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strawberrieas · 3 years ago

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Can you make like the shadow house group first meeting the reader? Both girl and boys pls Like both shadow and doll and can it also be romantic you can pass this if ur busy or do this later :)))

FIRST MEETING // PATRICK + KATE + JOHN + LOUISE + SHIRLEY

# GENRE. fluff

# RUNDOWN. the shadows meeting the reader for the first time

# WARNINGS. genderneutral reader, not proof read

# NOTE. im assuming that you meant just our guys and gals from the same debut class, if not feel free to correct me :) there’s a lot of them so i put all of the shadows in this post and ill make another for the dolls later, thanks for being patient <3 I made the reader a shadow as well for simplicity just in case anyone’s wondering why y/n is speaking in third person too

— PATRICK SHADOW

✁ After he developed his love for flowers and started frequenting the garden is when you first met Patrick

✁ One day he noticed someone other than himself tending to the flower that he usually took care of, though he didn’t take too kindly to another person in his designated area

✁ “You need to leave! Those were Patrick’s flowers first, you’ll only ruin them!”

✁ Patrick was used to people normally putting up a fight or getting offended by his insults or backhanded comments, but what he hadn’t expected was for you to agree and back down so quickly

✁ “That’s fine, there are always other flowers to water. Do you really like these ones?”

✁ It threw him off and he found himself dumbfounded by your politeness and willingness to listen to him. How was he supposedly respond to that feeling? It was surely nothing that Ricky had ever taught him

✁ For a second he only stood there, still and silent at the small yet significant interaction.

✁ If he had a face then the blush beginning to spread across it would’ve been very embarrassing, but the way Ricky whispered over to him from his side asking if he was alright and what was wrong made it very clear that Patrick wasn’t being very subtle

✁ “Did Y/N say something wrong? You can take over if you like.”

✁ Realizing that he was only making a fool of himself, he cleared his throat and tried to recover from the temporary shock.

✁ “Whatever. Take care of whatever flower you want, Patrick doesn’t care.”

✁ While that was extremely contradictory to what he’d just previously said, Patrick didn’t give you an explanation or a chance to ask him anything else before storming off with soot emitting from his head and spreading

✁ He would’ve been lying if he said the reason he didn’t mind you tending to the flowers was so he could get a chance to see you again whenever he returned

— JOHN SHADOW

✁ John met you while out exploring the mansion before both of your debuts

✁ It was nothing short of love at first sight. Eventually getting bored of having to sit in his room 24/7 with no one other than Shaun to talk to, he picked up the habit of watching the outside of the mansion through his bedroom window to occupy himself

✁ One day, however, he noticed someone sitting alone on a bench, admiring the flowers that littered the ground

✁ John was well aware that it was looked down upon to separate a shadow from their living doll, and to disobey the rules of Shadows House by leaving your room before the debut, but he couldn’t stop himself from sneaking out the moment Shaun was busy in order to go down and get a closer look

✁ One sneak peak eventually turned into him slipping out of the room everyday around the same time to watch you from behind a convenient set of bushes

✁ Creepy? Yes, but until he could figure out how to approach you John was afraid of going up and making a bad impression

✁ One day he got carried away admiring you from afar, and it was only when you stood up to return to your room that he realized he’d been out for far too long and that Shaun definitely would’ve noticed his disappearance by now

✁ Rushing to get back to his room, John wasn’t paying attention to where he was going and ending up running straight into the corner of a wall and hitting the floor

✁ When he looked up, however, he was shocked to be met with two familiar silhouettes. Your living doll staring down at him with a look of concern, and you.

✁ Instant embarrassment, and John is tripping over his words while being silently thankful that you can’t tell how flustered he is from his face alone

✁ “Are you alright? You hit the ground pretty hard and you seem out of it.”

✁ “No! I mean yes! John is fine, goodbye now!”

✁ John got back on his feet and ran off towards the sound of Shaun worriedly calling his name before he could embarrass himself any further, and you were left amused and awaiting your next interaction

✁ Being left utterly humiliated, he silently promises to himself that the next time he meets you he’ll win you over, not already knowing that he’s already gotten your attention

— KATE SHADOW

✁ The first time you saw Kate was during a trip to the library

✁ Your meeting was by complete accident, actually, during a common cliché after accidentally bumping into you while carrying a stack of books she’d been planning to use for her research on Shadows House

✁ Both of you hit the floor, and after gathering herself and having Emilico rapidly help her up and worriedly asking if she was alright, she moves to apologize to you and over her help next

✁ “Kate is sorry! Are you alright?”

✁ After helping you up, she was flattered by how nice you were about it, and after a bit of small talk, she was taken aback by your treatment of Emilico

✁ “Your living doll is very pretty! What’s your name?”

✁ Emilico being Emilico, answering and introduced herself before thinking about how it was looked down upon to speak outside of your Shadow Master’s room or without being told to do so. But the weirdest part was how you were speaking to her rather than her master as if she were her own person, something that not many ever did.

✁ “My name is Emilico!”

✁ When she did realize, she quickly apologized, only to slap a hand over her mouth out of embarrassment for repeating her mistake

✁ “It’s alright, you have a very pretty name! Y/N likes it, it’s unique.”

✁ Watching the exchange, Kate couldn’t help but raise a brow at that. Most usually always made a comment about how strange it was to choose a name that didn’t relate to their own as it didn’t unify both doll and master, but you didn’t even seem to mind

✁ “Really? You don’t think it’s strange for our names to not be similar?”

✁ “Of course not, it’s not like you’re the same person. Why do you ask?”

✁ It was such a small remark, but still one that managed to get her even more interested in your unique mindset. Aside from her own fascination with your personality, if what you were saying is what you truly believed, then she wanted you by her side as well. Kate gave an unseen smile and slightly shook her head.

✁ “No reason.”

— LOUISE SHADOW

✁ Your first meeting with Louise was during a team meeting

✁ It was actually under Kate’s request that she keep an eye on you and even attempt to befriend you in order to find out whether or not you would be a trustworthy ally

✁ The only reason Louise really accepted was to get a chance to show off her face to yet another unsuspecting stranger, so it comes to no ones surprise that the first thing she does after walking up to you and introducing herself is proudly gesture to Lou as if she were a grand prize with her standing and smiling sweetly just as Louise usually asked her to do

✁ “This is Lou, Louise’s face! She’s pretty, isn’t she? Louise spent so much time making her look perfect? You think she’s pretty, right?”

✁ Louise was fully prepared for an onslaught of compliments and praise, in fact it’s what she wanted to hear, but she was far more accustomed to hearing them for her doll rather than herself

✁ “She’s very pretty, you did an amazing job, but Y/N think’s that you’re nice and beautiful too, Louise.”

✁ Louise made a face of confusion, which Lou presented for her. Was complimenting Lou not the same as complimenting her? How would you even be able to tell her such a thing instead of her actual face?

✁ “That’s nonsense, you can’t even see any of Louise’s features, Lou is the face!”

✁ How you were able to smile and compliment her so nonchalantly confused her, and after you brushed off her comment and bid her farewell, she was left scratching her head and trying to understand the bubbly feeling she got from getting singled out and complimented herself rather than her living doll

✁ Louise makes a mental note to see you more often out of hope that she’d get to hear more of your praise

— SHIRLEY SHADOW

✁ Shirley was very quiet the first time you met at the beginning of the debut

✁ It was already well known that she was fairly closed off, so it shouldn’t have been surprising that when you first caught her attention she kept the feeling building inside of her a secret

✁ It was during the dance when she noticed you, hand in hand with your living doll while she was across the room dancing with Ram

✁ Shirley couldn’t help but stare, the way you were moving and just how fluid the dance was made it impossible to look away, but she couldn’t bring herself to want to say anything to you, it was up to you to initiate the conversation

✁ Finding herself back to back with you in the middle of the floor, her focus on Ram was cut off by the sound of her voice behind her

✁ “Your dance was great, have you practiced with your living doll before?”

✁ She stopped her movement, catching Ram’s attention, but now instead Shirley’s gaze was locked on you, silently staring

✁ “Are you shy? You don’t seem to talk much.”

✁ Your second attempt to start a conversation was only met with more silence, and you took the hint from the way she was supposedly staring at you that Shirley just wasn’t much of a talker

✁ “Y/N understands. After the debut, we should dance together sometimes, you’re very good at it. How does that sound?”

✁ She wasn’t sure what came over her, but Shirley felt compelled to give a small nod, earning a ecstatic thumbs up from you before you took off with your living doll in tow to continue your dance

✁ Shirley couldn’t recall desiring anything since the moment she gained consciousness in the Shadows House, but the thought of getting a dance with you soon became something she yearned more than anything.

✁ And if it weren’t for what happened to her during the debut, her wish most likely would’ve been granted

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fallindomino · 3 years ago

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how i would have changed s2 of hsmtmts

obvious disclaimer but im not a screenwriter or anyth so im not claiming what i want is best, this is just for fun lololol

okay so first of all nini would still have dropped out of yac but she wouldn’t have gone back to east, she would have transferred to north bc she was too ashamed to tell anyone she left at first and maybe she still wants to explore who she is away from ricky and the others

nini could join north’s batb and this way maybe we could have some playful rivalry with lily and nini and more scenes with antoine shdhdjdj also it could have been a great opportunity to flesh out lily’s character so those scenes where she reaches out to ricky and her confession at the end of the season actually make sense lol

speaking of ricky ,,, i think he should have left the play at some point hear me out. he only joined in the first place because of nini and barely wanted to do it at all once he realized he wasn’t gonna be able to perform with her. he could have joined crew and been a manager with natalie or smth considering he rlly does see the theater gang as a second family. also this would leave so much room for ej and ricky development and bants since ej joined the av club and began to pursue film. they could have some convos where idk ricky asks ej how he figured out what he wanted to do after duke didn’t work out and ricky could actually develop some interests that arent the play or nini ,,, maybe fucking art club i mean he did p good on that centerpiece for carlos’ quinceañera.

with ricky not being the beast anymore i think seb should take his place that would be soooo good. and since seb isn’t chip anymore carlos won’t make those snide comments about chip being a small unimportant role and we can just cut that whole fight bc it was dumb and bad. we could still have seb being insecure that carlos is only dating him bc there aren’t really any other gay guys at school. in a heartbeat is great and i did like ricky being supportive in the background it was kinda funny too idk dhdjdjfj

ooh i almost forgot abt rini ahshdj okay so i still think they should break up. but in my version there’s no ricky pulling an ej 1.0 and deleting comments off of nini’s insta, cause with ricky in art club and nini at north trying to figure out what she wants i think one of them would realize that they’re going in different directions and only got back tgt because they made each other feel safe cause what they had was familiar. this could be triggered by ricky mentioning smth abt nini at yac and then nini breaks down and tells him that she dropped out and is at north and doesn’t know where she’s going. and then they can both realize they aren’t good for each other rn and have a less tragic mutual break up.

honestly i really liked the scene of nini taking charge after miss jenn freaked out cause with the character detail of nini giving every person in the cast of productions she’s in a thank you note she just seems really like someone who is suited to lifting others up. this could still be explored at north, maybe she could help lily through her issues that were briefly implied in ep 11 and nini realizes she wants to be a drama teacher and encourage kids to go off book and put themselves into their acting, something she couldn’t have at yac.

okay now ej ,,, so like i said in ricky’s section, more bants between them cause i feel like friendships kinda fell by the wayside due to all the relationships so more friendship !!!! also the scene where ej tells his dad he’s not going to duke shouldn’t have been an ending scene, it should have been fleshed out with his dad pushing back saying how he pulled all these strings to get him in and ej saying he doesn’t wanna go if his own hard work couldn’t get him there. and also more scenes of ej doing av club things !!! and realizing he rlly likes film and wants to do it OMG IT WOULD BE SO COOL IF HE BROKE THE FOURTH WALL AND ASKED THE DOCUMENTARY CREW ABT THE FILM INDUSTRY god i would love that. the only scene we rlly got of ej doing film things was at the quinceañera which made me kinda sad. uhhh also i just wanted to specifically mention how ej got mr mazzara that job at cal tech bc it really showed how he wanted to be there for people not just for gina, who he had a crush on, but for mr mazzara who supported him outside of romance, so i wanna keep that for sure.

gina !!! okay so i mostly liked her arc in this season, the only changes i would make would be to flesh it out a teeny bit (god this hypothetical s2 would have to be like 22 eps at least shdjdjdjfj) anyways besides ashlyn singing home to get gina to stay i think there should be a scene where they actually talk in her room abt how gina feels safer when shes on the run (second chance reference ilysm) hhhh and also a scene of her and carlos actually working out compromises for their choreo cause i liked that bit of development too and fleshing that out would make gina an even better foil for lily, who felt a need to hog the spotlight like gina used to. with gina’s own arc fleshed out her character would feel more whole independently from romance and portwell would be even more rewarding than it is in the current s2. the only thing i would really change abt portwell is that they would kiss !!! in the finale but thats bc im biased.

ashlyn should have gotten a more fleshed out storyline about being insecure about not being a good enough belle or the typical belle. there were some throwaway lines when north did their typical dramatics but the only two real scenes that showed it were when ash talked to big red about it and when she was telling nini she wanted to do a run in “home” bc lily did it. ashlyn should get more screen time where she has to grapple with the reasons she doesn’t feel good enough and big red can still support her but also gina too bc i would like more roommate besties interaction.

kourtney could still date howie, that harry potter shit was cute but there needs to be smth else for kourtney’s arc. idk she’s still into fashion so maybe she could be out here trying to create her own line or smth? this doesn’t have to be resolved in s2 like making a wholeass line takes time and she could work on it into a potential s3. kourtney just didnt get much outside of howie and the stuff at the beginning of the season where she said nini inspired her to be independent and that's why she got a job was just dropped?? so i think that fashion could fill that for her if she’s still dating howie cause like having her whole arc just be the pizza place kinda overlaps w big red’s mini arc abt how he wasn’t settling for hospitality, its what he wants to do with his life.

ik what ur thinking. anna, even if you added more episodes, where would u find the room to add all these plotlines?? well first we cut (most of) the seblos fight, so thats some time saved. honestly most of the time that we r going to gain is going to be from cutting ms jenn’s time. things like ms jenn’s and nini’s car ride would get cut, but mostly all of ms jenn’s romances would get cut down. considering she’s the teacher and isn’t actually a character with an arc how does she have THREE love interests this season?? like all of the weird tension between her and zack can be cut, like just some short scenes of them being competitive can stay. all of the stuff with ricky’s dad can go bye bye we don’t need it. i did like her w mr mazzara so most of that can stay i just didn’t like how he said he would give up cal tech for her, ew no that would be gone.

the MENKIES !!!! this is the last thing im gonna address cause in a perfect world every character would get a long fleshed out arc but then the season would be waaay too long and also im mostly trying to work within material the show gave so this is mostly made up of “realistic” deviations from what actually happened. lol idk what that even means it just makes sense to me. but anyways!! uhhh bro idk i thought them dropping the menkies was funny but it also made the finale really BAD lmao. in this finale, seb is the beast, east still had to deal w the fact that they’re underfunded compared to north but no one is injured, lily is less of a poorly written character and maybe ppl are even rooting for her, and wow i just realized i never actually said what role i think nini should have in north’s show. OOH she could be student director instead of lily cause lily both being in the play while also directing was weird considering omg i just checked and according to her wiki page shes a FRESHMAN?? and they let her be student director? lol hell nah. okay so with all that in mind ,,, the menkies should have been the season cliffhanger instead of portwell. east and north should both be nominated, both schools perform at the menkies, and then the award winner is about to be announced and THATS when it cuts to natalie and the end of the season.

one, this actually gives more tension for a summer s3 as we would be waiting to see the consequences of whichever school won. also i bet people would be wondering if nini’s gonna be transferring back to east or staying at north. people would also prob wonder if ej would be getting the scholarship if east won and what that would mean for his interest in film.

lmao that got longggg and idk if anyone’s even gonna read this but it was fun to do :D

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rndyounghowze · 4 years ago

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And The Nominees Are… (Part 2/2)

#younghowzetheatreawards

By Ricky and Dana Young-Howze

Mays Landing, NJ

Venmo: @rndyounghowze

The nominations for the first ever Young-Howze Theatre Awards are finally here! We have been working hard since March of 2020 reviewing over a hundred and forty digital productions. We have been poring over them all since January to bring you these categories and the shows vying for them.

Let’s remind everyone what our criteria were: Because of the pandemic this year every show that we have reviewed was nominated for at least one category. We picked winners by a very specific set of criteria: What was this show attempting to do? Was it successful? Was it the most successful of all the shows that tried to do this? We apologize to anyone who thought that we would be announcing winners today. We decided that we wanted to save all of the spoilers for the live show on February 21st at 8PM EST. Please remember that even if you only get one nomination it is because we wanted to honor everyone who worked hard this year (every theatre artist who did a show this year deserves a medal). However we understand that specific nominations are useful for theatre creators in their resumes, grant applications etc.

All Nominees should receive a nomination email from us. If you haven’t gotten an email by Monday 11:59pm PST email is at [email protected]

Congratulations everyone! We are so proud of your accomplishments and amazing work. We’ve already seen shows this year that are award worthy. You all exceeded our expectations. Without further ado...

Solo Performance

“Chewie Award” For Team Behind A Solo Performance

“Blood/Sugar” by Diana Wyenn in Los Angeles, CA

“Kristina Wong For Public Office” by Kristina Wong in Los Angeles, CA

“Disenchanted: A Cabaret of Twisted Fairy Tales” by Eliane Morel at Melbourne Fringe

“All By Myself Award” For Solo Performance Of The Year

“The Bassoonist” by Sean P. Mette and Autumn Kaleidoscope at Cincinnati Fringe Cincinnati, OH

“Kristina Wong For Public Office” by Kristina Wong in Los Angeles, CA

“Sarah Palin: Rogue None” by Amanda Nicastro in NYC, NY

“What Would John Hughes Do?” by Telia Nevile at Melbourne Fringe

“Campfire Award” For Storyteller Of The Year

“Right Now” By Martin Dockery at Minnesota Fringe Minneapolis, Minnesota

“Life Underground” by Brad Lawrence at FRIGID NY in NYC, NY

“Pumpkin Pie Show” by Pumpkin Pie Show at FRIGID NY in NYC, NY

“UnterClub” by Juan Sebastian Peralta in Uruguay

“Full of Woe” by Genevieve Yosco and Sour Grapes Productions at FRIGID NY in NYC, NY

Seasons, Series and Festivals

“BIPOC HERO” For The BIPOC Creative Team Of The Year

TBA

“Worldwide Award” For Collaborative Work Of The Year

“The Art of Facing Fear Brazil” By Os Satyros in São Paulo, Brazil “The Art of Facing Fear US” Os Satyros and Company of Angels and Rob Lecrone, in co-production with Os Satyros and Darling Desperados. “The Art of Facing Fear Africa/Europe” Os Satyros and Cie Kaddu, Crown Troupe of Africa, Darling Desperados, Oddmanout Theatre Company, Portuguese Cultural Center of Mindelo, Tell-a-Tale, The Kwasha! Theatre Company, The Market Theatre Laboratory, Village Gossip Productions

“Macbeth #6” Os Satyros São Paulo, Brazil and the Center for Interdisciplinary Performance Art - Royal Birmingham Conservatoire

Enough Plays to End Gun Violence at Mile Square Theatre in Hoboken, NJ

“Down the Stream” For Digital Season of The Year

Frigid NY in NYC, NY

Combined Artform in Los Angeles, CA

“There’s No I in Theatre” For Non-Profit Theatre of The Year

Elm Street Cultural Arts Village in Woodstock, GA

Sour Grapes Productions in NYC, NY

Opal Theatre in Boise, Idaho

Know Theatre of Cincinnati in Cincinnati, OH

Mill Mountain Theatre in Roanoke, VA

“Deja Vu Award” Recurring Streaming Series Of The Year

“Tilted Frame” by Combined Artform in Los Angeles, CA

“Bingewatch and Friends” by Diana Brown and Dan Wilson in San Francisco, CA

“Reparations Show” by Kevin R Free at Frigid NY in NYC, NY

“Monologues For Us By Us” By Cincinnati Black Theatre Artists Collective in Cincinnati, Ohio

“Bard Brunch” by Sour Grapes Productions in NYC, NY

“On The Fringes” Fringe of the Year

Minnesota Fringe

Halifax Fringe

Melbourne Fringe

Montreal Fringe

Cincinnati Fringe

“The Shortie“ Short Form Festival Of The Year

“48 Hours in Harlem” By Harlem 9 in Harlem, NY

“Overnight Sensations” by Hollins Playwrights Lab in Roanoke, VA

Estrogenius Festival by FRIGID NY in NYC, NY

Fire This Time Festival at FRIGID NY in NYC, NY

Single Shows

“Weird and Worth It” For Experimental Production Of The Year

“Paul And Erika’s House Show” By Theatre Mobile at Cincinnati Fringe

“Hivemind” by Solasta Theatre at Cincinnati Fringe

“#TXT Show” by Brian Feldman at Minnesota Fringe and Melbourne Fringe

“Butterfly Effect” by Unnatural Disasters at Halifax Fringe

“New Normal” by Os Satyros in São Paulo, Brazil

“One Man Nutcracker” by Chris Davis in Philadelphia, PA

“Cabaret De Profundis” By Buntport Theatre in Denver, CO

“So Nice We Saw It Twice” Touring Show Of The Year

“Desperately Seeking The Exit” by Peter Michael Marino and PM2 at Cincinnati Fringe And Queerly Festival and Show Up, Kids! In NYC!

“Paul and Erika’s House Show” by Theatre Mobile at Cincinnati Fringe and Minnesota Fringe

“Love and Other Lures” by Dr. Dour and Peach at Cincinnati Fringe and Minnesota Fringe

“Killjoy, Ohio” by Queen City Flash at Cincinnati Fringe and Minnesota Fringe

“TXT Show By Brian Feldman at Minnesota Fringe and Melbourne Fringe

“Kristina Wong For Public Office” by Kristina Wong in Koreatown and Kirk Douglas Theatre in Los Angeles, CA

“Before Times” For Pre-Pandemic Recording Of The Year

“Petunia and Chicken” by Animal Engine at Cincinnati Fringe Cincinnati, OH

“Unrepentant Necrophile” by The ColdHarts at Cincinnati Fringe Cincinnati, OH

“Knife Slingin’” By Motz at Cincinnati Fringe Cincinnati, OH

“Occupy This!” By Rev Nuge at Cincinnati Fringe Cincinnati, OH

“Stow You Baggage” By Alexx Rouse at Cincinnati Fringe Cincinnati, OH

“Butcher Holler” by Ad Hoc Economy at Cincinnati Fringe Cincinnati, OH

“Lady Macbeth and Her Pal Megan” by Megan Gogerty at Cincinnati Fringe Festival Cincinnati, OH

“Dammit, Jim!” by Polly Esther in Toronto, CA

“A Night With The Dead” by Martha Preve and Something From Abroad at Hartford Fringe in FRIGID NY in NYC, NY

“A Christmas Carol In Harlem” by Classical Theatre of Harlem in NYC, NY

“Forbidden City” by Martin Dockery at Cincinnati Fringe Cincinnati, OH

“Practical Game Changer” For Practical Effects Of The Year

“Killjoy, Ohio” by Queen City Flash at Cincinnati Fringe Cincinnati, OH

“Zoo Motel” By Thaddeus Phillips in Columbia, South America

“A Light Touch” by Mind of a Snail at Minnesota Fringe Minneapolis, Minnesota

“Digital Game Changer” For Digital Effects Of The Year

“M-O-U-S-E” by Rory Sheridan at the Cincinnati Fringe Cincinnati, OH

“King Lear” by SF Shakes in San Francisco, CA

“War Of The Worlds” by Ben Hernandez at Cal State in Los Angeles, CA

“Claws Out! A Holiday Drag Musical” by City Theatre in Pittsburgh, PA

“18+ Allowed” For Adult Variety Of The Year

“Disenchanted: A Cabaret of Twisted Fairy Tales” by Eliane Morel at Melbourne Fringe

“Creepy Boys” by Scantily Glad at Melbourne Fringe

Red Mill Revue at Melbourne Fringe

Queers On The Fringe at Melbourne Fringe

“Reach Out“ For Immersive Production Of The Year

“Feast” by Megan Gogerty at Know Theatre of Cincinnati in Cincinnati, OH

“In Lak’Ech” by No Peeking Theatre in Jersey City, NJ

“Twelfth Night”” by Food of Love Productions in NYC, NY

“Grace Notes” For Musical Production Of The Year

“Dream &” By Sarah Willis and The Queer Feminists Next Door at Cincinnati Fringe Cincinnati, OH

“Colony” by Psophonia and Aura at Cincinnati Fringe Cincinnati, OH

“TV Tunes” by Leslie Vincent at Minnesota Fringe Minneapolis, Minnesota

“The In-Between Years” By The Champagne Drops in Minneapolis, Minnesota

“Love and Other Lures” By Dr. Dour and Peach at Cincinnati Fringe Cincinnati, OH

“Hollow” by David Kent at Edinburgh Fringe

“One Vote Won” by Nashville Opera in Nashville, TN

“Meet Me In St. Louis” By Irish Rep in NYC, NY

“Power” For Fifth-Wall Breaking Show Of The Year

“Matriarch” by Sandy Greenwood at Melbourne Fringe

Chanukahmunication by the Feldman Dynamic in Washington, DC

“Proof Of Love” By Chisa Hutchinson and BLBW in Chicago, IL

Individuals

“Magician” For Press Contact Of The Year

Emily Godfrey For FRIGID NY in NYC, NY

Liz Carman For Know Theatre of Cincinnati in Cincinnati, OH

“Tech Witch” For Tech Person Of The Year

David Svengalis for “Tilted Frame” by Combined Artform in Los Angeles, CA

Henry Bateman for Know Theatre of Cincinnati in Cincinnati, OH

“Extensions“ For Movement Artist Of The Year

“Proximity” by Pones at Cincinnati Fringe Cincinnati, OH

“Definition of Man” by DConstruction Arts at Halifax Fringe

Marina Calendar For Tree She at Estrogenius Festival NYC, NY

Nick Daniels For “Folk Dances of A Nucleic Village” at Pittsburgh Fringe Pittsburgh, PA

“You Oughta Be In Pictures” For Film Of The Year

“Proximity” by Pones at Cincinnati Fringe

“Opinions Of Men” by Ben Dudley at Cincinnati Fringe Cincinnati, OH

“Macbeth” by Gorilla Repertory Theatre in NYC, NY

“Black Emperor of Broadway” by Vision Films Inc and Egeli Productions in Provincetown, MA

“Concord Floral” by Jordan Tamanelli at Colorado State University in Fort Collins, Colorado

Zoom

“Pioneer” For Innovative Achievement Of The Year

Waiting for the Host” by Mark Palmieri in NYC, NY

“Desperately Seeking the Exit” by Peter Michael Marino in NYC, NY

“Long Zoomie” For Long-Form Zoom Play Of The Year

“3 Way Lovve” by Marcus Ma’at Atkins at Minnesota Fringe Minneapolis, Minnesota

“Im Ur Hamlet” By Genevieve Yosco and Sour Grapes Productions in NYC, NY

“Rideshare” by Reginald Edmund and BLBW in Chicago, Illinois

“Disrobed” by Steven Vlasak and Troy Peterson at Hollywood Fringe Hollywood, CA

“Sons of Liberty” by Cris Eli Blak in Louisville, KY

“Call For The Wailing Women” by Katrina D. RiChard and BLBW in Chicago, IL

“Jump!” By Charly Evon Simpson at TSU in Nashville, TN

“Short Zoomie” For Short-Form Zoom Play Of The Year

“Soup” by Rachel Carnez at Project Y Theatre in NYC, NY

“Missing Ingredient” by Colleen O’Doherty at Project Y Theatre in NYC, NY

“Pas De Deux” by Kevin Ferguson at Missouri S&T in St. Louis, Missouri

“Scaramouche and Pinochle” by Mike Moran Missouri S&T in St. Louis, Missouri

Screen Manager Of The Year

TBA

Stream Yard

“Duck“ For Streamyard Production Of The Year

“Infemous” by Infemous at the Queerly Festival and Montreal Fringe Festival

“Romeo and Juliet Virtually” By Miles Beyond Entertainment in Los Angeles, CA

“Day of the Dead Variety Show” by Something From Abroad at FRIGID NY in NYC, NY

“Latina Christmas Special Special” by Latina Christmas Special in Los Angeles, CA

Staged Production

“The Globe“ For Staged Production of The Year

“Quit While You’re Ahead” By Alexx Rouse and A-Z Productions at Cincinnati Fringe Cincinnati, OH

“Dreary Dearie” By Caitlyn Waltermire at Cincinnati Fringe Cincinnati, OH

“Hellish Reunion” by The Feral Theatre Company at Minnesota Fringe Minneapolis, Minnesota

“Polka Dots: The Cool Kids Musical” by Melvin Tunstall III at Mill Mountain Theatre in Roanoke, VA

“Titus Andronicus” by Shakespeare by the Sea in San Pedro, CA

“She Kills Monsters” by Qui Nguyen at Elm Street Arts Cultural Village in Woodstock, GA

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seokjins · 7 years ago

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i'm dyyyyyyyyying to know your opinion about mic drop choreo. it's so agressive n intense. also, tae really improved a lot of his dancing this comeback, im so impressed!

sorry @bst/tomorrow move aside MIC DROP is now my fave bts piece :))

listen ok that piece ended every single dance career out there like forsythe who? ricky dillon? travis wall? succ that good old bts dick bc they came IN for ur careers and decimated every single person out there holy shit

overall, the choreography is incredibly intense like u mentioned. it hits hard w no breaks for the audience and the dancers themselves. visually, a masterpiece. choreographically, a bigger masterpiece. (and, to be noted, there are some parts where i don’t like the steps, but that’s personal preference lol)

i would like to give the chorus three thousand platinum diamond gold stars bc it’s choreo is perfect , like. it looks good on the dancers, but it isn’t overly complicated . the movements fit the music and the way things are executed ..bts did well to accommodate to the style of hiphop they’re dancing. it’s something most people miss, but i caught and really appreciate iti wanted to pick out some timestamps for people to watch, but the whole fucking thing is good like i’ve never been this invested in one of their dances ever? i’m not even joking if i was taking this as a class i’d be screaming the whole way thru the chorusit’s hit after hit after hit after hit and there’s no break for my Ass god all the choreo is fucking perfect there’s nothing else mr. son could’ve put in there to match the song that well

the only way to describe MIC DROP is “hot”. it’s sexy but in a careless, locking attitude, and bts plays into a new style really well. they fit seamlessly into the genre, and i think this is the concept they were looking for during debut, but couldn’t find it. it’s nice to see a more mature group tackle a darker concept

the opening to that dance is the best bts choreo i’ve ever seen, sorry :// it’s hot and smart it has a Feel to it that i can’t quite describe but fits the vibe that bts was going for (0:00-0:13) idk what it is about it that makes me put it on loop for 23min but ??? it’s so satisfying to watch

the transitions were impeccable. the way they played w levels and differing moves for every member within the group formation = nut after nut after nut after nut

i would also like to point eyes to the costuming bc that shit was flawless during this performance: i hope they keep it up. their clothes were actual dancewear, so i could see the movement thru the body. it projected choreo in a flattering manner, and the “mix and match” style of old hiphop was super super super super super super super tasteful.gold fucking star to min yoongi’s outfit especially. i’m dying to get my hands on those pants bc h o l y s h i t did they look good when he was moving. they’re baggy in a good way….it enhanced the choreography Well

0:55 - hoseok walking off but still dancing is smth to notice. it’s probably a personal correction he gave himself to account for camerawork, so instead of slouching off in the background, he continues the movement in order to uphold a performance aura. otherwise, he will look sloppy and not ready for the stage

seokjin and namjoon improved the most imo. U can see them finally filling out the counts and adding extra interp into their dancing + way less stiff. i thought they wouldn’t do well w this dance because it’s slow, but they just proved me wrong

#anon #replies: inbox #bts #dance tag

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toomanyoc · 8 years ago

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some replies but im probably missing more im s o r r y

@magnemehr

#YOOOOOOOOOOOOOOO#THIS DESIGN IS SO BADASS#THE OUTFIT#THE EYES#THE FEET (???? or are those just some crazy awesome boots)#SO FUCKIN’ RAD#i’m so into it i’m so into this whole island already B)))))))))))#big old red boy#friend art#notes#furiosa island

thank you B))) but yes theyre just spiky boots for a spiky boy

#FLDKSJFLKDSJKLFDSJ#I’M CRYING#a tru#masterpiece#i’m laughing so fucking hard at giove’s doofy face#because it’s honestly an accurate representation of his actual default expression#/SHOT#keone#kaikala#machiko#april#ricky#naya#giove#friend art

omfg uhm??? i love his doofy face dont trash talk my beautiful boy Bl

#FLDKJFLKSDJKFS I’M SO GLAD YOU POSTED THIS#i’m still cracking up#zaahir must surely be used to getting his feathers pulled out and stepped on and whatnot by now tho#i mean how could he even be in public without that shit happening#it probably even happens at home#he was just not made to exist comfortably as a human being :’(#so yeah….it’s fine milo#he’s used to it :^|#it’s really the courthouse janitor you should apologize to#having to clean up all those feathers–/SHOT#chris#zaahir#friend art

tbh i bet a tonne of cleaners have quit because theyre fed up with all the feathers everywhere?? LIKE WHY ARE THEY E V E R Y W H E R E ALL THE TIME THEY THINK THEY GOT THEM ALL BUT NOW THERES MORE????

#milo#FLDSJFKLSDJLKFJSDL#bro u need to chill#even Zaahir wears t-shirts :^|#he’d get along with piter tho#piter even wears a button-up collared shirt to bed#the poshest pajamas ever#/SHOT

uhm zaahir?? lives too short to dress boring. :/ /SHOT but like all except for one of his tshirts are for sleeping in…. sorry piter he cant compare to your commitment to the cause of never dressing casual )^:

#AWWWWWWWWW YEAH#damn i so hope he investigates Giove at some point#just so that Giove can be like#‘I guess you could say this is a real#/cat-and-mouse game/#eh? :^)’#/KILLED

are you admitting that youre guilty giove? cause its only a cat n mouse game if youre guilty? :/ thats his tactic for getting confessions isnt it great– /KILLED

@ kingpoptarts

DAD…..

i hate to tell you this poptarts but….. hes not your real dad….. youre adopted– /KILLED

@vladidoodles

#OH BOY#I can’t wait to drive this boy up a wall#I mean–I don’t have any ocs that would atm#BUT IF I DID–#anyway I wanna smooch him right on his disgruntled face#try to fuckin STOP me bro#B|#friends art#friends oc#anthony#(for real tho I’m so PUMPED)

GOOD LUCK BRO HES HARD TO DRIVE UP THE CALL CAUSE HE DOESNT CARE…. HES BEEN A COP FOR TOO LONG HES TIRED!! but fine i GUESS you can give him a smooch :/ IF U MUST…..

#UM??? this is a masterpiece thank u B’’|

ur welcom winks

#W R O N G B L O G

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