#remains of the day is one if my favourites
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im still here and im still mad and feel like supplementing the stuff i said by talking about one of my favourite shows of all time, black sails. it's a show that markets itself as a prequel to fucking treasure island, and it has several beautifully handled examples of ''messy'' queer people and various flavours of Actual queerplatonicism/soulmateship, and i want to parade them around in service of saying Get Fucked to That Man a little more.
like i seriously feel like its my messy-nebulous-identity-queer-man oligation to hammer it in that he is gaslighting everyone, and that what he's trying to make you give up and just accept that he Apparently wrote genuinely exists in incredible capacities in infinitely better more big-brained pieces of media. the jayvik narrative was just straight up ''they want eachother but they have to battle the comphet demons first''. the queerplatonic/soulmate characters you deserve are out there (and by extension in this scenario, actual nuanced pieces of media about ostracised people revolting against their oppressors). lemme put you on.
black sails includes:
captain james flint, a former british navy officer, who was exiled from england because he's outed having slept with a nobleman called thomas hamilton. thomas's wife miranda was in on it the whole time, there's definitely a sense of loss and grief coming from her surrounding the situation but she remains fully supportive of them both, and she loves them both dearly. thomas is thrown into a psyche ward offscreen and flint and miranda flee england to the caribbean, where james becomes a seething vengeful pirate captain and miranda tries her best to make a comfortable home and a life for herself in exile. these two characters are deeply in love with eachother and the exact nature of their love is never spelled out to us. they are intimate with eachother, they fully have sex on screen, however they make a point of making it feel stilted and awkward with james just kinda lying there. miranda will later go on to desperately pursue a pastor who starts frequently visiting her for tea and company.
the way this show beautifully frames the relationship between these two characters honest to fucking god made me land on the reading that james is gay specifically, not bi
my reading of them is that they are a secret third thing, they are some form of queerplatonic partners who are bound together by their grief and the loss of their shared romantic partner. that james, who has gone back to burying his attraction to men under a million layers of shame, is only comfortable having sex with miranda, because shes the only person who fully knows who he is and loves him unconditionally. and in turn for a while she's only comfortable having sex with him, eventhough the relationship leaves her unfulfilled. a piece of fiction being able to ilicit that reading from me, that the man i just described isnt into women but has this relationship with one anyway, is fully fucking insane but they managed it flawlessly. a lot of people share my opinion and a lot of others see the situation as a doomed bi polycule, james as a bisexual man, and him and miranda just straight up being eacothers trauma-bound situationship, etc. which is an equally valid reading. it really could go either way
jack rackham and anne bonny From Real Life are also portrayed in this show, and they are set up as longtime sexual/romantic partners, practically joined at the hip, before shenanigans ensue and anne has her first ever non-hetero sex with a sex worker called max, which leads her to eventually figure out shes a lesbian, and her and max are endgame. i cant quite remember the jack/anne backstory off the top of my head but it goes something along the lines of; anne was the young teenage wife of an extremely abusive husband, and one day jack found himself in their tavern, and he kills the husband and runs away with anne. hes the only compassionate love shes ever known and her arc is built around her realising that shes unintentionally been in jacks shadow this whole time, and that she barely has any idea who she is outside of being his partner.
her lesbian acceptance arc includes her trying desperately to cling onto the initial state of her love for jack by inviting him to a threeway, and it very literally reads as ''i need my boyfriend here for comfort so i dont get scared doing the lesbian sex that actually makes me feel something''.
eventually however, anne comes to accept that she simply loves jack in a different way now, and jack, who loves her more than anything, wants her to be her own person, and is fully supportive of her, is willing to ''let her go''. anne has an amazing scene where she tells him ''i cant be your wife, jack, but we'll be partners until they put us in the fucking ground.'' and when anne uses that word, partners, in that context, you know exactly what she means. they remain intimate with eachother for the rest of the show, they are still eachothers best friends, eachothers soulmates, theyre 2 sides of the same coin, they kiss on the mouth like twice after this revelation for gods sake, but it's extremely clear that what she means by that is she's no longer his sexual/romantic partner. they're a secret third thing now. they are partners in the way That Man tried to retroactively convince you jayvik are.
this is just 2 examples, but ive left out the big one. if i analysed the actual main ''are they like brothers/do they have crushes on eachother/are they soulmates/are they queerplatonic/whatever the hell else is going on here'' relationship the 2 main characters have, id be here a while, and i kind of wanna leave them (and the incredible madi who joins them in their madness later in the story) under wraps incase ive managed to advertise the show to you. theyre amazing and tragic and beautiful and theyre best experienced firsthand. i promise you the authorial intent of portraying a close relationship between 2 men that defies clear-cut labels and explanations is crystal fucking clear in black sails, and it's not just a full ass Gay Guys With Comphet narrative that was word-of-god rolled back on at the last moment. the writers even went on record explaining that they specifically wanted to do a secret third thing with them. i wouldnt know where to dig it up again, but when these guys say it, you believe it. they are Not talking out their asses and they dont think youre stupid.
if you wanna watch a story about vilified downtrodden people who plan to revolt against an imperialist regime, which actually handles that setup amazingly and with proper tact and complexity, that's full of beautiful messy characters and relationships, which ends in a way that's earth shatteringly devastating, but in a way that makes perfect sense and leaves you depressed forever but satisfied, and is 50 billion times better than what arcane turned itself into in that horseshit second season, try black sails. this unabashedly revolutionary anti-imperialist tragedy will continue to surprise you in the best way and i genuinely think that if youre malding over arcane fumbling literally fucking every topic it touched, this should be your next stop. you deserve good food. this is the kind of shit arcane wishes it was.
also another point that i couldnt really fit in anywhere else; they turned fucking long john silver into one of The Most Fictional Characters Of All Time. this show is treasure island fanfiction and they managed to turn the original text into a dubious sequel, and i cant even begin to explain what i mean by that, but john might actually be an entirely new genre of guy now and it's fucking incredible what they did with him specifically. hes fictional character squared. im obsessed with him and they make that feel like a deep unforgivable violation of his privacy. go and experience that man's Narrative
and lastly a big ass disclaimer: the first season is the worst one and you have to go into it with the context that this was originally developed as a Historical Drama For Bros, and it has the vibe of a game of thrones ripoff until the creators are given due control from s2 onwards. theres uh. a lot of Cringe in season 1, i wont lie. the women and wlw characters have some very stupid male-gazey characterisation, theres an extremely uncomfortable arc where a woman is repeatedly sexually assaulted, theres some shock-valuey depictions of slavery, but i promise when the creators are allowed the chance to lock in, they lock the fuck in. they make something amazing out of every topic that's treated in a weird shallow way in the first season and you can tell when they start putting their entire backs into it
someone even did a ''what couldve been'' amv if you dont mind more potential spoilers via out of context visuals
#post#arcane#black sails#jayvik#this one goes out to ''i like it i guess because i can read them as qpp <:)'' aroaspec jayvikers especially#as ur bother in arms you dont deserve to be handed scraps like this. get over here. i have real qpp men media that doesnt think youre stupi#people who’ve watched both shows back me uppppp I need your strength you know I’m so correct#I have tasted GOOD FOOD and this is why i am like so personally insulted by the idea that#jayvik are on the platonic soulmate wavelength they are Not#you have to actively twist them into that after THAT narrative#I deserve better and other aroaces deserve better and allos deserve better we all deserve better#than this utter nonsense#he aint tryna give us rep hes walking back HOMOPHOBICALLYYYYY this is a post canon word of god broification#to appease his fellow insecure straight men he didnt do that for Us#WHERE IS YOUR RAGE RISE RISE RISE
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✧˚ ༘ ⋆。˚Pinkie Pie!🧁⋆.ೃ࿔*:・
#art#fanart#my art#my little pony#mlp#mlp pinkie pie#pinkie pie#Cupcakes and SmileHD were my canon event as a child#along with many other things i probably shouldn't have been watching at that age#oh well!#she remains one of my favourite mlp characters!#it was HARD drawing the chainsaw#also!#full page!!#i would love to add some colour to it one day...
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hi! I don’t know if this is the type of question you’d like to answer, but I was thinking about how being born in the same year would have affected valentino and marc’s careers (as in both born 1979). would they or could they have started in the same year? would they be teammates at honda, and if so, would valentino still make the switch to yamaha? how does this affect rivalries with other riders? I just think it’s interesting to think about!
it sure is interesting to think about!! tossing it under the cut because this gets long and kinda dumb
well, look, let's set some basic conditions here. first of all, obviously we don't know if 1979-born marc reaches the same level of success because of how the sport changes over time, everything is super circumstantial, what even is 'talent' bla bla bla (kinda the stuff I talk about here). he can't use his signature riding style on those bikes, demands of the bikes are different, competitive ladders are different, local motorcycling scene is different, etc etc etc... hey, by the same token, maybe he'd be even more successful and would never lose a race. we're going to throw out all that nitpick-y shit and assume that he makes it to the top of the sport. we're also going to assume that marc and valentino are both able to compete with each other on relatively equal terms and go from there. we'll obviously never know either way, but this is the most fun way to approach it, like obviously either 'marc wins zero titles' and 'marc wins ten consecutive titles' are deeply unsatisfying outcomes... I do think you can get fun and nerdy into figuring out how exactly their respective strengths and weaknesses as riders compare, what their title fights might look like, the nitty gritty of which tracks they'd beat each other at... but I reckon this post is probably long enough as it is, so I've mostly skipped over those bits. they both win some titles, that's what we're going with
the precociousness question is interesting because, again, obviously marc's development timeline would inevitably look at least somewhat different in this universe. would he start grand prix racing a little later? would he need a little longer to adapt to those 500cc bikes than he does to motogp bikes? who knows. let's just play this the most simple, straightforward way possible and again assume he hits his early career milestones at the exact same rate - most importantly, of course winning the premier class title as a 20 year old rookie. it's an editorial choice that lets us skip to the fun stuff
so, the fun stuff. let's compare and contrast their journeys to the premier class:
top row is ages, bottom row is years in this timeline, the cells indicate championship positions, the colours indicate class (green = 125cc; blue = 250cc; lavender (?) = 500cc)
this actually works out quite nicely! they're not even really encroaching on each other's titles at this stage. if you really want to get into 1998 lore, obviously that title becomes way more complicated... aprilia is the strongest team, they had that 'super team' set up already filled up, do they supply four guys? is marc somewhere else? does valentino have worse machinery in that year? one of the two other guys? who knows, and also this feels like maybe a tangent for another day. let's assume they're both competitive here, and then it doesn't really matter so much if valentino ends up p3 in that championship - crucially, he still needed a big chunk of that season to adapt to the bike
so then! let's start with this time period, and rattle through some random thoughts about what the competitive landscape looks like pre-2001:
if marc is that good that early, he kinda hogs up a lot of the limelight. some folks took a bit of a punt on valentino in 1996 to get him into gp racing - yes, there were already signs of something special, but it was still all a bit more uncertain
so valentino is basically always in the position where he's hunting marc... he's constantly a step behind
now, it's actually possible to wager a good guess at how he reacts to that! the answer is 'not great': when he was constantly asked about biaggi, whether he was the biaggi of 125cc and all that, he came out with the line that biaggi would dream of being the valentino rossi of 250cc. in this timeline, I don't think the biaggi thing completely goes away because that's still italy's darling... but the first point of comparison would always be marc. and valentino unsurprisingly doesn't enjoy always being second best
of course, they do have enough overlap in the lower categories that they do actually get to fight each other on-track. 1996!valentino was, as he describes it, "an absolute pest". even though he only finished in ninth in the standings, he did get a win and was often in the front-running group, so let's say they do have a few on-track run in's during 125cc. chuck those two together as seventeen year olds, and this sounds like *checks notes* a bit of a health hazard. there is a genuine argument to be made that valentino is worse at this stage - from oxley's reference book about france 1996: "valentino was once again in the mix at paul ricard, ducking and diving in the midst of a leading group that numbered up to 16 riders, but he was riding harder than ever, using all the kerbs and then some and occasionally kicking out at rivals with his knees and elbows"
marc likes to respond to aggression by one-upping his rivals, so this feels like it just goes wrong. several times. while they're still in 125cc. also, marc is mostly winning that year, which really lights up valentino. if anything, he'd probably be even more motivated during those years, because now he's got someone to chase and someone he would just love to piss off
let's say marc still narrowly misses out on a rookie 250cc title in large part due to injury. they spend a year together in that class too, where valentino is doing a lot of learning - but is a frontrunner basically from the word go - and marc is going for the title properly now. they have a lot of intense annoyingly tactical battles this year, plenty of dramatic last lap battles, and it takes valentino around half the season until he starts winning some of these (irl, he won one of the first ten races of the season and then the last four - and also crashes a lot. marc was the class of the field)
this is the year in which marc is just... a lot. plenty of controversy!! practise crashes! back of the grid penalties! and if marc does stuff like 'trying to run his rival off-track', there is a bit of a risk valentino attempts to one-up him here. they are both starting to get real reputations, and valentino's probably gets worse by association lol
then marc heads off to the premier class. valentino dominates his 250cc title, but he's being overshadowed by marc doing the thing. which means he will be extremely fired up once he gets to the premier class himself... which might not actually help him. too much exuberance on those 500cc bikes sounds like a recipe for painful crashes
let's assume marc dominates the first half of that season and it takes valentino a while to get going. the second half is more competitive when valentino finally clicks with the 500cc's and marc starts making more errors... setting up what's to come
let's also say marc immediately gets to the repsol honda team because they really want the next big thing and the contract situation is different from when valentino joins a year later - whereas valentino still gets a shell satellite team set up for himself in 2000. he's still obviously highly rated by honda and they still give him doohan's old crew and presumably quite heavy factory backing... but there's also not quite the same urgency in the succession planning. you kinda want to sign the kid so nobody else gets him, right, and he did beat marc a few times at the end of 1998... who knows who ends up turning out better, yeah? but at the end of the day, marc is still Plan A and he seems to be working out pretty well for them
this is all well and good, but obviously a rivalry is a bit more than just a general vibe and on-track incidents and a list of results. so, my general thesis for how this relationship goes is that it kinda oscillates between 'pretty good vibes!!' and 'breaks your geiger counter'. this goes in cycles of about 2-3 years, becomes a lovely soap opera for the paddock to follow. so let’s say for instance that they go through a rough patch in 1998, and then again in 2001, and then again 2003-04, and so on…. then you get marc’s injury years and from then on it gets proper messy
so, here's a stab on what the interpersonal vibes look like during the early years:
valentino embraces the underdog position. you get this with the biaggi stuff but also you get it throughout his career... he actually likes it! he's so much about surprising people, subverting expectations, proving them wrong... he thrives in the role where everyone thinks marc is going to be the next big thing and dominate the sport for fifty years
he does also have the potential to be a major thorn in marc's side, especially if the title fight is as close as marc's canonical 125cc title was. but they do run into the same problem here that they unfortunately will always run into: they get on as people! their chemistry has never actually been an issue. back then, you'd also get more like... socialisation in the paddock... it's a bit more casual, less professionalised, they hang out more and are teenagers and are both young and annoyingly good and eventually get to that irritating 'you're the only bitch in this house I respect' thing
valentino is still very good at making marc laugh, and seems to find marc funny too so. that's a thing. marc canonically glomps onto a very small number of people, and he's already shown in real life one of those people can absolutely be valentino. we all know what we're here for and it's the most BORING outcome if they're just indifferent towards each other. but why would marc be! of course, he's completely taken in by the super talented charming rival who is actually willing to match his viciousness step for step. he wants to fight valentino forever and ever
marc does really want to be friends... once he knows valentino he decides he really likes him... sometimes he's a bit oblivious to how tough he's making valentino's life, sometimes he's wilfully disinterested... valentino is sucked in a little bit in spite of himself, though I still reckon valentino's cynicism about friendships with rivals was learned over time (hey ho sete). at the start, valentino is happy enough to be friends with his close rivals, and really it's only later that all those subconscious issues of keeping rivals at arms' length develop. he's there to have fun! it might be vicious on-track, but it's a party off-track!
and he thinks it'll totally be fine!! he's not adverse to chatting up rivals and trying to get a sense of how they tick for future reference... some of the stuff marc does bothers him, but it's not like he can immediately even articulate why. and it is tough, with how marc has long been the chosen boy... just how brutal marc gets when valentino gets close to beating him... and usually valentino reacts Just Fine to that, but he does file it all away for future reference, because he sure doesn't think marc is reacting that way to just anyone on-track...? and then sometimes marc is perceived as a real rival, sometimes he just makes valentino uncomfortable, and valentino suddenly remembers that Actually, this is a Work Relationship. in general valentino runs very hot and cold with marc, in a way that does make sense according to his internal logic but can get very confusing to anyone else, not least marc
the slight mismatch between their rates of progression also gives you these gap years where they're not directly competing... and valentino is really coming into his own in 1997. so, yes, valentino is constantly chasing marc from a competitive standpoint... but marc is watching valentino's celebrations and thinks they're just like. the best thing ever. accidental valentino rossi fan, poor soul. a big fan of the hairstyles and will enthusiastically defend them to any critics, including that one time when one of his parents made a derogatory remark about the green hair
what if they're proper friends in 1997 (age eighteen) and hung out and gone to parties together and gotten drunk and have just become Real Actual Teenage Friends while they're not racing each other... when marc gets his diplopia, what if valentino is kinda freaked by this, he'd been planning to get to 250cc to beat marc's ass next year... what if he goes to visit marc, what then...
still, this is probably around the time when valentino first says mildly annoying stuff about marc to the press (going by the biaggi precedent), which is how you set up them really going at it in 1998. it gets vicious... but also, they're young, they do kinda get over it, and then marc progresses to the premier class and they can just socialise normally again... all the while, valentino is watching what marc is doing and thinking about just how badly he wants to beat marc
valentino's rookie campaign in the premier class is also fine - because valentino is too busy adapting to the bike, marc is dominating, and traditionally those are not the circumstances in which valentino picks his fights. they have a lot of fun here together, and they're both very generous about each other's successes. marc is so impressive, I can't compare myself to him yet, valentino's adapting so well to the premier class, he'll definitely be fighting for titles soon, etc etc. fair fights (by their definition of 'fair', anyway) and them both being really complimentary towards each other afterwards. everyone who wanted beef is disappointed and disgusted, but at least you've still got the vale/biaggi thing going on in the background (btw marc also for SURE would've picked a fight with biaggi in 1999, so they can bond over that and pointedly chat to each other in pressers while ignoring biaggi)
valentino's ability to make marc laugh is particularly lethal in this year, because valentino’s struggling just enough that maybeeeee marc is being suckered just a little into thinking he’ll always have valentino covered. so he can just let himself have fun with valentino without feeling too threatened... this sets up the title fight in the following year being a complete and utter nightmare… late 2000 is already ringing a few alarm bells when marc’s results start getting messier and valentino is clearly finally properly getting to grips with the 500cc bikes (first dry race win late that year). oh well! I'm sure their relationship will survive just fine!
and then... well, again, super conveniently, valentino's first premier class title at age 22 matches up with... you know. marc's 2015
let’s just say marc does suffer a bit of head loss when he encounters his first real challenge in the sport, when there’s finally a bit of real adversity after so much success. valentino wins the first few races while marc has some patchier results, and then marc kinda tries too hard to close the gap - and then, whoops, he’s gone too far and he’s left himself with too much work to do. I did run the maths for their average points at xyz age just to have a rough measure of how the seasons compare… as in how valentino’s compare to valentino’s and marc’s compare to marc’s, because any comparison between the two is completely meaningless, very different competitive pictures. that being said, fun fact: biaggi actually scores slightly more average points per race in 2001 than marc does in 2015. still, I don’t really believe you can get marc to sepang 2015 that title fight, just isn't close enough… the marc/valentino relationship does still sour, but it’s because you get an assen equivalent... valentino wins in a slightly dubious manner, and marc doesn't react well... after which valentino goes ‘aha so it’s all right until I’m winning, yeah?’
valentino in this timeline has just like. such a massive victim complex. helps fire him up that everyone’s constantly underrating him NOBODY believed he could ever take on marc (this is mostly not true). the way the assen 2015 equivalent plays out is not just ‘what a sore loser’ but also ‘MARC NEVER BELIEVED I WAS GOING TO BE A SERIOUS THREAT AND THIS PROVES IT’. it’s like… deeply insulting to valentino and also triggers the bit of valentino’s brain where he has to prove everyone, most of all marc, wrong. that's how you get the interpersonal hurt! valentino fully believes marc has switched up towards him and can't handle any version of their rivalry where marc doesn't have the upper hand. and marc does need some time to get over it and maybe he did write off valentino just a teensy bit but also... this is just how he competes... he thinks of a lot of things as 'fair game' that others don't... and he does also view valentino differently when he's a real competitor, so valentino isn't even completely wrong... marc does react badly to losing for the first time... but it's also more complicated than that, because marc is genuinely fond of valentino and really does want to put all that aside when the title fight is over again, except valentino thinks marc has shown his true colours. whips this controversy out later on in the season as he has a habit of doing, presumably when there's not even really any title fight impetus because that's been mostly wrapped up. (which would be a bit unusual for him but, hey, he's young and silly, he doesn't start feuds in Sensible Ways back then.) so they just kinda both end up escalating it and making it ugly, and by the end of the year it's all a mess. without any competitive justification... it's a bit argentina 2018 vibes, like there's not really any point to it apart from how they both drive each other insane occasionally. big public controversy. nobody wins here!
my guess is that the general pattern of this relationship is that it’s fine any time marc has a clear edge, and devolves every time valentino challenges him. this isn’t necessarily because I think marc throws a fit every time he’s challenged - it’s primarily because valentino prefers to attack from a position of strength. basically, if you want to get something proper nasty from him, you either need to get him with his back against the wall where he reckons blowing shit up is his best choice… or you wait until he has the upper hand, at which point he attempts to press home his advantage. bite harder when the opponent is already bleeding, if you will. a big believer in being a mean winner over being a sore loser, valentino is, and you do see this trait at various stages of his career. also, mostly there has to be a competitive justification to start drama? if he can't fight properly on-track, then why bother? so at times, it’s all civil on the surface when he’s on the back foot… but when he’s on top or close to the top, then the knives really come out. incidentally, this is one of the reasons why irl he was relatively restrained with marc post-2015 (look, I’m aware it might not seem like that but he definitely was way less indiscriminate with the snide jibes lobbed at some of his other rivals than he was with marc). there was never a situation where it really felt worth it with marc, and it’s just… a better look to have a go at your opponent when you’re winning, right? in this alternate timeline, there absolutely are times when valentino feels like it’s worth it... first premier class title is still baby valentino who isn't really deliberately picking fights and is more genuinely hurt by what he believes is marc playing dirty, so it's all less deliberate and calculating. but from then on you do see this pattern a lot I reckon
in terms of fallout, obviously you’d have to assume their popularity would be at least a little more balanced - and at the very least there’d be more national loyalty from the spanish here (boo!! vale!! at!! jerez!!) BUT valentino is just very good at the charm offensive… all the quirky celebrations, plus everyone loves an underdog who takes on the big bad dominant athlete of the time… idk, I reckon he might still get the love of the masses. if their relationship completely deteriorates in 2001, that feels like disproportionately it gets uglier for marc. but it's too much for both of them!! valentino gets a bit spooked in a way he didn't irl after the biaggi rivalry… he really did like marc and against biaggi he did just end up being everyone's sweetheart ridwe in a way he can't quite pull off against another young star… and it's just all so polarising! the factionalism takes valentino aback a bit - I still think it's worse for marc, but valentino goes. hey. this isn't fun any more :(
and oh, by the way, valentino switches to repsol honda for the 2002 season
everybody is extremely hype to see what the two do to each other as teammates, Will They Murder Each Other, but they are initially disappointed… contrary to popular perception, valentino is in fact capable of biding his time, and he goes into that season deciding it’s in his interest to Not have any more drama - which marc broadly agrees with him on. this detente doesn’t last long, obviously, but I feel like this is the time period where they're both a bit more settled, a bit more consistent, less susceptible to complete head loss, can really go at it in the championship... you get a couple close title fights here I reckon, ones where they're trying not to reawaken the feud between each other but... hey, let's say they actually have a crash where they take each other out (the one thing they canonically did not get to do!!) while fighting for position. massively try to downplay it afterwards, they're both hard racers after all :))) but everyone kinda knows it's only so long until this goes badly again. except at the same time they're kinda forcibly exposed to each other a lot in their capacity as teammates and they remember how they were actually Friends and the line between pretending to enjoy each other's company and not pretending is blurred... and the initial drama wasn't as bad as sepang 2015 (also helps valentino that he won the equivalent title in this timeline lol) and valentino knows he's going to see so much of this guy... he's someone who doesn't want to spend much of his life in awkward silences... they're kinda destined to be rivals forever and ever and they're also teammates and there was way too much drama... so actually they do get back to a friendly jokey place... is it sincere? is it not? who knows (not them)
dealer's choice who wins these two titles. we can chuck in one of those where valentino wins the major on-track battles but then marc wins the title fairly comfortably or something... valentino would really relish those fights lbr, even when they don't alter the momentum of the season as much as he'd like. maybe they do get a super close title fight for flavour, one where they're both actually consistent and the big on-track battles do make a difference in terms of momentum and all that stuff. crucially! they still have FUN fighting each other! that's the key thing... plus, they have that annoying vibe where they think they're the only guys who can match each other... there's that mutual understanding that's built in the heat of battle, like they're the only one who really gets what the other is all about, nobody else can... if anything, marc is forced to respect valentino even more now that vale has actually managed to beat him over the course of a full season at least once. biaggi is still a personal antagonist for valentino, but even irl he does very much fade as a threat after the first title fight - and it's all kinda defanged by marc's presence. how borderline obsessed valentino ends up with marc. maybe biaggi still ends up being the real title threat in 2001 after marc nukes his hopes early that year, maybe you still have some of that canonical vale/biaggi drama, but by the end of that year it really is more about marc and THEIR whole thing
brief interlude for a list of jibes valentino likes throwing at marc on a semi-regular basis as he gets better at using the media:
inconsistent stewarding: easy one. valentino was canonically an absolute menace in his early days, but by the time they compete in 250cc I’m sure there’s some mildly phrased insinuations that marc really seems to be getting off lightly with his penalties. valentino isn’t as skilled a media operator back in those days - but with marc’s hit rate of controversial incidents, it’s just incredibly low hanging fruit. valentino picks it with ease
Stop Asking Me About Marc: see the biaggi of 125cc thing. valentino gets sick of being constantly compared to marc! he's his own girl! it's what prompts the first insults he lobs in marc's direction, and it becomes a bit of a running theme. it's not even that anti-marc, but the more sick he gets of The Narrative the more implicitly anti-marc it becomes (marc, who's a lot more into the idea that they're Eternal Rivals, doesn't start drama over what valentino says but it just makes him a bit sad :( like HE doesn't have any problem being compared with valentino Actually)
‘woe be on me for taking on Big Honda’: listen, irl obviously valentino was increasingly annoyed in 2003 when both sete and biaggi argued he had the better bike than them because he was in the factory team. irl that ‘satellite team’ of his in 2000-01 barely was an independent outfit. still, would he have hesitated in 2001 to remind people that his number one rival was decked in repsol honda colours and he wasn't? well, probably not. just rhetorical positioning, right - he’s not even attacking marc, he’s just politely questioning whether honda really would prefer the satellite team to win the title and whether that might not have an influence on what bike parts they’re sending to which riders… just mentioning it! just reminding everyone of what an underdog he is! in case anyone had forgotten!
unequal treatment: this type of thing probably wouldn’t stop when valentino switches to the repsol honda squad. also probably would be justified lol - we’ll get to this in a second, but if he's facing a marc who has had time to make this team his own and is going to fight to keep it that way? yeah, hm. the way this works is that marc is waging most of this war behind the scenes and valentino, who'd be constantly on the back foot in this scenario given it never would have really been his team, is repeatedly taking it public. doesn't work particularly well beyond making marc's life more unpleasant - the public takes valentino's side, honda doesn't
'someone doesn’t like a challenge :((': again, the assen 2015 equivalent, where valentino points out their relationship was just fine until he started seriously challenging marc. young!vale doesn’t really have a reputation for being a particularly nasty competitor, especially if the biaggi feud is defanged just a little… so I reckon he could actually pull this off quite nicely. marc does rub a lot of people the wrong way, even without the valentino factor! he's so obviously rough and ruthless and so committed to winning that valentino can easily play victim here
'marc races me differently': basically the silverstone 2016 thing... it's not really something valentino complains about once they're through the 2001 title fight, and there is the understanding that this behaviour is kinda mutual - but valentino does occasionally throw in a snide remark. just to remind everyone that marc treats him differently!! he's extra aggressive with vale!! of course valentino is totally fine and chill with it, just wanted to remind everyone. in case they'd forgotten. just. a. reminder.
of course, there's also another major issue: the unique stresses of the teammate dynamic. here's the big question - does the switch of valentino to yamaha still happen? yeah, sure! I think he could well get flighty. marc would be the established guy within honda and someone that valentino would never be able to completely displace. plus a lot of valentino’s canonical complaints do still hold, about how honda doesn’t care who’s winning as long as it’s a honda, the stifling culture of winning, the joylessness… marc wouldn’t leave honda unless he absolutely has to because he loves that team, that's his home in a way it never is for valentino. but he is also obviously an absolutely awful teammate to have and, bit of a hot take here, when it comes to the development war stuff he kinda is worse than valentino. so you've got marc ensuring vale's input into the development process is constantly ignored, marc's entire team attempting to isolate valentino within honda, and he never does manage to ruin valentino's title hopes entirely, but inevitably the internal war is one valentino never comes particularly close to winning. in real life valentino sticks it out in repsol honda for a grand total of two years, aka the length of one contract cycle, which sounds about right for the length of time that team would survive until they do just start attempting to strangle each other. so vale goes to yamaha! this would not be a pretty divorce, and it would be even more obscenely risky than in real life, flat out insane from valentino. irl people think he's kinda crazy for doing it, in this universe people would think he's just an idiot. how on earth is he planning to beat the marc marquez on a yamaha?
interpersonally, the yamaha switch is. not good vibes. valentino has spent an entire year implying he feels imprisoned in a team with marc (LOVE brno 2003 in this universe), and marc finds this move a) baffling, and b) kinda loser behaviour because valentino can’t handle taking him on in the same team, so he’s essentially conceding the fight to marc. this dynamic is basically two years of marc attempting to bully valentino behind the scenes, trying to make his life hell, just endlessly gnawing away at him, and then valentino's like 'right lads I'm out' and marc goes :( why would you do this :(( I'm losing my main rival :(( I thought you were better than this :( I thought we had something special :(. for valentino, yes partly he's throwing a fit because he knows honda would never choose him over marc, partly it's justifiable frustration at being stuck in very much The Marc Team, but partly it's also kinda... not really fun for him... he does actually want his team to care about him... but honda doesn't care... so that's that
now, realistically, in this timeline marc has zero right to be losing to valentino in 2004 - not with that bike disparity. maybe if he loses his head completely! that’s… hm, 2018!marc, who we know did have some capacity for head loss. if marc builds up an early advantage while the yamaha is still at its dodgiest, it should theoretically be game over. if he does something silly… hey, who knows. that one’s a fun one psychologically because obviously marc would be the overwhelming favourite that year and valentino can completely embrace the underdog role. I do also reckon whoever wins this one, you can have a real big proper falling out either towards the start or maybe even towards the end of the season. it's all more serious now, somehow... being at honda together meant it just kinda felt like they'd be exchanging titles, honda didn't mind who won - but now both manufacturers are super into it, the press is even more into it, they're more into it... it's personal! they both have a point to prove! maybe marc dropped a few kinda mind games-y comments towards the end of their time together that he doesn't get why valentino felt like he had to leave, that it's not really what a rider does when they think they can win in a fair fight, kinda implying maybe valentino thinks he's already won enough titles and knows he isn't beating marc again anyway. valentino responds in a sane and proportionate manner (bottling it all up and then using any controversy that happens the following year to just unleash on marc). let's say marc wins that title (and valentino gets second place just ahead of sete), but valentino wins a big dramatic fight late that season, and there's some kind of justification for him to really lay into marc, to set off the feud all over again... all sets up their title fight the next year, of course
irl this is when they're both at their very best (2005/2019 respectively), so they get to be at their very best here too. in the name of balance, maybe you should let valentino have this one... or maybe not, swap these titles around at will. but if he DID, then he obviously builds that title charge around a big dramatic victory against marc early in the season on spanish soil. it feels lazy to just copy paste jerez 2005 and valentino being booed to this scenario, but let's assume marc does have his canonical early season crash at a friendly track (á la cota 2019) and that valentino does get that big victory at... hm, catalunya (ik, switching jerez for that is very creative) (but at least he can't get skittled by jorge lorenzo in this timeline). and the win is in somewhat controversial fashion and national partisanship is at a high here... canonically, valentino gets more aggressive in his racing during his switch to yamaha out of necessity, though in this world I imagine he would've already gone more extreme earlier while trying to match marc. they both kinda have to be careful to not go... too far, constantly flirting with the limit, exploring how much they can get away with, but they do have a duel here where they really push it. cause some controversy. give the season the right vibe (x)
no misano on the calendar unfortunately for an equivalent marc being booed moment, and I actually quite like the idea they both keep their respective mugello and sachsenring streaks (so no booing a victorious marc at mugello). each of which isn't the favourite track of the other, though vale in particular has had some great sachsenring scraps... and valentino's margin over the field at mugello is way smaller than marc's equivalent margin at sachsenring. but again, mugello's not really a fantastic marc track, and even without facing prime!valentino he didn't win after 2014, so it feels reasonable valentino could still get a bunch of consecutive wins there. I reckon we give marc a donington park victory, which was basically like valentino's second home race and a track valentino did really like. plus the british fans are canonically absolutely out of their minds so it works. the way the timeline works out that would unfortunately steal one of valentino's most iconic wins, but let's not overthink this eh
let's say their interpersonal relationship is actually slightly on the mend again after the nadir of the previous year, but the public has never been more divided... this is basically what everyone had wanted, right? the competition and the racing has never been better bla bla, they're nicely contrasting characters who are both happy to play dirty, and they give the press a lot to work with. (there are also a vocal minority who despise them both for being 'dangerous assholes' but what can you do.) hey, maybe they actually manage a season where they're the only two guys to win races, that would be kinda cool - and if you look at 2005/2019, surely it is possible... (I suppose sete is a bit more competitive here at least than he was irl because valentino has had the decency not to crush his soul.) narratively, of course it's a bit too neat to let them have this showdown just before it goes to shit for both of them, but they're the type of guys to make things narratively pleasing so I'll allow it. two nations divided, plenty of sniping at each other in the press, but #realfans will note they actually start meeting each other's gaze again in pressers and even manage to shake hands... let's say valentino does most of the points damage early that season, bites at marc from a position of strength (or something) to create a bit of a buffer, before running a bit of a defensive campaign, while marc is gradually ramping up the sheer levels of on-track terrorism. valentino does not remember the last time he had an fp2 session where he didn't have a honda-related jump scare. bless
anyway, listen, I don't really care about the order of these titles, beyond it being more fun for our purposes here if they're more or less balanced (though I do think it's neat if valentino is always kinda stuck chasing marc). they never get quite to the same relationship lows of sepang 2015 because, well, you needed a lot of very specific circumstances to get there irl - and I do think them being peers and being more familiar with each other does help... there's also no real power imbalance, or certainly not as extreme. plus, they're kinda aware from early on that they're stuck with each other. they're primed to spend their entire careers as rivals, like it or not! (I imagine valentino would very much Not like that at times.) they are both deeply pragmatic a lot of the time as racers, and valentino in particular would be less inclined to completely burn his bridges in this scenario I reckon. life's easier when you remain civil... and unwittingly they do keep remembering how fond they are of each other
brief interlude to ruminate on how this all actually affects them as people, vs their canon selves!
valentino never gets to be The One Guy in the sport, which does take something away from him in a way... a little less confidence, always a little more to prove. again, I do think he's quite comfortable in that underdog role and manages to make it his own. he's not as popular, he's not singlehandedly breathing new life into the sport... but on the other hand, what do people love more than a great rivalry? people would have gone crazy over them both, and valentino would've taken full advantage, turned them both into even bigger stars... still, there's a little more insecurity in there over his own abilities than there is irl where he was the single lord and master of the sport for years
the thing about marc is that so much of who he is as a racer feels to some extent influence or inspired by valentino that it's kinda tough to imagine who he is without that. then again, having valentino as a peer does allow valentino to still exert some of that influence (if obviously in a different way). they'd learn a lot from each other, at the end of the day - and even if marc doesn't hero worship valentino... he can still think vale's really cool... it's not star struck, but it's maybe a little bit star struck - given valentino is just so different to anyone else marc has ever come across
the power dynamic does change how they both approach the interpersonal relationship too... irl!valentino does really like adjusting his interpersonal warmth settings to what exactly he's attempting to accomplish in any given rivalry at any given point (even though, again, he's not that deliberate with it from the start of his career). but he's also less likely to completely freeze marc out... not for long, not forever. they basically do the 2016-18 cycle several times because they're competitive enough for long enough to be able to do that shit. warm with each other before there's another big fight, again and again
you do flip the dynamic a little bit in that valentino is the one to shape himself in response to marc a bit now... always chasing, perhaps a note of envy, perhaps some resentment of marc's role in the sport... perhaps also wishing he could get some independence, some freedom from marc and this joint legacy (also helps motivate the switch to yamaha). marc is way more into that shared legacy lbr, but they are both the types to get themselves nicely fired up over an enemy... so consciously or subconsciously they do play up that feud at times when it suits them competitively
no sepang 2015 trauma for marc! this valentino stuff might be bad, but it would never be that bad. he's a bit more happy to pick fights! a bit more happy to do his psychological warfare in the open! a little more openly annoying! less worried about how he's being perceived! more willing to meet valentino head on! let the man have some fun
okay. misery town... 2006
so, look, obviously we're applying some artistic license again here if we're keeping both the arm injury and valentino's dramatic last round loss. like, if you really want to get into it, valentino needs to lose the championship to someone and in this universe there's no seat available in repsol honda in 2003 so do you put hayden somewhere else within honda... but after that rookie season does honda still have enough faith to actually promote him... also does it make a difference if he doesn't have valentino there to directly give him advice... also, dani would PROBABLY just be promoted directly to the factory team in 2006... like idk I do feel this universe might kill nicky hayden's career and valentino should reallyyyyyy win this title. but like. fuck it. who cares. there's also a more abstract argument to be made about how irl!valentino does feel that he left something on the table in 2006 (personally I think it's one of his most impressive seasons but sure, I do get what he's saying) - but surely you wouldn't be 'complacent' in the same way if you hadn't won the last five titles? but again. nobody cares. let's assume they both still have broadly the same year they had irl, partly because there is something.... pleasing? sad? about how the ages DO actually match up here in terms of when their domination of the sport kinda collapses (if to completely different degrees). which would be a massive shock for the sport, right! both of those things irl are already a big shock, but if you have two super dominant forces you would kinda assume one of them would be able to pick up the pieces in any given year, even if the other falters? especially if 2005 was like, this ultra dominant season from the pair of them! but no, suddenly they're both diminished, maybe it is possible for someone else to actually win a title
(another 'fun' coincidence is that jerez is actually the season opener for the very last time in 2006... until 2020. so you can directly layer these races onto each other rather nicely, with valentino's first corner crash and marc's gravel excursion happening at jerez, two early disasters they're attempting to recover from before marc's crash)
on this year:
not really MUCH to say about it on-track if we're assuming it broadly plays out the same...
idk, guess it's about how you want to interpret their relationship. does valentino give marc a call? does he have an aneurysm watching marc attempting to race the following week in *checks notes* qatar? does he get quite stressed out about how cavalier marc is with his own safety, because unfortunately he does care about the guy? does he feel like he's missed his big chance to exploit marc's absence? does the press give him a lot of flak for this? any more insecurities to work through here?
hey, at least there isn't a pandemic in this universe
the thing is, right, if you've spent your entire racing career hunting down this one guy, who's always a step ahead of you, using him as a way to motivate yourself - so much spite, as ever, with valentino to get himself going - and then he just disappears... like they've been sharing the paddock for ten years, for valentino's entire grand prix career. his first memorable battles were against him, he was watching marc win titles in a higher category than vale, then this gradually escalating rivalry with more and more history and hatred and genuine friendship... you kinda inevitably end up defining yourself by the other, right? you can't avoid being shaped by that relationship, by that competitive push and pull. without quite the same interpersonal breakdown... well, valentino is someone who loves to hate his enemies. like, he does enjoy the animosity! he enjoys sniping at his rivals! he enjoys fighting them flat out on the track and off it! and if marc is suddenly gone, he's left feeling bereft. he doesn't get WHY, but he misses him...
marc starts getting long phone calls from valentino where he goes on increasingly incoherent rants about whatever aspect of the sport has annoyed him today. marc doesn't understand what's going on but he's not going to complain. it's a nice distraction
on to 2007! so, obviously the honda in 2007 is better than the honda in 2021, and irl dani does actually end up outscoring valentino by one point (after valentino attempted to ride in valencia with a broken hand and immediately had a mechanical dnf lol). (also idk what to do with the honda situation, let's pretend like honda panicked and created a three man team.) I'm gonna go ahead and say that this version of marc would get considerably better results than 2021!marc, but is not getting particularly close to winning that title. maybe he finishes fourth in the championship idk. he's missing races, honda's definitely not on ducati's level that year, honda/yamaha are still on the michelins at a time when the bridgestones are very much the tyre to be on
one rider who is guaranteed to insert himself into that rivalry in any timeline is, of course, casey stoner. now, casey does get a bit of a grace period from having to deal with marc... marc is absent for his rookie season and is still preoccupied with his injury afterwards. mostly, this is valentino’s problem… but also!! marc can multi-task. so you know how casey complained about valentino hazing him in practise sessions in 2006? and you know how marc would make himself a nuisance in 2019 when following around rookie fabio during quali? and how he followed around his new yamaha hire and rival vinales in pre-season testing in 2017 on a fact finding mission? and how irritated casey was when elias kept following him in successive races in 2007 (see here)? and how much marc was using this tactic post-2020, including by repeatedly picking on new big name pecco? how he generally does this in quite a targeted manner against his main rivals? and how he also tends to do it more when he knows it'll piss people off? so, let’s put all of those things together. how do we think that plays out?
this is why I reckon that despite how casey is nominally fighting valentino for the title, somehow you’d manage to have more open hostilities between casey and marc. again, remember how the casey/vale dynamic went irl: yes, casey was increasingly pissed off by the end of 2007 because he thought valentino wasn’t as nice to him any more and was also annoying in the press about him. but like, relatively speaking… this is still all quite small scale stuff. valentino mostly just does some wink wink nudge nudge stuff to the press that gets back to casey and annoys him because he thinks it’s contributing to an overall unfair narrative about his title… but it’s all still fairly subtle. valentino waits until laguna the following year to go all in, where he completely changes up his on-track tactics and - once he’s got his big win - he really makes sure to rub it in. there's a clear competitive justification for the laguna escalation, but his baseline level of on-track aggression with casey is relatively restrained until that point
by contrast, in this universe you get at least three or four incidents that year where casey extensively complains marc and marc just does the equivalent of a thumbs up (or a literal thumbs up, as he has been known to do). valentino determinedly stays out of it but probably silently enjoys it. by virtue of the negative effect marc and valentino have on each other, racing standards are really not at casey stoner acceptable levels at this time. casey doesn't enjoy valentino's media whisper campaign, but the marc stuff broadly bothers him more... in the races, outside of the races... irl valentino sort of retreated and regrouped late 2007, early 2008 and was less focused on fighting casey, more focused on exerting pressure on yamaha and figuring out the tyre switch he'd forced through. marc does NOT have a title fight to worry about and can instead dedicate himself to making a nuisance of himself. the thing is, casey is generally more inclined to expressing his annoyance through the media than on-track (unless he literally punches you, which he has of course done), so that's probably one of those weirdly one-sided situations where marc does drive casey absolutely insane but also doesn't really talk about it publicly while casey. does
all that being said, I don't really see any reason why casey wouldn't still win that 2007 title pretty handily, which brings us on to 2008. marc goes off halfway through to get his arm fixed, so no tricky title fight questions there. MY main question is whether he mimics valentino in switching to bridgestones. (irl!dani was still on michelins for like. most of the season until they pissed him off so bad he made the switch, which basically made a bunch of riders copy him and kinda brought about the single tyre era lol.) I think he does! bit awkward with michelin (as it was for valentino), but I reckon he'd also subscribe to the principle of wanting to take on his rivals on equal footing - and even if the tyres don't make as much of a difference as valentino says, at least everyone's in the same boat. so maybe that already kinda kills off the michelins at the start of 2008... and it's almost an act of silent solidarity, like marc has had an on and off enough 2007 that he's not fully on top of where he can make the michelins work and where he can't, and honda's telling him to stick with what he's got, but he's looked at what valentino's doing and gone. eh. if he can't do it then maybe it is a better idea to switch, so it's like an unspoken way of showing that he does kinda trust valentino's judgement... (I'm aware the two people still reading this likely don't give a shit about this, but I swear the tyre thing was a big enough deal that it does have major characterisation repercussions.) so valentino takes that title. you kinda assume marc would have considerably better results on that honda, certainly doesn't just have a single podium, hopefully gets a win somewhere. who knows
I do however have one specific suggestion for 2022-inspired drama
marc takes out defending champion and eventual 2008 runner-up casey lap one of his comeback race. valentino sends him flowers
brief interlude to talk about rivals!
again, think the main thing with biaggi is that it just takes a bit of attention away from the whole thing... the feud still happens because it's a rivalry between two italians that gets a lot of press hype, and valentino still doesn't shy away from pissing biaggi off - but there's still less of a spotlight on it. and yeah, wouldn't just be valentino who gets into some feisty exchanges with biaggi, looking at biaggi's track record
I feel bad for doing sete dirty up until now, so as the number one sete gibernau scholar currently active on this website (and quite possibly any website), I do need to address the sete question. the thing is, right, the appeal of the sete rivalry in canon is that it's kinda like. valentino fighting his internal demons. trying to figure out the honda thing. fighting sete who is a way of externalising the internal demons. inevitably, having a straightforward number one enemy and friend and rival and object of his obsessions does kinda distract from sete? who has to play the third man role in that dynamic, and finds it tougher to asset himself in any title fights (especially if we give 2004 to marc in a fairly straightforward manner)
I think sete would still have dramatic on-track battles with both of them! but it's also different if those fights don't have quite the same Implications, because the media narrative around them ends up being completely different. sete isn't being used to judge whether valentino is washed or not, basically
valentino/sete friendship saved!!!!
maybe sete wins the 2006 title for gresini in this timeline idk. sorry sete unfortunately I don't think u get cursed in this timeline :(
and now to the most important question: does casey prefer marc or valentino before he joins the premier class? so u can kinda go both ways on this... on the one hand, I think casey is more directly inspired by marc's style. also, he's a big fan of dominance, and the way this works out in my head is that marc does have more 'dominant' wins than valentino where he just comfortably gaps the field
then again... valentino does tend to go that extra step on the interpersonal stuff, is a bit friendlier with a bunch of riders including the up-and-comers, just generally more outgoing than marc is. (yes, I realise marc being more closed-off is partly the aftereffects of sepang 2015, but it's also a vibe idk. valentino is aggressively a people person, marc is charismatic but is really only interested in about four people at any given time.) plus, you've got the australian connection via valentino's crew chief, and vale probably does have a somewhat better reputation than marc in terms of being a dickhead on-track?
I reckon casey is fairly neutral on this rivalry and cites them both as inspirations in the generic sense, but does get on with valentino a touch better before they become rivals
he does end up kinda hating them both
valentino subconsciously probably does benefit from the emergence of casey as someone he can actually focus some negative energy on in marc's semi absence. gives him some fire again... gets him out of his funk... at heart he's a hater
maybe casey's relationship with valentino is a little better than irl because valentino is no longer the sole representative of everything that's wrong with the sport. like, you still get mad about laguna, right, but then you're also being crashed out by marc on the first lap of his post-injury comeback a couple of races later... like I said. he hates them both
casey already wants to unionise along age lines irl, in this universe he's lobbying for a new rule to force riders to retire at age 27
dani's a fun one, because inevitably he does kinda have a rough time of this scenario. first of all, he's not really honda's golden boy in the same way any more. you've already got marc. second of all, it's not completely implausible marc would've quietly tried and failed to block dani from joining the team at all
I actually think if you put those two respective versions of marc and dani against each other... more beef? puig surely becomes a bit of a nightmare in that team, even more than irl, constant ugly press briefings and insinuations that marc has developed this bike to shit (obviously would be ironic given what a marc... propagandist? puig became in irl post-2020 but y'know)
kinda like a worse version of the dani/hayden dynamic that's also a fusion with marc's dynamic with his post-2020 teammates, where it's just interpersonally quite cold and frigid and there's a lot of scrapping about who gets to lead the team in bike development. not ACTIVELY hostile 'let's kill each other on-track' but not really good vibes
is jorge lorenzo a marc fan in this universe? .... or. actually. is he more likely to be a proper valentino fan? canonically, the being a biaggi fan thing was a bit of contrarianism from jorge - but if you're going to be contrarian against the guy who is winning everything in this universe, it'd primarily be against marc. also, presumably a lot of his immediate circle would root for marc on the basis of national loyalty, so maybe that... could push him in valentino's direction?
on the flip side, if valentino is more popular, maybe he goes marc. god knows, maybe he'd still be a biaggi fan, but I kinda feel like this version of motogp in the noughties you have to choose a side. I think you can make a case for either direction
not that it really matters... if we're still slotting jorge into valentino's team, he was more committed to keeping that relationship respectful than with his other rivals, which.... uh. hate to say it, but I reckon you could give marc and jorge early beef too?
kinda depends, because there's only an overlap of two races where marc is back and before jorge is crashing himself to pieces in his rookie season, so he'd have to strike FAST. then again, he managed to piss off both dani and casey during that time period! he's efficient!!
still, long term jorge's number one priority remains valentino, and that's also where the more serious drama would likely originate
anyways!! one more year and then we're 'up to date'. honestly, there's no elegant way to integrate 2009 and 2023, so just do whatever really. the issue here is obviously the honda... which did have some proper gremlins in 2009, but like, normal gremlins not 2023 honda gremlins. obviously, if marc injures himself a bunch, he's not in the title fight, but presumably he's not injuring himself as much and not as reckless in frustration if he's not on that bloody murder honda. you could have him play the sepang 2015-lite role in the jorge/valentino title fight? I seem to remember the commentators at some point in 2009 saying that valentino had talked about how dani might end up playing a significant role in the title fight by way of like, taking points from the others in crucial places (something like that, I'm sure he phrased in a way that sounds less condescending). irl 2009 is a bit meh as a season apart from like. seven interesting races. (jerez le mans mugello catalunya sachsenring phillip island sepang iirc, and three of those are wet races.) so adding in extra marc marquez would probably spice up the product at least a little bit? a fit marc would presumably be in that title fight but y'know, given the yamaha was the best bike that year (apart from maybe the ducati, casey seems to think that was the best bike they ever made but who knows), maybe it still ends up being very much an intra-yamaha war. not super committed to any particular title fight scenario that season idk
and on the interpersonal relationship post-2006:
man the aliens getting involved does make it more complicated. over the course of his career, valentino generally doesn't really deliberately escalate feuds when he's not fighting someone directly for a title? of course there's a very obvious exception to this rule who is relevant here
I think to both of them it's still the Special Rivalry, even though valentino does not embrace it to the same extent as marc does. but subconsciously he still does embrace it...
they do have this fun thing where they very clearly race each other differently than they do anyone else (excepting days when valentino has something special cooked up for casey)
realistically obviously these on-track battles happen less because we are now in a dire dire era for racing that can't entirely be blamed on the riding styles of the other three aliens. but like I'm sure they still manage twice a year at least to cook up something fun
I've turned this around in my head a few times now and I... just don't really see valentino starting shit with marc during this era? and because he is a bit more the active instigator in that dynamic, but he'd be more inclined to brush off whatever shit marc is sending his way... I kinda think they'd be fine here? if anything, you might get to this slightly absurd place where it essentially mimics the 2013-14 vale/marc dynamic where they do low-key back each other up whenever a dispute rocks up. deeply confusing to anyone who has been around to see the years and years of relentless toxicity to see them repeatedly publicly agreeing like this
but like? if the other aliens (especially casey and dani) complained about marc and valentino's riding style...? hey maybe we get some good old-fashioned generational warfare, marc and valentino both going fuck them kids
also again as a baseline dynamic, they are fond of each other... they may have a lot of problems, but the interpersonal chemistry isn't one of them. if this is a period in which valentino is racking up a couple more titles and marc isn't, obviously this would be like. deeply distressing to marc. but also again I do feel you'd need two parties to escalate this feud again and I just don't think valentino would?
world peace era
kinda the question, right... irl you have 2018 as a new nadir and then the relationship edges back towards civility in 2019, minus isolated spats... and then you have enforced separation by way of covid/injury and that's kinda it for their interpersonal interactions. but in this universe, they do just... keep interacting... also they have so much more history with each other! less hero worship less active betrayal but more just them being teenagers who got drunk together a lot. they'd figure it out again imo!! it's still weird and loaded because they're both ultra competitive, but at the end of the day throwing in a bunch of other rivals into the mix makes them think about how maybe they do actually like each other a whole lot
and the injury does spook valentino... marc was suddenly gone... marc keeps hurting himself... canonically, valentino does show some real concern about marc's antics in 2012 - and okay, here valentino isn't the older one and isn't as traumatised and still believes in his own immortality a little more, but he's still not marc. and marc makes a stupid, reckless decision, and he leaves valentino... given how long they have been friends in this universe, it's just about enough of a scare that it maybe prompts valentino to reevaluate that relationship just a teensy bit? not enough to hold too firm in the face of competitive pressures, but enough to make valentino worry a little more about marc hurting himself than he's worried about marc being the biggest star in their world or their legacies being tied too closely together or whatever... and marc does infuriate him in this, but he does also care...
after this, you would have to get more creative with this universe. valentino breaks his leg, I guess. obviously, marc is not riding a satellite ducati. does valentino still go to ducati in this universe? who wins any of the titles going forward? do you really want to steal any of jorge's titles? what about casey? what happens when we hit the 2013 onwards stretch? idk I'll revisit this in three years time to compare and contrast with what happens irl in marc's timeline (psst since he's currently as old as vale was in 2010.... casey/marc teammate feud starts next year....?) and decide how to forcibly graft that onto this timeline. I'm not really attached to specific title numbers.... going forwards, you can have them compete 4eva - fuck the other aliens - or have only marc win titles or neither of them wins any more titles and that's that. who's to say!
CONCLUDING THOUGHTS
so... like... what does this alternate universe change? obviously there's a bunch of cool on-track battles that would've been neat to see. they're both just fun racers to watch - with very different styles that match up very nicely - and of course the thought of both of them in their prime slugging it out week after week is tantalising in itself. I do think in general, valentino doesn't match marc's aggression as much as he assen 2015's his way through his problems... but also, you'd get some fun 'wow you've both taken each other out' races where both feel like they can't get away with yielding to the other. also, one of my favourite things about sports rivalries is how the way they engage with each other changes over time, how each new encounter inevitably in conversation with all the past fights they've had. in this universe you end up with a bigger sample size inevitably than irl (though honestly the irl one compares pretty positively with a lot of rivalries this century in terms of quality of on-track competition), plus it's over a larger time span. what do they learn from each other? what tricks do they pick up? how does that dynamic change over time? the most obvious shift informed by real life is that [2000 -> 2001] [2014 -> 2015] you go from marc winning the proper battles to valentino winning the proper battles, which helps bring about the marc head loss that season as valentino gets more comfortable with the bikes and the premier class and marc struggles for the first time. where you go from there... again, tbh it's dealer's choice, but the key thing is you have that dynamic of constantly revisiting old haunts and old battles and building on their history more and more and more... it's also super formative and constant for both of them in a way that none of their actual irl rivalries can quite be, like something that caries through from 125cc to 250cc to the premier class?? kids crashing into each other in 1996 and revisiting that same track in 2009 to fight it out again? they end up just sharing a lot with each other that completely eclipses any other on-track rivalry
but there's something... hm, I do really like the generational aspect of marc/valentino and to me it's one of the most interesting aspects of that rivalry, so I'm almost loathe to strip them of that, which is obviously why I've written a reasonable length tumblr post about this. when you make them peers, marc cannot steal valentino's moves, he can't supplant him, he won't have this hero worship that makes him construct himself in valentino's image. you kinda want to find a way to maintain aspects of that dynamic, right, where marc still sees valentino as like. the coolest thing ever. and doesn't model himself after him as much as admire him, sometimes from closer and sometimes from afar... valentino's always making racing fun - which it obviously is to marc too, marc's also a cheery kid, but they are a bit different in how... y'know, marc's constantly inventing new ways to overcome the pain barrier whereas valentino looks at all the more unpleasant aspects of racing and goes 'no thank you <3' (one of my favourite anecdotes about young valentino is what a wimp he was about the rain, which never quite went away). also they come from different enough backgrounds, valentino with his deeply laissez faire parents where he had to grow up quickly himself and occasionally parent them, marc with his deeply not laissez faire parents where the growing up is a bit more about the money of it all but he's still fairly sheltered and living the Professional Child Athlete Lifestyle... and whenever they're not actually racing each other, marc can still construct a bit of an idealised version of valentino in his own head, where he doesn't as much want to be him as he wants to be around him. the reflected glow of all that joy
you tease out the most interesting elements of valentino's side of the equation by going all in on the resentment imo. marc might not be replacing him in this universe, the stuff he 'has' in this universe is fundamentally stuff valentino can take from him if he's good enough... but marc's just everywhere, isn't he? always a little ahead, always seen as the next big thing, burns bright very very early. valentino wants his own legacy! he wants to be his own guy! but he's also a storyteller, and there is a story to be told here... one about how he's just a girl, in a big big world, taking on the big bad marc marquez. so in his head he'd just love to get rid of marc, but also he gets to this weird place where he kinda needs him.... he ends up defining himself against marc, both in the public's eye and in his own mind. they're both each other's biggest points of reference, to where they're eventually each other's only reference. and just like in real life, valentino never quite escapes how all this resentment stems from self-recognition... it's resentment based on how similar they are and how unfair it is that there's someone who's this good who's this much a match for valentino... all because they're similar enough in their approach to competition, grinning while twisting in the knives, vicious in the heat of battle... and because they do both fundamentally want to have fun! so sometimes valentino might love to hate marc but mostly he just loves to fight him...
anyway. what would this timeline adjustment actually add beyond a bunch of on-track battles? I think the main thing you get here is the kinda.... intimacy... from having been teenagers at the same time, having been given the time and space to actually build up a relationship as peers that constantly gets chipped at and reconstructed again and again and again. they kinda function as each other's foils, which they do anyway but here it's from a position of equality. irl, you actually have to jump through some major narrative hoops to even put them both in a position where they'd consider becoming friends (thanks real life for jumping through those hoops). you don't have to do that in this universe! valentino did get more cynical about being both friends and rivals over time (or at least that's my theory, see here) - but when he's a teenager, he's not going to be cautious in the same way! if he likes marc, which the evidence we have suggests he very much would, he'd just be friends with him! the normal way! valentino isn't prepared for the entire thing turning ugly because he's never done this before, there's no past experiences he'd be drawing on here and would be inspired by in starting feuds with his friends-turned-enemies. they'd both be young and innocent and kinda get into the process of feuding in an organic manner, as it should be
and, yeah, the other element is that valentino... well. look. he's really not the fully formed package at the start of his career, including when it comes to media manipulation. but it's always in there somewhere... there's something fun about this being baby's first feud! irl he kinda stumbles into the biaggi one, right, where he says some shady stuff about biaggi and then he's like 'wait a moment the journalists actually report on what I tell them??' and then it escalates from there. very trial and error! in this universe, valentino can trial and error this feud, where he just says some kinda feisty stuff to the press about how he doesn't always want to be compared to marc marquez and maybe they should be asking marc about him, y'know, the cocky little shit - and the public animosity comes and goes in waves where they have one serious spat in the lower categories, then patch it up again, then a proper feud, then it gets better again, then more feuding, etc etc etc.... and in all of this, they're both very into using the media as the way to litigate this feud - especially when they really aren't speaking to each other. and valentino's occasionally quite deliberately drawing the public to his side to make marc's life less pleasant, which he gets better and better at as the years pass. valentino does help turn marc into a bit of a heel, someone the public loves to hate and to root against. (though, again, it is very very important to me you get some crowds booing valentino.) marc's just too good! too vicious! and unlucky to have valentino, the people's princess and poor wee underdog, as his primary rival! but even then, because valentino is younger and less jaded, there's also a level of hostility that he would shy away from. and the fact that they're so inescapable to each other also helps the feud die down each time. because you don't want every single podium until the end of time to be unbearably awkward...
in a way. the direct competition does make things more vicious but more straightforwardly so? and in a more equal way. broadly speaking they do have a better shot of figuring things out in this world imo! maybe valentino finds a qatar 2004 equivalent to burn everything to the ground, but I reckon he flirts with that line without quite crossing it... they have more argentina 2018 equivalents, stuff where one of them (probably marc) does something insane on the track and one of them (probably valentino) says something insane off it... but that's a bit more straightforward! what really makes sepang 2015 so fucked is that it's not a direct title fight between the two of them, like that's why it's the wound they can't heal from! irl it's almost like a commentary on the age gap, right, that they're barely overlapping in competitive windows and how the feud itself can't stem from something so direct... it had to happen in a more roundabout way that allows it to curdle into something far crueller and far more bitter... but the moment you make them peers, then it's all fair, really - a lot of the stuff they do to each other is more 'acceptable' and just part of being rivals and easier to eventually look past. (cf how they're both mostly still focused on sepang 2015 to this day, not argentina 2018.) for better or for worse, they're trapped with each other... irl, part of the unequal power dynamics stem from the simple fact that valentino was integral to marc's childhood but marc wasn't to valentino's. marc can't escape valentino not only because of their shared history, but also because valentino was such a big part of growing up, of figuring out who he'd become... hero worship as a formative process - where however marc feels about valentino now, there's still elements of his identity as a racer and as a person that are inexorably linked to valentino. but here, when they're peers, neither of them can escape that - and when nostalgia comes calling, it does so for both of them. valentino can't just dismiss marc as part of his story, because marc has managed to so thoroughly make himself a part of it. which can make everything worse between them too... and they know each other so thoroughly they'll figure out some nicely brutal ways to hurt each other, again and again and again. they're so similar, so combustive, stuck with each other for so long that they can trial so many flavours of cruelty. but hey, let's be optimistic, just this once. they can't escape each other so they might as well learn to forgive each other
#i have notes for four different versions of yamaha!casey trust me idm answering this question!!#obviously i started with my casey takes and worked my way back to all the other stuff#irl fabio is so nice and forgiving about what happened at aragon 2022. *squints at my jerez 2011 notes* casey would Not be#also the way this works out timeline wise you'd obviously make this one of casey's two canonical dnfs right after laguna#they're tag teaming tormenting casey... leave my daughter alone you monsters...#brr brr#//#batsplat responds#spec tag#one of those asks where 90% was written comically fast and then I got stuck on the remaining 10%#this is like the reddit version of rpf#i was gonna say i finished this off while watching my favourite choker choke BUT I WATCHED MY FAVOURITE WINNER WIN#deeply fraudulent win and we're gonna be turned into mincemeat in three days anyway but y'know what. that's what it's all abouttttttttt
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one thing I also find v frustrating in this fandom is that a 'passive' female character is considered somehow backwards, uninteresting, or unsympathetic. passive and active are just about what a character's relationship to the narrative is. it does itself not determine whether that relationship is an engaging one or not, or what degree of importance that character holds. women are often relegated to passive roles, so necessarily within ASOIAF there are going to be characters who operate from within them - and that is still worthy of commentary and engagement. it's great that we also have a high number of female characters with active roles, but that is not the only way to write interesting women. you can have whole fucking novels about passive characters and many of them are the best ever written so can we stop with the Barbie 2023 dir. Greta Gerwig level feminism im tired
#like The Remains of the Day is one of my favourite novels led by a passive character#where the conclusion of the novel is that he will remain passive#it's stunning it's beautiful it's an incredible commentary on the human condition#so what is wrong w that for women
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Sparkstember Day 21: Exotic Creatures Of The Deep (Strange Animal)
Some of you might already have some idea of how absolutely abnormal I am about this album and have been for several months, without fail. It's... perfect? And you know that personal relevance will also often be a total game changer in deciding what your ultimate favourites are and such. It's personal relevance of my own doing anyway, if I can call it that, you know those memes that go something like "it's MY mental breakdown and *I* chose the soundtrack!!". Oh yeah, that's what happened here. But even that aside I might never get over how much ECOTD is EVERYTHING I might want from an album and it has not lost its power with passing time even one bit. I'm wary to call anything a number one definitive favourite most of the time, but if I really had to choose... yeah, this is my favourite album of all time, there's absolutely no denying that.
Where do I even start with this... Well, coming back a bit to the LB - HYL - ECOTD series as a whole, I love how all three of them have so much in common and each one is some sort of natural development on the previous one, keeping its core elements but also adding new ones that are unique to the new album. And I guess the style of ECOTD is the one that ended up speaking to me the most. Toning it down a bit on the repetition aspect, adding more fancy synths, heavy drums, more guitar-based stuff continuing from HYL... And its still edgier and more electronic and darker and theatrical than the previous ones. Maybe I could even call it straight up COOL sounding (at least at times) in a way that the previous ones aren't (or not quite as much). (And that's not to say that they're all not icredibly cool in their own way anyway, but, you know.) None of these three are definitely better than the others for me by the way, but. Still, love the whole evolution here a lot.
And now, of course, a word on the craziest and most ambitious idea of the century, the 21×21 shows. I spent about a month, if not more, earlier this year going through what I'm quite sure must be the majority of what's been recorded from these shows, and I have no regrets. And yeah, one of the most impressive feats in the history of music, playing 21 albums in full day after day, but also can we please talk about the visualisations they put there to go with the albums. Catching glimpses of those album covers being comically stretched or rotated and such was a very important part of the whole experience. But yeah, Sparks Spectacular, it really is so spectacular.
I actually do have specific favourites on this album rather than being obsessed with it all the same amount, but I think it deserves special treatment just like Lil' Beethoven, so, let's go, going over all of them now. And I think it's better to just dive straight into them now anyway, in order to get a better hang of this whole album and why it's so brilliant and special to me.
Intro + Intro Reprise
I love you leitmotifs that reappear throughout the album and tie it all together. Such a good touch on what is imo the most cinematic of Sparks albums
Good Morning
This happened a couple of times to me with Sparks, when I first hear a song and I'm quite intrigued and delighted but that's mostly it. And then I hear it once more after a while and I'm never the same again from that point on. THIS!!!!!! SONG!!!!! I was so right that I would love all of ECOTD even more than anything before it based just on this. This is the Russell falsetto album by the way, that's important to note. I'm very impressed by this song in many ways. I like that it starts with this specific synth sound that's VERY characteristic of this whole album. And the fake ending... This song has LB and HYL all over it but it's also its own beautiful thing
Strange Animal
This song has an effect of "stopping in my tracks the moment I hear the first note" on me to be honest, another one of my forever and biggest favourites. Right up there with all the other rocking epics to the likes of Ugly Guys With Beautiful Girls, Dick Around and As I Sit Down To Play The Organ. Sparks going meta on music & being a musician is also always very cool to see
I Can't Believe That You Would Fall For All The Crap In This Song
My first impression of what would become my most listened to Sparks song was a "wait, this was supposed to be a Sparks-only playlist, am I still listening to Sparks??" But a couple more months passed and what can I say, I'm obsessed now (and have been for over half a year now). The Maels saying "fuck you" to love songs & pop songs cliches will always be one of my favourite things about them... While they're also actively alluding to and using those cliches to create something very effective. I'm sure that it being so similar to the type of electro pop songs that were getting lots of radio play in the late 00s is why I'm so drawn to the sound here. It's always all about that nostalgia effect, huh (and this album is the absolute PEAK of "oh god why are all these songs so nostalgic to me I've only known them for this relatively short amount of time")
Let The Monkey Drive
This song ends what is probably my favourite 4 consecutive songs run on any album ever. Each is so mindblowing but in a different way. Best thing about this song to me is its atmopshere. It's just SO tangible. Like, this IS driving past the speed limit on a highway in the middle of the night (we can ignore the rest of what's happening in the story here for a moment). Obsessed with Russell's voice here and also it's so great to me how such a minimalistic approach can be so effective in creating this whole very specific mental image. Just unsettling strings in the back and two notes (or repeating chords) on the piano that are sort of the most prominent "melody" here and that's all you need. The suspense, the understatedness of it all, I love it
I've Never Been High
One of the most Sparks-like of Sparks songs in a way? And another one where I could probably start coming up with lyrical interpretations for on the spot. Lots to think about regarding all of these songs to be honest. And I like how the rising piano notes at the end lead into the descending flute (?) melody at the start of the next song
(She Got Me) Pregnant
Honestly, I absolutely love this song, it's one of my favourites on the album, maybe top five material. And it somehow sounds exactly like how I could have imagined it to sound, based on just its premise, I don't really know how that works but it does, lmao. And who else would give you this sort of song if not Sparks, no one
Lighten Up, Morrissey
Glam rock bliss that does not clash with the rest of the album despite being pretty stylistically different from the rest of it. Quite saddening that it's the only song here that has a music video, when there's SO MUCH potential here, seriously, again, this whole album is so cinematic. I do quite like what we got here though, love this era of Sparks ALSO when it comes to the visual side of it all (I keep saying this over and over), but still, there's so much more we could have had, y'know
This Is The Renaissance
GOOD GOD, I LOVE THIS ONE, in love with it from the first listen. It's everything that makes this album so grand and one-of-a-kind in a nutshell. Among the top 10 Sparks songs that should have had a music video also. I have a pretty elaborate painting idea based on this song in mind, so I hope I'll be able to make it into reality at some point in the future
The Director Never Yelled 'Cut'
List of Sparks songs where movie-directing is used as an allegory of sex is somehow at least two songs long I've noticed (this + Love Scenes). Anyway, this one's a pretty heavy one to unpack so I don't think I can really do it justice today. Love it just like every other song on here though
Photoshop
Another one that could have had such a killer music video. Again, stripped-down arrangement that's just enough to hit you with the right amount of feels and overall one of the most killer Ron piano master moments overall, now that I think about it. The plea of "photoshop me out of your life" sounds pretty... on-the-nose out of context? But again, Sparks magic makes it work anyway! And the 21×21 performance is in my top 10 Sparks live moments of all time (I don't actually have a list like this but, maybe I should make it now)
Likeable
...This is the song of all time to me. Honestly, give me any song pondering the nature of what it means to love vs what it means to like someone and things of such nature and you have me hooked forever. But even that aside, musically speaking, it's just... perfection. Most cinematic Sparks song overall maybe, it's really just like a little movie, every moment is so perfectly timed and measured, I have no words honestly, for just, how incredible it all is. The melodic aspect now, it makes me so emotional, one of the most likely of Sparks song to make me cry, for real. I could start going over every different part of the song now but honestly, they're all just, equally amazing. Special shoutout to the waltz parts though, and the bridge. Oooohhh the bridge, when it all gets so intense, and then the main melody reappears with an acoustic guitar, it's just, peak of it all. And then the intro leitmotif comes back again and it's just?!?.?? My feelings on this song might even still not be fully comprehensible and clear to me. All in all, couldn't imagine a better album closer than this, hands down. And this song also closing the Sparks Spectacular series of shows, yeah (not counting the encore). Oh man. Oh maaannnnn. What a freaking ride.
#FAVOURITE ALBUM OF ALL TIME DAY IS HERE 🔥🔥🔥#pretty epic how i actually just sort of made my long-postponed ecotd essay today#cause yeah i've wanted to do this since march but somehow never got round to it#and i'm happy that i was able to pay tribute to a couple very important things with today's drawing#21×21 shows and strange animal and also the legendary pink striped suit#i'll try to be more chill again with the remaining days though lol#but also one last entry on my top 5 fav albums ever list is still coming so. we'll see how that one goes in due time#sparkstember 2024#my art#goose monologues
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#i really have no idea why i went that day on his twt and saved all his dad selfies#was it because of his obsession with the sunlight angles and b&w? i think that was it#but here are the remaining ones#the first two are my favourite esp the ganesh chaturthi one (it's the tika)#SRK crisis hours#shah rukh khan#bollywood#shahrukh khan
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May I please request some soft parrlyn please
morning vs night gfs
#(it is just past midnight here as i post this) (which means in the us it's like noon. and in the uk like?? evening or late afternoon.#timings which make me giggle (oh what a word. stole it from e into my vocab) bc they don't fit hehe#anyways. coffee vibes bc the colour sprites make a reappearance (drew on phone and was lazy to properly colour) but i didn't want it to be#obviously green and blue. like elphaba and a smurf. so like. undersaturatef and wrapped in coffee coloured warmth.#today is a tuesday and because of schedules tuesday is my socialish day which means that i#(main lovelang irl is obviously physical touch people don't even have to guess anymore they just Know) go about hugging my friends.#one of the favourite most comfy stuff is this??? did this to like three people today bare minimum!#so like maybe me and friends are the insp behind some of the fluffy ship poses ig you're welcome#anon did you know this has been sitting in my inbox for a while and you were the first out of Four Requests for parrlyn#latest one being a very recent one that appeared in my notes as blank and then opened to bolder large font parrlyn written out#which was lowkey a driving force in remembering that this blog exists.#have sorted out the emotional stuff? romance rn remains a slightly sore spot but it's more or less scabbed over and i guess sometimes i like#to poke at it a bit because i won't feel the same way for a while may as well check out the novelty. anyway lots of complicated feelings#but shipping urge still strong. soft wlw for the win! yay#lately dealing w everything i feel like ocs more. but ah well? bit of fanart in the midst of everything#six the musical#six the musical fanart#catherine parr#anne boleyn#parrlyn#parrleyn
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A big thanks to @witchybitchybisexual who tagged me in this amazing 30-questions Golden Girls-themed game; I had a *great* time answering these! I look forward to reading everyone's answers (including yours, @witchybitchybisexual!).
I'm hiding all questions after #1 under a cut, because this got long haha!
1. How did you find out about the show?
Via another show I love -- Good Omens! Or, actually, via the amazing book that inspired it. One of the main characters, the demon Crowley, is a big fan of The Golden Girls; there's a great scene in which the forces of hell hijack one of Rose's monologues to send him a message while he's watching the show! I was in need of something new to watch at the time, and I figured if Crowley liked it so much, it was at least worth checking out. :)
2. One storyline you’d eliminate?
Hmm... probably Miles' witness protection program storyline? I don't mind it that much (it gave us some fun jokes and some memorable scenes!), but I feel like that was a turning point in Miles' character, and I just don't like the person he became after that turning point.
There was no question 3 here, so I made up my own! Hope that's not an issue :)
3. Best guest star/character?
Lynnie Greene takes the cake as the best guest star, for sure. I adore her and she played a phenomenal young!Dorothy. The second place goes to Dick Van Dyke, just because I love him in general!
As for the best guest character, I think the honour goes to Angela, Sophia's sister! She's absolutely hilarious and her comedic chemistry with Sophia is stellar. I also have to mention John Neretti from S6E23 What A Difference A Date Makes for being the best man in the series imho.
4. Character you most relate to?
Dorothy! My personality nowadays is a bit of a mix between Dorothy and Rose, I feel, but the Dorothy side is prevalent (and it was even more prevalent a few years back). I love reading and literature (and I enjoy learning about history, although I don't have her passion for it); I share her love for teaching (although I'm not a teacher); I was a great student in school, but not a popular kid at all; I'm level-headed and responsible, but I can be impulsive under the right circumstances; I'm very protective of the people I love; I'm Italian and was brought up a Catholic; I'm often the tallest girl in the room (I'm just a bit shorter than Bea Arthur was!) and I'm not attractive (not that Dorothy isn't -- but she is perceived as unattractive in the show), so I also understand her self-esteem issues fairly well.
I'm not as quick-witted as she is, unfortunately, and nowadays my outlook on life is more positive and easy-going than hers, but she's still the one I relate to the most.
5. Favourite character?
Blanche, although the other Girls are very, very close. I adore them all and I especially love to see them interact, but if I have to pick one, then it's Blanche. She's the one who surprised me the most! At the start of the show I kind of wrote her off as 'the man-crazy one', and that's as far removed from me as possible, so I didn't really focus much on her at the beginning. Then came S1E4 The Transplant, and then came her family issues, and then came all her memories of George, and before I knew it I was head-over-heels in love with her. Rue was masterful in how subtly she played her; she showed Blanche's depth as a character little by little, letting the audience peek behind the mask only for moments at a time, so when I realized I hadn't given her the attention she deserved, I was already in too deep.
6. Favourite story of a cast member?
Oh, so many good ones to choose from! The first one that comes to mind is Bea's anecdote about the time she was Tallulah Bankhead's understudy. The awe with which she describes her coming down the stairs is palpable -- but I mostly admire how she took Bankhead's mean comment and turned it into motivation. And Bea did get her 'coming down the stairs to thunderous applause' moment (more than once!), so her vow came true!
A fun one that involves all four main actresses is this blooper related to Blanche's Christmas gift to the girls, the 'The Men Of Blanche's Boudoir' calendar. Watching all of them lose their marbles over this prank is priceless -- it always puts a big smile on my face!
(Is this what you meant by this question? I wasn't sure!)
7. Which was the episode that got you hooked?
The pilot, lmao. It might be a cheesy answer, but it's true! I was immediately hooked from S1E1 scene one. Dorothy's incredible entrance got me.
8. You could wear one girl’s wardrobe for the rest of your life, who would you pick?
It's a toss-up between Blanche's and Dorothy's.
9. How many kids do you think they all actually had?
... this ask made me realize there are doubts about this, lmao. I've never done the math! Had to go check on wikipedia 😂
As far as I can tell, it's fairly set in stone that Rose had five children, of which we meet two (Kirsten, with two different faces 😂, and Brigit, who I assume is her youngest one).
It also seems reasonably certain that Dorothy had two kids -- Kate and Michael. I will say I've always thought Kate was much younger than she should have been in her appearances on the show, considering Dorothy was pregnant with her when she married, but maybe she just looked much younger than she actually was, I don't know.
Blanche is more complicated. We see both of her daughters, Janet and Rebecca, and in S3E3 Bringing Up Baby she mentions three sons, Matthew (also known as 'Skippy'), Doug, and Biff. In that same episode, though, she also says she's had four kids! I get where the disconnect comes from, haha. To be precise, her quote is:
"I have had four kids, I have never had a Mercedes."
This is just off the top of my head, but I wonder if she means 'I have had' in the sense of 'I have given birth to' here? This would imply one of her children is actually adopted (which is very interesting to think about!!). Since she directly mentions her three sons after this quote, I suppose our suspects are Janet and Becky. I'll have to give this some more thought, though -- for now my answer is that Blanche has five kids, and that 'four' is a continuity error on the writers' part.
10. Do you think the actresses would’ve gotten along with their characters if they met in real life? Why/Why not?
Interesting question! I think so, yes.
Dorothy and Bea seem fairly similar already -- as far as I know Bea was a big sweetheart, a private, gentle person, and Dorothy's a big sweetheart too. Plus I feel like Dorothy would have been respectful of Bea's introverted nature, and Bea would have been understanding and accepting of Dorothy's personal history (not to mention, she wouldn't have mocked her for not dating/for her appearance).
In all the interviews I've seen, Estelle seems very respectful and very fond of old people in general -- I think she'd find Sophia a riot! I seem to remember a clip in which she actually says she likes Sophia, so I feel pretty secure in stating they'd get along.
There's this famous quote by Rue in which she essentially says that she's similar to Blanche in everything but the fact that she's not from Atlanta 😂 so I feel justified in assuming they would have had fun with each other! Rue's stated that she felt an immediate connection to Blanche as a character, and that playing Blanche helped her gain more self-esteem and confidence, so I think meeting her in person would have had a similar effect! And Rue (being a very open, honest, compassionate person) might have helped Blanche drop her mask a little bit.
The only one I have an inkling of doubt about is Betty -- mostly because she'd run circles around Rose! But ultimately I think any 'mocking' would be gentle and affectionate, much like the Girls' jokes in the show. I think they would have liked each other -- and they could have bonded on their common love for animals alone!
11. What are your other comfort shows?
Apart from the aforementioned Good Omens, I'm also very fond of Only Murders In The Building, a really fun show about solving murders and found family that I wholeheartedly recommend. Derry Girls is another recent favourite. Oh, if you like cartoons too, I recommend Steven Universe, Hilda, and Avatar: The Last Airbender.
12. Headcanons? (Feel free to list as many as you’d like)
Oh, my god. I have so many and I'm for sure going to forget some. Let's see...
I've already said some time ago that in my mind Dorothy drives stick shift. Reasoning for this is that Italians (including yours truly, haha!) drive stick shift, and she's of Italian descent, so... she knows how to drive an automatic car, she just learned how to drive on a stick shift one (and in the streets of Brooklyn, no less!). Still on Dorothy: I think she has a very neat handwriting (she feels like the type of person who consciously decided to improve her handwriting at some point in her life), but she's prone to leaving ink stains on the page (and on her hands!!), especially when she's writing in a hurry.
Rose is really strong! Physically strong, I mean. I know she was a housewife for most of her life, but she was a farm girl first! Farming takes a lot of physical resilience, and that's the kind of strength that stays with you, I think. She's the one who lifts up the furniture when they clean (S2E12 The Sisters), and I don't think they'd let her do that if she couldn't handle it. Plus, remember that time she broke a whole ceramic cup with one bare hand (in S7E19 A Midwinter Night's Dream)? Yeah. I also subscribe to some mutuals' hc that she's autistic (although they'll be able to comment on it much better than I can, if they want to!).
Regarding Blanche, I really enjoy @\eeblouissant's hc that she has a permanent tan! She's from the South, she's lived near the coast for ages, *and* she's expressed an appreciation for sunbathing in the show, so it makes perfect sense to me. Also: she's a cover hog! In the show Rose is the one who admits to stealing the covers (in S2E5 Isn't It Romantic?, iirc), but I like to think Blanche is the worst offender. It's a good way to complete the Girls' trifecta of sleeping annoyances (Dorothy snores, Rose sleeptalks, Blanche steals the covers!), and I think it's thematically appropriate for her -- considering her Southern origin, I think she's more sensitive to the cold than Dorothy and Rose are, and she's always looking for affection, so...
Oh, regarding their sexuality: I don't have a marked preference for any of them, but I tend to think of Blanche as a bisexual with a lot of internalized homophobia. Rose is also bi, and somewhere on the asexual spectrum (and I have textual evidence for this!). @\hecatesbroom has completely convinced me to read Dorothy as a repressed lesbian, but I'm fine with people considering her bisexual too. I prefer queer interpretations of all of them, but I'm honestly fine with any take, as long as the strong (platonic or romantic) bond between them is preserved.
Most of my headcanons on Sophia are just traits borrowed from my grandmothers -- for example, I like to think that she started getting into gardening once she moved in with the Girls, and she's really gifted at it (like my grandma!).
13. What would you change (if anything) about the show/ characters if it was set in the modern day?
This is a really hard question to answer properly, because while the show is still very relevant to the present day, some aspects are so grounded in their time that a lot of things don't make as much sense when transposed into the future. For example -- would Dorothy end up marrying Stanley and staying married to him for 38 years if he'd gotten her pregnant in the 90s? Single mothers weren't exactly celebrated back then either (Madonna's Papa Don't Preach is from 1986), but they still had it much better than they did back in the 40s-50s -- and divorce has become much more accessible (and socially acceptable) in the past few decades. Would she have left him earlier? Would she have married him at all?
And what about Sophia? Being an Italian immigrant in the 50s seems different from being an Italian immigrant in the 20s -- there was a whole World War between the two, for starters. Would she still emigrate to the US? Would she even emigrate at all? How would she have survived the fascist regime in Italy?
Blanche and Rose are perhaps less grounded in their time. St Olaf is so absurd it might as well be the exact same in the present day (and dying in childbirth is unfortunately still too common, so it's not strange to think that Rose would be an orphan in any case), and considering how some people still think and behave nowadays, Blanche's biography and opinions seem plausible even when transposed 30-40 years into the future (at least to me). But still -- many of the issues they deal with were grounded in their time. Take Rose's AIDS scare: would she react in the same way in the present day, knowing that care for HIV patients has progressed so much?
To be fair, apart from all these questions, all of the Girls are still plausible (and relatable) characters from a modern POV; but society has changed a lot in the past 30-40 years, and I think a groundbreaking, socially advanced show like Golden Girls would necessarily have to change as a consequence. It's just in the spirit of the show! The core idea of four women sharing a life is still a perfect premise, but the problems the Girls face, their careers, their economic stability, their ideas on love and relationships -- there's a lot that could be different when transposed to the present day! I feel like this question requires much more space, time, and analysis to be answered properly.
One thing I like to think is that at least some of the Girls might have been explicitly queer if the show was set in the present day! Which opens up a lot of avenues for plot-lines and relationships :)
14. Which other Fictional Characters would you like each one of the golden girls to meet?
I have a storyboard in my notes for a little comic in which the Girls travel to England and meet Aziraphale and Crowley from Good Omens, so them, definitely 😂
Also, the Derry Girls! Check out this great crossover fic on Ao3 -- the chaotic energy is just off the charts, I love it.
15. Who were your favourite duo?
Oh, I can't choose. Any duo within the Girls. Their 1:1 interactions are all amazing, there's no way I can pick just one. I love the bond between Dorothy and Sophia, I love Dorothy and Blanche's chemistry, I love how fun and silly Blanche and Rose get to be together, I love the ironclad trust between Dorothy and Rose, I love Blanche and Sophia's love-(fake) hate friendship, I love the way Sophia hides her immense affection for Rose under a veil of humour and the way Rose sees right through it. I could write an essay on each pair of them.
15. Who should’ve got more 1:1 screen time with each other?
I'm pretty happy with the amount of 1:1 time each pair of Girls got with each other, actually! One of the strengths of the show imho is how well-balanced the interactions between the main cast are. If I really have to nitpick, I think I might have liked a couple of episodes specifically on Dorothy and Rose in the last couple of seasons; it feels like they interacted 1:1 less after S5, but that might just be me.
I also think the Girls' interactions with secondary characters and guests were well-balanced, in general; I can't think of any specific example where I wished for one of the Girls to have more interactions with a certain character.
... okay, there is one instance, but it's not really a matter of screen time, more of what happened during said screen time. I really, really wanted to see Blanche (with Rose as support) tear into Stan. I think we deserved a scene where she tells him off for the way he treats Dorothy -- she's already pretty caustic in the show when it comes to him (except in S6, for some reason...), and a proper confrontation would have been glorious.
16. Calmest season?
Is there one? 😂 the first season, I guess? It feels a bit more 'domestic' and contained in scope, likely because it was the first -- but it's still a wild ride!!
17. Most chaotic season?
Season 3, for sure. It's a bit all over the place, and it contains some of the wildest premises in the whole series -- I mean, Bringing Up Baby? Letter to Gorbachev? Mister Terrific? I could go on -- there's lots of chaotic episodes in there! (Just to be clear: I love the chaos! S3 is not my favourite season, but it's still great -- and it's got some amazing episodes!)
18. Favorite Season?
I think the honour goes to season 5! It would probably be S6, if not for the whole 'Dorothy falls back in love with Stan' plot line. S7 is the one that contains the highest count of favourite episodes for me, but I think S5 is stronger as a whole, and it's got some true gems.
19. If the girls hadn’t had their established careers, what other ones could you picture them doing?
Oh, let's see! Stan mentions Dorothy always wanted to open an antique shop back in S1E11 The Return of Dorothy's Ex, and I think that really fits her. I can also see her as a (very passionate) librarian! And, of course, she'd be great as a college professor / history researcher.
Despite the Girls' lack of confidence in her ability to keep things alive, I think with proper training Rose would work well as a nurse. She already volunteers for the hospital, she can be competent when given the chance, she's a giving person, and she loves taking care of people, so I think she at least has the right attitude for it -- although I'd never place her in a stressful unit, especially at the start of the show! Apart from this, anything to do with animals, of course -- a zoo, a farm, a pet shop, she'd excel in all of them!
I can see Blanche thriving as a trophy wife, haha 😂 but that's not properly a career, so it's not a valid answer. Taking her keen artistic eye into account, I think she'd be great as a designer -- either a fashion designer, or an interior decorator. She also showed some talent and interest in psychology during the series, although I'm not sure she'd manage to remain completely professional as a psychologist. 😅
As for Sophia, I think she'd do well in any position that allows her to be a motivator! She's great at encouraging people through a bit of tough love, and she's a very driven person herself -- so I think she'd do well as a manager of sorts, although the kind of manager that still works hands-on too. I believe she'd manage to hold her own in more or less any field; she's very adaptable! I do think she's at her best in a kitchen, though.
20. Best aspects of the show in your opinion?
There's a lot! The writing, the performances, the costume department, it was all exceptional. I think the best aspect to me is the premise, and how seriously they took it! The idea of a show centered on four older women living together is groundbreaking, especially since it didn't make a mockery of them -- the Girls are serious, well-rounded characters, with full lives, written with lots of love and respect. I think this show really convinced me that life isn't over once you hit 30, and that there's plenty to look forward to as you age! A lot of people my age are terrified of growing older, and here I am, eager to see what's coming next -- and I owe at least some of this attitude to this show. I'm really grateful!
21. (This question is for my fellow cheesecake lovers) favourite cheesecake flavour?
:) Great question! I love cheesecakes in general, but I'm especially partial to raspberry cheesecakes.
22. Storyline you wished they had expanded upon?
The show has an unfortunate tendency to introduce characters and then forget about them, which allowed for more variety in the stories they chose to tell, but I would have liked to see some of the Girls' relatives and friends return! Like, I don't know -- Jean, for example, or Blanche's nephew from back in S1. Some of the guests' arcs are complete within their episode (as happens eg for Lily, Rose's sister), but others remained a bit 'in the air', and I think it would have been nice to see them again.
Oh, and also -- I would have liked some little references to the Girls' issues and problems outside of the episodes they're tackled in! References to Blanche's pacemaker, for example, or to Rose's addiction, or to Dorothy's CFS (or her hearing aid!!). I understand that the time was limited, but even a small callback or two would have been nice!
23. Questions you’d ask the actresses?
Does 'will you marry me' count? 😭
I'm not sure -- knowing me, I'd probably be unable to utter a word in their presence! Rather than ask questions, I think I'd just thank them for bringing such an incredible, wonderful show to life. It wouldn't have been the same without them.
24. Episode that brings you the most comfort?
Most of them, really. Even the sad ones; I hear the first few notes of the opening theme and my spirits are already lifted. I can pick one per season, if that's alright:
S1E25 The Way We Met
S2E17 Bedtime Story
S3E3 Bringing Up Baby
S4E4 Yokel Hero
S5E23 The Mangiacavallo Curse Makes a Lousy Wedding Present
S6E26 Henny Penny -- Straight, No Chaser
S7E23/24 Home Again, Rose
But honestly there's so many more I could mention! I just love these ladies so much and I love to watch them in situations, haha.
25. Episode that made you laugh the hardest?
This is a cruel choice! Golden Girls is infamous in my house as 'the show that makes the-eclectic-wonderer howl with laughter', and I think that speaks for itself 😂
Let me pick at least three: S2E4 It's a Miserable Life, S7E2 The Case of the Libertine Belle, and S7E4 That's For Me To Know.
26. Which other work that the actresses did you enjoy the most?
I believe most of Estelle's career prior to The Golden Girls was in the theater, so I'm not sure it's even possible to watch her other works, unfortunately.
Show me Bea Arthur singing literally anything and I will be on my knees in seconds. Her musical performances are peak. Also -- I still haven't watched Maude, but I already know I'll love it.
Maude includes Rue as well -- I cannot wait to fall in love with her as Vivian too! And I have one of her early movies in my watch list, although I'm waiting for the right moment to watch it (homegirl plays a stripper and I'm not sure I can handle it in company without making a fool of myself, considering my big gay crush on her).
As for Betty -- Life With Elizabeth, absolutely. She's so funny and so beautiful and so captivating in it! She's simply charming, I love her to bits.
27. Best St Olaf Story?
The Great Herring War from S1E25 The Way We Met, no question. It's not necessarily the strongest from a comedy point of view (although it's certainly up there -- it's hilarious!), but the context and the way Dorothy and Blanche contribute to it make it the most memorable one, imho. It's my favourite, for sure.
(The story of Gunilla Bjorndunker, St Olaf's tallest woman, as told in S6E3 If At Last You Do Succeed is in second place).
28. Best slut story?
It changes every time I hear one, lmao! I love all of Blanche's stories!
If I must pick one -- I really enjoy Blanche's retelling of that time she realized she was even more devastating by moonlight in S1E25 The Way We Met, if only for that incredible final line ("It was at that moment I realized my bosoms had the power to make music!"). I'm not sure if it counts, because it's so brief, but her involuntary remembrance of that time she had to call a cab to get home because the sailor she hooked up with wouldn't wake up (S2E17 Bedtime Story) always has me in stitches -- I love how unexpected and effective it is!
Oh, and I'm really fond of the one she tells her mama in S3E25 Mother's Day. I'm very sensitive to the theme of loved ones getting older and having trouble remembering stuff, so that whole flashback hits close to home for me, and I love how Blanche's story helps her and her mama connect over shared memories. It's really touching (and Rue's acting is spectacular).
29. Best Sicily story?
Sophia's alleged encounter with Pablo Picasso, as narrated in S6E24 Never Yell Fire In A Crowded Retirement Home: Part 1. I somehow didn't anticipate the punchline, and I lost my shit when Sophia name-dropped Picasso. I still lose my shit every time I listen to it. It's a classic.
30. Which girl would you be most interested in seeing a prequel of? And at which point in their life?
I would pay dearly for a young!Dorothy show. It might be depressing (because her life with Stan was... well... yikes) but also imagine -- Dorothy learning how to be a mom, her life at college, building herself a life... so many possibilities!!! And it would be even better if it featured some flashbacks to Sophia's life in Sicily!
I would enjoy a show about teenage Blanche's adventures, too, but a part of me thinks those stories are at their best when retold by Blanche herself (ie when there's a good amount of doubt as to their veracity, lmao).
#these were so much fun!! i loved them!!!#thank you so much <3 i hope this is what you expected?#i do often say i love taking about the girls and you gave me the occasion to talk about them *a lot* so im very grateful!!#the witness protection program thing came a bit out of left field but it's not that bad *per se*. it's just that they used it as an excuse#to change miles' character in a way i don't enjoy if that makes sense#that question about kids tickled my brain. i'll have to think about blanche's kids a little more#but the implications are really interesting#cover hog blanche is so important to me. it fits her so well!! i can see her holding george like a teddy bear in her sleep when he was aliv#and then he died. and the bed was empty and cold. what could she do but try to recapture that warmth by wrapping herself in the covers?#i hope my answer about the girls in a modern setting makes sense. the show spent a lot of time tackling the societal problems *of the time*#so it would necessarily be different if it were set in the present day. i mean -- imagine the girls dealing with social media alone!#any academic career would work well for dorothy imho. can you imagine having her as a college professor?#so many students would be in love with her lmao. oh -- i think she'd also be a great writer! of poetry and of prose :)#i might be biased in favour of nurse!rose bc she is a nurse in a little au of mine that will remain confined to my brain lol#but i do gen think she could do a good job!#please don't take the trophy wife blanche comment too seriously lmao it's mostly a joke. in any case she'd be an active trophy wife#one of those that organize events and take part in the community and stuff. she's smart and driven!#great herring war scene my beloved... it's impossible to overstate just how much i love that scene#it's one of my all-time favourites for sure#the golden girls#tag game
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at the very least please read the melancholia of incomplete magic. please please please
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The Falseren period piece has now officially passed 10k 🎉 it probably shouldn’t be a one shot but I am persisting on the notion that this is the only way I’ll finish it properly.
#there is a deep joy and cruelty me stopping every two lines to go google if somethings historically accurate#you would have thought I would have chosen a more familiar time period#something I’d studied in school#but alas the brain wants what the brain wants#anyways I’ve come up with so many period piece ideas from this#I was debating on throwing in some mumpearl in there as well for the soul and I fought it for so long#alas the mumpear won#anyways my favourite line so far is ‘you’re not planning on courting my sister…are you?’#not sure it will make the Final Cut but I am fighting every day for this one liner to remain relevant
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Okay, I'm gonna go on a rant here a bit.
I fucking cannot stand how modern day almost completely abandoned some genres of games. What was the last Point-And-Click Quest you heard about? What the last puzzle game that became popular? The last visual novel that isn't a dating sim or ddlc (that came out in 2017 which was 6 years ago btw) that received any public attention?
These small genres of games are not necessarily dying specifically visual novels, these are huuugely supported by their own fanbase of creative people and players.
It doesn't mean that they don't exist. They do. As indie games mostly for understandable reasons. But no one talks about them. At all.
#> tired shitpost#last game of deponi.a series was released in 2016#the talos princip.le came out in 2015#WHICH BY THE WAY ANNOUNCED THE SEQUEL THAT SHOULD BE COMING OUT THIS YEAR IN LIKE 2020 AND I GET TO KNOW IT ONLY FUCKING NOW????#The Witnes/s which will remain one of my favourite games of all times came out in 2015 also#dr.v3 came out in 2017 yes i will count it also#ZE:ZT.D came out in 2016#both of them closed off their trilogies with one obviously being more popular than the other to this day#like#idk it's so sad to me
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honestly still the biggest personal tragedy of session 5 is that when grian joined gem in the tower building. in gems episode, there were almost a solid 10 minutes of just that. them hanging out, calm, peaceful, no danger, away from people that could hurt them . and guess what ? grian left LESS THAN 3 MINUTES OF THAT IN HIS EPISODE dbjksffejw
#rant in tags#gems episode straight up got me to start drawing the most complicated fanart in a year or so just of that scene#and grian just. cut most of it out#(gem probably did too. but come on g. only 3??)#i think i know what im feeling. i called it in a yt comment on session 2 or so#im clinging to the last remains of peace and happiness we get#i watched every pov and i think this episode grian's is my favourite (even if he cut out most of my fav scene overall)#he almost died' rigged a charity' loved bdubs and built a tower. it was nice#he barely interacted with the reds (love them too but). he was just hanging out. the cleoðo&grian & i guess bdubs team is my fav#literally not a single spec of danger in that house. all positivity (thanks etho for starting the 'we love bdubs' day too bdw)#even martyns single trap got disarmed immediately#i was hoping for an grian & cleo team because of the potential for chaos but i think i love this more at least for now#ive been thinking too. the heart foundation honestly stresses me out so much#i love them with all my heart. i do#but i dont trust bigb at all. havent since episode one and wont start now. feels like that man has no loyalty to tango and skizz#hes very fun dont get me wrong but he makes me worried. i still have no idea what his deal is#theyre also very open. no fortification ( i like walls theyre safe)#and their system is very easy to rig (as shown in this episode)#(also bigb straight up saw grian throw his quartz in and said NOTHING)#“this is a death game! why do you not want death? what are you even here for?” SHUSH#this is all /positive. its good stress#(and i love death and betrayal martyn's win is my fav ending so far)#i just got too used to the peace and happiness at the beginning#i did not mean to rant this much but i have a lot of feelings about this series i dont have anywhere else to express#trafficblr#secret life
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the homoeroticism of sharing a cigarette while overlooking a city you both want to save and are willing to sacrifice everything to do so while desperately clinging to the hope you both can somehow still live to see another sunrise.
#shoutout to batgordon gotta be one of my favourite pairs that makes my mutuals annoyed <33#its about having that boundary and barrier that literal mask staring you in the face every single time you talk — the painful reminder you#will never know the man underneath it entirely! yet still that trust to uphold his secret identity! to not peek or rip it off! to not turn#around when he uncowls himself behind you in a theatrical show of HIS trust! its about not opening your eyes while bandaging his injuries#and as your fingers graze the skin that you dont allow yourself to see! its about seeing this mask and accepting it as part of the man and#something he must do and have! its about finding the other person that actually cares about this city as much as you do!#everyone around you is telling you its hopeless yet you remain that hope! you remain dedicated to it and your sisyphus labour because#theres such a small possibility that one day things WILL get better and that's enough to keep you going! its about finding the other person#that has sacrificed and sabotaged their own happiness and life for this city!#its about the smoke burning in your lungs and the cold air you two will always share — if youre lucky.#its about having a consensual workplace relationship that neither of you will acknowledge!#and why should you! theree no point! its never going to happen; gotham and your family is always going to the priority for both of you#but god the stars are beautiful tonight and its so nice to have a friend that actually understands why youre bleeding for this city#its also about sad old men sex & bittersweet heartache memories shared of watching this hungry city shift and change as your blood feeds it
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Btw if you are an artist and I like your art, I'll probably most likely print it out and glue your work in my journal if I cant buy a physical copy.
Because I like to take art I like with me, and have a permanent remnant of it, as my journals go into a locked safe when they are full.
If your handle or signature isn't on the art in some way, I edit it digitally to include either your name (if you have it on your blog) or your url/@ username. Dw though! I'll let you know if I can!
Your art will live on with me, touching my heart and inspiring me to keep painting for as long as my journals survive along with all my sentimental keepsakes.
#artists of tumblr#queer artist#bujo#Art#digital art#comics#diary#||°• I have HSD#Its so hard and painful to paint draw and write because im so prone to inflammation and stress injuries#And I am constantly reminded by my favourite artists and authors as well as artists who maybe one or two pieces i like#that i should keep at it#just do it when i can#So i love to decorate something i interract with and see every day with your art as well as my own#alongside writing from prompts people post that inspire me#or works of art that illicit an emotion or memory that i can write something off of or include in a spread as a visual reminder#your art is so precious and while we as artists destroy paint over and rework or reuse our works#its effects in our lives remain permanent.#and i hope for every painting you do or every sentance you write you remember that or find some way to remember it
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: 🎼💜🎼
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Writing down ideas for possible fics about my ocs that will be for me and only me, gritting my teeth and repeating the dune litany against fear except it's about cringe over and over again
#i must not care if i am cringe.#caring about being cringe is the mind killer.#caring about cringe is the little death that brings total obliteration.#i will face the idea of being cringe. I will allow it to pass over me and through me.#and when it has gone past i will turn the inner eye to see its path.#where caring about being cringe has gone there will be nothing.#only i will remain#i had more of that just sitting in my head than i thought but i had to google how it went anyways#because my brain wouldn't stop switching obliteration with obligation and i couldn't remember what word i actually needed#anyways i've got oc x canon ships going on in my brain at all times and one day i will write them down for myself#because im my favourite audience member
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