#ritwik singh

[maiapnifavhu]

I've been feeling my feelings so freely since the day i stopped having feelings for you.

[pariaritzia]

Queerness in Indian Media

↳Film: MAJA MA (2022, Hindi) dir. ANAND TIWARI

Maja Ma follows Pallavi Patel (Madhuri Dixit), a closeted lesbian who gave up her beloved, Kanchan (Simone Singh), decades ago and has since become a devoted mother, housewife, and adored member of her community. While making preparations for her son's (Ritwik Bhowmik) wedding, however, Pallavi is outed to the entire town--and subsequently must deal with the consequences to herself, her former beloved, and her family.

Madhuri Dixit discusses her role in this movie, how movies like this are more possible now because of OTT streaming, and the "unexpected reactions" to the story here.

Madhuri Dixit discusses this movie coming from "a place of love", wanting the LGBTQ community to "feel seen", and "accepting people for who they are" here.

The actress Madhuri Dixit has been in multiple gay and gay-coded media, both as a supportive character and as the gay character herself. She has also been supportive in real life of the LGBTQ community.

[laocommunity]

Record-Breaking Performance: Veer Chotrani and Anahat Singh Crowned National Circuit Squash Champions

Record-Breaking Performance: Veer Chotrani and Anahat Singh Crowned National Circuit Squash Champions Record-Breaking Performance: Veer Chotrani and Anahat Singh Crowned National Circuit Squash Champions Introduction The world of squash was in awe as Veer Chotrani and Anahat Singh, two young stars of Indian squash, put on a spectacular display on the court during the recent National Circuit Squash Championship. The two young players put on an incredible performance, making their way through the tournament to ultimately be crowned the National Circuit Squash Champions. Their record-breaking performance has drawn attention from across the squash community, with analysts, fans, and fellow players all in awe of their skill and determination. In this article, we will delve into the journey of these talented young players and examine their incredible achievements in the squash world. Background Information Growing up in Mumbai, India, Veer Chotrani was introduced to squash at the young age of six. With a natural talent for the sport, he quickly rose through the ranks and soon became a force to be reckoned with in the squash world. Anahat Singh, on the other hand, was born in New Delhi and comes from a family with a deep love for squash. Her father, Ritwik Singh, was once India's top squash player and has been training Anahat since she was four years old. Together, Veer and Anahat have competed in numerous tournaments, both nationally and internationally, gaining recognition and admiration from their peers, fans and spectators alike. The Championship The National Circuit Squash Championship was a grueling and highly competitive tournament, with some of the best squash players from all over India competing for the championship title. In the run-up to the finals, Veer and Anahat faced some incredibly tough competition, with each match requiring them to bring their absolute best on the court. However, the duo managed to keep their focus and determination, making it all the way to the final match. The final match between Veer and Anahat was an intense and nail-biting affair, with both players putting everything on the line. Ultimately, Veer emerged victorious, winning the championship title, and Anahat coming in as the runner-up. Veer's impressive performance in the tournament was marked with a series of stunning comebacks and epic victories, making him a true champion of the game. Meanwhile, Anahat's remarkable run in the tournament highlighted her incredible skill, poise and resilience. Together, the two young players have shown that they have what it takes to be the best in the game, with their record-breaking performance at the tournament making it clear that they are forces to be reckoned with in the squash world. Conclusion The performance of Veer Chotrani and Anahat Singh during the National Circuit Squash Championship was nothing short of extraordinary, showcasing their immense talent, skill, and sheer determination on the court. Their record-breaking achievements are a testament to their commitment to the game, their hard work, and their perseverance in the face of challenging competition. They have set the bar high for the rest of the squash community, inspiring a new generation of squash players to strive for greatness on the court. As we look forward to the future of squash, these two young stars of the game are sure to feature prominently, continuing to push the boundaries of what is possible and mesmerizing fans and audiences with their incredible performances. #SPORT Read the full article

[newssy]

A Doomed Love Story That Walks A Path Filled With Loopholes

Jehanabad – Of Love & War Review Out (Photo Credit –Poster From Jehanabad – Of Love & War Review) Jehanabad – Of Love & War Review: Star Rating: Cast: Ritwik Bhowmik, Harshita Gaur, Parambrata Chattopadhyay, Satyadeep Misra, Rajat Kapoor, Suneel Sinha, and ensemble. Creator: Sudhir Mishra and Rajeev Barnwal. Director: Rajeev Barnwal and Satyanshu Singh. Streaming On: Sony Liv. Language: Hindi…

[lyricsupgrade]

Buniyaad 2 Song Lyrics - The Yellow Diary ft Madhuri Dixit |Maja Ma

Buniyaad 2 Song Lyrics – The Yellow Diary ft Madhuri Dixit |Maja Ma

Buniyaad 2 Song Lyrics – The Yellow Diary ft Madhuri Dixit Buniyaad 2 Lyrics – This is the New Hindi Song of 2022 from the movie Maja Ma featuring Madhuri Dixit, this song is composed, written, and sung by The Yellow Diary and rearranged and additionally programmed by Souumil Shringarpure. Buniyaad 2 Lyrics in English Keh Do Ke,Meri Raho Mein,Haath Mere Ko TumThame Rahoge. Kehdo Ke,Chalu Kahi…

[bollywoodirect]

60 Years of Madhumati. (12/09/1958)

Madhumati is a paranormal romance film directed and produced by Bimal Roy and written by Ritwik Ghatak and Rajinder Singh Bedi. The film stars Dilip Kumar and Vyjayantimala in the lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. They are unable to have a relationship during their lifetimes and are reincarnated.

Madhumati was filmed in various Indian locations, including Ranikhet, Ghorakhal, Vaitarna Dam and Aarey Milk Colony. The soundtrack album was composed by Salil Chowdhury and the lyrics were written by Shailendra. It earned ₹40 million in India and became the highest-grossing Indian film of the year and one of the most commercially successful and influential Indian films of all time. It received positive reviews from critics, who praised the soundtrack and the acting of the lead actors.

Madhumati was one of the earliest films to deal with reincarnation and was described by analysts as a potboiler that has a gothic and noir feel to it. It inspired later regional and international films that have reincarnation-based themes. It won nine Filmfare Awards; including Best Film, Best Director, Best Music Director, Best Female Playback Singer, Best Dialogue, Best Art Direction and Best Cinematographer—the most awards for a single film at that time. It also won the National Film Award for Best Feature Film in Hindi.

[sszeemedia]

AMAZON PRIME’S ORIGINAL Series BANDISH BANDITS Gets A Thumbs Up From KATRINA KAIF

AMAZON PRIME’S ORIGINAL Series BANDISH BANDITS Gets A Thumbs Up From KATRINA KAIF

Bandish Bandits is now available to stream on Amazon Prime Video

Amazon Prime Video has released their musical series Bandish Bandits this week. The series sees Shreya Chaudhry and Ritwik Bhowmik torn between legacy and love as their very different worlds collide. The series also stars Naseeruddin Shah, Atul Kulkarni, Sheeba Chaddha, Kunal Roy Kapur and Rajesh Tailang, with music composed by…

[somerabbitholes]

hii, do you have recs for collections of short stories, preferably indian, but not really specific. i have a book idea wiggling in the back of my brain and it has to be short stories, but i don't have any experience writing or reading short stories, so anything you could have to get me started is helpful

Hi! Here are a few ones I like:

The Adivasi Will Not Dance by Hansa Sowvendra Shekhar

Landour Bazaar by Ruskin Bond. But also, anything by Ruskin Bond.

Stories Ritwik Ghatak

Raavi Paar: And Other Stories by Gulzar

These are off the top of my head. Also check Khushwant Singh, and translations and anthologies published by the Sahitya Akademi in India.

Also, good luck for your writing! I'm really excited for you!

[doonitedin]

Happy Birthday Doonited Family Friends 1/1/2019 Wishing you health, love, wealth, happiness and just everything your heart desires. Live today like it is a special gift, because it is the best birthday gift..

[indiandefencenewz99]

Hyderabad FC Beat Jamshedpur FC To Go Seven Points Clear At The Top In ISL

Hyderabad FC registered their fifth successive win this season as they edged past Jamshedpur FC 1-0 to consolidate their top spot in the Indian Super League (ISL) in Jamshedpur on Wednesday. Mohammed Yasir scored again for the defending champions in the second half to end their winless streak against the Red Miners. The hosts made four changes to the side that lost to FC Goa in the last match. Head coach Aidy Boothroyd replaced injured Eli Sabia with Pratik Chaudhari in defence. In the midfield, Wellington Priori dropped to the bench, and Laldinpuia Pachuau took his place. Jay Thomas and Harry Sawyer started as Farukh Choudhary and Ritwik Das started from the bench.The visitors made just one change that saw Bartholomew Ogbeche start as Borja Herrera returned to the bench.Despite being goalless, the first half was a decent one for Jamshedpur. None of the Hyderabad FC players tested Rehenesh TP.At the other end, Laxmikant Kattimani barely managed to keep Daniel Chukwu's header out of goal before being stretchered off with an injury after a collision with Harry Sawyer.Before the visitors were forced to make a substitution, Jamshedpur had to replace Laldinpuia Pachuau in the 25th minute. Farukh Choudhary hopped on to replace the injured midfielder.Towards the end of the first half, Sawyer entered the box and faced the goal from an acute angle. The striker opted to shoot rather than pass and saw his effort fly high.The game's complexion changed early in the second half as Hyderabad FC drew first blood. Halicharan Narzary's low cross aimed at Ogbeche was intercepted by Peter Hartley. However, the ball eventually landed in front of an unmarked Yasir, who squeezed the ball in at the near post in the 48th minute.Approaching the final quarter of the game, the hosts finally tested substitute keeper Anuj Kumar. Boris Singh found Sawyer with a low cross inside the box. Sawyer had his back towards goal as he rolled it back towards Hartley, whose shot was low and hard, but unable to beat Anuj.Seven minutes from regulation time, Odei Onaindia headed the ball back towards Anuj. Under pressure from Ishan Pandita, Anuj fumbled and ended up handling the ball outside the box. The shot-stopper only saw a yellow card for the offence and Jamshedpur FC failed to get anything from the resulting free kick.PromotedThe win took Hyderabad FC seven points clear at the top with 13 points. Their next challenge will come at home on November 19 when they host Kerala Blasters.Jamshedpur FC remain at ninth place after their third loss of the season. They play Chennaiyin FC at the Marina Arena on November 19.Topics mentioned in this article Source link Read the full article

[webnewsify1]

WebNewsify : 14 Indian films to be screened at 44th Festival des 3 Continents

WebNewsify : The particular part on the pageant may also spotlight the best movies relationship again to the 1970's and 1980's from Africa, Latin America and Asia along with the Indian movies. Among the many stalwart Indian administrators whose movies will probably be screened are Ritwik Ghatak, Aravindan Govindan, 'Amma Ariyan' director John Abraham and Saeed Akhtar Mirza.The Indian movies that will probably be screened on the prestigious pageant embody 'Thamp', 'Kummatty', 'Agraharathil Kazhuthai', 'Amma Ariyan', 'Thaneer Thaneer', 'Titash Ekti Nadir Naam', 'Ashad Ka Ek Din', 'Khandhar', 'Om-Dar-B-Dar', 'Hun Hunshi Hunshilal', '36 Chowringhee Lane', 'Utsav', 'Arvind Desai Ki Ajeeb Dastan' and 'Disha'.Reacting to the event, famend filmmaker and creator Saeed Akhtar Mirza stated: "I'm honoured that my movie 'Arvind Desai Ki Ajeeb Dastan' has been chosen to be screened on the prestigious Competition des 3 Continents in France. I'm trying ahead to presenting my movie forty-four years after its launch to a global viewers at a pageant that showcases the most effective of cinema."Movie Heritage Basis, based by filmmaker and archivist Shivendra Singh Dungarpur, is co-presenting and programming Indian movies for the Classics part."I wish to thank the Movie Heritage Basis and its director, Shivendra Singh Dungarpur, for making this occur," Mirza additional acknowledged.The Read the full article

[sounmashnews]

[ad_1] STORY: Pallavi, a loyal housewife and a doting mom, is confronted with buried truths from her previous. The narrative revolves round how she embraces sure realities, pivotal to her persona and sense of self, and its influence on her close to and pricey ones. REVIEW: Pallavi Patel (Madhuri Dixit), is a sleek dancer, a dutiful spouse and an especially devoted mom. Her son Tejas, whereas pursuing a profession within the US, falls in love with an NRI Punjabi lady, Esha (Barkha Singh). Despite doubt and hesitation, her dad and mom, Pam and Bob (Sheeba Chadha and Rajit Kapoor), conform to the match and determine to fulfill Pallavi and her husband Manohar (Gajraj Rao). The state of affairs activates its head when a nasty hearsay about Pallavi spreads like wildfire and places her son’s engagement within the dock. What transpires after that modifications everybody’s course of life ceaselessly. Writer Sumit Batheja and director Anand Tiwari show a singular method whereas narrating a narrative about two lesbian lovers who come out to their households 30 years into their marriages. Without utilizing any sexual innuendos or below-the-belt jokes and gags, the duo comes up with a reliable narrative that feels extraordinarily relatable and simple on the senses. The dialogues are on level - not too dramatic and never reduce and dry. The movie makes a acutely aware effort to navigate the interior conflicts that varied characters really feel, with Pallavi’s sudden revelation, with care and sensitivity. The issue that Tara and Tejas really feel whereas attempting to simply accept their mom’s sexual desire, gender dynamics, the absence of intercourse in marriages, social and cultural conditioning of households and people, and Pallavi’s dilemma that pulls her into quite a few instructions always are simply among the lanes that the movie meanders in. But in latest instances, one has seen a number of tales about people popping out to their family members and discovering gradual acceptance (Bai, Modern Love - Mumbai on the identical platform). The dialog right here might have simply gone past that; there was scope for it. The movie has numerous parts which can be applaudable, however there’s nonetheless one thing that feels amiss on the finish. Probably, it’s the conveniences used, and a happy-in-the-hood sort of an ending for Pallavi and her lover, Kanchan (Simone Singh). A extra life like conclusion would have elevated the fabric far more. Also, the tempo of the movie feels extremely gradual on a number of events which ought to have been regarded into extra fastidiously. The movie has an exquisite setting and blends within the vibrancy of Gujarat throughout Navratri very well. The camerawork is neat. The gown division makes each character look putting - a number of instances even when it’s not wanted in a scene. The music is strictly okay. The movie places the highlight on Madhuri Dixit, virtually totally. And she delivers a assured and lived-in efficiency. Her means to emote together with her eyes and her expressions is gorgeous. Gajraj Rao effortlessly performs Manohar; he’s extraordinarily likable and funky. Ritwik Bhowmik as Tejas, and Srishti Shrivastava as Tara decide up the emotional beats of their characters properly. Simone, Rajit, Sheeba, Barkha and Ninad wanted some extra heft to their characters. Rajit, Sheeba and Barkha’s accents don’t create the fitting impact however their effort to get in sync with the fabric is clear. All in all, 'Maja Ma' is a cool household watch, which feels very relatable, at instances in methods that may troublesome to place into phrases. [ad_2] Source link

[thegeekx]

Madhuri Dixit, Ritwik Bhowmik, Barkha Singh and Srishti Shrivastava on what makes Maja Ma a joyride

Madhuri Dixit, Ritwik Bhowmik, Barkha Singh and Srishti Shrivastava on what makes Maja Ma a joyride

Maja Ma – a heartwarming family tale that has just been released today, has the perfect concoction of effortless talents and a narrative that is of prime essence to be told and heard. An enigma then, now, forever – Madhuri Dixit as the lead continues to entertain and surprise her audience with the calibre that an artist like her brings onto the screen. In an exclusive conversation with Filmfare,…

[newsaza]

Despite able performances, the script loopholes make MAJA MA an average fare.

Despite able performances, the script loopholes make MAJA MA an average fare.

Maja Ma Review 2.5/5 & Review Rating MAJA MA is the story of a ‘perfect’ woman’s dark past. Pallavi Patel (Madhuri Dixit) is a devoted housewife who lives in Ahmedabad with her husband Manohar (Gajraj Rao) and daughter Tara (Srishti Shrivastava). Her son Tejas (Ritwik Bhowmik) has gone to the USA to study and work. There, he falls in love with Esha (Barkha Singh), the daughter of the very rich…

[squarwell-breakingnews]

Have you seen THIS video of Karan Johar warmly hugging Aryan Khan at a film screening? - Times of India

Have you seen THIS video of Karan Johar warmly hugging Aryan Khan at a film screening? – Times of India

Shah Rukh Khan’s kids Aryan and Suhana Khan made an appearance at a special screening of OTT movie ‘Maja Ma’. The star kids joined the cast, Madhuri Dixit, Gajraj Rao, Barkha Singh, Srishti Shrivastava and Ritwik Bhowmik at the event. Another clip from inside the screening, Aryan and Suhana were spotted chatting. An inside video from the screening is now going viral on the internet wherein Aryan…

[bollywoodirect]

Tribute to P. K. Nair a passionate film archivist & the founder of National Film Archive of India, of India on his 86th birth anniversary. Paramesh Krishnan Nair (6 April 1933 – 4 March 2016) was an Indian film archivist and film scholar, who was the founder and director of the National Film Archive of India (NFAI) in 1964. He is regarded as the Henri Langlois of India because of his lifelong dedication towards the preservation of films in India. A passionate film archivist, he worked at the NFAI for over three decades, collecting films from India and from all over the world. He was instrumental in acquiring for the archive several landmark Indian films like Dadasaheb Phalke's Raja Harishchandra and Kaliya Mardan, Bombay Talkies films such as Jeevan Naiya, Bandhan, Kangan, Achhut Kanya and Kismet, S. S. Vasan's Chandralekha and Uday Shankar's Kalpana. In 2012, Celluloid Man, an award-winning documentary was made on his life and works, by Shivendra Singh Dungarpur. The National Film Archive of India was founded in 1964 and Nair was appointed to the post of assistant curator in November 1965. He established the archive from scratch by collecting films from all over India and the world and was promoted as director of the archive in 1982. He spearheaded the NFAI, Pune for nearly three decades and built up the archive which now enjoys a vibrant international reputation. Landmark acquisitions include the Dadasaheb Phalke films and films of New Theatres, Bombay Talkies, Minerva Movietone, Wadia Movietone, Gemini Studios and AVM Productions. He was instrumental in introducing the works of world masters of cinema like Ingmar Bergman, Akira Kurosawa, Andrzej Wajda, Miklós Jancsó, Krzysztof Zanussi, Vittorio De Sica, Federico Fellini, apart from significant Indian film makers like Satyajit Ray, Ritwik Ghatak, Mrinal Sen, V. Shantaram, Raj Kapoor and Guru Dutt to FTII students, film society members, and other film study groups in the country. He was also instrumental in setting up the International Film Festival of Kerala. When he retired in April 1991, he had collected over 12,000 films, of which 8,000 are Indian.