#rick potion no 9

[dirty-bear-rick-sanchez]

There’s a lot of interesting details to compare between the two ‘Look On Down from the Bridge’ montages but I think the most important one is

my man still does not know how to shut the fridge

[dirty-bear-rick-sanchez]

@hazelnut-u-out

This is Rick in Rick Potion 9# when Morty was having a panic attack

[ricksanchezbignaturals]

rick and morty stimming // season 1

[rickandmortyscreenshots]

[zeep-xanflorp]

think back to rick potion #9. while beth prime saying "he left my mother" may imply that rick prime was just a father who abandoned his family, it also implies that he found love or romantic/sexual interest elsewhere. we know he was with a bunch of other ricks after leaving bc he mentions it to c-137, making a potential rick/rick - dare i say, prickcest - pairing a possible explanation for WHO rick prime left his family for. in this essay i will

[christiecandor]

Morty's a little rushed, but I just wanted to do something for the parallel from Rick Potion #9 to Unmortricken. Something about having them on transparent backgrounds makes them feel more alive (despite how they're both obviously feeling in these instances 😅)

[hazelnut-u-out]

I know I'm historically king of Morty's perspective, but I've been doing a lot of thinking lately, and the ending of 'Rick Potion No. 9' (a sequence that always affects me deeply) combines two unique perspectives.

(TW for gore)

The first is, of course, Morty's experience. The effect of burying his own dead body and abandoning his original family is very present.

It always gives me chills when he walks through the home, observing his 'new' family. A lot of moments in the show can be called a 'turning point' in terms of tone, but this moment in particular seems like a true turning point in terms of who Morty is becoming-- especially when we get Rick's backstory.

On the other hand, I've also challenged myself to take in Rick's perspective, separate from how this choice impacts Morty.

Not too far after this incident-- and still at the beginning of everything--Rick is not only willing to sacrifice himself, but he makes the decision to do so. In 'A Rickle in Time', it wasn't even a question for Rick as to who was going to leave that situation alive. He gave Morty that collar to save his grandson-- ready to die for the bloodline of the person who robbed him of everything.

I keep thinking about this moment:

In the past, Rick's apathetic expression and body language have made me nauseous on Morty's behalf. Honestly, they still do. Just look…

Imagine being a 14-year-old boy and staring down at your own dead body. Cradling him in your arms. Realizing, deep down, that even though he was you... he isn't you. His parents’ baby is dead. You're alive. You've as good as killed him-- actively replaced him-- and sentenced your whole family to death. Over your shoulder, your drunk grandfather looks on, no visible emotion but irritation that you're not working fast enough. He's your only friend. He shoves you. Something doesn’t feel right. Your hands hurt. Your arms ache. The clothes you're wearing aren't yours. As you drag that limp little boy into the grave you dug for him, he stares up at you just as emotionless.

Then, imagine being an elderly man jaded by witnessing the death of your daughter, and your only real companion is a 14-year-old you basically just met. Imagine looking down at an exact replica of what would happen if you failed again-- broken, bloody, limbs twisted at unnatural angles, lifeless glassy eyes burning a hole through you. Imagine punishing yourself by staring, not letting yourself show you care. You're doing the kid a favor, so you swallow a strange sickening feeling he's going to turn out just like you.

I'm not always the best at humanizing Rick's experiences in s1, simply because of the way they were initially intended before later contextualization. Because of this, it's been difficult for me to reframe this episode in my mind, but I think I've finally gotten somewhere.

I don't know. With 'A Rickle in Time' considered, I can't help but feel a connection. I assume seeing Morty's corpse wasn't just traumatic for Morty, and we know Rick loves to retraumatize himself as punishment.

I just don't buy that this man is the same guy who didn't feel anything with all that going down:

Killing other Ricks? Probably nothing to him. Mortys? Kids?

Sure, bro.

These motherfuckers are all about that trauma bond.

[bradleyenthusiast]

Since I’m not going to finish the Jessica master-post/essay for a good long while; I wanted to take a look at the parallels between these scenes (as well as the events before and after) and the implications they have about Brad and Jessica’s relationship.

For context’s sake, Season 1 Episode 6 starts with Morty working up the courage to ask Jessica to the Flu Season Dance, only to then be intercepted by Brad.

From an outsider’s perspective, Morty presents as a nervous, shy, and insecure younger boy without much to offer but with a lot of heart, who is being unfairly mistreated by someone who pushes him back, thinking that Morty should “stay in his place” and date on his (lower) level.

From Brad’s side of things, Morty is a random who’s hitting on his girlfriend, and not even a worthy rival at that. He explains that even he wouldn’t go so far out of his own league. Jessica stands there and smiles as Brad praises her and insults Morty, until Brad states he doesn’t hit on girls prettier than herself. She frowns, sarcastically thanks him, and he smiles, adding on that his talents lay in athletics, not prose. If she wants that, she can have that. As he leads her away, arm around her shoulders, Morty looks down, defeated.

(Tangentially, I’d also like to add there’s a common misunderstanding had with this scene that Brad and Jessica are not dating, and Morty’s potential date was “stolen” from him by Brad intervening and discouraging Morty from talking to Jessica. However, the scene ends with Brad saying, “You want good words? Date a languager.” Additionally, if that misinterpretation were the case, that would make Jessica even worse as a person.)

At the dance, Morty, armed with a love potion extracted from an annoyed Rick, smears some onto Jessica’s arm. Jessica, initially aggravated by this, quickly succumbs to its effects. Grabbing Morty close and proclaiming her love for him. Morty confesses his own love as well, just as Brad (who’s drinking) passes by and overhears him. Brad does a spit take, angrily crushes his cup, and places himself between Morty and Jessica, pushing Morty back and prepared to get physical. He asks if he’s bothering Jessica, the obvious sight of Jessica embracing Morty going unaddressed.

Jessica pushes Brad back immediately, grabbing Morty back and screaming at Brad to leave him alone, calling him a jerk and repeating her love for Morty. Brad is genuinely shocked here, looking quite sad before Jessica gets in his face, stating: “He is more man than you will ever be.” She then sneezes, infecting him.

This scene flips the main point of Brad’s earlier verbal degradation of Morty and overall emasculation back onto Brad. Brad sees himself as the superior man to Morty, as a valued athlete, boyfriend, and peer in school. The rest of the student body, as well as Jessica, has been shown to share that same opinion. So there’s supposed to be satisfaction in this scene, seeing Morty finally win, and Brad devolve into a Morty-obsessed drone, but it only spells the disastrous beginning of the end of this dimension.

Moving onto the season finale, Episode 11 has Morty clashing with Rick and Summer for throwing a party in the parents’ absence, while their guests make a mess of the house in a chaotic whirlwind that Morty takes upon himself to control. We find out that sure enough, Brad and Jessica are both in attendance (though do not arrive together), to which Rick assumes the latter will quell Morty’s anxiousness.

This proves to be a gross underestimation of Morty’s ability to annoy Rick.

With the sudden Kool-aid Man-esque appearance of the leader-combination clone Abradolf Lincler, Brad (who’s drinking and appeared to be having a conversation with Jessica while Morty lingered behind her) is bumped into while Lincler monologues at Rick. This begins a confrontation that has Lincler awkwardly trying not to sound racist, suddenly looking to Rick for help, while Brad takes the encounter very personally. He turns everything Lincler says against him, even quoting the Third Reich’s promise to reign a thousand years.

Jessica attempts to interject, pointing and demanding Brad leave him alone, but Brad yells for her to stay out of it, pointing a finger right back at her.

Jessica is extremely upset by this. To which Rick yells out, “Kick his ass, Brad!” The people surrounding join in on this chant, notably not added to by Grace S., Jessica’s friend who tried to calm her down at the dance. Lincler looks around while Brad crushes and throws down his cup, and starts the smoothest ass kicking in the show thus far.

Jessica yells at Brad again as he throws himself at Lincler, then runs out of the room. Morty expresses his outrage with Rick, but is then pushed in Jessica’s direction, claiming he did Morty a “favor”. This is the second time Rick has helped Morty meddle in Jessica’s relationship, this time for his own benefit.

Morty follows through, meeting Jessica in the front outside and apologizing for Rick’s behavior. However, this apology is ignored, Jessica instead beginning to vent her frustrations with Brad, “UGH. Brad is such a jerk. He’s always trying to prove what a man he is. I just want to find somebody nice and sweet.”

Although this could be taken as Jessica’s feelings about Brad’s behavior towards her, based on the previous scene’s context about race, the Civil War between the Lincoln-led Union against slavery in the United States and the pro-slavery Confederacy, the centuries of chattel slavery (that may have brought Brad’s ancestors to the States), and the ideology of the Third Reich of Hitler’s Nazi Germany, Jessica’s rant comes off as instead focused on Brad’s own pattern of behavior toward others.

We know that to an extent, Jessica is making a very valid point, both as a girlfriend and peer. Brad is a jerk, but not for the fight we just saw. We saw how in Episode 6 he belittled Morty, pointedly not for hitting on his girlfriend but instead for not even being worth it. Brad is justified here in context, but he took it a step too far to say that for Morty, there’s no chance in the world that he or people like him could find luck with girls like Jessica. It’s not their place.

Brad then follows up with the implication that if he were more successful or more wealthy, he’d be allowed to be with a prettier girl than Jessica. All while saying that Jessica is the prettiest, the highest caliber that he can get. At her sarcastic gratefulness, he brushes her off, and displays an unwillingness to change, like he would rather she leave him to find happiness than abandon his role in this social system.

Although, to counter this, the vulnerability Brad exposes in himself can’t be ignored. In the same breaths that he says that Morty is beneath both him and Jessica, he shows how highly in regard he holds her, how closely he follows the doctrine of high school hierarchy for her sake, and how willing he is to stand up for her and her standards. He performs his duty promptly and plays the role of a jerk jock without issue.

He’s comedically self aware and understands that although he was just saying very shallow things, he also shows how much he understands Jessica’s wants and desires, how she’s capable of knowing what she wants out of a relationship. He may say, “Date a languager (instead).” But he’s also showing that he respects that she could make that decision as a result of him.

It’s not a profound way of saying it, but Brad knows where his shortcomings as a boyfriend are and how that could effect the future. He expresses himself in ways he knows how to communicate, expressing how much he desires Jessica physically but also respects that their personalities have clashing areas.

Brad sees her as the prettiest girl in school, someone’s who on his level and respects as an equal, but also someone who might not see him as her dream guy. That’s alright. She can make that decision for herself, but for now, until that happens, he’ll be there for her regardless. Maybe not in the chivalrous way we dream, but he’s making an actual effort to show up.

We also see that when Jessica was embracing Morty, telling him she loved him and being obviously “happy”, Brad’s first decision was to push aside Morty, focusing on how he could defend Jessica from someone so far beneath their shared level, and someone he already told off for talking to her. The scene implies that he only notices when Morty talks, but the intimate posing should have been acknowledged if Brad were interested in confronting Jessica. Implying perhaps Brad is willing to put up with Jessica wandering as long as she’s still his.

When Jessica calls him a jerk here, and less of a man, it is in its most obvious context, directing vitriol at Brad that perhaps he isn’t completely used to maybe, but is aware of. He knows he isn’t perfect, he knows he’s not the poet she may want, but her saying Morty is more a man than he is specifically for Brad to swallow. That comes from actual dissatisfaction with Brad and is repeated in her later rant. It was the love potion that was able to let Jessica actually confront her issues with her relationship. It’s what shocks Brad to hear, even if he already knew it.

When Brad yells back at her at the party, Jessica’s feelings come back to the surface and come out at the most inappropriate time possible. Maybe Brad was yelling because he remembered how he felt before he was infected (alt. universe after all) or it was the same communication difficulties he had when he said he wouldn’t hit on a prettier girl.

However, people don’t owe nazis the space for debate and civil conversation, never mind the targets of the violence sewn by them. Maybe Jessica was just talking about Brad yelling at her, or she was trying to keep him from getting physically involved with someone again for the sake of his own ego, like she says is common with him. She has the right to be mad at that. Raising your voice at anyone, especially a loved one can be very damaging and even triggering.

However, Jessica centering her own feelings after a confrontation like that not only comes off as selfish, but also makes her look like a fascist sympathizer. Instead of accepting the apology, having some perspective, or saying outright what her actual problem was, Jessica redirects Morty’s genuine apology for Rick’s bad behavior and manipulation of the situation, into a complaint about her African-American boyfriend confronting a racist.

On top of this, we also know that Jessica had nothing to say when Brad was berating Morty, only speaking up when it had to with herself, her self image, her ego. But the moment that she chooses to tell off Brad, to get him to leave the situation alone, she chooses Hitler. Then chooses to position Brad as the jerk, the aggressor, and being “too sensitive”, when we know Jessica has on two occasions attacked Brad’s masculinity, when Brad’s earlier argument was centered around the emasculation of Black men by white men.

And at the end of the episode, we find Brad and Jessica right back together, to Morty’s disappointment. So, maybe everything just works out. Maybe the two see the beauty and ugliness in each other, and can’t think of any other person to love. Maybe it’s just convenience as two popular shallow kids boost each other’s popularity.

Either way, Morty should learn more about Jessica before he starts killing indiscriminately again.

[conanssummerchild]

im gonna crack a rib

when i get home

im gonna bury you

in my favourite hole

i made a bloody mess

in the kitchen sink

i tried to fix myself

but i didnt think

[akc-g]

ten years ago rick destroyed an entire dimension bc he was dicking around with dna and was forced to hop into a dimension where if morty had just handed him what he wanted in the first place they wouldve insta-died.

[apiratefellinlovewithastar]

idk if it’s been said before but now that we know about where Prime came from I understand why C-137 never gave a fuck about the Cronenberged Dimension

[fandomwe1rd0]

That must be so confusing for a little boy...

[graybluejay]

I have a theory about the ‘Rick Potion #9” (Cronenberg) episode.

In the episode, Rick fucked up and made everyone (except Morty’s blood related families) into Cronenbergs, so Rick and Morty eventually had to dimension hop into another universe were he fixed it back to normal.

But what if he did that on purpose? I mean, our Rick is the smartest Rick (excluding Prime). The other version of him found the cure, why couldn’t he? What if he did that because that universe was Prime’s original universe? Like as a small revenge???

[rickandmortyscreenshots]

[yahoo201027]

Day in Fandom History: January 27…

A potion that would get Jessica to fall head over heels for Morty goes awry when flu season plays a role and infects everyone, so Rick has to come to clean up Morty’s mess, only to make things even worse potion after potion. “Rick Potion No. 9″ premiered on this day, 10 Years Ago.