#ricky romero icons

[nosensedit]

halloween icons 🎃 | reblog or credit on @alohomorxs

[editsbyhestia]

▬▬▬▬▬▬ AMAIA ROMERO & RICKY MERINO𓃉 ( request )  

ㅤㅤㅤㅤㅤ ㅤ reblog if you save or use.  

ㅤㅤㅤㅤㅤ ㅤ credits to @editsbyhestia on twitter.

[papermoonloveslucy]

ZIEGFELD FOLLIES

April 8, 1946

Directors: Lemuel Ayers, Roy Del Ruth. Vincente Minnelli, George Sidney,  Norman Taurog, Charles Walters. Robert Lewis Producer: Arthur Freed for Metro Goldwyn Mayer

The shooting schedule ran between April 10 and August 18, 1944, with retakes plus additional segments filmed on December 22, 1944 and then between January 25 and February 6, 1945. The film was first proposed in 1939. 

Synopsis ~ We meet a grayed, immaculately garbed Florenz Ziegfeld, Jr. in Paradise (his diary entry reads "Another heavenly day"), where he looks down upon the world and muses over the sort of show he'd be putting on were he still alive.

PRINCIPAL CAST

Lucille Ball ('Here's to the Ladies') is appearing in her 64th film since coming to Hollywood in 1933. 

Fred Astaire ('Here's to the Ladies' / Raffles in 'This Heart of Mine' / Tai Long in 'Limehouse Blues’ / Gentleman in 'The Babbit and the Bromide') also appeared with Lucille Ball in Roberta (1935), Top Hat (1935), and Follow the Fleet (1936). His name was mentioned twice on “I Love Lucy.”

Lucille Bremer (Princess in 'This Heart of Mine' / Moy Ling in 'Limehouse Blues') 

Fanny Brice (Norma Edelman in 'A Sweepstakes Ticket') appeared in the original stage version of many editions of The Ziegfeld Follies on Broadway.

Judy Garland (The Star in 'A Great Lady Has An Interview') also starred with Lucille Ball in Thousands Cheer (1943). 

Kathryn Grayson (Kathryn Grayson in 'Beauty') also starred with Lucille Ball in Thousands Cheer (1943).

Lena Horne (Lena Horne in 'Love') also starred with Lucille Ball in Thousands Cheer (1943).

Gene Kelly (Gentleman in 'The Babbit and the Bromide') also starred with Lucille Ball in Thousands Cheer (1943),  Du Barry Was A Lady (1943), and A Guide for the Married Man (1967). He made an appearance on the Lucille Ball special “Lucy Moves to NBC” (1980).  

James Melton (Alfredo in 'La Traviata')

Victor Moore (Lawyer's Client in 'Pay the Two Dollars')

Red Skelton (J. Newton Numbskull in 'When Television Comes') also starred with Lucille Ball in Having Wonderful Time (1938), Thousands Cheer (1943),  Du Barry Was A Lady (1943), and The Fuller Brush Girl (1950).  On TV he appeared on “The Lucy-Desi Comedy Hour” in “Lucy Goes To Alaska” (1958). Ball and Skelton appeared in numerous TV specials together. 

Esther Williams (Esther Williams in 'A Water Ballet') also appeared with Lucille Ball in Easy To Wed (1946). 

William Powell (Florenz Ziegfeld Jr.) also played the same character in The Great Ziegfeld (1936). 

Edward Arnold (Lawyer in 'Pay the Two Dollars') appeared with Lucille Ball in Roman Scandals (1933) and Ellis in Freedomland (1952).

Marion Bell (Violetta in 'La Traviata')

Cyd Charisse (Ballerina in 'Beauty') also starred with Lucille Ball in Thousands Cheer (1943).

Hume Cronyn (Monty in 'A Sweepstakes Ticket') was honored by The Kennedy Center in 1986, at the same ceremony as Lucille Ball. 

William Frawley (Martin in 'A Sweepstakes Ticket') played the role of Fred Mertz on “I Love Lucy” and “The Lucy-Desi Comedy Hour”. He also appeared on “The Lucy Show,” his final screen appearance. 

Robert Lewis (Chinese Gentleman in 'Limehouse Blues' / Telephone Voice in 'Number Please')

Virginia O'Brien (Virginia O'Brien in 'Here's to the Ladies') also starred with Lucille Ball in Thousands Cheer (1943),  Du Barry Was A Lady (1943), and Meet The People (1944). 

Keenan Wynn (Caller in 'Number Please') appeared with Lucille Ball in Easy To Wed (1946), Without Love (1945), and The Long, Long Trailer (1954). 

SUPPORTING CAST

Ziegfeld Girls

Karin Booth  

Lucille Casey  

Aina Constant  

Elizabeth Dailey  

Frances Donelan  

Natalie Draper  

Karen X. Gaylord  

Aileen Haley  

Carol Haney  

Shirlee Howard  

Margaret Laurence  

Helen O'Hara  

Noreen Roth  

Elaine Shepard  

Kay Thompson  

Dorothy Tuttle  

Dorothy Van Nuys  

Eve Whitney - appeared on “I Love Lucy” episode “The Charm School” (ILL S3;E15).

Dancers

Gloria Joy Arden

Jean Ashton  

Irene Austin  

Judi Blacque  

Bonnie Barlowe  

Norman Borine  

Hazel Brooks  

Ed Brown  

Kathleen Cartmill  

Jack Cavan  

Marilyn Christine  

Laura Corbay  

Rita Dunn  

Meredyth Durrell  

Shawn Ferguson  

Jeanne Francis  

Jean French  

Mary Jane French  

David Gray  

Bill Hawley  

Doreen Hayward  

Charlotte Hunter  

Virginia Hunter  

Patricia Jackson

Margaret Kays  

Laura Knight  

Laura Lane  

Dale Lefler  

Melvin Martin  

Diane Meredith  

Lorraine Miller  

Joyce Murray  

Janet Nevis  

Ray Nyles  

Billy O'Shay  

Jane Ray  

Dorothy Raye  

Beth Renner

Melba Snowden  

Walter Stane  

Ivon Starr  

Robert Trout  

Chorus Boys

Rod Alexander

Milton Chisholm  

Dick D'Arcy  

Dante DiPaolo  

Don Hulbert  

Herb Lurie  

Matt Mattox  

Bert May - appeared on “The Lucy Show” in “Lucy and Tennessee Ernie Ford”

Jack Purcell  

Tommy Rall  

Ricky Ricardi (!)

Alex Romero

“LIMEHOUSE BLUES” starring Fred Astaire, Lucille Bremer, and Robert Lewis

Robert Ames (Masked Man)  

James Barron (Couple with Banners)  

Eleanor Bayley (Couple with Branches)  

Mary Jo Ellis (Couple with Banners)  

Sean Francis (Ensemble)  

James King (Rooster)  

Harriet Lee (Bar Singer) 

Eugene Loring (Costermonger)  

Charles Lunard (Masked Man)  

Patricia Lynn (Ensemble)  

Ruth Merman (Ensemble)  

Garry Owen (1st Subway Policeman)  

Ellen Ray (Couple with Parasols)  

Jack Regas (Masked Man)  

Billy Shead (Couple with Parasols)  

Ronald Stanton (Couple with Branches)  

Wanda Stevenson (Ensemble)  

Ray Teal (2nd Subway Policeman)  

“LOVE” starring Lena Horne

Juliette Ball (Club Patron)   

Lennie Bluett (Dancer)   

Suzette Harbin (Flirt)   

Avanelle Harris (Club Patron)  

Maggie Hathaway (Dancer)  

Charles Hawkins (Club Patron)  

Marie Bryant (Woman Getting Her Man Taken)   

Cleo Herndon (Dancer)   

“THIS HEART OF MINE” starring Fred Astaire and Lucille Bremer

Helen Boyce (Countess)   

Feodor Chaliapin Jr. (Lieutenant)

Naomi Childers (Duchess)

Charles Coleman (Majordomo)   

Sam Flint (Majordomo's Assistant)

Sidney Gordon (Masked Man)   

Count Stefenelli (Count)   

Robert Wayne (Dyseptic)   

“PAY THE TWO DOLLARS”  starring Edward Arnold and Victor Moore

William Bailey (Subway Passenger)

Joseph Crehan (1st Judge) - played a Detective on “I Love Lucy” “The Great Train Robbery”

William B. Davidson (2nd Judge)

Eddie Dunn (3rd Subway Policeman)   

Harry Hayden (Warden)   

George Hill (2nd Subway Policeman)   

Wilbur Mack (Subway Passenger)   

Larry Steers (Magistrate)

“NUMBER PLEASE” starring Keenan Wynn

Peter Lawford (Voice of Porky)

Grady Sutton (Texan)

Audrey Totter (Phone Operator Voice)

Kay Williams (Girl)

OTHERS

Bunin's Puppets

Elise Cavanna (Tall Woman)

Jack Deery (Man)

Rex Evans (Butler in "A Great Lady Has An Interview”)

Sam Garrett (Roping / Twirling Act)

Silver (Horse in "Here's to the Ladies') 

Arthur Walsh (Telegraph Boy in "A Sweepstakes Ticket") - appeared on “I Love Lucy” in “Lucy Has Her Eyes Examined” (ILL S3;E11). 

‘FOLLIES’ TRIVIA

Sidney Guilaroff, Lucille Ball’s hair dresser, who takes responsibility for her famous ‘golden red’ for this movie, becoming her trademark color.

Although they appear in different segments, this is the only feature film collaboration between “I Love Lucy co-stars" Lucille Ball and William Frawley. Coincidently, Frawley's character in this film shares a striking similarity with his iconic character of Fred Mertz on “I Love Lucy.” In this film he plays a money-hungry curmudgeon of a landlord, much like the show. In the above photo, he appears with director Minnelli and co-star Brice. 

The horse ridden by Lucille Ball is the Lone Ranger's Silver!

Lucille Ball was actually fired by Ziegfeld from his road company production of Rio Rita in the 1930s.

In February 1956, Lucy and Desi appeared on “MGM Parade” to promote their MGM film Forever Darling. The show also included footage of Lena Horne singing from Ziegfeld Follies. 

Lucy also played a showgirl in pink in “Lucy Gets Into Pictures” (ILL S4;E19) aired on February 21, 1955. The scene was inspired by Ziegfeld’s legendary stage shows featuring beautiful women wearing elaborate costumes navigating long staircases. To solidify the comparison, Ricky says he is going to a meeting with Mr. Minnelli. Vincente Minnelli was one of the directors of Ziegfeld Follies. 

Lucy Ricardo had previously cavorted around in a lampshade in the manner of a Ziegfeld girl in both the unaired pilot and “The Audition” (S1;E6).

Ziegfeld Follies includes a sketch for Red Skelton called “When Television Comes” aka “Guzzler’s Gin” in which a (future) television spokesman gets increasingly sloshed on his product. This sketch was an obvious influence on Lucy’s Vitameatavegamin routine in “Lucy Does a TV Commercial” (ILL S1;E30) aired on May 5, 1952. 

Ziegfeld Girl Eve Whitney appeared on “I Love Lucy” episode “The Charm School” (ILL S3;E15). She used her own name for the character.  

The Telegraph Boy in "A Sweepstakes Ticket" Arthur Walsh - appeared on “I Love Lucy” in “Lucy Has Her Eyes Examined” (ILL S3;E11) as Arthur ‘King Cat’ Walsh. He teaches Lucy how to jitterbug. 

The first Judge in the “Pay the Two Dollars” James Crehan also played the Police Detective on “I Love Lucy in “The Great Train Robbery” (ILL S5;E5) first aired on October 31, 1955.

Porky, a voice on the telephone in “Number Please” Peter Lawford, played “Password” against Lucille Ball on September 24, 1964.  At the time, Lawford was married to President Kennedy’s sister, Patricia. On November 26, 1968, Ball was a guest on “The Tonight Show” when Peter Lawford was sitting in for Johnny Carson.

Chorus Boy Bert May appeared as a solo dancer on “The Lucy Show” in “Lucy and Tennessee Ernie Ford” (TLS S5;E21) in February 1967. 

In the dressing room, Lucy jokes with Fanny Brice, one of the funniest women in showbusiness.  This was the only time Ball and Brice collaborated and was Brice’s last film. 

Ziegfeld’s follies began on Broadway, so it was appropriate that the show featured past and future Broadway musical stars:

Lucille Ball ~ Wildcat (1960)

Carol Haney ~ The Pajama Game (1954)

Tommy Rall ~ Call Me Madame (1950)

Fanny Brice ~ The Ziegfeld Follies 

Marion Bell ~ Brigadoon (1947)

Victor Moore ~ Anything Goes (1934)

There was a lot of material that was not filmed, but written and cast. Some of the original skits would have added “Lucy” performers Mickey Rooney, Ann Sothern, and Van Johnson to the cast.

[birdlord]

Everything I Watched in 2020

We’ll start with movies. The number in parentheses is the year of release, asterisks denote a re-watch, and titles in bold are my favourite watches of the year. Here’s 2019’s list. 

01 Little Women (19)

02 The Post (17) 

03 Molly’s Game (17)

04 * Doctor No (62)

05 Groundhog Day (93)

06 *Star Trek IV - The Voyage Home (86)

07 Knives Out (19) My last theatre experience (sob)

08 Professor Marston and his Wonder Women (17)

09 Les Miserables (98)

10 Midsommar (19) I’m not sure how *good* it is, but it does stick in the ol’ brain

11 *Manhattan Murder Mystery (93)

12 Marriage Story (19)

13 Kramer vs Kramer (79)

14 Jojo Rabbit (19)

15 J’ai perdu mon corps (19) a cute animated film about a hand detached from its body!

16 1917 (19)

17 Married to the Mob (88)

18 Klaus (19)

19 Portrait of a Lady on Fire (19) If Little Women made me want to wear a scarf criss-crossed around my torso, this one made me want to wear a cloak

20 The Last Black Man in San Francisco (19)

21 *Lawrence of Arabia (62)

22 Gone With the Wind (39)

23 Kiss Me Deadly (55)

24 Dredd (12)

25 Heartburn (86) heard a bunch about this one in the Blank Check series on Nora Ephron, sadly after I’d watched it

26 The Long Shot (19)

27 Out of Africa (85)

28 King Kong (46)

29 *Johnny Mnemonic (95)

30 Knocked Up (07)

31 Collateral (04)

32 Bird on a Wire (90)

33 The Black Dahlia (05)

34 Long Time Running (17)

35 *Magic Mike (12)

36 Before the Devil Knows You’re Dead (07)

37 Cold War (18)

38 *Kramer Vs Kramer (79) yes I watched this a few months before! This was a pandemic friend group co-watch.

39 *Burn After Reading (08)

40 Last Holiday (50)

41 Fly Away Home (96)

42 *Moneyball (11) I’m sure I watch this every two years, at most??

43 Last Holiday (06) the Queen Latifah version of the 1950 movie above, lacking, of course, the brutal “poor people don’t deserve anything good” ending

44 *Safe (95)

45 Gimme Shelter (70)

46 The Daytrippers (96)

47 Experiment in Terror (62)

48 Tucker: The Man and His Dream (88)

49 My Brilliant Career (79) one of the salvations of 2020 was watching movies “with” friends. Our usual method was to video chat before the movie, sync our streaming services, and text-chat while the movie was on. 

50 Divorce Italian Style (61)

51 *Gosford Park (01) another classic comfort watch, fuck I love a G. Park

52 Hopscotch (80)

53 Brief Encounter (45)

54 Hud (63)

55 Ocean’s 8 (18)

56 *Beverly Hills Cop (84)

57 Blow the Man Down (19)

58 Constantine (05)

59 The Report (19) maddening!! How are people so consistently terrible to one another!

60 Everyday People (04)

61 Anatomy of a Murder (58)

62 Spiderman: Homecoming (17)

63 *To Wong Foo, Thanks for Everything, Julie Newmar (95) Of the 90s drag road movies, Priscilla is more visually striking, but this has its moments.

64 Twin Peaks: Fire Walk with Me (92)

65 *The Truman Show (98)

66 Mona Lisa (86)

67 The Blob (58)

68 The Guard (11)

69 *Waiting for Guffman (96) RIP Fred Willard

70 Rocketman (19)

71 Outside In (18)

72 The Curious Case of Benjamin Button (08) how strange to see a movie that you have known the premise for, but no details of, for over a decade

73 *Star Trek: The Undiscovered Country (91)

74 The Reader (08)

75 Star Wars: The Rise of Skywalker (19) This was fine until it VERY MUCH WAS NOT FINE

76 The End of the Affair (99) you try to watch a fun little romp about infidelity during the Blitz, and Graham Greene can’t help but shoehorn in a friggin crisis of religious faith

77 Must Love Dogs (05) barely any dog content, where are the dogs at

78 The Rainmaker (97)

79 *Batman & Robin (97)

80 National Lampoon’s Vacation (83) Never seen any of the non-xmas Vacations, didn’t realize the children are totally different, not just actors but ages! Also, this one is blatantly racist!

81 *Mystic Pizza (88)

82 Funny Girl (68)

83 The Sons of Katie Elder (65)

84 *Knives Out (19) another re-watch within the same year!! How does this keep happening??

85 *Scott Pilgrim Vs The World (10) a real I-just-moved-away-from-Toronto nostalgia watch

86 Canadian Bacon (92) vividly recall this VHS at the video store, but I never saw it til 2020

87 *Blood Simple (85)

88 Brittany Runs a Marathon (19)

89 The Accidental Tourist (88)

90 August Osage County (13) MELO-DRAMA!!

91 Appaloosa (08)

92 The Firm (93) Feeling good about how many iconic 80s/90s video store stalwarts I watched in 2020

93 *Almost Famous (00)

94 Whisper of the Heart (95)

95 Da 5 Bloods (20)

96 Rain Man (88)

97 True Stories (86)

98 *Risky Business (83) It’s not about what you think it’s about! It never was!

99 *The Big Chill (83)

100 The Way We Were (73)

101 Safety Last (23) It’s getting so that I might have to add the first two digits to my dates...not that I watch THAT many movies from the 1920s...

102 Phantasm (79)

103 The Burrowers (08)

104 New Jack City (91)

105 The Vanishing (88)

106 Sisters (72)

107 Puberty Blues (81) Little Aussie cinema theme, here

108 Elevator to the Gallows (58)

109 Les Diaboliques (55)

110 House (77) haha WHAT no really W H A T

111 Death Line (72)

112 Cranes are Flying (57)

113 Holes (03)

114 *Lady Vengeance (05)

115 Long Weekend (78)

116 Body Double (84)

117 The Crazies (73) I love that Romero shows the utter confusion that would no doubt reign in the case of any kind of disaster. Things fall apart.

118 Waterlilies (07)

119 *You’re Next (11)

120 Event Horizon (97)

121 Venom (18) I liked it, guys, way more than most superhero fare. Has a real sense of place and the place ISN’T New York!

122 Under the Silver Lake (18) RIP Night Call

123 *Blade Runner (82)

124 *The Birds (62) interesting to see now that I’ve read the story it came from

125 *28 Days Later (02) hits REAL FUCKIN’ DIFFERENT in a pandemic

126 Life is Sweet (90)

127 *So I Married an Axe Murderer (93) find me a more 90s movie, I dare you (it’s not possible)

128 Guess Who’s Coming to Dinner (67)

129 The Pelican Brief (93) 90s thrillers continue!

130 Dick Johnston is Dead (20)

131 The Bridges of Madison County (95)

132 Earth Girls are Easy (88) Geena Davis and Jeff Goldblum are so hot in this movie, no wonder they got married 

133 Better Watch Out (16)

134 Drowning Mona (00) trying for something like the Coen bros and not getting there

135 Au Revoir Les Enfants (87)

136 *Chasing Amy (97) Affleck is the least alluring movie lead...ever? I also think I gave Joey Lauren Adams’ character short shrift in my memory of the movie. It’s not good, but she’s more complicated than I recalled. 

137 Blackkklansman (18)

138 Being Frank (19)

139 Kiki’s Delivery Service (89)

140 Uncle Frank (20) why so many FRANKS

141 *National Lampoon’s Christmas Vacation (89) watching with pals (virtually) made it so much more fun than the usual yearly watch!

142 Half Baked (98) another, more secret Toronto nostalgia pic - RC Harris water filtration plant as a prison!

143 We’re the Millers (13)

144 All is Bright (13)

145 Defending Your Life (91)

146 Christmas Chronicles (18) I maintain that most new xmas movies are terrible, particularly now that Netflix churns them out like eggnog every year. 

147 Spiderman: Into the Spider-Verse (18)

148 Reindeer Games (00) what did I say about Affleck??!? WHAT DID I SAY

149 Palm Springs (20)

150 Happiest Season (20)

151 *Metropolitan (90) it’s definitely a Christmas movie

152 Black Christmas (74)

THEATRE:HOME - 2:150 (thanks pandemic)

I usually separate out docs and fiction, but I watched almost no documentaries this year (with the exception of Dick Johnston). Reality is real enough. 

TV Series

01 - BoJack Horseman (final season) - Pretty damned poignant finish to the show, replete with actual consequences for our reformed bad boy protagonist (which is more than you can say for most antiheroes of Peak TV).

02 - *Hello Ladies - I enjoy the pure awkwardness of seeing Stephen Merchant try to perform being a Regular Person, but ultimately this show tips him too far towards a nasty, Ricky Gervais-lite sort of persona. Perhaps he was always best as a cameo appearance, or lip synching with wild eyes while Chrissy Teigen giggles?

03 - Olive Kittredge - a rough watch by times. I read the book as well, later in the year. Frances Mcdormand was the best, possibly the only, casting option for the flinty lead. One episode tips into thriller territory, which is a shock. 

04 - *The Wire S3, S4, S5 - lockdown culture! It was interesting to rewatch this, then a few months later go through an enormous, culture-level reappraisal of cop-centred narratives. 

05 - Forever - a Maya Rudolph/Fred Armisen joint that coasts on the charm of its leads. The premise is OK, but I wasn’t left wanting any more at the end. 

06 - *Catastrophe - a rewatch when my partner decided he wanted to see it, too!

07 - Red Oak - resolutely “OK” steaming dramedy, relied heavily on some pretty obvious cues to get across its 1980s setting. 

08 - Little Fires Everywhere - gulped this one down while in 14-day isolation, delicious! Every 90s suburban mom had that SUV, but not all of them had the requisite **secrets**

09 - The Great - fun historical comedy/drama! Costumes: lush. Actors: amusing. Race-blind casting: refreshing!

10 - The Crown S4 - this is the season everyone lost their everloving shit for, since it’s finally recent enough history that a fair chunk of the viewing audience is liable to recall it happening. 

11 - Ted Lasso - we resisted this one for a while (thought I did enjoy the ad campaign for NBC sports (!!) that it was based on). My view is that its best point was the comfort that the men on the show have (or develop, throughout the season) with the acknowledgement and sharing of their own feelings. Masculinity redux. 

12 - Moonbase 8 - Goodnatured in a way that makes you certain they will be crushed. 

13 - The Good Lord Bird - Ethan Hawke is really aging into the character actor we always hoped he would be! 

14 - Hollywood - frothy wish-fulfillment alternate history. I think the show would have been improved immeasurably by skipping the final episode.

[creativity-is-rebellion]

More Top 20 Must-See Horror Movies

 Especially now we are in isolation, who doesn’t crave a good horror movie to watch? To that purpose, I have created yet another top 20 must-see horror movies, along with why you should be watching them. So get into your comfy clothes and blanket, grab some popcorn, and settle in to watch these horror gems (WARNING: May contain spoilers).

1) Ginger Snaps (2000)

I first saw this movie when I was fifteen years old, and, watching it recently, I was still impressed how it handles the perils of transitioning from teenhood to womanhood. Ginger Snaps follows the story of two outcast sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins), in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger Snaps is a terrifying movie with good character development, acting is convincing and it has a fast-paced story line. If you're into well-done horror movies Ginger Snaps is the movie for you. It is one of the best modern werewolf movies I have seen.

2) Annihilation (2018)

Drawing on mythology and body horror, Annihilation is an intelligent film that asks big questions and refuses to provide easy answers. It is Sci-fi horror at its best, boasting a very intriguing and unique idea whilst entertaining the viewer throughout the film. Definitely a must-watch.

3) Green Room (2015)

A punk rock band becomes trapped in a secluded venue after finding a scene of violence. For what they saw, the band themselves become targets of violence from a gang of white power skinheads who want to eliminate all evidence of the crime. Influenced by exploitation movies of the 1970s (and punk music of the 1980s), this horror-thriller is rooted in a gripping, grisly kind of realism without resorting to lazy coincidence or stupidity. This is again a fresh take on horror and worth a view.

4) 1922 (2017)

I learned from a great film critic many years back that your own best judgement of a movie is best discovered when you realise that you are still thinking of it many days later. This Stephen King film stays true to the iconic master with all the tell-tale signs of a Kings classic: A haunting grimness that lingers throughout the movie, a tragedy and of course, outstanding performances. The mother that returns from the dead leaves you in a crazy suspense of whether it is simply a dream, a man’s demented insanity, or an actual reality. Thomas Jane’s performance was stellar and totally believable as a farmer in rural America in 1922. He actually takes you through the movie as if you were part of him and what is going on. The message that Stephen King leaves you with is dreadfully powerful of how greed can destroy all. Definitely worth the watch, especially for Stephen King fans.

5) Evil Dead (1981; remake 2013)

Both versions of this movie are great, but I have a special fondness for the original, which was Sam Raimi’s directorial debut. The camerawork is amazing for a low-budget film, and the creepy atmosphere is eerily accurate. We feel Ash’s pain when his friend, sister and girlfriend are one-by-one changed into Deadites, and the ending keeps you guessing, and wanting, a sequel. I am quite a fan of the Evil Dead franchise actually, and have just finished watching the TV adaptation Ash vs. Evil Dead. I’m savouring the last episodes, and am sad that it got cancelled. I look forward to more from this franchise, hopefully in the not-to-distant future.

6) Get Out (2017)

This film is unique, telling the tale of young black man who meets his white girlfriend’s parents for the first time. Jordan Peele’s film delivers a chilling satire of liberal racism in the US. More than just a standard-issue thriller, this brutal, smart movie is impeccably made, as well as surprising, shocking, and funny, while also offering a compassionate, thoughtful look at race. Expect only the very best a film has to offer, with a nasty twist at the end that you won’t see coming. 

7) Hell Night (1981)

One of the best things about this movie which follows fraternity and sorority pledges who spend the night in a mansion haunted by victims of a family massacre is that it stars legendary Scream Queen of The Exorcist fame, Linda Blair. Other than that, prepare for a fun, wild ride, the way every good slasher movie should be.

8) Insidious Part 2 (2013)

I actually enjoyed this sequel more than the first movie, as it was less plodding and more action-packed, with an intriguing antagonist in the form of the mysterious “Bride in Black,” who turns out to be the evil spirit of serial killer Parker Crane, who, as we know from the previous movie (SPOILER ALERT) has taken over the body of Josh Lambert, and is fighting for control of his soul. I enjoyed seeing the return of Elise Rainier, who was (SPOILER ALERT AGAIN) killed off in the previous movie. James Wan directed this second helping even more masterfully than the first. A must-watch.

9) Sleepaway Camp (1983)

This is a campy slasher gem, where they cast real teenagers, which elevated the drama of the plot somewhat. Sleepaway Camp tells the story of a young girl named Angela who goes to Camp Arawak with her cousin Ricky. Once the two arrive at camp, a series of events/killings leads the campers to discover that there is a killer on the loose. Sleepaway Camp is not in any way intense or fast paced. However, even though many initially might look at as a “rip off” slasher film, the movie does get creative when it comes to the brutal killings and certain aspects to the film that no one saw coming. Including the jaw-dropping twist at the end. I’m not giving it away. You just have to watch it.

10) Cold Prey (Fritt Vilt) (2006)

This movie takes full advantage of its snowy, secluded set-pieces, using Norway’s harsh winter landscape to masterfully build tension and heighten the sense of isolation. As horror movies go, Cold Prey is a slow-starter, committing the first third of its running time to investigating the signs of violence scattered throughout the hotel, allowing the characters to theorise about what pernicious acts may have taken place before the hotel’s abandonment. It begins at the intriguing yet deliberate pace of a psychological horror film as the sequestered friends, initially inebriated and giggly, explore the hotel and sharing secrets, but the movie’s party-hard atmosphere bursts open at the 40-minute mark to reveal a black horror centre. Slick and stylish, Cold Prey is a genuine pleasure to watch.

11) The Hills Have Eyes (1977; remake 2006)

Even if it echoes a better film (namely, The Texas Chainsaw Massacre), the original movie is still an important one to view for lovers of the horror genre.  This is a sometimes ghastly  - and occasionally absurd - shocker that really gets under one's skin. Though many critics initially despised the original outing, it has since been called one of the best horror movies of the 1970s. Scary-movie specialist Wes Craven made this viscerally-violent feature on a low budget, and some horror connoisseurs call it his best. Ultimately the "normal" people strike back with a ferocious blood-lust they didn't know they had, and the question is how much a "civilised" person can be pushed before one becomes a savage. Are the Carters really all that much "better" than Jupiter and his spawn? That is a question that you, as the audience member, are required to ponder.

12) The Dawn of the Dead (2004)

This remake of George A. Romero's 1978 sequel to Night of the Living Dead soups up the zombies, cranks up the gross factor to 11, and has a lot of cheeky in-jokes about its predecessor. In comparison with the original, out are the shrieking blondes and rampaging looters, in are smart, controlled Ana (Sarah Polley as a believable nurse not afraid to wield a fire poker) and Kenneth (Ving Rhames), who is exactly the kind of cop you want walking beside you if you are facing scores of the undead.

The zombies are a bit spryer in this film, and the pregnancy of one of the main characters is not the life-giving promise it was in the first movie. But the ending is what differs most from the original. If you're a fan of the horror genre, then this flick is a welcome, if derivative, fright-fest in the school of Romero's classics.

13) The Cabin in The Woods (2011)

What starts out as another five-band teen getaway to a cabin in the woods ends up becoming a fresh take on the trope, with puppeteers behind what is taking place, in a twisted game of Choose Your Adventure. The ending is fittingly grim, but you won’t be disappointed. Definitely worth one hour and thirty-five minutes of your time.

14) The Babadook (2014)

The feature debut of writer-director Jennifer Kent is not just genuinely, deeply scary, but also a beautifully told tale of a mother and son, enriched with layers of contradiction and ambiguity. It presents grief as a demon, questions reality, and creeps out the viewer by making psychopathology seem like something that could happen to anybody. The style of the film is not teasing exactly - it's too sad and lonely - but there is certainly a hair-pulling mixture of glum laughter and vast apprehension. Is the demon real? Does it matter? That’s for you to judge. Either way, if it’s in a word, or if it’s with a look, you can’t get rid of the Babadook.

15) Suspiria (Original and the Remake - 1977 and 2019 respectively)

Suspiria is a baroque piece of esoteric expressionism that you enter - and exit - without understanding so much as feeling. It's always fascinating to watch; the thrills and spills are so classy and fast that the movie becomes in effect what horror movies seemed like when you were too young to get in to see them. Director Dario Agento works so hard for his effects -- throwing around shock cuts, coloured lights, and peculiar camera angles -that it would be impolite not to be a little frightened. This entry stands out as it is a visually beautiful horror movie, a bright fantasy that lives off its aesthetic. If you are a horror fan and haven’t seen this movie yet, then you’re not living right. The remake is also worth a watch, something that is oftentimes unique in the horror genre.

16) A Quiet Place (2018)

This gripping, clever monster movie is one of those rare genre treats that seizes on a simple, unique idea and executes it so perfectly and concisely that it elicits satisfying squeals of delight. It's directed and co-written by Krasinski, who's best known for his work in comedy but translates his experience in that genre to the expert building and releasing of tension here. A Quiet Place is, in many ways, like an extended classic horror movie sequence, such as famous ones in The Birds or Aliens, wherein the heroes must try not to disturb packs of resting monsters.

At the same time, Krasinski uses his quiet moments like music, ranging from moments of restful beauty -- including a father-son trip to a waterfall, where it's noisy enough that they can talk and even shout -- to moments of pause. A loud noise can cause a jump, but it's immediately followed by tension and dread: Will the creatures come this time? The real beauty is the movie's primal quality, based on the most basic elements of life, such as survival and protection of the species. No explanation is given for the monsters' existence; they, like us, are just here. Images of water, sand, bare feet, crops, and plant life serve to underline the theme of life itself. A few overly familiar horror movie clichés keep it from being perfect, but otherwise A Quiet Place is so good that it will leave viewers speechless.

17) The Exorcist (1973)

Once famously dubbed ‘the most terrifying movie ever made,” this movie is steeped in urban legend, especially concerning the unfortunate happenings that occurred when it was being made. 

If you think your teen is ready for this shocking film, keep in mind that some audience members in the '70s reportedly fainted after seeing Dick Smith's grisly makeup effects on Blair. In some extreme cases, viewers even required psychiatric care. Also, the moans, snarls, and profane utterances from Regan (most are actually the dubbed-in voice of a well-known older actress, Mercedes McCambridge) amount to some of the most chilling audio ever done for film.

Thanks in part to Linda Blair's wrenching, Oscar-nominated performance, The Exorcist was a huge hit, earning back 10 times its $10 million budget (a then-lavish sum, outrageous for a "mere" horror flick). Movie historians cite it (along with The Texas Chainsaw Massacre) as the conclusive end of old-school spook shows featuring Dracula and Frankenstein and bobbing rubber bats. If you haven’t watched it yet, you may have your horror movie fan card revoked.

18) The Final Destination Franchise (2000 - 2011)

If I had to list all of the movies in the Final Destination franchise in order of quality, I would say 5, 1, 2, 3, and 4. Fourth instalment withstanding, the series is a formidable addition to the horror genre, as the invisible killer, Death Itself, stalks its victims and kills them off in creatively gruesome ways after they initially cheat death. The fifth addition contains an awesome twist at the end which in hindsight you should have seen coming throughout the entire movie. Pay close attention. The only downside is (SPOILER ALERT) that none of the characters throughout the series really survive.

19) Let the Right One In (Lat den Ratte Komma In) (2008)

Please watch the Swedish version, and power through the subtitles. This is a horror movie that is tragic on multiple levels, as it deals with a lonely and bullied boy who so happens to live next door to a pubescent vampire. When her benefactor dies, we see how the main character’s life will also unfold, and what lies in his future. A must-see film that is more than just your average horror movie.

20) Terrifier (2017)

This movie definitely gets back to basics by paying homage to the original slasher classics. Art the Clown, who we are originally introduced to in the 2013 movie All Hallow’s Eve (also worth a watch), is a vicious horror movie villain who kills just for kicks. He also subverts the horror movie trope by using a weapon which was previously considered off-limits to horror movie villains, especially those with supernatural abilites (mostly, anyway). This movie also contains one of the bloodiest deaths in recent horror movie history. I like the use of practical effects over the often-overdone CGI. What is Art the Clown? Deranged killer? Demonic entity? Who cares? Its all good fun. Watch it now on Netflix.

I’ll probably be back again some time in the future with a further 20 horror movies that are worth a watch, because there are so many of them. To everyone, take care during these uncertain times.

[buildafree]

What is a Content House? Everything You Need to Know

Imagine you are in a house with at least 5 to 6 other people with access to social media and armed with smartphones. Well. It’s not about the Big Brother show. It is all about a content house. Now. Every one of you may have started thinking, what is a content house? What happens here? Does a content house have any meaning for brands? We have the answer to all your queries in this article.

Content House: What is It?

A content house can be a space or place where influencers and creators come together and collaborate. Sometimes, these content houses are also known as influencer houses or creator houses. Mostly, these houses have lots of great lighting, space, and a pool and cost a lot of money when it comes to paying rent. Content houses have been in existence for around a while; however, the rise of Instagram and TikTok is the catalyst for the explosion of these content houses.

The trend of content houses was made a trend by one of the highest-paid YouTube stars, Jake Paul, in 2017. He purchased a home for Team 10’s members to share. The purpose behind setting up content houses is to enable members to tag each other in their created content and expand their audience. Also, the content creators play off each other’s popularity to gain more and more popularity on their selected platforms. Besides, many content houses encourage the creators to collaborate on creating content and share industry and business knowledge.

Do Content Houses Benefit Influencers & Brands?

Content houses are helpful for influencers in many ways, as stated in the New York Times. Influencers can easily and quickly collaborate on content and can offer emotional and moral support. Brands also get influencers from content houses who help them to increase the reach of their brand.

Content House: Examples

There are a large number of content houses present everywhere with their ebbs and flows. Here are some of them for you.

Clout House

A Twitch influencer and YouTuber founded the content house, Ricky “Faze” Banks. The group was started as the group of players of Call of Duty. Later, the Faze group moved into FaZe Clan and Clout House, i.e., the two different houses. The house has occupied the mansion of almost 12,500-square-foot on Hollywood Hills. It boasts 13 bathrooms, ten bedrooms, several outdoor spaces with a pool, a theater, gym, game room, and several balconies.

Sway House

Talent X Entertainment founded the content house. It includes several high-profile names that belong to the platform of short-term video content, such as Griffin Johnson, Josh Richards, Quinton Griggs, Jaden Hossler, Anthony Reeves, Noah Beck, Kio Cyr, and many more. The content house has an occupied home of 8,500-square-foot with ten bathrooms, six bedrooms, a spa, a pool, a library, a sauna, a fireplace, wet bars, skylights, and an elevator.

Clubhouse BH

Abby Rao and Daisy Keech created the content house. It is associated with influencers such as Sebastian Topete, Tessa Brooks, Teala Dunn, Chase Keith, Kinsey Wilonski, Isabella Durham, and many more. The house has nine bathrooms, seven bedrooms, scenic views, a library, a walk-in wine cellar, a meditation garden, and many other features.

Bay House

The content house is based in St. Petersburg, Florida. It was founded in the year 2020, November, and includes many influencers like Desiree Montoya, Danielle Cohn, and Jazlyn G.

Shluv House

The content house has included many big names like Spencer X, Jonathan Le, Jon Klaasen, Javier Romero, and many more. It has a pool, a beautiful grand staircase, floor-to-ceiling, a theater, etc.

Kids Next Door

The content house comprises eight teenage children who have amassed millions of followers on social media platforms. It has included Jesse Underhill, Stephanie Margarucci, Ona, Jack Riyn, Alex King, Claire Hesser, Beyond Brandon, and Olin.

Icon House

The U.K.-based content house includes several members like George Harrison, Luke Mabbot, Elis Watts, and Josh Ryan.

V@ult House

The content house run by marketing agency, Six Degrees of Influence, influencers are based in LA. It includes many big influencers like Cayman Rhodes, Peyton Sama, Malcolm Saurez, Kiera Vanias, Keith Pichardo, Bryce Xavier, and many more.

The list has only a few names among tons of content houses that you can see everywhere. Some other content houses include Byte Squad located in Central London, Wave House, which includes members like Kate Elizabeth, Bobby Moore, and Millie T, Vibe Crew L.A., which is the house of young creators ages between 10 to 15 and Faze Clan. These content houses provide a beautiful environment for creators to create the best and most engaging content to increase various brands’ identities.

Source: What is a Content House? Everything You Need to Know

[gaymusicchart]

Gay Music Chart – 2020 week 28

Welcome to the Gay Music Chart, the LGBTQA related music videos TOP 50 actuality and most request.

 Vote for your favourite LGBTQA related music videos by leaving a comment for this post on :

YOUTUBE (in the comment section of the video of the week) : https://www.youtube.com/channel/UCz7yfp-xq-b08tD6mAWwclA

BLOGGER : http://gaymusicchart.blogspot.fr

FACEBOOK : https://www.facebook.com/GayMusicChart/

TWITTER : https://twitter.com/GayMusicChart  with #GayMusicChart

TUMBLR : http://gaymusicchart.tumblr.com

  OUT : Bilal Hassani - "Roi" (Live @ Eurovision Song Contest 2019)

OUT : Patrick - "Heavenly Bodies"

OUT : 肖戰 Xiao Zhan & 王一博 Wang Yibo -《無羈》("Wu ji") (Chorus version)    

OUT : Tuure Boelius - "1"

OUT : Isaac Dunbar - "comme des garçons (like the boys)"

OUT : ギヴン(Given) / Mafuyu -「冬のはなし」(Fuyu No Hanashi)

OUT : Douwe Bob - "Consider"

OUT : Madox - "S.E.X."

OUT : Miss Caffeina feat. Javiera Mena y La Casa Azul - "Cola de pez (Fuego)"        

OUT : Miley Cyrus - "Slide Away"

OUT : Mashrou’ Leila (مشروع ليلى) - "Radio Romance"          

OUT : Davis Mallory, Deekey - "Downtown"

OUT : Mrs Yéyé feat. THÉA - "Solitaires"        

OUT : Kevin McHale - "Help Me Now"

OUT : Chaz Cardigan - "Not OK!"

OUT : Mike Taveira - "Curious"          

OUT : Đức Phúc - "Hơn Cả Yêu"

OUT : Trúc Nhân - "Sáng Mắt Chưa"

OUT : Will Young - "My Love"

  01 (+20) : Yuma X - "Secret Lover"

LW: 21 / WO: 2 / PEAK: 01 (x1)

Australia - April 2020

The music videos shows a secret relation between two men who have both a girlfriend.

 02 (+ 17) : Christopher Sorensen - "Way. Way. Back"

LW: 19 / WO: 2 / PEAK: 02

USA - November 2019

A sweet music video about two childhood friends at three different moments of their lives, who faced the opposition of the father of one of them when he discovered they were lovers.

 03 (+ 15) : Макс Барских (Max Barskih) - "Лей, не жалей" (Ley, ne zhaley)    

LW: 18 / WO: 2 / PEAK: 03

Ukraine - February 2020

 04 (+ 11) : Melanie C - "Who I Am"      

LW: 15 / WO: 2 / PEAK: 04

UK - March 2020

The ex-Spice Girls member make a queer come back with several songs and music videos with LGBT themes. This one is about self-esteem.

 05 (NEW) : Javiera Mena - "Corazón Astral"

LW: - / WO: 1 / PEAK: 05

Chile - June 2020

 06 (- 1) : Sam Smith - "How Do You Sleep?"

LW: 05 / WO: 2 / PEAK: 05

UK - July 2019

 07 (- 3) : PJ Brennan - "Bones"

LW: 04 / WO: 2 / PEAK: 04

USA - September 2019

 08 (NEW) : Eurovision Song-Along (Official) - Iconic Contestants Join The Party

LW: - / WO: 1 / PEAK: 08

USA / international - June 2020 - from the Netflix movie "Eurovision Song Contest: The Story of Fire Saga" OST

 09 (- 3) : Pierre Lapointe - "Le monarque des Indes"  

LW: 06 / WO: 2 / PEAK: 06

Canada - November 2019 - from the album "Pour déjouer l'ennui"          

 10 (+ 27) : Kim Petras - "Icy"

LW: 37 / WO: 2 / PEAK: 10

Germany - October 2019 - from the album "Clarity"        

 11 (=) : Сергей Лазарев (Sergey Lazarev) - "Я не боюсь" ("Ya ne boyus")    

LW: 11 / WO: 2 / PEAK: 11

Russia - November 2019 - from the EP "Я не боюсь"

With this song called "I'm not afraid", Sergey Lazarev shows subtly that you don't have to be afraid to love who you want.

 12 (- 4) : MIKA - "Sanremo"

LW: 08 / WO: 2 / PEAK: 08

UK / Lebanon - October 2019 - from the album "My Name Is Michael Holbrook"

The music video shows the difficulties to be gay in Italy in the 50's, with a married man cruising in the streets and clandestin bars while avoiding police patrols.

 13 (+ 30) : Hatari feat. Bashar Murad - "Klefi" / "Samed" (صامد)            

LW: 43 / WO: 2 / PEAK: 13

Iceland / Palestine - May 2019 - from the album "Neyslutrans"    

 14 (NEW) : Scott Free - "The Last Revolution"

LW: - / WO: 1 / PEAK: 14

USA - June 2020 - from the album "The Last Revolution"

 15 (- 3) : Will Young - "All The Songs"

LW: 12 / WO: 2 / PEAK: 12

UK - March 2019 - from the album "Lexicon"      

The British singer dares to strip naked in this music video.

 16 (+ 1) : Thibaut Pez - "Que tu meures"

LW: 17 / WO: 2 / PEAK: 16

France - June 2019 - from the EP "Garçon formidable"

 17 (- 3) : Romy, Tanishk Bagchi & Yo Yo Honey Singh - "Pyaar Tenu Karda Gabru"

LW: 14 / WO: 2 / PEAK: 14

India - January 2020 - from the OST "Shubh Mangal Zyada Saavdhan"

This song is taken from the first Bollywood gay movie "Shubh Mangal Zyada Saavdhan" which tells the story of a gay couple who must face the opposition of the father of one of them.

 18 (+ 18) : Ben Platt - "Rain"

LW: 36 / WO: 2 / PEAK: 18

USA - September 2019 - from the album "Sing To Me Instead" (Deluxe)

 19 (+ 10) : The Irrepressibles feat. Jon Campbell - "Let Go (Everybody Move Your Body Listen to Your Heart)"

LW: 29 / WO: 2 / PEAK: 19

UK - March 2020

 20 (NEW) : Bright Light Bright Light - "I Used To Be Cool"

LW: - / WO: 1 / PEAK: 20

USA - June 2020 - from the album "Fun City"

 21 (+ 19) : LP - "Shaken"        

LW: 40 / WO: 2 / PEAK: 21

USA - June 2019 - from the album "Heart to Mouth"

 22 (+ 23) : Hoshi - "Amour censure"

LW: 45 / WO: 2 / PEAK: 22

France - December 2019 - from the album "Sommeil levant"

A song for tolerance and gay love, and a music video against "La manif pour tous", a collective against LGBT rights in France.

 23 (- 22) : Nguyễn Trần Trung Quân - "Tự Tâm"

LW: 01 / WO: 2 / PEAK: 01 (x1)

Vietnam - October 2019

Don't miss this awesome music video, with a complex love triangle story and several twists.

 24 (- 17) : Lu Xue-Rui (盧學叡) - "Who I Am" /《我是誰》

LW: 07 / WO: 2 / PEAK: 07

Taiwan - October 2019

This music video shows the struggles to assume your sexual orientation.

 25 (NEW) : Yanni Burton - "A Part Of Me"

LW: - / WO: 1 / PEAK: 25

Australia - July 2020

 26 (NEW) : Kyan Palmer - "Quarantini"

LW: - / WO: 1 / PEAK: 26

USA - April 2020

 27 (- 24) : Todrick Hall - "Nails, Hair, Hips, Heels"

LW: 03 / WO: 2 / PEAK: 03

USA - May 2019 - from the album "Haus Party"

The choreography is legendary.

 28 (NEW) : Lesley Roy - "Story Of My Life"

LW: - / WO: 1 / PEAK: 28

Ireland - March 2020 - from the compilation "Eurovision Song Contest 2020"

 29 (+ 17) : Stefan Alexander - "Skeleton"

LW: 46 / WO: 2 / PEAK: 29

USA - September 2019 - from the EP "Thunderclap"

 30 (NEW) : Jessie Ware - "Spotlight"

LW: - / WO: 1 / PEAK: 30

UK - February 2020

 31 (NEW) : טליסמאן (Talisman) & הראל סקעת (Harel Skaat) - "רוצה לחזור" ("Rotze lahzor")

LW: - / WO: 1 / PEAK: 31

Israel - May 2020

 32 (- 22) : Benjamin Scheuer - "I Am Samantha"        

LW: 10 / WO: 2 / PEAK: 10

USA - March 2020

This is a powerful anthem for transgender people.

 33 (NEW) : Esteman - "Hasta Que Tú Me Quieras"

LW: - / WO: 1 / PEAK: 31

Colombia - March 2020

 34 (NEW) : Apolo - "Otro Nivel"

LW: - / WO: 1 / PEAK: 34

Spain - June 2020

 35 (+ 6) : Beverly -「尊い」(tōtoi)

LW: 41 / WO: 2 / PEAK: 35

Japan - November 2019 - from the album「INFINITY」

 36 (- 12) : Goldnation feat. Sir Ari Gold - "Soundtrack to Freedom"    

LW: 24 / WO: 2 / PEAK: 24

USA - June 2019 - from the album "Soundtrack to Freedom"    

 37 (- 28) : Mabel Matiz - "Comme un animal"

LW: 09 / WO: 2 / PEAK: 09

Turkey - June 2019 - from the album "Maya"      

The Turkish artist sings the chorus of this song in French, probably to pass the censorship because he's talking about  "f*cking like an animal".

 38 (NEW) : Manila Luzon featuring Latrice Royale - "ROBBED"

LW: - / WO: 1 / PEAK: 38

USA - June 2020

When you don’t win the crown of RuPaul’s Drag Race, you take your revenge with a music video !

 39 (NEW) : SNG - "Corner Store"

LW: - / WO: 1 / PEAK: 39

USA - May 2020

 40 (NEW) : Wils - "Open up Babe"

LW: - / WO: 1 / PEAK: 40

Singapore / USA - April 2019

 41 (- 8) : Elias - "Neon Lights"

LW: 33 / WO: 2 / PEAK: 33

Sweden - October 2019 - from the EP "HIM"

 42 (NEW) : ไบร์ท วชิรวิชญ์ (Bright Wachirawit) - "คั่นกู" ("khạ̀n kū")

LW: - / WO: 1 / PEAK: 42

Thailand - March 2020 – from  " เพราะเราคู่กัน 2gether The Series " OST

 43 (NEW) : Netta - "Cuckoo"

LW: - / WO: 1 / PEAK: 43

Israel - June 2020

 44 (+ 5) : Greyson Chance - "Dancing Next To Me"      

LW: 49 / WO: 2 / PEAK: 44

USA - February 2020

 45 (NEW) : Kim Petras - "Malibu"

LW: - / WO: 1 / PEAK: 45

Germany - May 2020

 46 (NEW) : Smallpools & morgxn - "Slowdown"

LW: - / WO: 1 / PEAK: 46

USA - May 2020

 47 (+ 3) : Azis - "Who Cares"

LW: 50 / WO: 2 / PEAK: 47

Bulgaria - February 2020

 48 (- 46) : Nguyễn Trần Trung Quân x Triple D - "Canh Ba" ("Tự Tâm" 2)        

LW: 02 / WO: 2 / PEAK: 02

Vietnam - January 2020

After "Tự Tâm", this is the second part of a probable trilogy, where the king can't forget his dead lover. With this cliffhanger, we can't wait to see the part 3 !

 49 (- 36) : АНГЕЛ (ANGEL) - "Давай замутим" (Davai Zamutim)        

LW: 13 / WO: 2 / PEAK: 13

Russia - May 2019 -  from the album "Твоя любимая тема" ("Tvoya Lubimaya Tema")  

АНГЕЛ (ANGEL) is one of the members of the new queer music scene in Russia.

 50 (NEW) : The Chain Gang of 1974 feat. TWINKIDS - "Bends"

LW: - / WO: 1 / PEAK: 46

USA - March 2020

  ALSO NEW THIS WEEK

 Bad Bunny - "Yo Perreo Sola"

LW: - / WO: - / PEAK: -

USA - March 2020 - from the album "YHLQMDLG"

  Danna Paola - "TQ Y YA"

LW: - / WO: - / PEAK: -

Mexico - June 2020

  Jaime Kohen - "Mar de Sábanas"

LW: - / WO: - / PEAK: -

Mexico - July 2020

 Vini Uehara - "4NTENA"

LW: - / WO: - / PEAK: -

Brazil - June 2020

 Blair St. Clair - "9 Lives"

LW: - / WO: - / PEAK: -

USA - July 2020

 Adrian Chalifour feat. Jimbo - "Open Heart"

LW: - / WO: - / PEAK: -

Canada - July 2019

 Yvie Oddly - "Hype" (feat. Vanessa Vanjie)

LW: - / WO: - / PEAK: -

USA - June 2020

 Monique Heart X KOIL - "Hot Sauce & High Heels"

LW: - / WO: - / PEAK: -

USA - June 2020

 Guy Sebastian - "Standing With You"

LW: - / WO: - / PEAK: -

Australia - June 2020

 Tom Goss - "Regretting"

LW: - / WO: - / PEAK: -

USA - June 2020 - from the album "Territories"

 Danixt - "LGBT"

LW: - / WO: - / PEAK: -

India - June 2020

 Đào Bá Lộc - "Thật Tâm Em Rất Yêu Anh"

LW: - / WO: - / PEAK: -

Vietnam - July 2020

 Ralph Kaminski - "Autobusy"

LW: - / WO: - / PEAK: -

Poland - June 2020

 Ricky Merino, Danny Romero - "Bestia"

LW: - / WO: - / PEAK: -

Spain - June 2020

 Roch - "Siénteme"

LW: - / WO: - / PEAK: -

Spain - May 2020

 Téo Lavabo - "Cocarine"

LW: - / WO: - / PEAK: -

France - June 2020

 IRENE 아이린 & SEULGI 슬기 (from Red Velvet 레드벨벳) - "Monster"

LW: - / WO: - / PEAK: -

South Korea - July 2020

 Franka - "Prvi osjećaj"

LW: - / WO: - / PEAK: -

Croatia - July 2020

 CRIMER - "Eyes Off Me"

LW: - / WO: - / PEAK: -

Switzerland - July 2020

 Dua Lipa - "Hallucinate"

LW: - / WO: - / PEAK: -

UK - July 2020 - from the album "Future Nostalgia"

 Lady Gaga, Ariana Grande - "Rain On Me"

LW: - / WO: - / PEAK: -

USA – May 2020 – from the album "Chromatica"

 Marshmello & Halsey - "Be Kind"

LW: - / WO: - / PEAK: -

USA - June 2020

 Katy Perry - "Daisies (Can't Cancel Pride)"

LW: - / WO: - / PEAK: -

USA - June 2020

 Sam Tsui - "Staycation"

LW: - / WO: - / PEAK: -

USA - July 2020

 Adam Joseph - "Daddy"

LW: - / WO: - / PEAK: -

USA - April 2020

  Doug Locke - "Why?" (Lyric Video)

LW: - / WO: - / PEAK: -

USA - July 2020 - from the EP “Why? (Lunar II)”

 Debris - "UNI"

LW: - / WO: - / PEAK: -

USA - July 2020

 VINCINT - "Be Me for Queer Eye Season 5"

LW: - / WO: - / PEAK: -

USA - July 2020

 Alexander Lemtov - "Lion of Love"

LW: - / WO: - / PEAK: -

USA - June 2020 - from the OST "Eurovision Song Contest : The Story Of Fire Saga"

 How Eurovision Actually Works: A Musical Explainer | Netflix

LW: - / WO: - / PEAK: -

USA - July 2020

  See you next week !

[phgq]

PSA to honor PH’s top athletes, sports execs

#PHnews: PSA to honor PH’s top athletes, sports execs

MANILA – Team Philippines basks in the glory of its stirring triumph in the 30th Southeast Asian Games as it will be feted with the highest honor by the Philippine Sportswriters Association (PSA) in a special rite on Friday night.

Bannered by world champion and double gold winner Carlos Yulo, women’s world boxing champion Nesthy Petecio, and Olympic silver medalist Hidilyn Diaz, the Philippine contingent is the recipient of the coveted Athlete of the Year award in leading a huge cast of sports stars and personalities who are going to be recognized in the SMC-PSA Annual Awards Night at the Centennial Hall of the historic Manila Hotel.

Top sports officials led by Philippine Sports Commission (PSC) chairman William ‘Butch’ Ramirez, Philippine Olympic Committee (POC) president Abraham ‘Bambol’ Tolentino, International Olympic Committee (IOC) representative to the country Mikee Cojuangco Jaworski, and Deputy House Speaker and NorthPort team owner Mikee Romero join the country’s oldest media organization headed by president Tito Talao, sports editor of the Manila Bulletin, in paying tribute to the men and women who did the country proud in their respective fields last year.

The revered Efren ‘Bata’ Reyes, a part of the Filipino delegation to the SEA Games even at 65 years of age, serves as special guest speaker in the gala night presented by the PSC, MILO, and Cignal TV. The legendary pool icon will also be honored with a Lifetime Achievement Award by the Philippine sportswriting fraternity.

A record medal haul of 149 gold, 117 silver, and 121 bronze medals helped the host country win the overall title of the biennial meet just for the second time in its 42 years of participation in the SEA Games.

It was a collective effort that gained the entire Team Philippines the nod as recipient of the prestigious Athlete of the Year trophy in the two-hour program also supported by the Philippine Basketball Association, AirAsia, and Rain or Shine.

Citations will be given to all gold medal winners in the meet as it made up the bulk of the close to 200 awardees comprising the 2019 honor roll list.

Also invited in the annual event to be hosted by veteran broadcaster Sev Sarmenta and Rizza Diaz, is House Speaker Allan Peter Cayetano, chairman of the Philippine SEA Games Organizing Committee (Phisgoc).

Yulo, who earned a berth to the Tokyo Olympics after becoming the first Filipino and male gymnast from Southeast Asia to win a gold in the World Artistic Gymnastics Championships, is also going to be accorded with the President’s Award, while Ramirez will be honored with the Executive of the Year for serving as Chef De Mission of Team Philippines in the SEA Games.

The Association of Boxing Alliances in the Philippines (ABAP) headed by president Ricky Vargas, is set to receive the National Sports Association (NSA) of the Year title, while special awards are to be given to Thirdy Ravena and Jack Danielle Animam (Mr. and Ms. Basketball), Bryan Bagunas and Sisi Rondina (Mr. and Ms. Volleyball), Bianca Pagdanganan (Ms. Golf), Stephan Schrock (Mr. Football), and a first ever Coach of the Year to multi-titled women’s mentor Patrick Aquino.

A separate MILO Junior Athlete of the Year will be handed out to the quartet of Alex Eala, Daniela Dela Pisa, Miguel Barreto, and Daniel Quizon, while the Philippine men’s 3x3 basketball team will be recognized with the Chooks-To-Go Fan Favorite award.

Diaz and Petecio meanwhile, banner the list of major awardees that also include Tokyo Olympic qualifier and Asian Athletics Championships gold winner Ernest John Obiena, world boxing champions Jerwin Ancajas and Johnriel Casimero, five-time PBA MVP June Mar Fajardo, five-time Philippine Cup champ San Miguel Beer, undefeated six-time UAAP women’s basketball title holder NU Bulldogs, golfers Juvic Pagunsan, Princess Superal, and Aidric Chan, and Horse of the Year Union Bell.

Swimmers Micaela Jasmine Mojdeh and Marc Bryant Dula join Eala and six others as recipient of the Tony Siddayao awards, named after the late Manila Standard sports editor, acknowledged as the Dean of Philippine sportswriting, and given out to young and promising athletes 17-years-old-and-below. (PR)

***

References:

* Philippine News Agency. "PSA to honor PH’s top athletes, sports execs." Philippine News Agency. https://www.pna.gov.ph/articles/1095716 (accessed March 06, 2020 at 05:11AM UTC+14).

* Philippine News Agency. "PSA to honor PH’s top athletes, sports execs." Archive Today. https://archive.ph/?run=1&url=https://www.pna.gov.ph/articles/1095716 (archived).

[papermoonloveslucy]

SALUTE TO STAN LAUREL

November 23, 1965 on CBS

Directed by Seymour Berns

Produced by Henry Jaffe, Seymour Berns

Written by Hugh Wedlock Jr., Charles Isaacs, Alan Manings with Carl Reiner and Aaron Ruben

Cast (in order of appearance)

Dick Van Dyke (Host, Himself) was born Richard Wayne Van Dyke in West Plains, Missouri, in 1925. Although he’d had small roles beforehand, Van Dyke was launched to stardom in the 1960 Broadway musical Bye Bye Birdie, for which he won a Tony Award. He reprised his role in the 1963 film. He has starred in a number of other films throughout the years including Mary Poppins (1964) and Chitty Chitty Bang Bang (1968). From 1961 to 1966 he played TV writer Rob Petrie in “The Dick Van Dyke Show.” He also starred in “The New Dick Van Dyke Show” (1971-74), “Van Dyke & Company” (1976), on which Lucille Ball guest-starred. Van Dyke was often compared physically to Stan Laurel.

Lucille Ball (Woman in the Park) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon, which was not a success and was canceled after just 13 episodes.

Ball has no spoken dialogue in her sketch.

Buster Keaton (Painter in the Park) was born in 1895 to parents who were vaudevillians. His legendary film career began in 1917.  He became a star known for his slapstick comedy, pork pie hat, slapshoes, and deadpan expression. In 1960 he was given an honorary Oscar. Lucille Ball worked with Keaton on the 1946 film Easy To Wed. He died in February 1966, just two months after this special aired.

Keaton has no spoken dialogue in his sketch.

Harvey Korman (Policeman in the Park) is best known as part of “The Carol Burnett Show” (1967-77).  He made five appearance on “The Lucy Show” as various characters. In 1977 he had his own show on ABC which lasted just one season. At the time of this episode he was a regular on “The Danny Kaye Show” (1963-67) which aired Friday nights on CBS. He died in May 2008. 

Korman has no spoken dialogue in his sketch.

Bob Newhart (Himself / Uncle Freddy) is a stand-up comic with a deadpan delivery who headed two eponymous  television sitcoms: “The Bob Newhart Show” (1972-78) and “Newhart” (1982-90).  

Audrey Meadows (Pearl) is best remembered as Alice Kramden on “The Honeymooners” (1955-56), a role that won her an Emmy in 1955, against Vivian Vance as Ethel Mertz on “I Love Lucy.” She also played Lucy's sister on an episode of “Life With Lucy” (1986). Meadows died in 1996 at age 73.

Meadows has no spoken dialogue in her sketch “The Perils of Pearl.”  

Cesar Romero (Rod, Leading Man) was born in 1907 in New York City to Cuban parents. Despite earning more than 200 screen credits, Romero is perhaps best remembered for playing the Joker on TV’s “Batman” (1966-68) and in a Batman film in 1966. He played Ricky Ricardo’s buddy Carlos when “Lucy Takes a Cruise to Havana” (LDCH 1957), the very first hour-long episode of “I Love Lucy” set in Cuba in 1940, as well as Lucy Carmichael's date in “A Date for Lucy” (TLS S1;E19).  He died on New Year’s Day 1994 at age 86.

Tina Louise (Wilma, Leading Lady) is best known as 'the movie star' Ginger Grant on “Gilligan's Island” (1964-67).  This is only appearance with Lucille Ball.

Louise has no spoken dialogue in her sketch.

Leonid Kinskey (Silent Movie Director) was born in Russia in 1903. He played a variety of Russian and middle-European characters. One of the few to share film credits with Stan Laurel, they were both seen in Hollywood Party in 1936. He died in 1998 at age 95.

Louis Nye (Mood Music Musician) was a character actor skilled in accents and voices. He appeared with Lucille Ball in the films The Facts of Life (1960) and A Guide for the Married Man (1967). He died in 2005 at age 92.

Fred Gwynne (Herman Munster) was the star of two iconic television series: “Car 54 Where Are You” (1961-63) and “The Munsters” (1964-66), the role he reprises here. This is his only time working on the same show as Lucille Ball (although the two TV icons share no scenes together). He died in 1993 at age 66.

Gwynne has no dialogue in the sketch.

Danny Kaye (Himself) was born David Kaminsky in 1911 and left school at the age of 13 to work in the Borscht Belt of Jewish resorts in the Catskill Mountains. It was there he learned the basics of show biz. In 1939, he made his Broadway debut in Straw Hat Revue, but it was the stage production of the musical Lady in the Dark in 1940 that brought him acclaim and notice from agents. Also in 1940, he married Sylvia Fine, who went on to manage his career. She helped create the routines and gags, and wrote most of the songs that he performed. Danny could sing and dance like many others, but his specialty was reciting tongue-twisting songs and monologues. In 1964 he appeared on “The Lucy Show” as himself and Lucy appeared on his special in return. He died in 1987.

Phil Silvers (Himself) was born Philip Silversmith in 1911 (the same year as Lucille Ball). He started entertaining at age 11. He made his Broadway debut in 1939. In 1952 he won a Tony Award in the Broadway musical Top Banana in which he played a TV star modeled on Milton Berle. His feature film debut came in 1940. Silvers became a household name in 1955 when he starred as Sergeant Ernest G. Bilko. In 1963, Ball and Silvers performed the classic ‘Slowly I Turn’ sketch for “CBS Opening Night.” In December 1966 Silver guest-starred in “Lucy and the Efficiency Expert” (TLS S5;E13). A year later Ball and Silvers both had bit parts in the film A Guide for the Married Man (1967). He died at the age of 74.

Bern Hoffman (Pop / Street Bully / Cop) was a burly character actor seen with Lucille Ball on the first season of “The Lucy Show” and in the film The Facts of Life (1960). He was seen on Broadway in the original casts of the musicals Guys and Dolls (1950) as Joey Biltmore and Li'L Abner (1956) as Earthquake McGoon, a role he recreated in the 1959 film version.  

None of Hoffman's characters speak.

Mary Foran (Mom / Tango Dancer) was a heavyset character actor usually cast for her size. She appeared as one of the women at the health club in “Lucy and the Countess Lose Weight” (TLS S3;E21) earlier in 1965.

Foran does not have any dialogue.

Gregory Peck (Himself) was one of the most popular film stars from the 1940s to the 1960s. Peck received five Academy Award nominations winning for his performance as Atticus Finch in the 1962 drama film To Kill a Mockingbird. Although Peck and Lucille Ball never appeared together professionally, his name was mentioned several times on “Lucy” sitcoms.  He also never worked with Stan Laurel.  Peck died in 2003 at age 87.

Archival Footage

Stan Laurel (Archive Footage) was born as Arthur Stanley Jefferson in England in 1890. Laurel began his career in music hall, where he developed a number of his standard comic devices: the bowler hat, the deep comic gravity, and the nonsensical understatement. He began his film career in 1917 and made his final appearance in 1951. From 1928 onward, he appeared exclusively with Oliver Hardy (1892-57). Known simply as Laurel and Hardy, the pair became one of the most recognizable comic duos in history. Stan Laurel passed away in February 1965, eight months prior to this tribute show.  He was 74 years old.

Oliver Hardy (archive footage) was born Norvell Hardy in Georgia USA in 1892. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In some of his early works, he was billed as "Babe Hardy". He died in 1957 at age 65.

Dorothy Coburn (Nurse in “The Finishing Touch” Archive Footage) was ideally cast as a perennial foil for Stan Laurel and Oliver Hardy in films like The Second 100 Years (1927) where Stan inadvertently covers her bottom with white paint; Putting Pants on Philip (1927) in which she is being chased by an over-amorous, kilt-wearing Stan Laurel around town; and as a dentist's nurse in Leave 'Em Laughing (1928). She died in 1978 at age 72.

Edgar Kennedy (Cop in “The Finishing Touch” Archive Footage) was seen with Laurel and Hardy in more than a dozen films. He was also seen in three RKO films with Lucille Ball in the early 1930s. He died in 1948 and his final film was released posthumously.  

Betty Grable (Pat Lambert in Footlight Serenade Archive Footage) was a starlet who did three films with Lucille Ball from 1933 to 1936. In 1958 she appeared with her husband bandleader Harry James as themselves on an episode of “The Lucy-Desi Comedy Hour.” Footlight Serenade (1942) was also supposed to feature Lucille Ball, but she refused to be loaned out to Fox to play a secondary role. 

Stan Salute Trivia

The tribute was not well-received by critics, who opined that the program felt less like a celebration of Laurel's career than a promo for the new fall shows; the same critics were, however, in general agreement that Van Dyke's devotion was palpable and heartfelt. Consequently Laurel and Hardy biographers tend to regard it as well-intentioned, but ultimately inconsequential. Wrapping up the season in April 1966, TV Chronicle's Neil Compton would dismiss the special’

"Not much of a tribute to the late comedian (who appeared briefly in a number of film clips brutally hacked out of their original context), and did not enhance the reputations of participants such as Dick Van Dyke, Lucille Ball, or Phil Silvers."

Dick Van Dyke (who was also one of the producers) reportedly complained that his vision for the Salute had itself been hacked to pieces by network corporate types. Van Dyke had delivered the eulogy and Stan Laurel's funeral. An appearance by Fred Gwynne in full Herman Munster regalia clearly had more to do with CBS (home of “The Munsters”) than with Laurel. A lengthy biography of Phil Silvers in the show's second half also has little to do with Laurel. On the whole, the special is a tribute to both Laurel AND Hardy, who passed away eight years earlier.

The Salute aired opposite new episodes of “McHale's Navy” and “F-Troop” on ABC and “Dr. Kildare” on NBC. It was preceded on CBS by “Rawhide” (starring Clint Eastwood) and followed by “Petticoat Junction.”  

The day before (Monday, November 22), “Lucy and the Undercover Agent” (TLS S4;E10) was aired for the first time.  In the episode, Mrs. Carmichael goes undercover as Carol Channing to break into a government installation! 

One year after this special aired, Lucy Carmichael and Mr. Mooney were put under hypnosis by Miss Pat, “the hip hypnotist” (a nightclub entertainer). Their hypnotic suggestion was to imitate Laurel and Hardy. Lucy, naturally, was Stan Laurel.  

The underscoring of the Salute makes liberal use of “Dance of the Cuckoos” which was Laurel and Hardy's theme music. It was written by Marvin Hartley as the 'hour chime' for a radio station. It was first heard during a Laurel and Hardy film in 1930.  

This was the last comedy performance of Buster Keaton, who had been diagnosed as terminally ill and would die a few months later. Lucy and Keaton were there own mutual admiration society, Lucy considering him her mentor and Keaton championing Ball's talents, even before her TV fame.  In the above photo, Keaton and Ball watch the dailies from their sketch on the Salute. 

Although Buster Keaton never guest-starred on a “Lucy” sitcom, he did visit the set of “I Love Lucy” to see his now successful protege.

The Salute begins with a production number called “Stanley” featuring singer / dancers dressed as Laurel and Hardy inter-cut with film footage of the pair and the opening credits. 

After the first commercial Dick Van Dyke introduces the show. He says that he never got to meet Oliver Hardy, but did know Stan Laurel. Film excerpts from “Wrong Again” (1929), which was re-released by MGM as “Laurel and Hardy's Laughing 20s”, a compilation of Laurel and Hardy shorts.  

Lucille Ball and Buster Keaton perform a silent sketch set on a park bench. Harvey Korman plays a cop. The sketch is without words, but includes background music, exaggerated sound effects, and the ubiquitous laugh track. 

After a brief clip from the Laurel and Hardy short “Putting Pants on Philip” (1927), Dick Van Dyke gives a lecture on comedy rooted in observing physical pain in others. He notes how comedy has changed, all the while having a series of funny accidents. This “comedy lecture” was specially written by Carl Reiner and Aaron Ruben.

Blooper Alert! When Van Dyke gets a waste paper basket stuck on his foot, he kicks it offstage. It apparently collides with someone off-camera, which makes Van Dyke laugh and apologize. Just before this happened, the boom microphone dips down into the frame.  

The 'lecture' ends with Van Dyke tripping over a footstool on his way out, something he did in the opening credits of his show.  

Bob Newhart talks about his research on Laurel and Hardy.  He does his impression of a stereotypical kiddie show host named Uncle Freddy. Such TV kiddie shows were often the outlet for showing Laurel and Hardy shorts.

After a clip from “Call of the Cuckoo” (1927), an audience at an old time cinema sings about seeing ‘The Perils of Pearl’, the type of serial melodrama that typically played alongside a comedy feature by Laurel and Hardy. 

Audrey Meadows plays Pearl, in a variety of her 'perils':  As a women about to be bisected by a mill saw, a harem dancer pursued by an over-amorous Calif, a cowgirl burned at the stake by Indians, and a woman sitting atop a giant time bomb.

Movie-Goers: “Will they blow up little Pearl?  Is her life at stake?  To be continued [the look into the camera] ... after station break!”

After the commercial break, the movie-goers are still looking at the camera. They look back at the movie screen where Pearl is still atop the bomb.  

Pearl laughs and her hat falls off.  The matinee audience is suddenly onstage in a full out dance number! 

Dick Van Dyke introduces a comedy sketch about the filming of a silent movie. 

It stars Cesar Romero as The Leading Man, Tina Louise as The Leading Lady, Leonid Kinsky as The Director, and Louis Nye as The Mood Music Musician (aka violinist). 

The comedy comes from Nye trying to stay out of the pantomimed action while providing the mood music to help the actors emote. After destroying several violins, Nye himself falls out the window.

Crashing through the door comes his replacement, Herman Munster (Fred Gwynne) playing the fiddle!  This is the first time a 1865 TV audience has seen Gwynne in color, although his green complexion would be on display in a 1966  Munsters movie.

Danny Kaye is sitting beside Stan Laurel's honorary Oscar, which Kaye accepted for Laurel in 1961. A clip of “The Finishing Touch” (1928) shows Laurel installing a window. 

Color (but silent) footage shows Laurel polishing his Oscar from his home in 1961.  

Sitting among a stack of film reels, Dick Van Dyke introduces another clip from “The Finishing Touch” (1928) in which Laurel and Hardy are renovating a house.

Phil Silvers compares Laurel's youth as “a little man” to his own life story.  A sketch shows a bespectacled Silvers in a baby bonnet and crib with his mother and father beside him. His teen years (in a page boy wig) feature his cracking voice singing “Shine On Harvest Moon.”  

The mini-biography tracks Silvers' career from street performer to vaudeville. 

In Burlesque, he plays Linksy's theatre (a pun on the real-life Minsky's Burlesque) wearing the same huge plaid cap that he wore onstage and screen in the musical Top Banana ten years earlier.  

Actual footage from his big break in movies shows Silvers and Betty Grable in Footlight Serenade (1942).  Silvers finally brings his story back to Stan Laurel, but not without a few quick clips of him in “Sergeant Bilko”!  

Gregory Peck closes the program by thanking everyone and giving a last pitch for the new MGM film compilation of Laurel and Hardy's shorts.

The singers and dancers who opened the show return for a final chorus of “Stanley.”  The number ends on a shot of a painting of Stan Laurel.  This same painting inspired the creation of the show.  

Dick Van Dyke returns for yet another pitch for the MGM film compilation “Laurel and Hardy's Laughing 20s”. Van Dyke gets a face full of cake at the very end, inter-cut with Oliver Hardy slipping on a banana peel while carrying a huge cake excerpted from 1928's “From Soup To Nuts.”  

This Date in Lucy History – November 23

"Redecorating the Mertzes' Apartment" (ILL S3;E8) – November 23, 1953

"Lucy's Contact Lenses" (TLS S3;E10) – November 23, 1964

“Lucy and Jack Benny's Biography” (HL S3;E11) – November 23, 1970