#rob green

[newmusickarl]

Best Live Shows of 2023

In the age of streaming and with ever-mounting logistical cost pressures, it is more important than ever to go support the bands you love by catching their live show and, if you can, pick up a record or some merchandise whilst you’re there.

Of course, the price of live music itself for the average fan is going up too, with £100+ tickets for stadium/arena shows and £40+ tickets for academy shows, quickly becoming the norm. That said, if you look beyond the household names selling through Ticketmaster’s exploitive dynamic pricing system, you can still find plenty of great acts playing live shows for £10-£20. So, if you find yourself constantly being priced out of the large stadium shows, why not spend that money on five grassroots shows instead – you may just find your next favourite artist in the process!

As for myself, I live for live music and by avoiding those top tier tickets and focussing on cost-effective festivals and shows with great line-ups, I’ve packed in more live music in 2023 than I ever have in my life. Including festival performances and warm-up acts, I’m grateful to have caught 127 performances in 2023, hopefully helping in some small way to support the artists and up-and-coming acts I adore.

With that mass of live music, it’s been hard to whittle this down to just my 10 favourites. So, in true New Music Weekly fashion of avoiding difficult decisions and leaving stuff out, firstly here’s the honourable mentions in chronological order:

Honourable mentions:

Foals at Engine Rooms, Southampton, May

Simply one of my all-time favourite bands at the peak of their powers, in the smallest venue I’ve ever seen them play (800 cap). Biblical!

Opus Kink at Dot-to-Dot Festival, Nottingham, May

The annual “get-me-in-that-pit” performance at Dot-to-Dot festival, proving I’m not too old yet for at least one moshing session per annum. Just like Bob Vylan the year before, my friendship group approached the ska-punk outfit with trepidation, but all ended up fans by the end of the set.

Mickey Callisto at Dot-to-Dot Festival, Nottingham, May

Imagine Freddie Mercury’s Live Aid performance, but in a tiny loft venue – that is essentially what synth-pop superstar Mickey Callisto delivered at Dot-to-Dot festival this year. Next level showmanship and an electric end to the day’s proceedings.

Swim Deep at Rescue Rooms, Nottingham, June

The Brummie indie darlings celebrated 10 years of Where The Heaven Are We this summer, performing one of my all-time favourite albums in full. They also played the ever-magnificent King City twice in the career-spanning set!

Young Fathers at Best Kept Secret Festival, Beekse Bergen, June

The band that have defined 2023 for me, it seemed like much of the audience in the tent with me at Best Kept Secret were catching the Scottish trio for the first time and weren’t sure what to expect. The result was a truly mind-blowing performance, with the energy from the stage radiating around the tent to the point of elation and thunderous applause by the end of the set.

Watch Young Fathers at Best Kept Secret 2023 here

The War On Drugs at The Piece Hall, Halifax, June

American rockers The War On Drugs performing anywhere would probably be enough to get a mention here, such is their stature as a live force. However, with support from Warpaint, a euphoric rendition of Under The Pressure and the gig itself taking place in the beautiful surroundings of the Grade I Listed Piece Hall, outdoor summer shows don’t get much better.

Confidence Man at Splendour Festival, Nottingham, July

When you need a lift during a washed-out festival, get Confidence Man to save the day. Having waited a long time to see them perform live, the Aussie dance outfit didn’t disappoint as the sun cleared just in time for their dazzling half hour of power. Immaculate choreography and joyous vibes aplenty!

Walt Disco at Rescue Rooms, Nottingham, September

A special shout-out to Walt Disco, who supported Nation of Language at their Rescue Rooms show in September. They are my pick for the best warm-up act of the year, with their David Bowie-inspired dramatics and glam rock chic leaving me eager to catch them again in the future.

Read the full review for both Walt Disco and Nation of Language here

Don Broco at O2 Academy Leicester, Leicester, December

Genre-bending heroes Don Broco are one of the most fun live acts around and even with a neck brace leaving frontman Rob Damiani more restricted than usual, they still blew the roof off. Usually not a fan of O2 Academy venues, this was also one of the better ones I’ve visited and it all just made for a great Saturday night.

Jadu Heart at JT Soar, Nottingham, December

My final show of 2023 and easily one of the most magical of the year. Performing in JT Soar which is an old garage turned Sleaford Mods’ recording studio, electro-folk outfit Jadu Heart brought string-tinged beauty and festive spirit to the intimate space. With only around 30 people in attendance and the bargain price of just £5 for the ticket, it was capped off with a pair of singalongs to Christmas classics Happy Xmas (War Is Over) and Fairytale of New York.

Read the full review for LeftLion here

That’s the honourable mentions then, now onto the main event – out of the 120+ performances I’ve seen in 2023, these are the ten that ended up leaving the biggest impression.

Top 10 Live Shows of 2023

10. The 1975 at Motorpoint Arena, Nottingham, January

One of the most discussed arena tours of the year, The 1975 kicked 2023 off with a spectacle. Split into two parts, the first half covered their latest album, Being Funny In A Foreign Language, and then the second half was just wall-to-wall greatest hits with 10,000 people losing their minds. Add in some unique staging and some surreal, theatrical interludes, it made for one of the most memorable arena gigs of the year. In fact it was so good, we’ve already booked to see The 1975 Still At Their Very Best in 2024, this time over in Brussels.

If you’re intrigued to see the show for yourself, their Madison Square Garden performance is streaming on YouTube and Amazon – check it out below.

Watch it here

Stream the live album here

9. The Lottery Winners at Rock City, Nottingham, November

Sometimes the best gigs are the ones that come along and surprise you. With support act Deco a favourite in our household and having seen indie-pop outfit Lottery Winners once previously at 110 Above festival, this one was booked purely on the basis that it looked like a fun Saturday night. Add in up-and-coming Notts rockers The Publics, you’ve got three quality bands at Rock City for £18. However, what I didn’t expect, was this show to be as life-affirming as it ended up being.

For context, once upon a time Lottery Winners were due to support Embrace at Rock City only to be dropped when Embrace feared The Lottery Winners would receive a bigger reception than them. So finally getting the opportunity to play the iconic stage where legends such as David Bowie and Nirvana have played before, you could see The Lottery Winners were putting everything into the performance. The fact I didn’t really know a single song of The Lottery Winners didn’t matter at all either. With plenty of laugh-out-loud, inter-song banter, some thunderous crowd singalongs and the band themselves in genuine tears at certain points in the set, it was just an incredible, emotionally uplifting night.

8. ROB GREEN at Rescue Rooms, Nottingham, February / ROB GREEN at Hockley Hustle Festival, Nottingham, October

Yes, I’m cheating again! But twice I saw Notts’ soul/pop artist ROB GREEN in 2023 and both were magical in their own unique way - so it was impossible to separate them.

Back at Hockley Hustle festival in October 2022, I saw Rob play an acoustic set that just completely blew me away. Having heard only positive things about him up until that point but not knowing too much about his music beyond that, it was one of those performances where I went in with not too much expectation of what I was going to hear, and then left just in complete awe of what I had just experienced. It was a borderline spiritual experience at times, with Rob’s mix of spoken word poetry and gospel-inspired singalongs just captivating and immensely uplifting.

So fast forward to February this year and I finally got to see Rob perform with a full live band setup. However, thanks to the utter jubilance from the crowd, his impressive backing vocalists and immensely talented band, it just amplified that feeling from Hockley Hustle 2022 tenfold. With my whole immediate family in attendance with me too to celebrate my mum’s birthday, it made it even more special.

Fast forward again to Hockley Hustle 2023 and Rob somehow managed to top his 2022 performance by pulling in a string quartet to perform alongside him. Here’s what I said in my review for LeftLion:

“Performing in the corner of Broadway Cinema’s café with the Rob Rosa String Quartet accompanying him, people are literally queueing at the door to catch even the smallest glimpse of his incredible thirty-minute set. And rightfully so, as the enigmatic performer has this unrivalled ability to bring immeasurable positive energy to a room and leave the audience sitting on Cloud Nine. Storming through performances of early singles Life Goes on and Sleeping on My Own, Rob gets noticeably emotional when the crowd singalong with recent single from his forthcoming EP, I’ll Be Around. “It’s so good to be back in NG1,” he exclaims, with the Nottingham faithful grateful to have him back. He then ends as he always does with a joyously euphoric medley of classic covers, leaving the crowd in Broadway Cinema fully uplifted and proving once again why he’s the best live performer in Nottingham.”

Read the full LeftLion roundup of Hockley Hustle 2023 here

7. Spector at Rescue Rooms, Nottingham, December

A band that have defined the last 10 years of my life but most definitely the last two months of my 2023, Spector delivered one of the best albums of their career to date in November with Here Come The Early Nights. Eager to hear the new songs from that record live, I headed down to Rescue Rooms to catch them for the third time in that venue, for the sixth time in Nottingham and for the tenth time in total! With fierce competition from their past selves, Spector pulled out all the stops and delivered a rip-roaring set that packed in so many anthems, I lost my voice completely from all the singing along.

Of course, it may be recency bias but for me this was right up there as one of the best performances I’ve seen from them over the years. It just further cemented why they are one of my favourite bands and also one of the best bands to see perform live. If you want all the details from the night, you can read my review for LeftLion below.

Read the full review for LeftLion here

6. The Chemical Brothers at First Direct Arena, Leeds, October

The legendary Chemical Brothers were another band that I saw live twice in 2023, however as fantastic as they were at Best Kept Festival over the summer, their own arena show in October was just the next level up.

If you’ve not had the pleasure of seeing Ed Simons and Tom Rowlands before, let me assure you they put on one of the best live shows on the planet, especially in an arena setting. The hypnotic, mind-melting visuals they put together to accompany their set is just like no other, in addition to all the big production tricks like confetti, lasers, giant balloons and even massive robots too.

However, all of that will only get you so far, you still need the bangers to back it up. Thankfully with a career-spanning 30+ years they have them in abundance and their setlist in Leeds was near faultless. A lot of cuts from their 2023 album For That Beautiful Feeling were included with Goodbye in particular standing out, as well as all the classics you’d want to hear such as Galvanize, Go, Hey Boy Hey Girl and Block Rockin’ Beats. They even had space for one of my all-time favourite songs, Wide Open. Probably the best show from them of the five times I’ve seen them and easily one of my favourite arena gigs of the year.

5. Oscar and the Wolf at Best Kept Secret Festival, Beekse Bergen, June

When you travel to another country and spend hundreds of pounds on a festival for one particular artist, it’s important they deliver. Sure, Best Kept Secret had a phenomenal line-up this year that also boasted The Chemical Brothers, The 1975, Aphex Twin, Young Fathers, Caroline Polachek, Christine & The Queens, Nation of Language, Arlo Parks, Billy Nomates, Interpol and so many more, so I would have gotten the value anyway. But Best Kept Secret Festival was really all about seeing one man – Max Colombie AKA Oscar and the Wolf.

You see having discovered Oscar and the Wolf at Dot-to-Dot festival in 2015, his music instantly resonated with me and he quickly became a favourite of mine. The issue is the Belgian indie-pop superstar isn’t really known here in the UK. So, whenever I have been able to see him live over the years since, it’s been in quiet festival slots with short sets and a small crowd who aren’t familiar with his output. So, when choosing a festival to attend in 2023, we chose Best Kept Secret for one key reason – Oscar and the Wolf was headlining it.

You see whilst the UK hasn’t caught on to Max Colombie’s talents, over in Europe he is a headline act on the level Muse, Liam Gallagher, Arctic Monkeys, etc. So having decided on Best Kept Secret over Rock Werchter as it looked less commercial and a much more manageable capacity, we ventured to the Netherlands to catch Oscar and the Wolf live with a crowd of 20,000 and, importantly, one which knew the words to all of his songs.

And with that massive expectation on it, Max and his band still managed to exceed all expectations to deliver a dazzling Saturday evening performance. Full of brain-melting guitar solos, a flawless setlist, Max’s own incredible vocals and all the big production tricks, it was everything I hoped for when booking the festival. To finally see one of my favourite artists with a crowd deserving of his music, it was such a special moment.

If you’re intrigued to see more and want an introduction to Max’s output, you can watch a 30-minute snippet of his performance from Best Kept Secret below.

Watch Oscar and the Wolf at Best Kept Secret here

4. Stevie Nicks at T-Mobile Arena, Las Vegas, March

It is very rare I get to tick off two bucket list items, let alone two in a single week. But earlier this year, I was fortunate enough to travel over to Las Vegas for work, a place I had always wanted to visit. Whilst I didn’t get to see everything in the short time I was there, I did have enough free time to get a flavour of the one-of-a-kind city. Of course, seeing a show is a must out there and when looking at what was on, I noticed that none other than music legend Stevie Nicks was in town for one night only. Biting the bullet on a last-minute ticket, whilst I will never get to see Fleetwood Mac perform live, I was fortunate to catch Stevie that night – which feels like the next best thing.

The production of the stage was utterly entrancing, with montages and artistic visuals projected on the screens behind her throughout. Her voice sounded as good as ever even at 74 too, with the live band playing alongside her also fantastic. Playing through all the classics from both her solo career and time in Fleetwood Mac, it made for a really special show. It also ended on quite an emotional note, as Stevie paid tribute to both Tom Petty and Christine McVie in the encore. Performing Free Falling and Landslide to round it off, she was noticeably moved following her performance of the latter.

I feel incredibly lucky to have had the chance to experience that, seeing a genuine musical legend on the opposite side of the world. One of the defining highlights of my 2023 and a moment I truly will never forget.

3. Self Esteem at Eventim Apollo, London, March

These days, the performance happening on stage is only 50% of what makes a good show. If you get the wrong crowd of people more interested in getting pissed or talking through the set, then you can quickly end up distracted during key moments. But for the final stop on Self Esteem’s Prioritise Pleasure UKtour at the Hammersmith Apollo, the entire audience were there for one thing and one thing only – a performance from Rebecca Lucy Taylor.

Off the back of a huge breakout year following the success of Prioritise Pleasure, this one felt like a victory lap as the crowd erupted into thunderous ovation after every single song. The production of the show itself was incredible too, from the dazzling choreography and vocal performances to the impressive costume changes and staging. It felt like an arena-level pop show but with the intimacy of an academy venue, just the best of both worlds.

The biggest testament I can give it though is what I touched on at the start. A lot of shows I’ve been to post-COVID, when it comes time for the acoustic songs they are sadly often spoilt now by crowd chatter, with people’s loud conversations disrupting these intimate moments. That didn’t happen with Self Esteem, as at one point she took centre stage just her and a guitar to perform her track John Elton and honestly you couldn’t hear a pin drop. Instead, everyone just stood in awe and respectfully engaged with what they were witnessing on the stage.

I said back in March this was one of the best shows I’ve ever had the privilege of seeing and I think I stand by that. An unbelievably special night thanks to a respectful crowd and an artist right at the top of their game.

2. Creeper at Rock City, Nottingham, November

Speaking of one of the best shows I’ve ever seen, I think it’s well documented at this point just how blown away I was seeing Creeper at Rock City last month. The only other time I had seen the Southampton-hailing goth-rockers previously was years ago at Slam Dunk festival and I’ll be honest, their show didn’t leave much of an impression on me at that time. However, with this performance coming less than a month since the release of their operatic third album Sanguivore, which I had been playing constantly, it seemed like the perfect storm for a special night – and my assumptions were correct.

Here's what I said in my review for LeftLion:

“Bringing with them a uniquely theatrical live show unlike any I saw in 2023, it was full of dramatic production, crowd surfers, circle pits, plenty of monstrous riffs and a faultless setlist. The moment of the night however came in the form of a stunning rendition of debut album favourite, Misery. Driving home the special connection Creeper have with their fans, phone torches were switched on and several audience members climbed onto shoulders to emotionally sing along with frontman, Will Gould. As the song reached its peak, Will didn’t even have to say a word or move a muscle - the crowd just instinctively belted out the song’s gut-punching refrain. A beautifully powerful moment and one of the most spine-tingling I’ve ever experienced inside that venue. With red confetti then shooting out of cannons onstage during the triumphant closing performance of 2023 single Cry To Heaven, it was a suitably mind-blowing finish to a truly mind-blowing rock show.”

See LeftLion’s full list of Best Gigs of 2023 here

Read my LeftLion review for Creeper at Rock City here

1. James at Northern Echo Arena, Darlington, August / James at Royal Concert Hall, Nottingham, October

So here we are at my favourite live show of 2023 and guess what – I’ve cheated again. Here we have two shows that both had the recipe for an all-timer - one of my favourite bands of all-time, one of the best live acts in the country and a band with 40+ years of exceptional music in their catalogue. Funnily enough, all three of those ingredients are Mancunian indie legends, James.

I saw James twice in 2023 and what has landed them in the top spot is the fact that each time I saw them this year, they delivered a unique experience. Each of these gigs, one in Darlington and one in Nottingham, offered something completely different from the other but ended up equally as sensational for their own reasons.

The first in Darlington was just the perfect line up in the most perfect setting. An August summer’s day with three of my favourite bands on the bill together – Maximo Park, Editors and James. The venue was a decent-sized Rugby stadium, but rather than having the whole thing open, the stage was to one side of the pitch, with one side of seating open and then the pitch the standing area – so it was set up more like a bowl than an open stadium.

What worked perfectly was the fact that although we had booked seats, we didn’t have to stay in them all day. We could sit in the seats and chill for the support, make use of the toilets and quieter bars etc. but then when we wanted to go have a dance and get into the mix, we could walk down onto the pitch and join the standing crowd. This is the first gig I’ve been to with that set up and it just added to the whole experience.

In terms of the bands themselves though, it was just a fantastic day of music. Even before the trio of Maximo Park, Editors and James, you had shoegazers Pale Blue Eyes, up-and-comers The Kairos and 00s indie outfit The Pigeon Detectives, who in particular were much better than I expected. Then as fantastic as Maximo Park and Editors were, it really was all about James who just reaffirmed to me why they’re one of my favourite bands. Ploughing through the hits as the sun was setting, Tim Booth wandering gracefully through the crowd and the band on stage sounding so effortlessly tight-knit, just like a band who have been playing together for 40 years should sound. It may have been the booze, it may have been the life-defining songs, it may well have been a bit of both – but I’m not ashamed to say I was near tears at a couple of points. Just magical.

If that wasn’t enough, I would see them again a few months later at Nottingham Royal Concert Hall, this time backed by a full choir and orchestra. Having had the devastation of the cancellation back in April, after waiting over a decade for them to repeat their 2011 orchestral tour, this was a rescheduled show I had been waiting a long, long time to see. And boy was it worth the wait.

Playing some of my favourite deep cuts that I would never get to hear in a normal set like Space, Alaskan Pipeline, Ten Below and Someone’s Got It In For Me, but then with the strings and extra voices accompanying them too, it just amplified their already world class live show to another level. With goosebump-inducing singalongs to Many Faces and Sometimes also throughout the night, this was another special gig that I’ll remember for a long time.

So there you have it, my favourite shows of 2023. Just one final part of my New Music Weekly awards still left to come and it’s a big one – my Top 100 Songs of 2023 playlist.

It’ll be dropping soon so keep your eyes peeled and thanks for following along so far!

[roseshavethoughts]

Rule Britania: My Top 10 Post-Millenial British Horror

Modern British horror has seen a resurgence in recent years, showcasing a diverse range of terrifying tales that reflect the anxieties and societal issues of contemporary Britain. This resurgence has been marked by a departure from traditional Gothic themes and an embrace of fresh, innovative narratives. British horror has evolved to encompass a wide range of themes, from psychological terror to…

[perversion666]

album covers ⛧

[the-thing-inside-your-closet]

Danny and Ellie are forced to flee Amity Park. And find themselves in Coast City.

I started writing this with the intention of only writing a short prompt, but then I just kept going until I felt like I’d written enough.

Danny gets caught up in yet another fight with Skulker, only this time it wasn’t because Skulker had come for Danny. No. He’d come for Ellie. And she was already weak from fleeing the GIW who had shot at her the moment she arrived in Amity Park.

Whether Skulker is after Ellie for Vlad, or because he wants her pelt can be up to you.

Either way, he manages to beat Skulker and captures him in the thermos. Just as he lets out a long sigh of relief he hears the sound of an ecto-gun being fired and then his side is burning and he’s falling. He’s falling too fast and it hurts and he can’t stop-

Danny guys the ground hard. His head is spinning, his skin feels like it’s burning, and he can hear the stomping of feet as someone runs towards him.

He needs to get up. He needs to get away. Find Ellie and make sure she’s safe. He’s needs to MOVE- but he can’t. Black spots for his vision as he manages to stand up and his eyes meet the end of his mother’s gun.

Before anyone can speak, he’s falling again, handing face first in the dirt. And the familiar feeling of de-transforming washes over him.

The last thing he hears before loosing consciousness is the grief stricken sound of his parent’s voice as three voices shout in unison.

“OH MY GOD DANNY!”

“DANNY ARE YOU OKAY?!”

“NO, GET AWAY FROM HIM!”

When Danny wakes up again, he’s in his room, the curtains are drawn but he can see the sliver of sunlight pouring in through the gap underneath. He notes that his body aches, but not as much as usual after a fight like that. And there’s a warmth enveloping his hand. It’s soothing, and he almost considers going back to sleep when he notices that there’s a ghost in the room. And all too fast he’s sitting up and staring into the exhausted, red, puffy eyes of his mother looking back at him from where she’s sitting holding his hand in hers.

Just behind her he sees Ellie floating just above the ground talking quietly with his dad.

“Danny,” his mother’s voice draws his attention along with Jack and Ellie’s. “How are you feeling, sweetheart? Are you in any pain?”

He didn’t notice when she’d helped him to lay back down again. “Do you need anything? Ellie here was just telling us about how regular pain medication doesn’t work as well for the two of you. But I’m sure we could find something for you that might-”

“Mom,” Danny rasps. Man his throat was dry.

As if reading him mind Ellie appears by his mother’s side holding out a glass of water with a straw in it. Maddie helps Danny to sit up a little more so he can drink.

“Mom,” he tries again, sounding better this time, “I’m okay. I promise. It’s not that bad!” He starts to lie as the panic sets in. He de-transformed in front of them. He knows he did. And the fear shows on his face, it must, because before he can even begin trying to think up an excuse his mother is crying.

“Oh Danny, it’s okay. We know. And we’re not angry at you. We love you. So much.”

And Danny’s heart swells at hearing it. “You don’t hate me for being Phantom?” He asks quietly.

“No! We could never hate you Dann-o!” His dad’s cheery tone doesn’t disguise the sadness and guilt etched into his face. “We’re just…so sorry that we never noticed before. And that we…” he can’t finish his sentence but he doesn’t need to. Danny already knows what he’s apologise for.

“I’m okay. I promise. I heal fast!” Danny tied to reassure them.

It seems to help a little, though his parents still have a grim look in their eyes. As they make connections in just how Danny would know that about himself.

And Ellie, with perfect timing to cut the tension, announces happily, “Danny! Good news! Your parents said I could stay with you!”

Ellie had told his parents while Danny was unconscious about being his clone. She saw how they fretted over Danny, cleaning and dressing his injuries with the love and care she only imagined from a parent that truly loves you. And they had accepted her almost right away. Jack even crying as he proudly declared himself a father of three.

Jack soon excused himself, saying he’ll go see if Jazz needs any help with cooking lunch. Danny and his mother share a look, and with a final kiss to his head says she’ll go make sure nothing gets brought back to life. And she asks Ellie to please make sure Danny stays in bed and rests.

Danny and Ellie are left alone in his room, and it gives Danny the chance to really revel in everything. His parents accept him. They love him, both sides of him. And they accepted Ellie too! And said she can stay! She doesn’t have to be alone anymore.

Now, a lot can happen in the span of a few seconds, let alone minutes. In the time it took for Maddie to reach the kitchen, their front door was kicked down and a group of GIW agents had stormed in demanding they hand over the ectoplasmic scum they were harbouring.

Jack and Maddie drew their weapons and planted themselves directly in front of the GIW agents. The agents state that a ghost shield was put up around the house to prevent any ghosts from escaping, and by law any ghosts within the premises were ti be handed over for destruction immediately. Jazz runs upstairs to Danny’s room to warn them that the GIW were inside the house and that they needed to run. They need to get to the portal NOW.

With all the authority of an older sister Jazz tells Ellie to grab the go bag Danny had insisted on having prepared, and picks Danny up despite his protests that he could walk. Or well, fly. Ellie turns them all invisible and intangible and takes them down to the lab.

They can hear the sound of shouting, and something breaking and a gun being fired all coming from upstairs as Jazz opens the portal for Danny and Ellie.

Another shot rings out. And then another, and more shouting.

“Quickly you two need to go!”

Another shot.

“Aren’t you coming with us?” Danny, now Phantom, asks suddenly as he and Ellie are preparing to enter the Ghost Zone.

Two more shots.

“Someone needs to be here to deactivate the portal in case the guys in white make it down here. I’ll be fine. Mom and dad will be okay, they’re not here for us so you two need to go. Now!” There’s banging on the lab’s door and Jazz shoves both Danny and Ellie into the portal. The last thing Danny hears before the portal closes behind them is another shot being fired.

Danny is scared and angry as he and Ellie are forced to fly through the zone with no currently known way to get back to his family. He needs to make sure they’re okay. He needs to protect them.

But right now Danny is still hurt, and he needs to get himself and Ellie somewhere safe. They begin to slowly make their way through the zone, looking for somewhere to rest and avoiding any ghosts that might want to pick a fight.

Ellie isn’t sure how long she and Danny have been moving for. It feels like it could have been days, or hours, or even minutes. But Danny can’t fly as quickly right now. He’s trying to keep a brave face for Ellie’s sake but she can see the exhaustion beginning to take hold of him.

So Ellie makes the executive decision to touch down somewhere to rest. She tells Danny she’s tired. Danny knows she isn’t and it’s only because she’s worried and wants him to rest. So he goes along with it and they make their way to the next floating island they come across and thank the ancients it’s empty. The two halfas touch down and Danny slumps over as he sits against a nearby rock. Ellie pulls out some energy bars that were tucked away in the go bag and hands one over to Danny.

They do this a few times, stopping to rest, as they gradually make their way to the Far Frozen. Ellie had insisted on going there, Frostbite would know what to do, and he would be able to help Danny with his injuries that had started bleeding again in all the commotion of escaping, and then flying and hiding from ghosts known to attack Danny regularly.

But unfortunately luck is not on their side yet again as a natural portal rips open directly in front of them, and closes behind them after spitting them out in a city they didn’t recognise.

That’s how Danny and Ellie find themselves in Coast City, hiding out in an old warehouse by the docs while Danny heals and they figure out how they’re going to get back home.

That is, until now.

Danny stares up at his little sister and sighs with the resigned tone of an exasperated older sibling.

“Ellie,” he takes a breath, “what did you do?”

“I’m my defence,” Ellie glares up at Green Lantern, who has Ellie scruffed by the back of her hoodie, before looking back at Danny, “I simply do not vibe with the law.”

[90s-music-tourney]

[rainedropsart]

Cassie Sandsmark they could never make me hate you. Even if they’re trying. Really hard

Also idk if Greta and Cassie were technically roommates at Saint Elias’s but who else would it be. They’re buddies. Bonds forged in Yj are unbreakable unfortunately

[newguyontheblock]

Rob Green.

[frenchfry99]

"new friend?"

Another day in neighborhood, another troublemaker in Howdy's bugdega

Explaining that he has a whole stack, stash and a box of things to do, "uncle Howdy" tells Lilly to go find someone else to play with, giving a couple of beloved by her tangerines, to sweeten the situation at least a bit.

Throwing out the peels Lilly finds something bizarre- more like someone??

They went to visit frogs later :]

That frog ribbited something too personal 😔😔

Tiger cubs tend to bite others while playing, so does Lilly! (Nobody can escape the lil ankle biter!! Muhaha!!)

Her clown nose honks if you press on it! :]

so silly!!!! Gahhhh!!!! He better watch out for the claws though-

Being silly whole day is a hard job to do so they're taking a nap😔😔

Goofy doodle of "the mandatory older sibling report in the end of the day" lmao (Sunny would think Robbie is just one of the countless itty bitty bugs Lilly befriends)

Robbie belongs to @clownsuu ! >:^]

[tierras]

oscar nominee, marcel the shell with shoes on dressed in custom thom browne for the 95th annual academy awards

[beaulesbian]

ONE PIECE ep. 1108 || Zoro vs. S-Hawk

Who are you targeting?! Your aim sucks!

[maglors-grief]

Since House of the Dragon is supposedly a "feminist" show, I still find it wild that they excluded all of Rhaenyra's friendships with other women and made the woman who was her evil stepmother in the book be her only friend in the show. They didn't include her very close relationship with Laena, they only included one of her ladies-in-waiting, they made Rhaenys vaguely dislike her since season 1 before Rhaenyra even married Laenor, Jeyne Arryn acts like she's forced to be on the Black's side and is passive aggressive towards Rhaena for no reason.

They robbed Rhaenyra of all her genuine relationships with women in the book in favor of pushing the relationship between Rhaenyra and Alicent, a woman who was abusive towards her and Rhaenyra's sons in the first season.

I really hate the narrative they got going on in the show that Rhaenyra is extremely unpopular. She had half the country on her side. She was likable to a lot of people, why is the show afraid to portray that? Isn't it enough to have Rhaenyra's enemies hate her? Why do they have to make even her allies dislike her?

[newmusickarl]

Top 10 EPs of 2023

As we have seen, 2023 has been a mega year for new albums with LIES being named as my Album of the Year earlier this week. You can read why I was such a fan of that record, along with more on the rest of my Top 50 picks by scrolling below or simply flicking through the New Music Weekly archives for December.

However, as many great longplayers we received in 2023, there was an equal abundance of great shortplayers too. In today’s hectic world where the demand for “snackable” (shout out Andrew Belt for my word of 2023) content has risen, the humble Extended Play has seen a big resurgence. So I’ve looked back over the last 12 months and picked out my ten favourites of the year. As always, I’ve gone for an eclectic selection that pulls from various genres including pop, rock, electronic, R&B, and indie. So depending on your taste, hopefully you’ll find something to enjoy on this list.

Here we go then, my Top 10 EPs of 2023…

Honourable mentions

Forever Means by Angel Olsen

White Magnolia by Bear’s Den

The Rest by Boygenius

Heady Metal by Divorce

Julie Byrne with Laugh Cry Laugh by Julie Byrne & Laugh Cry Laugh

Alaska Sadness by Katie Keddie

That Sweet Breath by Lowmello

My Eyes, Brother! by Opus Kink

Not The Baby by Prima Queen

See You In The Dark by Softcult

10. Modern Day by Bloxx

Kicking off the list with London-based indie quartet Bloxx, who have had a bit of a tough time recently. With multiple shows in recent memory cancelled, it was great to see them make a welcome return in 2023, with Modern Day their first new EP since 2021’s Pop Culture Radio.

Much like their output till now, it is a collection of five songs that showcases the band’s talent for writing catchy hooks and memorable riffs, with the strong opening trio of Modern Day, Television Promises and Runaway helping it secure a spot on this year’s list.

Listen here

9. Not As I by George FitzGerald

It was also a great year for synth-driven shortplayers as one of my favourite electronic musicians of recent times, George FitzGerald, released a new four track effort - Not As I.

Opener Mother is worth the price of admission alone, a beautifully ambient groove featuring American musician SYML on vocal duties. That said, the mind-melting synths of Venera, the spacey chimes of the title track and the pulsating soundscapes of All Roads make this one well worth 15 minutes of your time.

Listen here

8. More Truth by Daniel Avery

Sticking with 2023’s best electronic releases, DJ and producer Dan Avery also released a companion EP to his acclaimed 2022 album, Ultra Truth.

Featuring seven excellent new tracks that didn’t quite make the final cut originally, including trippy Georgia collaboration Going So Low and the accurately titled Bliss, it’s another absorbing collection from the Bournemouth musician who seems incapable of putting a foot wrong.

Listen here

7. Freak Show by ALT BLK ERA

As you can probably tell if you’ve made it this far onto my blog, I am a big champion of new music. On top of that, I am also a big champion of new music emerging out of my world-class local scene in Nottingham. And of all the fantastic Nottingham acts who had a breakout 2023, ALT BLK ERA are the ones leading the charge.

Word is finally getting out about this alt-rock sister duo, who fuse mind-melting electronica, heavy rock and razor-sharp bars for a sound that is entirely of their own making. This was highlighted this week when the pair received a prestigious MOBO award nomination for Best Alternative Act, nominated alongside the likes of Arlo Parks, Skindred and Young Fathers.

So, with ALT BLK ERA seemingly right on the cusp of blowing up in popularity, now is the time to get yourself acquainted with their hypnotic genre-defying sound. Debut EP Freak Show released back in August is the perfect introduction for those not already familiar, with the opening trio of I’m Normally Like This, Misfits: SOLAR and the horn-backed title track all well worth checking out, alongside fan favourite Oggy. I promise you, it’ll be unlike anything else you’ve heard in 2023.

Listen here

6. Homospace by Mickey Callisto

When I was first introduced to Liverpudlian pop sensation Mickey Callisto at Dot-to-Dot Festival earlier this year, it was obvious from the get-go he was a natural-born showman destined for big things. An enigmatic, commanding presence on stage, it was an utterly captivating performance that made for one of the highlights of the day and left me eager to see where his career would go next.

Well, this November saw Mickey releases his first EP titled Homospace and I’m pleased to say it’s a star-making debut release - in more ways than one. Here’s what I said in my review for 5-9 last month:

“Loosely inspired by Arctic Monkeys’ Tranquility Base Hotel & Casino, Mickey’s debut EP sees him transport the listener into outer space for a visit to “a gay nightclub on the moon”. The sounds that welcome you upon entry are a mesmerising blend of disco, psych-rock and 80s-inspired synth-pop, with Mickey lyrically jumping between personal stories and cosmic metaphors. The result is a joyful, imaginative orbit around some ambitious planetary pop. This is a fantastic, high-concept debut EP from Mickey; one that is not just a lot of fun to experience, but also offers the perfect introduction and showcase for his talent. Offering a welcome escape into some vivid musical nebulas, once you’ve taken the trip to the outer limits, you’ll be reluctant to return back down to Earth.”

Read my full review for 5-9 here

Listen here

5. The High Life by Bloc Party

2022 was the year Bloc Party got their mojo back. Whilst the band’s 2016 album Hymns still had its moments, it very much reflected a band going through a transition. Indeed, Alpha Games was still far from a perfect record, but if you had ever been a fan of Bloc Party then there was plenty of familiar pleasures on offer. Following on from that effort then, and this year the indie icons released a new four-track EP where they sound even more rejuvenated.

It’s a fun collection, with summery indie belter High Life kicking things off, before brilliant KennyHoopla collab Keep It Rolling flourishes with that classic Bloc Party sound. Similarly Blue sees Kele finally get back in touch with his younger self, with the song presenting some of his most sincere lyrics in years. Final track The Blood Moon is then my pick of the bunch, with shades of Bigmouth Strikes Again by The Smiths early doors, before it then transforms into that vintage Bloc Party of old by the end, thanks to Russell Lissack’s signature riffing.

Even if you weren’t quite on board with Alpha Games, Bloc Party fans will find plenty of resemblance to that band they fell in love with all those years ago on Silent Alarm and Weekend In The City here on The High Life. Another positive step in the right direction for one of my all-time favourites.

Listen here

4. A Little Lost, A Little Found by Grace Carter

It can sometimes be lost on us as listeners just how derailing the pandemic was for new artists breaking out during that time. After discovering Grace Carter at Live At Leeds fest in 2018, it was evidently clear she was heading for superstardom. The following year cemented this prediction, as the London-based singer-songwriter made the BBC Sound of 2019 list and she set off supporting mainstream heavyweights like Dua Lipa and Lewis Capaldi on tour. However ever since the pandemic struck, Grace has been lost in the wilderness unable to further shine a spotlight on her evolving talent – until now.

Her incredible 2023 EP is Grace getting back to basics, releasing a collection of heartfelt pop ballads that explore identity, family, love and racial injustice. From the exquisitely produced groove of Pick Your Tears Up, the gospel-influenced Riot, the atmospheric tribal cries of Mother and the quirky vocal inflections of Hope, it is littered with moments that quickly remind us of Grace’s songwriting talent.

This is the mesmerising sound of Grace Carter finding herself again and getting things back on track – hopefully she has a clear run this time around.

Listen here

3. Welcome To My House by Yonaka

It doesn’t feel like too long ago I was stood watching Brighton rockers Yonaka perform in the 1am graveyard shift at Dot-to-Dot festival back in 2017. With a then long-haired Theresa Jarvis jumping off the stage to sing her lungs out amidst the modest, onlooking crowd, I was instantly entranced by the band’s energetic songs and performance. Fast forward to now and the band are now a prominent name within the British rock scene, with their songs constantly making their way into TV show, game and movie soundtracks. Returning in 2023 with another release packed with addictive commercial rock anthems, you get the feeling this new seven-track mini-album - which comes complete with a music video for every track - will only catapult them further up the chain of popularity.

With each song representing a feeling, memory or emotion within Theresa Jarvis, the trio blaze through each concisely constructed track, with most hovering around the two-to-three-minute mark. Propelled by anthemic choruses, polished production and Theresa’s ever-impressive vocal acrobatics, it’s another tour de force project from the band.

From rousing opener By The Time You’re Reading This to the anxiety-induced PANIC, through to the colossal confidence of Welcome To My House and the full-throttled punk of Hands Off My Money, it’s just an absolute blast from beginning to end. However, the EP’s best moment is arguably reserved for one of the band’s softest, most heartfelt songs to date – Give Me My Halo. Noticeably stripped back compared to the rest of the tracks here, it allows Theresa’s vocals to soar with her raw, passionate cries driving home the song’s uplifting message.

Across their early releases, their 2019 debut Don’t Wait ‘Til Tomorrow, 2021 mini-album Seize The Power and now this EP, Yonaka have built themselves an arsenal of bangers that would put most other British rock bands to shame. A seismic collection of anthems that will no doubt go down a storm when they take it on tour in 2024.

Experience the visual mini-album through the music video playlist here

Listen to the EP here

2. MANHOOD by ROB GREEN

From one visual EP to another then, however you arguably couldn’t find two more different in sound.

During my first visit to Hockley Hustle festival in 2022, an all-dayer around the cultural heartbeat of Nottingham, soul-pop sensation Rob Green’s acoustic set was such an undisputed highlight, I was wondering how he could possibly top it this year. Well, he managed it.

Performing in the corner of Broadway Cinema’s café with the Rob Rosa String Quartet accompanying him, people were literally queueing at the door to catch even the smallest glimpse of his incredible thirty-minute set. And rightfully so, as the enigmatic performer proved once again his unrivalled ability to bring immeasurable positive energy to a room and leave the audience joyously radiant by the end. I always thought if he could bottle that energy and transfer it to his studio output, he would be unstoppable. Based on his MANHOOD project released at the start of November, it looks like he had the same idea.  

Unlike any other shortplayer released in 2023, MANHOOD is a stunning new visual EP that explores masculinity, self-love and racial identity. Centred around his heartfelt recent singles I’ll Be Around and What Are We Waiting For, the other parts are short vignettes made up of beautiful gospel harmonies, catchy hooks, conversation recordings and deep spoken word passages. With the film version impressively shot in a single take too, it all makes for a powerful 10-minute experience.

A special project by a very special talent, MANHOOD gives the perfect insight into Rob’s unrivalled charm and heart as both an artist and performer. Due to take the project on a UK tour next year, I implore you to go out of your way to see his life-affirming live show if you can – I guarantee you’ll want to capture the positivity in the air and bring it home with you.

Watch the MANHOOD short film here

Listen here

1. Sucker by bexx

“Sometimes falling in love feels like the most important thing in the world, especially when you’re not doing it.” – bexx, 2023

For me, the very best shortplayers should be all killer no filler – with most at four to six tracks long, there really is no excuse on that front. Additionally for me though, they should also take you on a conceptual journey or tell you a story in the same way any great album would. Enter Notts-hailing, synthpop superstar bexx, with her banger-filled debut EP that guides the listener through the highs and lows of her hapless love life.

Ever since discovering bexx through a support slot for Fickle Friends at the start of 2022, she has been on a roll. From her incredible breakout single Hard To Love complete with soaring 80s-tinged guitar solo, to more recent efforts like the extremely catchy One More Night and body positive, rock anthem Prettier, bexx has shown her knack for writing addictive, resonant pop songs is as good as anybody in the genre right now. Taking her first big step forward in 2023, she finally released this her debut EP and it is just the perfect showcase for her talent.

Sucker presents five songs about the eternal search for human connection and the stumbling blocks along the way. It is an EP filled with irresistible tongue-in-cheek humour and packed wall-to-wall with cathartic, anti-love songs with which any amiable cynic can relate. This is “unserious, heartbreak pop” of the highest order and it makes for the most joyously fun EP of the year.

The opening title track is the perfect tone-setter, as bexx describes the urge to text back a former lover, with her wry lyricism firmly at the fore on lines like “I still wonder, do you wonder, how I’m doing, who I’m under – I’m not lonely, I’m just going through the motions.” It’s this light-hearted take on these common melancholic feelings that makes bexx so refreshing and the song itself is one of her most instantly gratifying yet, thanks to its hooky chorus.

Inescapably catchy single I’m Disgusting follows, where bexx describes becoming that hopelessly lovesick romantic she’s always despised (“The lovey-dovey shit belongs on the TV, I’d rather die”). However, the honeymoon period of the relationship quickly ends, as bexx then throws us listeners into the brutal break-up on excellent single, Stupid. Culminating in the frustration-fuelled refrain “I hate this song, ‘cause it’s about you”, it is tailor-made for heartbroken festival crowds to sing back with angst.

Recent single Bad For Each Other is then undoubtedly the EP’s best moment, with bexx found unravelling a toxic friends-with-benefits relationship (“Steal a kiss, 3AM, just a secret between friends – even though I don’t feel used, still a little bit confused”). Once again channelling some palpable rock energy with a guitar-driven chorus, it is mixed seamlessly with a brilliantly produced electronic beat on the quieter, almost whispered verses.

After taking this wild journey with bexx through her romantic life, navigating attraction, sex, heartbreak and all the mixed emotions found along the way, the EP’s climatic song Haha, I’m dying alone can’t help but feel brutally poignant. This is the moment where bexx finally lifts that shield of humour that she’s carried throughout just a little bit, but enough to show the vulnerability hiding underneath - acknowledging that making a joke out of these feelings is her way of coping with the strain of it all. It’s another special, brilliantly written pop song and it’ll have you reaching through your headphones to give bexx a big comforting hug at the end of it.

For a first outing, bexx really couldn’t have crafted a better shortplayer to introduce new listeners into her world. A collection that has been cohesively pulled together and is simply beaming with the catchy, singalong choruses and witty takes that have made her music such a joy to behold. She has really knocked it out of the park with this batch of songs and it is no surprise that it has held on throughout the year to remain my favourite EP of 2023.

Listen here

Thanks for reading – I’ll be back next week with final year-end awards, including my favourite live shows and Top 100 songs of 2023!

[not-the-coffee-machine4]

Roger’s Uncut Magazine Interview!!!

y’all are WELCOME

[vertigoartgore]

2019's Immortal Hulk Vol.1 #16 wraparound variant cover by artist Joe Bennett and inker Belardino Brabo. Source

A nice tribute to the work of the talented special make-up effects creator Rob Bottin (particularly on John Carpenter's The Thing).

[larrylimericks]

12Jul24

Three hundred and fifty-six days Since last we saw Harry on stage, But tonight a duet! For Ms. Nicks’ Hyde Park set, And a Songbird who’s now flown away.

[andysambcrg]

i love that charlie and rob have such iconic sunny costume pieces (charlie's green jacket and trainers, rob's blue trousers and boots) meanwhile glenn is just drowning in a endless supply of blue button up shirts that he wears once then never looks at again