#rhane sinclair

[ffverr]

Each issue of classic NM that I read makes me even more obsessed

[kaixcastiel27]

[trickarrows-bishop]

MASTERLIST !!!!

MY CARRD

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loui || they/he || uk || isfp no gender label !!! || lesbian multifandom blog

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all incorrect quotes!!!

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MY REACTIONS

me watching fear street!!! part one part two part three

me watching the owl house !!!! (im still watching, no spoilers pls !!!)

me watching nimona !!!

me watching the babysitters club !!!

me watching the new mutants !!!

[solarsleepless]

okay first of all.

found heaven is a song for rhane sinclair idc

CHOKE.

[mugichin]

Are wolves found of licking balls or is Hickman trying to say something about Rhane?

Also: that’s probably what us french people call a Crime de Lèche-Majesté.

New Mutants (2019) #7 (Hickman, Reis, Lanham)

[comicbooktradingcards]

Fleer Ultra X-Men - Series 3 (2018)

#35 Wolfsbane

[komickrazi]

Wolfsbane - X-Factor

Wolfsbane is a mutant  with the ability to transform herself into a wolf at will; while this ability is lycanthropy, it is not magical in nature, but a complex biological function involving the mutant X-gene. Photos taken at SDCC 2013

[kurtty-drabbles]

Excalibur au (part 3)

N/A: Kurt is time to be a better person and reconize the abuse and get health copy mechanism.

@djinmer4 @dannybagpipesarecalling @sailorstar9 @discordsworld @look-ma-no-hands336

The mission in London take the time Kitty expected and for once, in her entire career in Excalibur, that is a good surprise, the mission lasted 3 months. All the while, catching the bad people, in this particular case, a mafia of old wizards and during the time…Kitty questioned herself about Kurt Wagner.

“Kitty, is ok, is ok to feel this and you shouldn´t feel ashamed to talk about this with me” Meggan once told her in a kind fashion “ you miss Kurt, don´t you?”

 “Very much,” Kitty responds and then her compact communicator, Excalibur is a bit paranoid with communication and safety and Kitty is always happy to offer alternative solutions. It was Kurt calling Kitty, and Meggan does not appear bitter as Kitty is talking with the elf.

 “Katzchen? I want to talk with you….I want to apologize for what I did, with you, Meggan and Brian…I…don´t want you to be upset with me” Kitty didn´t show her emotions easily, at least, not now.

 “Yeah, well, don´t apologize to me, apologise to Meggan” the blonde woman is not showing a friendly face, yet, the feeling is not toward Kitty, Kurt on the device continues. “I know, I know …I realize I was acting just like them…just like Amanda”

 Meggan weird out the name. Yet, Kitty knows who it is and she shows some sympathize. A soft smile graced her lips as Kitty let the elf speak (she isn´t denying the claim, Meggan noticed, and she can conclude this Amanda is a bad person)

 “I´m reflection on my life and I really don´t want to be like Amanda or Margalia, this is a plight I can´t ignore, but, if I continue on this route means losing you…then I must do something” Kurt confessed and Kitty has a soft expression, yet, she´s still firm.

 “Nice words Kurt, but, is not only me who need to know you won´t be …an Amanda, but we´re also coming back, me, Meggan, Rachel and Brian and…can you behave?” she didn´t like how she asked, yet, she needs to know…the last thing she needs is to see Kurt pinning over Meggan or some random woman.

 She´s Kitty Pryde and will have pride no matter what.

 “When Brian and Meggan arrives, I´ll apologise with them and try to make up for that…incident” Kurt promised not knowing Meggan is there and is judging his words, not seeing his face(no need in this case) and detected no fault play…yet.

“Well, it will be a long way to go…Brian and Meggan don´t have the best image of you, and…I want to have the best image of you, elf, so, please…be a more mature person in the future, elf” she said with a firm tone and Kurt nods promising he will, and then Kitty starts to talk about the mission.

 “We get help from the MI-13, a man named Pete Wisdom help us…it helps a lot” Kitty explained and give the details, Meggan then leaves the room and never once Kurt ever asked if Meggan was near. Suddenly the blonde wonders about something Brian said. Sometimes, man can be stupid in regards to their own feeling.

 Yea, Brian you´re really the one to talk.

  Kurt´s legs are better and Rogue is there to fill the role of the best sister in the world and give tips to what to do, either to clean the room, something Rhane needs help too or how to respect boundaries, something Doug is really good at it.

 Excalibur arrives at the familiar lighting house and Kurt arrives with his legs healed and a shy smile on his face. Kitty wants to hug him, but first, she needs to know if his talk was genuine. Will he try to do anything with Meggan?

 Brian and Meggan are looking at Kurt as if daring him to do anything. The elf is many, many things, but a coward is not. “Brian and Meggan…I want to apologize for what I did” Meggan is not detecting any lie or ill feeling coming from him, yet, mere words don´t hold the same power as actions. “I know I did something horrible, in fact, I was unwell for while…I´ll spare from details, but, let´s just say…I lied when I said my family didn´t traumatize…it did and only now I realize I´m being just like Amanda” his golden eyes are glittering and Brian and Meggan know he´s not lying. “I´m sorry and I promise that type of behaviour won´t happen again…I´m a hero, not an Amanda”

 “You want a second chance?” Meggan asked breaking the silence. “Brian?” she looks at the blonde man for a moment.

 “Then don´t ruin your second chance, Kurt Wagner, you can´t save the others if you´re still under peril, I´d know nothing about the Szardos, but, I know they have a bad fame” Meggan as a Roma did give some details about the Szardos and nothing is pleasant to hear “ whatever they did, I think you´re better than this” Brian shake Kurt´s hand a gesture to solidify the second chance(Meggan nods for Brian as if the situation would only happen if she´s ok with that) “but don´t test us again, Wagner” Brian squeeze the hand a little hard. Meggan smile a little.

 Kitty smiles and now she can hug the elf. Rachel is ready to ignore the elf as usual. Kurt can say that as much Brian´s strength (and Meggan´s) are something to bummer anyone´s day, but having Kitty Pryde smiling at you again is worth.

 Rachel goes to talk with Rogue, Rhane and Doug and the two teens confirmed two things, they want to be members of Excalibur and Kurt was on his best behaviour.

  Kurt´s way to redeem himself was to get more mission as Meggan and Brian get more time to be alone, a gesture appreciated by the couple, as they want to talk about the future. Kitty Pryde is with him and the man can be grateful as the most boring or a strange mission gets better when she´s around.

 One day, as Kurt and Kitty are back from a mission. Someone is knocking on the door, something new as usual people just materialized inside the lighting house. It was a British man from MI-13, that is Pete Wisdom and somehow Kurt Wagner does not like the man.

 Pete is wearing a white, which by the way, is completely kneaded and a cigar in his mouth, normally, Kurt wouldn´t care about someone´s outfit, but, something in this man profoundly annoys Kurt Wagner.

 Pete goes to kitty, of all people, and speak in a more calm tone letting his accent roll (is that for real? Kurt never forced his accent) and is taking Kitty´s hand, much to Kurt´s dismay, and kissed, and really, whom this man think he is?

 “Kitty, I told we would see each other again, the MI-13 sent me here, and turns out one of the criminals we arrested escape and moved here, so, Kitty I need your help” Pete speaks ignoring Rachel and Meggan and focusing on Kitty.

 And Kurt notices how she´s blushing as well he noticed how his knuckles are turning white by how much he was squeezing. Kurt Wagner really does not like this Pete Wisdom.

[minutia-r]

Rhane Sinclair but her dialogue is like Scottish Twitter

[houseoftwelve]

Rhane Sinclair, Wolvesbane, from the New Mutants, is done with my shit. Comics! #comicart #cheesedoodle #newmutants #marvel #wolvesbane #adobefresco (at Hoboken, New Jersey) https://www.instagram.com/p/B5KPleUA0he/?igshid=p737t8p2uwhv

[duhragonball]

duvete replied to your post “Chuck Austen Update”

I'd like to see those four Marvel characters claiming to be biblical Satan to have a cage match. The winner gets to be declared Satan and the other three are his sidekicks. The true history of DBZ's Mr. Satan.

Now that I think about it, I might have underestimated the number of Satans in the Marvel Universe.  

I was basing my count on the story from Defenders #100, where the Defenders had to fight Satan, the father of the horror-themed superhero Son of Satan.   J.M. Dematteis did some pretty interesting stuff in his Defenders run, though he seemed somewhat obsessed with trying to "fix” Satan continuity by establishing that Son of Satan’s dad and all the other would-be Satans were aspects of the same guy.   He later had this character explain that he wasn’t the biblical Satan at all, but the embodiment of human evil.   This was kind of handy, since it allowed Dematteis to use the character without being hamstrung by any particular religious orthodoxy.  

Anyway, in Defenders #100, “Satan” teamed up with Mephisto, the devil from Silver Surfer, Thog, the devil from Man-Thing, and Satannish, the devil from Doctor Strange.  Not included were Belasco, the devil from Uncanny X-Men, and whoever gave Ghost Rider his super powers. 

I’ve never cared much for stories with these guys, because every writer acts like they’re the first person to try to use Satan in their story as some ultimate villain, when it’s actually the biggest cliche in fantasy lit.  Also, the writers can never decide between putting their own personal stamp on the devil, or trying to strive for authenticity. 

The other thing I don’t like is that all the demonology stuff is hard to square with the other fantasy concepts in superhero stories.   When I read New Mutants, the writers always played up how Rhane Sinclair was convinced her mutant power made her a demon, because she was raised by a hardcore fundamentalist priest.   The other characters insisted that she was being superstitious about something that was totally natural, except her teammate, Illiyana Rasputin, really did have demonic powers, and her mutant abilities threatened to corrupt her soul with each use.   They couldn’t even keep it consistent in a single series, let alone the whole line. 

With Austen’s Azazel character, I think the idea was to suggest that all the demons and angels were actually ancient, immortal mutants, and Azazel was banished to a hell-like dimension after losing a dispute with the “angels.”   It’s a somewhat interesting idea, except they already did it with Apocalypse in the 1990′s.    Pocky wasn’t an exact replica of Satan, but he was often tied into other myths and legends involving great catastrophe.  Are we supposed to believe the “angel” mutants banished Nightcrawler’s dad for meddling in human affairs, but they left Apocalypse alone? 

It also sucks all the wonder out of Azazel and his crew.  If Nightcrawler’s half-demon, it’s kind of a big deal, since he’s a devout Catholic, and it forces him to take a hard look at his humanity.    But if Azazel’s just another mutant, then he’s no different from any other mutant bad guy with kids.  Kurt already had an X-Men villain for a parent-- Mystique-- so giving him a second one was utterly pointless.   Then again, if Austen had embraced Azazel as a genuine demon, Nightcrawler would have just been rehashing themes from the Son of Satan comics.   It’s a no-win scenario, just like having Juggernaut and She-Hulk sleep together. 

I read the “She Lies With Angels” story arc, and that one managed to be even worse somehow.   I thought it might get into the deal with Archangel’s healing powers, but instead it just... I don’t know what it did.    I was on Part 3 of 5 and realized that not a whole lot had actually happened.    I had heard the characters quoted Romeo and Juliet word for word, but I never actually spotted this, although Austen was probably adapting dialogue from the play.   Using the Guthries as a family locked in a bitter feud kind of ticked me off.   It’s like Austen realized he needed to do something with Husk and all he knew about Kentucky was the Hatfields and McCoys, and he decided that concept wasn’t sexy enough. 

I’m hoping that’s the worst of it.   I still have to read Uncanny X-Men #442 and 443, and his ten-issue run on Adjectiveless X-Men, and then I’m done with Chuck Austen for good.  I guess I could track down his other work, but I just remembered I have a stomach ache...

[ffverr]

Am I the only one getting a huge vibe from catseye and wolfsbane?!

[kaixcastiel27]

[trickarrows-bishop]

i miss rahne sinclair from new mutants..... save me rahne sinclair

RHANE SINCLAIR <333 MY BELOVED <333

[aion-rsa]

The New Mutants and Its Nightmare on Elm Street Influences

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This article contains mild The New Mutants spoilers.

The New Mutants is an odd duck. The writing was on the wall back in 2017 when 20th Century Fox first pushed the film off its original 2018 release window. Apparently the delay was the result of the studio wanting to make it more of a horror movie via  reshoots… reshoots that then never happened.

Even so, those horror elements are still on bonkers display in Josh Boone’s final cut of the film, now available on  Blu-ray and VOD. Even without knowing Boone was vocal that the  Nightmare on Elm Street movies were cornerstone influences, it’s clear his mutant mayhem wants to live on the same block.

To be sure, these aspects are more muted than they should be, which is the result of the film’s biggest problem: tonal inconsistency. New Mutants veers wildly between young adult drama, youthful hijinks, and a nigh ‘80s slasher sensibility where very few characters actually get slashed. If reshoots had actually upped the horror quotient, this could fit nicely as a continuation of the Elm Street Kids’ travails. But even in its bizarre current form, there is something there to appreciate, particularly for fans of Nightmare on Elm Street 3: Dream Warriors.

Nearly 40 years after Robert Englund first growled his way through a Freddy Krueger movie, many fans still think of the first Wes Craven-directed A Nightmare on Elm Street when they look back on that series. But for horror fans of a certain age, 1987’s Dream Warriors was the only Nightmare on Elm Street movie that mattered. It’s the one where Heather Langenkamp’s Nancy Thompson returned, and a gang of street-wise ‘80s teen movie archetypes found themselves locked in a mental hospital with Freddy picking them off one pun at a time. And as these victims found ways to fight back in their nightmares, they became the “Dream Warriors,” just as their film turned into a superhero movie with a body count.

The high concept of a monster fighting the Breakfast Club inside of Nurse Ratched’s hospital is still incredibly appealing today. And it’s emulated from top to bottom in The New Mutants. Not that Boone and his stars have exactly been coy about this fact; Dream Warriors has been name dropped by the filmmakers ever since the first trailer introduced us to the movie’s versions of Rhane Sinclair (Maisie Williams), Illyana Rasputin (Anya Taylor-Joy), Sam Guthrie (Charlie Heaton), Roberto da Costa (Henry Zaga), and Danielle Moonstar (Blu Hunt).

Even way back in 2017, Boone told Collider that Dream Warriors was one of New Mutants’ big influences. “I do love Dream Warriors,” Boone said at the time. “I loved the first [movie] as well, but this is very much a rubber reality horror movie for the first about 75% of the movie and then it becomes something else.” 

And unlike many X-Men adjacent films, the characters from early New Mutants comics are more or less recognizable in their live-action forms here. Nevertheless, how they’re introduced is pure Dream Warriors.

After a dubious opening sequence in which Hunt’s Dani Moonstar survives a “tornado,” the young girl is committed to an isolated sanitarium along with other teenage mutants. Their chaperone Dr. Reyes (Alice Braga) swears they’re being groomed by an unseen benefactor who we’re led to believe is Charles Xavier… but her evasiveness about the details suggests something more sinister.

All the while, each of the kids is plagued by nightmares, both when they’re asleep and awake. And the waking terrors are of their worst fears come to life. So, yes, this is basically a Freddy movie without Freddy. That in itself could be viewed as damning, both to horror fanatics who want more thrills and superhero fans who like their popcorn buttered the same way every time, but even with its (many) foibles, there is charm in New Mutants’ rough edges. Here is a movie decidedly not a product of the all-too-familiar blockbuster assembly line.

For instance, Boone takes his Dream Warriors aesthetic and runs with it via multiple visual references and plotting echoes, all of which feel unnatural for its superpowered fantasy. In one early scene, a  character briefly entertains suicide while standing atop a menacing Gothic tower, not unlike how Freddy forced Phillip (Bradley Gregg) to throw himself from one in Dream Warriors, earning the label of “suicide” by other characters; in a more overt fashion, New Mutants’ Roberto sits in a wheelchair in another scene, just like the one Will (Ira Heiden) used in Dream Warriors; and the character is later seduced into a watery illusion by a dream girl who is not what she seems, a la Joey’s haphazard “wet dream,” as Freddy coins it, in the direct Dream Warriors sequel, A Nightmare on Elm Street 4: The Dream Master (1988).

All of these knowing nudges from Boone and his co-screenwriter Knate Lee are there for Freddy’s Children to catch. Yet they can also both improve and hinder New Mutants. In the plus column, they feel unusual and original for a movie about comic book characters; on the other side of the ledger, few of these “scares” actually go far enough to be frightening. Thus the movie feels strangely unfinished, even after spending years on a shelf. In fact, there are several scene transitions where you know something is missing from pickups that were never filmed.

And yet, that low-fi messy quality may add to its rough hewn, uneven charm for a certain set. Like all of the Nightmare on Elm Street movies, this isn’t high art. But the fact it goes for these horror moments with complete sincerity is kind of refreshing. Like Dream Warriors, New Mutants and its cast take their plight seriously, probably too much so. But after a decade of most superhero movies relying on a smug self-deprecation—a persistent invisible smirk at the camera which promises we know it’s nonsense—New Mutants’ emotional earnestness will appeal to a smaller cult audience.

In this vein, the strongest aspect of the film is likely any scene involving Williams’ Rahne and Hunt’s Dani. The former has the benefit of being played by the lone actor to nail her thick accent, as well as the rich horror trope of being a hard-believing Catholic. Like many a teenager from a religious home, Rahne fears Hell, which Bone and Lee’s screenplay embrace in the thematic sense with Rahne also being a glorified werewolf who fears her “evil” mutation.

In the more literal sense, Rahne also struggles with her attraction to Dani. It’s  a romance that doesn’t feel tacked on by a studio note or an afterthought for social media; like Boone’s earlier work, it’s presented as a sincere puppy love story. But even that has echoes in the Nightmare on Elm Street saga, with the second film, Freddy’s Revenge (1985) attempting to tell a subtextual gay love story–one full of shame and literal self-mutilation where the main character transforms into Freddy when he’s attracted to his buddy.

New Mutants does this element better by removing the “sub” in “subtext,” and the shame. Rather it commits to a sweet romance just as earnestly as it commits to a sequence where Rahne’s dead priest returns to haunt her with a demonic voice that sounds a lot like Freddy’s warble. Yet this, too, mirrors a locker room attack in Freddy’s Revenge. 

Despite the tonal dissonance between these two elements both aspects embrace the LGBTQ+ undertones in X-Men comics better than most actual X-Men comics, and in their own way are reminiscent of how goofy ‘80s slasher movies could become comforting outlets for marginalized groups.

Read more

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New Mutants: A Horror Version of The Breakfast Club

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That New Mutants tackles these delicate aspects as brazenly (or some might say as tastelessly) as those ‘80s slashers is kind of wild. It also ensures that New Mutants will eventually find an audience. Perhaps not the audience who superhero movies are so methodically engineered for in the 21st century, nor in the mainstream commercial audience Fox almost quaintly thought this approach would appeal to. It certainly isn’t critics with the movie’s ungainly, batshit tendencies.

But as with Dream Warriors before it, here’s a film in which young people use superpowers to fight the man and topple authority while seeing each other in a way they, nor any superhero movie, has before. It gives this bloody mess teeth… and claws.

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The post The New Mutants and Its Nightmare on Elm Street Influences appeared first on Den of Geek.

from Den of Geek https://ift.tt/3kIJXUP

[mugichin]

Waking up in a beautiful place, with all her friends around and no Reverend Craig anywhere. Yep, I can see why she believes herself in heaven. After all the shit she’s gone through, she deserves that bit of happiness. 

But it would be nice if her lover and their son were there too. I hope the question of non-mutant family will be raised at some point.

New Mutants (2019] #1 (Brisson, Hickman, Reis, Lanham)