#richard lyon

[undergroundrockpress]

Atomic Rooster / Death Walks Behind You - 1970. Photo by Richard Lyon.

[letterboxd-loggd]

Secret Command (1944) A. Edward Sutherland

May 18th 2023

[vertigoartgore]

Christian Goussale's cover for the French Fantastic Four album "S.O.S Atlantis" (Les 4 Fantastiques N°34, 1984).

[marimayscarlett]

Walk to the B-stage 👋🏻🤝🏻 // Lyon, 15.06.2024 // source: Rammsteinfanpage

[notafraidofredyellowandblue]

Richard's solo at Ausländer, Lyon 2024-06-15 from IG lifad_ukraine original video by renauldolvr

In his own zone ❤️🖤

[endlich-allein]

"Marseille, tu as été magnifique! We’ll be back in France in a couple of days, who will join us in Lyon?" © Jens Koch @ rammsteinofficial

[citizenscreen]

Richard Burton and Sue Lyon during production of John Huston’s THE NIGHT OF THE IGUANA (1964)

[newyorkthegoldenage]

Longshoreman unloading a barge, 1936.

Photo: Richard A. Lyon via Christie's

[screenshotingmonstercinema]

[dare-g]

The Night of the Iguana (1964)

[randomrichards]

THE BIKERIDERS:

Kathy tells her tale

Decade with biker gang

Love for a member

[simadelics]

London, 1894

Kenneth

    My lovely wife could have lit and thrown a stick of dynamite at the podium and caused less destruction than she did with only her voice. As far as I could piece together between incessant apologies, Constance Clancy told her about Gresbrooke’s role in my campaign, not thinking anything of it, and Emmeline regarded it to be such a horrible betrayal that she took out the carriage and stormed in during Gresbrooke’s speech to loudly — so, so loudly — disavow him and his “corruption and rot.” Gresbrooke has only said one thing to me on the matter since: “Leash that woman, or I will.” It is my unenviable position to be the man in charge of the leashing.

    Truthfully, I am terribly cross with her at this moment, but I must repress it for the time being. It is a result of my own weakness — Dr. Lyon confirmed precisely what I suspected, which is that Emmeline is not in full possession of herself and cannot control her actions nor be held as responsible for them. As long as she is in this state, she is not Emmeline, Dr. Lyon says, but some wounded animal with all of her fears and pains and rages but none of the self-awareness and love that makes her my Emmeline. While I may be feeling humiliated and, frankly, emasculated by her, I must remind myself that — once she is out of this dreadful state — she will feel all that I am feeling double-fold.

    I tried to have a talk with her in our chambers, and she screamed at me like a wild animal. Dr. Lyon tells me I should not feel like any less of a man or husband for it, but I am not equipped to “heal” her as I would like to. I was a touch too disoriented to recognize where he was attempting to direct the conversation, so when he told me what course of action he would recommend as a doctor, I was shocked, befuddled, and dismayed all at once. I told him I was most ardently against the notion of sending my well-bred, highly intelligent wife to a sanitarium like some sort of madwoman. He asked me if I was willing to risk her life over my own ego, but I told him it was not a matter of ego at all — polite society never forgives nor forgets, surely, but it can, to a degree, sympathize with the husband of a lunatic. We have not forgotten our Brontës so soon. Dr. Lyon knows me well, however: he said that that was not the sort of ego he meant to suggest, but the one that declared that I would not be any husband at all to her if I could not resolve her nervous condition through my own care. It is true: the idea of any other man being able to do for her what I cannot is almost too awful to bear, but Dr. Lyon reminded me of our boys, and dear little Isabelle — my responsibility is to them first and foremost…a sentiment Emmeline would share if she was in any state of mind to.

    He promised that there are ones made for women like her, and we decided on one some distance away due to its quality. My wife will receive only the best possible care our great nation has to provide.

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[lobbycards]

Night of the Iguana, Italian lobby card (Fotobusta). 1964

[rwpohl]

pendulum, george schaefer 1969

[notafraidofredyellowandblue]

Drummer and his guitarists (don't want Pussy to end)

from IG aurena_photography , Lyon 2024-06-15

Schneider and the guitarists get together for the end of Pussy 🥰

[endlich-allein]

Only 7 days left and we are thrilled to see you again! For anyone who still doesn’t have a ticket yet: this is your final chance to get one at rammstein.com/tickets

See you in Prague or in any other city!

Photos: Jens Koch & Matthias Matthies & Frédéric Batier & Olaf Heine

@ rammsteinofficial