel, the original Prince of Heaven, this was seen as SEVERE betrayal of the Council. For the record, I think the "Before the Beginning" sequence takes place AFTER the War that created Hell.

My belief about the Book of Life is that its ACTUAL purpose is to remove people from being remembered, which is far worse of an existence for someone banished. A metaphorical interpretation of "removed from existence" simply could mean "and everyone forgot about you", à la It's a Wonderful Life, a movie that references "angels getting their wings".

Camael was sentenced in a way that would make an example of him to other angels to remind them of their place: He was cast out of Heaven, his angelic name erased from the Book of Life which caused his other Council Members at the time to forget him, and for him to have foggy memories in turn, although he KNOWS he was an angel (perhaps as a side effect of being cast out the traditional way, you are forced to remember that you once lived in Heaven). His eyes were burnt out to quite literally leave an unremovable scar so he could no longer "see" God and their vision, which explains why Crowley cannot ever change his eyes regardless of how he presents himself. He has to hide them away.

I think Crowley was the last angel to be cast out in this way. BUT because his ANGEL name was erased, none of the remaining Original Council angels (Gabriel, Michael, and Uriel) recognize him. I suspect Sarqael remembers him because she was NOT an Archangel at the time since she was not one of the Original Seven Archangels.

I also suspect that there are purposely missing Archangels for a reason, and the fact that only 4 rather than 7 seemingly run things symbolizes the problems in Heaven and that God has not been in charge for a long time. I think those missing 3 or 4 are actually Scriveners, who were quietly sentenced and erased by the Metatron, hence why Gabriel thought that he was going to be cast out like his predecessor. But because Gabriel WAS a Supreme Archangel, he HAD to be made an example of, just as Crowley before.

"Supreme Archangel" is a Title-Only job, and if you go against the Council, you are indeed made an example of. I think this is purposeful setup for S3 to show that Azzie is in DEEP shit.

EPILOGUE

I still want to expand upon my Angel Theory section from my S2 Meta, but for now, I am so pleased with how this turned out, and I hope you've enjoyed this Deep Dive into another Archangel Theory. I had a lot of fun with this one; I like learning about supernatural things, it's always interesting.

I am interested in others' thoughts on this theory, especially if your memory of your religious education is a bit better than mine! Feel free to expand upon this more, because I am an interactive blog, so it will be added to the post! <3

I hope you enjoyed, and thank you for reading!

[1moreff-creator]

Happy Birthday Arei Naegishi!

I am so bad at remembering birthdays I almost missed this one. But it's still the third in my time zone, so I'm still gonna do it! Arei's our birthday girl, and the best character ever (<- her opinion) gets a birthday post too! Spoilers below the cut as always.

-Arei's backstory was revealed in CH 2 EP 5. She was bullied heavily by her sisters, Fuyuko and Natsuko, and we see an example of them doing so by forcefully cutting part of the right side of her hair. You can even see, to this day, she seems to have more hair on her left than on her right. She also mentions "If [she] had to go to the hospital once or twice, then it was nothing more than a minor inconvenience for [her sisters]." Which, uh, huh. That's... quite awful. The point is that Arei hated her life back then, and rightfully hated her sisters as well.

-Despite that, it seems Arei tried to be kind for the longest time. She's far from an innately cruel person, but eventually, she felt the only way out was turning the table on her sisters and starting to bully them. Her secret is "Blackmailing, rumors, lying, stealing, slander. You did everything you could to ruin your sisters' lives" and she confessed that she framed them for everything she could to get them unlawfully sent to reform school. This included planting things in their bags and lying to authorities, as well as driving her mother's car into a ditch and blaming it on her sister drunk driving. Okay so bullying is maybe an understatement but the idea stands.

-And it worked! She managed to get them sent to reform school, and her life improved drastically. Morally dubious queen shit, etc. However, this made her develop a harmful ideology that being kind is a weakness and will get you treated badly. Which is why she acts unnecesarily mean during the killing game.

-However, deep down, Arei is still nice. She doesn't really like doing the things she does, she just feels they're necessary for her to survive. Even right before her secret reveal, she was trying to justify her actions to herself, saying it's normal for people to be like her:

Arei (laughing nervously): You [David] do want to hear my secret after all. As I guessed, everyone has that burning curiosity inside of them to hear bad things about other people. It's not just me.

-Which is why Eden's existence led her to a breakdown. Because Eden is nice and kind and is exactly the type of person Arei thinks would be destroyed in """the real world.""" And yet, Eden keeps going, she's still nice. Eden is what Arei wishes she could have been, she sees her past Arei in current Eden. Which is why she bullied her originally; to "teach her how the world works." Because Arei doesn't want to do real harm, so it's better if she does it than someone else later down the line.

-That doesn't go well. She breaks down in front of David, who comforts her quite successfully... so much so that she seems to forget she wanted to talk to David about his secret oops.

-This is what leads to her apologizing to Eden and promising to be her friend and a better person... and then she died. Well, under the most common interpretation.

-Her birthday lands on November 3rd, just three days after Ace's. This coincides with:

+Fountain Pen Day (Min reference?)

+National Sandwich Day.

+National Homemaker Day.

+Jellyfish Day. (?)

+Give Someone a Dollar Day (??)

+Love Your Lawyer Day (???????)

Among other things. I still have no idea where these come from.

-The roman numeral assigned to her in the LGI MV is IV (4), a number associated with death because yeeeeaaaah... This is: "right now, why do you cry?"

Ignoring the intentional mistranslation, this is probably just referencing Arei's breakdown in the playground.

-Color Theory (I'm sorry but I'm done linking that post) assigns her... well, I believe dark blue, so I'm going with that. This is cry, big and the Mandarin laugh (哈哈哈) in the rain scene.

(The good thing about having done this fucking video is that I have all the damn screenshots you could ever ask for in relation to it)

"Cry" for the same reasoning as her numeral. "Big" in this context is "proud", which fits. And the laugh is long to explain, but basically it's the "applause crew" (Cheery David, Xander, Hu, Arei) overwhelming David. Watch that part of the video for a better explanation.

-Arei had an FTE with J, which she starts off by tickling her, later claiming she would, uhm.

Arei: I'll tie you down and force you to wear maid dresses and bunny suits until you change your mind! [About acting girly]

Arei what. This screenshot feels like it should be fake what do you mean it's canon. It's great, don't get me wrong, it just feels extremely outta pocket. Listen, I (aro/ace) don't feel qualified to unpack whatever the fuck is going on here, I'm just gonna leave this to the shippers.

-What I will unpack is the other stuff in the FTE related to Arei. Which is-

Arei: C'mere! I'll tickle you until you laugh so hard that your heart stops! Then I'll defibrillate you and tickle you some more! Tickle tickle tickle!

I said the OTHER stuff

-Mainly, that she feels like being the favorite child would be great (you can figure out why yourself I imagine), and she likes acting girly.

-We also learn she categorizes people based on how she likes to bully them. "Cool and suave wannabe boys" like J (as in, she acts like a boy who tries and fails to be cool and suave), "spineless pushovers" like Levi (she "uses as maids"), "adorably sweet people" like Eden (she """likes""" to make them cry), and the people who don't like her, which would presumably include her sisters, as she says she likes to destroy these people's lives. Foreshadowing!

Fun facts!

-She likes gossip and dislikes being ignored.

-Her subtitle quote in the cast page is "If I tell you a secret, will you promise to keep it?" Which is insane foreshadowing given the chapter she (allegedly) died in.

-Her secret quote is "Because that’s what friends do", which she said to Eden in the trial flashback. The quote associated to her in Mai's page is "She doesn’t like it when her friends fight." Friendship is evidently something of a running theme.

-She likes "cute" food (?), her favorite color is azure (because she's blue), her favorite ice cream flavor is birthday cake flavor (oh, fitting!). Her least favorite color is green because it "looks like puke", which... I wonder if it has something to do with being bullied by her sisters given the apparent hospital visits.

-Her name in Kanji is written 投石【なげ ・ いし】亜鈴【あ ・ れい】. Cool! Don't know what any of that means.

-Like most of the cast, her hair color is natural and she's American.

-She's ambidextrous! The only ambidextrous person in the cast, in fact, and the only one apart from Teruko to not be a righty.

Finally songs!

+Candle Queen by Ghost & Pals (literally her song, don't @ me)

+Those Who Carried On by Ghost & Pals (it's sorta a similar attitude to how she felt about Eden, do you see my vision?)

+SCAPEG∞AT by Ghost & Pals (I will make you all listen to Ghost & Pals!)

+Perfectly Sweet by Vane Lily

+Karma by CreepP

+Bad B!tch Magic by HalaCG + others

+i DO what i WANT by KIRA

+Aishite by Kikuo

+It's Not My Fault by DECO*27 (listen Milgram had to bleed into these eventually)

+Teen Idle by Marina and the Diamonds (again I think it works)

+Pyrite Girl by RIProducer / RIP (I think it works kinda at least)

And Happy Birthday! Hope you enjoy some birthday cake ice cream, girl! Go do it!

[tommyssupercoolblog]

MY NEW SIDE/ORANGE SIDE THEORY

I hear a lot of people saying that this new side has something to do with anger or being angry, but actually i don't think that's true- close though.

throughout the series Logan has been super insecure about having feelings, and insists that he's purely logical and doesn't have them. Anger just happens to be the emotion that's easiest for him to crack- if you were trying to get him to emote somewhat, prove that he isn't purely logical, that's just the easiest gateway because it's the emotion he cracks under the most.

And we see this new unknown side- or hints of him- in the episode about lee and mary lee's wedding, when patton is insecure about his status as morality and what to DO about the situation, or why Thomas is upset.

ROMAN has also been shown to feel inadequate and actually have a very bruised ego, and to become easily self conscious and worried about being the best or most loved side. He struggles to take criticism and has breakdowns over failing or being unpopular, second best, etc

I think, similar to how virgil is anxiety, this new side is connected to insecurity, inadequacy, falling short of who you're "supposed" to be, etc, and that remus and janus are using Logan's feelings about not wanting to feel (and his anger issues) to force Thomas to confront these issues.

it's not about anger really, it's just about every way that each side (and Thomas) feels they're falling short.

and Logan is a perfect gateway for bringing this all to the front (pun intended haha plural moment)

[distressedbeanpole]

Okay Ultrakill Crack theory on who the next prime soul is. I personally think the third prime soul will stick with the Greek King theme.

In original Myth, Minos was the king that built the labyrinth, and had a wide who cheated on him with a bull (compelled by Poseidon but whatever) Minos was made a judge of hell in Greek myth AND in Dante's inferno.

We know in Ultrakill itself, Minos started as an esteemed judge in hell, and fell from grace so to speak by uplifting Lust.

Then we have Sisyphus. While he doesn't exactly show up in the Divine comedy, traces of him do, especially in the greed layer, where the greedy participate in the Sisyphean task of pushing their wealth past someone with a similar amount of wealth.

[insert rest of breakdown of existing prime souls because I'm tired] oh but one point I want to make is that Sisyphus was made low, and kept down after the insurrection.

My guess is Odysseus, or as he's known in Inferno, Ulysses. Wasn't Odysseus the hero of his story? Yeah, but the Romans HATED this guy. He went around, lying about who he was, tricking his foes and all that. The Greeks saw him as clever and cunning. The Romans saw him as a dishonorable backstabber. His story ultimately ends with him returning to his kingdom (after YEARS of being away) he dresses up as a stranger, joins the competition to win his wife, and after he wins goes "Heyo it's me, everyone who tried to get with my wife is gonna die now. And also also, everyone who tried to get with the guys that tried to get with my wife can be hung."

Known for the strategy of the Trojan Horse, this guy was a trickster. So how does he translate to.Ultrakill?

I think, Ulysses was involved in some sort of rebellion similar to Sisyphus and Minos. While Minos and Sisyphus were trying to improve the lives of those around them, Ulysses joined a similar cause, but betrayed them from the very start for a promise of gaining leadership.

Ulysses is the current ruler of a layer of hell, gained by forsaking those around him, those that believed him to be a leader, ones that believed his counsel.

Ulysses will be built of fraud, every action, and every word an attempt to raise himself up. Ulysses will have started at nothing and pulled his way up above everyone else.

In terms of gameplay, I think Ulysses would use their Flesh prison as a Defensive mechanism, like a Trojan horse. You'll be fighting this thing, and then when you get it almost low then BAM this guy pops out and uses some fancy language to say stuff like "Thanks for getting rid of the competition" and "I've worked too hard to let you ruin this"

Then he AND his flesh vault will be attacking you. Things start getting bad for Ulysses he'll retreat back inside.

I feel like the idea has merit but babysitting and class has ruined me, so I'm just gonna set this down and go. Let me know what y'all think

It could also be midas, cause it seems like Midas Sisyphus and Minos are grouped as like 3 bad kings but Ulysses might be dope

[a-d-nox]

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[bailey-orphic08]

Sander Sides Season Two Finale: Thoughts and Wants

    Okay, so if you’re here, you likely know how Sander Sides is doing. It’s broken all our hearts and all we can do is write fanfiction and theories as we slowly edge our way to the season two finale. Emphasis on slowly because anyone who’s been part of the fandom for at least a couple months knows Thomas is insanely slow when it comes to releasing new episodes. So slow that the last true Sander Sides episode was more than two years ago, and that was an Asides video. For two years we have been waiting for a follow up to Working THROUGH Intrusive Thoughts! But us Fanders don’t judge. Thomas is an adult, so should be allowed to take as much time as he needs for the sake of his health; and while he takes his sweet time, we have time to craft theories on what this season finale beholds. And that’s why we’re here today.

    Hello, I’m Bizarrio, and today I will share my predictions of what I think—and want—to happen in the Sander Sides season two finale. Quick disclaimer, the only two things we know for certain about the finale is that there will be a lot of songs and that it is planned to be four parts long. So there is no way I’ll be able to guess everything that’s going to happen. Anyways, I’ve stalled enough, let’s get to the part you’re here for.

The Structure

    Four parts is a lot of parts, but I think I’ve made a formula that the finale could follow.

    The first part will introduce the first problem, a simple problem that would be addressed in any Sander Sides episode, from dealing with an issue Thomas has to answering a question about life. In part one, the sides will try to find a solution to said problem. But as the episode goes on, it gets more and more clear that their action and the way they treat each other is stemming from something far deeper than this simple issue. And at the end of the episode, this is confirmed when one of the sides does something drastic, whether it be blurting out something they shouldn’t have or even physically hurting another side.

    This leads to part two, where everyone tries to discuss the real problem. In this part, they will try to find the problem and what’s causing it. After finding the problem, they will make a solution that leads to one of the sides being unhappy, which will lead to that side breaking down, causing the events of part three.

    In part three, the actual cause of the problem is revealed. And this side’s problems will be on full display, showing a level of despair we haven’t seen of him to this point.

    Now knowing the real root of the issue, the fourth and final part would be about Thomas and the other sides comforting the side in their breakdown. They would then find the true solution to the problem. And after they find this solution, Thomas gives his final speech about what he’s learned, kisses Hello Fresh’s feet, and shows us the end card, where we can finally prepare for season three.

The Plot

    So that’s what I think the structure will be, but that’s not a plot, so who’s it with?

    Well, for starters, the finale will likely focus on one side, and based on recent events, I think that this side will be Roman. Roman’s insecurity has been present since the very beginning and has only gotten worse. And throughout the entirety of season two, he’s been forced to compromise his wants or admit that he is in the wrong, especially in more recent episodes. So I feel like it would be suitable for the finale to be about him. I feel like with the structure I set up, he wouldn’t be the main focus of part one and a portion of part two, but the rest of the parts would definitely start to focus on him, putting him in full center.

    And since the finale is Roman centered, the first problem in part one is gonna have a lot to do with him. And that problem will be about Nico.

    I think the first conflict will be Thomas trying to decide if he should make a move on Nico. This could be anything from taking him somewhere to straight confessing. I don’t really know, but regardless, Roman is absolutely rooting for Thomas to go for it. Janus and Patton on the other hand, think that it would be a terrible mistake.

    Janus thinks that Thomas isn’t in the right headspace to start any relationships, and should be focusing on himself. And from what Patton said about Nico in the five year anniversary, we can tell that he isn’t exactly thrilled about the idea of him. I assume that he’s likely scared of the heartache that would occur if the relationship failed. And after some recent—and totally uninfluential not upsetting—events, I feel like he would also see the merit in Thomas focusing on Thomas.

    Things look bad for Roman(and they will be later)but it’s okay. He’s not outnumbered, for he has a very smart, and very cool guy on his side, who also believes that it is reasonable for Thomas to take this chance: Virgil.

    When confronted with the issue, Virgil sides with Roman almost immediately, which is a huge shock to everyone. Virgil says that Thomas should get it over with because Thomas has no way of knowing how much time he has, so if he doesn’t do it now, he may never get the chance.

    So yeah, part one would mainly be Roman and Virgil vs Patton and Janus as they try to convince Thomas why he should or shouldn’t make the moves on Nico. Patton and Janus’ argument is that it’s the wrong time to do it, while Roman and Virgil’s argument is that this may be the only time. And Roman and Virgil will be absolute couple goals as team up and absolutely obliterate Janus—figuratively. 

    Also, all the multiple-part episodes so far have involved going to another side’s room. And since this is a Roman centered finale, he’ll take Thomas and the other sides to his room to prove his point about taking risks, and that’s where they’ll be for the rest of the finale. I imagine his room to be vibrant and shiny, covered with shades of red and pink, white, and gold. It’s also very cluttered and messy, with discarded papers and costumes scattered all over the ground, and posters, artwork, and Thomas’ biggest accomplishments hung on every wall. So much stuff is in there, it almost feels claustrophobic. And the different rooms have different effects based on the side it represents. I think that Roman’s room would cause Thomas and the other sides to lose touch with reality, and become fixated on their desires.

    *Insert song about time and when you should and shouldn’t take chances.*

    But things aren’t all well, for as the episode goes on, the argument gets more and more tense, especially Virgil’s argument. And at the end of part one, Virgil blurts out something along the lines of, 

    “Of course it’s a bad idea! But which is worse? Losing one friend by making a bad choice, or losing all of your friends to him?” Virgil would be referring to Janus of course. This shocks everyone—especially Roman—and reveals Virgil’s true intentions.

    You see, there was more to Virgil’s quick decision than just time. In fact, he never thought Thomas should do it at all. The real reason he was telling Thomas to do it is because he didn’t want Thomas to listen to Janus. It’s clear through every interaction he and Janus have that Virgil hates him, and doesn’t believe that he should be trusted ever. And from recent episodes, it’s shown that Virgil has even started resenting Patton. So I feel like Virgil would be much more happy if Thomas listened to Roman than Patton and Janus.

    Then in part two, they discuss the real problem. After discussing this, Virgil finally accepts that it would be better if Thomas didn’t confess his love, and that it doesn’t make Thomas a bad person to listen to Janus this time. And it seems that everyone is satisfied…

    But wait.

    What about Roman? He’s not satisfied. He didn’t get what he wanted. Time and time again, Roman has given up on his desires, making compromise after compromise for Thomas’s sake. And once again, he’s the one who has to sacrifice his happiness. He’s the one who gets the short end of the stick. He’s the one who gets called out for his poor decisions. And do they even care? They act like they care, but it’s only really for their own gain.

    Nobody understands. Nobody cares.

   Tired of this cycle, Roman snaps. He kicks all the other sides out of his room, putting all focus on him. And in part three, Roman makes a pitiful final attempt at convincing Thomas to confess to Nico. And all of his insecurities are displayed.

    *Insert absolutely heartbreaking song about how everything Roman does is for Thomas and how he feels worthless because his contributions seem less important and even more harmful than the others.*

    Near the end of part three, or the beginning of part four, the other sides return. Or maybe Roman brings them back? Or maybe he never kicked them out in the first place and he shut them up a different way? I don’t know. But the sides are there. And in part four, they all comfort Roman, claiming that he is important and helpful, and that they wouldn’t be where they are now without him. Patton apologizes for misleading him, and Janus apologizes for taking advantage of him. And I think it would be cool if Virgil had a beautiful speech about Roman, similar to Roman’s speech about him in Accepting Anxiety. Considering that Virgil was Roman’s final straw, and that he hasn’t tried to be nice to Roman as Roman has to him, I think it would be a nice way to bring things all together.

    *Insert song about how everyone will always love and appreciate Roman and how he is just as important as everyone else and how Roman and Virgil should totally kiss when this is over.* 

    And after everyone says what they want to say, and Roman starts to feel better, they go back to Thomas’s living room. Thomas comes to a compromise that makes everyone happy, and he finishes the video off with what he’s learned: Acceptance and the merit to taking risks.

    And then he tells us about Hello Fresh and how it’s the superior way of eating.

    Wait a minute. I think I’m forgetting someone. Someone who’s really important to the series, and could add some really interesting—and even logical—points to the argument…

    Oh yeah, what about Remus?

Remus and the Orange Side

    If the finale is centered around Roman, then Remus has to be there by obligation. A main theme within it would be Roman’s insecurity, and we know that Remus is one of his biggest. So it simply wouldn’t make sense for him to not be there.

    In the finale, Remus is just gonna be himself. He’s not gonna pick a side or provide helpful information. No, he’s going to make the same discomforting jokes and taunt everyone, making them feel worse than they already do, especially Roman. 

    As entertaining as he is though, I don’t see him actually contributing to the plot, other than making things worse. I don’t even see him apologizing to Roman in part four. At most, he’ll begrudgingly apologize for killing him after Janus looks at him sternly.

    What I do see however, is some major foreshadowing. When Remus isn’t making inappropriate comments about the situation or blatantly insulting Roman, he’ll try to bring up completely random things that have absolutely nothing to do with the conversation. Thomas and the other sides will brush it off as Remus being his usual self, but those remarks will actually be information of the orange side, and foreshadowing of what he will do in season three.

    Speaking of the orange side, what will he be doing?

    Honestly, I have no clue, which is why I haven't talked about him so far. It’s pretty clear that the orange side is linked to anger and negativity in some way, and likely has the ability to take control of others when they're upset. And you can’t exactly say Roman’s content during the finale. So it would make sense for orange to reveal himself at this time.

    But apart from what he could represent and one of his abilities, we know absolutely nothing about him. And since we don’t know his personality or even his goals, I can’t tell you how he would act in the finale.

    Additionally, I also think that a lot has happened in season two so far. The series has grown to be really complex with all its different plot points. And this finale is definitely going to be the effect of all this complicated commotion. So adding the orange side into the mix might make it too complicated. I’m not saying that it couldn’t work or that Thomas can’t make it work, I just feel like the orange is an issue better left to address in season three.

The Other Stuff

    There’s also a couple of other things I want to talk about that didn’t really fit in with the other stuff, but weren’t big enough to earn their own section, so I put it all here.

    Firstly, I find it very possible that there will be a common analogy in the finale. I’m referring to how Logan and Roman used visuals to prove their points in Why Do We Get Out of Bed In The Morning?, and the whole video game theme in Putting Others First. I think it would be cool if it had a cartoon theme where every side has their own art style. Though, for the finale, it might be more fitting to reference different musicals, since Roman is deeply obsessed with theater. And it would explain why there’s so much music in the finale. But that’s more of a cool idea than an actual prediction.

    Second, I’d like to talk about Dark Roman, or Roman becoming an antagonist. I don’t think he can become a darkside, since the dark sides are just parts of Thomas that he hasn’t accepted as good yet, and Thomas already knows that Roman can be a positive influence, even if Roman doesn’t feel like it. That being said, I can definitely see him dealing with not being Thomas’s hero by doubling down on the antagonist thing, and becoming a “villain.” It would also be a good way to involve the orange side.

    However, I also feel like even if Roman really tried, he wouldn’t really be that big of an enemy. He may be trying to embrace his evil side, but at the end of the day, he still cares about the other sides and especially Thomas. And I feel like this care for them would hold him back from doing something truly evil. Besides, we already have an evil Roman! And I feel having one of those around is plenty enough.

    Also, I think Thomas’ living room should still be messy, showing that he still hasn’t cleaned it after Working THROUGH Intrusive Thoughts.

    And Janus should get his own song. It could be about literally anything, just give him a song. He’s earned it.

    So, yeah. Those are the things I think will and want to happen in the Sander Sides season two finale. Of course this doesn’t fill in every detail, it would be impossible to guess everything that will happen. And there’s no way everything I’ve said will actually happen. So I’d like to see your thoughts too. Anyways, that will be all, so goodbye every-

    Wait. Wait. Hold on a second. I’m forgetting something. Something I’ve seemed to ignore despite being very important to the series. Something that’s been here since the very beginning, and has been a part of some of the best moments in the show. Something all the fans have grown to love…

    What about the end credits!

The End Credits

    The end credits have shown us some of the cutest scenes within the whole series, and have provided some really interesting foreshadowing and tension as well. So we have to talk about them!

    The end credits of part one will be all the sides berating Thomas for leaving on such a cliffhanger. He’ll try to reassure them by saying that part two will come out really soon, but absolutely no one will believe him.

    The things I’ve said so far have been speculation or headcanon, but this one is actually correct. After all the time we’ve waited, it would be such a missed opportunity to not make the joke. So this will be the first end credit or else. No, no, I’m kidding… Or am I?

    We’re at the second end credit, and at this point, I’m sure you can tell I’ve been leaving someone out… And it’s Joan!

    No, this joke has gone on for long enough. As you can tell, I’ve been avoiding Logan. And it’s not just because I don’t see him having a place in a Roman centered episode. In fact, I do see him in it.

    He would call both sides irrational, and propose a compromise. (The same compromise they make in the final part…) But he would be ignored as the other sides try to talk over each other. And it would be especially bad this episode. So much that he would quit trying and leave the conversation, similar to how he did in Moving On and Putting Others First. Only this time, no one will be there to notice or care…

    And that’s where the end credits come in.

    The second end credit will show Logan right after he leaves to his room. He starts to talk to himself about how frustrated he is about being pushed aside so often. He talks about feeling unwanted and possibly unneeded as Janus is slowly taking his place as the voice of reason.

    The third end credit continues his monologue, showing him grow more and more upset. 

    We finally reach the fourth end credit and Logan is completely furious. But his monologue gets cut off when Remus enters his room, he of course immediately masks his anger. He tells Logan about everything he missed and how they came to the exact same conclusion he was trying to push, only to be ignored. This breaks Logan’s composure, and he starts lamenting all his frustrations to Remus. Remus interrupts him, claiming that the root of the issue is that he doesn’t stand out enough, and that all he needs to do is be as loud as they are. They then turn to Logan’s door as they hear footsteps; Remus smiles. We see a glimpse of the man at the door. Perhaps we see an orange-hazed silhouette, or a pair of shoes we have yet to see. Or maybe, just maybe, we even hear his voice,

    “I can help with that…”

Conclusion

    And that’s everything I think will and want to happen in the Sander Sides season two finale, for real this time.

    And as I said before, almost anything can happen, so I’m bound to be wrong about something. Thomas has also said that he plans to to get at least parts one and two out by the end of the year, so we’ll get to see any day now.

     And in the end, while I may not know exactly what will happen, I do know that this finale will leave us laughing, crying, and absolutely hyped for season three. I am so excited for the finale, and I know I’ll love it, regardless of what happens.

    Goodbye everyone.

[kitkatopinions]

ALrighty!

Spoilers for RWBY ep.... 8 I think? Below the keep reading as well as criticism:

So I was wrong about the Cat. I wish it had turned out to be a morally dubious good guy, but whatever, guess the writers wanted yet another 'the person guiding you is actually not trustworthy' plot.

Here's what I'm gonna say - Neo got fucking taken over and possessed the moment that she actually started getting a spotlight as a villain? HATE that shit. I want Neo, not just some conglomerate taken over by the cat? And I don't like that she talked at all. It should've just been the cat's voice.

Idk if Little is dead or not, but I really don't care about or like Little, so if they are dead, okay??? Better than having to see them again tbh.

Seeing people 'resurrected' but all wrong was kind of dissatisfying? Torchwick was the only one of them who was actually used well (because rwby is going through plotpoints at the speed of light in fourteen to sixteen minute eps so of course we can't sit with things,) but his voice acting was off and so it messed with the immersion some. I don't blame them for not being able to get an exact copycat and I don't think they tried very hard since they didn't need Roman for long, but still, I wish his voice actor had done better. The animation of him was pretty good though.

Ruby ascended? Fuck that shit! I have hope that we're actually going to get 'Ruby down in the tree realizing what 'ascension' actually is, but first off, I wanted Ruby to have a breakdown and struggle, not to be full on suicidal and decide to basically kill herself. Second of all, if this means 'no more Ruby' I am going to be so pissed off. This is Ruby's show, right? Or it's supposed to be! Even if this means that we don't get much Ruby for the next two episodes, I'm still gonna be mad. The 'development' we've gotten so far is just Ruby being in pain, and then seemingly dying? I'm trying not to count my chickens before they hatch or whatever, but this could be worst case scenario, people.

The moment where Ruby was getting attacked by everyone who was dead was... Well, first off, it was weird. Because A. Why would Neo bring in Clover, Leo, and Ozpin? Was she just bringing in everyone she thinks that Ruby may have sort of known who died? Second off, why does Neo think Penny cared about Ruby most in the world? When did she have access to that information? How did she know to use Penny that way? Third off, I liked the 'Ruby strikes out at Ozpin, only for Neo to replace him with Oscar' thing in theory but I would be wrong if I didn't point out that once again the only member of Team RWBYJNOR with dark skin gets the most violent things happening, which is a bad pattern. I get that it may be because Oscar is actually more like Ruby's friend than the rest of her team atm (which is sad,) but I just think the writers should be aware that this is a thing they do that they maybe should correct. Maybe they could've had it be Weiss or Yang that Ruby 'accidentally killed' in these visions? Just a thought. Fourth off! I liked how Neo transformed people into Ruby's alive friends and family, judging her for the 'murder.' Fifth off, I just gotta say the combat was not good for me once again. Neo literally has several people there fighting for her, and they all shot like stormtroopers? Ruby's discombobulated and depressed, so her going down without much fight isn't the problem, the problem is that Neo alone by herself should have been able to easily bring her down, let alone with her clones there to help her. Maybe she only knew Roman well enough to really replicate his style, but Neo and Roman? Tag team of the century!

On to... Team WBYJ. I'm not even gonna get into the fact that Blake and Weiss were more sympathetic to Ruby's struggles than Yang was (I am really frustrated with Yang this season,) but they all just stand there and do nothing while Ruby drinks down poison? What the hell? That is not a freaking good look, guys.

Anyway... I don't know how to feel about this episode, but I'm mostly frustrated and disappointed. And on the other hand, I guess we got good pics of Roman and Neo? I'm gonna have to wait to form a concrete opinions on this ep until we can confirm what the frick actually happened next ep, but for now, it's looking like another 3/10. I got some enjoyment, but overall a bad experience once again.