#ricardo tisci

[vellaroque]

Burberry Spring 2023 RTW

[ndylaurent]

Ricardo Tisci Givenchy Madonna bag 2011

[shakira-fan-page]

Designer Riccardo Tisci wishes Shakira a happy belated birthday on his Ig stories. (Feb 5, 2024)

[imayarose]

Nike x Ricardo Tisci

[noconcessions]

[lenaretrash]

lenaretrash B2B Dj PUPPYLUV

[ztilbortz]

[fractaaal]

[brendymelville]

[arianakozlova]

Givenchy ss10

[junipo]

[gabriel-argenis]

Givenchy por Ricardo Tisci, ss 2010, fotografía de Monica Feudi

https://www.vogue.com/fashion-shows/spring-2010-menswear/givenchy/slideshow/collection#27

[shakira-fan-page]

Shakira via Instagram Stories. (Aug 1, 2023)

[givenchycore]

Givenchy Spring ‘12 RTW

[seriallover]

Artists and their muses in fashion💋

For a relationship between an artist and their muse to truly thrive, there typically needs to be a connection between the luminaries, nodes or Venus.

Happy Venus and Purva Ashadha Moon Day!🩷

1. Hubert de Givenchy & Audrey Hepburn

2. Jean Paul Gaultier & Madonna

3. Jean-Louis Dumas & Jane Birkin

4. John Galliano & Foxy Brown

5. Jeremy Scott & Devon Aoki

6. Karl Lagerfeld & Lily-Rose Depp & Cara Delevigne

7. Ricardo Tisci & Kim Kardashian & Irina Shayk

8. Alexander McQueen & Annabelle Neilson & Kate Moss

9. Law Roach & Zendaya

[secondsofpleasure]

Judith and Holofernes, 2012, by Kehinde Wiley (North Caroline Museum of Art, Raleigh: Purchased with funds from Mr. and Mrs. Gordon Hanes in honor of Dr. Emily Farnham, by exchange, with funds from Peggy Guggenheim, by exchange, and from the North Carolina State Art Society (Robert F. Phifer Bequest), 2012.6)

Best known for his monumental portraits of young Black men placed in historical poses and settings appropriated from Old Master paintings, Kehinde Wiley has consistently critiqued the racism of art history, while also commenting on contemporary street culture and identity.

Judith and Holofernes is from Wiley's first series of paintings to feature female subjects. Like his other works, this painting references a specific artwork, in this case Judith and the Head of Holofernes, painted in the seventeenth century by Giovanni Baglione. Wiley translates this image of a courageous, formidable woman into a contemporary version that addresses notions of inequality, power, oppression, and racial violence.

Wiley takes obvious artistic license with the story. Holofernes is represented by a woman's head, and Judith is a twenty-first-century Black woman wearing a gown designed by Ricardo Tisci of Givenchy, who collaborated with Wiley on this series. Wiley's telling of the story of Judith can be interpreted on many levels, including as commentary on racial and gender identity and inequity. It might also be read as commentary on society's ideals for beauty.

In his words, "I am painting women in order to come to terms with the depictions of gender within the context of art history. One has to broaden the conversation."