Just saw a video like "um actually rocky horror isn't good queer representation because frank sexually assaults janet" girl he kills and eats people. It's called the rocky HORROR picture show not the rocky cute gay rep tw t-slur picture show
Oh? Oh Greta Gerwig? Putting a Barbie using a mobility aid to dance front and centre? Putting her front and centre for a dance sequence and making her the centre of attention? Just like that? To personally make me sob tears of joy? During July?
listen artists drawing movie mike. i know people never stick with accuracy in art i don't either but. there's just one little thing that needs to be accurate because it's funny ok and that little thing is movie mike's height
emphasis on the little. mike schmidt, michael afton or whatever you wanna call him is a short king. please don't take that away from him.
Asexuals can just bring up the fact that there's very little authentic representation for us and that maybe we would like some more of it and someone in the notes will be like "omg why do you hate gay people huh why don't you want gay people to have sex why do you want to erase our sexuality" just say you hate asexuals and move on, jesus fucking christ
after rewatching nimona four times since its release (because yes, this movie is just that good), i caught a few little details that just make the whole experience so much better. so, incoming SPOILER ALERT, don’t read this if you haven’t watched the movie yet. speaking of, why the fuck haven’t you?? go watch the movie (and read the comic while you’re at it, some sites offer it for free), then come back and enjoy.
1. When the Squire gives Ballister his sword, he clearly realizes something’s wrong with it. He’s trained with it for so long that he knew that something was off just by holding it. This detail is something you wouldn’t pay much attention to when you first watch the film, but it’s there to make you realize something is a little off, especially when the Squire attempts to show him the video, but it also has plausible deniability so you could chalk it up to being something else (ie. the Squire wanting a picture with Ballister).
2. This sneaky line from this sneaky bitch.
3. Nimona tells us exactly how the movie ends. (Sorta. In a sense. The phoenix rises from the ashes and overthrows the government.)
4. You can see Nimona sneaking into the jail where Ballister is being kept.
5. Mini Ballister and Ambrosius! I think a few others have pointed this out before, but I only noticed it upon my second rewatch. (A little surprised younger Ambrosius didn’t have the Asian bob. That’s like a right of passage.)
6. Nimona’s train backstory versus her flashback.
7. During Nimona’s nightmare on the couch, she turns into a wolf, and then a cat. In her flashback, as the villagers attack her, she turns into a cat and then a wolf. It could be because having her turn into anything else would be too big for the couch, but if this is intentional, then it means Nimona was having a nightmare of that day.
8. This. Visually, the sparks are sorta similar, and in both instances, Ballister has lost something irreplaceable. I think this one might be a reach and may not be intentional, but my mind connected the two scenes and wouldn’t let go, so.
Honorable mention: the gay and trans flags above Ballister and Nimona respectively in that one scene. iykyk. I didn’t add it because 1. I think many other people have brought it up and 2. the mobile app is limiting me to 10 images. Anyway, I love this movie and its comic SO much and I’m so glad that it made it to our screens from the box of scrapped movies that could have been great if people (namely, executives) gave them a chance. There is so much love, care, and passion put into this movie, and you can really sense that this was made for its audience and its author, for its story and not only for the money it could make. This movie is metal as fuck, so GO STREAM IT!!
just saw someone say Rick Riordan making a TV show is just as bad as anything JKR has done. BFFR you're comparing Rick Riordan trying to make his world more inclusive, changing some parts because of money/time constraints, or just making changes cus he thinks they're needed, to JKR being a terrible person!
PJ is incredible lesbian representation. we need more horny sleazes. more perv girls. lesbians who do nothing but jack off and talk shit. gets smacked around by women and loves it. setting back feminism fifty years
All right. I'm here because… I thought about it, and… you've been my person since we were, like, 30 running around like idiots. You know, we do things together. We do fun shit, boring shit, hard shit. I tried doing my own thing, but it just wasn't the same.
The point is, we're getting old together. You know, we're getting old, and if you die… I wanna be the last person you see.
Don't die. But if you do, I'll be right there with you.
coming straight from my three page long notes app essay I wrote at 4am after seeing the barbie movie, some thoughts on why barbie is definitely aroace, and why that means the world to me tbh:
BARBIE IS AROACE. TELL ME IM WRONG.
barbie not wanting to be with ken is so important. she never has to explain herself. she’s just not interested. and that’s okay. she’s never shamed or ostracized because she’s not interested in ken. it's not played for jokes. there’s never even a moment of “well, maybe barbie will have a realization that ken's been there all along and they'll end up together”. nope, there’s never any expectation. and it’s not even in a girlboss feminism, “she doesn’t need a man” kind of way. she just doesn’t want that, and the movie respects that. the movie respects what she wants, which is something we don't see much when it comes to aroace rep (or like most rep when it comes to women tbh).
barbie also turns down ken in a way that makes it clear that she's just not interested. there's no hesitation or sugar coating to it. we see this in the "girls night" scene in front of the dreamhouse, when barbie says simply, she doesn't want ken there. even later on when she turns him down in ways that are a little nicer, she's still very firm in her decision. time and time again we see barbie knowing what she wants and asserting it. we live in a world where when turning down men women always feel the need to be nice about it and "let them down easy" either out of being polite or sometimes as a safety precaution. regardless, to see barbie be able to be firm in her decisions is so empowering.
I love how this subverts expectations, bc we know ken is (supposed to be) barbie’s boyfriend. she’s everything and he’s just ken (although we can get into the nuances of that statement some other time). that is the role ken has always played. so to have that subverted, to make it clear to begin with that barbie is not really all that into ken is such a nice change.
this is also SO important because barbie is a beacon of “stereotypical” femininity, and has also been historically sexualized. so the fact that the movie lets her be feminine and girly but she can still not be interested in ken is amazing. she is still allowed to be herself, and her femininity is neither tied to, nor does it detract from her want to not be with ken. the movie said girls can be feminine without being tied to male attention !! girls can be feminine just bc its fun !!
I can talk about this for hours it’s so genuinely healing for me. I doubt many others picked up on it, hell idk that this all was intentional, but I loved it <3