#robot repair

[transformers-synergize]

How does your Wheeljack feel about King-Kong?

I G1 one enjoyer I see, I get the references ;)

Ok, but to answer the question, yes, he does in fact like King Kong, along with many other pieces of human cinema, especially the ones with giant monsters or dinosaurs. wheeljack is always looking for inspiration for new projects/inventions, and being on Earth has provided him with tons of new inspiration.

[0m3n-0f-d3ath]

Otto and D3-C1 in Arcane

They’re wanted for bot fights

[al-luviec]

zane + nya parallels

[huntingrays]

robot jason who was abandoned after fulfilling the purpose he was created for and thinks he’s just a useless pile of scraps x human leo who’s absolutely fascinated by him and thinks he’s the greatest thing ever created

[kiruamon]

Forgotten

I wonder how he ended up there...

[asketchydomesticatedgremlin]

alskfdj why can't I focus on ONE indi game???

anyways repressing robot and cowboy farmer are my favorites.

[adafruit]

3PM ET TODAY! Desk of Ladyada - RaaAWWwwwr PLEO battery repair 🦖🤖🔋

Part 2 of Desk of Ladyada! Last week, we tackled a battery issue with our old PLEO dinosaur robot by sourcing high-capacity NiMH packs from DigiKey. And, we'll look at the need for a specific 12V US AC/DC adapter with an 800mA output and a 3.5mm OD plug to replace the UK plug, ensuring the robot could be charged again!

[noizepushr]

For many of you flesh type beings sweaty, greasy lesbian mechanics are a luxury, but for us robot girls they are a necessity. In order for repairs to be preformed at maximum efficiency grimy lesbian mechanics need to be involved in the process.

So before you go down dirty style on butch dyke you found who happens to work in robotic engineering, take a moment to consider your sapphic footprint.

[cyberdragoninfinity]

save me postcanon 5D's AU primo....save me.....

[lieutenant-fred]

fuck you schwarz you're a pain in the ass to redesign (AND YOU'RE NOT EVEN FINALIZED YET YOU PIECE OF SHIT [affectionately])

[dweemeister]

Instant reactions to the 96th Academy Awards

A rough night for me. But there have been rougher ones before. I imagine most of my comments put me in a very lonely minority, as has been apparent the last few months.

But here goes:

For all intents and purposes, yours truly was on the Killers of the Flower Moon train. An extraordinary crime epic from Scorsese, with astounding craftsmanship and fantastic performance from Lily Gladstone. More than what I previously believed possible, a major studio production went out of its way to make sure that its Indigenous American representation on-screen was as genuine as it could possibly be (still imperfect, as the film acknowledges, but what an effort). And yet, KOTFM goes 0/10. I've never had a favored Best Picture nominee be shut out in such a way before. And I'm not surprised at all by it. It was clear that non-American and non-Canadian audiences didn't get the context to the film (a criticism I understand, given the screenplay) and, in other quarters, folks thought it was too long (I admittedly have a higher tolerance for longer movies) and others have said something akin to the fact that they are getting tired over "racial guilt" movies from America. I'm not in the mood to respond to the last one. I think it deserved better tonight. I particularly think Lily Gladstone deserved better tonight.

Stat upheld: two non-white actresses have never won on the same night in Oscar history. History, in and of itself, was always against Gladstone.

Oppenheimer winning? Fine, I guess. It was my #4 choice of the ten Best Picture nominees. I guess Christopher Nolan was overdue, but I have always been a Nolan skeptic. The film certainly is his most humanistic, and I appreciate that. As for the narrative organization and editing trickery? It mostly serves to take me out of the movie. And I don't think Nolan truly understands what thematic film music can accomplish for his movies. I think RDJ should have had much more competition all season long, but he did not. Most people are gonna say this is the return of the Academy's favorite subgenre... the Great Man Biopic. But in composition and structure, Oppenheimer (and even Maestro) resembles very little of the past Great Man Biopics. It'll be interesting to see how history treats this movie.

I disliked Poor Things. I didn't care for its sense of humor, didn't agree with many folks' opinions that it was a magnum opus of female empowerment. I thought it was incredibly male gaze-y and troublingly sanitized its scenes of sex work. Jerskin Fendrix's score was unlistenable outside the context of the film and distracting within it. But it has four Academy Awards and people love this movie, so my opinion can go to heck?

Well done Da'Vine Joy Randolph for her win as Supporting Actress for The Holdovers. I truly hope this opens up a lot more new opportunities for her going for! Wonderful speech.

And speaking of wonderful speeches, both documentary winners got me very emotional. The Last Repair Shop is on YouTube for American and Canadian viewers, and it's simply wonderful. Perhaps the happiest I was all night long! And then came Mstyslav Chernov's speech after winning for 20 Days in Mariupol. Chernov had, arguably, the speech of the night. And I agree with him. I, too, wish he never had to make his film and that he never won this Oscar. But he did his job to document what happened in Mariupol. And for that he (and the Ukrainians suffering and dying in their war versus Russia) deserves our plaudits and support.

Once more, Hayao Miyazaki cannot be bothered to show up to an awards ceremony. It's hilarious! I would have voted Robot Dreams, but The Boy and the Heron is not a winner to sniff at. Spider-Verse will have one more shot.... whenever the third movie comes out?

Good lord, they selected the worst possible winner in Animated Short with War Is Over!. There's an unwritten rule that the Academy, among the fifteen nominated shorts, must select one which will piss me the hell off. And for the second straight year in Animated Short, they have done exactly that, choosing something akin to a soft drink commercial.

Billie Eilish and Finneas are now the youngest and second-youngest ever to win two Oscars, after Luise Rainer (Best Actress for 1936's The Great Ziegfeld and 1937's The Good Earth). That feels very, very weird. In both cases of this record.

The "I'm Just Ken" performance? Gentlemen Prefer Blondes (Like Ken)??? Busby Berkeley choreography? What do the kids say? Inject that straight into my veins? It was wonderful.

And speaking of nods to cinema history, I'm so glad they led off the stunt performers tribute with Charlie Chaplin, Buster Keaton, and Harold Lloyd. :,)

And congratulations to Godzilla Minus One and its Best Visual Effects win! After seventy years, Godzilla is now an Oscar-winning franchise, and its win percentage is 100%! Simply wonderful!

I think the moral of the story is that the Academy of Motion Picture Arts and Sciences (AMPAS) has been gradually internationalizing over the last decade. And the results of that were very clear tonight. Does that mean I'm too provincial in my tastes? I don't know. But wins such as Emma Stone's, Anatomy of a Fall, The Boy and the Heron, and Godzilla are demonstrative of that.

I'm glad this season is over. I certainly hope that Killers of the Flower Moon will be looked upon more kindly by history and time, without the bells and whistles of awards campaigning and a fuller understanding of why it was made the way it was.

This month has been fun! But now it's time to see movies again without the lens of awards for a long, long while.

[the-knife-consumer]

The one letter difference brothers

[skywing206]

here’s a thing for rocktober day 13: Damage

Megaman took a risk and lost and now they gotta fix him up before Doctor Light finds out

[rambunctioustoons]

repairing sunrays ✨

[asketchydomesticatedgremlin]

spire climbers

[alphahobo123]

Robot repair shop