#remembered this movie existed and i will never pass up the opportunity to draw cool looking animals :J
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wyverncult · 11 months ago
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wolf & lamb
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Speaking about disability in fiction, would you say Toph from a:tla is one of the best written disabled character? Is there anything that could've been improved about her character?
DEAR FUCKING GOD do I love Toph.  I would humbly submit to have Lady Toph “The Blind Bandit” “The Runaway” “Greatest Earthbender of All Time” “Inventor of Metalbending” Beifong harvest my organs to achieve eternal life if such a thing were possible.  There are a ton of things that Avatar: the Last Airbender does really well when characterizing Toph, and a few I wish they’d done differently.  [PLEASE NOTE: I am nondisabled, so if I err, please tell me so.]
Is she one of the best-written disabled characters?
She’s certainly a damn cool character whose disability informs but does not define her.  I can’t really say if she’s “the best” or one of, because I haven’t read everything, but I can say that I really like her.
First of all, her story is intersectional AS FUCK.  Toph’s gender, her disability, and her social class are so inextricably linked that there’s no analyzing any single element in a vacuum.  She’s all about being tough and independent.  Partially that’s about being underestimated because of her disability.  Partially that’s about being commodified because of her gender.  Partially that’s about being privileged due to her upper-class upbringing.  All three interact to inform her identity.
“Tales of Ba Sing Se” shows that blindness bars Toph from certain aspects of femininity — she can’t perform the traditional motions of making herself up, attracting young men, being pretty and delicate — which causes her to embrace a more accessible masculine identity.  “The Runaway” shows that Toph enjoys femininity as well as masculinity, but that she struggles to build nurturing relationships when she’s concerned with appearing weak, and that that sometimes leads her to cross ethical boundaries.  “The Chase” and “Bitter Work” are all about how Toph values her independence above all else — because she’s had to struggle against her gender and disability influencing others’ perceptions, but also because she’s had the privilege to avoid helping others due to her social class.  In “The Ember Island Players” she loves being represented by a big tough strong man, but she also clearly associates masculinity with power in a way that becomes troubling when contrasted with Aang’s horror at being played by a woman.  Etcetera.
Even the whole Earth Kingdom’s role as a sort of middle rung of imperialism – less powerful than the Fire Nation, more powerful than the Water Tribes and Air Nomads — informs both the relative strictness of its gender roles and the ability of individual Earth citizens to subvert those roles.  Toph’s identity, like the identities of the other Avatar characters, is inextricably linked to her position in society.
Secondly, Toph has a lot of the features of a complex and agentic character, and her disability is neither ignored nor centralized.  She’s often right, as when she becomes the first person to trust Zuko and the only person capable of making Aang an earthbender.  She’s often wrong, as when she tries to justify theft with a “they started it” argument or belittles Sokka for being a non-bender.  She’s often somewhere in between, as when she chooses to let Appa get taken by sandbenders in order to protect her friends or gets into screaming matches with Katara over matters of procedure.
There’s also the fact that Toph interacts with certain environments differently based on her blindness, drawing attention to (in)accessible aspects of those environments the others wouldn’t have necessarily noticed.  She finds sand and wood flooring inconvenient, she hates navigating water and ice, and she initially avoids walking on metal.  Although she’s not a big fan of flying, she mostly adapts as long as her friends actually remember that she can’t navigate when they’re on Appa’s saddle.
When conflicts do occur with the environment, Toph puts the onus on the environments and on other people to adapt or help her to adapt.  She’s amused and annoyed when Sokka tries to fake correspondence between her and Katara, or stupidly asks why she doesn’t like libraries.  She rips the bottoms off of her shoes.  She calls attention to her inability to do things like scan the ground while flying when her friends are at risk of forgetting.  She plays into others’ assumptions to try and get onto ferries or get away with breaking the law.
Another thing I like: the art style for Toph avoids the trap of “draw sighted person, change eye color, call it a day.”  She doesn’t turn to face people most of the time when she’s talking to them, but also doesn’t seem totally clueless as to their relative locations.  She gets the lay of the land by stomping her feet or pressing a hand against the ground, not turning to “look” in various directions.  She doesn’t bother to keep her hair from blocking her eyes, because her bangs don’t interrupt any sight lines.  She’s neither a comically blind character who apparently can’t navigate at all with sound or touch, nor a dramatic “blind” character whose every action comes off as those of a sighted character.  Toph repeatedly mentions that she doesn’t get the value in sight, clapping back at the assumption that of course she’d want to be nondisabled.
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[Image description: A screenshot from “The Chase,” which shows Toph shouting at Katara, with her face turned away from Katara.  Toph is pointing in anger, making it clear that she’s addressing Katara and that she knows Katara’s location relative to herself based on Katara’s voice.]
One last small but important victory for Avatar: it passes the Fries Test.  It has two or more disabled characters — I can explain why Zuko counts as disabled if anyone’s not sure — who survive to the end of the story without being cured, and who have their own narratives rather than existing primarily to educate nondisabled characters.  As a bonus, they have at least one conversation with each other about something that isn’t disability-related.  The Fries Test is meant to be a minimum standard for representation, much like the Bechdel Test, but it’s still nice to know that Avatar passes.
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[Image description: A screenshot from “The Ember Island Players,” which shows Zuko and Toph sitting on the floor in a hallway of the theater, talking about the play and about Zuko’s uncle.]
Is there anything that could’ve been improved about her character?
If I ruled the world, or at least the Avatar writers’ room, I’d start with two changes.  One’s small-ish, one’s big and controversial.
The small-ish change: tweak Toph’s narrative to make her earthbending super-abilities less directly counter to her blindness.  As it is, she has shades of a superpowered supercrip: a disabled character from SF whose superpower primarily acts to nullify their disability, thereby giving them the lived experience of a nondisabled person for most or all of the narrative.  Toph is definitely not an egregious example — she’s not Daredevil, who can use his superpowers to read handwritten papers, navigate unfamiliar environments, “feel” colors, detect tiny gestures, and shoot guns.  She does embody experiences with blindness like disorientation when flying and frustration with hanging posters.  She just also has several instances of not experiencing blindness when she (as she puts it) “sees with earthbending.”  I’m not sure what that tweak would look like, precisely, but I’d like to see one all the same.
The bigger change: I’d cast a different voice actor.  Jessie Flower is, based on what little I can find on Wikipedia or IMDB, not blind or visually disabled.  Disability rights activists are right now fighting hard against the trend of “cripping up,” wherein nondisabled actors use mimicry or makeup to pretend to have disabilities on TV and in the movies.  Avatar doesn’t go that far, because it doesn’t have Jessie Flower onscreen in (for instance) contacts that mimic blindness.  However, it nevertheless does not cast a blind actor for the role.  The issue here is that disabled actors are almost never allowed to play nondisabled roles… and disabled actors are also almost never allowed to play disabled roles either.  By failing to find a blind voice actor, the show denied that opportunity to a less-privileged talent.
The Guardian compares the issue to the way that cis actors of the wrong gender are too-often cast in trans roles, men used to play female characters onstage, and white actors used to play black characters in American movies.  I never know how much those comparisons make sense, because among other things they completely ignore intersections of those identities.  But I also think that it’s sometimes the best way to help people understand why excuses like “but it’s haaaaaaarrd to find blind female actors of Asian descent” don’t hold water.
And here’s where I go from “slightly controversial” to “extremely controversial” and might have to enter Witness Protection.  Avatar is getting a live-action adaptation in a few months.  I predict that it will cast a nondisabled actor to play Toph.  And I predict that the same voices which (rightly!) raised such a cry against “racebent” white actors playing Aang and Katara will be completely silent on the topic of “abilitybent” actors playing Zuko and Toph.  I’m saying this on Tumblr partially to get this statement out there:
I am an Avatar: the Last Airbender fan who will ONLY support the live-action show if it casts disabled actors to play disabled characters.
I’m saying it partially because I hope to be proven wrong, either because a blind actress will be cast as live-action Toph or at the very least because Avatar fans will object when a sighted actress is cast.  I’m also saying it because I think that fans can and should protest responsibly when marginalized voices are erased by beloved works of fiction.  Will casting a blind actress require more “work” to make the set accessible?  Probably.  Will casting a blind actress perhaps necessitate more CGI for fight scenes than using a sighted one?  Maybe.  Will it be worth it to cast a blind actress anyway, so that a girl with the lived experience of Toph can portray her on screen and actually get the chance to break into an industry that bars most blind girls from participating?  YES.
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naitiaclo960writings · 4 years ago
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Day 17 - Autumn Invading
When Sam and Dean officially moved into the bunker, it was in the early fall. Even in Kansas, the wind was cold and biting at that time of year and, although he would never admit it even on his deathbed, Dean had always been of a chilly nature. In the innumerable motels they had traveled throughout their lives, Dean systematically arranged to keep several layers of clothing on him or to ask for extra blankets at the reception. When they had established their base at the bunker and each had inherited a room, it was not long for Dean before finding slippers, a warm bathrobe and the thickest blankets of their fortress.
Sam had noticed his little game a long time ago already, but never said anything. Despite his tough guy looks that Dean wanted to give himself for a reason that escaped him, Sam knew that his brother had a weakness, especially for the rare days when their daily life turned out to be calm and domestic. While he was ruthless with the monsters who gave them a hard time, Dean was also the most inclined to make hot chocolates in front of a wood fire while watching a nice movie. Sam called it his "cocooning period" and Dean, who thought it sounded too much like "a chick word”, just said he liked the simple things of life.
However, although he had so far moderated those moments of lounging to prevent Sam from laughing at him anymore, Dean had always dreamed of being able to spend whole days literally doing nothing. Don’t get him wrong, he was a man of action and he needed his quota of monsters and adventure within a week. Nevertheless, he certainly wouldn’t say no to weekends holed up in the bunker to worry about nothing but eating and sleeping from time to time.
Fortunately for him, the opportunity had almost presented itself when Castiel came to live with them. Definitely, of course.
Currently, Dean was buried under several fluffy blankets in his memory foam bed. He stretched out slowly, feeling each of his muscles deliciously distends before falling back against his pillows in the most satisfied sigh. Despite his blanket fortress and the heating on in his room, Dean was practically naked in his bed, wearing only a large pair of boxers with pizza patterns that he only wore when he wanted to relax. The underwear was so loose that he hardly felt it around his waist. On the other hand, feeling the cotton of the blankets on his freshly washed skin had the talent of putting him in a good mood.
His feet—which had kept cooling on contact with the bunker tiles despite his wool slippers—were now pleasantly warm at the end of the bed, sending delightful waves of tingling in his legs. He felt like he was floating in a cloud of comfort and, for God’s sake, he would like to feel that way for the rest of his life. Dean barely wanted to get up to get food or go to the bathroom. If he had to die here, then so be it. He told himself that he would pass away happily, with a little soft smile. Dean retreated to his comfort nest, his hair pointing in all directions as he tightened his favorite blanket around his shoulders.
The arm that did not hold the blanket, for its part, went on a wander in search of a very different source of heat. When his fingers finally came into contact with warm and familiar skin in front of him, he smiled a little more. Castiel was sitting next to him, leaning on a pile of pillows against the headboard and staring at the computer between them. He was not much more dressed than Dean, but unlike his companion, he did not feel the need to cover up. Angels were not affected by temperature like humans. Also, Castiel was always temperate and, when Dean felt too chilly, he would snuggle to him in search of a human — or almost — radiator. Although, of course, Dean did not always wait to be cold to cuddle with Castiel.
Castiel smiled while feeling Dean’s hand gently caressing his bare and finely muscled belly, his blue eyes leaving the screen to come and rest on Dean’s loving face. He loved to see this expression so open and relaxed on his partner’s face and made it a point to make it appear as often as possible. Since the beginning of fall, he and Dean had multiplied the afternoons in bed to laze undisturbed in the warmth of their room. It was needless to say that Castiel had never experienced such a situation, it seemed to him to be a purely human activity to which he would have lent no use not so long before. But now that he shared his daily life and more with Dean, he had quickly learned to cherish those kinds of shared moments together. It was beyond words. Dean called it "having a good run together" and Castiel loved the sound of that sentence, because he already knew that he wanted to explore every possible and imaginable existence with Dean until the end of his very long life. It would probably be a bit silly if he confessed it aloud to his companion, but he would not hesitate to let Dean know it just to see him blush and mumble two or three swear words under his breath before kissing him gently on the lips.
Castiel cut his thoughts short to get progressively closer to Dean, sinking into the blankets too. He turned on the mattress to face him, placing a warm hand on one of his cheeks and feeling Dean’s zygomatic tends more into a soft smile.
"Are you cold?" Castiel inquired, raising a curious eyebrow while the computer played a series, forgotten between them.
Dean shrugged but nevertheless got closer, planting a wet kiss on Castiel’s nose. They were now so close to each other that they shared the same air.
"That’s alright. Unless you want to give me a little sport to warm me up…" Dean teased while continuing to touch the Angel’s abs, a playful smile on his face.
Castiel hummed gently to the attention before extending an arm towards Dean. He embraced him slowly before drawing Dean to him and share another kiss, deeper this time. Dean let out an amused exclamation in the embrace and then retreated after a while. He smiled.
"Besides, I thought you really wanted to know the end of Breaking Bad before deigning to touch me." He joked before he kissed Castiel again, gently.
Castiel raised an arrogant eyebrow and this time it was his turn to break the contact.
"Maybe my human’s needs come first this time. Well, so I believe." Castiel replied in a teasing tone, easily entering Dean’s game now that he had learned the subtlety of sarcasm and seduction.
Dean shook his head and smiled. He knew that such a dynamic between them would never have been possible before, even in his wildest dreams. Dean had resigned to his unspoken feelings by persuading himself for years that he and Castiel were a relationship doomed to failure and suffering. That they were too different and that their lives would never allow them any semblance of normalcy or comfort. That he shouldn’t be distracted when he was trying to save the world or taking care of his little brother. That it just wouldn’t work, because it wasn’t reciprocal and he’d make a fool of himself, he’d lose his best friend, he’d still hurt someone he cared about.
He had been happy to have decided not to listen to this voice the day he opened himself up to Castiel. Although this was greatly encouraged by alcohol, it was all but unimportant.
"Oh, I see. Well, the human is infinitely grateful to you for honoring him with your luminous presence." Dean answered with exaggeration, rolling his eyes and pretending to be annoyed.
"You don’t complain about it, though." Castiel remarked.
Castiel tried to kiss him again after that, but Dean backed away and gave him a finger. Castiel grumbled and pushed him a little further while Dean laughed softly, not even offended when the blanket slipped from his shoulders. He loved the simplicity that animated their relationship, the fact that he could act freely without worrying about the reaction of the other. Castiel knew him so well now and it had taken more than a few months for Dean to accept the fact that his best friend loved him for what he was and not for what he was supposed to be every day. It was refreshing and oh so restful for Dean. In all these previous serious relationships, although they were not numerous, he had had to keep a part of mystery or even a lie that had systematically left a bitter taste in his mouth. With Castiel, the major difference was that he knew immediately what he was signing up for and accepted it as is.
Still smiling, Dean straightened up to grab the cup of hot chocolate he had left to cool down until then. He took the drink with a comfortable sigh and wrapped his fingers around the still warm ceramic. A marshmallow floated lazily in the center of the chocolate and Dean melted a little more in the mattress when the liquid touched his lips. He knew that in normal times and with anyone else at his side, he would disown hot chocolate for something stronger. Probably coffee, or whiskey. Or both at the same time. But now, he was too deeply immersed in his trance of total relaxation to care about it and this chocolate was the most delicious there was right now. He let the sweet taste come and tease his taste buds before swallowing it with delight, feeling the still burning liquid slipping down his throat.
When Dean opened his eyes that he did not remember closing, he watched his computer continue broadcasting Breaking Bad in front of them. They remained in silence for many minutes, Dean finishing his cup of chocolate while Castiel played distractingly with the fingers of Dean’s unoccupied hand. When his cup was empty and he felt warmed from the inside, Dean rested his mug on his nightstand and stretched out like a cat again. He was pretty sure that Castiel paid as much attention as he did to their series—that is to say, very little—so he was not surprised when his companion straightened up to hug him on his side and bury his nose in his neck. Dean smiles as he feels Castiel’s warm breath in the hollow of his skin.
"If you keep going, we both know perfectly well that we will never finish the episode…" Dean growled gently while leaning into the embrace.
Time seemed suspended between them in this bubble of happiness that constituted their room, slowed down. Dean sighed quietly, softly sliding towards that version of him that only very few people on this Earth had the right to see. The relaxed and gentle, funny Dean. A little needy, but nevertheless light and easy… The Dean is the exact opposite of this emotionless killing machine that he had to interpret too often to survive. Here, the only weapon he needed was the puppy eyes that he sometimes threw at Castiel to order him another head massage among his tangled hair.
The hours elapsed deliciously between them as the episodes followed one another. Dean felt a little more filled with that warm feeling every time Castiel paid attention to him, whether it was when he rolled the blankets up on a piece of his bare skin or when he pressed a tender kiss down his neck just to feel it shivering. In those days, Dean wanted to do everything and do nothing at the same time. He felt powerful, important, alive.
The sun was certainly declining outside to give way to the long night of winter, but both dared hardly look at the hour for fear of breaking this tacit agreement of total tranquility. Of course, Dean got up at one point to quickly go to cook something before coming back to eat it in bed, and Castiel took the opportunity to take out the controllers of the game console located in Dean’s room after they had finished their series. Castiel won the game, as he always did, because he seemed to be just good at everything he did, and Dean mumbled for form in the face of his traditional forfeit of the loser before indulging in a back massage for his companion.
He savored every trembling muscle under his fingers, every scar that he began to know by heart, and paid special attention to these two reddish marks among the scapula reminiscent of deep cuts. But Dean knew these marks well, and he loved them even more since he knew how to exploit them. Sitting softly on Castiel’s buttocks, he pressed his fingers against the spine of his angel before slowly pulling up each vertebra. He massaged, caressed, brushed and massaged again until he felt Castiel trembling beneath him. Dean leaned a little further forward, so that his breath now came to warm the skin of his lover’s back. He smiles, concentrating his movements on the shoulder blades, teasing the hollows and bumps of his companion’s anatomy while detailing his pale, muscular skin.
"Never have I ever… lost in a video game on purpose to massage you." Dean suddenly said before he came to kiss Cas’s upper back.
Castiel sighed and a fine smile appeared on his relaxed face. It was their game, their way of saying "I love you" without really expressing it… They had developed it at the turn of a drink-fueled evening that had undeniably ended with very few clothes, but their trick had remained and everything was a pretext to reuse it now. It was simple and stupid and simply stupid, everything they needed to know and say what they thought about each other. One said a perfectly obvious fact by beginning his sentence with "never have I ever", to which the other had to answer with a kiss if it were true. To date, no one has stated facts that do not require a positive response. Normally, the game was played in turn, but, engaged in the roll, Dean continued.
"Never have I ever loved the touch of your wings more than anything in this world…"
Another kiss, on one of the marks this time, as if to contradict himself. An umpteenth happy sigh. Castiel did not complain about this brief change of rules.
"Never have I ever…" A kiss. "Loved as much…" Then another. " As with you…"
Castiel practically purred under the attention before Dean slowly retreated and lowered his hands. Like a perfectly repeated choreography, Castiel took the opportunity to take a deep inspiration before a loud "whoosh" filled the air and two huge black wings invaded the space of the room. Dean smiled tenderly, a wide smile full of teeth that wrinkled the corner of his eyes as he leaned forward again to kiss the base of the wings. No feather escaped his attention as he stroked and kissed every bit of plumage offered to him, and Castiel seemed to melt on the mattress.
Seeing the wings of an angel was a true honor considering how intimate the gesture was for the angel concerned. Castiel literally laid bare before him, revealing his purest primal form and putting his life in his hands. The wings of an angel were so fragile, so sensitive and yet so powerful and majestic. Even among them, it was not common for this heavenly race to show their wings, let alone in a moment as intimate as the one Castiel and Dean were living. But the months had accumulated between them and from this love a solid trust was born. Dean would never thank his angel enough for offering him such proof of love, but he could nevertheless try to love him so much in return.
"Cas…" Dean whispered against the heat of a large dark feather.
"I’m here." Castiel immediately replied. Always.
As a result, the words were lost, the gestures became feverish to make room only for the language of the bodies. Although Dean was woefully bad at expressing his emotions, he certainly knew how to show them and Castiel undeniably liked to receive. Nevertheless, of all the means they used to warm up on the cold autumn days, this was their favorite.
* * * @winchester-reload
Hiya! First of all, I’m sorry for the delay in publication. I had several personal things to deal with, a writing block and, among other things, the now imminent end of the show that is beginning to weigh on morale. However, I repeat that I intend to finish this collection on the 31 days of the Suptober! I’m not going to pick up the pace of "one work a day", but things will continue to move forward, hoping you’ll stay tuned for it!
You can find the whole series on Ao3
Tag list /!\ PLEASE TELL ME IF YOU WANT TO BE ADD TO (or removed from) THE TAG LIST so you won’t miss any updates.
@misha-moose-dean-burger-lover @styggtroll @thanks-tacos @petrichoravellichor @iamcharliebradburylevelperfect @ladywaywarddsc @hellfire37 @destiel-221b-sabriel @aloha-cowgirl @destielhoneybee @dysfunctional-destiel @ozonecologne @doofcas @castielrisingabove @zoerayne2426 @tibbinswrites @vicmc624 @thegirlofstarlight @berrieseveryday @staycejo1 @certaindeanwinchesterforcastiel @bab-spnfamily @lo-mindpalace
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deaddominionsofdolor · 3 years ago
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Lecture 2
We’re back with the next IC lecture in the series! This time our GMPCs cover the basic powers that Sin-Eaters have. We’ll put it below the cut!
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Hisaya: Alright. Well. Damien, explain.
Damien: What, again? Jeez. Okay, so...I guess let’s start with the, uh, somewhat obvious. You can’t die now, so….congrats!
Keiichi: Don’t get tooooo excited though, you can still get hurt. I mean, getting stabbed won’t be fun, you can bleed and all that, but if you bleed out, you just come back after a while.
Ori: But it is not very pleasant, I do not recommend dying... Oh. Dying again, sorry. But you can undergo a lot more than it seems. Limbs being ripped off, being peppered with bullet fire until your body is a bloody pulp, gaping holes in your abdominal-
Hisoka: We get the point. Aaaanyways, the plasm running through you makes up for a lot. You’re resistant to disease, for one. You can bring back missing body parts or patch up wounds that would kill anyone not-a-Bound before you know it.
Damien: You can run out of it though and then you’re just back to being...well, sort of human, not really since you’re still attached to your Geist, so be careful.
Keiichi: Soo-o. It doesn’t really replenish itself naturally since you aren’t a ghost, but there’s a few ways to do it. One, find something cast off into the Underworld and drain away its Plasm. It’ll disappear, but you’ll be full up.
Hisoka: Two, there’s a sort of, “break in case of emergency” thing. You know that when you die, there’s a sort of barrier you cross, an opening of the doors of death. Fancy way of sayin' that you’re assigned a key based on your very own manner of kicking the bucket.
Ori: Be more dignified!
Hisoka: How you croaked, your mode of transportation to Whitey Bulger’s Final Airbn-
Ori: What they’re trying to say is that you’re all granted powers- and we’ll get to that, abilities that take on the tinge of the Key. And unlocking the key, tapping into that energy, can also restore Plasm. This comes with a caveat! You’ll take on the Doom associated with it.
Damien: Ever seen the movie Final Destination? It’s like that. Basically, if we consider the Key as being what binds you to death, using it makes Death realize you’re supposed to be dead so it tries to kill you again. Not that it’ll work, but that doesn’t make it fun, you know.
Hisaya: And it’s always appropriate for that element. You died in a fire, you get hyperthermia for no reason. You got stabbed to death, and the next time violence can break out, it will. And so on. Point is, it’s not a literal, physical Key. The Underworld operates by Laws, just like the real one. And what goes up will come down.
Keiichi: Anyway! That stuff is all great, but you can use  ghost powers too. Don’t worry about the how, you just know-- or maybe your Geist does. Or both of you! The details aren’t important, it’s like an instinct thing.
Damien: It’s...y’know, most of it is typical horror movie ghost stuff? Turning intangible, poltergeist-ing things…
Hisoka: Ya get cool abilities, to cut it short. Just think of what ghosts can do in urban legends and you’ve got it. Even the name for ‘em’s kinda cliche. Haunts, exactly what it implies.
Keiichi: Orrrrrr that’s what we’ve been calling them at least. Heh. I think it’s a cool name.
Hisaya: That’s only most of it, though. Or what your Geist gives you. But being connected to death gives you other powers.
Damien: Right! The Old Laws. Well, we can kind of manipulate them. Or...at least something like them. It’s the same principle, you’re messing around with the metaphysics of death and drawing power from a...something else. It’s pretty interesting, because the powers they give imply that a lot of religious and ritual practice might have actually been able to accomplish some small-level miracles depending on who did it…
Hisaya: Miracle’s a strong word. Don’t get too excited.
Damien: It’s close enough. Banishing supernatural affliction, cursing people, summoning food a ghost can eat, things like that. We’ve all been able to pick up a thing or two that we can teach you, but there’s a catch.
Hisoka: Once you’re with your Krewe? You’re basically able to master a set of practices, but you’re kinda limited to those. It’s kinda like… fuck, Ori, explain. You’re the one into this metaphysical bullshit. Just keep it short.
Ori: Well, if you’re giving me the opportunity, thank you! So... Think of how we explained the Old Laws, where they are like laws of gravity. These rituals are similar. There are forces you are able to tap into when your own goals resonate with them, which means that our personal philosophies cause us to have affinities for specific rites.
Damien: Symbolism is important when it comes to the Underworld in general. So like, say you want to banish a curse. Well, crows are considered tricksters, they’re ill omens, they’re often considered witch familiars or magical in some way...so, you can take a feather, invoke a trickster story, and the crow-- uh, not a literal one, I guess the metaphysical power of the crow, steals the magic and puts it in the feather.
Hisaya: Yeah, look, I’ll be honest. I don’t get it, but we found some books in the library before it got raided that had instructions on this stuff. And it works. Somehow.
Ori: Well, if you’d ever need suggestions or assistance with symbolic elements, I would be glad to help! ...Any one of us, really, I suppose, but I do enjoy researching these sorts of things. But there is another caveat. The physical materials remain, but they lose their metaphysical resonance. Think of a battery losing all of its charge. The figurative crow has flown away and needs some new story to catch their interest. You cannot simply re-use the same components and do the ceremony again an unlimited amount of times. The materials used are consumable, and can be quite hard to come by.
Keiichi: Yeah, we have to go and scavenge for them on the Rivers, since stuff washes up there from the surface world. Which gets complicated, and that’s kind of why we haven’t had a chance to do this very often...buuuut with you guys this should be a lot easier!
Damien: So, back to that symbolism thing...it does matter what your intentions and philosophy are when it comes to doing these things, and that...should...theoretically, at least, bind us together and let us actually do this stuff. Working alone is a lot harder. So, let’s talk a little bit about ourselves, yeah?
Hisaya: Right. Well, your idea. You go first.
Damien: ...Fine. So, haven’t you ever wondered what was lost to death? Scientific advancements cut short by someone dying before their time, philosophy and religion lost because the person who spoke it was born in the wrong time and killed for it...that’s what we’re trying to recover. Think of how much further we could’ve advanced as a species if death weren’t an obstacle to discovery. There’s truth out there that’s been lost and we have the power to find it again. I’m not letting that power go to waste.
Hisaya: ...I don’t really have a fancy speech or whatever prepared. I just started out wanting to understand what the hell is going on with this place. The way I see it, the Underworld is as much a natural part of the world as...trees or the air or any other ecosystem. What is will always be. You can’t change it. It’s like trying to fight the desert or the mountains. We can’t make it go away so we have to figure out how to work within it. I’m still trying to figure out where to even start, so, I guess research is the first step if anyone wants to help or something.
Keiichi: Alright, well, my turn! In my line of work you kind of find out people don’t really care about the victims in these sorts of situations. Most people on the periphery of true crime remember the names of the killers but nobody they killed. It’s easy to talk about dealing out justice and revenge or changing the world-- uh, no offense to everyone-- but it’s hard to get down and do the dirty work of dealing with actual people one-on-one. Ghosts lead pretty miserable lives and we should do what we can to make it better until we can help them pass on again.
Hisoka: Hmph. Being afraid of death is a part of human nature, but why? Is it innately taboo? Painful? Hard to consider? Whatever it is, talkin’ about death is easy to avoid and all until you have to face it yourself head-on. It’s that kinda thinking, that it’s all pretty or poetic or something you’ll never face until you’re old, that keeps people from realizing it’s just another part of the cycle of life. And then, after you die? You have to contend with your new existence. Wouldn’t preparing others for that eventuality make more sense?
Ori: Ah��� I suppose I’m last? And mm, no offense taken! Anyways... Death is a topic that’s hard to fathom for so many. When it is focused on, it is fraught with sensationalism and people prettying up the fact that it was a human being who died, not a statistical figure or memory, nor a euphemism. Lives are often cut short due to unjust or unsavoury circumstances, while others are content to stand by and do nothing if it means keeping the status quo. Some people are of the opinion it is better that skeletons are kept in the closet, but that is an insult to the victims. Coming to the Underworld is difficult enough as it is, and an existence as a former shadow of yourself who can only relive the motions of the injustices committed upon you in life is unfathomably painful. Countless wrongs go unanswered every day, brutal systems crush others underfoot, and it may feel easier to remain complacent and bury your head in the sand. But we cannot be complacent. Someone has to step in to ensure that the perpetrators of wrongs must answer for and learn from what they’ve done. Above all, justice for the victims remains our priority, not violence or vengeance.
Damien: Well, I guess we found out that letting us talk about philosophy is a bad idea because the tape’s almost--
[END OF RECORDING]
TL;DR
Motley Krewe
Each Krewe represents a philosophical outlook on the best way to help the dead rather than helping oneself move on.
Furies help the undead to take vengeance on those who wronged them and help settle scores through typically aggressive means.
Mourners bring back the knowledge and works of the undead to the living, so in the future no-one will have unfinished business.
Necropolitans try to create a comfortable existence for the undead to keep them from falling to the predatory structures of the Underworld.
Pilgrims explore the Underworld and try to help everyone to accept sometimes harsh realities of the worlds around them, letting go of what can’t be controlled or changed.
Undertakers seek to change the nature of perceptions of death to create a more peaceful passage from life to death. Most believe that removing the trauma from death will create a more peaceful Underworld.
Pomp and Ceremony
Ceremonies are ritualized practices that tap into the Old Laws of the Underworld to bestow minor benefits on the practitioners. Each Krewe specializes in different Ceremonies. Because they take time, effort, and concentration, it’s best to do them in a safe location like Dolor.
Haunt-ing Presences
Haunts are the innate powers granted by the synthesis of life and death only Sin-Eaters have. Sin-Eaters and Geists have an instinctive understanding of how to use them. They are divided up into general categories, with each giving a different type of problem. They can be used very quickly. Use your Haunts to solve problems on the go!
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speckledbears · 5 years ago
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Thoughts on “Far From Home”
SPOILERS FOR “Spider-Man: Far From Home”!!!!
this is for you anon
ok so basically i thought that it would have been good if it wasn’t a Spider-Man (“children’s”) movie.
Like, I think Quentin (Jake G) was such an interesting character, and an amazing villain but, I hated that his entire reason was because he wanted to be the New Iron Man. It bugs me to NO END that THATS the reason. Tony stole the projector tech he made, made fun of him (even if the audience didn’t know), and fired him. I think that’s a much better reason than wanting to be the next Annoying, Mean, Rich Rich Rich So Fucking Rich Metal Guy. The tech was so fucking cool? Like, projectors that seemed so lifelike,,, that’s so cool (also i kinda feel like you could relate it to how disney is only using GCI now but the russos are dumbasses). And like, the story Quentin and his team put together for Mysterio, and all the planning and the production value (if you can call it that lol) was so interesting and I was so intrigued. If there was a movie for him, and he didn’t fucking suck, I would pay to see it. His issue is that he’s so hellbent on killing Peter, MJ and Ned that I was put-off from like, half the movie. It’s kinda terrifying that someone can say, “I’ll just have to kill the kids myself,” and NO ONE IS CONCERNED??? And the fact that he was willing to kill innocent civilians just to make headlines, that’s fucked (and modern). Also, I think the directors missed out on a big opportunity for Peter to have a new father figure. Peter looked up to Quentin, trusted him, seeked him out for advice, like he would a father. I don’t remember him ever doing that with Tony. Peter was always too worried he was bothering him, and Tony seemed to brush him off a lot. Sure, Tony picked him and placed so much faith in him but, in the end? I feel Peter became more of a toy for the Avengers than an actual team member. If Quentin had been a good guy, doing this shit for the “right reasons” (idk like, taking the burden of becoming Iron Man off Peter, and maybe mentoring him) he could’ve been AMAZING. I still love him (except his dumb reasons) but, y’all missed out!!!!
Next: The whole deal with Peter being chosen by Tony to be the next Iron Man. Fucking hate that shit!!!!! Peter is a CHILD, he’s 16, and obviously he’s not ready for that responsibility!!!! In the movie, he’s manipulated by Quentin (which i lowkey also hate and explained above) and he just!!! gave EDITH to him!!!!! He’s a good kid, but not mature or responsible enough to handle having access to that kind of tech. I mean, dude almost killed a classmate?? Literally called a drone strike on the kid, couldn’t figure out how to cancel it, and destroyed the drone himself. Let’s not forget that this responsibility was FORCED ON HIM BY TONY???? Like, there was this scene where Peter literally told Quentin that he didn’t want EDITH!!! He didn’t want that kind of responsibility that came with being Iron Man!!! All he wanted for the summer was to hang out with his friends and kiss the girl he likes!!! Peter just wanted to be a normal child for one summer and, apparently, that was too much to ask for. Also, in the scene where Happy and Peter are in the jet talking about Tony, Peter says that he doesn’t know if he can be the new Iron Man. Happy doesn’t even hesitate when he says, “No, you can’t. No one can replace him.” Like hello!!!! And then they immediately forget that little nugget of wisdom, and Peter starts playing with Tony’s tech and literally everyone with eyes can draw the parallels between Peter and Tony. It’s frustrating. I hated how Tony was treated after his death. I completely understand mourning a character, especially one as important as Tony Stark, but it didn’t feel like mourning. It felt like worshipping. Tony had become a martyr, and he fucking knew it (EDITH = Even Dead, I’m The Hero 🙄) and people are still licking his boots. It’s just so weird that, even though he’s supposed to be dead, he’s still a main character and RDJ isn’t even in the movie!!!!!!!! When a character dies, that’s it, they can’t directly influence the story anymore, and yet Tony is still the reason for everything Peter does? He doesn’t have his own initiative. He lived and breathed in Tony’s shadow, and he’ll live in it forever. He’s being forced to become the next Iron Man. And believe me, I love Tony. I grew up watching the “Iron Man” movies with my parents and brother, and I remember watching one in the theatre and laughing till I cried. Guys! He’s dead! He’s done more than enough! It’s Spider-Man’s turn now.
I really hated Nick Fury in this movie. I grew up watching the OG Marvel movies and I loved Nick, but holy fuck. This dude hounded Peter, a CHILD, for help against those Elementals when he could’ve literally asked anyone else (side note: he shot Ned with a tranquilizer dart like? dude he’s a child calm down-). He gave a shit ton of excuses for why he couldn’t get in contact with the other Avengers but, I call bullshit. This dude is like, one of the most powerful men in the world (Quentin’s words, but it’s also been proven in other movies). He managed to track down Peter, how is it THAT HARD for him to find an adult??? Then he hijacked the school trip so that Peter would be in Prague, and he KNEW that once Peter was there he would help. It’s manipulation. Never mind the scene like, 5 mins later where Peter says he’s worried about his friends getting hurt (and having EDITH but not really understanding her), and Nick exploded on him. LIKE DUDE??? he’s a child. I’m also super pissed off at the fact that Nick manipulated Peter using his Avenger status. OOOOHHHH you whore!!! Literally everyone knows that Peter loved Tony (🙄🙄) and he used him against Peter! ASK AN ADULT FOR HELP YOU HAVE AN ENTIRE TEAM OF THEM????? Oh also, the bitch KNEW Quentin was evil. There’s a scene that proves it. It’s right after their first meeting where Peter says no, and leaves. Nick and Maria (the brunette lady hes always with, im surprised i remembered her name) share a knowing glance. They fucking KNOW. And yet?? They let Quentin do whatever the hell he wants?? He literally tried to kill 3 teenagers, and planned to kill hundreds of civilians in London (and i’m not sure if anyone did get hurt or died but, i wouldn’t be surprised). But the most powerful man in the world can’t stop him, apparently. He wants a 16-year-old CHILD to do it for him. It’s ridiculous!
The romance was also a bit hit-or-miss for me. Like, Ned and Betty?? It felt so forced and contrived? It literally only existed so that MJ could take Ned’s place. Y’all notice that Ned basically ditched his best friend for the entire movie for some girl he barely knows? Also, the fact that they “fell in love” on an eight hour flight. Hate that. It’s such a trope and it’s ugly. The romance with Happy and May was kinda weird, too? I mean, I don’t know their past together. I didn’t watch “Infinty War” or “Endgame” but, it also felt forced. Especially at the end, when Peter asked if they were dating!! May said no and Happy said yes!! I’m assuming that’s supposed to be comedy?? ig??? Anyway, I didn’t really like the romantic rivalry between Brad and Peter? (btw no shit i almost called peter “tony” i’m telling y’all they’re synonymous now). Like, Brad’s logic in using the photo of Peter stripping to “expose the truth” about Peter to MJ was so weird and awkward? The entire scene felt forced and I was so uncomfortable watching it. Also, MJ would’ve stuck up for Peter anyway, so it didn’t even matter, and the rivalry was dropped so easily after the opera in Prague. I did actually like the romance between Peter and MJ, even though I wasn’t expecting to. It’s a bit weird how quickly he got over Liz, but whatever; he’s a teenager. (I was going to comment on the necklace thing but, that’s actually kind of in character for him so, y’all get ONE (1) pass). I thought their hug and kiss at the end of the battle with Quentin was super fucking sweet and innocent, and it was refreshing compared to most teen romance movies where they act like adults instead. I was in LOVE with that scene, and it was one of the only scenes I honestly loved.
Ok, I wanna go back to Quentin for a bit. This dude absolutely destroyed the Peter Parker we were given in HOCO, and at the beginning of the movie. Yeah, Tony already had him as a puppet, but Quentin took his innocence. Y’all saw how easily Peter trusted people before him!! Like?? When he found out Quentin manipulated him, he lost almost all his faith in other people, except for MJ and Ned. For example, the scene where Peter calls Happy to pick him up because he’s in a holding cell in the Netherlands? Love that scene BUT! As he’s limping over to Happy, so obviously fucked up and hurting, he makes Happy prove it’s really him. THAT FUCKING HURT LMAO!!!!! I hated that. And that last battle with Quentin on the bridge? He maneuvered so easily through the drones, it was impressive, and he’d only fought against them once before (seems impossible but whatever). And watching the projections dissolve away into just pixels and a scared little bitch in a fish bowl helmet? Classic Theatre. But, he was traumatized by previous experiences fighting Quentin. Peter’s growth made the movie good but, his loss of innocence really made this movie kinda suck. Sure, his innocence still there—the scenes later with MJ prove that—but he’s still lost his easy trust in other people. It hurt to see. And, like, I’m not saying he can’t be more mature but, he didn’t even trust Happy!! He’s so paranoid that he’ll find his loved ones replaced by Quentin’s illusions!! It sucks!!!! Peter isn’t Peter without that sense of childlike wonder, curiosity, and helpless faith in others.
Anyway, I wanna talk about that Netherlands scene again because, holy shit, I loved it. After Peter was hit by that train (i actually screamed but the cinematography inside the train? *kiss*), he wakes up in some holding cell in the Netherlands with a band of friendly locals, and the guard, who’s talking on the phone with his pregnant wife. I don’t know why but, that scene was one of the first to make me smile? Like, it was so sweet how the other men were so happy for the guard and his wife, how they gave Peter a spare shirt because he looked cold, how Peter just broke the lock and left? How the guard was wearing Peter’s mask???? I’m in love. The next scene I liked was literally right after, of Peter limping through the tulip field, and Happy landing the jet nearby. Without dialogue, that scene is so pretty?? The petals stirring in the wave the jet left as it landed?? The HUG???? UGH! I fell in love. Another scene I loved was the scene when Peter went to Berlin to meet with Nick Fury and Quentin manipulated it with the projection technology. Even though I knew it was fake, I was worried about what was going on outside the projection (he got hit by a fucking train so,,,,,, iwas right to be worried-). Watching Peter so helpless and trying to stay vigilant was so heartbreaking, yet I was lowkey impressed. Like? How many other mean ass men could pull that off? None, next question. I can’t even think about how to explain it. I watched that scene at least 3 times, and was amazed every time, my only thoughts anxiety for Peter.
Okay, lastly, I wanna talk about the tech. I thought it was so interesting and unique. Like, I’ve played with the idea of projection in stories, or with characters as magic but, never considered applying it through technology, especially tech as capable as it is. And every scene where the projections were being used were amazing. I mean, obviously it’s CGI, but in the context of the MCU, it’s so interesting and cool to see tech like that used in a very public way. And no one knew!!! The whole system (along with Quentin and his team) was so good at camouflaging that I was fooled at the beginning of the movie. I seriously believed in the Elementals and Mysterio’s ruined Earth. It’s part of the reason I really enjoyed his character. And, like I said earlier, Peter was fooled by it too; everyone was. He learned it, eventually. But not before Quentin could manipulate the situation one last time and claim Peter called the drone attacks on London, and revealed his identity.
All in all, I didn’t have fun watching “Far From Home,” and it’s mainly because it didn’t feel like a Spider-Man movie. I enjoyed “Homecoming,” so much more. The villain was far more relatable (even though you could see it as demonizing the poor), Ned and Peter’s friendship was so wholesome and sweet, the entire cast was fun, and it was more enjoyable than watching some angry rich white man trying to kill children so he can get richer.
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whatisthisnonsense · 6 years ago
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Okay you know what I am gonna talk shit in a proper well-thought-out manner because I’m salty and stressed and I may as well channel it into something fun like yelling about anime in an over the top display of angery as befitting this cesspool of a social media platform. This being said I’m gonna do it under a read-more ‘cause most of ya’ll ain’t got time for no negative nonsense and some of you genuinely enjoy Tri, and you know what, I respect you, you’re valid.
Okay so to explain how much I want to throw Bandai into a dumpster, we first need to go back and explain Adventure and the fiasco that was 02.
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Digimon Adventure came out in 1999 (March 6th in japan and August 14th in the states, which coincidentally means this show came out exactly on my sixth birthday!) and lasted for about a year, with 54 episodes. The plot was simple; seven punkass grade schoolers turned out to have been chosen by fate to defend the Digital World, an alternate plane of reality created by various forms of digital information (the wee baby internet of the era, for example), mostly to kind of justify Bandai’s V-Pet (Tamogatchis but they’re gross and can FIGHT) and sell toys. So like, Transformers but with more human characters and kickass monsters and sometimes a lesson about the Power Of Friendship. Later, they find out they were chosen because they saw their neighborhood get wrecked by two monsters and Inexplicably Forgot This, as well as the fact there’s actually a missing member of their group (which less than surprisingly turned out to be the leader character’s little sister, who had already been seen in a prior episode and had also been involved in that early monster attack). It was hokey, the english dub generally bordered on that of a proto-abridged series if not aggressively sanitizing things (turning sake into green chili sauce, for example) and it was just good dumb fun and in the end everyone was crying anyway because dammit, while it was dumb fun you still cared about these characters and loved how they grew up. And then came 02.
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Hoo boy. Digimon 02 came out in 2000 (April 2nd in japan and August 19th in the states) and lasted for another year or so. While sometimes listed as a second season, in truth it was a sequel series and it had...some interesting ideas, lets say. And I mean that sincerely! They did have some good ideas! But it was pretty clear from the lack of direction and the constant roller coaster of serious and stupid that it was being a sequel for the sake of being a sequel. For example, a whole new super secret crest turned up out of nowhere, which brings up a lot of questions in the lore but is mostly used to prove Ken isn’t irredeemable because he’s a Chosen Child ,as well as the questions about how this Crest is still present and useable and then literally gets no use. No Ultimate Form Wormmon for you, folks, NORMAL digivolution is out! I think I and @yunisverse have made our opinion on how to use that crest better clear while we’re being salty over Wizardmon, ha People have said that it’s big draw was that it had a heavier focus on character development and...yes and no? On the one hand, Ken and Cody’s arcs were genuinely enjoyable, Kindness shenanigans aside, as was occasionally exploring TK and Kari’s trauma, something often brushed over in the original series. On the other hand, more or less the whole of Adventure centered AROUND character growth where in 02 it’s...sporadic. Sometimes even random. However the main two reasons everyone was mad at 02 were these;
The original digidestined that were not Kari or TK got shunted onto the backburner, usually using excuses as they had given up their crest powers sometime between Our War Game and the present (despite that A) this is otherwise disregarding the fact they were supposedly not able to enter the digital world again until 02 and B) the power is literally inside them as part of their core, not something the digiworld actually gave to them, and while it could be diminished it could never actually be removed) or that it was the New Kids turn, often with wildly out of character personality developments. (Looking at you, Sora’s new docileness and Mimi’s lack of involvement in most of the plot period.)
The epilogue, which not only gave everyone really weird future jobs (why is Matt an astronaut?!) but also seemed pretty much out to be as aggressively Happily Ever After without actually stopping to think about any implications or actual lead-ups.
02 usually gets a pass from riding on the Adventure coattails, but everyone still tended to be at least disappointed in what had occurred. Also, more serious takes on Digimon, such as Tamers and some of the games, had been growing in popularity.
Thus Bandai, in it’s infinite wisdom, decided to cash back in on Nostalgia by focusing on the Adventure kids, making them closer to 02 so they’re older and they can therefore do more serious mature takes like Tamers, while also trying to rectify how they would even begin to come around to their epilogue jobs. They do this by killing the 02 cast in the first two minutes.
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Welcome to Tri folks! Okay, so the 02 cast isn’t actually dead, but we don’t know where they are for six movies. Six movies!! The most we know for a few years is Ken, for some reason, has reverted to evil! And he has Imperialdramon, which implies Davis is brainwashed too!
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He is basically doing this most of the series (which was initially going to be a mini-series before becoming a series of movies which then proceed to often be cut up into episodes, which that alone should tell you the problems BEHIND the scenes much less on screen) and we find out what he is (not actually Ken but an evil Gennai clone which is also out of nowhere) and what he’s doing (apparently bringing Yggdrasil, long time lore big bad of various digimon continuities and also god, into the Adventure storyline) not by efforts of the kids. Oh no. They’re too busy playing with their new friend Mei!
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God I wish I was joking. The original squad literally shows no concern for where the 02 gang is until halfway through, and it’s a handwave at best and quickly moved on from. Hell, they barely react to “Ken” and CHEER on defeating Imperialdramon! More gravitas was given to having to kill the plot coupon of the day, Meicoonmon, than someone they actually know and should be upset about. Also making Tai NOT want to rush into a fight (what?), Turns Out Homeostatis Is Also Evil Or At Least Amoral (why), a reveal one of the backstory five original digidestined went mad with grief (no), and also I guess for some reason the kids and digimon were separated again given their reactions despite 02′s ending? That’s. That’s not even keeping your own continuity. Why are you like this. Also connecting to the epilogue just seem to be on a whim (not metaphor, Matt decides to be an astronaut on a whim), the general lack of gravitas in most moments followed by moments of SEVERE gravitas (which is the 02 problem but Worse), and bad jokes. I don’t mean Good Bad Jokes like Adventure, just really not funny jokes. And the real bitch of the matter? It had a few things that should’ve made it AWESOME! Like listen, I miss these idiot kids a lot, and the concept of a virus forcing a reboot on the digiworld and thus having to explore, finally, the digimon as characters and what they would be like without the kids? That’s cool! The idea of undoing all the Perma Digideaths (like WIZARDMON goddammit, and in this own show friggin’ Leomon again) with said reboot and thus having a pretty legitimate reason to allow it? Also cool! Worldbuilding about the previous five digidestined? Neat! And lets be real, you all cried at the cast version of Butter-Fly. You know you did. But the thing is they didn’t DO anything with most of this, or did it in a sloppy way. Example; the virus was basically a means to an end for waking up Yggdrasil (I’m not calling him King Drasil, that’s stupid), right? Why? When the Adventure-verse, often to it’s own detriment, is actively tied to the Milleniumon mythos, you could just pull in that eldritch horror and finally have Ryo make sense everywhere not japan. Or heck, the Dark Ocean! Remember the Dark Ocean? Where literally cthulu is and also Daemon now? Apparently neither do the script writers since that would’ve been a golden opportunity.  Of course, this would be asking for continuity, which Tri has issues with within its own narrative. Remember when I said the reboot should’ve undone all permadeaths? Yeah, Wizardmon still shows up as a ghost later to lead Kari out of trouble. No lines or anything, just pops up facing away from the audience and leads her out, and then vanishes, despite the fact that according to the rules they made up for the reboot, he should be a cute little Mokumon in Primary Village at the moment who remembers nothing. Also it kind of low-key has the vibe that growing up is terrible and results in having to make awful decisions? Which I’m not sure is what they meant to do, but it does pretty much have that end result. And that sucks! Even Tamers didn’t do that! Growing up is HARD, sure, but there are GOOD things about it too, and being Adventure one would think that would be the main focus! Nope. I just. This should have been good and when it was announced I was super excited and now I’m pretty much exasperated by its mere existence. And now we’re getting a sequel after ANOTHER timeskip.
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Bandai if this is how you give us a nostalgia feels trip, do us a favor and let Adventure die. You’re just making the sugary memories of childhood have a bitter aftertaste. Or, if you must, just do a proper reboot. Tie up things that actually WERE wrong with the original series and do some clean ups but otherwise leave it untouched. We all know you’re trying to capture the magic twice, guys, you’re not even trying to hide it now. TL;DR, The only parts I like about Tri are Butter-Fly (cast version) and the fact Tai and Matt are gayer than ever
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dracox-serdriel · 6 years ago
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Tumblr Horror
If you want to skip this post, tap the ‘J’ key to jump to the next one. You can also tap the ‘K’ key to jump to the previous post.
(Note: This post contains spoilers for content from various media of the X-Files, Hannibal the TV show, and Grimm.)
I’ve had this blog for years. I started off (a long, long time ago) on LiveJournal, and moved to Tumblr when I realized the platform had more interactive functionality for building online communities and general dialog, which made the site very appealing.
The lack of censorship for public posts with so-called “adult themes” was also highly appealing to me because my favorite genre is horror. When sites start to censor “offensive” content, horror is always on that list. If it’s not directly stated as “offensive material,” then the ever-widening gray area of censorship swallows it up bit by bit.
Want an example? Here’s a post from earlier this year where Tumblr expands its content restrictions. I don’t remember hearing much uproar about these new  restrictions... and at first glance, it seems to focused on things like hate speech and threats of violence. Yet take a good look at this excerpt:
Don't post content which includes violent threats toward individuals or groups - this includes threats of theft, property damage, or financial harm. Don’t post violent content or gore just to be shocking. Don’t showcase the mutilation or torture of human beings, animals (including bestiality), or their remains. Don’t post content that encourages or incites violence, or glorifies acts of violence or the perpetrators.
One could argue that horror doesn’t have violence or gore “just to be shocking,” but it’s also 100% possible to argue that horror does exactly that, particularly horror subgenres like slasher, splatter, and torture (just to name a few), but it also impacts pretty much everything under the horror umbrella.
It also puts a lot of things that aren’t considered under the horror umbrella but are... horror-adjacent. For example, dramas about serial or spree killers, including procedural dramas like Mind Hunters and Criminal Minds, as well as true crime based on them.
Where does the line fall here, exactly? If I had tons of posts about how cool fictional character George Foyet (aka The Reaper) is, does that qualify as “glorifying” acts of violence? If I had tons of posts about the character’s crimes, complete with screenshots from the show and maybe a few fan illustrations to fill in the gaps, would that qualify as “glorifying” acts of violence? Would it qualify as “showcasing the mutilation or torture of human beings”?
Let’s move away from the spree and serial killers for a second. Let’s assume that Tumblr views anything other than their mug shots qualify as “offensive” or “adult” content, despite the popularity of shows/fiction/general content.
What about shows like the X-Files? In the second movie, X-Files: I Want to Believe, there’s a two-headed dog that exists by way of unethical science experiments. It’s also killed in self-defense by a main character. Animal mutilation and torture? Check! There are countless episodes that focus on illegal human experimentation by the government, including the discovery of mass graves (02x25 Anasazi), testing infectious diseases on prison inmates (02x22 F. Emasculata), TV-induced mind control (03x23 Wetwired), and stealing/experimenting on human embryos (05x08 Emily). And that’s just a few of the things perpetrated by the government. That’s not including the town of cannibals (02x24 Our Town) or the more selective cannibals, like the guy who killed people for their fat (03x06 2Shy), the guy who ate people’s brains (07x03 Hungry), or the guy who drained melanin (04x03 Teliko). Don’t forget the demon who slaughters people - including having one eaten by a giant snake (02x14 Die Hand die Verletzt), weaponized bacteria-turned-killing-machines (05x18 The Pine Bluff Variant), and even a crocodile (03x22 Quagmire), which is an episode where both a beloved pet dog (RIP Queequeg) gets eaten and a crocodile is shot and killed.
Then there’s shows like Grimm, which has plenty of violence with the added bonus of the mythology of the show blurring the human/animal line. It’s got everything from the main character mailing two decapitated heads to Jack the Ripper possessing a main character to continue his killing spree. And that’s the “mostly human” violence... let’s not forget the animal-like violence from wesen characters fighting each other with tooth, claw, venom, etc.
I probably shouldn’t even touch the TV show Hannibal, even though it handles violence so beautifully and in such a creative way. It still contains tons of gore, violence, psychological manipulation/trauma/abuse, and, of course, cannibalism. One could easily argue that many of the crime scenes depicted on the show are “just to be shocking,” such as the totem pole of bodies (01x09 Trou Normand), people disfigured to look like “angels” (01x06 Coquilles), and people who have been savaged by what appears to be “some kind of animal attack” (02x09 Shiizakana), and people who are still alive despite being sewn into a giant corpse mural (02x02 Sakizuki) or having part of their brain removed to accommodate a beehive (02x03 Takiawase).
Now, before we get much further, there’s this question that people always ask that I know I’ll need to answer. So let’s get it out of the way.
What’s the point of horror?
When it comes to most genres, people who don’t like a certain genre often regard it as “boring” or “hard to follow” or, well, just not their cup of tea. But for a genre like horror, people who don’t like it often regard it as “gross,” repulsive, or maybe just plain cheesy (depending on what’s being discussed).
For example, a person who doesn’t like historical documentaries will almost never describe them as “offensive” or “gross”; whereas, many people who don’t like horror describe their dislike in exactly those terms (e.g., “that’s gross!” or “all that violence offends me!”).
I understand the response. My point here isn’t to criticize the responses of others when it comes to horror - there’s nothing wrong with being grossed out by a slasher flick. My point is that many people don’t simply dislike the content - they’re offended by it. There’s also a strong general tendency (regardless of personal opinion) to draw assumptions about the people who like “offensive” content (including porn-level sexual content). 
For example, people who like horror “like” to be scared... that the unrealism of horror (meaning, the fact that it’s fiction - or a fiction-ified version of a story) gives us the distance we need to enjoy and process the gore/violence/other elements of horror.
I can’t speak to why anyone besides than myself likes horror, but look at how the topic is written about and even studied. Type “why people like horror” into a search engine. Open another tab and type “why people like comedy” into that same search engine. Compare the articles from the top results. For me, most of the horror results are from psychology or psychology insight sites; whereas, the comedy results have less technical papers and more, well... humor. There’s only 1 article about people who don’t like comedy (framed as a joke), compared to over half the horror results also mentioning people who dislike/hate horror.
This small example can show you how different the conversations about horror are from comedy. But feel free to compare other genres - documentaries, for example - and you’ll see a very similar trend in terms of contrast. Keep in mind that many documentaries include plenty of disturbing content, such as the details of war crimes.
So, when it comes to horror, conversations tend to be polarized. It’s reasonable to classify most horror as “adult” content because, yes, it often includes gore, violence, murder, etc. But people will often brand horror-related material as “offensive” and will sometimes even argue that it “encourages violence” or “glorifies violence,” especially for horror materials that defy traditionally codified aspects of horror (e.g., movies or stories that don’t contain “poetic justice” or the antagonists being caught/stopped/punished).
So... what’s the point of horror? The question is annoying because there’s a ton of answers - and of course, it varies by person - but it’s also annoying because people often ask it to support the idea that horror is superfluous and/or gratuitous (aka “just for shock”). Much of modern censorship focus on “the gratuitous” - if the violence is “important to the story,” then it passes muster. If not - or if there’s just too dang much of it - it’s described as “gratuitous” (and thereafter, often censored). Sometimes, the act of answering the question “what’s the point of horror?” in a way plays into this kind of censorship... because it operates on the idea that you need a reason/a point for horror for it to be valid.
Related questions: Does viewing violence “inspire” or “encourage” it? Doesn’t seeing so much violence desensitize us? Even if a catharsis - a release - is experienced, doesn’t horror doing more harm than good?
Returning to the new content restrictions, check out the post A better, more positive Tumblr:
Over the past several months, and inspired by our storied past, we’ve given serious thought to who we want to be to our community moving forward and have been hard at work laying the foundation for a better Tumblr.
...
We spent considerable time weighing the pros and cons of expression in the community that includes adult content. In doing so, it became clear that without this content we have the opportunity to create a place where more people feel comfortable expressing themselves.
Bottom line: There are no shortage of sites on the internet that feature adult content. We will leave it to them and focus our efforts on creating the most welcoming environment possible for our community.
(emphasis mine)
I had been holding out hope that horror would not fall into the “offensive adult material” gray area on Tumblr, but if these changes are actually about creating “the most welcoming environment,” then horror is definitely on the chopping block, regardless of whether or not it has sexual content.
After all, plenty of people view horror as gratuitous and/or “offensive” and/or gross. Which means horror posts are (and will continue to be) reported as abuse/bad content. 
Tumblr is saying that sexual content (which people could choose to ignore and choose to block with a number of tools) is being banned because its inclusion has an “unwelcoming” or “uncomfortable” affect on the community of this platform, that’s ultimately rooted in the fact that Tumblr sees sexual content as gratuitous. This is backed up by the fact that, despite the popularity of adult content on this platform, Tumblr believes that cutting that content out will have more positive affects than negative ones.
I haven’t found solid numbers on how many people like horror, but a lot of sources suggest that approximate 1/3 of the population has an inclination toward horror, but nearly 2/3 of the population dislikes horror... Even if these numbers aren’t entirely on-target, I feel confident in arguing that, statistically, more people like sexual content/porn than horror.
If cutting objectionable (yet popular) material will benefit Tumblr, I doubt they’d worry much about cutting objectionable and fairly unpopular material.
To be clear: for the moment, I’m not going anywhere.
But I have a feeling that many of the things I use Tumblr for will soon be gone and/or fall under the constant eye of censorship scrutiny. From my experience, this results in content drying up (why post material to a platform you have to battle to keep it live and public?).
According to Tumblr, there are a lot of sites that “feature adult content,” which means relocating shoudn’t be a big deal, though I’m not sure if this applies to other similar platforms. But, of course, it is a big deal. And it’s a pain.
Exporting content to sucks pretty much all the time, regardless of where you’re going. Especially for those of us who’ve accumulated thousands and thousands of posts over the years. Sure, if I export it from Tumblr, I’ll have a record... but all those records will point to Tumblr URLs - many of which will be defunct in two weeks because “private” posting will be engaged, making the URL no longer visible/accessible. That’s not even talking about all the defunct blogs that will be dotting my dashboard and posts because the users have moved on...
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pass3rby · 6 years ago
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Caught By Your Past
24th Part
Fandom: Assassin’s Creed Pairing: Altair x Malik Warnings: modern AU, mature, OOC, original female character; unbetaed.
A/N: Here’s to a better Monday (hopefully)
Even a snail-speed did not stop a development. If somebody tried to put it into a picture show, it would be a night or a hanging-out nap per slide and each would star Altair a bit closer to the bed than the one before.
As much as Malik was trying to keep his annoyed facade going and on, things were gradually changing for them and if he should be honest at least to himself, he didn't do his best to avoid it. He made the exact opposite actually – which meant letting things happen. Therefore, they had trash-talks and they didn't tiptoe around each other. Neither missed the opportunity for a good ribbing; Altair had nagging down to a science and Malik always repaid his affection in kind with a dash of dry & salty on top. His unparalleled claim on the bed stayed respected.
Among other things, the three of them also had a movie night, full of Malik's condescending remarks aimed either at the screen or at Altair who kept shoving his feet on his lap and his sister lording over them both with popcorn thrown at whichever of them she decided deserved it the most at a randomly selected moment; which ended spectacularly with half-a-comforter and the same amount of a passed-out sister on him, exclusive Backpain edition of a Death in The Making and Altair seated on the floor in between his legs, out cold as well.
They still did not “get their freak on” – and thank you, sis, there is never going to be any after hearing you sing-rap… What the even… What was that? Altair nearly laughed his ass off when he heard that one. Must have been something real dreadful then.
It was only a matter of time until this unmanned train took them to another level, though. Therefore, Malik wasn't surprised when one day he found himself lying in his bed with Altair loosely spooning him. Either a lethargy hit his system hard or his brain stopped overthinking everything for that moment; maybe both. But he didn't pull away and neither did he kick Altair off the bed.
Being tense was just a far-off memory now; one muscled arm thrown over Malik's side in a relaxed manner only accentuated the feeling. Random patterns being drawn on his hip... How exactly did they get there? He honestly couldn't tell – or remember. The only thing his mind was able to recognize, be aware of and distinguish was the proximity, warmth and overall tranquil ease of the moment that he was soaking up. Things he grew unaccustomed to overtime slowly settling over his body, then gradually seeping into him.
As sappy as it sounded even in his own head, Malik didn't want to lose this. Not again. It was worth everything, all the costs that went along with it. Like it had been worth it to the very moment he could not keep up. Like the memory was, still.
Recently, Altair's phone came back to life. For the whole span of his visit here the device must've been on plane mode or something, otherwise there would be no reasonable explanation of the phone suddenly blasting various hits through the flat so much only as of late. Malik could count on the fingers of one hand how many times he saw the man use the device before. That sudden trilling mania somehow popped the isolated-reality bubble which formed around the three of them.
The knowledge of the world outside, its existence, was always there; Malik interacted with it all the time, contrary to popular belief. The amount was limited, but there. Intellectually, he got that covered. Still, as absurd as it sounded, that cursed piece of technology set all alarms in Malik's head off. Soon after he realized why. There was still the rest of the world that could concern Altair and worse – that would demand him back. And as much as Malik was sure of his own worth, accepting that wasn't as easy as it sounded. The world was exactly what took Altair away from him the last time, too, after all.
This was nonsense. He behaved like a teenage girl here. They were good and those were just silly phone calls. And if he strengthened his own hold on the arm embracing him a bit so what. It was comfortable, and he fucking liked it.
It was going to be fine, he firmly decided. Suck it up.
Trying to hide the subtle change behind reasoning, he shot off the first question that came to mind.
“What do you do for work anyway?” Coming to think of that, it wasn't a stupid one. What was stupid was the fact that even after three weeks, Malik actually didn't know the answer.
“I'm a BASE jumper.” Fingers kept on drawing yet another pattern into Malik's skin, obviously disinterested in the topic and overall not finding it worth stopping what they were doing. Which perfectly complemented Altair's unphased words. Malik? Not so much. His muscles spasmed and his whole body froze.
Well, Altair never did anything by halves, did he…
His anger simmered forth and an elevated pulse didn't stay far behind. Having to call upon the trademark scowl to get back where it belonged only made Malik register that it was missing in the first place and what an utter wanker!
There was never a better opportunity to drop that pin.
Dear idiot, have you ever heard of the silence before–
Apparently, Altair never did, because he didn't make a mad dash for exit the very second.
A book hit Altair's head.
Fast.
Hard.
“You told me you're staying, you fucker!” Malik surged up, glaring at the liar. Does he honestly think Malik's an idiot who doesn't know what BASE jumpers do to get their rocks off?!
“I am, though!” Altair followed his example and as much as his voice was vehement, his face was painted with a dumbass look. Unsurprisingly, it didn't keep strictly to his face; Malik could almost see the idiocy seeping into the brain matter, too. As if Altair needed any more.
“No, you're not! You travel the whole blasted world!”
Trying to kill yourself in the process!
“Malik, what the hell?!” Self-preservation instincts must've finally kick in, because Altair made a quick escape out of the bed. The temptation of maiming him lessened a bit. For now.
That uncomprehending, confused expression didn't disappear, though.
As if he had any right-
“I've said what my job is right on the first day here. What's so wrong about it all of a sudden?”
Way to make Malik go beet red. Because, unbeknownst to him, the brunette pointed out that it was Malik's own fault. This is what you get for spacing out at a wrong moment. Altair must've mentioned his occupation when Malik was still too busy trying to ride the sudden tsunami wave of…everything when he saw Altair for the first time in twelve years. Not only was he acting like an absolute moron just seconds ago, but he was also frustrated and desperate now – thanks to his own lapse. That was just so–!
He hurled yet another book Altair's way, wishing he could fling it at himself instead.
  ***
  After Altair left to seek safety outside the room, Malik started to gradually cool down. It didn't happen of its own accord; the anger would most probably insist on staying until it burned him up physically just as it had mentally, but Malik wasn't fond of letting anything or anyone control him. He might've had a temporary, weak moment, but it was time to reign the fire back in. Only to find out he had nothing to do.
No, let him rectify that statement. He had loads to do and the only thing that separated him from it was the power button on his laptop. Currently, however, he would only add more errors than corrections. Disgusted at himself for such loss of control, the more motivation it was to recall his unfocused mind back in order. If he ever wanted to regain his mental equilibrium back, though, he had to divest himself of the pressing distraction. And the first step to achieve that was to address the matter. So, folding his arms on his chest, he did.
As much as both him and Altair were stubborn, as much as the room refugee was venturous in his very core, Malik was proud. Not that he didn't have grounds to be. However sometimes, the trait made it hard to admit a mistake of his own doing. He was very careful to avoid situations that would push him into the very act, but nobody's perfect and the recent argument had only proven that statement once again. Malik was adept at owning his mistakes nowadays; he still did not enjoy doing that but was capable of the action. That alone wasn't all there was to the problem, was it.
The real issue was Altair's... job. Hobby. Both, because Altair would not spend an hour of his time on something that wouldn't be worth it to him. Arguing aside; the thing was serious. Dangerous business. Heaps of adrenaline. Exactly what Altair always craved. Malik was no stranger to dealing with this situation. An exact same one. He could swear it wasn't so hard to do when he was seventeen, though. And back then? Altair was far from holding back, too. Those who'd dare to think that him being younger forced some limits on him would be sorely mistaken. He used to dab into all sorts of things anyway which was no wonder, considering his crew of madness.
Ezio was overly fond of walls to the point that indoor wall climbing didn't even register on his radar anymore and instead, he went for urban parkour and freerunning. While Altair and the Italian weren't necessarily joined at the hip – small miracle and mercy spared on Malik – they sure shared similar, if not identical mindsets overall. Kenway would be another rebellious breed; mostly into activities involving water. These two, he and Ezio, were really tight, therefore where Ezio was, Kenway turned out to be nearby as well and vice versa. Therefore, although their diverging hobbies, the guys stole moves and tricks from each other and developed their styles even further down the road. Bec seemed like the least insane of the bunch, but even she had her own brand of crazy. In her case, the calling was technology, which sounded innocent enough. Until Malik witnessed her “fucking around” on a skateboard and glanced off a part of her snowboard-rave holiday trip, documented with the help of her baby drone.
That would be the main influential group of people that surrounded Altair for what seemed like ever since forever. And the teen wholeheartedly inhaled all he could from each one of them and then some, because his own specialization? Heights and jumps. Seriously, if you saw a spot so high your head spun, and Altair wasn't there already? All you had to do was mention the location.
Malik had been fine with who Altair was when they hit it off. He knew the guy equaled a walking, unbridled composition of insanity. They couldn't've been more different and that was fine as well. Thorough the time they've been an item, there were countless occasions where Altair turned up with some sort of injury – bones broken, black eyes, bruised ribs, cuts, you name it. Far from ideal to an outsider and yes, Malik wasn't delighted with all the bloody clothes either. Hell, the medicine cabinet must have gotten more action than he did in total. But when push came to shove, Malik would always accept it.
Accept it.
Malik reverted back into his present self. The one that was now clenching its fists and teeth. Unclenching his hands, releasing them out of the spastic prison, he forced the real issue – the truth out.
He was afraid.
Fear got to him this time around and it was the bone chilling kind, too. It was so easy to believe that Altair couldn't die, that nothing serious could happen to him when he was younger. The teen had pulled through so many failed attempts at whatever; he seemed immortal and excluded that level of confidence as well. Why would Malik worry back then?
Altair still got that vibe going on. The only difference here was, that Malik went with what his brain said much more these days. He was older. He was supposed to be sober-minded; smart. A fat lot of good it did to him here.
He didn't like it, alright?! He. Fuckin'. Didn't. BASE jumping was hazardous – at best. It was something Altair obviously had to do, loved to do, though. So, in the end, it didn't really matter what Malik thought. This wasn't about whether Altair would stop, quit the job for him or not. It was about Malik deciding to either go and tell Altair to fuck off or apologize and hope for the best.
He took in his whole room. The rackety chair still stood on all four, his books were sorted precisely the way he left them, there was no secondary background sound, only the wind sweeping through the trees outside.
Neither here nor there, that's where Malik stood at the moment and for the next couple of minutes. Then, done with the limbo, he bit the bullet, leaving the door open as he marched forth.
  ***
  Of course this would be when it all went to shit.
Altair had no idea what exactly provoked Malik to such extent, but that didn't mean the result would disappear. He was still in the kitchen and Malik was still in his room.
Until he wasn't.
Hearing a noise behind him he spun around only to end up with a chest full of Malik's forehead. This was certainly unusual. No matter, he was far from refusing the gesture and what it meant. Wrapping his arms around the man, he was just glad that whatever that previous outburst was for, it was gone and done with; over.
Not that he wasn't interested in finding out what caused it; Malik wasn't one to lash out for something trivial. Altair sensed it was better to let it be, though. If and when Malik would want, he'd tell him. Of that, his sorry exiled ass was sure. The man was the least person to keep his mouth shut if he didn't like something, Altair thought with certain amount of affection.
“Wanna go grab a coffee?” They were bound to separate any minute now, so he might as well rid them of any possible awkwardness.
“Got to get my phone,” was a mumbled reply before Malik began pulling away. Altair didn't stop him.
“I'll wait by the door.”
Next
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livingthe24framelife · 5 years ago
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The Rise of Sunset Shimmer: Part 2
It was a beautiful morning. Most people would’ve taken the opportunity to go outside. Sunset was not one of those people. 
But the longer she stayed indoors, the more she could hear Celestia’s voice in her head. “Go outside, it’s a wonderful day. Talk to somepony.” Sunset had always hated it when the princess made her go out. As the day wore on, however, her former teacher’s voice seemed to get louder and louder. Sunset was starting to get annoyed. Not being able to take the voice any longer, she gave in and headed out into the streets. There wasn’t anyplace in perticular Sunset wanted to go to, so instead she just figured a nice stroll through town would suffice. Besides, to her, walking was a good workout for her legs and it gave her time to think about everything that had happened lately. It had been a few weeks since first arriving and Sunset was starting to feel more comfortable in her new life and skin. She learned how to dress and take baths in the human way, which gave her the chance to see what the rest of her new body looked like (and had practically traumatized her) and started to get a feel for how humans acted. Although she still lived at the motel, she had gotten a job as a waitress at a Japanese-themed restaurant located in a nearby mall. Sunset had vaguely remembered hearing about Japan from a book on world countries she'd got from the library. Seeing the culture up close was something she thought was quite interesting. Her wish was to get enough cash to buy her own place. Soon afterwards she had made enough money to not only get “sleeping clothes” or pajamas as they were called, but she also was able to buy a used phone via the local thrift store. The next day was spent trying to learn how to use it, which was not easy for someone who didn't even know technology like this existed. But as she had done before, Sunset persevered and finally got the basics down. Once she'd learned how to use a phone, the first thing she did with it was to look up anatomy. Sunset wanted to learn about the human body so she'd know the proper vocabulary. After that she used it to get answers to every question she had about this new world. Soon it got to a point where Sunset saw herself as an expert on human life. A feat she was quite proud of. 
“If Celestia could see me now..” she thought with a tiny smirk on her face.
A couple minutes into her stroll, Sunset started to feel tired. Soon she found herself sitting on a park bench by the school. She just wanted to sit back and relax for a little bit. To pass the time she took out the notepad she'd brought with her and began to doodle. Like walking, she saw doing this as an exercise for her hands and fingers. Even though her motor skills had improved in leaps and bounds since her first night as a human she still felt like working on it a bit more. Her artworks weren't masterpieces by any means, but they weren't bad either. She sketched out drawings of the scenery of her new home and creatures from her old one as well. Like the sirens, which a book she just borrowed had reminded her of. The Little Mermaid. It was an interesting read. Short but interesting. Sunset found that she identified with the main character. At least the becoming human part. However, she considered the mermaid lucky. It's one thing to just get legs. It's a whole other thing when you get a completely new body to boot. The one thing Sunset wasn't keen about was the ending. “What kind of story ends on such a sad note like that?” she pondered. Drawing photos of sirens caused Sunset to recall how her mother would read her a new folk tale, myth or legend to her every night before bed. Suddenly she stopped moving the pen.
Her mother...
It wasn't until then that Sunset noticed that she hadn't given her parents a single thought for...who knows how long. Long before she left the pony world, that was certain. They’d become strangers to her ever since she moved to Canterlot to go to the school for unicorns. Sure, she'd written a response to a letter or two at first, but as time went on, she became more engrossed in her studies. Especially after becoming Celestia’s protege. Sunset’s train of thought was impeded by the sound of a bell going off. Her head perked up as she saw kids leaving the high school. Teens in boatloads were either hopping on buses or just interacting with each other around the campus grounds. As Sunset watched, an idea formed in her mind. Back in Equestria, she would've been considered an adult. But in this world she looked to be exactly the same age as those students. If she wanted to truly assimilate into human society, the best way to go about it would be to go to school. Eager to get started Sunset got off the bench and headed to the motel to put her plan into action. 
Sunset was regretting this plan. Well, almost. It had been a day since she had gotten her idea to become a student at Canterlot High. She had to go to the library again to get the application form since her motel room didn't come with a printer. Now she was sitting in the school office along with none other than Princess Celestia. Or rather, her human counterpart Principal Celestia. Sunset had just about had a heart attack when she first saw her former teacher. Instead of racing out of the room and never coming near that school again, she just tried to play it cool. One other thing that made Sunset’s jaw almost hit the floor was that not only was Celestia at the school, but Princess Luna-or in this world Vice Principal Luna-was there too. Sunset had seen her out in the main office talking with a secretary. She remembered hearing about Luna from Celestia. How she felt so guilty over everything that happened between them. The whole story made Sunset feel bad for the princess. Now she couldn't care less. If she was honest with herself, the more Sunset sat there looking at Celestia the more her shock turned to anger. If she had her way, she'd use magic to freeze that woman in place and rant about how much she hated her. Counterpart or not. 
“Well Sunset, it seems like everything’s in order.” Celestia said looking over the form. Sunset internally breathed a sigh of relief. Forging her parents’ signatures had worked. Turns out Celestia was as foolish in this world as she was in the other one. “One question though.” The principal wondered out loud. "Why are your parents not here?” Sunset panicked. “Think of an answer, think of an answer!” she yelled to her brain. And suddenly, she had one. “I come from a town that's pretty far away from here. My parents heard about how good this school was and they figured that I'm old enough to live on my own.” Sunset explained. She nervously waited for a response. "Very well then.” Celestia said, breaking the silence. "You'll start two days from now.” Minutes later Sunset was outside the school trying to get a grip on her bearings and process what just happened. “Okay Sunset you can do this. If you're lucky you won't see her too much and everything will be fine. Just like with your magic, sacrifices have to be made.” Her mind now at ease, Sunset started to walk home preparing herself for her first day at a human school. 
That evening, Sunset was sitting up in bed staring at her notebook. The page she was on concerned a to-do list. Some boxes had been checked, others weren't. She had a gut feeling that couldn't be explained, a sense that there was another reason she wanted to go to school. Something more than just “so she could be like a human.” Something that had to do with her plan to become powerful. Frustrated, Sunset groaned and put away the notebook. Perhaps watching tv would help her relax. She flicked through the channels, not really paying attention. Suddenly Sunset stopped. She'd found something. It was a film called Mean Girls. Looking on, she found herself drawn to the character of Regina George. That girl had everything Sunset had dreamt of for so long. Respect. Others fearing her. Power. Sunset quickly turned off the tv. She didn't care about the movie anymore. She'd found inspiration. Grabbing the notebook, she turned to her list. Right under Get into Canterlot High she wrote: 
Rule the school. 
Sunset slyly grinned. She finally had a plan, and now couldn't wait for her first day in class. Because just like Regina, she was going to make the world burn.
                                                 End of Part 2
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lalka-laski · 5 years ago
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Another Day, Another Dollar (and a survey to pass the time)
Coffee mugs, teacups, or water bottles? I collect kitschy mugs, most of which were souvenirs or gifts (for example, my sister’s boyfriend got me a mug with the ENTIRE script of Shrek printed on it. Amazing lol!). But I also love pretty teacups and I have several scattered around my apartment as decor. I even have this BEAUTIFUL tea set, hand-made and painted in Poland, that I’ve been meaning to display.  Bubblegum or cotton candy? If we’re talking flavoring, then NEITHER! The idea alone of bubblegum or cotton-candy flavored shit makes me gag.  How did your elementary school teachers describe you? I was quiet and not very social, but an exceptional student. I spent most of my free time reading books or writing my own stories. Pretty much an elementary teacher’s dream student!
Do you prefer to drink soda from cans, bottles or cups? My top choice across the board would be a cup with a straw. But I LOVE regular Coca-Cola from a can. It tastes so much better than Coke from a bottle or fountain machine for some reason. It’s sweeter and smoother with less of that painful carbonated burn.  Earbuds or headphones? Earbuds, just because headphones make me look like a dork. 
Movies or TV? TV shows are easier to fade in and out of, which is my preferred means of watching something.  Favorite smell in the summer? SUNSCREEN! It’s such a distinct and familiar smell that’s contained to only a teeny sliver of the year. I love smells like that.  Game you were best at in P.E./gym? It’s not a game but I was weirdly good at rock-climbing when we did that unit in high school?  What do you have for breakfast on an average day? Nothing. I love breakfast food, just not at breakfast time.  Name of your favorite playlist? I have this one playlist whose title is simply the sparkle/star emoji (creative, I know). It’s a lot of vibey, atmospheric jams that are the perfect soundtrack when I have people over just chilling and drinking.  Lanyard or key ring? Keyring, but a lanyard might make my life easier.  Favorite non-chocolate candy? Sourpatch Kids or any other type of sour gummy.  Favorite book you had to read for school? Dude. I was an English nerd who later became an English major and at one point in the semester was averaging 2 novels a week. I could never pick a sole favorite from all my years in school and I’d struggle to even pick a favorite from each class. But for the sake of this question I’m gonna rattle off a few that come to mind. From middle school through high school I loved The Outsiders, The Westing Game, TKAM, anything by Steinbeck, Jane Eyre, The Poisonwood Bible, The Virgin Suicides. 
AAAAAND I just started mentally listing my favorite books from college but got too overwhelmed. So I’m moving on to the next question now, thx!
Most comfortable position to sit in? Uh, I’ve never put much thought into that. 
Most frequently worn pair of shoes? It depends on the season. And to be honest, I’d rather go barefoot whenever possible.  Ideal weather? A little cool but sunny. I do love the rain but it hinders plans (and hair & makeup!) so I lean more towards sunny, dry days.  Pencils or pens? PENS ONLY. Pencils gross me out.  Obsession from childhood? Most of my childhood obsessions have carried over into adulthood: whimsical fairy tales and princesses (specifically Sleeping Beauty), the color pink, collecting diaries & journals...  Favorite crystal? Rose quartz, if that counts?  Favorite activity to do in warm weather? Swimming or laying by the pool/under a tree with a good book. And of course, I love me some day drinking on a summer day! Favorite activity to do in cold weather? Staying cozy inside, also with a good book and a good drink. See a theme here?  Five songs to describe you? Thursday’s Child- David Bowie She Talks to Angels- The Black Crowes Paradise- Coldplay Never Get You Right- Brandon Flowers Silver Lining- David Gray
Best way for someone to bond with you? Music and literature are my favorite ways to connect with a person. There’s nothing more intimate (and I mean that both in a romantic and platonic sense) than listening to a song or reading a poem/passage with someone and then discussing what it means to you.  Top 5 favorite Vines? I have many! “Road work ahead” is of course a fave. And there are so many more that I can’t think of right now.  Ads you have stuck in your head? None atm
Average time you fall asleep? Depends entirely on the night  What is the first meme you remember seeing? Yikes, I can’t remember. I’m sure it involved a cat?  Suitcase, duffel bag, or backpack? Suitcase with wheels  Lemonade or tea? Lemonade is my favorite non-alcoholic drink ever. I even named my childhood teddy bear “Lemonade.”  Last person you texted? Glenn  Jacket pockets or pants pockets? Jacket pockets, I never carry things in pants pockets. Favorite type of jacket? Jackets are my favorite item of clothing, so I’m a hoarder of cute jackets, blazers & coats!  Favorite scent for soap? Lavender & cedarwood from Bath & Body Works.  Sci-fi, fantasy, or superheroes? I don’t care much for either.  What clothes do you sleep in? Usually just a comfy tee shirt  Favorite type of cheese? Extra extra sharp cheddar (preferably white). So sharp it makes your jaw tingle!  What saying or quote do you live by? I’m trying to ask myself lately “What can I learn from this?” or “What can this offer me?”  What are you currently stressed about? For the most part, I’m in a good place. I feel aligned and centered and a HELL of a lot better than I’ve ever felt. My biggest struggles currently are related to body image, envy & self-worth, which is a lifelong battle for most, no?  Favorite font? Cabria or something like that?  What did you learn from your first job? Speaking up for yourself is difficult but it’s one of life’s necessary evils  Favorite fairy tale? Sleeping Beauty, of course! It’s an obsession.  Favorite tradition? That’s a difficult question because I’m SUPER sentimental and I have tons of personal & family traditions.  Talent you’re proud of having? Empathy
If you were a video game character, what would your catchphrase be? "Stop it!” exclaimed in disbelief or surprise.  If you were an anime character, what genre of anime would it be? I have no clue Character you relate to? Elle Woods (on my best days).  Favorite website from your childhood? I loved gurl.com and Alloy. I just checked to see if either still exist.... gurl now links to Seventeen (another favorite in my teen years) and Alloy links to Youtube? Odd.  Any scars? A very faint one. Actually it may not even be there anymore.  Favorite flower? Chrysanthemum  Any good luck charms? Like I said, I’m a very sentimental person. So I have several!  Least favorite flavor of food or drink? Well a question from earlier in the survey reminded me how much I ABHOR bubblegum or cotton candy flavored things. I’m also very picky about lemon. I love lemonade or lemon candies, but can’t stand the flavor in desserts or savory  dishes. So maybe I just like artificial lemon flavor?  Left or right handed? I’m right handed but always wished I was left-handed just because I thought it was cool.  Least favorite pattern? None come to mind immediately  Worst subject in school? Math of any sort. Chemistry was also wicked hard for me.  Favorite weird flavor combo? I don’t think anything I eat is that weird or abnormal  When did you lose your first tooth? No clue Favorite potato food? Hashbrown patties or curly fries. Not a huge fan of regular french fries, although that doesn’t stop me from eating them whenever the opportunity presents itself...  Gas station coffee or grocery store sushi? Weird options. But I don’t eat sushi and I actually love gas station coffee so there’s a clear winner here. 
Earth tones or jewel tones? Jewel tones Do you call them fireflies or lightning bugs? Fireflies
PC or console gaming? I don’t game
Writing or drawing? Writing Podcasts or talk radio? Podcast, I suppose. But I rarely find podcasts I enjoy. Most of the time it just seems like a person who likes the sound of their own voice rambling, or two or more people having a conversation that doesn’t need an audience.  Barbie or Polly Pocket? Barbie but Polly Pocket was still that bitch
Fairy tales or mythology? I’m partial to fairy tales but that doesn’t mean I find mythology any less fascinating. 
Cookies or cupcakes? Cookies all day Your greatest fear? Death or losing a loved one Your greatest wish? To find inner peace and happiness, to live a long life with my loved ones Who would you put before everyone else? My loved ones^ Wow I’ve used that phrases a lot in these past few questions.  Lamps, overhead lights, fairy lights, or sunlight? Fairy lights!!  Nicknames? Lil Bit/Libit, Lala, Enebis, Lala, Liz, Lizzie, Ela.  The name “Elizabeth” lends itself to a hell of a lot of nicknames haha!  Favorite season? Fall, probably. But I’ve grown to love Spring too as I’ve gotten older. Which is weird because it was always my least favorite growing up. I used to find it depressing but now I think it’s inspiring.  Favorite app on your phone? Snapchat probably  What is your desktop background? I’m on a work computer right now so it’s just our company logo How many phone numbers do you have memorized? Uhh.... very few.
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