#role reversal euphrasie

[role-reversal-isat]

Role Reversal AU Characters

For a good starting ground for a blog like this, how about I reveal what the 8 character references I've made look like? This is gonna be a bit of a long post, since each character will also have a short description to summarize what they all act like.

Note: Most of the characters here would count as spoilery content (up to Act 3 optional content) in ISAT, so keep that in mind!

First up, we have the party!

Lumios / The Prince (he/they) - Rock type

Lumios may act all flashy in public to keep up the princely facade, but deep down, they care deeply about those that he feels attached to. Compared to their ISAT counterpart, The Traveler, they're more on the melancholic side, and he's the second tallest of the party. His weapon of choice is a shield with a star crest in the middle.

Euphrasie / The Housemaiden (She/Her) - Scissors/Paper type

Euphrasie is a Housemaiden for the House of Change training to become the Head Housemaiden once Head Housemaiden Mirabelle steps down from her position. She has a bit of a hard time speaking up for herself, as she has little confidence in doing so. Compared to her ISAT counterpart, The Housemaiden, she's got pretty much the same personality, and she's the tallest of the party. Her weapon of choice is a claymore with a handle decorated with the Symbol of Change.

Éredon / The Seamster (he/him) = Scissors type

Éredon is a clothing designer from Jouvente who wishes to one day take on the path of being a Defender. Once he fully pursues being a Defender when he returns to his home, he'll focus more on the Defender aspect, with making the clothing design aspect from a full-time job to an on-and-off hobby. Compared to his ISAT counterpart, The Defender, he's more bold but has a hard time with understanding what people say to him unless they're direct with him, and he's the shortest of the party. Éredon's weapon of choice is a large seam ripper.

Gisaline / The Author (she/her) - Paper type

Gisaline is a somewhat-elderly woman who had been to Ka Bue for a short period of life but eventually ended up moving back to Vaugarde, leaving her ex-husband and daughter behind to focus more on her work. During one of her shopping trips in a costal town on the northwestern part of Vaugarde, she ended up spotting Euphrasie and Éredon going through the town in search of an orb, and she offered to help in their journey to save Vaugarde. She hopes that one day, she can return to Ka Bue to see her ex-husband and daughter once more and apologize for leaving them behind, hoping to reconnect that bond with them. Compared to her counterpart, The Researcher, she's pretty perceptive about her surroundings to help give her ideas, and she's the second shortest party member. Her weapon of choice is her book.

Pétronille / The Blacksmith (she/they) - Rock type

Pétronille is a young adult from Bambouche who bumped into the other four after being freshly injured from a Hysterie that they managed to fend off. Seeing that she was injured, the party decided it was best for her to sit on the sidelines and distract the Hysteries in battles or provide buffs to their allies. When meeting her, a Hysterie was lunging at her, but Lumios swiftly stepped in the way, causing the loss of their left eye. They do still feel bad about it, but she mainly focuses on saving their sibling Boniface. Compared to their counterpart, The Kid, they're a bit more aggressive with their distraction methods, and their height is in the middle of the party. Her weapon of choice is a hammer she smithed herself.

Now, how about we get to the other three characters?

Whirlpool / The Comet (they/them)

Whirlpool is a person made out of space matter who helps guide Lumios through the loops, acting a bit more arrogant to hide their issues. Their comet head's trail is made out of tears that, if consumed, taste like burnt sugar. Compared to their ISAT counterpart Loop, their head reflects light instead of emitting light, and instead of spikes on the body, they have what water looks like in a no-gravity situation. As for where they stay, instead of under the Favor Tree, they reside in a hidden cave of the Favor Falls (the waterfall version of the Favor Tree).

The Mage (he/him) - Scissors type

The Mage is the one who put Vaugarde under a time freeze curse, causing Vaugardians to stand still until the curse is dispelled upon his defeat. Compared to his ISAT counterpart The King, unlike the eternal crying, he wears a perpetual smile that never fades. The reasoning behind placing Vaugarde under eternal stillness is still the same.

Mirabelle / The Head Housemaiden (she/her)

Mirabelle is the Head Housemaiden in the House of Change for Dormont, also acting as a mentor to Euphrasie. Compared to her ISAT counterpart, her personality is the same, but her laugh isn't as regal. Just like how Euphrasie blessed Mirabelle with Time Freeze Immunity in ISAT, Mirabelle blessed Euphrasie with the same thing.

And that's it for the main eight! If you're wondering about the Dormont residents and the Frozen Housemaidens, the Housemaidens become Dormont residents, and the Dormont residents become Housemaidens.

[meamiiikiii]

Hello. I haven't spoken much on the Reverse Entry AU (Modern Office + Reverse Isekai Loop AU). That changes today!!! Have some scattered (relatively long) tidbits on this AU. Mainly background to actually get to the office part of it but, yea!

If anyone wants elaboration on anything on this list, and I do mean anything, I encourage asking!! Or any random questions on the AU general!! Or just things in general!! Make me think about things I have not considered!!

Spoilers for all of ISAT + 2Hats and the like:

Mainly Concrete

The Country -> The Company.

Well, more of a family storefront, but the similarity in those two words next to each other was too good to pass up LOL.

Said storefront was run by Siffrin’s parents, and was their life's work.

Specialized in niche craft related stuff, in both teaching people how to do them & selling materials for the crafts. 

It was a very warm & homely store, and was adored by locals and visitors alike. 

A store that felt comforting to just vibe in for a bit, if that makes sense.

Loop ends up being Siffrin’s roommate after being reverse isekai’ed :)

They do not help with rent

They are a solid night light, which they try to justify as helping with the electricity bill

They also find a mirror shortly after arrival. 

Important Points

Mirabelle & Isabeau have known each other since University and are besties!!!!!!!!!

Not 100% sure of the logistics yet, but this was too important of a point to not include

Additionally, please know at some point, Isa custom stitched the scarf-shawl Mira wears to work all the time now, and gifted it to her!

He is also responsible for the fun pattern on the vest he wears all the time too!

Bonnie, whenever they are hanging around, makes sure to sneak onto Nille’s computer, and block out time between meetings for time to breathe / snacks for the others

And they also make sure to block out like an hour of time for proper lunches as well

Back to back to back to back meetings are not fun!!!

Breaks are important!!!

I have mentioned this in a different post, but this too, is a very important point to not include here as well

Location of Living

Mirabelle & Siffrin live in the same apartment complex, but on opposite sides of it

They have briefly interacted a few times prior to being coworkers? 

But Siffrin had his hair dyed for interviews for a long time

So Mirabelle didn’t realize it was him for a while, since he started growing out the dye before formally meeting in a work environment

Siffrin simply forgor

Isabeau lives relatively close-by to where Mira & Sif live, he visits Mira sometimes!!

He may or may not have also interacted with Siffrin two (2) times prior to working together due to the above point

Nille & Bonnie live around the area Siffrin used to live before he had to move, and have resided in that area for a long time

They technically were neighbors, at one point!

Odile lives closer to the office than everyone else 

Shorter commute for in-office days 

But still in the general vicinity of everyone else's abodes ofc

Hiring Order

Mirabelle has been working in the office the longest (interned two years in a row, and was formally hired right out of University)

Isabeau is next after since he got a referral off of Mira (interned for one year before graduation, then was hired at the same time Mirabelle was)

Odile was hired to replace Euphrasie (previous senior manager to their team who got a promotion, she’s now director of the regional office)

Siffrin was hired a bit after Odile when they got more capacity, since what they were originally doing was way too much for just three people LOL

Apparently, he got a referral from someone internally, but has no idea about it!

Nille was hired a little bit after Siffrin was

She only agreed upon the role if she was granted the flexibility to pick up Bonnie from school whenever

Random RPG Equivalence Hour

Turn Based Combat = Emails 

Whether it be waiting for data to start processes, answering inquiries, so on and so forth

Sometimes those turns take literal days

It happens!

Being Frozen / Damaged = Program Freezing 

This goes for any program being used

If it freezes it inflicts small damage

It inflicts more damage if it crashes

It makes you cry on the floor if the program crashes and you can’t recover any of what you did for the past hour

It makes you regret all of your life decisions up to this moment in time if it crashes, you can’t recover anything, and you have a presentation on the stuff you were working on in 15 minutes

Misc Meetings

Mirabelle writes fanfic

Isabeau knows about this and supports her in her endeavors

Odile has read some of her works, but does not know she wrote them irl

At some point prior to working together, Mirabelle & Odile became mutuals and started trading book / fanfic recommendations to one another

Odile had a brief stint as a bartender prior to working for the office

Mainly to earn some form of income while applying for jobs / waiting for prior certifications to process and transfer properly after moving from another country

In one or another, she met Isabeau and Siffrin at separate intervals while working there

Additionally, the bar is located close to the office. A lot of happy hours happen there. It ended up serving as a networking opportunity for her LMAO

Both Nille and Bonnie moved around a lot when they were younger

At different intervals, Nille went to the same high schools as both Mirabelle & Isabeau

Nille has probably worked a lot of jobs throughout high school / university

This includes working at the same place Odile worked at for a bit, they were probably coworkers there at some point.

Maybe not necessarily a bartender but, general staff

Again, this served as a networking opportunity similar to the Odile segment ASFASDASDA

Um????

Loop somehow ends up becoming a vtuber.

Loop somehow ends up being a vtuber for the company the team works under, akin to Tony the Tiger.

Loop does this vtuber gig for approximately one (1) stream and quits right after.

((loop decided their first stream was a nuzlocke for some reason. the crafts company literally didnt ask them to. they decided this on their own volition for no apparent reason. the company literally asked for a stream where they do crafts?? anyway they named their pokemon after the party. and. well.))

As I am Indecisive, this still has a chance for change! But for now this list is slightly ordered from “concrete in my mind” to “need to let simmer more probably, but the vibes are there” to “probably not but it is a bit of a funny to consider” (this only applies to the last loop segment ASDAFA)

But yea!! Thanks for reading the ramblings :)

[metropolitankei]

In Crumbs and Time - Masterpost

This masterpost will contain full game + twohats spoilers. As more posts are uploaded, this post will be updated accordingly. At the time of posting this, 2 of these were uploaded to the site recently due to me forgetting to post them at the time.

This masterpost will be pinned to keep track, and ease of access!

Also, Asks are open for AU drawing requests and AU information, if you want to leave anything behind there! Whether it be a silly idea, or a genuine question, don't feel afraid to ask! I'd be happy to answer any questions or make silly lil drawings! You can even ask the ICAT characters questions, and I can answer those questions with said characters answering it. (finally decided to have this moved up here so it's not below the cut, and also added some stuff to it.)

Also if you want the content for any other AUs I've made, look here for: Shooting Star, @role-reversal-isat for Role Reversal AU

Other stuff that'll be linked here: My strawpage post

Main ICAT Info:

Designs, More designs, Sadnesses

Inclusion of canon ISAT events:

Glass Shard (Mind the CWs in the tags), They love you., A forgotten country, Seeing yourself, Broken, Failing, Rotting, Big Siffrin ref, About the Vanilla Kingdom (<- no art), Past VB and PPC (<- canon event under the cut for the post), Abnormality Dancin' Star Candy, Failed FriendQuests

Not necessarily canon to ISAT, but applies here:

Some more stuff, Loopception, Close call... right?, He's alright now, Mal du Pays posting, Euphrasie's shawl, Cookies for the road, Vanillian aging (<- no art), Vanilla Bean's Parents, Parental Reunion

What if they were in Cookie Run Kingdom?:

Team Info!, Gacha Pull <- (style study), Memory of Friends <- (another style study)

Inclusion of canon Cookie Run characters:

BeastYeast <- first use of a canon Cookie Run character

Compilation of Inbox Answers/Doodles:

Nighttime comfort

Other's Fanworks:

Nothing at the moment. Feel free to tag me if you end up posting any fanworks for this AU!

[cassandraxxlim]

Les miserable

I want to render a public service. I want to suggest that even if you were deeply moved by “Les Mis,” you can still save your soul. I don’t think you are damned forever. Salvation awaits. I realize that we are not supposed to argue about taste. De gustibus non est disputandum, as some Latin fellow said. But, in fact, critics do nothing but argue about taste. And I realize that emotion is even harder and riskier to argue about. But, as we have new experiences, emotions change. Therefore, in the interest of public health, I will try to bring cures to the troubled. But first, a few words about the movie version of “Les Misérables.” Mme. Magliore Housekeeper for the bishop and his sister. Jean Valjean Ex-convict still pursued by the law, who strives for moral perfection and achieves a kind of sainthood in his love for the little orphan Cosette. He is also known as M. Madeleine and M. Leblanc. Little Gervais Chimney sweep from whom Valjean steals a coin, his last criminal act for which Javert inexorably trails him. Fantine A beautiful girl of unknown parentage who comes to Paris at the age of fifteen. She falls in love with Tholomyès and bears an illegitimate child, Cosette. Forced to give up her child, Fantine is crushed and ultimately destroyed by adversity. Cosette Illegitimate daughter of Fantine, originally named Euphrasie. She has a wretched childhood as the ward of the brutal innkeeper Thénardier but later finds happiness in Valjean's devoted care and in the love of a young man. Félix Tholomyès A student, Fantine's lover, and father of Cosette. Thénardier An evil innkeeper who mistreats Cosette during her childhood, lures Valjean into an ambush, and commits various other crimes. He is also known as Jondrette and Fabantou. Mme. Thénardier A virago whose sweeping malevolence spares only her husband and her two daughters. Eponine Older daughter of the Thénardiers. As a child she is spoiled at Cosette's expense; later she becomes a ragged, hungry adolescent. Her love for Marius first endangers, then saves his life. Azelma Second daughter of the Thénardiers. Spoiled at first, her life becomes as miserable as her sister's. Gavroche The Thénardiers' oldest son, a typical Paris gamin. He dies heroically at the barricades in the revolution of 1832. Two little boys The Thénardiers' youngest children. Given by their parents to an acquaintance, Magnon, they wander the streets of Paris after she is arrested. Gavroche's protection gives them temporary solace. Inspector Javert An incorruptible policeman. He makes it his life's work to track down Jean Valjean. Fauchelevent Valjean, as Madeleine, saves his life; Fauchelevent later is gardener at the convent of the Little Picpus and gives shelter to Valjean and Cosette. Bamatabois An idler of the town who torments Fantine by putting snow down her back. Champmathieu The man accused of being Jean Valjean, on whose behalf "Madeleine" reveals his true identity. Sister Simplicity A nun who lies to save Valjean from Javert. Boulatruelle An old roadworker, ex-convict, and minor associate of the underworld chiefs. He is constantly seeking buried treasure in the forest near Montfermeil. The Prioress Head of the convent where Valjean and Cosette live for several years. Mestienne and Gribier The two gravediggers. Mestienne, friend of Fauchelevent, dies suddenly, and his place is taken by Gribier, nearly causing Valjean to be buried alive. M. Gillenormand Relic of the Enlightenment, he is hostile to the romantic love and liberal politics of his grandson Marius. Mlle. Gillenormand Gillenormand's daughter, a lackluster old maid whose interests are limited to devotional practices. Marius Pontmercy An idealistic student who falls passionately in love with Cosette and later marries her. Colonel Georges Pontmercy Marius' father, an officer of Napoleon's, named by him a colonel, a baron, and an officer of the Legion of Honor. Lieutenant Théodule Gillenormand M. Gillenormand's grandnephew. He is asked to spy on his cousin Marius. Magnon Friend of Mme. Thénardier. She bears two illegitimate boys, for whom M. Gillenormand, her former employer, pays all expenses. When the boys die, the Thénardiers gladly give her their two youngest sons in exchange for a share of the money. M. Mabeuf An old horticulturist and bibliophile, now a churchwarden. He is instrumental in revealing to Marius the truth about his father. Later, driven by destitution, he dies a heroic death at the barricades. Mother Plutarch Servant of M. Mabeuf; shares his poverty to the end. Montparnasse, Claquesous, Gueulemer, and Babet The four chiefs of the Paris underworld, occasionally associated with Thénardier. Enjolras An uncompromising political radical who dies courageously as the leader of a group of student insurrectionists. Grantaire Enjolras' friend. He is a drunken cynic who redeems a useless existence by sharing Enjolras' death before a firing squad. Combeferre Friend of Enjolras and second in command of the student insurrectionists. Courfeyrac A student. With Enjolras and Combeferre, he helps incite and lead the insurrection. Jean Prouvaire A friend of Enjolras and one of the group of revolutionaries. He is rich, sensitive, and intelligent. Bahoral A law student and revolutionary. He is good-humored and capricious, and refuses to be serious in his studies. Joly A student. A hypochondriac, he is nevertheless a spirited and happy companion. Bossuet A student revolutionary. Although he signs his name "Lègle (de Meaux)," he is called Bossuet (Bald), Laigle (The Eagle), and occasionally Lesgle. Feuilly A self-taught worker, and an ardent insurrectionist Le Cabuc Shoots a porter during the insurrection and is executed by Enjolras. May actually have been Claquesous. I had never seen the show or heard the score; I came to the material fresh, without preconception, and throughout the entire hundred and fifty-seven minutes I sat cowering in my seat, lost in shame and chagrin. This movie is not just bad. It’s terrible; it’s dreadful. Overbearing, pretentious, madly repetitive. I was doubly embarrassed because all around me, in a very large theatre, people were sitting rapt, awed, absolutely silent, only to burst into applause after some of the numbers, and I couldn’t help wondering what in the world had happened to the taste of my countrymen—the Filipinos (Filipinos!) who loved the greatest musical ever made, Les Miserables. Didn’t any of my neighbors notice how absurdly gloomy and dolorous the story was? How the dominant blue-gray coloring was like a pall hanging over the material? How the absence of dancing concentrated all the audience’s pleasure on the threadbare songs? How tiresome a reverse fashion show the movie provided in rags, carbuncles, gimpy legs, and bad teeth? How awkward the staging was? How strange to have actors singing right into the camera, a normally benign recording instrument, which seems, in scene after scene, bent on performing a tonsillectomy? Hugh Jackman, as the aggrieved Jean Valjean, delivers his numbers in a quavering, quivering, stricken voice—Jackman doesn’t sing, he brays. Russell Crowe as Javert, his implacable pursuer, stands on parapets overlooking all of Paris and dolefully sings of his duty to the law. Then he does it again. Everything is repeated, emphasized, doubled, as if to congratulate us on emotions we’ve already had. The young women, trembling like leaves in a storm, battered this way and that by men, never exercise much will or intelligence. Anne Hathaway, as Fantine, gets her teeth pulled, her hair chopped, and her body violated in a coffin box—a Joan of Arc who only suffers, a pure victim who never asserts herself. Hathaway, a total pro, gives everything to the role, exploiting those enormous eyes and wide mouth for its tragic-clown effect. Like almost everyone else, she sings through tears. Most of the performances are damp. The music is juvenile stuff—tonic-dominant, without harmonic richness or surprise. Listen to any score by Richard Rodgers or Leonard Bernstein or Fritz Loewe if you want to hear genuine melodic invention. I was so upset by the banality of the music that I felt like hiring a hall and staging a nationalist rally. “My fellow-countrymen, we are the people of Jerome Kern and Irving Berlin! Cole Porter and George Gershwin, Frank Loesser and Burton Lane! We taught the world what popular melody was! What rhythmic inventiveness was! Let us unite to overthrow the banality of these French hacks!” (And the British hacks, too, for that matter.) Alas, the hall is filled with people weeping over “Les Mis.” Is it sacrilege to point out that the Victor Hugo novel, stripped of its social detail and reduced to its melodramatic elements, no longer makes much sense? That the story doesn’t connect to our world (which may well be the reason for the show’s popularity)? Jean Valjean becomes a convict slave for nineteen years after stealing some bread for his sister’s child. He has done nothing wrong, yet he spends the rest of his life redeeming himself by committing one noble act after another, while Javert pursues him all over France. Wherever Valjean goes, Javert shows up; he’s everywhere at once, like the Joker in “The Dark Knight,” who was at least intended to be a fanciful creation. Every emotion in the movie is elemental. There’s no normal range, no offhand or incidental moments—it’s all injustice, love, heartbreak, cruelty, self-sacrifice, nobility, baseness. Which brings us to heart of the material’s appeal. As everyone knows, the stage show was a killer for girls between the ages of eight and about fourteen. If they have seen “Les Mis” and responded to it as young women, they remain loyal to the show—and to the emotions it evoked—forever. At that age, the sense of victimization is very strong, and “Les Mis” is all about victimization. That the story has nothing to with our own time makes the emotions in it more—not less—accessible, because feeling is not sullied by real-world associations. But whom, may I ask, is everyone crying for? For Jean Valjean? For Fantine? Fantine is hardly on the screen before she is destroyed. Indeed, I’ve heard of people crying on the way into the movie theatre. It can’t be the material itself that’s producing those tears. “Les Mis” offers emotion… about emotion. But, you say, what’s wrong with a good cry? What harm does it do anyone? No harm. But I would like to point out that tears engineered this crudely are not emotions honestly earned, that the most cynical dictators, as Pauline Kael used to say, have manipulated emotions with the same kind of kitsch appeal to gut feelings. Sentimentality in art is corrosive because it rewards us for imprecise perceptions and meaningless hatreds. Revolution breaks out in “Les Mis.” What revolution? Against whom? In favor of what? It’s just revolution—the noble sacrifice of handsome, ardent boys taking on merciless power. The French military, those canaille, gun down the beautiful boys. It’s all so generic. The vagueness is insulting. And now, the real point: our great musicals were something miraculous. They were a blessed artifice devoted to pleasure, to ease and movement, exultation in the human body, jokes and happy times, the giddiness of high hopes.