#remember that the series debuted back in 2007 :^)

[atomicsuperrobot]

Man having read the first chapter of Encore now that it's translated and looking back at the title page of the last chapter I stopped at at Yet Another Failed Start At A Reread Of The Original (it was chapter four this time; p sure I made it farther last time), the difference is pretty startling. Everything looked so jank back then compared to now LMAO

I do wholeheartedly love the improvement tbh. ig it was only natural after 15+ years of drawing the guy.

[f1version]

BARBARA ROBERTS ★ DTN SERIES

series’ masterlist

An old chapter is reopened, that force and distinction that drove Barbara Roberts to the top of F1 for two consecutive years, back home. Malibu Racing is a new temple, the extension of a legacy.

Barbara Roberts, Team Principal and CEO of Malibu Racing F1 Team has her origins tied to history books. A two-time world champion whose on-track abilities couldn’t be ignored. A fierce competitor who came back for more.

At the young age of four, Barbara began chasing the excitement behind the wheel, observing karting races closely, going home, and developing her talent with each lap of her uncle’s old kart. She found happiness in speed, enjoyed visiting the Phoenix Street Circuit each year, obsessed over the Indy500, and watched Ayrton Senna and Alain Prost challenge each other throughout the years. Suddenly, she began to dream about a hot-pink car, all her notebooks filled with drawings of it. She, as well as her family, then understood that racing was a fire that needed to be fueled.

Roberts made her kart racing debut at the age of eight, and after winning her first race, it was a matter of time before her name was engraved on several US-based kart championship trophies. However, further progress would require expanding horizons, which prompted the Roberts to move across the ocean in 1994, supporting Barbara for what could be a challenging career. 

Europe was fast, she stayed faster. By fourteen her collection of kart titles included national, international, and world championships. Every race and practice aimed for that unattainable perfection, being aware of the judging eyes on each step she took. At 16 years old, Roberts was fearless, deciding to pursue another dream of hers, an engineering career. She used to say that the pressure was a reminder of what was yet to come.

Pieces began to fall into place, Barbara embarked on single-seaters as soon as age allowed it. Her first title in Monoposto Racing Club was followed by titles in Formula BMW ADAC, Formula Renault, and the Formula 3 Euro Series — all consecutive titles. And bound to keep the momentum, she started hunting for a seat in Formula One, closing the deal with BMW Williams in a reserve capacity for 2004 and securing a race seat for the 2005 season. 

Debuting at 21, Barbara spent her year fighting at the midfield in struggling machinery, yet was able to finish 10th in the World Championship, once again pouring ink on paper for what would be BMW Sauber in 2006. An improvement in reliability for her sophomore season placed Roberts on track for her maiden Grand Prix victory in the streets of Monaco, an unbelievable, emotional, and well-remembered drive that holds her in the tracks’ spotlight to this day.

For the 2007 season, Scuderia Ferrari took the bet on two young talents: Barbara Roberts and Kimi Räikkönen, giving both drivers the exact same 3-year-contract and an opportunity to make history. 

The pair held a fiery battle all season, ending in one of the most astonishing title deciders in the sport’s history, where the world championship rested on their number of wins due to a tie in the points. The crown sealed on Räikkönen, but Barbara’s own would arrive that very next year, securing it after 8 wins and 15 total podiums.

In her final year of mastery, Roberts became a double World Champion after a year-long battle against Brawn’s Jenson Button, three points separating them. And despite being contracted to race in 2010, Roberts decided to leave F1 behind at the end of the 2009 season.

After her F1 retirement, Barbara has taken on different roles and challenges throughout the years. In 2011 revealing her retirement's original reason, Roberts announced her new position as CEO of her family’s emblematic automobile manufacturer, Malibu Motors, linking nostalgia with modernity. In 2016, they held the biggest car launch in history, presenting one supercar and seven SUVs which resulted into having six of those as the bestselling cars of the year. In 2017, Malibu Motors became part of the Formula 3 engine programme, making the public think that was her only form of a comeback to motorsport. Yet, one year later, a victory in the 24 Hours of Le Mans was waiting for her and former rivals, Fernando Alonso and Jenson Button. And, in for 2019, she begun sponsoring multiple young women across motorsport, mentoring those in the path to Formula One.

Important figures of the sport, old colleagues, and the public, believed Barbara would be back in the car sooner or later, but after fourteen years, she has opted for a different path. A decade-long project becomes reality in 2023, with two hot-pink cars flying on track, resembling Barbie’s old childhood drawings.

★ Malibu Racing F1 ⓒ 2023

THE PINK MEMBERSHIP — @lorarri @fefieverywhere @inejghafawifesblog @lenean7 @boiohboii @monacokisses @nyxblessed @whenelisefallsinlove @peachiicherries @folklorelvrr @spencerrxids @destourtereaux @lovelytsunoda @landonorizzz @love4lando @evans-dejong @cielolercs @mae119 @spacius @almostjollypizza @elliegrey2803 @thatsadsmallchild @formulaoneluver33 @obsessed-fan-alert @teamspideyman @mikauraur @goldsainz @iamk-shale @fefieverywhere @be-your-coffee-pot @asian-vulcan @schumacheer @opheliaas-stuff @satellitelh @sialexia @folkloresreputation . . . join the taglist here

[youjustwaitsunshine]

Very Long 2010 pre-season Seb Post

Under the cut you will find posts from the sebsite which include:

The RB6 car launch + RB6 specs

Seb's test days in Jerez

Test days in Barcelona (original in german + my english translation)

a short blurb on the name of the car

some pictures

masterpost // pre-season 2010

10 | 02 | 10

2010 Car Launch

Sebastian Vettel | Driver – Car 5

Sebastian Vettel’s first foray into Formula One saw him fined for speeding in the pitlane during the first ten seconds of his debut. It’s fair to say he hasn’t slowed down much since.

Fame and fortune hasn’t made any discernable impact on Seb (“What fortune?” he asks, bewildered). He still gives his cars girl’s names, argues that there are more exciting things in life than driving Formula One cars (but not many) and is proud of being taller than Rubens Barrichello. He loathes being referred as ‘the new Schumacher,’ and so is relieved to see his Race of Champions team-mate returning to F1.

Born 3 July 1987 in the town of Heppenheim, Germany, Sebastian enjoyed a successful career in karting before making an immediate impression the moment he came into open-wheel racing. Starting the 2003 season aged 15, he won five of 19 races in his debut Formula BMW year, finishing second in the German Championship. The next year he took the title, winning 18 of the 20 races (he finished on the podium in the other two but doesn’t like to talk about them).

It marked Vettel as one to watch and he duly tested F1 cars for Williams and BMW-Sauber, while moving up through the junior ranks, impressing in Formula 3 and the World Series by Renault. Vettel’s chance in F1 came when he replaced Robert Kubica as BMW-Sauber’s third driver in the second half of the 2006 season. In addition to incurring the Stewards’ wrath, Vettel’s debut during Friday practice for the Turkish Grand Prix also saw him finish the day top of the timesheets.

While the performance on track was impressive, everyone was equally knocked out by the confidence and effervescence with which the teenage Seb dealt with the garage and Paddock. The authority with which he spoke and the evident self-deprecating wit stood him out as much as the blistering pace.

Sebastian finally got his chance to race a year later, standing in for the injured Kubica at the United States Grand Prix. Still only 19, he qualified seventh and finished eighth, becoming the youngest man to score a Championship point. Later in the 2007 season he moved to a permanent seat at Scuderia Toro Rosso. He made a lasting impression on future team-mate Mark Webber (and the rear of his car) during the monsoon-hit Japanese Grand Prix at Fuji before bouncing back a week later to secure fourth place at an equally waterlogged Chinese Grand Prix.

Confirmed for 2008, Vettel didn’t have the best start to his first full season and crashed out of the first four races, mostly as a result of being dragged into other drivers’ accidents. Fortunately the crash-magnet curse was soon lifted and Vettel scored points at Monaco, Montreal, Hockenheim, Valencia, Spa, Singapore, Fuji and Interlagos – though the only race anyone properly remembers is the Italian Grand Prix at Monza.

On the back of a strong fifth place in Belgium, Vettel and Scuderia Toro Rosso went to Italy in good form. Torrential rain over the weekend failed to dampen their pace and Vettel duly became, first, the youngest driver to take pole position in Formula One history, and then the youngest race winner, having utterly dominated the race in which a rudder may have been of more use than a steering wheel.

Elevated to the senior Red Bull team for 2009, Vettel won his second, and Red Bull Racing’s first, victory at the third race of the year. He followed it with a string of podium and solid points-scoring finishes and established himself as a firm championship contender with a second, commanding victory in the British Grand Prix. He finished the season strongly with further victories in Japan and Abu Dhabi that, together with four other podium finishes, took him to second place in the Drivers’ Championship.

Definitely a follower of the ‘second is first of the losers’ philosophy, Sebastian has loftier ambitions for 2010. He lists his lifetime ambitions as winning the Formula One World Championship and beating Kimi Räikkönen at badminton.

RB6 – TECHNICAL SPECIFICATION

Chassis: Composite monocoque structure, designed and built in-house, carrying the Renault V8 engine as fully stressed member

Transmission: Seven-speed gearbox, longitudinally mounted with hydraulic system for power shift and clutch operation. AP Racing clutch

Wheels: OZ Racing, Front: 12.0in x 13in diam., Rear: 13.7in x 13in diam.

Tyres: Bridgestone

Suspension: Front: Aluminium alloy uprights, carbon-composite double wishbone with springs and anti-roll bar, Multimatic dampers

Rear: Aluminium alloy uprights, carbon-composite double wishbone with springs and anti-roll bar, Multimatic dampers

Brakes: Brembo calipers, Brembo carbon discs and pads

Electronics: FIA (MESL) standard control unit

Fuel: Total Group

Renault Engine RS27 – 2010

Number of cylinders: 8

Capacity: 2400cc

Max rpm: 18,000rpm

Number of valves: 32

Vee angle: 90 degrees

Power output: Not disclosed

Engine construction: Cylinder block in cast aluminium

Engine management: FIA (MESL) standard control unit TAG310B

Oil: Total Group

Weight: FIA minimum weight of 95kg

important: the picture on the left is - on the sebsite - called 'sebi-vettel'

10 | 02 | 10

Sebastian and the RB6

It was windy, it was cold - rain was just a matter of time. Sebastian‘s face was nearly covered by his Beanie cap, but despite the dark clouds he was in really good mood. The reason why? It was the moment when his new car was unveiled. Sebastian laughs: „Finally we are back on the track - the winter break was far too long."

Sebastian stands in front of his car and proudly he gives a short version explanation: „We were lucky to have the best of all cars during the second half of the season. That means we had a very good base right from the beginning, so we just had to develop the car. In contrast some of the opponents had to develop completely new designed cars."

The only real new part: „I got a new seat, it‘s like having a new chair. Beside that in general all the more than thousand parts of a Formula One car have been optimised. "I have a feeling I can reach my target"… So far I have not made a decision regarding the car‘s name. So ideas are welcomed.More next Friday: Today and tomorrow my team mate Mark will do the shake down and the first laps.

On Friday it will be my turn and so on Friday evening I will able to give you further information, about how the RB6´s handling qualities.

------------

Jerez Test

12 | 02 | 10

JEREZ TEST – Day Three

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 59

Best time: 1.21.783

Circuit length: 4.423 km

Fastest lap: J. Alguersuari – 1:19.919

Sebastian Vettel drove Red Bull Racing’s 2010 championship challenger, the RB6, for the first time today, as he took over from Mark Webber on day three of the current four-day test in Jerez.

After an initial run on dry tyres, Sebastian was forced to use intermediate and extremes for the rest of the day as wet weather set in from 0945hrs. The team’s plan was to focus on aero-testing, but progress was hampered by deteriorating weather. By 1615hrs, conditions were so wet on track that Red Bull Racing, in line with the other Formula One teams testing in Jerez, decided to end the session early. Despite the weather, the car ran without any problems today.

Sebastian Vettel commented; “After three months, it was good to come back and drive the car – it felt okay and we didn’t have any big issues. Obviously the weather is not ideal for us to find out more about the car, but we knew the rain was coming so we didn’t mess around this morning and went straight out to do some laps. It then rained all day, but you could face these conditions in a grand prix, so it’s important to do laps in the wet. Overall, we didn’t do enough because of the weather, but I’m pretty happy.”

Sebastian will be driving the RB6 again tomorrow for the last day of this current preseason F1 test at the Jerez Circuit.

2010 Rider on the Storm

Sebastian Vettel | Driver – Car 5

"You can't influence the weather, we have seen that today. After a three month break, I was finally able to sit in the car today and it was good fun, I am still able to drive and the car feels good. This morning I did some (a few) laps in the dry the car went well straight away, but then it started raining and I had to park the car for some time in the garage. For sure it's a shame that it wasn't dry all day but also its possible to have rain in a race and so you have to learn to keep up with diffrent weather conditions. At the moment its still very difficult to give an idea of where everybody stands due to the new rules and the big tanks. The teams are driving with diffrent fuel levels and this also keeps changing. I hope it continues raining over night so that nothing is left for tomorrow and I can speed though all day, but as I said we have to see as we can't tell mother nature what to do..."

13 | 02 | 10

JEREZ TEST – Day Four

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 90

Best time: 1.21.203

Circuit length: 4.423 km

Fastest lap: L. Hamilton – 1.19.583

Sebastian Vettel was at the wheel of Red Bull Racing’s RB6 today for the final day of the current Jerez test. It was his second day of testing, as Mark Webber had driven on days one and two.

The team’s plan was to focus on set-up work and aero testing, although the weather once again played a part and damp conditions in the morning meant Sebastian began the day on intermediate tyres.

Conditions dried by lunchtime, but a fuel pump failure in the afternoon cost the team around three hours of dry running time. Sebastian ended the day with a final long run on dry tyres.

At the end of the RB6’s first test, Ian Morgan, Head of Race Engineering said: “It’s been a productive first week with the RB6, despite the weather and lack of dry conditions. We’re pleased with the car overall, it’s showing a lot of promise.” The next test will take place at the Jerez Circuit, starting on Wednesday 17 February.

-------

Barcelona Test

26 | 02 | 10

Barcelona Test - Tag 2 (english version below)

Sebastian Vettel | Fahrer – RB6-01

Auto: RB6-01

Runden: 125

Bestzeit: 1.21,258 Min.

Streckenlänge: 4,655 km

Tagesschnellster: N. Hülkenberg (1.20,614 Min.)

Das Team fuhr seine zweite Rennwochenend-Simulation, und am Ende des Tages hatte Sebastian 125 Runden zurückgelegt.

Ian Morgan, Head of Race Engineering, sagte: „Heute erlebten wir in etwa eine Wiederholung der Renn-Simulation, die Mark gestern gefahren war. Alles lief mehr oder weniger nach Plan. Erneut stoppten wir das Auto während der Renn-Simulation. Dabei handelte es sich um eine Vorsichtsmaßnahme, um einige Dinge kontrollieren zu können. Es ging um ein kleines Problem, und wir konnten schon wenig später weiterfahren. Sebastian konnte die Simulation vor Ende des Testtages in voller Länge beenden. Wir drehten viele Runden und sind recht happy, was das Auto angeht."

Sebastian Vettel meinte: „Das war ein guter Tag - größere Probleme traten nicht auf. Im Verlauf des Nachmittags mussten wir wegen einer Kleinigkeit unterbrechen, aber bei Testfahrten ist das ziemlich normal. Während der Tests will man keine Schäden riskieren. Aus diesem Grund ist es am besten, das Auto abzustellen, sobald es im Hintergrund Alarmsignale gibt. Weil es in Jerez oft regnete, haben wir an den beiden kommenden Tagen noch viel Arbeit vor uns. Beispielsweise müssen wir mehr über die Reifen herausfinden und einige Abstimmungsarbeiten erledigen."

Sebastian Vettel wird morgen erneut zum Einsatz kommen, bevor Mark das Cockpit am Sonntag, dem letzten Testtag, wieder übernehmen wird.

Barcelona Test - Day 2

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 125

Best time: 1.21.285

Circuit length: 4.655 km

Fastest lap: N. Hülkenberg – 1:20.614

The team drove its second race simulation, and at the end of the day Sebastian had completed 125 laps.

Ian Morgen, Head of Race Engineering said; “Today we experienced about a repeat of the race simulation that Mark drove yesterday. Everything went more or less according to plan. We again stopped the car during the simulation. This was a safety measure to control a few things. It was a small problem and we could continue soon after. Sebastian could finish the race simulation in full length before end of the test day. We ran many laps and are quite happy about the car.”

Sebastian Vettel said: “This was a good day – no large problems showed up. During the course of the afternoon we had to take a break due to a small thing, but that’s pretty normal with testing drives. On test days you don’t want to risk damage. For that reason it’s best to stop the car once there’s alarms in the background. Because it rained a lot in Jerez, we have a lot of work to do in the coming few days. For example we have to find out more about the tires and do a bit of coordination work.”

Sebastian Vettel will take the wheel again tomorrow before passing it back again to Mark on Sunday, the last test day.

Barcelona Test - Tag 3 (english below)

Sebastian Vettel | Fahrer – RB6-02

Auto: RB6-02

Runden: 44

Bestzeit: 1.23,123 Min.

Streckenlänge: 4,655 km

Tagesschnellster: N. Rosberg (1.20,686 km)

Sebastian Vettel absolvierte in Barcelona beim letzten Test vor Saisonbeginn seinen zweiten Testtag. Der Tag wurde durch Regen beeinträchtigt. Morgens wurden wegen eines Mix aus Regenschauern und technischen Problemen nur wenige Runden gefahren. Der Nachmittag erwies sich als wertvoller, denn das Team arbeitete an der Abstimmung für das erste Rennen der Saison in Bahrain. Seine Bestzeit erreichte Sebastian während seiner letzten Runde des Tages. Ian Morgan, Head of Race Engineering, sagte: „Nach den nächtlichen Umbauarbeiten mit Blick auf das für heute geplante Programm waren wir morgens wegen einiger technischer Probleme spät dran. Nachdem wir nachmittags richtig zum Fahren kamen, gelangen uns drei, vier Tests bezüglich der Abstimmungsrichtung für das Rennen in Bahrain. Sie brachten uns klare Resultate. Entsprechend beendeten wir den Tag in deutlich besserer Form." Am morgigen letzten Testtag werden sich Sebastian und Mark Webber das Auto teilen.

Barcelona Test - Day 3

Driver: Sebastian Vettel

Car: RB6 – 01

Laps: 44

Best time: 1:23.123

Circuit length: 4.655 km

Fastest lap: N. Rosberg – 1:20.686

Sebastian Vettel finished his second test day in Barcelona at the last test before the start of the season. The day was affected by rain. In the morning only few laps were run due to a mix of rain showers and technical problems. The afternoon showed to be more useful because the team worked on the race setup for the first race of the season in Bahrain. Sebastian reached his best time during the last lap of the day. Ian Morgan, Head of Race Engineering said; “After the nightly work in view of the program planned for the day we were late due to a few technical problems in the morning. After we got to driving in the afternoon, we managed to do three, four setup tests for the race in Bahrain. Those brought us clear results. Accordingly we finished the day in much better form.“ Tomorrow, on the last test day, Sebastian and Mark Webber will be sharing the car.

28 | 02 | 10

Barcelona Test - Tag 4 (english below)

Sebastian Vettel | Fahrer – RB6-02

Eigentlich wären meine Tests am Samstag abgeschlossen gewesen, aber durch die schlechten Wetterverhältnisse bin ich nicht auf meine gewünschten Kilometer gekommen.

Deswegen haben wir uns darauf geeinigt, dass ich am Sonntagvormittag nochmal ins Auto steige.

Am Freitag haben wir eine Rennsimulation gemacht, das verlief mehr oder weniger alles nach Plan. Jetzt muessen wir das erste Rennen in Bahrain abwarten, heute in 14 Tagen, wo alle die Hosen runterlassen... Wir müssen bis Bahrain noch etwas an unserem Topspeed arbeiten, aber insgesamt bin ich ganz zufrieden mit meinem Auto. Übrigens: Einen Namen habe ich auch schon, aber den werde ich erst am Montag vor dem GP in Bahrain auf meiner Website bekanntgeben...

Fahrer: Sebastian Vettel/Mark Webber

Auto: RB6-02

Runden: 137 (Vettel – 76; Webber – 61)

Bestzeit: Vettel: 1.20,667 Min.

Streckenlänge: 4,655 km

Tagesschnellster: L. Hamilton (1.20,472 Min.)

Nachdem er gestern auf der Piste weniger Zeit als erwartet verbracht hatte, kam Sebastian vormittags zum Einsatz, während Mark unsere Vorbereitungen auf die neue Saison nachmittags beendete. Die beiden Fahrer standen vor ähnlichen Programmen, die das Team erfolgreich bewältigte. Die vorläufig endgültigen Abstimmungen für unterschiedliche Tankfüllungen beim Saisonbeginn wurden gefunden.

Ian Morgan, Head of Race Engineering, sagte: „Weil wir gestern etwas Zeit verloren hatten, konnten wir mit Seb nicht alles abhaken, was wir uns vorgenommen hatten. Aus diesem Grund erledigten wir heute mehr oder weniger das Pensum von eineinhalb Testtagen, weshalb wir auf insgesamt 137 Runden kamen. Das war ein ziemlicher Wirbel, aber wir haben viel geschafft.

Der letzte Test verlief gut für uns. Nach eingeschränkten Testmöglichkeiten auf trockenem Asphalt während der beiden Tests in Jerez, hatten hier die fast komplett trockenen vier Testtage zur Folge, dass wir wieder auf Kurs kamen. Im Verlauf der Woche machten wir große Fortschritte. Das waren sehr gute Testfahrten."

Zwei Wochen trennen uns nun noch vom ersten WM-Lauf der Saison, dem Grand Prix von Bahrain.

Barcelona Test - Day 4

Usually, my Tests would have concluded on Saturday, but due to the bad weather conditions I did not get to the distance I wanted. Because of that we agreed that I’d get back into the car Sunday morning. On Friday we did a race simulation where everything went more or less according to plan. Now we need to wait for the first race in Bahrain, today in two weeks, where everyone will drop their pants… We’ll have to work on our top speed until then, but all in all I’m rather happy with the car. By the way: I have a name already, but I’ll only share that one on my website the Monday before the GP…

Drivers: Sebastian Vettel/Mark Webber

Car: RB6-02

Laps: 137 (Vettel – 76; Webber – 61)

Best time: Vettel: 1:20.667

Circuit length: 4,655 km

Fastest lap: L. Hamilton – 1:20.472

After he spent less time on the track than expected, Sebastian was in the car in the morning, while Mark finished our preparations for the new season in the afternoon. Both drivers followed similar programs that the team successfully completed. The provisionally final setups for different tank fillings were found.

Ian Morgan, Head of Race Engineering, said; ”Because we lost some time yesterday, we couldn’t finish everything we set out to do with Seb. For that reason we went over more or less one and a half test days worth of work, which got us to 137 laps. That was a lot of turmoil but we managed to do a lot.

The last test went well for us. After limited testing opportunities on dry track during the tests in Jerez, the almost fully dry four days of testing here let us get back on course. During the course of the week we took great steps. These were very good test drives.”

Two weeks still separate us from the first World Championship race, the Bahrain GP.

05 | 03 | 10

In diesem Jahr nenne ich sie Luscious Liz

Einige von Ihnen wissen vermutlich schon, dass ich meinen Formel 1-Rennwagen Namen gebe.

In der vorigen Saison fuhr ich zwei Autos, die ich auf die Namen Kate und Kates dirty Sister taufte.

In diesem Jahr nenne ich sie Luscious Liz!

This year I’m calling her Luscious Liz

A few of you probably already know that I give names to my F1 cars. In the last season I drove two cars who I christened Kate and Kates dirty Sister.

This year I’m calling her Luscious Liz!

back to the masterpost

the pre-season in general

[thisaintascenereviews]

10 Albums That Changed My Life: 2000s Emo Edition

For the past few days, I’ve been listening to an audiobook version of 2023’s Where Are Your Boys Tonight by Chris Payne, and the book chronicles the emo / pop-punk scene between 1999 and 2008. It’s about the rise and (unfortunate) fall of the genre’s mainstream success, but it metaphorically comes straight from the horse’s mouth. The book has interviews from loads of musicians and important folks from the “scene,” such as Pete Wentz, Patrick Stump, Geoff Rickley, Buddy Neilsen, Anthony Raneri, Hayley Williams, JT Woodruff, Chad Gilbert, Chris Carraba, Andrew MacMahon, and many others.

Because I’ve been listening to the book, I wanted to start a new series in which I talk about ten albums that changed my life, and I wanted to start with 00s pop-punk and emo. I was at the right age when emo broke into the mainstream, so a lot of the big bands at the time were like gods to me. Some of these albums aren’t necessarily some of my all time favorites, but I still love them. For all these episodes, I also wanted to include a “bonus pick,” where I include an album that’s a rather obvious pick, because it’s an album I love and talk about all the time. That way, I can talk about ten other albums that I may not have talk about as much.

The aim of this series is to highlight albums that are important to me, but these albums are in no particular order. I don’t rank these lists, because some of these albums aren’t necessarily more influential than another. Each one of these albums is important in some way, but I wanted to highlight them regardless.

Bonus Pick: Fall Out Boy - Infinity On High

For the first bonus pick, I wanted to start off with an obvious one. I’ve talked about Fall Out Boy’s third album, 2007’s Infinity On High quite a lot. This is the album that got me into music, and to make a long story short, I had listened to a few alternative albums beforehand, but I didn’t truly get into music until I heard that record. This isn’t the first album I picked up, but it was the most impacting one, because it truly blew my mind. This is still my favorite album, although it’s interchangeable with Michael Jackson’s Thriller, but this record really opened my eyes to how unique and awesome music can be, especially alternative, emo, and and pop-punk. I can say so much more about it, but this is the album that truly started it all for me. Little did I know that picking this album up at Target on the weekend of its release that it would change my life.

Fall Out Boy - Take This To Your Grave

I’ve had a tumultuous relationship with the first couple of Fall Out Boy records, especially 2003’s Take This To Your Grave. Back before I would just order stuff online, or download music on iTunes, I would only buy music through retail stores, like Target, Best Buy, and Walmart. I remember finding Take This To Your Grave at Walmart for $9 back in 2012, and while I was a huge fan of them, I didn’t know their early stuff too well, especially their debut. I picked it up, and I absolutely fell in love with it.

Take This To Your Grave is the record that introduced me to the early 00s pop-punk scene, and it was a scene that I only vaguely knew. I was a little too young for it, but hearing their debut was mindblowing. In retrospect, Take This To Your Grave is a hardcore album disguised as a pop-punk album, because it has the ethos and energy of a hardcore record, but the songwriting of a pop-punk album. As a kid in my late teens when I really sunk my teeth into it, and with the “defend pop-punk” movement being huge, this record (and many more like it) worked for me. The lyrics just spoke to me, but I’ve always been a sucker for Wentz’s lyricism.

Over time, however, my relationship with the album soured a bit, partially because my taste in music was becoming more removed from the current pop-punk scene (and reckoning with the fact that a lot of that scene was very misogynistic, including some lyrics on the first couple Fall Out Boy albums), so I wasn’t as into them, and I championed more of the later work, as well as some of the post-hiatus albums. It’s come full circle now, because I really love Take This To Your Grave, warts and all. This is a record made by kids that just loved hardcore and pop-punk, so if you look at it as anything more, it’s doing the record a disservice.

Paramore - Riot

My first experience with Paramore wasn’t with 2007’s Riot, but it was with 2005’s All We Know Is Falling. That was the first album I downloaded on iTunes, back when iTunes was just exploding, but I somehow lost the album (I think it was due to losing my first account, or my hard drive crashed, something like that). I listened to the album pretty soon after, but in between that, Riot was released. Riot is the album that blew Paramore up to the upper echelons of the emo and pop-punk scene, and for good reason. I’m pretty sure I got this album at Walmart, but this record was the soundtrack to the summer of 2007. It came out right before my freshman year of high school, so I played it a lot.

Between Hayley Williams’ vocals improving tenfold between the debut and Riot, their sound having more of a “mainstream” sound, and emo / pop-punk being at the crux of its popularity, this record came out at the right time. It was lightning in a bottle, but they were truly something special. This record has some of the best hooks and vocal performances of any band in that scene at this time, rivaling Fall Out Boy and My Chemical Romance (the scene’s two biggest bands at that time, arguably). This is just a monster of a record, and one of the most pivotal and important records from that time, and it’s cool to see people still talking about them all these years later. They just won the first Grammy earlier this year for their 2023 record, so it’s awesome to see that success pay off.

The Academy Is - Almost Here

One of the most underrated bands in the emo / pop-punk scene of the 00s is Chicago’s The Academy Is. These guys didn’t get their time in the spotlight, or at the very least, they skirted with fame at the same level as labelmates and friends in Fall Out Boy. It feels like highway robbery almost, because their sound was just as good. Their first two albums really changed my life, but for different ways. I wanted to focus on their debut album, 2005’s Almost Here, because this album is arguably the more influential album compared to 2007’s Santi. Santi was a more eclectic and interesting album, but Almost Here was more influential, because it was a big influence to the mainstream rise to emo and pop-punk.

Vocalist William Beckett is one of my favorite frontmen of the scene, too, and he has such a good voice, especially here. Almost Here is a really catchy, clever, and accessible emo record that surely should have been bigger, but oddly wasn’t. I don’t know what happened, other than that the scene was just too saturated. There were just too many bands out there, and that’s one reason the scene began to disappear from the mainstream. There were so many bands that were vying for peoples’ attentions, but Almost Here is one of the best records of that era that not a lot of people, at least outside of people who were a huge fan of the scene itself, have heard.

Bayside - The Walking Wounded

Contrary to the belief of what “elder emo” TikTokers will tell you, there are more bands in the scene than Fall Out Boy, Paramore, MCR, and Panic. The scene is so much bigger than what you saw in the mainstream, and a lot of it began in New York, including the band Bayside. These guys got pretty big in the early to mid 00s, even playing some late night shows (a lot of bands did, which was super cool), and they’re still around now, but they’re not on the level they once were.

My introduction to them was 2007’s The Walking Wounded, which was their third album, but I found them through an Alternative Press compilation of with an acoustic version of a song from that album. I picked up the album, because I really enjoyed the song, especially Anthony Raneri’s lyrics and vocals, and the album surprised me quite a bit when I heard a pop-punk album with heavier guitar riffs than your average pop-punk album. This remains my favorite album from them today, although their newest album from this year is great, too, and really reminds me of the inventiveness I heard on that record. It showed me that pop-punk can be both catchy and heavy at the same time, and the record still rules today.

Forever The Sickest Kids - Underdog Alma Mater

In the late 00s, a lot of the emo / pop-punk in the mainstream started to disappear, and popularity waned for that style, despite a few bands still being popular. Paramore, Fall Out Boy, Panic, and MCR still reigned as kings and queens of the genre. A new challenger emerged, at least in the underground, and that was neon pop-punk. Retrospectively named for its bright and colorful aesthetic, as well as how catchy and pop-focused the music was, neon pop-punk was the early 00s pop-punk fun-loving cousin that didn’t really take itself too seriously.

One of the most important albums of that movement, and while it’s probably not the first album that you could call neon pop-punk, Forever The Sickest Kids’ debut album, 2008’s Underdog Alma Mater, is a big moment for the genre. This album is catchy, slick, energetic, fun, and a little immature at times, but it also doesn’t take itself seriously and knows what it is. I always loved this record, because as catchy and synth-laden as their music, they had some good hooks and riffs to match. They were more than just a vapid pop-punk / pop-rock band, and this record shows it. They should have been a lot bigger, but they kind of fumbled the bag by releasing mediocre albums after and then just disappearing by the 2010s, so it’s unfortunate, but their debut is still one of my favorite albums from the scene.

New Found Glory - Sticks & Stones

Outside of Take This To Your Grave, I wasn’t familiar with a lot of early 00s pop/punk and emo, but where that album got me into that style of pop-punk, New Found Glory’s 2002 record, Sticks & Stones solidified it. Funnily though, this wasn’t the first NFG album I heard, that would be 2009’s Not Without A Fight, but it took me a few years to go back in their discography and listen to the album with their most iconic song “My Friends Over You.” This is easily one of my favorite 00s pop-punk records, and it’s kinda for that song alone. This record is so much fun, and it’s one of the first examples of easycore, where pop-punk and hardcore breakdowns met. You can hear it on this record a lot, and it’s awesome, but even after listening to this album for the first time in over a decade, I still enjoy it quite a bit.

Taking Back Sunday - Tell All Your Friends

Taking Back Sunday is one of the OG pop-punk and emo bands of the 00s, including New Found Glory, but I found their debut album, 2002’s Tell All Your Friends through word of mouth almost. This album was my all my favorite bands’ favorite album, especially in the 2010s “defend pop-punk” scene. Tell All Your Friends was a generation before mine, as I was too young when this record came out, but when I heard it, it blew my mind. I kept thinking, “This is what my favorite bands are influenced by? This is great!” There are loads of catchy hooks, one-liners, and mosh-ready instrumentation galore. These guys really helped to bring a new style of pop-punk to the forefront and you can hear the influence in a lot of records afterwards.

Panic! At The Disco - A Fever You Can’t Sweat Out

Panic! At The Disco’s debut album, 2005’s A Fever You Can’t Sweat Out, is lightning in a bottle; this record could only have come out in the mid-00s. It has a really unique sound, especially for the time, but it helped to catapult emo to the mainstream. Hell, “I Write Sins” is one of the biggest songs from that era, and it’ll be a song that people always remember, let alone gets played at emo nights across the country. Fever is such an iconic record, but it’s also a unique and interesting album that showcases Panic wanting to aim higher in terms of emo and pop-punk. The album is split into two halves — an electronic first half and a baroque pop second half, but it doesn’t feel jarring or strange.

It’s funny, because I remember downloading only a few songs from this album at first on iTunes back in 2007. I found the band through the Alternative Press compilation I’ve mentioned over and over again. I heard a live version of album closer “Build God, Then We’ll Talk,” and I loved it. I ended up listening to the rest of the album sometime later, but Fever is still such an iconic and nostalgic album for me. It still holds up all these years later, too, especially for its unique sound.

MCR - The Black Parade

Talk about another nostalgic album, because The Black Parade is very much another album that defined not only my adolescence, but the entire scene during the mid-00s. Fall Out Boy, Paramore, Panic! At The Disco, and My Chemical Romance were the big four of the scene at the time, but The Black Parade is really what cemented MCR on that list. Their first two albums were a darker version of the emo and pop-punk sounds that came slightly before them, and during their rise, but The Black Parade was a new sound entirely. Dubbed the emo Queen, these guys made an emo rock opera that really justified that description.

This record is huge, expansive, melodramatic, fun, dark, poignant, and incredibly interesting in all facets. I just absolutely love this record. I don’t remember how I found them, because I found them at the same time as Panic and Fall Out Boy (Paramore came last, as I found All We Know Is Falling a bit before Riot came out), but I was obsessed with this record as a kid. It’s one of those rare albums that I can listen to as an adult and still appreciate what it does on a purely technical and artistic level, because there are a lot of nuances that I didn’t pick up back then. It’s easily their best album to me, despite how they only put one more and disappeared (they still haven’t put out another album despite coming back a few years ago), and it’s the one that I always go back to.

The Cab - Whisper War

For my last pick, I wanted to include another “neon” album, but a bit of an obscure pick. The Cab were a band that were heavily involved with Fueled By Ramen, as well as Pete Wentz’s Decaydance imprint, even including both Patrick Stump and Brendon Urie on the main single for their debut album, 2008’s Whisper. Called “One Of THOSE Nights,” the song showcased what they were all about, and they had a really unique R&B and soulful take on neon pop-punk. Their vocalist had a lot of range, and reminded me a ton of Patrick Stump, but I just fell in love with how catchy and groovy that album was (and still is). It showed me that pop-punk could utilize more outside influences, and while The Cab never got as huge as the bands that they clearly were inspired by, they had a rather dedicated following in the scene, but they just never got as big as they really should have.

[miximagic256]

Points of Interest 4

Hi friends! This POI has been overdue for months I'm so sorry! One thing you may have noticed is there's a number attached to the title now. This titling scheme will follow for every POI post from here on out because it's honestly way more convenient especially with how some months there's little I want to type about while other months have lots I want to type about (although if you're really curious what's below occurred from January - February, I wasn't kidding when I said this was well overdue!)

But enough of the foreword, let's get into it!

Portal 2

So interesting thing, I got Portal 2 around 2013 when I first got my PS3, I never played the first Portal game as I didn’t have Steam and I never played The Orange Box which is where Portal debuted in 2007. Portal 2 was a game I played because I remember at the time hearing about how good the game was and while I did play it I never actually finished it.

Late last year I remembered I never finished the game so I started again from the beginning and finally beat it in January, and I can safely say that over a decade after the game’s release that Portal 2 is a fantastic experience from beginning to end and deserves all the praise people give it.

There is so much I could gush about with the characters, worldbuilding, storytelling, etc. But as a first for this series of mine I won’t go into detail because Portal 2 is one of those games that’s best to be played with as little knowledge as possible (in my case there were some things I knew about prior unfortunately, but luckily a lot of what I experienced was new to me).

One thing I will do though is share a link to this playlist of Portal 2 animations by Harry101UK which look, sound and feel so close to the game that you'd be amazed Valve had nothing to do with them! In particular I absolutely love his remake of his first ever Portal animation based on the song This Is Halloween from The Nightmare Before Christmas, you have no idea how many times I've listened to it! (Don't worry there's no spoilers for the game so if you've not played it you can still watch his videos without worry of that)

If you’re like me and have never played Portal 2 after all this time I highly recommend you do so if you get the chance (in fact you can even skip the first Portal game since outside of some backstory it doesn’t affect the sequel much), you won’t regret it!

The Repair That Never Was

I realise that with all the talk I’ve done about appliances and fixing things that it may give the impression that this is something I normally do, but in reality this is very rare and it’s a big coincidence that two appliance fiascos happened close together (although pre-teen me would have been ecstatic at the knowledge they’d eventually get to do something they always wanted - fixing a broken appliance).

So context, back in 2016 we brought a second-hand tumble dryer, it worked fine but some years ago I started to suspect that something was off because there would be rumbling noises every so often (bear in mind the type of noise a dryer can make can point to different types of faults like bad roller bearings, bad rear bearings, etc.) So after trying to figure out what type of noise it was I thought it was a result of a bad dryer fan (which is what takes the air from the drum through the vent and out the back) As sometimes they can “warp” due to the heat and not spin evenly causing it to be noisy when in use.

I was so confident that this was the issue I brought the part for it in advance for the time where there would be a good opportunity to open the machine up (although buying the part online was tricky as the dryer was made in the late 90s and sometimes machines that old can be hard to find parts for). Cut to January where one day it’s drying as normal only for me to notice that at some point the machine was running but the drum wasn’t turning, which suggested one thing, the belt had snapped (what sits around the motor that causes the drum to turn).

Now that the dryer was broken I took the opportunity I had been waiting for and opened it up, but I discovered that the rumbling noise wasn’t actually caused by a warped dryer fan at all but rather a loose jockey wheel (the part that’s on the end of the motor which the belt fits on) what a plot twist! Honestly considering it was loose for goodness knows how long it’s no wonder that eventually caused the belt to snap, not only that but I have an unopened dryer fan part on my desk I can't do anything with so it makes some pretty unconventional decoration hehe.

Because of this and the fact it was deemed easier to just get a new dryer, the old one was sent to its final resting place in the scrapyard (which considering it was at least 25 years old, I’d say it did its job well). But it doesn’t end there. I felt the best thing to do was to buy a washer dryer (because it would be more convenient for my small kitchen) which meant it would also replace our washing machine at the same time which I wrote about replacing the door seal a year ago, so despite me doing that repair it ended up being too little too late ironically.

One final thing to note: The washer dryer bought was the same manufacture as the one before our machine which I repaired, of which the former machine lasted 13-14 years. No Pressure!

Video Game Museum Trip Feat. @Klonoamiyumi

Video game museums are somewhat uncommon throughout the world but in recent times more and more have been opening up, and a year or two ago I discovered one myself but it was a far away from where I’m located so I never visited it. As my birthday was approaching and there was a holiday I was going to go on soon I decided just before that would happen that I would finally visit the museum alongside two IRL friends (including @klonoamiyumi!).

Due to the distance I decided for us to get there by train which was honestly nerve wracking as I normally don’t take the train (not only that but add on to the fact I was taking the train while organising the trip in the first place), but outside of one slip up (which I’ll get into later) we all got our tickets and away we went!

On the train itself we sat together and talked about our video game history along with some general topics as well, bear in mind the three of us up to this point hadn’t met up much together so it was an interesting experience being able to talk among ourselves. After around an hour on the train we arrived at our destination and stepped out, I had researched directions on where to go to the museum beforehand however actually exploring around the city was tricky because I had never been to that location before, luckily I was able to rely on Google Maps to figure out where to go and after accidentally going in a circle (oops!) We did eventually find the building we were looking for: The National Video Game Museum!

For most of the year this specific museum is only open Thursday – Sunday except for the UK summer holidays where it’s open everyday, there were a wide array of both arcade machines and video game consoles to play on, anecdotes from past and present video game developers (including a small tribute to the late Masayuki Uemura who supported the museum), signs describing various bits of history along with glass cases including important related material, etc. Despite not being the largest of museums for what’s there it should satisfy the curiosity of any video game fan of any era not only because of what’s on display but also because there’s so many things to interact with and discover that there's bound to be something you didn't know of beforehand, plus because it's not that large of a museum there's no worry of getting lost or overwhelmed but it doesn't feel underwhelming either. The place is ideal for a day out even if it was just yourself going there.

There was another thing that happened as well while we were there, by complete chance an online friend of both @klonoamiyumi and I (who has her own Tumblr blog @janeypoodle) was at the event, not only was this meetup not planned at all but they were planning to go to the museum the day before but couldn’t as the train got cancelled. What a plot twist! Janey is someone me and Klonoamiyumi have known about for a long time and while a potential visit did sometimes cross our minds for one reason or another it never took off. So to actually meet them in an unexpected place was such a wonderful surprise and a bonus to add to our day out, we all talked for a while and then we took a photo of us three to remember :>

Throughout the museum for the most part we all split up when going around what video games were available, but just before the museum closed Klonoamiyumi wanted me and our other IRL friend to play a game with him called Buzz! Junior: Jungle Party as it served a particular importance, he recalls this game was one of the only video games he played with family and not just by himself (which I can relate because I myself had Buzz! Junior: Rino Rumble which plays identically to Jungle Party, and that was a game I played with my family as well).

After that session together we quickly looked at the shop section and then left the museum, we decided to have food since it was late in the afternoon by that point (we went to McDonald’s specifically) and then we went back to the train station, however… Remember when I said there was one slip up that happened? Well while we managed to get back to train station, we narrowly missed our train (it was late in the evening as well), so I had to think quick and look up another train to the same destination on my phone and after some wondering around and last minute changes (because the train we needed to take ended up being on a different platform then announced). We got on and despite it being late in the evening we all got home safe and sound!

This trip was notable not just because of where we went but also because I've never organised anything like this before, but now that I have I can arrange a meetup of any kind again because starting something is always the hardest part, after that you start to get the hang of what you're doing and you get better every time! I think I speak for all of us when we all had a great experience!

Topic End: Epilogue

Again I'm really sorry for how overdue this is, I think you can tell the most significant thing included in this post hehe. I will say though this might be the last Points of Interest post for a while due to things that aren't really appropriate for this series, such as:

Events that are too negative to include (I intend this series to be positive and I don't want to bring myself or other people down reading the post)

Events that are positive but are too personal to include, this one is important to mention because truth be told I didn't really want to include topics relating to IRL events with family (like the cruise ship holiday) because while this series is a semi-dairy of sorts at the same time I only want to talk about things I'm comfortable being public online.

With that said, I hope you all enjoyed this POI and I'll see you next time!

[adultswim2021]

Fat Guy Stuck in Internet #1: “Threshold” | May 14, 2007 - 12:00AM | S00E01

Fat Guy Stuck in Internet was the third-most-voted pilot on the Adult Swim website poll, as part of the Night of 1000 Pilots event. It was based on a webseries called Gemberling, named after the main character and star John Gemberling. Curtis Gwinn, who plays the bounty hunter Chains, was a co-creator. The show is about an arrogant hot-shot computer programmer who gets sucked into his computer and gets trapped inside the internet. What a jerk!

The premise of the show is that Gemberling is trying to find his way home. Meanwhile a shadowy figure that heads the company he’s working for (who is like the Emperor on Star Wars) is trying to get him back using the services of Chains the bounty hunter. Fat guy Gemberling gets wrapped up in some plot after meeting Bit and Byte, a pair of siblings ensconced in some sort of fight between good and evil in the digital realm. We also meet a wizard guy who tells Gemberling that he’s some sort of chosen one, and a little head guy who bounces around on a heavy console computer. Those last two are left behind in this episode, when the wizard dude dies and the computer guy is deemed too heavy to bring along. The Wizard’s death scene is reasonably amusing, with him lamenting that he can’t relay important information to Gemberling because he’s dying, while also dragging out his death to redundantly repeat his lamentations while Gemberling loses patience with him.

I feel like I’m forgetting huge swaths of story. I don’t care! I’m tired of writing insanely long write-ups! Seriously, I am spending way too much fucking time on this blog (which may or may not be why I randomly didn’t update last night. Sorry). I remember watching this episode and the second episode (which debuted during an April Fools stunt or daylight savings event or some such thing), and I remember little else about the show. I feel like I mostly did NOT watch this program. Looking back, it’s not as bad as I remember it. I didn’t laugh at a single thing in the entire episode, which is a bad sign for a comedy show. But the thing that I respect about this show is that it’s not arrogantly pretending to be low-budget schlock like Saul. It just IS low-budget schlock.

The difference between those two things is that they don’t seem to make a joke out of the chintzy nature of the show almost at all. They’re trying to make this shit look presentable to the best of their abilities, which is why shows like this are charming in the first place. I admire this choice. It’s a good way to produce interesting art. It’s like if you were filming a sketch where the joke is that you can’t sing very well, and you don’t happen to be much of a singer, it’ll probably be funnier if you just tried really hard to sing well and failed than if you jokingly put on a bad singing voice.

I guess that’s my main takeaway: the show is reasonably fun and well-made (considering), and I’m willing to give it a fair chance. I did watch the first episode of the web series Gemberling, which is a mild pain. The episodes are downloadable from the Channel 101 site in .mov format, and you can play those on VLC. The first episode of that show is about five minutes long, and is roughly 80% the same as the first few minutes of this. I have vague recollections that the wizard character was Bill Cosby in the web series, but I literally don’t feel like watching more of it to find out! Sorry!

The title! Why is it called that? Because: I thiiiink it’s meant to evoke the then-viral movie Snakes on a Plane? Remember that movie? It went viral, so the producers self-consciously tried to make it into a wacky cult movie. I don’t think it worked. I famously never saw it. But that... that, my friend, is a story for another time...

MAIL BAG

Oh yeah, Ephemera Corner. It’s the web series that I already linked to. Please I don’t wanna make or find a screengrab. Okay, Mail bag time now:

Idiot. Drew Carey had three great themes songs. Don't second guess yourself because you have the confidence of a titmouse.

(timidly) chirp.

I'm not gonna lie, I kind of like how fucked up Drinky Crow looks. Maybe the only thing I like about it because the actually show ain't funny. Looks like a PS2 game.

I think it’s unforgivably nasty but to eats his zone

Love the blog but please don't make it a habit to review SNL stuff on this blog. I simply detest Lorne Michaels.

Looks like we have a hater bitch in the blog. Lorne rocks... fuck you pal!

Step off with the David Herman slander my dude. Us Herm-heads don't f around!

David Herman is an idiot (just kidding I like him, he called into Seven Second Delay once as a fan)

[denimbex1986]

'...After graduating from RADA, Waller-Bridge watched her fellow alumni rise up the theater and film ranks while she scrambled to get work. She made her proper stage debut in the 2009 play Roaring Trade, where she sparred with Fleabag’s future Hot Priest, Andrew Scott. “I remember her being immediately charismatic and extremely comedically gifted—just a really courageous sort of person,” Scott says, his voice full of affection. “I remember her talking about these ideas of the way theater should be, and it was really obvious to me that she wasn’t just going to be satisfied with just being an actor, you know?”

The solution was DryWrite, a fringe theater company she had founded in 2007 with her friend Vicky Jones, who would go on to direct the stage version of Fleabag. “Vicky really lit that flame again,” Waller-Bridge says. “I just felt like I could make her laugh—she really reveled in the naughtier, more mischievous, less put-together perfect presentation of a person. We used to really, really love mucking around with that in our theater company.” Scott describes “incredibly fun, raucous evenings” at DryWrite where Waller-Bridge and company experimented with outrage, humor, and vulnerability.

A few of the characters that she developed onstage ended up being corralled for her first television series, Crashing, about six young friends living in a London squat. The flirtatious, foul-mouthed, and grief-soaked character that became Fleabag also emerged in those years. Transformed into a one-woman play, it won awards at the 2013 Edinburgh Festival Fringe, which triggered a cascade of opportunities: a supporting role in the series Broadchurch alongside Olivia Colman and the chance to create Crashing, Fleabag, and Killing Eve.

All three of those shows prickle with sexual electricity—particularly Fleabag, which opens with Waller-Bridge’s character having anal sex. (Her partner is thrilled that she can accommodate his plentitude, which causes her to confess to the camera, “You spend the rest of the day wondering: Do I have a massive asshole?”) Asked about the undercurrent of grief and loss threading through all these series, Waller-Bridge says she doesn’t quite know how to account for it, except that grief is the thing that most scares her. “I already feel it for the people I love in my life who are still alive,” she says. “I think I write about what I’m frightened of, maybe in a therapeutic way.” She also loves tackling emotions that unnerve the rest of us. Of pitching ideas to Vicky Jones and another close collaborator, Jenny Robins: “They say, ‘That’s heartbreaking. She can’t do that!’ Then I’m like, ‘Excellent! If it’s upset you guys that much, that’s the one.’ ”...

Speaking about Waller-Bridge’s gifts as a storyteller, Scott compares her to the host of a dinner party who leads guests gently through the evening: “Her hands are on the smalls of their back and it feels like, ‘Okay, this is my party, and I want to make sure you have fun, so let me introduce you, first of all, to the bar. And here’s a handsome stranger….’ Audiences love to gasp and they like truth as well. And I think Phoebe’s able to juggle all those things because of her enormous brain, but also because of her enormous heart.” He pauses. “I’ve just found her to be incredibly thoughtful and fun—and just good at life. She’s good at life!”...'

[kylekozmikdeluxo]

Madagasqueer, Or My Weird History With a DreamWorks Franchise (Part 1)

LOOOOONG POST... Incoming... Brace yourselves...

CW, just in case: Queerphobia, sexuality, mental illness

For whatever reason, I'm going to talk about MADAGASCAR: ESCAPE 2 AFRICA, DreamWorks' 2008 sequel to their 2005 CG animated comedy starring a bunch of zoo animals and many wild faces they meet on their adventures.

MADAGASCAR and I go way back. I saw the first movie when it came out, on Memorial Day weekend of 2005. I dug it! I wasn't as in love with it as I thought I was going to be. I was a young animation enthusiast, I was 12 going on 13 at the time, and I was really excited for MADAGASCAR. I was into what DreamWorks was doing at the time, was interested in where CG animated movies were going before a truckton of them all just debuted at once circa 2006-07, and I was also really excited to see a CG picture about animals. I've always had a fascination with wildlife, I write stories and have written stories about anthropomorphic animals... so I welcomed a new animal animated adventure. Surprisingly, at the time, not too many mainstream CG pictures were about land mammals. Heck, we got a movie about prehistoric land mammals before we got this. Everything else was toys, insects, dinosaurs, monsters, humans, fish, fantasy creatures. I mean, you had Donkey from SHREK and a few other characters here and there, but that was about it.

In fall 2004, DreamWorks released a CG animated sitcom called FATHER OF THE PRIDE. This show was quite something, to say the least. It's a show that I still can't wrap my head around, like this thing actually existed and attempted to be a CGI adult sitcom that aired on NBC. Network television. There was a lot of promo for it, for sure. I watched it and liked it back then, for I was 12 and my tastes were not really refined back then. And also Donkey himself made a cameo in one of the episodes, even went as far as plugging SHREK THE THIRD in one scene: "Tell the kids SHREK 3 is coming out in 2006!" (Of course, in reality, SHREK THE THIRD was pushed back to 2007.) The production of the show unfortunately coincided with an incident concerning real-life subject matter it was based: Siegfried & Roy. The show was about a lion that was part of their long-running Las Vegas circus act, and his family life behind the scenes. During production of the show, Roy was attacked by one of the tigers, nearly derailing the entire series... But it was seen through to completion, for the most part, and ran only one season with a few episodes either unfinished or unaired... It was... A thing... To say the least.

Weeks later, SHARK TALE had opened. The film had a teaser trailer for MADAGASCAR attached to it. When it started up, I was like "Wait a minute... What is this? Some FATHER OF THE PRIDE thing?" There was a lion, and there were other wild animals there. It looked interesting to me, and I had seen that trailer in theaters a couple more times, notably before THE INCREDIBLES. I sought it out online, and because this was before YouTube and because my family didn't have high-speed internet, it'd take like an eternity to load a 2 1/2-minute video... And naturally, once it loaded, I'd watch the trailer or whatever it was I was interested in at the time... Over and over, on that choppy little media player embedded into the site. So, I was really looking forward to MADAGASCAR. I liked what DreamWorks was doing at the time, and I was of course in love with the Pixar movies at the time as well. THE INCREDIBLES, circa November-December 2004 and into early 2005, was like my #1 interest and just one of my all-time favorite films.

Then we get to MADAGASCAR, which came out in May 2005, finally, and... I remember I *liked* it, but I didn't love it. I liked it better than SHARK TALE, but not as much as the SHREKs, nor the Pixars. I still liked it, though, and I just felt... I was not expecting the movie's second half to go the way it went. It also didn't help that my stomach hurt all night. When I saw it again on DVD, I watched it non-stop. I could probably quote most of the movie. I think the first MADAGASCAR is a solid movie, not exceptional by any means, but for a 2005 CGI animated movie, this introduced a more cartoony look and feel. Funky character designs, asymmetry, wild takes and movements. I remember back then criticizing the asymmetry of the New York buildings in particular, thinking it was all by mistake, but NO. That was the point, it was supposed to be this 2D cartoon but in 3D. I feel like MADAGASCAR, along with a few other movies of this era, kind of laid the seeds that would eventually step us towards... CLOUDY WITH A CHANCE OF MEATBALLS, HOTEL TRANSYLVANIA... Coinciding with the techniques explored in shorts like PAPERMAN, FEAST, and ONE SMALL STEP. The experiments that would eventually step us through THE BOOK OF LIFE, THE PEANUTS MOVIE, CAPTAIN UNDERPANTS... And, the big one... SPIDER-MAN: INTO THE SPIDER-VERSE...

So yes, definitely, MADAGASCAR's cartooniness opened up new doors for what could be done in a mainstream CG picture. Visually neat to this day, groundbreaking in that regard, plus with all the amount of fuzzy animals and crowds of characters... Technically still impressive! I still think the movie is at odds with itself. There's an interesting thing where some people like the first MADAGASCAR the best and not so much the sequels because they like how the first one is about how Alex the lion realistically devolves into being a carnivore and a threat to his herbivore friends... Whereas in the sequels, that's just not a thing. Just like the humans in ICE AGE. I like the sequels more, personally, because I feel like this very dramatic "Alex is going to eat his friends" storyline is kind of at odd with the Looney Tunes/Tex Avery anything-goes cartoon energy of the movie. Plus this conflict is all resolved easily, they give him some sushi and that's it. That's the end. I still think it's a very entertaining movie, I really like the characters and the vibe of the whole thing. Good characters and a neat vibe is what makes a movie for me, even if the storytelling makes choices that kinda baffle me.

I can kinda see why it got mixed to negative reviews back in 2005. It clearly isn't trying to be SHREK or FINDING NEMO or THE INCREDIBLES. I think it's more in the league of ICE AGE, a sort of "cartoon animals on an adventure and they're all arguing and bickering with one another", there's pop culture jokes and such. Come to think of it, how come ICE AGE was given a relatively warm reception but this wasn't? Maybe because by 2005, it felt derivative? Maybe? I dunno!

That being said... Years passed...

Life changed in many ways. I was aware that a sequel was in the works, I believe I saw the announcement back in late 2005 saying that it was coming in 2008. I remember when it carried the title MADAGASCAR 2: THE CRATE ESCAPE. Most of MADAGASCAR 2's marketing missed me, because... When MADAGASCAR 2 was coming out, I was going through a tough period in my life...

I was mostly miserable at the time.

I was going through a prolonged depression period that was spurred by a lot of things that went wrong in my life when I was 13-15. Growing pains, all around too. The trials of being a weird autistic neurodivergent teen in a school system that wasn't for me, and many other things. What I went through affected me negatively, and there was also a falling out that hurt me bad, and then I also made the dire mistake of going on internet message boards as I was. In that state of mind. Imitating a lot of what was going on in my circles, my background, etc. etc. etc.

Short version... I probably shouldn't have been where I was on the internet at the time. Mainly IMDb message boards. I was eaten alive, and a lot of it was also my own fault. I acted like an asshole in retaliation. It was not pretty. There were things I said and did, if I went back in time to 2006, I would almost slap my younger self. All of this change and trauma and hurt turned me off to so many of the things that I was so enthused about prior. I found new things to latch onto at the time, many of which did become new special interests, so that is a plus.

I would say my biggest special in early-to-mid 2008 was '60s and '70s music, The Beatles and much of my parents' music tastes my gateway to that. I was SUNK in all of that stuff. I was exploring so much of the rock music world, and collecting records. Wasn't really deep-diving into movies at the time, I wasn't really following animated movie news, barely watched my Disneys like I always did annually... Even in a year like 2007 where everything was falling apart, I still was in the know about movies like SHREK THE THIRD, SURF'S UP, RATATOUILLE, and THE SIMPSONS MOVIE. Even BEE MOVIE to an extent. But in 2008? The likes of HORTON HEARS A WHO! and KUNG FU PANDA just passed me by. KUNG FU PANDA is now a favorite of mine and a movie that means so much to me, but back in mid-2008... I just knew it existed, had no real interest. I was also going through that weird phase where I found Pixar and Disney to be the real deal, and DreamWorks to be that "SHREK fart stuff". The only animated movie that didn't pass me by back then was WALL-E, which I made a special exception for.

In a time where I was unwilling to even go out in public, unless I was going to school (ya know, because I *had* to), I still made an exception for WALL-E... I remember seeing that movie gave me a bright spot of hope in such a dark time. Like, I felt I'd never get a significant other, but I just remember feeling hopeful when it ended. Just about things in general, not about having an S-O particularly. (I'm more of a "I'd rather have some really good friends than be married" person, anyways.) I just also really loved the movie itself, and still do. Blew me away, I remember stumbling out of that auditorium. An animated sci-fi epic of that caliber, it was just so cool seeing that come out of Pixar at the time, an American animation studio.

MADAGASCAR 2 was around the corner, and the trailer might've been before WALL-E... A couple months after WALL-E's release, I remember snapping out of this awful, dour mood that was in. This utter self-hatred and depression, and not wanting to be anywhere in public, thinking I had no friends. So, by November 2008, when MADAGASCAR 2 opened... I was a whole new person! And I was *game* to see that movie. HAD to see it, no other way.

I rounded up a friend of mine. He didn't even see the first one, but he went with me. This friend of mine, I hung out with a lot. Back in those days, we were such goofuses together, I feel a lot of our time together just gave me a needed place to be my weird-ass self when I couldn't in other areas of middle/high school. No surprise, during that period where I was miserable... My sophomore year of high school, he wasn't in ANY of my classes or lunch periods. Completely separated... Kinda shows how weak I was back then, that I fell apart because I didn't have that friend of mine with me. And I wasn't driving yet, neither was he, and we didn't see each other often - we were bogged down in schoolwork and other life stuff anyways.

So we went and saw MADAGASCAR: ESCAPE 2 AFRICA. Because I broken out of that awful, dismal mood, I was like indulging on everything I had left behind prior to it. I really got back into mainstream animated movies. Like, ooo, what's the next DreamWorks movie? What's this OOBERMIND thing? HOW TO TRAIN YOUR DRAGON? What's all this?? Possibly BOO U, even? I had a good time. I'll distinctly remember my friend leaning towards me and saying nonchalantly, "Kyle, this is one funny-ass movie." He'd never seen the first one, he was just like "yeah I'll see it", and we had a great time! Such a fun movie. One of the oldest ticket stubs I saved, too.

So... MADAGASCAR: ESCAPE 2 AFRICA... I'm not the first person to point this out, but I definitely somewhat sensed it back then... It's queer... Queer AF...

This post is getting to be very long, sooo... Part two!

We'll continue in the next post, to save digital ink space!

[scotianostra]

Happy 78th Birthday Billy Connolly.

The comedian and actor we know as The Big Yin was born on November 24th 1942 in Glasgow, into a poor and not altogether stable family; he left school at age 15 and served as (among other jobs) a shipyard worker, a paratrooper in the Territorial Army, and a welder, the latter including a stint building an oil rig in Nigeria. 

Shortly after his return, Connolly quit working and, supporting himself with the money he'd saved, concentrated on learning to play folk music on the banjo and guitar. He became a regular on the Glasgow folk scene, instantly recognizable with his wild hair and beard; he drifted in and out of several bands before forming the Humblebums with guitarist Tam Harvey in 1965. Gerry Rafferty (later of Stealers Wheel and "Baker Street" fame) joined sometime later, and the group built a following with their live performances, which spotlighted Connolly's humorous between-song bits. 

As Rafferty's songs became the Humblebums' primary musical focus, tensions among the members escalated; Harvey departed, and Connolly and Rafferty recorded two albums in 1969 and 1970 before disagreements over Connolly's concert comedy split them up in 1971.

Billy soon began performing around Scotland and northern England, concentrating more on comedy but still mixing occasional folk songs into his act. 1972 saw the release of his first album, Live, and also the debut of The Great Northern Welly Boot Show, a musical play Connolly co-authored with poet Tom Buchan based on his experiences in the shipyards of Glasgow. The show was a hit in Edinburgh and London, and Polydor signed Connolly to a recording contract. 

In 1974, his Solo Concert album sparked protests from the Christian community over a rowdy routine in which Connolly described the Last Supper as if it had taken place in Glasgow; all the publicity only helped his career, and he was quickly becoming one of Scotland's favourite entertainers. His 1974 follow-up album, Cop Yer Whack for This, became his biggest hit yet, going gold in the U.K., and his comic take on Tammy Wynette's "D.I.V.O.R.C.E." became a surprise number one hit single in 1975. That same year also saw Connolly put in star-making appearances on Michael Parkinson's chat show and at the London Palladium. He consolidated his success with a rigorous touring schedule over the next few years continuing to release comedy recordings on a regular basis into the '80s, the best known of which were In The Brownies and the theme to Supergran.

During the late '70s, Connolly had began taking on acting roles in television and film productions, and tried his hand at playwriting, with somewhat less success. His first marriage dissolved in 1981 amidst an affair with comedienne Pamela Stephenson (whom he would later marry in 1989, the same year he first shaved off his trademark shaggy beard).  Taking up residence in London with Stephenson, Connolly continued his comedy career while taking on more theatrical and television roles. Toward the late '80s, his appearances on American television became more frequent, which -- along with an unsold pilot for a Dead Poets Society series -- helped Connolly land a gig replacing Howard Hesseman on the high school honour-student comedy Head of the Class in 1990. 

His highest-profile American exposure was short-lived, however, as the series was cancelled after just one season; however, Connolly was back on American airwaves in early 1992, starring in the sitcom Billy. It too was cancelled after a short run,  after an appearance in the film Indecent Proposal, Connolly returned home, (though he still officially resided in the Hollywood Hills). 

In 1994, Billy hosted the acclaimed series World Tour of Scotland, which explored the flavour of contemporary Scottish culture. It proved so successful that Connolly hosted two further exploration-themed BBC series: 1995's A Scot in the Arctic, in which he spent a week on a remote northern Canadian island, and 1996's World Tour of Australia, lent a new respectability to Connolly 1997 Ssaw The Big Yin appear in the historical dramas Deacon Brodie  and  Mrs. Brown, the latter of which also featured Judi Dench and was released worldwide to much acclaim.

In 2012, Connolly provided the voice of King Fergus in Pixar's Scotland-set animated film Brave, alongside fellow Scottish actors Kelly Macdonald, Craig Ferguson, Robbie Coltrane, Emma Thompson, and Kevin McKidd. Connolly appeared as Wilf in Quartet, a 2012 British comedy-drama film based on the play Quartet by Ronald Harwood, directed by Dustin Hoffman.  In 2014, he appeared in The Hobbit: The Battle of the Five Armies as Dáin II Ironfoot, a great dwarf warrior and cousin of Thorin II Oakenshield. Sir Peter Jackson stated that "We could not think of a more fitting actor to play Dain Ironfoot, the staunchest and toughest of dwarves, than Billy Connolly, the Big Yin himself. With Billy stepping into this role, the cast of The Hobbit is now complete. We can't wait to see him on the battlefield."

In September 2013, Connolly underwent minor surgery for early-stage prostate cancer. The announcement also stated that he was being treated for the initial symptoms of Parkinson's disease.  Connolly had acknowledged earlier in 2013 that he had started to forget his lines during performances, adding later he was also finding it hard to remember how to play his banjo. 

On his 75th birthday Glasgow bestowed upon Billy three giant  murals to add to the many murals in the city.

In 2007 and again in 2010, he was voted the greatest stand-up comic on Channel 4's 100 Greatest Stand-Ups. He once again topped the list on Channel 5's Greatest Stand-Up Comedians, broadcast on New Year's Eve 2013. Billy's last big screen role was in 2016 in Wild Oats, which had Hollywood Stars Shirley MacLaine, Demi Moore and Jessica Lange.

In recent years he has established himself as an artist. In 2020, he stated "My art is about revealing myself" as he unveiled the fifth release of his Born on a Rainy Day collection in London.

Billy was on our small screen last year in Great American Trail, wfollowed him as he replicated the route taken by Scottish immigrants who came to America in the early 18th century.  He also brought out a new book, called Tall Tales and Wee Stories, to launch it Billy's face was projected on to buildings in Glasgow and Edinburgh.

In November 2019, The Evening Times named Connolly as The Greatest Glaswegian as determined by a public poll.

Connolly is a patron of the National Association for Bikers with a Disability.  His first sculpture, which is inspired by his past as a welder, was released in March 2020. as seen in the pic, the sculpture shows God welding the world together

[lokiondisneyplus]

As Marvel fans prepare for "Loki", which hits Disney + on June 9, fans are pouring [sic] over every snippet of new information that the show's creative team has teased as they promote the series, including the tidbit that it may be the most important show yet. The show features a stacked cast that obviously includes Tom Hiddleston as Loki, but also includes Gugu Mbatha-Raw, Owen Wilson, Richard E. Grant, Wunmi Mosaku, and Erika Coleman. And though there are likely to be plenty of references and Easter eggs for fans to unpack in every episode of the series, there are also some coincidences that have very little to do with the show itself. 

One of those, as it turns out, is a connection that is shared between three of the show's principal cast members, as revealed by a June 7 press event that Looper attended.

Hiddleston, of course, is already a cemented part of the MCU, having starred in all three "Thor" movies as well as other films throughout the MCU. The rest of the show's cast, though, is filled with people who are new to Marvel. Even so, Hiddleston is connected to some of them through a part of his life that has nothing to do with playing the titular character. 

Hiddleston, Mbatha-Raw, and Mosaku all attended the same drama school

Though not every member of the cast of "Loki" is British, a sizeable chunk of the show's principle cast are, indeed, people from across the pond. And not only is good chunk of the cast British, three of them actually know each other from well before their Marvel days: Tom Hiddleston, Gugu Mbatha-Raw, and Wunmi Mosaku all attended the same drama school. 

"I know Tom and Gugu, we were at drama school together, so I felt like, even though it was terrifying — the idea of joining the MCU, because it's like this huge thing, knowing that I was going to walk into the room and have friends there...it felt really, really good," Mosaku explained during the presser.

All three studied acting at the Royal Academy of Dramatic Art (RADA), and they even attended there at the same time. Via the school's website, Hiddleston graduated from the school in 2005, Mbatha-Raw graduated a year earlier, and Mosaku graduated in 2007.  

Speaking about the amazing coincidence, Mbatha-Raw added, "I'm so proud of everyone, and it's wonderful to see your generation rise, and as I say, stepping into these surreal, epic, larger-than-life worlds, but when you have a shared experience, when you remember the same acting tutors and you've walked down the same corridor and the same canteen, you know, all of these cultural references that we had, especially as we ended up shooting in the pandemic, it was a real comfort to have these longstanding relationships and friendships."

Loki will debut on Disney+ on June 9.

[1962dude420-blog]

Today we remember the passing of Jani Lane who Died: August 11, 2011 in Woodland Hills, California

Jani Lane (born John Kennedy Oswald; February 1, 1964 – August 11, 2011) was an American recording artist and the lead vocalist, frontman, lyricist and main songwriter for the glam metal band Warrant. From Hollywood, California, the band experienced success from 1989 to 1996 with five albums reaching international sales of over 10 million. Lane left Warrant in 2004 and again in 2008 after a brief reunion. Lane also released a solo album, Back Down to One, in 2003, and the album Love the Sin, Hate the Sinner with a new group, Saints of the Underground, in 2008. Lane contributed lead vocals and songwriting to various projects throughout his career.

Lane was born John Kennedy Oswald (later changed to John Patrick Oswald), on February 1, 1964 in Akron, Ohio to Robert and Eileen Oswald. He was raised in Brimfield with four older siblings: sisters Marcine Williams, Michelle Robinson and Victoria Ley, plus older brother Eric, already an accomplished guitarist. With sisters Micki and Vicky and brother Eric harmonizing and playing guitar, Lane taught himself to play drums, guitar and piano by ear by age five. He grew up listening to Cleveland rock station WMMS (100.7 FM "The Buzzard") and was introduced to a variety of music by his older siblings.

With connections from siblings Eric and Vicky in and around the music scene (and with his parents' help), Lane made a name for himself at a very young age. He played drums under the pseudonym "Mitch Dynamite" in clubs by age 11 and with a local band "Pokerface." By that time, his siblings had left for college or marriage, although Vicky was still active in the entertainment industry in northeast Ohio and southwest Florida. Due to Vicky's numerous connections, Lane was able to network with industry execs in pursuit of his dream. Lane graduated from Field High School, in Mogadore, Ohio, a nearby city to Brimfield in 1982.

Lane is credited as the vocalist/drummer on Warrant's Latest and Greatest CD. Throughout his career, Lane would sometimes play drums/acoustic guitar and piano with his band and played the drums in various formats and gigs with other musicians.

After high school, Lane joined the band Cyren, featuring vocalist Skip Hammonds, guitarist John Weakland, bassist Don Hoover (and later Rusty Fohner) with Lane on drums and vocals. Many of Cyren's shows opened for a popular local band called Risque'. When their bassist, Al Collins, noticed Lane's vocal talents, he convinced Lane to form a new band they eventually called Dorian Gray. The new band also included Steven Chamberlin on drums and Dave Chamberlin on lead guitar. Dorian Gray was designed to have Lane as the lead vocalist and to perform original material, but Lane wasn't ready to be the lead singer and quickly returned to the drum kit. Billy Denmead was hired as lead vocalist and rhythm guitarist. After only a few shows, Collins left the band, vowing to put a band together when Lane was ready to be a lead vocalist.

Lane moved to Florida in 1983 with Dorian Gray. He eventually formed Plain Jane with Collins and Chamberlin, adopting the stage name "Jani Lane" (Chamberlin would also soon rechristen himself Steven Sweet). He took the name "Jani" from his German grandparents, who spelled his name "Jani" and pronounced it "Yay-nee."

Lane began vocal training with vocal coach/trainer Ron Feldmann, who introduced him to Creative Engineering, Inc. in Orlando. Lane worked there as a programmer of the animatronic character Dook LaRue, the drummer for The Rock-afire Explosion. His vocal debut was at The Station in Fern Park, Florida.

Lane, Collins, and Chamberlin recorded the first Plain Jane four-track demos at their rented house in Winter Park, Florida. Although reluctant to leave Florida, they rented a trailer in the spring of 1984 and moved to California with hopes of landing a record deal. They were broke by the time they landed at the Hollywood Bowl Motel and resorted to making sandwiches with mustard packets while taking turns calling their parents for cash.

Struggling to make ends meet as a musician, Lane resorted to working in a pornographic video warehouse. The band, along with a new road crew and a few girlfriends, pooled their wages and lived in a two-bedroom condominium rented by new Plain Jane guitarist Paul Noble. At one time there were 13 people living in the crowded space.

By 1985, Plain Jane had become a regular feature on the Los Angeles club circuit and opened many shows for a band called Warrant. Plain Jane's bassist and guitarist both left the band on the same day Warrant's singer and drummer quit. Erik Turner, who had founded Warrant in July 1984, was impressed by Plain Jane's songwriting and vocal performance and invited Lane and Sweet to jam with his band at Hollywood's db Sound in September 1986.

After generating notoriety on the club circuit, Warrant began to attract the attention of record labels. Following an abortive deal with A&M Records over a contribution to the soundtrack for the motion picture Bill & Ted's Excellent Adventure, the band signed with Columbia Records. The Columbia deal came via the partnering of Warrant and manager Tom Hulett, known for working with The Beach Boys, Elvis Presley, The Moody Blues and others. Hulett became Lane's mentor and friend until Hulett's death from cancer in 1993.

As lead vocalist with Warrant, Lane wrote all of the material for the band's 1989 debut double platinum album, Dirty Rotten Filthy Stinking Rich, including four Top 40 hit singles: "Down Boys", "Sometimes She Cries", "Big Talk" and the No. 2 Billboard Hot 100 hit "Heaven." The album peaked at no. 10 on The Billboard 200. Lane also wrote four Top 40 hit singles ("Cherry Pie," "I Saw Red," "Uncle Tom's Cabin" and "Blind Faith") for the second album, the 1990 double platinum Cherry Pie, which peaked at no. 7 on the Billboard 200. Lane also co-wrote and performed with Warrant the song "The Power" in the 1992 movie Gladiator. In 1992, Warrant released Dog Eat Dog, their gold third album, which peaked at no. 25 on the Billboard 200.

Lane left Warrant in March 1993 to pursue a solo career. He returned six months later, helping the band secure a new record with Tom Lipsky of CMC International. Warrant recorded Ultraphobic in 1995, Belly to Belly in 1996, Greatest & Latest in 1999 and a cover album, Under the Influence, in 2001.

Due to personal and business disagreements, Lane left Warrant again in 2004. In January 2008, the band's agent, The William Morris Agency, issued a new photograph of the band with Lane prominently featured, confirming his return to the band. It was the first time that all original members had been in the band since 1993. The band's first show with all original members was in May 2008 in Nashville, Tennessee. Warrant performed a series of shows during the summer of 2008, but by September, the band and Lane agreed to move forward separately due to "too much water under the bridge." Warrant and Lane both continued to perform Lane's compositions live and Lane continued to write for himself and other artists.

Lane became involved in acting in the early 1990s. He made a brief appearance in Caged Fear and appeared in High Strung in 1991.

In 1993, Lane started working on his first solo project. Titled "Jabberwocky," the album represented a significant musical departure from previous work. Between 1997 and 2000, demos of Lane's solo material began surfacing on the Internet, with some bids on eBay reaching an estimated $100 per copy. In 2002, Lane decided to postpone the "Jabberwocky" project and released a new project as his debut solo album. The "Jabberwocky" project remained unreleased.

Lane's official debut solo album, Back Down to One, was released on June 17, 2003 through Z Records and in the U.S. in 2006 on Immortal/Sidewinder Records. It carried a "power pop" sound more closely aligned with the sound of Warrant than "Jabberwocky." Shortly after the album's release, Lane was admitted to a rehabilitation center for alcohol and drug-related exhaustion.

In the fall of 2004, Lane contributed lead vocals for the first ever theme song to a novel, Billy McCarthy's "The Devil of Shakespeare," along with James Young from Styx, Ron Flynt of 20/20 and Chip Z'Nuff of Enuff Z'Nuff.

Lane contributed vocals on the track "Bastille Day" and "2112 Overture/Temples of Syrinx" for the Magna Carta 2005 Rush tribute album "Subdivisions."

Lane had success with the "VH1 Classic Metal Mania: Stripped" discs, where the acoustic version of "I Saw Red" was included on disc 1, a new acoustic swinging version of "Cherry Pie" featured on disc 2, and a new acoustic version of "Heaven" featured on disc 3.

In 2005, Lane became a fan favorite on the popular VH1 series Celebrity Fit Club 2. His problems with alcohol were highlighted and many viewers supported his efforts at recovery.

With the reissue and U.S. release of "Back Down to One" in 2006, Lane attempted to restart his version of Warrant. Although "Back Down to One" was credited as a solo release, Lane assembled a new touring band called "Jani Lane's Warrant." The band's first shows in Michigan were stopped by legal action from former bandmates objecting to his use of the Warrant logo on his posters. Lane subsequently continued touring without the Warrant name and logo.

Lane lent his vocals to numerous tribute CDs during the 2000s. In 2007, he released a solo cover album titled "Photograph," featuring a collection of his tribute contributions.

Keri Kelli and Lane wrote a song for Alice Cooper titled "The One That Got Away." It was recorded by Cooper on his 2008 record Along Came a Spider. Lane also finished work on a side project, Saints of the Underground, which included Kelli and Bobby Blotzer and Robbie Crane, (both from Ratt). Their album, Love the Sin, Hate the Sinner, was released on April 22, 2008 by Warrior Records, and was mixed by producer/engineer Andy Johns, who'd worked with The Rolling Stones and Led Zeppelin. The album featured additional bass work by Chuck Wright (Quiet Riot, House of Lords). The band was originally called "Angel City Outlaws" when they posted their first two promo singles, "Bruised" and "Exit."

In summer 2010, Lane toured with Great White, filling in for singer Jack Russell, who was recuperating from surgery after suffering internal complications.

On August 11, 2011, the Los Angeles Police Department and local news stations announced that Lane was found dead of acute alcohol poisoning at a Comfort Inn hotel in Woodland Hills, California at the age of 47. Lane was pronounced dead by fire department personnel who responded to a call shortly before 5:30 p.m.

[kiragecko]

DC Sidekick Age References

Here’s a dump of all the references I’ve found. Know I’m missing a lot, and quite a few were found on other sites that didn’t give me the most precise info.

If you know of anything else, can correct a mistake you see, or want to discuss comic book aging - please send me an ask, message, or reblog!

?? - means I don’t know where the info is from, “quotes” are direct copies of the wording in the comic

-

?? Parents died when Bruce was 8

Detective Comics #27 (May 1939) – Batman introduced

Detective Comics #38 (Apr 1940)  – Dick is (8 when parents killed/9 when Robin) 12 when he becomes Robin, it's Bruce's 3rd year as Batman

More Fun Comics 73 (Nov 1941) – Green Arrow Introduced

1962 - JLA formed

1964 – Dick teams up with Wally and Garth

Teen Titans 1 (Jan-Feb 1966) – Teen Titans form, Donna is introduced (all 5 are 14ish?)

Detective 359 (Jan 1967) – Babs introduced, has PhD, has graduated

Batman #217 (Dec 1969) – Dick graduates high school, enrolls in University (starts 3 months later)

1971 - Roy discovered using drugs by Ollie and Hal in a drug den (he was trading arrows for drugs), retcon has Wally and Dick discovering him at tower and making him promise to get help

Justice League 116 (Mar-Apr 1975) Charley Parker is 16

Batman Family 10 (Mar-Apr 1977) – Dick is teenager, Babs is 25

Teen Titans 53 (Feb 1978) – Dick, Wally, Donna, Vic all started college at same time

DC Special Series: The Flash Spectacular (May 1978) – Wally graduates high school

New Teen Titans 1 (Nov 1980) – Raven forms New Titans, Gar is 16 during run

New Teen Titans 2 (Dec 1980) – Slade meets team, Grant dies

1981 - Dick drops out of university after 1 semester, he never really was interested

New Teen Titans 20 (June 1982) – Vic turns 19, Donna already is

Tales of the New Teen Titans 2 (July 1982) – Raven turned 18 just before forming Titans

Batman #357 (Mar 1983) – Jason’s first appearance

Detective Comics #526 (May 1983) – Bruce adopts Jason, Dick is there and approving

New Teen Titans 34 (Aug 1983) – Terra turns 16

Batman #368 (Feb 1984) – Dick gives Jason the Robin costume, Jason becomes Robin

Blue Devil(84) – Eddie is 11/12

Tales of the Teen Titans (May 1984) – Joey introduced, Author describes him as 17?

New Teen Titans #39 (Feb 1984) – Dick stops being Robin, Wally quits being a superhero/the team

Tales of the Teen Titans 50 (Feb 1985) – Terry and Donna's wedding (she got married while 19)

New Teen Titans 10 (July 1985) – Kole says she's at least 18

Crisis on Infinite Earths 7 (Oct 1985) – Supergirl dies in Superman’s arms after mostly destroying the Anti-Monitor, who has to flee reality

New Teen Titans 18 (Mar 1986) – Dick turns 20 (“Dick Grayson celebrates his birthday away from home with a traditional Tamaranean feast.” (While sulking because Kory got space-married))

New Teen Titans 20 (May 1986) – Roy locates baby Lian, Terry Long is 29

?? Roy is 22(when he gets Lian)

Batman #404 - Batman Year One (Feb 1987) – Bruce is 25, spent 12 years training, became Batman at 26, Barbara Gordon is pregnant, her and Jim move to Gotham

Detective Comics #571 (Feb 1987) – we see Bruce’s fear gas induced vision of Jason’s tombstone (birth: 1974 – death: 1986, so he’d be 12)

Secret Origins 13 (April 87) – 15 years ago, it was Dick’s 5th birthday. Soon after tenth birthday, parents are killed. [Set during New TT 18])

Batman #409 (July 1987) – Jason becomes Robin (In Detective Comics, Jason has been Robin the whole time, but is still being wwritten with Pre-Crisis personality)

Flash 1 (June 1987) – Wally turns 20

New Teen Titans Ann 3 (Nov 1987) – Danny Chase is 13 and introduced

Batman #416 (Feb 1988) – Dick in Gotham, meets the new Robin on patrol. Confronts Bruce later, says he was ‘fired’ less than a year ago (since then he was briefly in college), makes Bruce admit he missed him. Dick finds Jason again, expose the drug dealers, and Dick gives Jason his old costume (symbolically, since Jason already has one) and a phone number, Dick was Robin for 6 years

Batman #427 (Winter 1988) – Jason dies

Batman #436, Batman: Year Three (Aug 1989) – 2 years since Dick stopped being Bruce’s sidekick (When he became Nightwing? Or when he quit?), parents died 10 years earlier

Batman #441, A Lonely Place of Dying (Nov 1989) – Tim 13, was 7 when Dick’s parents died

Robin #1 (Jan 1991) – Tim debuts as Robin

New Titans 84 (March 1992) – Joey dies

Deathstroke, the Terminator #15 (Oct 1992) – Rose introduced

Team Titans 3 (Nov 1992) – Robert Long is born

Adventures of Superman 500 (June 1993) – Kon appears and escapes from Cadmus with Newboy Legion, John Henry Irons first appearance, Eradicator and Cyborg Superman also appear for first time

Batman: BTAS: Robin’s Reckoning (1993) - 'Richard 'Dick' Grayson: Age 10'

Detective Comics 668 (Nov 1993) – Tim gets license (because dad is disabled) even though he hasn’t turned 16 yet, gets beat up by Jean-Paul

Flash 92 (July 1994) – Bart aged to 14

?? Shortly after Knight’s End – Tim is 15 and in the 10th grade

Flash 0 (Oct 1994) – Wally is 23

Damage 1(94) – Grant is 16

Deathstroke, The Terminator Annual 4 (Aug 1995) – Rose is 14, “What would that do to a kid? A fourteen-year-old girl whose father is an assassin she’s never met?”

Wonder Woman 105(95) – Cassie is 14

Tempest 1(96) – Garth spends many months in other dimension

Aquaman 20 (May 1996) – Garth aged 3-4 years in other dimension, now older than other Titans

Teen Titans 1 (Oct 1996) – Argent, Risk, Joto, Prysm all turn 16(they were conceived by seed things on same day)

Superboy Annual 2 – to Kon: “Happy birthday, Kid - - number one in a long successful series, we hope.” “He will effectively remain sixteen years old - - forever!”

Green Lantern 82(97) – Robert Long is 3

Wonder Woman 121(97) – Terry and Robert die

Secret Origins Giant 1(98) – Bart is “Three. Fifteen. Depends.”, “you’re almost 15, Tim.”

Titans 5(99) – Donna is 23

Titans(99) – Lian is 4

Sins of Youth(99) – Kon 16, aging normally again

Aquaman 63 (Jan 2000) – Future Garth tells granddaughter Donna about Cerdian being born (think this is his weird birth issue)

Wonder Woman Secret Files (2002) – „Wonder Girl is a precocious outgoing 15-year-old named Cassandra „Cassie“ Sandsmark.“

Bruce Wayne: Murderer (2002) – Oracle says Tim is 15

Batgirl #37 (April 2003) – “Cain said ... today was ... my birthday.”

Batgirl #39 (June 2003) – “I see an eighteen-year-old girl, who’s out of her depth.” (Babs about Cass)

Robin #116 (Sept 2003) – Dana: “Oh, I’m so glad we’ll all be together on Thursday ... !” Tim: “Why? What’s Thursday?” Jack: “Yeah. What’s Thursday?” Dana: “Wait a minute – seriously? Tim: “Yeah. Tell. Us.” Dana: “It’s nothing – never mind. Just leave your schedules open for a nice family dinner.”| Jack: “Dana, what’s – “ Dana: “Shh! Thursday ...  the 19th of July ... ?” Jack: “Um ... oh! Right!” | Steph: “So – Thursday!! Are you excited? Got any ideas for it, yet? ... Tim ... ?” [Tim is asleep.] | [Ives and Steph come over, with pizza that says “Happy B-Day Tim.”] Ives: “Sixteen spankings – get that boy up!!” | Dana says: “I remember when I was in 11th grade.” | he also gets the first ‘clue’ for Bruce’s ‘birthday present.’

Teen Titans 1 (Nov 2003) – Gar is 19, Is this Joey’s return?? (He’s puppeting Slade)

Teen Titans ½ (2004) – Rose’s early years, with a ‘6 years ago’ flashback, she was raised in a brothel her mom ran, tutored, never allowed the outside world, but had relationships with kids her age

Detective Comics #790 (Mar 2004) – Jason’s 18th birthday “he would have been 18 today”

Teen Titans 8 (April 2004) – Raven looks 'barely older' than Cassie

TEEN TITANS #1/2 [2004]: The flashback panels totally sync up with my age theories; Flash to 10 years ago: Dick Grayson’s parents die. Flash to 6 years ago: Rose Wilson is schooled at home by her mother, Lili. Flash to 5 years ago: Ravager I is killed. Flash to 3 years ago: Slade is forced to kill Jericho. Flash to 2 years ago: Cadmus attempts to clone Superman. Flash to 18 months ago: Rose deals with the death of her mother. Flash to one week ago: Bart Allen is shot by Slade.

Identity Crisis 4 (Dec 2004) –(Tim still 16)

Green Arrow 47(05) – Mia is 17

Return of Donna Troy 3(05) – Cassie barely 16

Nightwing: Year One(05) – Dick is 26

Batgirl #65 (Aug 2005) – Cass decides to figure out if Shiva is her mom, Jason and Cass roughly the same age

Flash(05/06) – Wally is 26

?? Robin #136 – Tim still 16 ???

Detective Comics #868 (Oct 2010)– Kate is 32 years old??

One Year Later(Mar 06)

Flash 1(06) – Bart 4 years older(20?)

Blue Beetle 2 (June 2006) – Find out Jaime was in space/a pocket dimension for One Year Later

?? Just prior to 52 (July 2006-July 2007)– told Tim is 17 (long before he’s also  17 in Red Robin, 52 is 1 year long)

Teen Titans 42 (Feb 2007) – Eddie is 17

Final Crisis: Legion of 3 Worlds 3-4 (Apr-June 2009) – Bart and Kon back, same as when died

Batman 677 (July 2008) – Batman over 30

Batman: Battle for the Cowl (May-July 2009) – Damian is 10, Ends with Dick and Damian becoming Batman and Robin

Brave & The Bold 2 (May 2007) – Kara is 17, “You have food in the refrigerator older than her, Hal. Who are you, Ollie? No bad thoughts. She’s seventeen.”

Batgirl #1 (Oct 2009) – Steph starting college

Batgirl #7 (Apr 2010) - Damian is "what happens when you work with a 10-year-old."

Red Robin #12 (July 2010) – Tim spent “a few months” looking for evidence before returning to Gotham, becomes emancipated minor

Detective Comics #871 (Jan 2011)– Mention that Dick and Babs went to prom together

Red Robin #25 (Sept 2011) – Tim “and you are only 17”

The Batman Files (Oct 2014) – Jason was 15 at death (seen on death certificate)

?? Rebirth Young Justice series – Cassie: “didn’t mean to end up back in high school feeling - - like I did back when I went to high school.” Later, she says she’s in Metropolis “Working. Going to school in the fall.” So she’s probably starting college.

?? Bart in some Rebirth comic: “Am I six? Am I nineteen? That’s a really freaky thing, right?”

?? At some point: Donna says shes a little older than Kyle

[x--daughters-of-darkness--x]

Evanescence’s Amy Lee shares her thoughts on working with Halestorm’s Lzzy Hale

“We love each other, and we get along”

Front-women Amy Lee and Lzzy Hale are no strangers to collaborating with each other, Amy Lee having guested on Halestorm’s ‘Reimagined’ EP on the emotional piano ballad ‘Break In.’

This time however, the duo are set to share the stage with one another on an autumn tour that’ll see two of the most hard-working and hard-rocking women in the metal industry perform alongside their respective bands.

Whilst being interviewed by Matt Pinfield on the last instalment of the “New and Approved” music series on 95.5 KLOS, Amy Lee delved into her friendship with the Pennsylvanian-based Lzzy Hale:

"It started with music. It worked out for us to go do some shows together. We hadn't met in person before signing up to do a tour together in 2012. And I remember we had some kind of joint press or meet-and-greet to do on that first day. And I went in there like, 'Hey,' before the fans came in. And we just clicked immediately. She's really humble and really down to earth. She doesn't take all the glory too seriously. She takes herself seriously and respects herself. She's just a really cool person.”

"We love each other, and we get along," Amy added. "We play hard and we work hard. So I'm very much looking forward to playing live music in general; but to be able to go back out for our first tour out with a whole group of people that we're friends with — the crew, the band, we love each other, all of us. So it's gonna be a really good time.”

Evanescence and Halestorm will be hitting the road on 5th November in the US, starting with a date in Portland, Oregon before making their way throughout the country.

Evanescence's career throughout the years:

1998: The band's inception

Singer and pianist Amy Lee and guitarist Ben Moody formed Evanescence in Arkansas back in 1995, after the pair met at a Christian youth camp. They chose the name Evanescence due to its meaning: "disappearance" or "fading away". The duo released their debut self-titled EP in 1998 and were later joined by friends John LeCompt, Rocky Gray and Will Boyd.

2003: Debut album 'Fallen'

After being signed by Wind-up Records in 2002, the band released their debut album 'Fallen' in 2003. To promote the album, Evanescence headlined the Nintendo Fusion tour in 2003. 'Fallen' spent a whopping 43 weeks in the Top 10 of the Billboard 200 and was certified 7× Platinum in the US after selling more than 17 million copies worldwide. The album included hit singles 'Bring Me to Life', 'My Immortal', 'Going Under' and 'Everybody's Fool'. Mega hit 'Bring Me to Life', featuring guest vocals from Paul McCoy from the band 12 Stones, was an international success, reaching Number 5 on the American Billboard Hot 100 and hitting the top spot in the UK Chart.

2004: Grammy Award wins

The phenomenal success of 'Fallen' saw Evanescence win not one but two Grammy Awards in 2004. Their hit single 'Bring Me To Life' won Best Hard Rock Performance and the band won the award for Best New Artist.

2006: Line-up change and follow-up record

After parting ways with both Will Boyd and Ben Moody, Evanescence and the success of their Grammy wins, Evanescence went back into the studio to record their follow-up album. After 18 months of writing and producing, the band released 'Open Door' in 2006. The album featured singles 'Call Me When Your Sober', 'Lithium', 'Weight Of The World' and 'Sweet Sacrifice' and debuted at Number 1 on the Billboard 200. The album and single 'Call Me When You're Sober' have since achieve 2x Platinum and Platinum status in the US respectively.

2007-2009: Another line-up change

In 2007, The band announced that guitarist John LeCompt and drummer Rocky Gray had left. The duo went on to join founding Evanescence member Ben Moody to create the band We Are the Fallen. Evanescence brought in two members of Dark New Day, drummer Will Hunt and guitarist Troy McLawhorn to act as their replacements. Two years, later frontwoman Amy Lee announced that the band were going back into the studio to start writing their third, self-titled album.

2011: Third album release and worldwide tour

Due to delays with their record label, Evanescence weren't able to release their third album until 2011, five years after 'Open Door'. Not that it mattered, because 'Evanescence' debuted at Number 1 on the Billboard 200 chart and Number 4 on the UK Albums Chart and took the band on a year-long worldwide tour to promote the album.

2012: Hiatus and Amy Lee's solo project

Evanescence announced that they would be going on a hiatus in 2012, with Amy announcing in NME: "I haven't been sitting down to write. I'm thinking we'll take a break first. I'm really not sure what I'll do next. At the end of any really long tour you need to get your head in order. I think at the end of the run we'll go on a break for a while and figure things out. "Taking long breaks is seen as a bad thing, but I don't think it's a bad thing. People have the idea that you have to keep putting stuff out while people remember you. But I'd rather make something that's awesome and then make people remember again. I hope it doesn't take five years, but I don't want to put a timeline on it either. We'll all be doing our own thing for a while. They're (my bandmates) very talented and they'll all be fine." Amy Lee went on to release solo album 'Aftermath' in 2014, a soundtrack for Mark Jackson's film War Story. She said of the project: "It's not what you'd expect; there's a lot of blending of sounds, a lot of ominous tones. I play a lot of keyboard, and a lot of Taurus pedal. There's a lot of low drones."

2015: Reunion with intimate shows

Three years after going on a break, Evanescence ended their hiatus by hosting a three-night show at intimate venues in Nashville, Dallas and LA in November 2015. This was just before the band hopped on a plane to Japan to perform at Ozzy Osbourne's iconic festival Ozzfest, alongside Korn and Ozzy himself.

2015-2016: Another line-up change

In 2015, Evanescence underwent yet another line-up change after long-time guitarist Terry Balsamo, who originally replaced Ben Moody, decided to leave the band. His replacement was the German singer and guitarist, Jen Majura from the band, Equilibrium. Evanescense continued to tour throughout 2016, but focused on playing hits from their previous albums like 'My Immortal' and 'Going Under'.

2017: 'Synthesis'

Fourth record 'Synthesis' was released in November 2017. As well as featuring new material such as 'Imperfection', the album included reworked versions of the band's older works such as 'My Heart Is Broken', 'Lacrymosa' and 'Bring Me To Life'. 'Synthesis' peaked at Number 1 on four of the Billboard charts, including US Top Alternative Albums, US Top Classical Albums, US Top Rock Albums and US Independent Albums.

2018: 'Synthesis Tour' features a live orchestra

To promote the album, the band embarked on the 'Synthesis Live Tour' in October 2017. This 60-date worldwide tour was different from any other tour they had done before because it featured a live orchestra. The tour was co-headlined by violinist Lindsay Stirling who also featured on the band's single 'Hi-Lo'.

2020: Brand new music

In 2020, Evanescence released four new singles, 'Wasted On You', 'The Game Is Over', 'Yeah Right' and 'Use My Voice', which all appear on the band's fifth album, 'The Bitter Truth'. First announced in 2018, it was meant to be released in 2020, but had to be delayed due to the pandemic. 'The Bitter Truth' is not only the band's first album in three years, but also their first album with all-new material since 'Evanescence'.

2021: 'The Bitter Truth' is finally released

Evanescence released the fifth single, 'Better Without You', in early March ahead of the release of 'The Bitter Truth', which finally saw the light of day on 26th March 2021. The band is also set to be joining fellow rockers, Within Temptation this autumn for the 'Worlds Collide' European tour, which was postponed due to the pandemic.

[dramioneficrecommendations]

Hiii I accidentally jumped in dramione fandom, and I'm looking for good stuff for this weekend. Could pls tell me your 5 (or more)favorite dramione fics ever? Thanks!

I hope you like it here and stay with us… forever. LOL (Honestly, we have the best fics and authors in the entire HP fandom.)

Here are some of my all-time favourite Dramione fics (you can also check out my fic rec tag):

Revert by SUPRNTRAL LVR: Six months post-war, Malfoy is in serious trouble. He’s on the run from the Ministry, Death Eaters, and a deadly curse which is eating him alive. When he hits rock bottom, a change in fortune lands him in 12 Grimmauld Place under the Ministry’s custody - and forces Hermione to remember the secrets they’ve both kept for years. Dramione, Sick!Draco, flashbacks to Hogwarts, hurt. Rated: M - Chapters: 24 - Words: 260,266

Manacled by SenLinYu: Harry Potter is dead. In the aftermath of the war, in order to strengthen the might of the magical world, Voldemort enacts a repopulation effort. Hermione Granger has an Order secret locked away in her mind. She is sent as an enslaved surrogate to the High Reeve, to be bred and monitored until it can be accessed. COMPLETE. Rated: M - Chapters: 77 - Words: 384,000

Isolation by Bex-chan: He can’t leave the room. Her room. And it’s all the Order’s fault. Confined to a small space with only the Mudblood for company, something’s going to give. Maybe his sanity. Maybe not. “There,” she spat. “Now your Blood’s filthy too!” DM/HG. PostHBP. Now complete with epilogue. Rated: M - Chapters: 49 - Words: 284,050

Five Days by RavieSnake: No one knows that they are missing. No one knows where they are. No one knows that they are trapped. No one knows that they are dying. Dramione. WINNER for Best Drama/Angst and Best Tragedy in the Winter 2017 Dramione Fanfiction Awards! Rated: M - Chapters: 14 - Words: 32,001

Aurelian by BittyBlueEyes: Two years after the war, a young stranger pays a visit to the burrow. His arrival alone is baffling, but the news he brings of an upcoming war turns the world upside down. Hermione’s quiet, post-war life will never be the same. Rated: T - Chapters: 43 - Words: 270,571

The Politician’s Wife by pir8fancier: Hermione hates Draco in the springtime, Hermione hates Draco in the fall, Hermione hates Draco 247. Rated: M - Chapters: 14 - Words: 68,629

The Revenant by atalanta84: Sometimes fate brings us far from home, and sometimes it brings us back again. When a friend’s mysterious death causes Draco Malfoy to return to Britain, he is finally forced to face his past, and the love he left behind. A story about second chances. Rated: M - Chapters: 10 - Words: 67,866

The Fool, the Emperor, and the Hanged Man by ianthewaiting: Ten years after the fall of the Dark Lord, Hermione Granger leads of life of self-imposed obscurity, that is, until the day Headmistress Minerva McGonagall is murdered and a certain ‘hero’ is responsible. DM/HG, written originally in 2007-2008, and finally making its debut here! AU, DH-EWE, non-canon elements, time travel, character death, etc. Rated: M - Chapters: 28 - Words: 229,334

The Dragon’s Bride by Rizzle: 7th year. Draco & Hermione awaken in a Muggle hotel room, naked, hung-over and tattooed. They also happen to be married. Thus begin a desperate search for a solution to their sticky situation. Rated: M - Chapters: 61 - Words: 225,164

The Eagle’s Nest by HeartOfAspen: COMPLETE: Hermione’s eighth year at Hogwarts is already going to be difficult in the aftermath of the war, but it is further thrown into upheaval when Headmistress McGonagall orders a re-sorting of all students to promote inter-house unity. But when the Sorting Hat sends Hermione to Ravenclaw with Draco - and without Harry or Ron, how will she cope? [AU/Dramione] Prevalent alchemy. Rated: M - Chapters: 70 - Words: 306,322

Thirteenth Night by Nelpher: When Hermione is assigned to keep tabs on a memory-charmed Draco, she is faced with a decision that could change her life forever. Rated: M - Words: 77,997 Chapters: 23

Ordinary People by inadaze22: “Let me be clear about something tonight, Granger. You’re the only woman I’ve ever wanted. It’s always been you.” Draco steps in the fireplace, drops the Floo powder, and disappears in a burst of green flames. Rated: M - Chapters: 18 - Words: 133,759

This, Too, Is Sacred by HeartOfAspen: COMPLETE: An ancient power has required generations of purebloods to pledge their lives to the blood pact. Draco has long known he was born to uphold this tradition… but Hermione’s parents have secrets, hidden details about her heritage, and soon it will be her turn to cast in with fate. [Dramione AU] Fantastic cover art by Witches-Britches. Rated: M - Chapters: 23 - Words: 90,994

Gravity by luckei1: It’s about arranging stacks of books, wall colours, and jumping off a cliff. Draco/Hermione Rated: T - Chapters: 10 - Words: 87,155

Dystopia (new version) by Rizzle: Kidnapped and expecting to be abandoned to his fate, Draco Malfoy writes a personal account of recent life, love and loss after the end of the Second Wizarding War. His story encompasses two unforgivable acts, a wedding, a divorce, a kidnapping and maybe, just maybe…a rescue. Rated: M - Chapters: 15 - Words: 19,885 

A Slow Cruel Descent by SenLinYu: The war grinds on and Hermione Granger is captured. Unable to crack her through interrogation without risking her mind, Voldemort conceives a cruel method of breaking her that involves Draco Malfoy. “He stared at her in disgust. She looked— broken. The fire she’d still had when she was dragged in was now extinguished. Her eyes were locked on his face like she were memorizing him.” Rated: M - Chapters: 2 - Words: 8,687 (Sequel: A Fragile Ascent)

Heavy Lies the Crown by luckei1: For seven years, Draco has carried the weight of the world on his shoulders, and just when he thinks he’ll be released, something happens that will make him seek help from the last person he could have imagined. Rated: M - Chapters: 36 - Words: 289,967

To Wear a Dragon’s Skin by creativelymundane: When Bellatrix Lestrange takes control of the wizarding world after the demise of Voldemort, the remnants of the Order keep fighting. Seven years later, Draco brings Hermione a piece of magic that might be the key to finally ending the war. Together they will destroy Bellatrix Lestrange or die trying. Violence, Implicit Rape, Sexual Situations. Rated: M - Chapters: 26 - Words: 137,484

A Pound of Flesh by PennilynNovus: One night at a strip club, Hermione is faced with someone from her past, and an opportunity too good to pass up. What starts as revenge quickly grows into something else, and she may find it to be more than she can handle. Limes, Lemons, M. Rated: NC-17 - Chapters: 33

A Wonderful Caricature of Intimacy by Countess of Abe: Draco loves his son more than anything in the world. So, when his ex-wife plans to take his son away, Draco asks the most unlikely person for help. Hermione must decide whether changing her entire life is worth helping the man she hates unconditionally. Rated: M - Chapters: 25 - Words: 136,998

Apple Pies and Other Amends by ToEatAPeach: “It’s a veritable PTSD tour. With pastries. And hand-skimmed clotted cream. And Hermione has no idea why she’s doing it, but it’s becoming very apparent that she is.” Sometimes you’re sad. Sometimes you need dessert. And sometimes, it’s a little of both. [COMPLETE, DRAMIONE] Rated: M - Chapters: 30 - Words: 80,226

Fairy Stone by Colubrina: Draco is sentenced to one year in Azkaban, release contingent upon someone willing to vouch for his good behavior. Hermione does. “Oh, I want you,” he said. “You, just you, always you. You forever and you for always and you until the bloody sun explodes.” Dramione. COMPLETE. Rated: M - Chapters: 4 - Words: 13,827

The Mountain and The Sea by Alexis.Danaan: Hermione Granger was perfectly happy with her life, her job as a Healer Trainee, her ugly cat and her cute little house in the countryside. And then Draco Malfoy had to go and mess that all up, typical git. Post-Hogwarts, EWE, OOC, creature!fic. 18 Rated: M - Chapters: 12 - Words: 43,464

Celestial Navigation by phlox: Lost, without direction, unable to find your way home? Coming soon, a new Weasleys’ Wizard Wheezes Ekeltronic to guide you on your journey! *Your mileage may vary.*Rated: T - Chapters: 3 - Words: 13,640

Waiting Room by Nelpher: A series of encounters with Draco Malfoy in the waiting room at St. Mungo’s teaches Hermione about love, friendship, and the intersection thereof. Rated: T - English Words: 61,418 Chapters: 14

Voices by Kyonomiko: Hermione has long accepted she might not make it through the war alive, but after years on the battlefield, she never expected to be at the mercy of Draco Malfoy. Not untouched by his own experiences, his manic behavior leaves her living in constant fear of the unknown, suffering both affections and afflictions at his hands. Rated: M - Chapters: 3 - Words: 19,724

Friend Number Three by riptey: COMPLETE - How do you deal with the Pureblood aristocracy, Ministry corruption, Muggle culture invasions, and constant questions about your love life while juggling more than two friends and not being a total jerk? Don’t ask Draco: he doesn’t know. D/Hr Rated: T - Chapters: 26 - Words: 138,388

Seven Days In April by inadaze22: They were still the same people with the same problems on either side of a bathroom door. Rated: T - Chapters: 7 - Words: 40,097 

Everything Changes by inadaze22: “Thank you for cheating on me, Ron. It’s the best thing you could’ve done. Thank you for stopping me from making the worst mistake of my life.” My first Dramione story. Rated M for strong language and sexual content. Rated: M - Chapters: 17 - Words: 76,191 

Out of the Silent Planet by ianthe_waiting: Post-Hogwarts - Hermione Granger fulfills Severus Snape’s final wish, to journey to Japan to ‘retrieve’ something of importance. Set eleven years after HBP. Rated: NC-17 - Chapters: 39 - Words: 229,710

Ardent Bonds by Musyc: Maybe it was wrong to think about this, maybe it was horrible to even consider, but if Draco Malfoy liked to dominate, she couldn’t stop herself from picturing it. Picturing him. Rated: E - Words: 16,741 - Chapters: 1

Seven Times by kerriclifford240879: Seven times can mean a lifetime of change. Rated: M - Chapters: 7 - Words: 16,526

[weekendwarriorblog]

The Weekend Warrior 10/1/21: VENOM: LET THERE BE CARNAGE, THE ADDAMS FAMILY II, THE MANY SAINTS OF NEWARK, TITANE, MAYDAY, THE JESUS MUSIC

Yeah, so I haven’t had the time over the past couple weeks to write a column, and I kind of hate that fact, especially since I’m coming up on a pretty major milestone for me writing a weekly box office column and reviewing movies. In fact, that milestone comes next week! And once again, I’m struggling to get through the movies I was hoping to watch and write about this week, because I’ve been out of town and once again, very busy over the weekend. Let’s see how far I get...

Before we get to this week’s wide releases, I’m excited to say that my local arthouse movie theater, The Metrograph, is finally reopening for in-person screenings, and they’re kicking things off with a 4k restoration of Andrez Zulawski’s 1981 thriller, Possession, starring Sam Neill and Isabell Adjani, who won a Best Actress prize at Cannes for her performance in the film. I actually saw this at the Metrograph a few years back, and Metrograph Pictures, the distribution arm of the company is now distributing the 4k restoration. There’s a lot of exciting things ahead at Metrograph, including an upcoming four-film Clint Eastwood retrospective, including White Hunter, Black Heart (1990) and A Perfect World (1991) this Friday. Also, Lingua Franca director Isabel Sandoval will be showing her fantastic film from 2020 (a rare chance to see it in a theater and I’ll be there!) as well as program a number of other favorites of hers. Sunday will have screenings of Ingmar Berman’s Scenes from a Marriage (1973) in its full four plus hour glory, Steven Spielberg’s Jurassic Park (1993) and John Carpenter’s In the Mouth of Madness (1994).. In other words, the Metrograph is back!

Moving over to the weekend’s three wide releases, the first one up being Sony’s VENOM: LET THERE BE CARNAGE (Sony Pictures) with Tom Hardy returning as Eddie Brock aka Venom, joined by Woody Harrelson as the psychotic symbiote, Carnage. Taking over the directing reins is Andy Serkis, who has only directed two other movies, Mowgli: Legend of the Jungle and Breathe, but as an actor, he’s been heavily involved with the CG VFX (and performance capture) needed to bring the characters in this Marvel anti-hero movie to life.

Venom has been one of Spider-Man’s most popular villains and sometimes allies for quite a few decades now, starting out life as a cool black costume Spider-Man found on a strange planet during the first “Secret Wars,” which turned out to be an alien symbiote that had malicious intentions. Spider-Man got the costume off of him but it then linked up with Eddie Brock, a sad-sack journalist whose emotions drove the alien symbiote to become the Venom we known and (mostly) love, thanks to one Todd McFarlane. Venom continued to play a large part in the Spider-Man books before getting his own comics, and not before a super-villain was created for him in Cletus Kasady, a vicious serial killer whose infection by the symbiote turns him into Carnage. And that’s who Harrelson is playing.

Being a sequel, we do have some basis to go on, although the original Venom movie, released in early October 2018, also arrived at a time when it was only the second time the character of Venom was brought to the big screen -- the first time being Sam Raimi’s Spider-Man 3, in which the character was received without much love as Ryan Reynold’s Deadpool in X-Men Origins: Wolverine. And yet, Venom did great, opening with $80.2 million and grossing $213 million domestically, which is more than enough to greenlight a sequel. (It made over double that amount overseas, too.) For comparison, the Wolverine prequel opened with $85 million but at the beginning of summer, so it quickly tailed away with other movies coming out after it. Venom: Let There Be Carnage has to worry about the new James Bond opening a week later, so it very likely could be a one-and-done, opening decently but quickly dropping down as other big movies are released in October (basically one a week).

I’ve already seen the movie, and by the time you read this, reviews will already be up --including my own at Below the Line. Social media reactions seem to not be so bad though, so maybe it’ll get better reviews than its predecessor, which was trashed by critics, receiving only a 30% rating on Rotten Tomatoes. But if you look at the fan ratings, they’re higher with 81%, although it’s hard not to be

I’m thinking that bearing COVID in mind and the law of depreciation since the previous movie, Venom: Let There Be Carnage will probably be good for around $50 million this weekend, maybe a little more, but however it’s received, I expect it to drop significantly next week, though a total domestic gross of $135 to 140 million seems reasonable.

Another strong sequel to kick off October is the animated THE ADDAMS FAMILY II (MGM), which is following up the 2019 hit for MGM/UA Releasing with most of the voice cast returning, including Oscar Isaac, Charlize Theron, Chloe Grace Moretz, and Finn Wolfhard, as well as Nick Kroll, Snoop Dogg, Martin Short, Catherine O’Hara, and Bette Midler voicing the popular characters from the New Yorker cartoons, a popular ‘60s TV series, and two Barry Sonnenfeld movies from the ‘90s.

The 2019 animated film was a pretty solid hit for the newly-launched UA Releasing, grossing $100 million domestic after a $30.3 million opening, making it one of MGM’s biggest hits since it was restructured under UA and became its own distributor again. Who knows what’s going to happen with Amazon’s plans on buying MGM and whether the latter will remain a distribution wing, but MGM still has a number of movies out this year that likely will be awards contenders. But that doesn’t mean much for The Addams Family II, which will try to get some of those people who paid to see the original movie in theaters back to see the sequel… and if they’re not going to theaters, MGM is once again offering the movie day-and-date on VOD much like they did with last year’s Bill and Ted Face the Music, which opened much earlier in the pandemic (late august, 2020), so it far fewer options to see it in theaters compared to this animated sequel.

It’s highly doubtful that The Addams Family II was going to open anywhere near to $30 million even if there wasn’t a pandemic, and it wasn’t on VOD just because MGM just doesn’t seem to be marketing the movie as well as its predecessor. You can blame COVID if you want, but it’s also the fact they’re distributing the company’s first James Bond movie in six years, No Time To Die, on their own vs. through another distributor, ala the last few Daniel Craig Bonds. But we’ll talk more about that next week, since that’s going to be an important movie to help cover MGM’s expenses for the rest of 2021. (I haven’t had a chance to see this yet, but it’s embargoed until Friday, so wouldn’t be able to get a review into the column regardless.)

We’ve seen quite a few family hits over the past few months even when the movies were already on streaming/VOD, but parents are probably being a bit more careful with kids back in school, many younger kids still not vaccinated, and the Delta variant still not quite under control. Because of those factors, I think The Addams Family II is more likely to do somewhere between $15 and 18 million its opening weekend, maybe more on the lower side.

Third up is THE MANY SAINTS OF NEWARK (New Line/WB), David Chase’s prequel to his hit HBO series, The Sopranos, which went off the air in 2004 but still finds fans on the new HBO Max streamer. Ironically, this prequel will air on the streamer at the same time as it's getting a theatrical release, which probably won't be a very tough choice for fans.

Chase has reunited with director Alan Taylor, who won a Primetime Emmy for his work on the show in 2007 before moving onto other popular shows like HBO's Game of Thrones. Taylor has had a bit of a rough career in film, though, having directed Marvel Studios’ sequel, Thor: The Dark World, a movie that wasn't received very well although there were rumors that Taylor butted heads with the producers and maybe didn't even finish the movie. He went on to direct Terminator Genesys, which honestly, I can't remember if it was the worst Terminator movie, but it was pretty bad.

What's interesting is that because this is a prequel set in the '70s and '80s, none of the actors from the show appear on it, but it does star Alessandro Nivola, a great actor in one of his meatiest roles for a studio movie. It also introduces Michael Gandolfini, son of the late James Gandolfini (who played Tony Soprano, if you didn't know), playing the teenage Tony, plus it has great roles for the likes of Jon Bernthal (as Tony's father), Vera Farmiga (playing Tony's mother), Corey Stoll (playing the younger "Junior” Soprano), and Lesile Odom Jr, as the Sopranos key adversary, even though he ends up coming across like the good guy of the movie. It also stars Billy Magnussen, who oddly, also has a key role in next week's No Time to Die.

I'm sure there's quite a bit of interest in seeing where Tony came from and to learn more about his family, many who were dead long before the events of the HBO show, but will that be enough to get them into theaters when they already have HBO? I already reviewed the movie for Below the Line, and reviews are generally positive, which might get people more interested in this prequel.

As with most of Warner Bros’ movies this year, Many Saints will also debut on HBO Max and unlike some of the studio’s other 2021 offerings, it will actually make more sense to watch this one on the streamer since that’s how most people watched The Sopranos. That seems like a killer for Many Saints, and it’s likely to keep it opening under $10 million, where it might have done better on a different weekend (like sometime over the last two weeks).

This is what I have this weekend’s top 10 looking like:

1. Venom: Let There Be Carnage (Sony) - $50.4 million N/A

2. The Addams Family II (MGM/UA Releasing) - $16.5 million N/A

3. The Many Saints of Newark (New Line/WB) - $9 million N/A

4. Shang-Chi and the Legend of the Ten Rings (Marvel/Disney) - $7.5 million -44%

5. Dear Evan Hansen (Universal) - $4.1 million -45%

6. Free Guy (20th Century/Disney) - $3.3 million -30%

7. Jungle Cruise (Disney) - $1.1 million -35%

8. Candyman (Universal) - $1.3 million -48%

9. Cry Macho (Warner Bros.) - $1 million -52%

10. Malignant (Warner Bros.) - .7 million -53%

Opening in select cities is French filmmaker Julia (Raw) Ducournau’s TITANE (Neon), the genre thriller that won this year’s coveted Palme D’Or at the Cannes Film Festival. It stars Agathe Rouselle as a young woman who has an interesting relationship with automobiles, but she also has psychotic tendencies that leaves a trail of bodies behind her. On the run, she decides to pretend she’s the missing son of a fireman (Vincent Lindon), who has been missing for 10 years, and things just get weirder from there.

I honestly wasen’t sure what to expect from this although I do remember walking out of Ducournau’s cannibal movie, Raw, just because it was so gross, even though so many of my colleagues and friends swear by the movie, and this one, for that matter. Sure, there’s a certain “prove it” factor to me watching a movie that wins the Palme D’Or, because it’s very rare that I like the movies that do win that benchmark cinema award.

After a flashback to Agathe’s character Alexia when she was an obstinate young girl kicking the back seat of her father as he’s driving. They crash and she’s forced to get surgery that puts an odd looking piece of metal in her head. Decades later, she seems to be a pseudo-stripper at weird punk rock car show -- I guess they do those things different in France -- and hooking up with a fellow “model” afterwards. Agathe is actually a very popular model/dancer but when one fan gets too grabby, she pulls a knitting needle out of her hair and stabs it through his ear, killing him. Oh, yeah, she then has sex with a car and seemingly gets pregnant, but that only happens later. First, she goes on a bit of a killing spree and then goes on a run and decides that by strapping up her breasts and breaking her nose, she can pass off this fire captain’s son… and it works!

So the second half deals with acting great Vincent Lindon’s absolutely bonkers steroid-addicted man who seems to be sexually attracted to his own son, and most of his fellow firefighters knows that he’s gay but in the closet, but I’m honestly not sure what that matters. He’s a pretty disgusting character whose 70-year-old ass we see way too much of, and even those who might find Rouselle to be quite fetching, there’s a certain point where her nudity is not alluring but quite horrifying.

Oh, and at this time, Alexia (or Adrien, as she’s now going) has also gotten significantly pregnant, but it’s not a normal pregnancy because what should be milk from her breasts seems to some sort of motor oil. That’s because she FUCKED A CAR earlier in the movie!!! What do you expect when you fuck a car and don’t use protection, girlie? The fact Alexia/Adrien is trying to hide the fact she’s a pregnant woman from a station full of men isn’t even particularly disturbing. The part that really got me was when she broke her own nose to pass off as this guy’s son -- I actually had to look away for that part.

Listen I’m no prude, and I think I can handle most things in terms of horror and gore, but Titane just annoyed me, because it felt like Ms Ducournau was doing a lot of what we see more for shock value than to actually drive the story forward. There just doesn’t seem to be much point to any of it, and once the movie gets to the firehouse, and we see her interaction (as a young man) with her “father” and his colleagues, it just gets more grueling.

It’s as if Ducournau had watched a lot of movies by the likes of Cronenberg or David Lynch, or more likely Nicolas Refn or Lars von Trier, and thought, “I could be just as strange and horrific as those men… let’s see what people think of this.” And way too many people fell for it, including the Cannes jury. While I normally would approve of any good body horror movie, especially one with cinematography, score and musical selections as good as this one, I doubt I’d ever want to watch this movie again. And therefore, I don’t think I can recommend this movie to anyone either, at least no one I want to remain my friend.

As far as the movie’s box office, NEON is opening the movie in 562 theaters to build on buzz from various film festivals, including the New York Film Festival earlier this week. I think it should be good for half a million this weekend, although maybe it'll surprise me like NEON's release of Parasite a few years back. I just don't see this getting into the top 10 but maybe just outside it.

And then we have a few more movies that I got screeners for but just couldn’t find the time to watch, but might do so once I finish this verdammt column.

The faith-based doc THE JESUS MUSIC (Lionsgate) by the Erwin Brothers (I Can Only Imagine, I Still Believe) takes a look at the rise of Christian Contemporary Music through artists like Amy Grant and Stryper and everything in between, featuring lots of interviews of the artists’ trials and triumphs. Even though there isn’t much CCM I ever listen to, I’m still kind of curious about this one, since I generally like music docs and this is guaranteed not to be the sex, drugs and rock ‘n’ roll of most of them. I have no idea how wide Lionsgate intends to release this but it certainly can be fairly wide, because the Erwins have delivered at least one giant hit for Lionsgate, and I Still Believe may have been another one if not for the pandemic. It actually opened on March 13, just days before movie theaters shut down across the country, so it's little surprise it only made $7 million domestic. That said, the acts in this one have a lot of fans, and if Lionsgate does release The Jesus Music into 1,000 theaters or so (which is very doable), then I would expect it would make between $1 and 2 million, which would be enough to break into the Top 10.

I haven't seen any of the movies based on Anna Todd's YA romance novels but the third of them, AFTER WE FELL, will play in about 1,311 theaters on Thursday i.e. tonight through Fathom Events, and may or may not continue through the weekend. These movies just kind of show up, and again, having not seen any of them, I'm not sure what kind of audience they have, but this one stars Josephine Langford and Hero Fiennes, as well as Stephen Moyer, Mira Sorvino and Arielle Kebbel with Castille Landon directing.

Grace Van Patten (Under the Silver Lake) stars in Karen Cinorre’s action-fantasy film MAYDAY (Magnolia), playing Ana, a young woman who is transported to a “dreamlike and dangerous” coastline where she joins a female army in a never-ending war where women lure men to their deaths. It also stars Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin and Juliette Lewis. It will be in theaters and On Demand this Friday.

The great Tim Blake Nelson stars in Potsy Ponciroli’s action-Western OLD HENRY (Shout! Studios/Hideout) about a widowed farmer and son who take in an injured man with a satchel full of cash only to have to fend off a posse who come after the man, claiming to be the law. Not sure who to trust, the farmer has to use his gun skills to defend his home and the stranger.

The romantic-comedy FALLING FOR FIGARO (IFC Films) is the new movie from Australian filmmaker Ben Lewin (The Sessions), who I’ve interviewed a few times, and he’s a really nice chap. This one stars Danielle Macdonald, Hugh Skinner, and Joanna Lumley, and it will be in theaters and On Demand this Friday. This rom-com is set in the world of opera singing competitions with Macdonald playing Millie, a brilliant young fund manager who decides to chase her dream of being an opera singer in the Scottish Highlands. She begins vocal training lessons with a former opera diva, played by Lumley, where she meets Max, a young man also training for that competition. Could love blossom? This actually sounds like my kind of movie, so I’ll definitely try to watch soon.

The second season of “Welcome to Blumhouse” the horror movie anthology kicks off on Amazon Prime Video on Friday with the first two movies, Maritte Lee Go’s Black as Night (which I’ve seen) and Gigi Saul Guerrero’s Bingo Night (which I haven’t), and actually I’ll have an interview with Ms. Go over at Below the Line possibly later this week. The former stars Ashja Cooper as a teen girl living in Louisiana who has a bad experience with homeless vampires, along with her best friend (Fabrizio Guido).

Also, Antoine Fuqua and Jake Gyllenhaal’s remake of the Danish film THE GUILTY will begin streaming on Netflix starting Friday after premiering at TIFF a few weeks back. I never got around to reviewing it, but it’s pretty good, maybe a little better than the original movie but essentially the same. I’d definitely recommend it if you like Jake, because he’s definitely terrific in it.

Also hitting Netflix this week is Juana Macias' SOUNDS LIKE LOVE (Netflix), a Spanish language romance movie that (guess) I haven't seen!

A few other movies I didn’t get to this week, include:

STOP AND GO (Decal) VAL (Dread) BLUSH (UA Releasing) RUNT (1091 Pictures)

Next week, it’s not time for James Bond, it’s time for James Bond to die… no, wait… there is NO TIME TO DIE! Also, a very, very special anniversary for the Weekend Warrior….

[adultswim2021]

Perfect Hair Forever #7: “Return to Balding Victory” | April 1, 2007 - 12:00AM | S02E01

Hey! Look! It’s a new episode of Perfect Hair Forever for me to watch! What? I am half-remembering this, and using wikipeida to fill in my blanks: I think they announced season 2 as a web-exclusive show back when they were trying to make web-exclusive seasons of The Brak Show, 12 Oz. Mouse, and this. It was announced to debut in May of 2007 online, and that it would have 16 episodes. It did not have 16 episodes. It had one episode. And, it actually aired first on Adult Swim on the evening of March 31st. It aired at midnight, technically April 1st. We in the states call that “The April Fool’s Big Day”, and it’s a day when various television networks must appease the April Fool’s regard for mischief by playing weird stuff instead of normal stuff on their channels.

This is a for-real continuation of the series, and in fact it incorporates many elements of “Woke Up Drunk”, the “variety show” episode that seemed very skippable until this moment. It starts off with the three burly guard guys in bed together. In “Woke Up Drunk” we saw them, fully clothed, all saying things out loud like “we are having hardcore penetrative gay sexual right now” while also pointing out that they can’t actually show it on television, so they just have to say it’s happening. They call this bit back, but this time they mention that it’s the internet and not TV.

Then there’s an opening sequence! Which… that’s one of the songs that’s already been featured on the show, right? I found a wiki that used weird wording that made me think it was technically a different song. Oh well. It uses weird clips of things, including Vince Collin’s great animated work 200. I love that guy’s stuff. I highly recommend you check out his seminal short Malice in Wonderland. Talk about ADULT ANIMATION, baby (there are vaginas in it)!

Okay: so the plot is meandering and unwieldy like it always is on highly-serialized Williams Street shows. Inappropriate Comedy Tree is trying to convince Gerald that he lost his memory in the crash (he didn’t). Tornado and he fight. Then a tidal wave shows up, flooding, more-or-less, every location in the show. He has a face not unlike the Tornado, and calls himself “Wetsy”, and we see Space Ghost running in the background to avoid getting wet. Gerald wonders out loud “I wonder what will happen next… on the internet.”

Uncle Grandfather sexually harasses Brenda by getting into a huge body-sized condom and insists that they have sex. She ignores him. He says something like “god told me to blow everything up”. An explosion is heard. 

Next there’s a very long establishing shot of the house that Coifio was trying to sell. He sells it to Rod, the Anime God. Wetsy floods it, and that’s just too bad for Rod. Rod then declares that he has to move into a different house; the house featured in “Woke Up Drunk” with the blonde housewife. There’s a nightmarish, reality-bending flourish. Perhaps something is amiss. 

Back at Uncle Grandfather’s house, Brenda is jacking up the house to get it mostly out of the water. Coifio is seen in a row boat. He gathers Cat Man, who is shooting Wetsy with a gun (he also manages to put one in Coifio (who takes it all in stride, luckily). Coifio wants Cat Man to help him get to Gerald.

We cut to a “commercial”, but it’s shown on a TV screen with Gerald advertising, basically, his quest, and inviting people to also partake in said quest. This has a really funny moment where Kim Manning gives a too-spirited delivery of the final line of the ad and chuckles “that doesn’t sound like Gerald at all”. This is being viewed by Rod, the Anime God, I think (I forget and forgot to write it down). When we cut back to Gerald, he has great, ever-changing hair, and is being followed by a school of tuna (the flood means Gerald is mostly submerged in water). He cheerfully announces “So glad we finally reached Tuna Mountain. And did all that stuff.” and then mentions that they are going to either Pancake or Hamburger Mountain now. They pass by the severed hand of the Anime hero guy clutching the Hamburger medallion from episodes past. The medallion is wrapped up in some tree branches and the hand is just hanging off of it.

Catching up with that guy (his name is Young Man, I just learned) and his animal friends: They are floating by on the top of their car, I think? They see a cat and a hot dog bun fighting on the back of an alligator. It appears the war between them is not actually over. “I wish this wasn’t symbolic of anything, and that this whole thing were just an anime mindfuck” Young Man says. He arrives at Uncle Grandfathers house. 

The last bit is a bit of weird channel surfing, where we see the Special Presentation/Anime Talk Show/Adult Swim Brain Trust set. Rod the Anime God is with his new family, featuring the blonde housewife and what appears to be an alternate version of Gerald. The living room resembles the Brak Show set, though it’s not as perfect of a match as I thought when I looked it up and I’m not sure it’s even an intentional reference. And that, folks, is the end of the series. For a little while, at least.

I’m fond of this show. It’s mostly meaningless nonsense, but it’s pleasing to watch. I wish there actually was a second season. But I like that they randomly revive it when we’re all least expecting it (to be fair, April Fool’s Day falling on Adult Swim’s anime night is a reasonable night to expect it, when you think about it). I don’t think I ever did watch the other episode of this that came out a few years later. Was it good? Did it end the series? Am I nice?

EPHEMERA CORNER:

Perfect Hair Forever Fansub April Fools stunt (April 1, 2007)

After the surprise episode 7, we were treated to more April Fools fun: A marathon of Perfect Hair Forever but in reverse episode order. The episodes were run through multiple generations of VHS dubbing and given amateurish-looking subtitles to simulate the tape-traded fan-subbed animes of yore, when hobbyists would localize anime that hadn’t found official release in North America yet. There were, in fact, turf wars over this sort of thing. The stunt involved poorly-translated subtitles that, in fact, at one point just start being subtitles for an Aqua Teen Hunger Force episode instead. Hilarious. You can find some of the fan-sub versions of the episodes online. It’s worth a look!

MAIL BAG

ill always love the cinco credit union sketch because the idea of a bank sending you a porno in the mail is too delightful for words!

I think I failed to highlight this part; there is indeed a callback to the Pizza Boy sketch in the Cinco Credit Union sketch where the kiosk announces to Eric that a copy of the film is being mailed to his home, where his wife will probably receive it and get pissed off. Season one in particular tried to be thematic and have sketches refer to each other. I feel like this element of the show was sorta faded out as the series went on.

I love the first part of the Lazy Horse mattress sketch and I think its a classic, but I agree that the follow up just veers into some Jhonen Vasquez territory.

That’s a good way of putting it. That guy... whew! I NEVER liked him. Actually, that’s not true. The first time somebody gave me one of his comics I read it and liked it. Truth be told, I decided not to like him after all my mean internet friends said it sucked. Is it good (his body of work I mean)

"wahh I don't like when david cross says ho-ho" Shut Up You Fucking Baby!

That’s not how I said it! I said it like a cool guy!

I love that Richard Dunn was already legendary by episode 7, enough that we all knew his name and were concerned that he actually died. RIP to a king

Nothing but respect for my president

I want to punch will forte in the face in front of his family for using digital animation. Fucking idiot.

Noooo! I heard he’s nice!