#representation matters!!!!!!!!!

[sylphjuice]

HUGE win for edo-period bisexual taiko drummers imo

[bizarreaizen]

real homies respect trans people! /gen

[gifsbysimplysonia]

@fatphobiabusters

@fuckyeahfatpositive

💜

[hoodedjelly]

Still Feel by Half Alive

(there is a second of flashing at the start was unsure if i should tag it or not, but this is the warning)

[youtube video link]

[orionsangel86]

There is something about proudly proclaiming a show "tumblrista catnip" that makes me emotional.

Something about how for years tumblrinas were ridiculed by show creators.

Something about Supernatural having a meta episode set at a convention with all the weirdo fans that made the main characters uncomfortable. Something something about Becky and the message that fangirls are gross and obsessive.

Something about Sherlock and the way fans were portrayed as crazy obsessive nutjobs for trying to figure out how he faked his death.

Something about creators mocking fandoms, dismissing them as freaks. Something about queer people not being welcome to engage in their creations because "why do you have to make everything gay?"

Something about the malicious culture of queerbaiting throughout the 2000s/2010s, followed by Bury Your Gays tropes across the media landscape because hell, you should be grateful we even gave you queer characters to begin with - and everyone dies in our show! You ain't special!

Something about Destiel questions being banned from conventions...

And then...

Something instead about Good Omens, and letting the story adapt naturally, embracing the fanbase and leaning into the fanservice.

Something about Our Flag Means Death, and the genuine outpouring of love and affection between cast, crew, and fandom that culminated in an explosion of fanworks that were never once mocked or deemed gross or wrong.

Something about Sandman, and staunchly digging in their heels on the queerness of it all, refusing to give in to the homophobes and instead avidly mocking THEM on social media rather than us.

Something about the writers hearing about fandoms favourite ships and excitedly stating that YES! We DID lean into that because it happened naturally and made sense.

Something about a firefighter coming out as bisexual after 7 seasons...

So yeah, something about a new high quality show made FOR US. By creators that love US. Respect US, and WANT our love.

Something about US FINALLY being a target audience for the best shows being made on TV now.

Tumblrista catnip. Creators saying "we made this for you. You are important. Your voices have been heard."

It just... all got a bit overwhelming for a moment there.

[batcavescolony]

This is kinda revolutionary? Just a few years ago destiel was queerbaiting fans to superhell but now? NOW? A show saw the fans HC a character as queer with valid evidence and instead went "you know what? You're right. We didn't originally plan this for them but we see you". Then four episodes into the season, canonized his queerness. Not the last second, Not the last Episode. the BEGINNING of the season, with time to expand AND we know we're getting another season after this. Just look how far we've come.

[spacebubblehomebase]

(Canon Luci with Shrunken Al. Did not go so well. 😅)

Everyone: Deer instincts this. Radio noises that-

Me: Why don't we make use of the snake thing more often? I will never get over the fact that between the two of them, the predator and prey is not who people would usually expect.

Tied to this:

-Bubbly💙

[tssarinahavok1]

My juicy ass is ready to be fucked hard by you 💦💦🍆🍑

[lastoneout]

Fr tho I would like to ALSO thank One Piece Fan Letter for finally giving me now what 10 year old me so desperately wanted. No one would have expected the central character in a fan focused short for one of the most popular shonen manga of ALL TIME to be a girl. The target demographic is boys. No one would have batted an eye if the short was about a little boy who was inspired by Luffy or Usopp or Zoro or Sanji. But it wasn't, it was about a young girl inspired by Nami. And tbh, knowing One Piece, I was genuinely shocked when that girl said she was almost 15 because SHE LOOKS IT and that's SO refreshing!! She looks like a kid!! And she acts like one, all rude and funny and flustered and stupid and brave and weird!! That right there is exactly what little me needed, what I've always said was my dream, a female character in shonen who is allowed to be a normal person just like the guys, instead of a Girl(tm) who is always played as opposed to everyone else's shenanigans and interests because girls don't like boy things, don't ya know(or at least looks like a normal person instead of a stick figure with boobs). I wanted a character like Nami's fan so bad as a kid. And she exists now!!

This episode really was special. This and Echoes of Wisdom is just so validating, like bit by bit we're making progress!! And while it's fucking long overdue I'm so thankful that I'm actually here to see it.

[oswlld]

oscar award winner michelle yeoh saying no woman should believe she is past her prime is healing something in me rewiring something no one speak to me

[theonlymadmanonmars]

Hi hello hi. As an AroAce individual in a QPR who has no desire for a romantic or sexual relationship, I think shipping Alastor in QPRs is so so fun and people should do it more. I also think it works for a good amount if not all of the ships I've seen him in.

Alastor and Rosie: Hell yeah. They're already great friends and every interaction we've seen between them has been pure and adorable. Rosie Gently guiding Alastor through his identity because he isn't exactly up with the slang. Them going out for tea and human flesh Sunday afternoons. Them giving each other forehead kisses and holding hands platonically.

Alastor and Angle dust: Mhmm. Angle not really wanting Sex or romance after all he's been through. Angle respecting Alastor's identity and not pushing for anything more than friendship. Alastor not really liking Angle at first because of their differences, But tolerating him regardles. Alastor explaining to Angle that Romantic relationships don't have to involve Sex (I'm an Asexual Angle truther.) Angle offering Alastor a hug that Alastor reluctantly accepts. Them cuddling at night with a pinky Promise of nothing more.

Alastor and Vox: Go ahead. A fic about Alastor trying to Navigate exactly how he feels about Vox, Because when he died the term AroAce didn't exist, so he thinks it's romantic attraction, Maybe they kiss and Alastor is like "Ha! No!" Maybe that's why they had their falling out? Who knows.

Alastor and Lucifer: So So SO much Yes. (This is my personal favorite) The two of them hating each other, but putting up for each other for Charlie's sake. Slowly growing to actually tolerate and maybe even like being around the other. Exchanging snarky remarks in a more playful way. Alastor finding Lucifer sitting in a pile of ducks and despair and offering his hand to help him up and take him to the hotel. Never letting go of his hand. Fuck Enemies to Friends to Lovers I want an Enemies to Friends to Qpr arc goddamnit.

I do think it's okay to ship Alastor even outside of QPR's, BUT. If you do, don't just ignore Alastor's identity. AroAce people get far less representation than the rest of the LGBTQ+ community. I can think of one other canon Character off the top of my head. So it's not okay to erase the little rep we do get. In the end I think it's important to listen to what AroAce people have to say on the matter, it is our representation after all.

[th3d0nutl0rd]

Okay I have a hot take and a controversial opinion here; but I've seen a lot of people get upset over shipping Alastor with other characters due to the fact he's ace, and I totally get it- representation matters. But people shouldn't be getting mad over harmless shipping, especially when it ereases other asexual identities. Demisexuals exist. Asexuals who experience romantic attraction exist. Abrosexuals exist. We want representation too :')

[writingwithcolor]

Wouldn’t my writing be worse off if I forced in elements like diversity?

If you are asking this question, you have yet to challenge the “default” of your culture’s media. Consider that the majority of modern Western media fill their casts with white men, and when there are women or POC, they stick out conspicuously. Many people view adding diversity as tweaking some white man characters by toggling race or gender. But this assumes that “white man” is some default, standard character template.

If you feel pressured to include diversity in your writing, distance yourself from this pressure and ask yourself why you feel it. If you feel attacked when seeing campaigns for more diversity or criticism of all-white, uninclusive media, sit with the discomfort and ask yourself why those who are different from you say they need diverse media.

These are people whose voices and faces are rarely visible in entertainment. Despite this, they enjoy an adventure as much as anyone, and have become accustomed to projecting onto white characters. Yet, when the reverse is asked of white audiences to acknowledge protagonists of color, it becomes a difficult ask. These character choices are immediately questioned, discredited, fought against, and accused of being “woke” or “unrelatable.”

This resistance reflects a larger issue: the imbalance between audiences’ empathy towards the majority/“default” and empathy towards those perceived as Other.

By mostly reading about white people, they become easier to relate to. By the same token, if we are not reading media and histories from the perspective of POC, we end up with more people who literally fail to relate to POC. When we talk about hope-deficits, increased alienation and lower self-worth among marginalized populations, underrepresentation in media is a big factor. Imagine for a moment: never the beautiful princess in the tower, never the badass hero riding dragons; always the two-second sidekick.

People of color are people and want to be seen and treated as such. Not as a burden to devote your time to, but people who have a place in the world, fictional or no. Really, writing a world in your story that is all or mostly white is more unrealistic, more forced—after all, there are far more non-white people on Earth. Becoming comfortable with diversity requires unlearning White as the Default and POC as the Other. It takes setting aside feelings of pressure to emphasize, open your heart and listen.

Further Reading:

“Diversity has gone too far!”

Diversity is for everyone.

Children and the Myth of Colorblind Youth

Those who read about aliens learn to emphasize with aliens. Those who read about wizards empathize with wizards.

---

This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you liked this post, we have more recommended reading there!

-Writing With Color

[cy-cyborg]

People on the internet: they can't hire actors who are actually in wheelchairs to play wheelchair users in movies! What if there's a scene where they need to stand up? A wheelchair user can't do that!

Robert Rodriguez: hold my beer

This is a scene from spy kids 3 - a movie in a series famous for its shoe-string budgets, where Ricardo Montalbán's character is in a wheelchair, but spends most of his screen time in a digital reality where he doesn't need it. Ricardo Montalbán was actually in a wheelchair though in real life, so they just used a combination of VFX and camera tricks (and a dolly for a few shots) to film those scenes. Also if I remember correctly the movie ends with him back in the real world, fighting a mech with his jet-pack wheelchair lmao.

The disability rep is dated (as is the VFX lol) and does fall into a lot of tropes I personally dont like, but it's so earnest in their attempts, and the visible effort behind the scenes to include a real, disabled actor outweighs it for me - even as a kid who wasnt fully aware of why.

Bigger studios have no excuse.

I've linked the video I got these screenshots from, they talk a lot about how they handled Ricardo Montalbán's character being out of his wheelchair there. If if you like behind the scenes stuff for campy old movies, I highly recommend it!

[ID 1: a screenshot of the movie Spy kids 3D, showing Juni, the main character in a suit of yellow power armour, talking to his grandfather, who towers over him in red power armour. his grandfather is kneeling so he can be at eye level with him.

the caption underneath reads "where he kneels down and talks to Juni" /end ID 1]

[ID 2: a photo of the same shot but without the effects. Grandpa is shown to be in a wheelchair, and is being held at the needed height by a moveable platform his wheelchair is sitting on. Juni is wearing the armour, grandpa is not, and there are green screens behind them.

the caption underneath reads "but we just had him lowered in a dolly" /end ID 2]

[orionsangel86]

The fact that Good Omens S2 was SO QUEER.

Not Just Maggie and Nina (and Lindsey)

Not just Aziraphale and Crowley

Not even just Gabriel and Beelzebub (who is NB)

But the magician shopkeeper and his trans/NB spouse who wore a fancy early 19th century dress to the ball.

Job's son who was flirting with Aziraphale (hilariously played by Ty Tennant giving Michael Sheen heart eyes in front of his dad lmao)

Even the tough macho man in Scotland that Aziraphale borrows the phone from - using it for "Grindr".

Plus of course Michael, Uriel, Muriel, and Dagon also all being non binary/gender queer characters.

With all this, there was no homophobia, no one batted an eyelid at any characters sexualities, sexuality wasn't even brought up, characters just are who they are and like who they like. Its a non issue in the GO universe.

AKA my favourite type of queer representation. The same type found in The Sandman (show not comic).

And whilst there was plenty of drama and not everyone gets a happy queer ending (YET) there was no queer trauma to be seen. No hate crimes, no "bury your gays", no stupid discussions about how HARD it is to be out of the closet in a bigoted world, because the GO world isn't bigoted.

Its SUCH a BREATH OF FRESH AIR.

I know we have similar experiences in The Sandman, In OFMD, and even in WWDITS, but each time a new show takes this very new approach towards queer representation I feel like I'm once again sinking into a comforting hug from someone I love, who loves me back.

Its just really fucking wonderful to see. I hope we keep seeing it more and more often.