#reverb manila

[plzfeedmebread]

Revenant - Prologue

word count: 940

Pairing: Colonel Miles Quaritch x Female! Wife! Reader Warnings/Tags: None

Chapter Summary: You are called in by your Handler to discuss something important.

[Masterlist] - [Next Chapter]

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Year 2144.

You fidget nervously with the frayed ends of your black dress. Though the mission was a success, and the target eliminated with no casualties, things did not happen as smoothly as they could have. There is no doubt in your mind this will come up in the report. And so close to reviews too.

Fuck.

Never has riding the elevator to the 47th floor felt longer. You let out a frustrated sigh, leaning your forehead against the cool glass. It does little to sooth you. You focus on the expansive vista of the city. Well deep into the night, the city still thrums with life. A sea of neon lights disappears into the horizon. Smog wafts its way through the tops of buildings, laying itself thickly upon the air. The city disappears as the elevator breaches the clouds.

You push yourself from the glass, facing the doors just as the elevator comes to a stop with a resonant ding.

Your face is neutral and your gait confident as you step forth, making your way through the lobby. Miss Halliday, the concierge, stands ready at the front desk.

“Agent Bloodthorn. A pleasure as always.” Her smile brings you a measure of comfort, sweet honeyed voice a balm to your nerves.

“Ophelia, good evening. Busy tonight?” You make light conversation, as you always do. You hand her the blood coin.

“No busier than usual mam.” She opens her mouth to speak further, but pauses, bringing her hand up to her ear. “Ah. The Handler will see you now. Suite 3 if you please.”

You give her a short nod and set a brisk pace to the suite in question. The sounds of your heels as you walk down the marbled hallway reverb far too loudly for your liking. All too quickly do you stand before the deep mahogany door. Your hand reaches for the golden handle and you enter with one fluid motion. There is no need to knock when you are expected.

Soft gold paints itself along the walls and furnishings from the lit fireplace. The floor to ceiling window at the end brings in the natural silver light of the moon. Your Handler stands at the window, hands clasped behind his back, gazing down at the city below; it would be beautiful on a cloudless night.

“Agent! A resounding success tonight my dear!” He turns to you, arms spread in congratulatory fashion.

“T-thank you, Handler!” Your body stiffens involuntarily at the praise, and you nervously pick at your ruined garment.

“Come now, [Y/N]; even after all these years, you’re still at it with the formalities with me. I’ve known you for nearly a decade and a half now child; I practically raised you!” He laughs heartily as he teases you.

“Sorry James, force of habit, haha…”

He invites you to sit in front of him; a singular leather chair awaits you. As you sit, so too does he, a large wooden desk separating you two. Fluidly he retrieves two crystal classes, a bottle of dark liquid you’re sure you won’t like. He pours you half what he pours himself, wordlessly placing the drink closer to you.

You nod in thanks, taking the glass in hand. With practiced movement, you gently swirl the liquid, giving it an experimental sniff. Where you take a small sip, James downs the contents in one gulp. You let out a small cough and return to the glass to the desk.

“On to business then.” He pulls out several manila folders. “Despite what you might think, the reason we called you in Agent, isn’t to discuss your mission tonight.” You sit up straight when he says this, leaning forward as you watch him unwind one folder.

“A new contract came in while you were out. And as far as I’m concerned, you’ll want to be a part of this.”

He places the open folder in front of you. Your eyes skim over the words. Avatar Program. Pandora.  

“This is…”

“Correct. Word through the network is your brother Tom’s been scouted by Grace Augustine herself. Should start his training next year.”

You had heard as much. Sweet Tom spoke animatedly about Grace and her work. He was so excited to start training, and even more excited to put his PhDs to work on the alien world.

“As it were, you won’t be needing any physical training. With your natural prowess, we believe you will be able to master piloting your avatar in no time; gain experience on the go as it were.”

“M-my own avatar? You’re giving me one of these?? Don’t they cost, billions, to make?!” You can’t help raising your voice, but you saw the numbers as you skimmed the file. Those were a lot of zeroes.

James smirks at you with a shake of the head.

“Leave the financial worrying to me Agent; that’s not your job.”

You let out a defeated sigh, but acquiesce nonetheless. You read further. The file goes on about the local clan of natives, the Omatikaya. It covers the basics of their governing structure, touching lightly on the culture. It speaks of the relationship formed by Grace, but also their inherent distrust of the RDA.

James places another folder in front of you. There is a polaroid; two blurry figures, one circled in red. You can at least make out that they are natives, both men, presumably.

“Your mission agent, is to eliminate this man.” He taps an index finger on the circled figure.

“Who is that?” You tilt your head as you try to make out the features of the man.

“That my dear, is Eytukan; the Clan Leader.”

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[theculturedmarxist]

In Costa Rica and Latvia today, the Atlantic Council is hosting its 360/OS Summit at RightsCon Costa Rica and NATO’s Riga StratCom. Among other things, the influential think tank will be previewing its “Task Force for a Trustworthy Future Web” report, which they hope will “lay the groundwork for stronger cross-sectoral ideation and action” and “facilitate collaboration now between the expanding community dedicated to understanding and protecting trust and safety.”

In human terms, conference attendees are discussing how best to stay on-brand by presenting the Censorship-Industrial Complex as a human rights initiative, and as #TwitterFiles documents show, they have the juice to pull it off.

EngageMedia (which I co-founded and was the long-time Executive Director) co-organized RightsCon in Manila in 2015, and I personally oversaw a lot of the preparations. That looks like a big mistake. I now believe RightsCon represents everything that has gone wrong in the digital rights field. Specifically, it represents the capture of a once-vibrant movement by corporate and government interests, and a broader shift towards anti-liberal and authoritarian solutions to online challenges. I left EngageMedia on good terms, but now have no formal relationship.

In honor of this week’s RightsCon and 360/OS Summit, we dug into the #TwitterFiles to revisit the integration of the Atlantic Council’s anti-disinformation arm, the Digital Forensic Research Labs (DFRLab), while also highlighting its relationship with weapons manufacturers, Big Oil, Big Tech, and others who fund the NATO-aligned think tank.

The Atlantic Council is unique among “non-governmental” organizations thanks to its lavish support from governments and the energy, finance, and weapons sectors. It’s been a key player in the development of the “anti-disinformation” sector from the beginning. It wasn’t an accident when its DFRLab was chosen in 2018 to help Facebook “monitor for misinformation and foreign interference,” after the platform came under intense congressional scrutiny as a supposed unwitting participant in a Russian influence campaign. Press uniformly described DFRLab as an independent actor that would merely “improve security,” and it was left to media watchdog FAIR to point out that the Council was and is “dead center in what former President Obama’s deputy national security advisor Ben Rhodes called ‘the blob.’”

What’s “the blob”? FAIR described it as “Washington’s bipartisan foreign-policy consensus,” but thanks to the Twitter Files, we can give a more comprehensive portrait. In the runup to the 360/OS event in that same year, 2018, Graham Brookie of the Atlantic Council boasted to Twitter executives that the attendees would include the crème de la crème of international influence, people he explained resided at the “no-kidding decision-maker level”:

Similar correspondence to and from DFRLab and Twitter outlined early efforts to bring together as partners groups that traditionally served as watchdogs of one another. Perhaps more even than the World Economic Forum meetings at Davos or gatherings of the Aspen Institute in the US, the Atlantic Council 360/OS confabs are as expansive a portrait of the Censorship-Industrial Complex as we’ve found collected in one place.

In October 2018, DFRLab was instrumental in helping Facebook identify accounts for what became known as “the purge,” a first set of deletions of sites accused of “coordinated inauthentic behavior.” Facebook in its announcement of these removals said it was taking steps against accounts created to “stir up political debate,” and the October 2018 “purge” indeed included the likes of Punk Rock Libertarians, Cop Block, and Right Wing News, among others. Even the progressive Reverb Press, founded by a relatively mainstream progressive named James Reader, found his site zapped after years of pouring thousands of dollars a month into Facebook marketing tools. “That’s what sticks in my craw. We tried to do everything they suggested,” Reader said then. “But now, everything I worked for all those years is dead.”

In the years since, DFRLab has become the central coordination node in the Censorship Industrial Complex as well as a key protagonist in the Election Integrity Partnership and the Virality Project. Its high-profile role at RightsCon, the biggest civil society digital rights event on the calendar, should concern human rights and free expression activists. 

According to their London 2019 event “360/OS brings together journalists, activists, innovators, and leaders from around the world as part of our grassroots digital solidarity movement fighting for objective truth as a foundation of democracy.” Their Digital Sherlocks program aims to “identify, expose, and explain disinformation.” But DRFLabs are more Inspector Gadget (or double agents) than Sherlock Holmes. The Twitter Files reveal DFRLab labeled as “disinformation” content that often turned out to be correct, that they participated in disinformation campaigns and the suppression of “true” information, and that they lead the coordination of a host of actors who do the same.

Twitter Files #17 showed how DFRLab sent Twitter more than 40,000 names of alleged BJP (India’s ruling nationalist party) accounts that they suggested be taken down. DFRLab said it suspected these were “paid employees or possibly volunteers.” However as Racket’s Matt Taibbi noted, “the list was full of ordinary Americans, many with no connection to India and no clue about Indian politics.” Twitter recognized there was little illegitimate about them, resulting in DFRLab pulling the project and cutting ties with the researcher.

Twitter Files #19 further revealed DFRLab was a core partner in the Election Integrity Partnership (EIP), which “came together in June of 2020 at the encouragement of the U.S. Department of Homeland Security’s Cybersecurity and Infrastructure Security Agency, or CISA” in order to “fill the gaps legally” that government couldn’t. As a result, there are serious questions as to whether the EIP violated the US First Amendment.

DFRLab was also a core partner on the Virality Project, which pushed its seven Big Tech partners to censor “stories of true vaccine side-effects.” The Stanford Internet Observatory, which led the project, is now being sued by the New Civil Liberties Alliance for its censorship of “online support groups catering to those injured by Covid vaccines.” Debate as to the frequency of serious adverse events is ongoing, however. The German health minister put it at 1 in 10,000, while others claim it is higher. 

The Virality Project sought to suppress any public safety signals at all. The Stanford Internet Observatory is also at the moment reportedly resisting a House Judiciary Committee subpoena into its activities.

TwitterFiles #20 revealed some of the Digital Forensic Lab’s 2018 360/0S events, which brought together military leaders, human rights organizations, the Huffington Post, Facebook and Twitter, Edelman (the world’s biggest PR firm), the head of the Munich Security Conference, the head of the World Economic Forum (Borge Brende) a former President, Prime Minister and CIA head, intel front BellingCat and future Nobel Peace Prize winner Maria Ressa, all to combat “disinformation.” We can now reveal more.

Introducing the Atlantic Council

The Atlantic Council is a NATO-aligned think tank established in 1961. Its board of directors and advisory board are a Who’s Who of corporate, intelligence and military power, including: 

James Clapper – former Director of National Intelligence whose tenure included overseeing the NSA during the time of the Snowden leaks. Asked whether intelligence officials collect data on Americans Clapper responded “No, sir,” and, “Not wittingly.” Clapper also coordinated intelligence community activity through the early stages of Russiagate, and his office authored a key January 2017 report concluding that Russians interfered in 2016 to help Donald Trump. Clapper has been a 360/OS attendee.

Stephen Hadley, United States National Security Advisor from 2005 to 2009 (also a 360/OS attendee)

Henry Kissinger, former US Secretary of State who oversaw the carpet bombing of Vietnam, among other crimes against humanity

Pfizer CEO Anthony Bourla

Stephen A. Schwarzman, Chairman, CEO, and Co-Founder, The Blackstone Group

Meta’s President for Global Affairs, Nick Clegg

Richard Edelman, CEO of the world’s largest PR firm (and 360/OS attendee) 

The Rt. Hon. Lord Robertson of Port Ellen, Former Secretary General of NATO

Ambassador Robert B. Zoellick, Former President of the World Bank

Leon Panetta, former US Secretary of Defense & CIA Director. Panetta oversaw the US’s massive growth in drone strikes.

John F. W. Rogers. Goldman Sachs Secretary of the Board

Chuck Hagel, chairman of the Council, sits on the board of Chevron and is also a former US Secretary of Defence.

The Atlantic Council raised $70 million in 2022, $25 million of which came from corporate interests. Among the biggest donors were: the US Departments of Defense State, Goldman Sachs, the Rockefeller Foundation, Craigslist founder Craig Newmark, Google, Crescent Petroleum, Chevron, Lockheed Martin, General Atomics, Meta, Blackstone, Apple, BP, eBay founder Pierre Omidyar, Raytheon, ExxonMobil, Shell, Twitter, and many more. Ukraine’s scandal-ridden energy company, Burisma, whose links to Hunter Biden were suppressed by the August 2020 table-top exercise coordinated by the Aspen Institute, also made a contribution. You can view the full 2022 “honor roll” by clicking here.

The Atlantic Council is the Establishment, though many suffer from the delusion that in putting on a “Digital Sherlock” cape, they’re somehow with the rebel alliance. The opposite is true. The Atlantic Council and DFRLab don’t hide their militarist affiliations. This week’s OS/360 event at RightsCon Costa Rica runs together with a 360/OS at NATO’s Riga StratCom Dialogue, which DFRLab note they have “worked closely with” “since 2016.” 

The Birth of the Digital Forensic Research Lab

DFRLab was founded in 2016, and has been a major catalyst in expanding the “anti-disinformation” industry. Among non-governmental entities, perhaps only the Aspen Institute comes close to matching the scope, scale and funding power of DFRLab. DFRLab claims to chart “the evolution of disinformation and other online and technological harms, especially as they relate to the DFRLab’s leadership role in establishing shared definitions, frameworks, and mitigation practices.”

Almost $7 million of the Atlantic Council’s $61 million spent last year went to the DRFLabs, according to their 2022 annual financial report. Through its fellowship program, it has incubated leading figures in the “disinformation” field. Richard Stengel, the first director of the Global Engagement Center (GEC), was a fellow. GEC is an interagency group “within” the State Department (also a funder of the Atlantic Council), whose initial partners included the FBI, DHS, NSA, CIA, DARPA, Special Operations Command (SOCOM), and others. GEC is now a major funder of DFRLab and a frequent partner:

In this video, Stengel says, “I’m not against propaganda. Every country does it, they have to do it to their own population, and I don’t think it’s that awful.”

Stengel was true to his word, and apart from DFRLab, the GEC funded the Global Disinformation Index, which set out to demonetize conservative media outlets it claimed were “disinformation.” (See 37. in the censorship list) He thought the now-disgraced Hamilton68 was “fantastic.” In total, GEC funded 39 organizations in 2017. Despite Freedom of Information requests, only 3 have been made public to date. Roughly $78 million of GEC’s initial $100 million budget outlay for fiscal year 2017 came from the Pentagon, though the budgetary burden has shifted more toward the State Department in the years since.

The Global Engagement Center was established in the last year of Barack Obama’s presidency, via a combination of an executive order and a bipartisan congressional appropriation, led by Ohio Republican Rob Portman and Connecticut Democrat Chris Murphy. The GEC was and remains virtually unknown, but reporting in the Twitter Files and by outlets like the Washington Examiner have revealed it to be a significant financial and logistical supporter of “anti-disinformation” causes.

Though tasked by Obama with countering “foreign state and non-state propaganda and disinformation efforts aimed at undermining United States national security interests,” its money has repeatedly worked its way back in the direction of policing domestic content, with Gabe Kaminsky’s Examiner reports on the GDI providing the most graphic example. 

GEC frequently sent lists of “disinformation agents to Twitter.” Yoel Roth, former head of Trust and Safety referred to one list as a “total crock.” Roth is now a member of DFRLab’s Task Force for a Trustworthy Future Web. Let’s hope he brings more trust than Stengel. You can read more on GEC’s funding here.

Other DFRLab luminaries include Simon Clark, Chairman of the Center for Countering Digital Hate (a UK “anti-disinformation” outfit that aggressively deplatforms dissidents), Ben Nimmo (previously a NATO press officer, then of Graphika (EIP and the Virality Project partners) and now Facebook’s Global Threat Intelligence Lead), and Eliot Higgins of Bellingcat. Bellingcat has an ominous reputation, which it’s earned in numerous ways, including its funding by the National Endowment for Democracy (see Glenn Greenwald’s recent report and Aaron Maté’s here). Most recently, Bellingcat assisted in the arrest of the 21-year-old Pentagon leaker, further speeding up the abandonment of the Pentagon Papers Principal where the media protected, rather than persecuted, leakers. Bellingcat was part of 360/OS backroom meetings with former intel chiefs, the head of Davos and the Munich security conference among many others, as we will see soon.

As noted in the introduction, DFRLab itself has made several wrong calls on “disinformation.” In one report they highlighted “outright false narratives,” which focused mainly on the notion that Covid was an engineered bioweapon, but lumped in the “unverified” claim Covid was the “result of a lab accident.” A lab accident is now the preferred hypothesis of the US Department of Energy, the FBI, and many others. To the DFRLab it was “disinformation” and a “conspiracy theory.”

The Election Integrity Partnership and the Virality Project 

DFRLab were core partners on two of the most influential “anti-disinformation” initiatives of recent times.

The Virality Project built on the EIP and had partnerships with Twitter, Facebook, Instagram, Youtube, Google, TikTok and more to combat vaccine “misinformation.” Stanford and DFRLab partnered with the University of Washington’s Center for an Informed Public, Graphika, NYU Tandon School of Engineering and Center for Social Media and Politics, and the National Congress on Citizenship. Through a shared Jira ticketing system they connected these Big Tech platforms together, with Graphika using sophisticated AI to surveil the online conversation at scale in order to catch “misinformation” troublemakers.

VP went far beyond any kind of misinformation remit, most infamously recommending to their Big Tech partners that they consider “true stories of vaccine side effects” as “standard misinformation on your platform.”

A Virality Project partner called the Algorithmic Transparency Initiative (a project of the National Congress on Citizenship) went further. Their Junkipedia initiative sought to address “problematic content” via the “automated collection of data” from “closed messaging apps,” and by building a Stasi-like “civic listening corps,” which in recent years has taken on a truly sinister-sounding mission. The current incarnation might as well be called “SnitchCorps,” as “volunteers have an opportunity to join a guided monitoring shift to actively participate in monitoring topics that disrupt communities”:

Garret Graff, who oversaw the Aspen Hunter Biden table-top exercise, was chairman of that same National Congress on Citizenship when they collaborated on the Virality Project. Both EIP and VP were led by Renee DiResta of the Stanford Internet Observatory, a former CIA fellow who engineered the now disgraced New Knowledge initiative, which developed fake Russian bots to discredit a 2016 Alabama senate race candidate, as acknowledged by the Washington Post. You can read Racket’s previous work on the Virality Project here.

DFRLab are the elite of the “anti-disinformation” elite. They work closely with a wide range of actors who have participated in actual disinformation initiatives. Here they’re invited to an elite Twitter group set up by Nick Pickles of “anti-disinformation” luminaries First Draft, also participants in the Hunter Biden laptop tabletop, and the Alliance for Security Democracy, part of the RussiaGate Hamilton68 disinformation operation.

360/OS 

The 360/OS event marries this tarnished record with the financial, political, military, NGO, academic and intelligence elite. Some of this is visible through publicly available materials. Twitter Files however reveal the behind the scenes, including closed door, off-the-record meetings. 

“I’ve just arrived in Kyiv” Brookie notes in 2017, as he seeks to line up a meeting with Public Policy Director Nick Pickles as they discuss Twitter providing a USD $150K contribution to OS/360 (seemingly secured), and to garner high level Twitter participation. 

Pickles is visiting DC and Brookie suggests he also meet with the GEC and former FBI agent Clint Watts of Hamilton 68 renown. “Happy to make those connections,” he chimes.

360/OS events are elite and expensive — $1 million according to Brookie — so closer collaboration with Twitter, especially in the form of funding, is a high priority.

Twitter offers $150,000:

When Brookie mentions the attendees at the “no-kidding decision maker level” he isn’t kidding. Parallel to the 360/OS public program is the much more important off-the-record meeting of “decision makers ranging from the C-Suite to the Situation Room.” Here, he is explicit about a convening of military and financial power. Vanguard 25 is presented as a way to “create a discreet and honest way to close the information gap on challenges like disinformation between key decision makers from government, tech, and media.”

The document boasts of its high-level participants:

More are revealed in email exchanges, including Madeleine Albright and the head of the WEF:

They go on to list a bizarre mishmash of media leaders, intelligence officials, and current or former heads of state:

It appears Germany’s Angela Merkel was out of reach in the end, but many of the others attended this behind the scenes meeting on “disinformation.” Who are they?

Matthias Dopfner – CEO and 22% owner of German media empire Axel Springer SE, the biggest media publishing firm in Europe 

Borge Brende – head of the World Economic Forum and former Norwegian foreign minister

Toomas Hendrick Ilves – former President of Estonia who co-chairs the World Economic Forum’s Global Futures Council on Blockchain Technology. Hendrick is also a fellow at the Freeman Spogli Institute for International Studies (where the Stanford Internet Observatory is housed) and is on the advisory council of the Alliance for Securing Democracy, of Hamilton 68 renown.

Chris Sacca – billionaire venture capitalist

Mounir Mahjoubi – previously Digital Manager for President Macron’s presidential campaign, and former Chairman of the French Digital Council

Reid Hoffman – billionaire and Linkedin co-founder

Ev Williams – Former CEO of Twitter and on the Twitter board at the time

Kara Swisher – New York Times opinion writer, who founded Vox Media Recode

Wolfgang Ischinger - Head of the Munich Security Conference

Aleksander Kwasniewski – Former President of Poland. Led Poland into NATO and the EU.

Richard Edelman – CEO of the largest PR company in the world

Elliot Shrage – previously Vice-President of Public Policy at Facebook (DFRLab had election integrity projects with Facebook)

Lydia Polgreen – Huffington Post Editor in Chief

Jim Clapper – former US Director of National Intelligence

Maria Ressa – co-founder of Rappler and soon to be winner of the Nobel Peace Prize 

JK Rowling was also invited to give an award, though appears she didn’t make it in the end:

Why would such a group all gather specifically around the question of “disinformation”? Is disinformation truly at such a level that it requires bringing together the world’s most popular author with military and intelligence leaders, the world’s biggest PR company, journalists, billionaires, Big Tech and more? Or is this work to build the case that there is a disinformation crisis, to then justify the creation of a massive infrastructure for censorship? A glimpse of the agenda offers clues:

Here the head of the most important military and intelligence conference in the world (Munich) sits down in a closed door meeting with a former Secretary of State and the Executive Vice-Chair of the Atlantic Council.

Which is followed by a closed door session with the Editor-in Chief of the now-defunct Huffington Post and peace-maker Maria Ressa who presented to the same group of military, intelligence, corporate and other elites. Is the role of a journalist and Nobel laureate to work behind closed doors with militarists and billionaires, or to hold them to account?

At 2022’s OS/360 at RightsCon Ressa conducted a softball interview on disinformation with current US Secretary of State Anthony Blinken. In testimony last April 2023, former CIA deputy director Michael Morrell stated that Blinken “set in motion the events that led to the issuance of the public statement” by more than 50 former intelligence officials that the Hunter Biden laptop had “all the classic earmarks of a Russia information operation.” 

The Twitter Files also revealed that in August 2020 the Aspen Institute organized a table-top exercise to practice how best to respond to a “hack and leak” of a Hunter Biden laptop. The laptop only came to light however two months later. In attendance was First Draft (now the Information Futures Lab), the New York Times, Washington Post, Rolling Stone, CNN, Yahoo! News, Facebook, Twitter and more. Here, DFRLab head Graham Brookie speaks with the Aspen Institute’s Garret Graff, who coordinated the Hunter Biden tabletop exercise.

After it turned out the Hunter Biden laptop was real, and the disinformation operation was more appropriately described as having been led by the likes of Blinken and the Aspen Institute. The appropriate response is apparently for RightsCon, DFRLab, Blinken and Ressa to put on a nice forum to promote these figures as “anti-disinformation” leaders.

Former DFRLab fellow and intel front Bellingcat founder Eliot Higgins is also invited to the closed door sessions with a former head of the CIA, a former Prime Minister and a President. How do you keep power accountable when you are in the same cozy club? This theme runs throughout. Bellingcat is featured heavily at the public sessions also:

Higgins has a unique way of expressing himself online, given the DFRLab emphasis on striking out against divisiveness:

Would this pass RightsCon’s code of conduct? If not, he appears to be good enough for DFRLab to promote.

On the public side, we see Amnesty International participating to further collapse the distinction between those who are meant to hold power to account, and the powerful themselves. The Iraq war gave us embedded journalists, and the “anti-disinformation” field gives us embedded digital rights activists. 

The Department of Homeland Security’s Chris Krebs also joined the closed door session. Krebs was Co-Chair of the Aspen Institute’s Commission on Information Disorder. Other members included Prince Harry, the Virality Project’s Alex Stamos (Stanford Internet Observatory) and Kate Starbird (University of Washington and previous 360/OS participant), Katie Couric, and more. Craig Newmark attended as an observer.

Meanwhile Renee DiResta, former CIA fellow and Stanford Internet Observatory Research Director, presented with the former Prime Minister of Sweden. This was years before she would launch the Virality Project, and take on the bugbear of “true stories of vaccine side effects.”

The President of the Atlantic Council participated in an “off-the-record, “ behind closed doors conversation on “trust” with the CEO of the world’s biggest PR firm, Edelman.

“Public relations” and “trust” may well be opposites, and trust is being destroyed not by the disinformation street crime that these groups claim to target, but by the disinformation corporate crime protected by, or in some cases created by these same people. Disinformation is real, but its biggest purveyors are governments and powerful corporate interests.

DFRLab and RightsCon show just how far the capture of civil society by elite interests has come. Again, I made a mistake helping to co-organize RightsCon in 2015. The jumping in bed with the government and Big Tech was arguably there in 2015, though to a much lesser degree. It now partners with militarists in the form of the Atlantic Council and is an enabler of the “disinformation” grift that is so deeply impacting freedom of speech and expression.

The air-gaps that should separate civil society, media, military, billionaires, intelligence and government have collapsed, and many of these actors have formed a new alliance to advance their shared interests. If weapons manufacturers funding human rights is considered legitimate then where is the red line? Effectively, there is none.

This collapse however has also been pushed by funders, who have been proactive in asking NGOs to collaborate more with Big Tech and government - something I successfully resisted for my almost 18 years at EngageMedia, critically RightsCon was the only time I let my guard down.

The RightsCon sponsor matrix wouldn’t be out of place at NASCAR:

This is the equivalent of hosting a Climate Change conference sponsored by Shell, BP, Chevron, and ExxonMobil. How do you keep power accountable when Big Tech pays your wage? The “let’s all work together” approach has failed. The weakest partner, civil society, got captured and we lost. Many more lost their way and have acquiesced to and often enabled much of the new censorship regime.

A renewed and much more independent digital rights movement, with a strong commitment to freedom of expression, is well overdue.

Note: A previous version of this article mistook Blackstone for Blackwater. This has been corrected.

[filipinodreampopbands]

Filipino Dream-pop and Shoegaze Bands in the Dark

Dream-pop and Shoegaze are subgenres of alternative rock, internationally, the pioneers are from UK; Cocteau Twins and Slowdive. Their music is known for their synth sounds and reverberated guitars which makes their music sound so dreamy, melancholic, and to some it is even described as "nostalgic". It is a very powerful new genre that captivates people in the music scenes these days.

It is often said that these genres are an acquired taste, these genres are like the black coffees in the field of music. It will sound like jazz but heavier with fuzzes and reverb almost like drowning you in them and yet the audience feel so alive. The pioneers in these genres in the Philippines are Megumi Acorda (Dream-pop) 2018, Cinema Lumiere (Dream-pop) 2020, Bedtime Television (Dream-pop) 2018, Ozzga (Shoegaze) 2018, Polar Lows (Shoegaze) 2019, & Eggboy (Shoegaze) 1998. These bands bloom underground up until now but these bands deserve more ears to swarm into. It is about time that their music gets heard on concert grounds.

If you want to witness the strange effect of these new genres, places to visit and support are: Mows (Quezon City), Saguijo (Makati), 70's & Bistro (Quezon City). Currently, there are a lot of young collectives keeping the scene alive like 'The Flying Lugaw', 'United Cassettes' and 'Genjitsu Stargazing Society'. From my experience, traveling from Naga to Manila to listen to their music was all worth it, you would get shocked at how friendly the musicians are and how good they are at performing. When I heard Megumi Acorda play their songs, despite the music being melancholic, the crowd was swaying in sync and you would feel so heavy and good at the same time just listening.The songs they composed are mastered and produced by either themselves or these young collectives which makes it even more amazing; such talents should be hit with spotlight.

Here are my top 5 Dream-pop and Shoegaze favorites:

If They Come // Megumi Acorda Dreamcatcher // Cinéma Lumière Shiver // Ozzga Never Stayed Too Long // Polar Lows Ouija Bored // Bedtime Television

All these songs are available on Spotify and BandCamp.

Blaze

[daggerzine]

Eyedress – Let's Skip to the Wedding (Lex)

Let's Skip to the Wedding is the first album that Idris Vicuña has released as Eyedress since relocating from Manila to Los Angeles. But the undeniable charm that brimmed over on his 2018 album Sensitive G is present here as well. The production still has that lo-fi quality favored by many modern bedroom pop artists with a sound like something recorded to a boombox, the freshness, intimacy and immediacy of the recording more than making up for something that sounds more professionally produced. The jangle-y guitar, the minimal keyboard melodies, the thin but well articulated bass lines and vocals like something recorded using the reverb of a bathroom make these songs resonate surprisingly strong with the album's main thematic arc. It examines the subject of a serious romance and the personal pitfalls and obstacles to making and keeping that connection and sustaining that relationship beyond the honeymoon phase, literally and figuratively, to create something both people want long term. Musically it rides the line between pop and post-punk. “I Don't Wanna Be Your Friend” is reminiscent of Blank Dogs and Crystal Stilts in it's fragile sense of menace. At other times one can't help but draw comparison to the music of Black Marble and inverting the appeal of nostalgia as memories can seem to both color the past in positive emotional hues as well as bring past trauma to the forefront of your mind. In fact there is the song “Trauma” that expresses that state of mind you can get to where you feel like you need to flee from any situation where your emotions can be scarred and what is supposed to be a pleasant experience can be ruined by self-sabotage.

Eyedress brings the listener through one's dark places of insecurity back to a focus on a love that lifts you out of the accumulated low points and commands your attention where it belongs. It is a gentle reminder of proper priorities in one's emotional existence. Later in the album the music still features the same lo-fi production as at the beginning but the mood and style of the songs is more R&B and psychedelic funk and its languid tones and pace drift the mind past the ghosts that haunt it to a place of emotional and spiritual bliss that is the state that being in love long term is supposed to take you. In this cynical era that could be dismissed as corny and unrealistic but this album hearkens back to 80s R&B and a deep sincerity about the nature of love that could be easily dismissed as vapid but Vicuña manages to work those gnarled kinks of the psyche out and lulls us into an unmistakable sense of hope that this love thing is actually going to work out.   www.eyedress.bandcamp.com    TOM MURPHY

[suburbanbehemoth]

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[goodfindsbymike]

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[noiseartists]

JANUARY 2021 Noise Artists' playlist

And in No particular order:

From ZEUG, a Metalgaze band from Berlin, that we had in a previous playlist, comes an amazing music video:

On the 9th of July zeug packed up their gear and for two days moved into Wasserspeicher – a vast water reservoir built in the middle of the 19th century in the heart of Berlin. It was here where their upcoming EP 'Grounded' was recorded – without any additional production effects, the stone cavern (32 meters in diameter and 8 meters high ceiling) captured a natural reverb decay of 5 seconds.

For the 'Duende' film each participant of the crew was given almost limitless freedom of expression, with the band acting as musical mediators, creating a sonic foundations for the performers. Therefore, what started as just the second zeug's EP release, merged into a complex synthetic piece of art.

As its core ideals zeug praise freedom of expression and the power of improvisation. Throughout this process, time and space took over and became the main influencers, which solidified the music pieces. By allowing the acoustics of Wasserspeicher play a significant role in the sound and treating the space as an instrument in itself - amplifying the collossal sound of zeug - (much to the delight of the local Prenzlauer Berg residents) zeug unintentionally set the architectural and historical context free to shape the music itself.

The image is superb and the dancers and musician’s perfomance is first class.

EMPEROR OF ICE CREAM, a four band members, now based in Cork, Waterford (Ireland), New York and Amsterdam, have worked on adding the finishing touches to the album remotely during the Covid Pandemic, while also inviting fans to be a part of the new video for ‘Everyone Looks So Fine’ by sending clips of themselves for inclusion. The track is released on FIFA Records with the album due to follow later.

CINEMA LUMIERE are Pop music alchemists from Manila, Philippines. This is their latest song. Beautiful Dream Pop.

The 4 members of PULSE PARK first met some time ago on an arctic expedition in Qikiqtaaluk/Canada and started learning their instruments during the long polar nights.

These were ukuleles that they had traded dry fruits for at the Inuit. After introducing a breeding program for bowhead whales the band decided to sing about this experience. Songs about the cold, the dark, cod-liver oil and dinky arctic hares. This is excellent indie music.

Choux (US-CAN) is an indie dream pop duo led by lead vocalist Lizzie Carolan based in Montreal, and multi-instrumentalist Jordan Gatesmith based in Minneapolis. They are best known for their lush soundscapes and ethereal melodies that carry listeners to another dimension. If you love Cocteau Twins you will enjoy this very much. Really good album.

GRAYWAVE are a Dreampop band from the UK. they released ‘Like Heaven’ in December. It is a very good song, reminiscent of some of the best Shoegaze sounds. Judge by yourself.

A beautiful ballad, that is not without reminding of the CRANES (and an other of my favourite bands, the SIGH) from KALI MA AND THE GARLANDS OF ARMS, from Pensylvania (USA).

STACKING PENNIES is from Denver, USA. They just released an eerie atomspheric LP, from which this is extracted.

GHOST FROG are a space rock band from Portland (USA). They play heavy psychedelic stoner rock that combines doomy riffs with punk energy, while also evoking themes derived from sci-fi/ horror film and literature as well as all things paranormal. Really nice sound and collection of songs.

LONELY ME, from RIO in Brazil are doing Lo-fi Shoegaze with a fuzzy sound. Interesting DIY sound.

[dustedmagazine]

Mason Jones remembers High Rise

Mason Jones with Nanjo circa 1996

Sometime around 1990 a friend who was a DJ on KPFA made me a tape of a band familiar to me only through a couple of songs on the Dead Tech compilation LP: High Rise. I'd heard far more about them at the time than by them, since both of their LPs were hopelessly out of print and in any case only a handful of copies ever made it out of their home country of Japan. The tape included both albums plus a few extra tracks, and if I hadn't known something about the band I would have figured he'd messed up the transfer since everything was so blown-out. I'd later learn that bassist/singer Nanjo Asahito was infamous for his mastering approach, which could be summed up as: make everything as loud as possible and compress the hell out of it. 

High Rise is a difficult band to describe, because on paper it might not be anything special. They're a standard rock trio of guitar, bass, and drums, playing a heavy blend of psychedelic and biker rock. Take the early Nuggets-type fuzz rock, add MC5-style aggression, Ramones attitude, and you're getting there, except there are so many missing ingredients. Narita's guitar playing is like the most out-there wah-freak, free-form, chaotic lead guitar you've ever heard, times ten. Nanjo's muscular bass lines drive the songs forward during even the most anarchic moments, and his vocals, shadowy and reverbed, blend like another instrument. If there's a part of the band that's more prosaic it's the drums, perhaps partly due to the band's constantly-changing drummer slot, and partly due to the mixes, which often bury the drums. 

At the time I hadn't yet come across the legendary Rallizes, aka Les Rallizes Denudes, aka Hadaka no Rallizes, perhaps the ur-psych band of Japan. Formed in the late 60s, their approach to free-form rock, with a murky sensibility and anarchic guitar, influenced scores of later bands, including High Rise. But High Rise took that inspiration and focused it through a motorcycle-punk filter that perfectly balanced that anarchy with control — the guitar may go insane, but it's controlled insanity. 

The first time I toured Japan, in the early 1990s, we visited Modern Music, the Tokyo store run by PSF Records owner Hideo Ikeezumi. I was amazed to find a copy of the first High Rise LP, but not having a spare $300 on me I sadly wasn't able to bring it home. The following year PSF reissued the band's second album on CD, but that first one has yet to be properly reissued, though a couple of bootlegs (or at least questionable releases) exist. 

A couple of years later I organized a show for Angel'in Heavy Syrup (a terrific psych band from Osaka) in Berkeley, and after sound check a Japanese fellow dressed in all-black, wearing sunglasses inside the club, came up to me and a friend. He had a mini-disc player with him, and handed me some headphones, saying "Listen!" I couldn't help but do so, and I heard some really good blown-out rock not unlike High Rise. I nodded, and said "Great", but that's about all the communication we managed at the time. I didn't know it at the time, but that was Nanjo Asahito.  

Shortly thereafter I was back in Tokyo playing some shows again, and we were at La Mama, a club in Shibuya. A friend and I walked down the street to grab an iced coffee from one of Tokyo's omnipresent vending machines, and on the way back a very excited Nanjo — again in black with his shades on at night — waylaid us. Nanjo handed me a large manila envelope, and said "You release!" My meagre Japanese was worse than his English, but I opened the envelope and figured out that it had a master DAT tape and artwork for a CD by a band called Mainliner. That also happened to be the name of a song on High Rise's album Dispersion. Nanjo apparently wanted me to release the CD on my label, Charnel Music.  

I nodded and said "Maybe I can release it", but Nanjo just smiled and said something like "You will", confident that I'd like it. Once I got home and listened to it I understood why he was so sure, since it was amazing stuff, but that was also very like Nanjo. I learned later that he considered the band to be the second version of High Rise, one that could tour since High Rise's guitarist Narita had a day job that didn't allow him much time off. The guitarist of Mainliner was an incredible maniac named Makoto Kawabata, whose own band Acid Mothers Temple released a CD the next year on PSF Records, completing the circle.  

Mainliner came and toured the U.S. after the release of Mellow Out, and again in 1997 after Mainliner Sonic. Then in 1998 Nanjo came back to play some shows under other band names — he had a way back then of creating "bands" almost on the fly, based on a vague concept. In San Francisco he enlisted me and the drummer of my band at the time (SubArachnoid Space) for a recording session and live show. The names Mystic Sensorium and Ohkami no Jikan were used for this visit and the follow-up in 1999.  

Shortly thereafter I was talking with another friend who mentioned "the cool releases with Nanjo". Surprise! I hadn't known that Nanjo released recordings from our shows on CDR via his own La Musica label, but I shouldn't have been surprised. He was well-known for recording and releasing almost everything, and not bothering to ask anyone for permission. It was just assumed, I think, that anything might show up somewhere at some point. But it did take me a little while to track down copies of the releases!  

It wasn't long after that, though, that Nanjo essentially vanished. After 2001 he moved away from Tokyo, and disappeared from the scene for unknown reasons (at least I never heard why). Word is he may have re-emerged recently, and we can hope so. There was a time when Nanjo Asahito was essentially creating his own scene through sheer energy, with dozens of releases a year of phenomenal psychedelic music ranging from distorto-rock to gorgeous ritualistic atmospheres. We'd all be better off with him at work again. 

I hope the long-overdue reissue this year of High Rise II on Black Editions will reach a new audience, and drill the eardrums of appreciative listeners. Perhaps a proper edition of the band's first album will follow, and who knows, other Nanjo work that deserves a wider audience as well. Hint, hint.  

 Mason Jones

[onestowatch]

No Rome Enlists Indie All-Stars beabadoobee and Jay Som For the Dynamic “Hurry Home”

Filipino musician Guendoline Rome Viray Gomez began writing songs at a young age under the moniker isayhiyousay. Gomez, who now performs as No Rome, self-released a series of EPs which soon caught the eye of UK tastemaker Jamie Oborne. Cue No Rome subsequently signing with Oborne’s Dirty Hit label, joining the ranks of artists like Rina Sawayama, The 1975, and The Japanese House.

Following a notable collaboration with alternative R&B savant Dijon, the Manila-born, London-based artist has enlisted the help of Jay Som and labelmate beabadoobee for his new single, “Hurry Home.”

“Hurry Home” is a stripped-down ode to complicated relationships. Lush with heavily reverbed vocals and eccentric alt-pop instrumentals, the track continues No Rome’s impressive streak of hard-hitting singles. Gomez sings the chorus and produced the track with the help of The 1975’s George Daniel. beabadoobee starts off the song with her trademark subdued lilt, singing “We don’t talk too much / I need constant touch / Maybe something’s wrong.”

The highlight of this stellar collaboration comes in the form of Jay Som’s contribution in the second verse. Adorned with triumphant trumpet fanfare intricately laid over an acoustic guitar and quiet wind chimes, Som’s contribution is wrapped in an all-too familiar air of wistfulness and nostalgia.

With its nearly hushed, emotive vocal delivery, “Hurry Home” paints a vivid picture of a late-night voicemail, the kind you leave after you’ve had one too many drinks and wind up thinking about what could have been.

Listen to “Hurry Home” below:

[mayolo]

“Reverb”

Little gif doodle for today! And hey if you live in Manila, PH, my friend has an arts and music festival event this friday! DLSU Green Giant fm’s: Reverb ^o^ I will be selling stickers there, I hope you can come! <3

[cisco-fics-4-all]

Not What You Expected

I started this story during season 2, and here we are, right after season 3, and I’m STILL UPDATING IT! Not sure if that means I’m lazy, or this is a ridiculously long ass story, but either way, here's a new chapter for you everybody! Enjoy!

“Miss Warren,” Jay Garrick addressed her respectfully, as though she weren’t someone who didn’t belong in this universe, using a name that belonged to a dead woman, “I think you and I have a few things to discuss.”

Amy stared at him for a moment, contemplating whether this seemingly upstanding hero of a man was worth the conversation, or if she were better off blasting her way away from him, and cutting her losses. I had seemed logical at the time, contacting the CCPD for any information they had on Zoom and his henchmen, after all whatever information they did have would be far more organised and detailed than whatever she could cobble together from the internet. But impersonating a dead woman was a tricky thing, and even with her Felicity Smoak degree in hacking, stealing her doppelganger’s identity had proved to be a pointless endeavour the moment she saw CSI Barry Allen, and he had recognised her.

One hour previous…

Barry Allen prided himself on his record keeping. His filing cabinets were the most well organised in the entire precinct, if there was something that needed to be found, he was the one who would find it. It came with the territory of being a CSI, finding things was his job, from crime scene, to lab, to court room, he could dig through the clutter and find the important information. Barry’s pride in his work had recently been bossted ten fold, when the infamous Hero of Central City, The Crimson Comet himself, Jay Garrick had entrusted him specifically to find information for him. The task was a simple one, dig up all he could on a woman named Amy Warren, and report all he found to Garrick to aid in his hero work. Investigating people was literally his day job, Barry could do it in his sleep, but this search was rapidly turning into a rabbit hole of peculiarity, and Barry was beginning to wonder if he should continue with it.

His initial search for the name ‘Amy Warren’ had been a bust, nobody by that name was living in Central City, or any of it’s surrounding cities for that matter. There were several residents with the sername Warren, and a handful of women named Amy, but none of them matched both criteria, so he switched tactics. Amy was a short name, short names were often nicknames, used in place of their longer tongue twisting counterparts, so Barry began to fliter his search by names that could possibly be shortened to Amy for some reason or another. That got him a total of seven results, three were women names Amelia, two of which had relocated to other cities by now, two more were women named Amaya, which he admitted was a bit of a stretch so he discounted them soon after weeding them out. The last two were almost instantly discounted as well, as both of the were dead, but Barry noticed something about the very last listing, that gave him pause.

Amaryllis Warren had died the night of the Star Labs incident, her body was found near that of a male near her age, a colleague of hers by the name Francisco Ramon. The picture that came up with her obituary was from her Highschool graduation, but her death was not the first occasion to land her in the papers. A scientific achievement award had been given to her in college, she’d earned it as part of a team project for something or another, Barry hadn’t bothered to read too much into the article, it was the picture that he had been interested in. Four smiling young students in white lab coats, the two in the middle holding a trophy together, Amaryllis on the left, and Francisco Ramon on the right. The image was old, and his face was far more easy going than what the CCPD had on file for him, but Barry saw him and realized instantly, the man holding the trophy beside Amaryllis, was Reverb. That single piece of information alone, set Barry’s investigative senses tingling, but as he dug deeper, he realized that Amarylis Warren wasn’t as dead as she appeared to be on paper. Following the legal trail of Francisco Ramon’s lawsuit against Star Labs, he was able to find a current address, a posh penthouse apartment, paid for with Star Labs money, merely a few blocks away in the Central City Palisades.

Deeper and deeper down the rabbit hold Barry went, too caught up in the absurdity of what he was finding to bother contacting his superiors for a search warrant, he hacked into the building’s security feed right there in his office. The current feed didn’t provide him with much, just a view of passers by, and a few interior hallways with little foot traffic in them. But due to advances in technology, and changes in laws that Barry remembered, he knew that apartment complexes like the Palisades, stored their security camera footage for a minimum of one year, and so that was where Barry dug next. Days of footage sped across his screen, sparse glimpses of residents coming and going flickering like blips in the tape. Then suddenly, the images he was looking for were there, two people, one following the other entering the lobby of the building. The one in front, Barry recognized as Reverb, and after squinting for a moment, Barry’s mouth dropped open in utter surprise, as he recognized the features of the woman with him from her graduation photo,  Amaryllis Warren.

By now, she had been dead for years, the coronor’s report listed her as being dead on scene, electrocuted to the point of cardiac failure, her funeral was part of a memorial service held by Star Labs after the incident...but there she was, living, walking, and willingly following one of Central City’s most wanted meta criminals into his apartment building. It wasn’t possible, it was ludicrous, it was like a story out of a television show unfolding in real life, like some absurd murder mystery dinner theater. How was she alive? How did she so thoroughly fake her own death? And why had she done it, only to be so careless by being caught on camera?  Barry could already guess why Reverb hadn’t bothered with hiding his face, he had a reputation for being cocky, he had likely walked in and out of that apartment building a thousand times, maybe even looked for the cameras just to make a statement of his dominance as a meta. But Amaryllis Warren, she was a ghost, she didn’t exist anymore, why show herself now?

Jay’s words resurfaced in his mind, he’d said she might have information that could help him fight Zoom. The pieces started falling into place quite clearly then, Barry watched her follow Reverb into the building, her head turning to take in her surroundings, she was a double agent. Barry compiled the report using all his professional preciseness, doing his best te keep it devoid of personal opinion or bias, even going so far as to print it out on his personal office letterhead. He was nearly twitching with excitement as he straightened the papers, and tucked them away in a manila envelope, a proud smile on his face as he grabbed his jacket and briefcase, ready to set out and meet with The Crimson Comet. He exited his office with a skip in his step, greeting two officers enthusiastically as he made his way down the stairs. But halfway down, his gaze was lifted by the sound of the elevator’s doors sliding open, and his briefcase nearly dropped from his hand as he recognized the woman who exited it with hesitant steps. Amaryllis Warren was here.

“Ma’am,” a passing officer approached her curiously, “is there something you need help with?”

Barry didn’t even bother trying to remember the officer’s name, his long gangly legs were already running him down the stairs towards her. “I’ve got it!” he cried, stumbling to a halt beside the confused officer and her, “woo, excuse me officer, I’ll take care of this woman, she’s here to see me.” He smiled, hoping his story was believable, even as Amaryllis’ eyes went wide when she saw him.

“Oh, my apologies Barry,” the officer apologized, “I’ll leave you to it then.”

Barry thanked them politely, before turning back to Amaryllis with wide eyes of his own. “Miss Warren,” he greeted her, extending his hand to her eagerly, “it’s a pleasure to meet you, our uh...mutual acquaintance, Mr. Garrick, he told me about you – or um, rather he mentioned you, and had me...look into you,” he shook his head realizing that sounded less than welcoming, “the point is, I’m happy to help you in any way I can, I am at your service.”

Amaryllis stared at him as though he’d grown a second head. The hand he’d extended to her was left un-shaken, her eyes flitting over his face as her face went pale, ironically she was the one who looked like she’d seen a ghost. “Barry?” she spoke his name in a near whisper, her hand finally slowly reaching out to take his, “Barry Allen?”

Barry nodded, slightly confused by her odd behavior, “Yes ma’am, CSI Barry Allen, at your service,” he shook her hand and smiled, “has uh...Mr. Garrick mentioned me?” he asked her hopefully, a little thrill of excitement at the idea of Jay Garrick speaking highly of him.

Amaryllis frowned at him. “Mr. Garrick?” she asked, the hesitation her body language held when she first disembarked the elevator back again.

Barry nodded again, “Well…yes, Jay Garrick? He’s….well he’s...” the gears of his mind began to grind as a realization forced its way to the surface, “you do know who he is, don’t you?” The hand Barry still held in his twitched, and a glimmer of fear shone in Amaryllis eyes as they began to take in her surroundings. She was looking for an escape. Barry cursed himself for assuming he knew what was going on, his entire background of CSI training screaming at him to never make conclusions without all the evidence. His hand clasped tighter around hers, desperately hoping he could hold her by it if she made a run for it. “Miss Warren, I realize that I may have just made an incredible mistake in mentioning Mr. Garrick, but I assure you that my offer to help you still stands, and if you would just follow me up to my lab, I’m sure we could-”

There was a sudden gust of air, and the unmistakeable sound of electricity crackling through the air, sent Barry’s head swiveling to find The Crimson Comet himself standing beside him. “Mr. Allen,” Jay greeted him politely, “I see you’ve found Miss Warren for me.” Barry opened his mouth to speak, but his brain was firing too rapidly to decide what to say. Amaryllis stared at Jay in disbelief, tugging her hand free of Barry’s grip as she looked Jay up and down, taking in his striking red uniform. “Miss Warren,” Jay Garrick addressed her respectfully, as though she weren’t someone who didn’t belong in this universe, using a name that belonged to a dead woman, “I think you and I have a few things to discuss.”

[tinymixtapes]

moon mask’s relapse EP is a new-wave valentine for the perpetually heartbroken, stream it in full now

moon mask’s visceral lyricism might not generate the most marketable candy heart slogans, but it sure does hit home when paired with hazy new-wave instrumentation. The Manila, Philippines-based dream-pop quartet — Consisting of lead-singer/producer Zeon Gomez, guitarist Felipe, bassist Dean Dela Cruz, and drummer Julio Del Prado — has officially mailed out its sophomore EP, relapse, today via ZOOM LENS. The 5-track release is a Valentine’s card addressed to the perpetually heartbroken. Synth leads and reverb-drenched guitar chords twinkle with romanticism, only obscured by a pervasive sense of despair. “relapse is about revisiting old pains — the ones I never really got to talk about for my older material” says Gomez. These pains include feelings of inadequacy, spoiled prom dates, and overcoming angst through long, aimless drives — a stark contrast to uptempo beats and major scale progressions. relapse is a light at the end the tunnel; a kiss-off printed on a black candy heart. Purchase relapse here, and stream the EP (which has garnered pre-release buzz from CNN and Spotify’s “Weekend Hangout” playlist) below while polishing off the last few chocolates in your sampler box. Raspberry filling never tasted so bittersweet. relapse EP tracklisting: 01. boulevard 02. enough 03. promenade 04. risa 05. daytime boyfriend http://j.mp/2EbJRCS

[herbcabral]

Will be playing at Reverb at TIME in Manila with @getphazed tomorrow. #technomonday (at TIME in Manila)

[joeahj]

hold

includes: longing, backing music be with you by Tiara https://www.youtube.com/watch?v=Q79PogMhZ2U intense: PROJECT TARO's Dance Video https://www.youtube.com/watch?v=l8miSYyAL9A Steve Void's Can't Feel My Face https://soundcloud.com/stevevoidmusic/sf188 Can't Feel My Face (Made Popular By The Weeknd) (Vocal Version) by Party Tyme Karaoke - Topic https://www.youtube.com/watch?v=4OCJdNxEdlc * Project TARO - I Can't Feel My Face by Michelle Tu https://www.youtube.com/watch?v=LNkMrWHVXOs * DEEP feat. TAIKI & SHIN- Mayday by Michelle Tu https://www.youtube.com/watch?v=do_cEm7vCVg 【4K】PROJECT TARO武者修行2016 福岡市役所前ふれあい広場 by g.yan 23:29 https://www.youtube.com/watch?v=BLU8u3BHol4 Little Barrie's Does the Halo Rust? by MCYouTube https://www.youtube.com/watch?v=b0E3OsIU908 Oliver Tree - Miracle Man - Manchester Academy 2 - 24/11/2019 (Live) by Lewis Edge youtube.com/watch?v=3UgI8oENQL8 give me your love by project taro https://www.youtube.com/watch?v=H3D43nXHGTM * King Havoc v Marie Poppins HOUSE OF EXILE No.4 DANCE BATTLE by EXPG STUDIO USA https://www.youtube.com/watch?v=mttWheMtZ2U * Revolver by GENERATIONS https://vimeo.com/180114145 * REVOLVER part 2. by Riku Sakamotohttps://www.youtube.com/watch?v=mtsmG_Vi1rI  * TARO PROJECT 武者修行①〜愛媛県松前町〜 by akane tsuboishihttps://www.youtube.com/watch?v=NjcwO5wwSTs                                   * REVOLVER GENERATIONS cover by Riku Sakamotohttps://www.youtube.com/watch?v=_G7S0KiT7nk * PROJECT TARO 武者修行 FINAL REVOLVER by Rio Tagawahttps://www.youtube.com/watch?v=E8LXydXfkF4                                     * キッズダンス発表会 ジュニアⅡクラス　+++++revolver 20160124 by eiko oshino https://www.youtube.com/watch?v=iyoT-erWffE                                      * ARCUS (アルクス)「REVOLVER (GENERATIONS from EXILE TRIBE)」2017/12/24 エイベックス・クリスマス・スペシャルライブステージ 時空の広場 by d106realcarat https://www.youtube.com/watch?v=lUZQ9tyUeR0                   * REVOLVER@GRAND LINE Vol.15 by KTB1998 https://www.youtube.com/watch?v=gulqv4nH7m0 Mystic Valley by HANABI + Remo-Con https://open.spotify.com/track/6kyiO0HvEz6r4gFIHJPcfx * THE RAMPAGE_Knocking Knocking_(中字)_(练习室舞蹈版) by SHIKO_枫哥哥 https://www.bilibili.com/video/av23609294 * THE RAMPAGE / Knocking Knocking 歌词MV by 仙都代表 https://www.bilibili.com/video/av57027823/ * 【midailrL】Knocking Knocking[RMPG两周年]【翻跳】 by midailrL浯莕 https://www.bilibili.com/video/av41418400 Knocking Knocking by midoripera + Cqueen71 https://www.smule.com/recording/the-rampage-from-exile-tribe-knocking-knocking/1757584408_2851365311 Knocking Knocking by THE RAMPAGE from EXILE https://drive.google.com/file/d/14hJDCFP6FVzUHA_WGwlzfz4Sv_BNW-n_/view THE RAMPAGE from EXILE TRIBE _ SONG FOR YOU by 桌脚 https://www.bilibili.com/video/av15550085/ Project TARO [Masahiro & Ayumu] - Life Is Worth Living by Michelle Tu https://www.youtube.com/watch?v=9HZUZQcasCw * 24K Magic - Project Taro by Megan Liew https://www.youtube.com/watch?v=6-MxQR3kQC4 * Bruno Mars - 24K Magic [American Music Awards Performance] by Bruno Mars https://www.youtube.com/watch?v=ttlTus58MNA * Childish Gambino's Sober by RJ WORD https://www.youtube.com/watch?v=pYcf3v813jw Jai Wolf, Manila Killa, AOBeats & Mark Johns - Diamonds For Breakfast (Robokid Remix) by Resonnance https://www.youtube.com/watch?v=0aZTTcMvXIQ TOKYO HEALTH CLUB - TAXI (BLACK FILE exclusive MV “NEIGHBORHOOD”) by blackfilesstv https://www.youtube.com/watch?v=MJjURC5Aa1g * chiasa「Yes be free」(RIRI)、西九条BRAND NEW、１９.０１０.１１ 06/21/2015 by ノブタン https://www.youtube.com/watch?v=hi_JAn-VPKA 東京swingin' by tokyo health club https://open.spotify.com/track/4OUGA3xNnXgbgurN3aF7Vd 지투 (G2) - Hymn II [G2's Life Pt. 2] by Same Jeff Hwang https://www.youtube.com/watch?v=bwTjkQ9oLBM KOHH「やるだけ」×ダンス×車×大佐 by Yuki Yamamoto https://www.youtube.com/watch?v=MUzpkh2DBRM G2 - Knockin' at the Door [Official Video] by Hi-Lite Records https://www.youtube.com/watch?v=kuzrkmCBKDg Valley by G2 + Dok2 + Boobie Lootaveli https://open.spotify.com/track/743UI9b8mZQnjo29rrOv6u 韻踏合組合 - "一網打尽 (REMIX) feat. NORIKIYO,SHINGO★西成, 漢" (Official Video) by ifktv https://www.youtube.com/watch?v=9hJLzzmbQAY 朝に得る by nene https://open.spotify.com/track/5G5SfjqyOGxglKsuQUEOYb Flushing “Make Music New York" summer concert by Yunki Yang (Chris Brown's Fine China) https://www.youtube.com/watch?v=tS-xFQ32Jis MadamMartrix Rules's We are your tomorrow by David Lindgren https://www.youtube.com/watch?v=a1pxsNK4J_w * David Lindgren – We are Your Tomorrow | Melodifestivalen 2016 by Melodifestivalen https://www.youtube.com/watch?v=aG1wZBwPjcE ONE OK ROCK - Bombs Away [Acoustic] "STUDIO JAM SESSION VOL.3" by Reiven Cristobal https://www.youtube.com/watch?v=wUfg8xzsVZk * ONE OK ROCK - Bombs Away (Ambitions Japan Tour) by EndSyst https://www.youtube.com/watch?v=x9b8lVE1DgE * Beat Saber | ONE OK ROCK - Bombs Away by TheOfficialJaykay https://www.youtube.com/watch?v=AzwlpZihuhM * Digimon adventure tri.(MAD) AMV by Yamila Lourdes Romero https://www.youtube.com/watch?v=PcfgJW4pfjM Decision/ONE OK ROCK [Music Box] by R3 Music Box https://www.youtube.com/watch?v=7hsxyl8cfoE * ONE OK ROCK - Decision 「LipDub Edition」by ONEOKROCKersChannel https://www.youtube.com/watch?v=EjA-_ikPey0 * 乃木坂46 × ONE OK ROCK「Decision」 by N&N 2520 https://www.youtube.com/watch?v=_PAOz5kool8 * ONE OK ROCK - Decision [Mighty Long Fall at Yokohama Stadium] BY one ok rock https://www.youtube.com/watch?v=j4sEvo4ojq8 FOOL COOL ROCK! ONE OK ROCK DOCUMENTARY FILM [Official Trailer] by ONE OK ROCK https://www.youtube.com/watch?v=F4FloMRZemM * 【ONE OK ROCK】taka　instagram 　summer sonic　めっちゃノリノリのtakaめっちゃ可愛い by 10969チャンネル  https://www.youtube.com/watch?v=yaRzZyk5HZA * 【ONE OK ROCK】taka　instagram 　Rec by 10969チャンネル https://www.youtube.com/watch?v=ygUfKdp7OCM 【ONE OK ROCK】taka　instagram　zaaaaa!! by  10969チャンネル https://www.youtube.com/watch?v=9jv9Z9XPkwk * 【HD】ONE OK ROCK - カラス "人生×君＝" TOUR LIVE by Official Channel https://www.youtube.com/watch?v=AGrt2_EWW4A * ONE OK ROCK Karasu Violin Version Live At Yokohama Arena Special Final by ONEOKROCK Italy https://www.youtube.com/watch?v=XIZn6i2sF2E * カラス ONE OK ROCK カラオケカバー by くろこぬん https://www.youtube.com/watch?v=iaD6e7mP4ow * [Yunki]Project Taro 01/03/2016 Performing in EXPG by Yunki Yang (What do you mean? by Justin Bieber) https://www.youtube.com/watch?v=QTWWlTGmb9M PROJECT TARO 武者修行2016 - 0906東京2部 by kenyaVoiceholic #001 26:53 https://www.youtube.com/watch?v=nb0dIB3eOGY Project Taro [Jr. Exile] Performance at Houston Japan Festival 2017 by taedoroki https://www.youtube.com/watch?v=oXWIhULg48w Shurkn Pap - Color Love (KNOTT REMIX ) Lyric Video by KNOTT MUSIC https://www.youtube.com/watch?v=bjjmwP-laR8 Kingdom Hearts III - "Face My Fears" | AmaLee Ver by LeeandLie https://www.youtube.com/watch?v=6nSVJjOp1zA Yaeji - drink i'm sippin on [with Rain, Slowed Down, Reverb and Bass Boosted] by どうもSamuraiGirls https://www.youtube.com/watch?v=YwEzkEPzwqE 🔊 Betrayed by the Bass I'm Sippin' On by Kaye Khaos https://www.youtube.com/watch?v=USJd8SlChkY * Yaeji - Drink I'm Sippin On | Dance Cover @SirDancealot29 by ItsSirDancealot https://www.youtube.com/watch?v=nNto8XCyrxM Yaeji - Feel it Out (Passengers Remix) by Fuzzi Box Archive https://www.youtube.com/watch?v=KyeHe-uZeck yaeji - feel it out - nick godmode remix by GODMODE MUSIC https://www.youtube.com/watch?v=BVkb1UImBOw TOKYO HEALTH CLUB's supermarket by lute https://www.youtube.com/watch?v=ErLSUsqERm8 ズラカル by MACKA-CHIN https://open.spotify.com/track/2jwjr8zqKimcjUNRXXl1qu THCとperoの喋り場 by Mcpero + TOKYO HEALTH CLUB https://open.spotify.com/track/2t7BfPCBm5MnheoD9vHRVc * Yaeji - Therapy (Official HD Video) by GODMODE MUSIC https://www.youtube.com/watch?v=eRV1Dzqj1gU Beginner - Ahnma Live @ Hamburg -Sporthalle Hamburg- by Enrico251986 https://www.youtube.com/watch?v=XtbySDf4fhA * Beginner - Ahnma feat. Gzuz & Gentleman I Choreography I Neddy-Style by NDC Neddy`s Dance Company https://www.youtube.com/watch?v=D5ylysd0VfA * Deutschrap ist untanzbar Vol. 4 | Die Beginner - Ahnma feat. Gzuz & Gentleman | Choreography by JamaaDance https://www.youtube.com/watch?v=eO0DIRYsoEY Nutte Nutte by Sentino https://www.youtube.com/watch?v=kxQA4-ws3_s Måns Zelmerlöw - Heroes (Sweden) - LIVE at Eurovision 2015 Grand Final by Eurovision Song Contest https://www.youtube.com/watch?v=5sGOwFVUU0I Måns Zelmerlow - Heroes (Opening act at Semi-Final 1 of the 2016 Eurovision Song Contest) by Eurovision Song Contest https://www.youtube.com/watch?v=xyKhbwS-7zQ Lo & Leduc - Mis Huus dis Huus by bakaramusic https://www.youtube.com/watch?v=APxnaonpOes Major Lazer ft. Nicki Minaj - Run Up - Piano Cover (How To Play Tutorial) by pianoNOW https://www.youtube.com/watch?v=bxWVAJwfuWk Major Lazer x WILFRESH X Run up Acoustic Cover by Wilfresh https://www.youtube.com/watch?v=vayDP6-2Hw0 RUN UP (Major Lazer) SHORT Piano Tutorial / Cover SYNTHESIA by EAR THIRD https://www.youtube.com/watch?v=dOIZT6WdQXQ Major Lazer - Run Up (feat. PARTYNEXTDOOR & Nicki Minaj) [Big Z Remix] by Proximity https://www.youtube.com/watch?v=XnvJpoeEDYE Get it poppin by: illy Cartier feat: major laser 2017 (run up) by illy Cartier https://www.youtube.com/watch?v=QLQIZrcCedM PARTYNEXTDOOR & NICKI MINAJ FT. MACHEL MONTANO - RUN UP - STUDIOX REMIX by D Ninja Productions https://www.youtube.com/watch?v=tAEe6hZAiCE Major Lazer x PartyNextDoor x Nicki Minaj x OMI x Kid Ink - Run Up Cheerleader Mashup 2018 by That Hustle https://www.youtube.com/watch?v=v8xnCeSpjvk Run Up Major Lazer / Body Language Jacquees (Mashup) - Luca Tarqua Feat. YaYa by Luca Tarqua https://www.youtube.com/watch?v=k4_YTCdefCo Vybz Kartel ft Nick Minaj & Major Lazer & Dj B - Run Up Remix [Official Video] by Dj B https://www.youtube.com/watch?v=ZTb-oxwLxf0 Major lazer - Run up ft Nicki Minaj, Partynextdoor, Yungl, Skales & Chopstix ( Afrobeat Rmx ) by Afrobeat Music Worldwide https://www.youtube.com/watch?v=lRq_tTyE-Js Major Lazer - Run Up (Chick Flix Bootleg) by Xorks TV 2 https://www.youtube.com/watch?v=jhSB5EvpJ-k Major Lazer - Run Up (feat. PARTYNEXTDOOR & Nicki Minaj) [Tokyo Pose Posse Remix] by TOKYO POSE POSSE https://www.youtube.com/watch?v=_NlPgSs48Gc Major Lazer, PND & N. Minaj - Run Up (Raiguetss ✘ Nasty Remix) by Likuella https://www.youtube.com/watch?v=9omPy6kIQBI Major Lazer - Run Up feat. PARTYNEXTDOOR & Nicki Minaj (COVER) by Bri Meejoo https://www.youtube.com/watch?v=HZHDvYHpYBc Vybz Kartel - Run Up (Official Remix) ft. Major Lazer & PARTYNEXTDOOR by WBT Empire https://www.youtube.com/watch?v=742DHfSuI7U Upgrade & TI X Major Lazer X DLR - Shot Down X Run Up (Sub Focus Remix) X Throwback (Mashup) by Mitras Drum & Bass https://www.youtube.com/watch?v=0XwvovateiE Major Lazer X Eric Prydz - Run Up (Sub Focus Remix) X Generate (Dimension Edit)(Mashup) by Mitras Drum & Bass https://www.youtube.com/watch?v=artG7BS5pJw Dance with Zazou: Major Lazer - "Run Up" (Dance Tutorial) by Zazou Mall https://www.youtube.com/watch?v=Qc256i6cCxQ Run up - Major Lazer dans tutorial #1 by Dance Division Dijkmansport https://www.youtube.com/watch?v=LXz2AiN4jxw * PARTYNEXTDOOR RUN UP LIVE LONDON UK INFINITY TOUR 2018 by shotbygod https://www.youtube.com/watch?v=wdJLdJJXMRI * Major Lazer - Run Up | DANCE HAPPY by Dance Happy https://www.youtube.com/watch?v=YGo1k2LjBZw&list=PLMx-oj8tIII1u6kbfam7Ue4bSVG10hgyw&index=2 * MAJOR LAZER - RUN UP | DANCE CHALLENGE/CONTEST! by Bizzy Boom https://www.youtube.com/watch?v=sG9lqaCU_lw * Major Lazer - Run up feat Nicki Minaj & PartyNextDoor (Marvin Brown Choreography) @ordinarybrown by Ordinary Brown https://www.youtube.com/watch?v=e7t9WTePAy4 * Run up - Major Lazer feat. PARTYNEXTDOOR & Nicki Minaj / Bongyoung Park Choreography by 1MILLION Dance Studio https://www.youtube.com/watch?v=mcglTLY87OI Top 10 Major Lazer - Run Up(feat. PARTYNEXTDOOR & Nicki Minaj) Videos on Musical.ly by Topsify Nederland https://www.youtube.com/watch?v=px9gbXxhEtE * MAJOR LAZOR - "RUN UP" | SHESKP CHOREOGRAPHY CLASS by Sheskp https://www.youtube.com/watch?v=ZjtU6YqFu2A&list=PLMx-oj8tIII1u6kbfam7Ue4bSVG10hgyw&index=7 * Monday Night Workshop: Mike Fallorina @MajorLazer - Run Up by On One Studios https://www.youtube.com/watch?v=j_AWjKIPSeQ * Major Lazer - "Run Up" | Nicole Kirkland Choreography by Nicole Kirkland https://www.youtube.com/watch?v=m-UnvxXYc8c&list=PLMx-oj8tIII1u6kbfam7Ue4bSVG10hgyw&index=3 * Major Lazer - Run UP feat PARTYNEXTDOOR & Nicky Minaj /CLIP DANCE CAMP/ SO DANCE by Green Games Production https://www.youtube.com/watch?v=zC0fjXrlWfM * "RUN UP" - Major Lazer ft Nicki Minaj Dance | @MattSteffanina Choreography by Matt Steffanina https://www.youtube.com/watch?v=fVULeXpHR_s * Major Lazer - Run Up feat. PARTYNEXTDOOR & Nicki Minaj Cover by JoyfulLuisa https://www.youtube.com/watch?v=l_aNy8e09UE * Major Lazer - Run Up feat. PARTYNEXTDOOR & Nicki Minaj Cover by JoyfulLuisa https://www.youtube.com/watch?v=daujX3-PQ6g Garde Le Pour Toi (Radio Edit) by Paradis https://www.youtube.com/watch?v=QwbP3qdFvho Paradis - Garde Le Pour Toi / Thee Loving Hand Mix Parts I + II (Audio) by ParadisVEVO https://www.youtube.com/watch?v=n7OJntUJ6B8 Paradis - Garde Le Pour Toi (Blizzi Boi Remix) by PositiveLivinMusic.com https://www.youtube.com/watch?v=PSK6LPMaPbI Paradis (Garde-le pour toi) Midi Festival 09/05/2015 by Aloysius de la nuit https://www.youtube.com/watch?v=F62jJUx1kDo Paradis en Live dans Le Lab Virgin Radio "Garde Le Pour Toi" by Virgin Radio Officiel https://www.youtube.com/watch?v=ffJjtiLhQR0 * Paradis - Garde Le Pour Toi by Helena Teasdale https://www.youtube.com/watch?v=UenIOgmuPI0 * Paradis - Garde-le pour toi @ Trabendo (Paris, 29/04/17) by Les Nouvelles Lunes https://www.youtube.com/watch?v=yAY22sZ3J2U * Paradis - Garde le pour toi (Uke Cover) by AltoRosa https://www.youtube.com/watch?v=70AauFaVDCs ROSALÍA - F*cking Money Man (Milionària + Dio$ No$ Libre Del Dinero) (Official Video) by ROSALÍA https://www.youtube.com/watch?v=eQCpjOBJ5UQ ROSALÍA - F*cking Money Man (Milionària + Dio$ No$ Libre Del Dinero) [REACTION/REVIEW] !!! by MuSIC https://www.youtube.com/watch?v=HJip7ieUvmk Milionària. Rosalia. Cover. Fucking Money Man. Dios nos libre del dinero by Francesc Galceran https://www.youtube.com/watch?v=U-Js3G-Hm6Y Sparky In The Clouds - The Bay (Metronomy Cover) by Spark in the Clouds https://www.youtube.com/watch?v=RHxQkf-0wWI It's Real Love (Audio) by Yellow Days https://www.youtube.com/watch?v=PzzMn3x_J3o a little while - yellow days (cover) by Ellie Rodin https://www.youtube.com/watch?v=-9xzBUZ9Zz8 Yellow Days - A Little While (Cover) by Fazili Zidane https://www.youtube.com/watch?v=uaOrIDdm7a8 Yellow Days - A Little While (Slowed & Reverb) by Toki ツ www.youtube.com/watch?v=x9HSaO21Mpg * Dance Hall Days dance (Remix) (fast version) Hot Off The Press by Diana Campanella https://www.youtube.com/watch?v=BQHsr4iqy30 * June 23, 1984: "Dance Hall Days" by Wang Chung by Museumtvholder https://www.youtube.com/watch?v=dGhtNk1WhSk Mac Demarco cover ‘Chamber of Reflection' by Patricia Lalor https://www.youtube.com/watch?v=QpHzvEPsjS8 Mac DeMarco - Chamber of Reflection (Piano Tutorial) by Pablo Amoon https://www.youtube.com/watch?v=33ZjG98xoKY * Chamber of Reflection -- Mac DeMarco Improv/Edited by Christin Cameron https://www.youtube.com/watch?v=JJDo4f6nGAQ * Chamber of Reflection (Freestyle) by Jazrelle Kellough https://www.youtube.com/watch?v=sHNJu9_CMeM * Loren's 30 Dance Party by Clif Dickens https://www.youtube.com/watch?v=SVsKVLNbbKE * ''Chamber of Reflection'' - Mac DeMarco while driving in the rain by violent dreams https://www.youtube.com/watch?v=AGrgf3D7kdA * Chamber of Reflection by Mac Demarco (awesome cellphone light show) by Hugo Barrera https://www.youtube.com/watch?v=qxTv7rbTaS8 Florid's Meantime by ally4775 https://www.youtube.com/watch?v=TOuELDfBP6E The Stranglers - Skin Deep - Let Me Down Easy - No Mercy - Luxembourg TV Show by IcicleWorker youtube.com/watch?v=bPJ31LEQM2w The Stranglers Skin Deep Remastered by sacha oudot youtube.com/watch?v=T5-qU6qgY1Y Skin Deep - The Stranglers (acoustic cover) by seethelittlenuclei youtube.com/watch?v=guizj8Tj6mQ Ballet Music DK by Søren Bebe's Jeté (Mack the Knife - Kurt Weill) - Jazz Music for Ballet Class https://www.youtube.com/watch?v=532SyTA3ZDU * Tom's Diner (Cover) - AnnenMayKantereit x Giant Rooks by AnnenMayKantereit https://www.youtube.com/watch?v=5r3B7yz6J68 Parcels's Closetowhy live by Antonio Mayflower https://www.youtube.com/watch?v=qAE1g187pUI Lo & Leduc's Online by bakaramusic https://www.youtube.com/watch?v=9BPe_KTpYEc Tiki - Kevin Watson Original Guitar Loop by Kevin Watson https://www.youtube.com/watch?v=VLlOnQQtcms 191018 사이먼 도미닉 (Simon Dominic) - 'make her dance' in Tokyo by Schinism https://www.youtube.com/watch?v=hUeSEFeqjCc Simon Dominic - “make her dance” (ft. Loopy & Crush)BTS AS A BACKUP DANCER / 유리 사쿠라 / Yuri Sakura by icesakura https://www.youtube.com/watch?v=MboJYnnkEeU 사이먼 도미닉 (Simon Dominic) - 'make her dance (Feat. Loopy & Crush)'[가사]가장 먼저 커버하기 피아노커버 by PROKKO TV https://www.youtube.com/watch?v=1ZFvHgAtj2c [TJ노래방] make her dance - 사이먼도미닉(Feat.루피,크러쉬) / TJ Karaoke by TJ KARAOKE TJ 노래방 공식 유튜브채널  https://www.youtube.com/watch?v=SUQC3rBLfAQ * 사이먼 도미닉 (Simon Dominic) - Make her dance (Feat. Loopy & Crush)' Official Music Video | REACTION! by NunReacts https://www.youtube.com/watch?v=fdEYbcB0PRM * [GirlsHipHop] 사이먼 도미닉 (Simon Dominic) - Make her dance / choreography - AngGo / 은평구댄스학원 by 뮤즈댄스스튜디오 https://www.youtube.com/watch?v=yHqdIhtS5cM * 사이먼 도미닉 (Simon Dominic) - Make Her Dance | YUN & SEJIN choreography by Prepix Dance Studio https://www.youtube.com/watch?v=4wRhbS3_tKc * Make Her Dance(Feat. Loopy&Crush) - Simon Dominic(사이먼 도미닉) | BAEK SO Choreography | THE CODE DANCE | by THE CODE DANCE STUDIO https://www.youtube.com/watch?v=aWVnb6HJXOU * 사이먼 도미닉 Simon Dominic-Make her dance SSUNA & ZEBRA PROMOTION BY ZEBRA DANCEHALL South Korea Dancehall dancer https://www.youtube.com/watch?v=sVRZw9Xfc08 Julia Wu 『Summertime (Julia Wu Mix)』Music Video by Sony Music (Japan) https://www.youtube.com/watch?v=IoK45ywQSNQ 🔇 BTS - All Night feat. Juice WRLD (10D AUDIO | better than 8D or 9D) 🔇 by 10D AUDIO https://www.youtube.com/watch?v=jiTniLt2aJM Juice WRLD & BTS - All Night(Piano Tutorial) by Dario D'aversa https://www.youtube.com/watch?v=KHkcsmNENHQ * BTS featuring Juice WRLD - All Night Choreography by Quinnie https://www.youtube.com/watch?v=iEuToENcGTg * BTS (방탄소년단) 'All Night' (ft. Juice WRLD) Dance Cover [ADTV Choreography] by Official ADTV https://www.youtube.com/watch?v=G5YDPK67Nk8 * BTS - ALL NIGHT (Feat. Juice WRLD) Freestyle by Dance Trance21 https://www.youtube.com/watch?v=S4B2nOlW1To * BTS (방탄소년단) & Juice WRLD – All Night Dance Challenge by RT TV https://www.youtube.com/watch?v=KhHqVHFUBhc * BTS - All Night ft Juice Wrld but just Juice Wrld's verse by Giovanni_ https://www.youtube.com/watch?v=_GLw9BHb8QU 7:12 PROJECT TARO a-nation stadium fes. resort stage (Motel Pool by Travis Garland) by uramogo https://www.youtube.com/watch?v=1_oaYglAA0E [藤田織也 0326名古屋] Kenya Fujita - You Feel Me? (a cappella) by kenyaVoiceholic #001 https://www.youtube.com/watch?v=lGaRQ92B-4w [藤田織也 0326名古屋] Kenya Fujita - You Feel Me? (Encore) by kenyaVoiceholic #001 https://www.youtube.com/watch?v=NsAiVF9B3jg [藤田織也 0403東京] Kenya Fujita , Kazuki Asada by kenyaVoiceholic #001 https://www.youtube.com/watch?v=3qOGctl0oPA SIRUP's LOOP (Official Music Video) https://www.youtube.com/watch?v=mHrjM6oVez0&list=RDyNny8EzBaZI&index=22 星降る夜は誰のため by MIHIRO https://www.youtube.com/watch?v=yK2z84ocFkw&list=PLNAaZ4dhW6CJWbRRSx1ZfhMzTQmjXkaz2&index=2 Only One by 3House https://www.youtube.com/watch?v=t7kjGAxBAC0&list=PLNAaZ4dhW6CJWbRRSx1ZfhMzTQmjXkaz2&index=3 Orera no Era by DJ RYOW, SAL, SOCKS https://open.spotify.com/album/4E4HOrRs4Ssco1uhOGPiC6?highlight=spotify:track:6YuO6ZqM8woOoCSdIMUVE3 * DJ RYOW feat. & SOCKS『ORERA NO ERA』【Music Video】 by DREAM TEAM MUSIC https://www.youtube.com/watch?v=MMWRniaccD0&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=23 SALU「Goodtime」 by  TOYSFACTORYJP https://www.youtube.com/watch?v=wI28qqXJ888&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=25 Shurkn Pap (MaisonDe) - Road Trip (Dir. by Spikey John) by Shurkn Pap https://www.youtube.com/watch?v=ePQr4mEq5SM I don't wanna talk / AmPm feat. Nao Kawamura (Lyric VIdeo) by PLAY RECORDS https://www.youtube.com/watch?v=_FztxdKmzhs BADHOP "BreatH of South" IN 日本武道館 "Asian Doll" - feat. T-Pablow, Vingo & Yellow Pato by BAD HOP https://www.youtube.com/watch?v=yZnsm_S4m80 190831 Asian Sound Syndicate Vol.1 in Jakarta - AOMG - Comfortable, Make Her Dance & Mommae by Amoii Darlinz https://www.youtube.com/watch?v=YxwHczqx4j0 [SMTM5][MV]‘Comfortable’ (feat. Simon D, Gray) - One @1st Contest (Team Simon D&Gray) 20160624 EP.07by Mnet Official https://www.youtube.com/watch?v=-OffEv5JZSM Friday by IU https://open.spotify.com/track/0GsRx0gPft6RmijIwMsKmG SALU's Butterfly by Luther Skywalker https://www.youtube.com/watch?v=DIdSOIF30rs&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=27 SALU’s Tokyo https://open.spotify.com/track/7vnasLTQqK8fYIBMd1PUXj ProSingKaraoke - Khalid - My Bad (Karaoke Version With Lyrics) by ProSingKaraokeVEVO https://www.youtube.com/watch?v=rhxTXZ3Bqd0 * Fortnite Dance Montage (Khalid's My Bad) y JamiieAmazing https://www.youtube.com/watch?v=Neq_dcinI9E Seasons of Love - Rent: LIVE (AHMIR R&B cover) by AHMIR https://www.youtube.com/watch?v=ehhG-rc6O1c& list=PLNAaZ4dhW6CJWbRRSx1ZfhMzTQmjXkaz2&index=37 No one else comes close ( Dj-Drenzkie remix ) by Dj Drenzkie https://www.youtube.com/watch?v=o4yukhCn100 Joe - No One Else Come Close by SAXTRIBUTION https://www.youtube.com/watch?v=1OuoLjOdptA Joe - No One Else Comes Close (Fingerstyle cover by Jorell) INSTRUMENTAL | KARAOKE WITH LYRICS by Jorell Prospero https://www.youtube.com/watch?v=K-788E_bEqA No one else comes close - Piano Cover by Joseph Torralba https://www.youtube.com/watch?v=hMRY_eo4jgk No one else comes close - Joe by luv4musiq https://www.youtube.com/watch?v=uVRO1dftVbI No One Else Comes Close Piano Cover by Wendil fritz Estrada https://www.youtube.com/watch?v=akt7cVgiNj0 No One Else Comes Close/Ordinary Song (Medley) - Guitar Instrumental by Daryl Tayong https://www.youtube.com/watch?v=mOnWzlJBn7I No One Else Comes Close (Tutorial on Guitar)-Joe by Isiah Kendall https://www.youtube.com/watch?v=wI3sZVdEXMU * ViceJack - (Joe’s) No One Else Comes Close by Showtime Trends https://www.youtube.com/watch?v=dc_8b-xbIjI * Rastro No One Else Comes Close by Rhona Mae Pacaldo https://www.youtube.com/watch?v=MAU_xmrowqg * Deaf Dancer | No one else comes close & Let's go by Deaf Dancer Kiz https://www.youtube.com/watch?v=rwNA27jFzT0 tofubeats - 水星 (GIRL MEETS BOY in Kobecity) https://open.spotify.com/track/1jIznhT0kdk7o17xTvu2fi tofubeats - 水星 (BOY MEETS GIRL in Kobecity) by xcqThieves https://www.youtube.com/watch?v=3mtfw0KHQPM Path Of The Wind (Totoro OST) - Joe Hisaishi(Piano ver.) by Tram Anh Pham https://www.youtube.com/watch?v=zz68vFJmLKk * SALU ｢RAP GAME｣ by LDH MUSIC official https://www.youtube.com/watch?v=hjhUccb78RQ&list=PLbKOKUoZAAIfLWUEQyZ_w-D4_3BhRw5i1&index=12 三浦大知's 片隅 https://open.spotify.com/track/5Lv0iSBtzwULPjjQLKbdZO Why by Hurts https://www.youtube.com/watch?v=1MbhTb1o1po [映画]「ノウイング」ONE OK ROCK - Last Dance ワンオクMAD by 映画チャンネルs55ワンオクMAD https://www.youtube.com/watch?v=UEMjNjpSjPc Aya Anjani - Last Dance (One Ok Rock cover) @ First Hearing 35xxxv by Warner Indonesia by NADINE ZEVY RAKUEN https://www.youtube.com/watch?v=P62EKQ9or4k * 浪人生が歌うLast Dance - ONE OK ROCK by 浪人生 https://www.youtube.com/watch?v=5bX3wnLbdx0 EVISBEATS - 夢の続き feat. 田我流 by EVISBEATS https://www.youtube.com/watch?v=DDqqW0amAlg&list=PLbKOKUoZAAIfLWUEQyZ_w-D4_3BhRw5i1&index=4 Anfield erupts! Amazing scenes as Liverpool reach the Champions League final with stunning comeback! by BT Sport https://www.youtube.com/watch?v=gXEoGphDsfQ&list=PLbKOKUoZAAIfLWUEQyZ_w-D4_3BhRw5i1&index=18 CHANCE / AKLO by Azk a.k.a Monster https://www.youtube.com/watch?v=99ioT7kZFrA&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=13 サーフィン (Remix) feat.JAY'ED & Mummy-D / AKLO by Azk a.k.a Monster https://www.youtube.com/watch?v=T7F7EBdzy6I&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=14 U5 - EVERYBODY ft. Lipstorm 【OFFICAL VIDEO】 by U5 official https://www.youtube.com/watch?v=QqgyRMPwK_4 * 安斉かれん / 世界の全て敵に感じて孤独さえ愛していた （Prod.by KO3） by avex https://www.youtube.com/watch?v=rH7-z68DX40 Manillio's Monbijou https://www.youtube.com/watch?v=CR7ob354hrA Krista Siegfrids – Faller | Melodifestivalen 2016 by Melodifestivalen https://www.youtube.com/watch?v=OPGyBHO_Erw Krista Siegfrids: Pre-o-Porter fashion collection (Interview) by wiwibloggs https://www.youtube.com/watch?v=UGCkGVZ_wDM Krista Siegfrids INTERVIEW @ UMK 2017 by wiwibloggs https://www.youtube.com/watch?v=k-vu5INnOzg ESCKAZ in Tel Aviv: The Mamas and Krista Siegfrids (Swe and Fin) - Nordic Party 2019 by ESCKAZ.com https://www.youtube.com/watch?v=xSsY7-HgNKY SaRaha's Kizunguzungu by Wallentin Travel https://www.youtube.com/watch?v=eFwpb5XTbgE Skolstaskolan Kizunguzungu 2016 by granholm78 https://www.youtube.com/watch?v=CO7Xe7jfxV8 * 7:32 Melodifestivalen TOP 100 songs - 1a Parte by Hector alomejor https://www.youtube.com/watch?v=Y26OJA7C1ls * 7:36 Eurovision 2016 : Sweden l My Top 28 (Melodifestivalen) by GlamSIMvision https://www.youtube.com/watch?v=4RKQOMVirDI * Sébastien Tellier - “A Ballet” by Know-uuH Productions https://www.youtube.com/watch?v=UIG4XB4dWTs Lilliane Saint Pierre - Ik wil alles met je doen (live totz special '97) by Matthias Lammens https://www.youtube.com/watch?v=uUeU6VKqg1w Treble's Amambanda by Jos Slijpen https://www.youtube.com/watch?v=6n5z3roKR-8 * Amambanda by Jos Slijpen https://www.youtube.com/watch?v=6n5z3roKR-8 365 by Nemo https://www.youtube.com/watch?v=4SkF8BLkbyk * Nemo's 365 https://www.facebook.com/nemomusic.ch/videos/543396632860414/?v=543396632860414 Rosalia - DIos nos libre del dinero by Jorge Cabrera Luzardo https://www.youtube.com/watch?v=WiWIgy5aUY8 * SALU's Sweet and GoodMemories by Luther Skywalker https://www.youtube.com/watch?v=SQsaTeX34_A&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=20 * SALU「In My Life」 by TOYSFACTORYJP https://www.youtube.com/watch?v=pfpPL30Qd6g&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=22 * SKY-HI / Name Tag feat. SALU, HUNGER, Ja Mezz, Moment Joon -Music Video- (Prod. SKY-HI)  by avex https://www.youtube.com/watch?v=NQvKUEc2_nI&list=PLTlgnPB4O2e0nsKr5nLRxGCzeTMJU-jIe&index=2 * SKY-HI / 23:59 (SKY-HI TOUR 2019 -The JAPRISON-)  by avex https://www.youtube.com/watch?v=e3wI8VfnmfA&list=PLTlgnPB4O2e0nsKr5nLRxGCzeTMJU-jIe&index=7 SKY-HI / 「クロノグラフ」Music Video https://www.youtube.com/watch?v=wG23vywPI8U&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=36 SKY-HI's Double Down https://www.youtube.com/watch?v=bhk5XxE9BzM&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=32 SKY-HI / 「Welcome To The Dungeon」 https://www.youtube.com/watch?v=3UJMdqwEWXU&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=38 SKY-HI / 「RULE」Music Video by avex https://www.youtube.com/watch?v=ZfNIEVIcplM&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=40 SKY-HI / Bitter Dream -2017.11.12 at Los Angels Troubadour- https://www.youtube.com/watch?v=jflgjT00oqI&list=PLTlgnPB4O2e0nsKr5nLRxGCzeTMJU-jIe&index=40 SKY-HI's Silly Game https://www.youtube.com/watch?v=ISfM3o3oOtQ&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=35 AKLO's Outside the Frame by TOYSFACTORYJP https://www.youtube.com/watch?v=RpSN4iMFMaM&list=PLavOi-kFWZJaqGXSrX_wr5BTSUSdFpGz3&index=3 BADHOP "BreatH of South" IN 日本武道館 "I Feel Like Goku" - feat. T-Pablow, Vingo & G-k.i.d by BAD HOP https://www.youtube.com/watch?v=5wlQi_wbQC4 KEN THE 390's Nanimoshitakunai/何もしたくない (Official Video) https://www.youtube.com/watch?v=Zf1-cqP6nsk Shining by Yurufuwa Gang + Ryan Hemsworth https://open.spotify.com/track/1KppdWyrsQWuNht4c7uWzy Yacchiimaina by AKKOGORILLA https://open.spotify.com/track/2Vjw9BHSGptnXpKllDmEmm 【MAD】乃木坂46　the same as...(ONE OK ROCK) by MAD制作製造機 https://www.youtube.com/watch?v=h5moFBm2XAA 【HD】ONE OK ROCK - the same as... "人生×君＝" TOUR LIVE by Official Channel https://www.youtube.com/watch?v=ZPj5Rp2kk4g Docomo CM One OK Rock「感情のすべて／家族」篇 the same as version by seishun. jpg https://www.youtube.com/watch?v=EgHMA2GxwR0 * ♡歌ってみた♡(+3) "the same as..." ONE OK ROCK by punineko22 https://www.youtube.com/watch?v=8ja8boSamsA [Audiosurf] ONE OK ROCK - Start Again [Ninja Mono, Stealth, Iron Mode] by Ghost P. https://www.youtube.com/watch?v=6l-ayMpIZ1o Rosalia Black Rose Beatz - Fucking Money Man (Milionaria + Dios Nos Libre Del Dinero) MASHUP by onlymashups https://soundcloud.com/onlymashups/rosalia-fcking-money-man-milionaria-dio-no-libre-del-dinero-mashup ROSALÍA reaction DIOS NOS LIBRE DEL DINERO GYPSY FLAMENCO MUSIC 2020 TRAVIS SCOTT SICKO MODE remix by ELO! https://www.youtube.com/watch?v=PnfUKT4FbYc ONE OK ROCKのLast danceで踊ってみた by !アマガエル https://www.youtube.com/watch?v=kOisnHMLB9s * 65:49 和源桑一起 第2期 20180821 by ZeitundRaum https://www.bilibili.com/video/av71337314?p=2 * 星野源 - アイデア【Music Video】/ Gen Hoshino - IDEA by hoshinogen official channel https://www.youtube.com/watch?v=RlUb2F-zLxw&list=PLbKOKUoZAAIfLWUEQyZ_w-D4_3BhRw5i1&index=10 【半分、青い。】アイデア / 星野源 ヲタ芸で表現してみた【北の打ち師達】 by 北の打ち師達 https://www.youtube.com/watch?v=w_dtsdK6HVc 180224 Sik-K - Party (SHUT DOWN) (feat.크러쉬 Crush) / 더몬스터7 콘서트 by YEONDUE_COM https://www.youtube.com/watch?v=t7vre8v_Qsk * [Weekly Idol EP.357] Emotional rapper Sik-k's Party by ALL THE K-POP https://www.youtube.com/watch?v=5tL3PeVwRwY Party (Shutdown) feat. Crush - Sik-K | Yeji Lee Choreography by THE CENTER Dance Studio https://www.youtube.com/watch?v=Yfb-bZBsGWs Sik-K - Party D-side Choreography by MOVE Dance Studio 무브댄스학원 https://www.youtube.com/watch?v=y-rI9BPBtyw 190323 Sik-k(식케이)- Party(SHUT DOWN) | FL1P TOUR, MANCHESTER by mica b https://www.youtube.com/watch?v=hjrJBXD6Cts * 180504 H1GHR MUSIC LA :: 식케이 | FLY by Cedric R https://www.youtube.com/watch?v=-FvaNLvxRbQ [Choreography] pH-1 - Cupid (Feat.PENOMECO) / K.JUN by JB DANCE & MUSIC STUDIO youtube.com/watch?v=D3uMWuB4V4M Cover Missing by Forever in your mind by Makayla StroudVevo youtube.com/watch?v=zBPV0q-43sA 20171216 let's get it release party | SIK-K - 너의 밤(your night) by _ oyu https://www.youtube.com/watch?v=fVB4c3nOVk0 [ENG SUB] Sik-K on Star News by Young Hot Yellow Subs https://www.youtube.com/watch?v=7J6H2JJbXvw [ENG SUB] Wheein (MAMAMOO) - 'EASY' Teasers: Cover Art & Sik-k Phone Call by Energy Capt. https://www.youtube.com/watch?v=hV8Lig7Tzdc * Jay and Chacha promotes Sik-K from behind the curtains ㅋㅋㅋ by Nina Jeane https://www.youtube.com/watch?v=tnAm6GvoZuk SIK-K came back loaded with women's underwear | GROOVYROOM by 그루비룸 https://www.youtube.com/watch?v=3SvCbntwRfQ SIK-K INSTAGRAM LIVESTREAM | SINGING ' TOO MANY ' by Ruemeysa Baysak https://www.youtube.com/watch?v=56qnwVhS9Xs * [170715] NEON DEW DAY / Sik-K (식케이) - Too Many by ididididididididididid _  https://www.youtube.com/watch?v=17AwOggSrcI * [KY 금영노래방] Too Many (Feat.박재범) - Sik-K (KY.92445) by 금영 노래방 공식 유튜브 채널 https://www.youtube.com/watch?v=wbxJytjQnHc * [BANGTAN BOMB] j-hope & V reaction to TXT Cat & Dog - BTS (방탄소년단) by BANGTANTV https://www.youtube.com/watch?v=io0ZLZ8kMZk 오마이걸 (OH MY GIRL) '다섯번째계절' 안무 튜토리얼 ! by Official FreeMind https://www.youtube.com/watch?v=0ZQdu6TC_fM * [MV] OH MY GIRL(오마이걸) _ The fifth season(다섯 번째 계절) (SSFWL) by 1theK (원더케이) https://www.youtube.com/watch?v=udGwca1HBM4 * 오마이걸(OH MY GIRL) - 다섯 번째 계절(SSFWL) # 교차편집(Stage mix) KPOP 무대영상 [1440P] by 술사미디어 https://www.youtube.com/watch?v=IOIusGYqyUM * [Stage mix] 오마이걸 (OH MY GIRL) - 다섯 번째 계절 (The fifth season) (SSFWL) 교차편집 by :D 무케비 https://www.youtube.com/watch?v=DEaxyZPrQVs * 오마이걸 - 다섯 번째 계절 / OH MY GIRL - The fifth Season (SSFWL) 교차편집 Stage Mix by 귷 https://www.youtube.com/watch?v=X72HgBrMccc * [4K]190808 오마이걸 - 다섯번째계절 라이브 직캠 / OH MY GIRL - The Fifth Season (SSFWL) (두시탈출 컬투쇼 직캠) by TOYS https://www.youtube.com/watch?v=DjmKkWYXODA * 오마이걸(OH MY GIRL)_1st Album [The fifth season] MV Making Film by OH MY GIRL https://www.youtube.com/watch?v=hYioUsGaFnM OH MY GIRL - The fifth season Music Box Cover by Flow Music https://www.youtube.com/watch?v=Rvli76c2y_w KPOP REMIX | OH MY GIRL - The Fifth Season (Areia Kpop Remix #347) by Areia Creations https://www.youtube.com/watch?v=u4CskAee6JM [MV] PENOMECO _ WTF(Went Too Far) https://www.youtube.com/watch?v=0GpS0Ulw8s0 EXO keeps on dancing to Transformer after the music stops #EXOrDIUMinMexico by exostreet1 https://www.youtube.com/watch?v=8zpE9KGGyA8 [17.04.27 ] - EXO - EXO'RDIUM In México - 'TRANSFORMER' - Accident by Yo Tambien Quiero Ir a Corea https://www.youtube.com/watch?v=fZ-a3aonRNk 박지민(jamie),림지(LimJi) — Ring Ring x Work x Call You Mine Acoustic Mashup by smol princess https://www.youtube.com/watch?v=gvb3hwoXKDE * 190601 SIK-K FL1P TOUR IN SEOUL - LOVE ACHES・VANESSA by 961102163.019 https://www.youtube.com/watch?v=63-lqJUAygc Young Boi by Yoguletu (이런 Young Boy by Sik-K) https://www.youtube.com/watch?v=naT1K85EJGY [SMTM5] BeWhy, G2, DayDay, One – 니가 알던 내가 아냐 (Feat.Simon D) @Team Simon D&Gray's Track Mission by Mnet Official https://www.youtube.com/watch?v=9GMn4_tB90c SIK-K X IAB-STUDIO [FL1P] Pop-up Store by H1GHR MUSIC https://www.youtube.com/watch?v=djqSI3UnQ2w * 니가 알던 내가 아냐 (Who You?) - One, G2, BewhY ft. Simon Dominic / Koosung Jung Choreography by 1MILLION Dance Studio https://www.youtube.com/watch?v=wf2BJvWlZq4 * 식케이(Sik-K) - h1ghr gang / Downy Choreography 홍대무브댄스학원 by MOVE Dance Studio 무브댄스학원 https://www.youtube.com/watch?v=xtZJIe4wmFk * MIND DANCE (마인드댄스) 얼반(Urban)힙합 8:00 Class | Sik-K - H1ghr Gang | 박민지(O.MG)T by MIND DANCE https://www.youtube.com/watch?v=KjvTEEA7Xlo * KOREA NOW TREMPLIN MUSICAL - Bobby & Mino - UP - Jessi & Flowsik - WET -EXO - Power by En Bombe! by KOREA NOW https://www.youtube.com/watch?v=MSLiIiiB5QA SHAPGANG - DANCE CHALLENGE: LET'S GET IT / WOODIE GOCHILD, JAY PARK, DOK2 by SHAPGANG https://www.youtube.com/watch?v=3boUVtg9Qxg j s l o c h o r e o g r a p h y :: Woodie Gochild (우디고차일드) - 레츠기릿 (Let`s Get It) (Feat. 박재범, Dok2) by Jslo https://www.youtube.com/watch?v=dL7RdrOtIIo 광명댄스학원 ㅣ Woodie Gochild 레츠기릿 Let's Get It ㅣ스텝업댄스스쿨 Stepup Dance by Stepup Dance School https://www.youtube.com/watch?v=RxGqU19i48U ADY - Boi B (feat. Sik-K) / Chris Han Choreography by Chris Han https://www.youtube.com/watch?v=XjEwQkhoFsE 김미유 - 아침에다시얘기해(cover.) by 김미유 https://www.youtube.com/watch?v=ZIFDdXuoKOg ROSALÌA - Dio$ No$ Libre Del Dinero (N.Price Remix) by N.PRICE https://soundcloud.com/npricebeats/dineroremix Rosalia - Dios Nos Libre Del Dinero (Planet4 Remix) by PLanet 4https://www.youtube.com/watch?v=zlLbrfBmuOA [FMV] NCT 127 - Dio$ No$ Libre Del Dinero (by Rosalía) by fullsun and sunflower https://www.youtube.com/watch?v=r9_mAAUqNzs XY Crew - BTS & Taeyang & Dean & Jay Park / Save Me & After Asleep & I Love It & In this B*tch by Koreyopop https://www.youtube.com/watch?v=iendmw-O8R0 Sik-K(식케이) -FIRE Dance Cover Freestyle 댄스커버 / 프리스타일 / 춤추는 헤이 dancing HEY! by 춤추는헤이 DANCING HEY https://www.youtube.com/watch?v=ocsl3C4mA5U [D.illain CLASS VIDEO] 식케이(Sik k) - 파이어(FIRE) URBAN Choreography class [PM 7:10] by CONTROL BEAT KOREA DANCE STUDIO https://www.youtube.com/watch?v=Djvim364bAQ 190601 SIK-K FL1P WORLD TOUR IN SEOUL - FIRE by 961102163.019 https://www.youtube.com/watch?v=YpsqR-bnfXM [Thaiver. ]식케이 (Sik-K) - FIRE | Cover by PEE97z by PEE97z Official https://www.youtube.com/watch?v=IBXAtWkgBe8ft

[reverbmanila]

Hey there. It's been a while. This is a throwback to when we first visited the Satchmi Store for the first leg of the ‪‎Fresh Filter Volume 1 ‬series. Let's celebrate ‪‎Vinyl Day 2016‬ with Satchmi this Saturday, yes? YES!

[onestowatch]

Manila Killa & Mansionair Remind You To Check On Your Friends With “Wake Up Call”

Manila Killa and Sydney-based trio Mansionair have teamed up to deliver their stellar new track, “Wake Up Call.” Though the song conveys multiple interpretations, “Wake Up Call” carries a deep message that may hit a little too close to home for some.

Laced with ambient sounds and budding drums patterns, “Wake Up Call” is a dark track that recounts moments of memories and red flags. The synths are sharp and hypnotic while the vocals resonate with heavy delays and hints of reverb, providing that sense of dark nostalgia. With lyrics like “Maybe once, maybe twice, / I saw darkness in your eyes” and “Dive into the deep end, / I’m losing a good friend,” you can’t help but think of the times you saw all the signs a friend was losing sight of themselves. For a moment, you are stuck in denial because you’d never think they’d be the ones to fall, and, even though you possess the power to save them, you’re frozen in doubt.

“Wake Up Call” is a tragic tune carrying the idea that you can always do more. We go through life seeing the world in peril around us, and, although one person can’t fix everything, it’s important to check on your loved ones. Tragedy can strike at any moment, so remember to tell your friends and family how much they are loved.

On a lighter note, revisit Mansionair’s stunning “All Eyes On” performance in NYC below: