#robert parkinson

[politicaldilfs]

Kansas Governor DILFs

Bill Graves, Frank Carlson, Jeff Colyer, Frank L. Hagaman, Robert Docking, George Docking, Andrew Frank Schoeppel, Edward F. Arn, John W. Carlin, John McCuish, Fred Hall, John Anderson Jr., Mark Parkinson, Alf Landon, Mike Hayden, Sam Brownback, Payne Ratner, William H. Avery

[vhagarslasttargyrider]

CASTING— STARKS

part 3

castings & masterlist | cleganes pt 1

BRAN STARK played by ISAAC HEMPSTEAD WRIGHT

The second son to Eddard and Catelyn Stark, The Three Eyed Raven, and The Winged Wolf.

RICKON STARK played by ART PARKINSON

The third son to Eddard and Catelyn Stark, Rickon the Wild, and The Blackwolf.

JON SNOW played by KIT HARRINGTON

The bastard son of Eddard Stark, The Bastard of Winterfell, and The White Wolf.

[magic-quills]

OC Halloween Challenge - Day Two: Mystical Communication

↳ Tarot Cards

Lydia Bulstrode as The Magician // Penelope Parkinson as The High Priestess

Alice Roberts as The Chariot // Hector Jones as Strength

Bronwyn Ellis as The Hermit // Phillip Montgomery as Justice

Aimee Diggory as Death // Artemis Black as The Tower

Anastasia Greengrass as The Moon // Callie Scamander as The Sun

[teenagedirtstache]

Da sinistra. Per Matt Hermer. Suit, Gianfranco Ferre; shirt Charvet; tie Prada; waistcoat Roberto Cavalli; pochette Salvatore Ferragamo; loafer Edward Meier; scarf Loro Piana. Per Jake Parkinson. Suit Ermenegildo Zegna; shirt Gucci, tie Dolce & Gabbana; pochette Hubert

[chicinsilk]

Pierre Balmain Haute Couture Collection Fall/Winter 1960-61. Nena von Schlebrügge wears a cream wool knit coat by Robert Burg with collar and lining in long-haired white Mongolian lamb, matching white lamb toque.

Pierre Balmain Collection Haute Couture Automne /Hiver 1960-61. Nena von Schlebrügge porte un manteau en tissu tricot de laine crème de Robert Burg à col et doublure en agneau blanc de Mongolie à poils longs, toque en agneau blanc assortie.

Photo Norman Parkinson

[claudia1829things]

"EMILY" (2022) Review

"EMILY" (2022) Review

I have been aware of only four productions that served as biopics for the Brontë family. I have seen only three of these productions, one of them being a recent movie released in theaters last year. This latest movie, the first to be written and directed by actress Frances O'Connor, is a biopic about Emily Brontë titled "EMILY".

This 2022 movie began with a question. While Emily Brontë laid dying from tuberculosis, her older sister Charlotte asks what had inspired her to write the 1847 novel, "Wuthering Heights". The story flashed back to 1839, when Charlotte returned home to the Haworth parish in West Yorkshire to visit before her graduation from school. Emily attempts to re-connect with the older sister about her fictional works, but Charlotte merely dismisses her creations as juvenile activities. Around the same time, their father Patrick, the parish's perpetual curate receives a new curate name William Weightman. While Charlotte, younger sister Anne and several young women seem enamored of the handsome newcomer, only Emily is dismissive of him. Emily accompanies Charlotte to the latter's school to learn to become a teacher and their brother Bramwell goes to study at the Royal Academy of Arts. Both Emily and Branwell return shortly to Haworth after as failures. When Branwell manages to find a job as a tutor, the Reverend Brontë charges William to provide French lessons to Emily. What began as lessons in French and religious philosophy lessons, eventually evolves into a romantic entanglement between the pair.

"EMILY" managed to garner a good deal of critical acclaim upon its release in theaters, including four nominations from the British Independent Film Awards. It also won three awards at the Dinard British Film Festival: Golden Hitchcock, Best Performance Award for leading actress Emma Mackey and the Audience Award. I have no idea how much "EMILY" had earned at the U.K. box office. But in North America (the U.S. and Canada), it earned nearly four million dollars. Regardless of this . . . did I believe "EMILY" was a good movie? Did it deserved the accolades it had received not only from film critics, but also many moviegoers?

I cannot deny that the production values for "EMILY" struck me as first-rate. I believe Steve Summersgill did a first-rate job as the film's production designer. I thought he had ably re-created Britain's West Yorkshire region during the early 1840s with contributions from Jono Moles' art direction, Cathy Featerstone's set decorations and the film's art direction. Nanu Segal's photography of the Yorkshire locations created a great deal of atmosphere with moody colors that managed to remain sharp. I found myself very impressed with Michael O'Connor's costume designs. I thought he did an excellent job in not only re-creating fashions from the end of the 1830s to the late 1840s, he also ensured that the costumes worn by the cast perfectly adhered to their professions and their class, as shown below:

However, according to a relative of mine, Emily Brontë's fashion sense had remained stuck in the mid-to-late 1830s, something that the 2016 movie, "TO WALK INVISIBLE" had reflected. On the other hand, "EMILY" had the famous author wearing up-to-date fashion for someone of her class:

And I must admit that I found those moments featuring actress Emma Mackay wearing her hair down . . . in an era in which Western women did no such thing . . . very annoying. Otherwise, I certainly had no problems with the movie's production values. The movie also included a fascinating scene in which Emily had donned a mask and pretended to be the ghost of the Brontës' late mother during a social gathering. The scene reeked with atmosphere, emotion and good acting from the cast. I also found the scene well shot by O'Connor, who was only a first-time director.

"EMILY" also featured a first-rate cast. The movie featured solid performances from the likes of Amelia Gething as Anne Brontë, Adrian Dunbar as Patrick Brontë, Gemma Jones as the siblings' Aunt Branwell, Sacha Parkinson, Philip Desmeules, Veronica Roberts and other supporting cast member. I cannot recall a bad performance from any of them. The movie also featured some truly excellent performances. One came from Fionn Whitehead, who gave an emotional performance as the Brontë family's black sheep, who seemed overwhelmed by family pressure to succeed in a profession or the arts. Alexandra Dowling gave a subtle, yet charged performance as Charlotte Brontë, the family's oldest sibling (at the moment). Dowling did an excellent job of conveying Charlotte's perceived sense of superiority and emotional suppression. I wonder if the role of William Weightman, Reverend Brontë's curate, had been a difficult one for actor Oliver Jackson-Cohen. I could not help but notice that the role struck me as very complicated - moral, charming, intelligent, passionate and at times, hypocritical. Not only that, I believe Jackson-Cohen did an excellent job of conveying the different facets of Weightman's character. The actor also managed to create a dynamic screen chemistry with the movie's leading lady, Emma Mackey. I discovered that the actress had received a Best Actress nomination from the British Independent Film Awards and won the BAFTA Rising Star Award. If I must be honest, I believe she earned those accolades. She gave a brilliant performance as the enigmatic and emotional Emily, who struggled to maintain her sense of individuality and express her artistry, despite the lack of support from most of her family.

"EMILY" had a great deal to admire - an excellent cast led by the talented Emma Mackey, first-rate production designs, and costumes that beautifully reflected the film's setting. So . . . do I believe it still deserved the acclaim that it had received? Hmmm . . . NO. No, not really. There were two aspects of "EMILY" that led me to regard it in a lesser light. I thought it it was a piss poor biopic of Emily Brontë. I also found the nature of the whole romance between the author and William Weightman not only unoriginal, but also unnecessary. Let me explain.

As far as anyone knows, there had been no romance - sexual or otherwise - between Emily Brontë and William Weightman. There has never been any evidence that the two were ever attracted to each other, or one attracted to the other. Many have discovered that the youngest Brontë sister, Anne, had been attracted to Weightman. In fact, she had based her leading male character from her 1947 novel, "Agnes Grey", on the curate. There have been reports that Charlotte had found him attractive. But there has been no sign of any kind of connection between him and Emily. Why did Frances O'Connor conjure up this obviously fictional romance between the movie's main character and Weightman. What was the point? Did the actress-turned-writer/director found it difficult to believe that a virginal woman in her late 20s had created "Wuthering Heighs"? Did O'Connor find it difficult to accept that Emily's creation of the 1847 novel had nothing to do with a doomed romance the author may have experienced?

Despite Mackey's excellent performance, I found the portrayal of Emily Brontë exaggerated at times and almost bizarre. In this case, I have to blame O'Connor, who had not only directed this film, but wrote the screenplay. For some reason, O'Connor believed the only way to depict Brontë's free spirited nature was to have the character engage in behavior such as alcohol and opium consumption, frolicking on the moors, have the words "Freedom in thought" tattooed on one of her arms - like brother Branwell, and scaring a local family by staring into their window at night - again, with brother Branwell. This is freedom? These were signs of being a "free spirit"? Frankly, I found such activities either immature or destructive. Worse, they seemed to smack of old tropes used in old romance novels or costume melodramas. In fact, watching Emily partake both alcohol and opium reminded me of a scene in which Kate Winslet's character had lit up a cigarette in 1997's "TITANIC", in order to convey some kind of feminist sensibility. Good grief.

What made O'Connor's movie even worse was her portrayal of the rest of the Brontë family. As far as anyone knows, Reverend Brontë had never a cold parent to his children, including Emily. Emily had not only been close to Branwell, but also to Anne. And Branwell was also close to Charlotte. All three sisters had openly and closely supported each other's artistic work. Why did O'Connor villainize Charlotte, by transforming her into this cold, prissy woman barely capable of any kind of artistic expression? Why have Charlotte be inspired to write her most successful novel, "Jane Eyre", following the "success" of "Wuthering Heights", when her novel had been published two months before Emily's? Why did she reduce Anne into the family's nobody? Was it really necessary for O'Connor to drag Charlotte's character through the mud and ignore Anne, because Emily was her main protagonist? What was the damn point of this movie? Granted, there have been plenty of biopics and historical dramas that occasionally play fast and loose with the facts. But O'Connor had more or less re-wrote Emily Brontë's life into a "re-imagining" in order to . . . what? Suggest a more romantic inspiration for the creation of "Wuthering Heights"?

I have another issue with "EMILY". Namely, the so-called "romance" between Brontë and Weightman. Or the illicit nature of their romance. Why did O'Connor portray this "romance" as forbidden? A secret? I mean . . . why bother? What was it about the pair that made an open romance impossible for them? Both Brontë and Weightman came from the same class - more or less. Weightman had been in the same profession as her father. And both had been college educated. Neither Emily or Weightman had been romantically involved in or engaged to someone else. In other words, both had been free to pursue an open relationship. Both were equally intelligent. If the Weightman character had truly been in love with Emily, why not have him request permission from Reverend Brontë to court her or propose marriage to Emily? Surely as part of the cleric, he would have considered such a thing, instead of fall into a secretive and sexual relationship with her. It just seemed so unnecessary for the pair to engage in a "forbidden" or secret romance. Come to think of it, whether the film had been an Emily Brontë biopic or simply a Victorian melodrama with fictional characters, the forbidden aspect of the two leads' romance struck me as simply unnecessary.

What else can I say about "EMILY"? A rich atmosphere filled the movie. The latter featured atmospheric and beautiful images of West Yorkshire, thanks to cinematographer Nanu Segal. It possessed a first-class production design, excellent costumes that reflected the movie's 1840s setting and superb performances from a cast led by the talented Emma Mackey. I could have fully admired this film if it were not for two aspects. One, I thought it was a shoddy take on a biopic for author Emily Brontë that featured one falsehood too many. And two, I found the secretive and "forbidden" nature of Brontë's false romance with the William Weightman character very unnecessary. Pity.

[ministerforpeas]

It's All For Charity!

[downthetubes]

Dandy comic rarity offered on eBay, a special tribute to the comic’s relaunch in 2010 - and other amazing Beano and Dandy artworks, too

A very limited edition, specially printed copy of The Dandy, is up for sale, along with some amazing comic art and more

[twitchywoman]

September has flown by

There comes a time in your life where you either listen to the voices in your head or go crazy trying to deny them. Robert Cochrane, PhD There were a lot of things happening in the Parkinson’s world in September, from a new drug approval to yet another celebrity announcing that he has Parkinson’s. It is getting more and more difficult to keep up with everything. Please forgive me if you already…

[stellasstones]

Haiku for Parkinson's: Interview-Tim Roberts

The second installment of Haiku for Parkinson’s is the interview of a British poet, now living in New Zealand, Tim Roberts. Tim describes his haiku practice and the ways it helps him with his Parkinson’s symptoms. It has not been an easy ride. He says: I had to stop work shortly after being diagnosed. I was adrift. I didn’t have any real hobbies and lost my identity. I felt rudderless and…

[milliondollarbaby87]

Night Swim (2024) Review

When the Waller family move into a new home, they think this is the time to become settled in an area. Excited about having their own pool, although that quickly takes a rather horrific turn … ⭐️ Continue reading Untitled

[akultalkies]

Leonardo DiCaprio, Robert De Niro, Jesse Plemons, Lily Gladstone, Tantoo Cardinal, Brendan Fraser, John Lithgow, Cara Jade Myers, Jillian Dion, Janae Collins, William Belleau, Scott Shepherd, Jason Isbell, Louis Cancelmi,

[baelinsrod]

JUST GET GOOD!!!

[b00inazkaban]

MASTERLIST #2

Navigation!

Let me know if there are any characters you’d like added and I’ll look into it! :)

MARVEL:

☆ Tony Stark

☆ Steve Rogers

☆ Bruce Banner

☆ Natasha Romanoff

☆ Clint Barton

☆ Bucky Barnes

☆ Sam Wilson

☆ Peter Parker

☆ Thor Odison

☆ Loki Laufeyson

☆ Dr. Stephen Strange

☆ Peter Quill

☆ Gamora

☆ Drax the destroyer

☆ Rocket the Racoon

☆ Mantis

☆ Groot

Poly Requests:

STRANGER THINGS:

☆ Steve Harrington: Steve Harrington x FtM reader**

☆ Robin Buckley :

☆ Nancy Wheeler:

☆ Eddie Munson:

☆ Johnathan Byers:

☆ Argyle:

☆ Billy Hargrove:

☆ Mike Wheeler: Little!Mike x GN!CG!Reader

☆ Dustin Henderson

☆ Will Byers

☆ Lucas Sinclair

☆ Eleven Hopper

☆ Max Mayfield

☆ Jim Hopper:

☆ Joyce Byers:

☆ Dmitri Antonov:

Poly Requests:

HARRY POTTER/MARAUDER:

☆ Harry Potter:

☆ Ron Weasley: CG!Ron Weasley x Little!GN!reader

☆ Hermione Granger:

☆ Fred Weasley: CG!Fred Weasley x Little!Fem!Reader

☆ George Weasley: George Weasley x reader ; CG!George Weasley x LittleMale!Reader

☆ Neville Longbottom: Sub!Neville x Dom!Reader**

☆ Draco Malfoy:

☆ Blaise Zambini:

☆ Enzo Berkshire:

☆ Mattheo Riddle:

☆ Theo Nott:

☆ Pansy Parkinson:

Marauders Era or Lighting Era:

☆ Lucius Malfoy:

☆ Narcissa Malfoy:

☆ Severus Snape:

☆ Bellatrix Lestrange:

☆ Barty Crouch Jr. :

☆ Evan Rosier:

☆ Pandora Rosier:

☆ Zahara Zambini:

☆ Regulus Black:

☆ Sirius Black:

☆ Remus Lupin:

☆ Lily Evans:

☆ Marlene McKinnon:

☆ Mary McDonald:

☆ Dorcas Meadows:

FANTASTIC BEASTS:

☆ Newt Scamander:

☆ Thesus Scammander:

☆ Jacob Kowalski:

☆ Queenie Goldstein:

☆ Albus Dumbledore (young):

☆ Gellart Grindlewald (young):

Poly Requests:

CRIMINAL MINDS:

☆Aaron Hotchner

☆ Jason Gideon

☆ Spencer Reid

☆ Derek Morgan

☆ JJ/ Jennifer Jareau

☆ Elle Greenaway

☆ Penelope Garcia

☆ Emily Prentiss

☆ David Rossi

Poly Requests:

BRIDGERTON:

☆ Anthony Bridgerton

☆ Benedict Bridgerton

☆ Colin Briderton

☆ Daphne Bridgerton

☆ Eloise Bridgerton

☆ Simon Basset

☆ Penelope Fetherington

☆ Queen Charlotte (Young)

☆ King George (Young)

Poly Requests:

Queen charlotte x reader x King George

TEENAGE MUTANT NINJA TURTLES:

☆ Leonardo: NSFW alphabet

☆ Raphael:

☆ Donnatelo:

☆ Michelangelo: Mikey x Reader

☆ April O'Neil:

☆ Casey Jones:

Poly Requests:

Poly!TMNT x Fem!Reader; April 4-in-1; turtles are manspreading and you want payback 😚

Poly!TMNT x Fem!Reader; Casey tries to flirt with reader but she puts down the idea and the turtles are proud

TOP GUN:

☆ Pete Mitchell "Maverick"

☆ Bradley Bradshaw "Rooster"

☆ Jake Seresin "Hangman"

☆ Natasha Trace "Phoenix"

☆ Robert Floyd "Bob"

Poly Requests:

THE HOBBIT/LOTR:

☆ Thorin

☆ Bilbo

☆ Fili

☆ Kili

☆ Dwalin

☆ Bofur

☆ Bard

☆ Legolas

☆ Tauriel

☆ Thuranduil

Poly Requests:

TWILIGHT:

☆ Carlisle Cullen

☆ Esme Cullen

☆ Emmet Cullen

☆ Rosalie Cullen

☆ Alice Cullen

☆ Jasper Cullen: CG!Jasper Hale x nb!little!reader

☆ Edward Cullen

☆ Bella Cullen/Swan

☆ Jacob Black

☆ Garrett

The Volturi:

☆ Aro

☆ Caius

☆ Marcus

Poly Requests:

THE HUNGER GAMES:

☆ Katniss Everdeen

☆ Petta Mellark

☆ Finnick Odair

☆ Johanna Mason

☆ Haymitch Abernathy

Poly Requests:

LUCIFER:

☆ Lucifer Morningstar

☆ Mazikeen

☆ Amenadeil

☆ Chole Decker

☆ Linda Martin

Poly Requests:

How To Train Your Dragon:

☆ Hiccup Haddock

☆ Astrid Hofferson

☆ Snotlout

☆ Ruffnut

☆ Tuffnut

Poly Requests:

Across The SpiderVerse:

☆ Miles Morales

☆ Miguel O'Hara

Spider thoughts!

☆ Peter B. Parker

Spider thoughts!

☆ Hobie Brown

☆ Gwen Stacy

☆ Spider-Noir

Spider thoughts!

Poly Requests:

Descendants:

☆ Mal

☆ Evie

☆ Carlos

☆ Jay

☆ Gil

☆ Harry

☆ Uma

Poly Requests:

MATCHUPS/MOODBOARDS:

☆ @thoughtfulcreatornight x Raphael matchup

☆ Anonymous x Remus Lupin matchup

꧁〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎〰︎꧂

I’ve redone my masterlist because I was vey unhappy with my first one, and I wanted to add pictures to go with it! I’ll also be adding all my new work onto here and my old work will be on the first masterlist! Love y’all! 💗

[microwavesaferat]

I'm so unexcited for the Christopher Nolan Odyssey Film.

There's so many things I'm just dreading, like as a mythology buff (admittedly, not an expert, just a bit of a special interest), I'm gonna lose it if a film guy starts mansplaining about Homeric hymns to me. Like, keep talking about how the suitors were actually doing what was right for the time and I will kick you in your shriveled nutsack.

I also saw the cast list and nearly shed a tear. They all have fucking iPhone face. I'm sorry, Tom Holland as Telemachus (potentially)???? Like, oh it's so sad your dad is missing and stuff, but did you remember to take your ozempic today? Like all the cast have iPhone face. Unless this is gonna be a weird modern retelling (which also worries me), I won't be able to imagine Zendaya as Athena (potentially) without her whipping out a Google pixel to text Zeus.

I was talking to people and we ended up making our own cast list of some of the major roles.

Cast List

Odysseus - Antonia Banderas

My mother saw him in Paddington 3 and has instructed me to include him as he is, in her words, "fit". In my opinion, someone like Liam Neeson, Mads Mikelson or Michael Fassbender. I just don't want a poorly disguised American accent. Like I get you might not get a Greek actor or even one with a similar accent, but please not a straight American accent or badly done accent.

Penelope - Michelle Yeoh

Nolan is rumoured to have cast Anne Hathaway, which I am also kind of fine with, so I'm not too worried about that. I think Michelle would be great as a cunning, loyal wife to Odysseus and I also think she could channel a great amount of contempt towards the suitors. I never find Anne Hathaway to be convincingly angry in scenes, distraught and afraid, yes, but I think Michelle could really embody that disgust Penelope has.

Athena - Cate Blanchet

I think Athena needs to be played by an older actor. I get the Gods are ageless, but she needs to give the appearance of wisdom and I think Cate Blanchet always looks like she's planning and thinking. The issue with Zendaya is not just that she has iPhone face, but she is too young. Your mind immediately says that she's too young to be that wise. It's a trait commonly associated with older people as it relates to experience, and Zendaya just doesn't look experienced.

Poiseiden - Gerard Butler

Hear me out, I think the Gods (other than Athena) should only appear in voice and not in person. For the scale of things, an actor floating in the air with cgi waves doesn't really look that menacing in the scale of things, especially compared to 50 boats. And I don't want a big cgi water monster thing either. I think the voice should carry on the waves, a shout accompanied by a crash of water, the temper rising as does the waves. I think it's more threatening to hear his voice booming as the boat is rocked, there's a fear of pissing him off more cause, if he gets much louder, you might just capsize. My mother wanted to also say, in a perfect world, it would actually be Billy Connolly, but he hasn't acted in years now due to Parkinson's. The rumour is that Nolan has cast Robert Pattinson and, while he was threatening as the Batman, I don't think it's the right kind of threatening required for the role. If he was doing this as a voice acting role, maybe, we know he has amazing range from the Boy and the Heron.

Zues - Patrick Page

Listen to Little Songbird or Hellfire and tell me he doesn't sound like Thunder. Moving on.

Circe - Nicole Kidman

Circe is a complex character and I think she needs to be portrayed that way. I don't want a young actor who beguiles older Odysseus with her youth. I need Circe to have that wisdom and experience that Penelope also has. I think it could be an interesting idea to even have them played by the same person. This all depends on how close the movie will be to the original epic anyway. My main stipulation is that she needs to remind Odysseus of Penelope.

Calypso - Lupita Nyong'o

The articles I've read actually suggest her as Circe, which I wouldn't mind either, I just wanted someone older for Circe. I think Calypso is also a complex character that must be portrayed as such. Essentially I think Lupita would be able to embody both the woman madly in love with Odysseus and also the Goddess keeping him here for her entertainment. From seeing her in Us, I know she has an amazing range and is able to show the threatening side to Calypso required. It doesn't work if it seems like Odysseus has the upper hand at any point.

Telemachus - Thomas Brodie Sangster

I really struggled here cause a lot of young actors look too modern for a lot of period pieces. It's also important that Telemachus isn't some chiseled, huge guy. I also think, given we would probably check in on him multiple times during the movie, Thomas is good at looking young and old at the same time. Another option would maybe be Joe Locke.

This post is long already so I'm not doing the rest of the characters. I have nothing against the actors Nolan has gone with, I just don't think they fit well. I'm also heavily biased from listening to Epic and Hadestown a lot.

Lmk your suggestions, as always, these are just my thoughts and a lot of them aren't even well thought out.

[ghw-archive]

All Systems Go! A group of models including Ann Roberts & Cath Herbert perform various beauty treatments for a feature in Queen magazine, May 1962 / Photographer: Norman Parkinson