#regularly means nothing to the characters

[fulcrum-art-fox]

I generally really enjoy YouTube reactors, but the phenomenon of reactors getting angry with Mae for interrupting Sol when he was telling her about how she and Osha weren’t really twins or even sisters and they were artificially created etc etc, that always baffled me like. I get that the audience was curious about what he was going to say, mysteries and all, but why on earth should Mae be? Why would she want to hang around listening to this? It makes total sense that she wouldn’t willingly stay tied to a table listening to the guy who killed her mom and lied to her sister about it tell her that her sister isn’t her real sister a moment longer than she needs to

[spiralsandeyes]

I loved reading the Magnoliaverse and especially playing with matches, and one thing that I ended up very curious about was more about Michael's backstory in this au? He's one of the characters who shows up a lot and has a lot of backstory vaguely referenced but never gets a perspective to explore that so I was wondering if you'd be down to share what ideas you had for his backstory while you were writing. Thanks in advance!

omg thank you so much for this! :')) answer got long so i'm putting it under a cut <3

it's actually kind of funny that you ask this... playing with matches has always been the heart of magnolia verse to me, and future installments were/are going to focus on the characters in that fic (particularly agnes, oliver, julia and gerry, with some others). most of them have pretty detailed backstories in my mind but michael was one of the ones whose history i've actually thought less about!

i did have a few things in mind - michael had one particularly shitty relationship when he was ~16/17 that he still carries a lot of baggage from. he had crushes before that but never anything he was brave enough to act on, so it was pretty formative for him wrt his expectations for relationships. he was basically being strung along and used by a guy who didn't have strong romantic feelings for michael the way michael did for him. michael also didn't have a lot of friends growing up, or at least not since childhood, so he really wants to be loved (in any capacity, but he's particularly insecure about the romantic). going back and forth with his divorced parents didn't help with this - he stays with his mom most of the time and had to move when he was ~13-14, uprooting most of his life to a different school where he knew no one, and he never really settled in and found friends there. he's also pretty socially anxious and until meeting gerry, hasn't quite figured out how to get out into the world. he's a homebody mostly because he doesn't know how to be anything else (yet), and though he has art school friends, they aren't very close. too much of his impressions of queerness and college life were formed by the internet/popular media and he has a bit of an inferiority complex about it - he's very aware that he doesn't Do Much aside from art and feels like a loser because of it. (this is an unfortunate combo with his body image issues, insecurities about what he can offer in a relationship, and him being very much starstruck by gerry's band, leading to some of the conflict you see in playing with matches). some other random details: he's out to his parents but has a slightly strained relationship with both of them (he's closer with his grandma on his mom's side!), he has severe adhd but i don't think he knows it yet, he's been drawing for basically his whole life but recently focusing on art forms that involve more physical processes because it's good for his mental health (atm it's various forms of sculpture).

but honestly i've thought a lot more about michael's future than his past! at this point i've been telling people for years that magnolia verse is still in progress and feeling more and more guilty when a completed work fails to materialize, but i still can't stand the thought of leaving it as-is and have to believe in my ability to finish one more fic, so... there Will be one more... but probably not anytime soon and it probably won't be gerrymichael centric. so i'll just tell you about the gerrymichael fic i DID have planned lmao.

so: ex altiora goes viral and gets very popular very quickly when they finish school and release a full album. the speed of it is great for their careers and bad for their mental health. agnes and gerry really struggle with it. gerry in particular starts getting a lot of fans which makes him REALLY nervous because he's going stealth, trying to hide from his mom, and just generally not super interested in being a public sex object! this is a little bit Weird for his relationship with michael. he gets pretty (reasonably) paranoid and wants to keep his personal life very private, but michael Does Not Get It and is hurt because he feels like he's being kept a secret. he's also a little bit jealous of the attention, though he won't admit it, and is overall experiencing new depths of insecurity that he will (eventually) Finally get to process because he still thinks of gerry as the Cool One with all the power in the relationship. meanwhile gerry is so anxious and trying to cope with the spotlight of sudden internet fame/irl fame in certain contexts (i.e. shows) and feels like he can't confide in michael about it. the tension in his and julia's friendship is also reaching a breaking point around then and they have a huge fight which leads to them (gasp) speaking honestly about thoughts and feelings they've had for years! but anyway. everything gets sorted out in the end, and michael and gerry end up much happier! michael resolves his issues, gerry comes out to the world, they work out boundaries together, everyone becomes closer :)

[endigolikesarson]

I like franziska von karma a normal amount

[chlothequeen]

“That episode was so good but the anime protagonist speeches… :/“

What about the episode did you think was good then

[theobromine42]

This is about Arthur Lester and John Doe Malevolent in my mind

don't really care if the otp is romantic or platonic or erotic or whatnot. i care simply about the essentials (they are toxically codependent)

[arolesbianism]

The Joshua section of my oni playlist is looking great so far

[cheetabites]

☆彡 cinnamon pt 2 ˳༄꠶

character: kang dae-ho (player 388)

˳༄꠶ summary: five sfw and nsfw general headcannons for dae-ho

sfw headcannons

★ he’s a man that knows how to dress himself well. in korea, the importance on appearance is a reinforced by society so lots of people dress good, but i’m telling you that he knows how to keep up appearances - even if his clothes remain casual, all his outfits look good on him; he mainly wears black high waisted dress pants w/ wide pant legs paired with a loose fitting shirt & a cardigan or an oversized hoodie w/ cargo pants

★ he has a sad playlist that he jams out to regularly; even if nothing bad happened. he could be doing the most mundane task - like walking down the streets of korea - and one of the most heartbreaking songs would be blasting out of his earphones

★ he hates needles, and i mean he hates them. sure, he got a tattoo, but if he has to do anything like getting his blood drawn he’ll bolt it out of there - unless you’re there and you hold his hand

★ he’s one of those people that keeps all their app tabs open on their phone. and probably barely has any storage space because of the amount of pictures he has of you and other things; he doesn’t want to delete them because he thinks he’ll forget the moment

★ he’s big on physical touch. there isn’t a moment where he can go on without holding your hand or wrapping his arms around your shoulders from behind. it’s also normal for him to place tiny kisses on your face whenever the opportunity arises

nsfw headcannons

★ loves to tell you how beautiful you are when you please each other. your hair could be messy and sticking to your face, or you’re sweating profusely, but it doesn’t matter. he never wants to think your any less than beautiful

★ he really likes when you ride him; especially when he’s just laying flat - no hands on you or anything - on the bed and you lay your palms flat on his shoulders for support

★ the idea of you just using him for pleasure really gets him off - like if you were stressed and needed to blow of steam so you decide to pin him down and be a little bit mean and condescending while you please him; he usually cries when you guys fuck like that, but it’s always out of pleasure

★ he wouldn’t want to have sex anywhere besides the bedroom. i feel like both of you tried it once in a more public place - like maybe one of your guys’ cars or in a hotel room - but it turned him off so bad that you both agreed to not try that again

★ he’s all for waking you up by eating you out (consensual somnophilia); hearing you gasp as you awake and having you card your fingers through his hair to tug on it, it’s one of the best sights he’d ever witnessed. he usually does this on the days he has to work cause he loves riling you up, but he always makes sure to clean you up before he leaves

the end! i hope you enjoyed <3!

© cheetabites. don’t translate, claim or repost my works on any platform. jan 3 2025.

[darkmatilda]

𝐛𝐚𝐜𝐤 𝐢𝐧 𝐭𝐡𝐞 𝐥𝐚𝐤𝐞 | 𝐬.𝐫𝐞𝐢𝐝

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: two years ago, completely by accident, you helped catch a serial killer. now, as mysterious events start to pile up around you, you begin to suspect that someone is after you, seeking revenge. terrified, you're willing to do anything to save yourself—even if it means reaching out to your ex, who wants nothing more to do with you.

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬/𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐭𝐰: [these warnings only apply to part 1!] spencer reid x criminal(thief)female!reader, stalking, mention of dismembered bodies, serial killer targeting women, mention of abduction, mention of mental issues and addiction of the victim, reader is kinda morally grey

𝐰𝐨𝐫𝐝𝐬: 6k

𝐚/𝐧: HUGE THANKS to my beloveds from the server who have been listening to me yap about this fic for the past few days!!! a few of my dear girls show up here as characters, in this part it’s @esote-rika i hope you like the role i chose for you <33

𝐏𝐀𝐑𝐓 𝐎𝐍𝐄

You hadn’t dreamt about it for almost a year now.

Before, that image had returned to your dreams regularly. A small, wooden vacation cabin in the woods—far enough from the bustle of the city to feel like a retreat, but close enough to avoid the unease that comes with complete isolation. An operation that had required you and your then-partners to meticulously study the owner’s weekly routine, gathering as much information about him as possible. There was no pressure of time—it was a place for vacations or lazy weekends, not for everyday living.

You had no trouble breaking in without even damaging the lock. You had your methods. The owner was due to arrive soon and discover that the painting in the small living room was gone. You wondered if he even understood its historical value. Wealthy people often liked to fill their properties with expensive works of art to catch the eyes of their guests and dazzle them with their price tags. But they rarely cared about the context or the circumstances of their creation. Often, if the artist was foreign, they could barely pronounce their name.

You liked labeling every person you robbed as ignorant. It gave you more motivation.

Your partners had immediately located the painting, while you started looking around the interior yourself. There could be more valuable items—jewelry or antique furniture. Once, during a robbery, you had been about to retreat when you found a hidden door leading to a basement, which turned out to be practically a vault. That year, you booked your dream vacation.

This time, you were heading down the stairs again, shining your flashlight ahead. The beam of light didn’t fall on a bust, a leaning painting, or an Art Deco dresser. It illuminated the battered face of a woman, bound as though she weren’t a living being, teetering on the edge of unconsciousness.

The waitress set a plate of pancakes in front of you, but you suddenly regretted ordering them. Your stomach was still in knots after seeing that image again in your dreams. You’d gone out for breakfast because you had no plans for the day and didn’t want to spend it entirely cooped up in your apartment. You adjusted yourself in the leather booth. The place had a 90s vibe, with its black-and-white checkered floor, red seating, and curly straws poking out of milkshakes topped with double whipped cream.

A cop slid into the booth next to yours with a sigh, ordering waffles with bacon. Out of habit, you tensed up slightly. As a member of the criminal underworld—a thief and active dealer of antique goods—you weren’t a fan of even fleeting interactions with people who carried handcuffs on their belts. You much preferred gold bracelets.

"...abandoned body parts of an unidentified woman were found along the shore of Neabsco Creek in Prince William County. This exceptionally brutal crime immediately sparked panic within the local community, following a series of murders that had occurred here just two years earlier. It was right on this riverbank that the limbs of the last victim of the killer were found before his capture…”

“The Waterside Butcher,” the cop to your left muttered, mouth full of waffles. “I don’t know if you heard, but that guy’s a real piece of work. Fuckin' psycho. But it ain’t him now—they got him locked up good.”

Thank you for sharing that unsolicited nugget of information I didn’t ask for, officer, you thought, as you remained silent. You didn’t want to engage in any confrontational interactions with the police. In fact, you couldn’t physically speak—you had a chunk of pancake stuck in your mouth, swelling up like a soaked sponge, and you had to spit it out onto your plate.

The cop shot you a look of disgust before turning his attention back to the waitress, bragging about his knowledge of the crime details. He even mispronounced the killer’s name. Robert Miller, not Roger. The man whose vacation cabin you broke into two years ago. The one whose basement you found a woman imprisoned in. The one you reported to the police, even though that meant exposing what you’d been doing in his house. Your case quickly ended up in the hands of the BAU profilers, who used your testimony and connected it to a serial killer they had been hunting for a long time, one who always dumped his female victims along the banks of water sources.

They even offered you a deal. Your testimony, and in exchange, you were only charged with one burglary, one attempted theft. They completely ignored the dozens of others that had happened before.

So, it could be said that you helped them catch The Waterside Butcher.

The cop was right about one thing. Thirteen murders, and he was locked up for the next few lifetimes. So, it had to be either a copycat or...

But if someone like that escaped from prison, would the public even know about it?

Your nightmare hit again. Right on that night. A bad feeling?

Your phone rang.

"Hey, Mrs. Hemingway," you greeted your older neighbor from the floor below, the one you’d swapped numbers with when you were helping her settle in after her hip surgery and taking care of her poodle. You were surprised she was calling you. "Everything okay?"

"Sweetheart, I told you to just call me Erika," she said gently on the other end, her voice carrying a note of tension. "I’m just calling to let you know you're flooding my floor again. Haven’t you fixed that sink yet?"

"Shit," you muttered under your breath. "I’ll be there in a sec. Sorry, Mrs...Erika, that this happened again."

You left the almost untouched pancakes on the plate and walked out of the restaurant, heading toward your building. You’d been moving around a lot because of your line of work, and this place had been home for maybe three months now. For about two weeks, something strange had been happening with the sink in your kitchen. You’d return late at night to find the floor completely flooded, leaking down to the apartment below, where Mrs…Erika lived. It happened every few days, almost regularly. After the second time, you hired someone to fix it, but he said everything was fine with the faucet. Either you kept forgetting to turn it off, or…you just couldn’t come up with a better explanation.

Oddly enough, that wasn’t what occupied your mind on your way back to the apartment.

Your thoughts were consumed by the murder case. You couldn’t help it; everything related to it made you uneasy. During the trial, you’d heard all the details of the crimes he’d committed. You’d seen photos of torsos of women, abandoned in various places, along with their legs and arms. You’d listened as the handsome profiler explained the psychology behind it all. How he lowered his voice with a comforting care, assuring you there was no chance he would ever get out of prison. You nodded, having no reason not to believe him. It was him who proposed the deal you took – keeping your earlier crimes under wraps in exchange for your testimony.

You made a mental note to check in on how Rebekah was doing later. You were the one who saved her, though you didn’t particularly like using that word—after all, you’d ended up there by accident. You kept in touch, but it was hard to call it friendship. You were bound by the situation in which she almost became just another limbless victim. You didn’t have much in common, but she had struggled a lot after that event, and you wanted to make sure she was okay. It was kind of like womanhood. 

The first thing you did when you got back to your small but quite stylishly furnished apartment in a nondescript neighborhood was to turn off that damn sink. And then, you offered a heartfelt apology to Erika. In return, you promised to walk her poodle for a week.

“No need, darling,” she assured you, standing in the doorway of her apartment. She was an elegant woman, a fashion enthusiast. Dressed in a gray plaid skirt and a cleverly cut blouse with a tie at the neckline, large black earrings dangled from her ears. Sometimes when she went out, she wore a matching black bowler hat. Behind her, the poodle was frantically wagging its tail, excited to see you. “The doctor recommended I get plenty of walking. I take Coco out every day at eight for an hour. Just the cost for the flooded ceiling is fine.”

You agreed, silently promising yourself that you’d order her a massive bouquet of flowers in the coming days. But for now, you headed back to your apartment, walking straight to the bedroom where you kept a locked chest of drawers… and inside, an album of photos. And within those photos, a substantial amount of cash. Since your income didn’t come from legitimate sources, you steered clear of banks like the plague. You counted out the sum you planned to give Erika—more than she probably expected. But before you could lock the chest again, your fingers automatically grabbed the album. It wasn’t just money in there; you liked to capture moments in photos, and you had plenty of them. You always took them with you when you moved.

The first page showed several pictures from your early childhood, chubby cheeks, dreamy eyes. You quickly turned the page, then another…

Your fingers clenched tightly, even though your mind hadn’t fully processed what you’d just seen. You shook your head, thinking it was just your imagination playing tricks on you.

A photo of a little girl on her first bike. Her face should have been expressing joy, a toothless smile. Instead, all that was there was white, emptiness. A cut-out section.

With furrowed brows, you continued flipping through the album, almost in a trance. If every photo had missing pieces like that, it would’ve been easier to understand. But this was just one photo out of hundreds, one little girl without a face…

A graduation photo. You should have been smiling, hugging your friends. But your face was missing. Your breath caught in your chest. A trip with friends—your face cut out. A beach day, devoid of your face. Not every photo had been altered, but almost every stage of your life captured in that album had at least one case like this. It was as if someone was trying to erase you completely.

You stopped at the point where you had stopped taking as many photos. The last few were from your previous relationship. It hadn’t lasted long, but you had particularly enjoyed taking pictures of Spencer Reid, the profiler who had worked on your case. His brown hair, wide eyes in surprise because he hadn’t known you were sneaking up on him with the camera, the dimple in his cheek when he smiled, filled several good pages. There weren’t many good photos. He looked amazing in spontaneous shots, but in posed ones, his smile was always awkward, stiff.

That photo wasn’t one of your favorites. It had been taken by some stranger during your little vacation in Rome. Spencer had been wearing a light linen shirt, his arm wrapped around your waist. You remembered exactly how you’d stood on your tiptoes to kiss him on the cheek, only to cringe a moment later—having just slathered him with sunscreen, you tasted that bitter aftertaste in your mouth. A smile flashed across his face at that, and he adjusted his arm around you, smoothing your heat-fluffed hair behind your ear. So many perfect angles for a picture you could have stared at for hours, but that stranger had only snapped one. You both looked like an engaged couple who had never spoken to each other before, and to make matters worse, it looked like the family expected six kids from you both.

Your face had been cut out of it.

You slammed the album shut and tossed it into the drawer. A gust of wind blew the money meant for Erika onto the floor, but you didn’t care. What did you care about? There was nothing in your mind. A temporary, filling emptiness, growing with every beat of your heart.

Your body moved toward the window on its own, discreetly peering behind the curtain. A black car pulled away from the driveway, followed by a red one, and then a gray one. Could it be…?

No, you hadn’t looked at that album for several days. At least not to review the pictures. They might have been damaged before, and you only noticed it now. You didn’t know which version of events scared you more.

The voice of the news anchor played in your head like a true-crime podcast, describing a recently discovered body with far more gruesome details than in reality. The return of The Waterside Butcher, the one you helped catch. A break-in at your apartment (you hadn’t done it yourself, had you, in your sleep?) almost at the same time?

A twist of fate? A stupid coincidence?

For a moment, you paced around the apartment, thinking. Robert Miller was a serial killer of women, whose capture had been made possible by a woman who broke into his home. If—purely hypothetically—he escaped prison, wouldn’t he be driven by a certain kind of hatred directed specifically at her? A desire to destroy her, more important than anything else?

But that was absurd. You hadn’t cut ties with the case, but surely someone would have informed you if he had escaped. Though…Spencer had been your source of information, and you hadn’t spoken to him since your breakup, over a year ago. You hadn’t been in touch at all since then. So maybe…?

You realized you were standing in something wet. The floor was still flooded from a tap that had been left running.

For the second time this week.

The self-turning sink, this tension, this dream, the cut-out faces, the next murder.

Another brutally killed woman left on the riverbank.

The thought was improbable, yet it refused to leave you alone. It was far more likely that you were dealing with some deranged copycat—after all, it wasn’t uncommon for serial killers to have their admirers. However, that prospect didn’t fill you with nearly as much dread as the idea of being in the crosshairs of this particular man. 

You had to find out if there was even the slightest chance that he was out there, free.

*

“Hands up and turn around, slowly.”

Quick disclaimer—you and Spencer Reid didn’t break up on the most peaceful terms.

Aiming at your head was a bit much, though.

Without a hint of fear, you calmly closed the cabinet in his kitchen, from which you had just taken out a package of brown sugar cinnamon Pop Tarts. You immediately shoved one into your mouth, chewing the sweet bite while staring into the eyes of your ex, who was pointing a gun at you from about four steps away. His hair was longer than you remembered, and there was a trace of stubble around his mouth that caught you off guard. Or rather, how good he looked with it.

“I preferred your old place,” you declared, leaning back against one of the kitchen cabinets. Another bite of Pop Tarts, and a crumb fell onto your clothes. Oops. “Do you even have a microwave here? I could warm this up.”

“How did you get in here?” he asked, clearly irritated.

He still hadn’t lowered the gun, and you were starting to suspect he wasn’t exactly thrilled to see you.

“It’s always how did you get in here?” you sighed, rolling your eyes. “Never what’s up? how are you? your hair looks amazing, did you know that? and that outfit?”

"You wouldn’t be yourself without all that pretentious talk, huh?" he scoffed, finally easing up a bit. His stiff posture, caused by holding the gun, relaxed, and after a beat, he lowered it and tucked it into his waistband. He accidentally pulled back part of his black blazer, revealing a dark purple shirt underneath.

You shoved the rest of the snack into your mouth, wiped your hands off, and swallowed.

"I’d be boring without it. And you wouldn’t be yourself without this overdramatization, right? Aiming at my head like I’m some criminal..."

"You broke into my apartment," he interrupted, folding his arms. It was evening, and if you hadn’t turned on the light before coming in, the place would have been drowning in cold darkness. A little of it slipped through the window that wasn’t fully covered. "I think that’s a pretty good reason to point a gun at someone. So what are you doing here?"

"You were right," you said softly, helplessly spreading your arms. "The path of crime doesn't lead to anything good. I should have listened to you, thrown it all away, and become a model citizen."

Spencer gently nodded, listening to your words. Then, he let out a laugh.

"And seriously?"

"Was I not convincing enough?"

"Did you get yourself into something again and need someone to cover your back? Because there's no better alibi than the words of an FBI agent?"

"Stop acting like I ever forced you into it. You did it on your own."

"Because I didn't want my girlfriend ending up in prison."

A tired sigh escaped you, not expecting it to take just three minutes from the start of your reunion to begin bringing up things from your relationship. Well, the fact that you even got together two years ago still seemed incredibly absurd and enigmatic, especially to outsiders. Let's be honest. An FBI agent and a criminal caught during a break-in for theft. Then, still a criminal, though with good intentions.

You couldn’t help that you didn’t see an end to that career, and you were pretty sure Spencer secretly hoped you'd give it up. During the less than six months of your relationship, you felt as though you were constantly on the police radar, even though he’d never turn you in. What’s more, once or twice, he vouched that you were somewhere else when you weren’t. To put it simply, he gave you a fake alibi.

That was roughly when everything started falling apart, as it slowly dawned on him that he couldn’t change you. Things got even stormier, and one day, after one of the many unpleasant exchanges of words at that stage, you just walked out, slamming the door behind you, and you hadn’t seen each other until now.

 End of the story.

"Listen," Spencer began after a moment of silence. "You broke in here for a reason, and I highly doubt it’s to reminisce. I should just tell you to leave, but out of some remnants of respect for you, I’ll let you say what this is really about."

"Oh, look at you, how gracious," you scoffed bitterly. Remnants of respect. He was right, though. You hadn't come there to reminisce; you were only interested in getting an answer to one specific question. You cleared your throat. "I’m assuming you’ve heard about the discovery on the shore of Neabsco Creek?"

Spencer took a step forward, furrowing his brows slightly. He still kept more than a necessary distance, as if you were the one pointing a gun at him.

"Your assumption is correct," he replied slowly, cautiously. "I just don’t understand the purpose. Do you have any information related to the case?"

Although it didn’t quite fit the topic, the corner of your mouth twitched.

"Are you hoping I’ll help you catch another serial killer?" you asked, immediately shaking your head. "No, I don’t know anything that could be useful to you. But I do have some bad feelings about it."

You saw him gently press his lips together in thought. Almost immediately, he understood where you were going with this and gave a slight nod. His eyes were still analyzing you carefully and distrustfully. You also noticed how carefully he chose his words, as he always did in the presence of someone who could mean trouble.

"Spencer," you said his name for the first time during this conversation, pausing for a moment to think about how it felt on your tongue. You’d almost forgotten. "Is Robert Miller still in prison?"

 "He murdered thirteen women, of course he’s still in prison," he replied with conviction. "And he’ll stay there forever. The body we found... the modus operandi is the same, but only because we’re probably dealing with a copycat."

 "Copycat," you repeated. "And not an accomplice?"

"He didn’t have an accomplice. We figured that out during the investigation."

 "Are you sure?"

 "What exactly are you getting at?" he asked, his voice tinged with genuine confusion, his brow furrowed deeply.

You set the Pop Tarts box down on the counter. You’d thought about it a lot. Few knew about your involvement in the investigation, it hadn’t been made public, just like the exact circumstances surrounding the capture of the suspect. He, however, knew. He’d seen your face in court, heard your name. The entire previous day you had been obsessed with the fact that he probably had the right to correspondence in prison. He might have found a way to inform his potential accomplice about your identity, convincing him to take revenge on his behalf.

"Someone's stalking me," you said casually, as if you were telling him about what you had for lunch that day. "It started right when that murder happened. Just before the body was found on the shore. Someone...cut my face out of photos in my album."

Spencer stood still for a long moment. A look of concern briefly flashed across his face, but it was quickly replaced by something else—skepticism.

"No offense," he began, with a hint of sarcasm in his voice, "but are you sure it’s not just someone from your circles?"

"Even if it is, so what? I'm still being stalked."

"Then, that’s not my problem”

Okay, that was cold.

“If someone from my circles wanted to kill me, they’d just do it. They wouldn’t be sneaking into my apartment, cutting my face out of photos, and turning the water on in my sink. The Waterside Butcher, as the media's calling him,” you tried to sound calm and logical, but your heart began to race as the memory from the dream you’d had two days ago—and the one that came to you last night—hit you. This time, however, you hadn’t found Rebekah in the basement of the house, but yourself. “Something’s not right. I can feel it. You guys should look into this. I mean, BAU. But not as a copycat. As someone connected to Miller."

You could see Spencer mulling over your words. His jaw tightened slightly as he processed what you said.

“Are you getting any real threats?” he asked. “Or is it just a busted sink and…”

“It’s not busted! Someone’s turning it on!” you cut him off, irritation creeping into your voice. “And not just someone—a serial killer I put in prison.”

“And who’s still there.”

You could feel yourself losing track of your own thoughts. Well, you’d barely slept the night before, and your brain wasn’t exactly firing on all cylinders.

“Or his accomplice,” you corrected yourself.

“Or?” Spencer picked up on it, raising an eyebrow.

You shrugged, frustrated by his calmness.

"Well, sometimes you catch the wrong person," you said uncertainly.

Spencer exhaled deeply, briefly staring at the ceiling. You didn’t see the seriousness, the readiness to act, that you’d expected when you showed up at his apartment. There was no declaration that they would take another look at the case, maybe reach out to Miller again and try to get more information from him. The thought crossed your mind—if something like this had happened two years ago, would he have reacted with more urgency?

“I interrogated him two years ago,” he began. “Personally, for many hours, even days. He confessed to everything, nothing in his behavior suggested he was trying to manipulate us. He had a motive—he selected his victims based on their resemblance to his mother, whom he also murdered by pushing her off a boat during a family trip. At the time, it was considered an accident.”

As he spoke, memories of the courtroom and the police station resurfaced, when everything was just starting to come to light. And as he slowly moved closer to you, probably unknowingly, you also recalled the first time you really interacted, when he drove you home. You weren’t innocent, but that day, you had heard some truly horrifying details of the crime, and you felt a distinct unease. For the first time, you talked about something other than the investigation. I’m like Robin, but not like Hood. I rob the rich, but I don’t give to the poor you said, making him laugh.

"Our profile didn't include a partner. Trust me, we've handled plenty of cases where there were two or more perpetrators, but this isn't one of them. One person is responsible for this," he continued, trying to catch your eye, making his words more direct, wanting to make sure they reached you. "If someone's stalking you, it's probably not even connected to this case. And normally, I'd recommend you report it to the police... but I get the feeling that's not really an option."

You scoffed, because he was right.

"Highly unlikely they'd do anything about it. You know, the faucet could always be broken, and the photos...that can be explained away," you said, sitting up suddenly.

"Are you calling me paranoid?" you asked sharply.

"You always have to label things so harshly," he muttered, shaking his head. "No, I’m not saying that. I’m just suggesting that the previous murder and the media panic could have influenced how you're perceiving things, making you more susceptible to suggestion. Your mind has connected it with past traumatic events and added..."

"So, you're saying I'm paranoid. Just in scientific terms," you shot back.

Spencer sighed in frustration.

"Call it whatever you want."

For a moment, you just stared at him in silence, a rush of angry words pushing at the back of your throat, but you realized they didn’t make any sense. Why had you even assumed from the start that he would believe you? Leaving aside the fact that your argument was admittedly a bit stretched, the truth was, you weren’t the person he chose to trust anymore.

You briefly lowered your gaze, letting out a sigh, then lifted it back up as you got closer. Spencer tensed, almost moved to pull away, but quickly realized you weren’t threatening him. You simply reached for his purple shirt, slipping something into the tiny pocket on his chest.

"My current phone number," you explained, tapping that spot on his chest. "In case you find out anything. Oh, and one last thing. Do you remember what shape my birthmark is?"

He tilted his head, surprised by the question, the sudden shift in topic. Without waiting for an answer, you pulled at your shirt slightly, exposing a patch of skin just below your collarbone.

"It’s in the shape of pi, like you once pointed out." It hadn't reminded you of that at all before, just a vague shape, but ever since he'd mentioned it, you'd seen it only that way. And from then on, every time he kissed you, he'd always lingered at that spot for a moment longer—it was his personal, favorite point. You let go of your shirt, and Spencer immediately locked eyes with you.

"I just wanted to make sure you remembered," you added, before turning to leave. "In case I end up dismembered on some shoreline and they need to identify my body."

Spencer’s mouth fell open, unable to say a word.

"You knew it very well," you added casually as you made your way out.

You didn’t need him to escort you. You had gotten there on your own, too. 

*

Three days later, when poor Erika was flooded once again, you decided to take action. You contacted the right people to have the locks in your apartment changed and to secure the place in a way that would make breaking in nearly impossible—at least for an average burglar. You knew, however, that someone with the right skills, like you, could still get in. With difficulty, but it was possible.

You also made sure to refresh your knowledge of handling a gun. 

And you called Rebekah.

You didn’t like scaring her, but you preferred her to stay vigilant. If someone was targeting you, they might just as well try to go after her too. The problem was, she wasn’t answering your calls, despite you trying every hour throughout the day. Shortly after being freed from the murderer’s grasp, she hadn’t taken up any work, and since you were doing relatively well, you had been supporting her financially. Recently, however, she had managed to find a steady job, and that could explain why she wasn’t responding.

Spencer was right about one thing—you were slowly becoming paranoid. That’s exactly why, later that evening, you decided to head over to her address to make sure everything was okay. It wasn’t just about outside threats anymore. It was simply that… Two years was a long time, but not when it came to rebuilding a life after being abducted by a serial killer. Those years had been especially hard for her—there was the added struggle of addiction—and you just wanted the reassurance that she hadn’t done anything to herself. At least then, you’d be able to sleep more soundly—as much as the circumstances would allow.

Her apartment was located in a truly awful neighborhood, on the second floor of a stairwell covered in graffiti. You knocked on the door several times, pausing between knocks, trying not to panic or come across as aggressive—you didn’t want to scare her.

"Rebekah, are you there?" you called out when no one answered.

You spent a moment leaning against a spray-painted cock on the wall, letting out a sigh as you reached into the pocket of your jacket. The lock on her door was a simple one, requiring only the most basic tools—tools you carried out of habit. You made a mental note to send someone over to replace it.

Even if she wasn’t home, you wanted to take a look around and gauge how she was doing based on the state of the apartment. It wasn’t exactly ethical, but sometimes our surroundings say more about us than words ever could. Besides, there was a good chance she’d never even know you were there.

You stepped inside, calling her name again. The light was already on. Her jacket was hanging on the coat rack, suggesting she was home—but it was also possible she’d just worn a different one. You slipped a wad of cash into the pocket of her jacket. She’d find it later and probably think she’d just forgotten it was there.

The interior had dark green walls, and the apartment consisted of three rooms: a modest living room, a tiny bedroom with just a bed and wardrobe, and a bathroom you’d never been inside before. When you glanced into it, your face reflected in the mirror hanging on the opposite wall. You looked really sleep-deprived.

Finally, you headed to the bedroom, clinging to the faint hope of finding her asleep in bed. The fact that all the lights were on worried you—if she’d gone to work, she would have turned them off. Anyone mindful of their wallet would’ve turned them off!

The bedroom door creaked softly as it closed behind you, leaving just a narrow gap that provided a sliver of a view into the living room, specifically the apartment entrance. That was when you saw it swing wide open.

At first, you wanted to leave the bedroom, assuming it was Rebekah and that you could greet her. But it wasn’t the petite, feminine figure of your short friend—it was a tall man, or so you guessed from his stature, despite the hood obscuring his face. Instinctively, you leapt back from the partially open door, making sure you were out of sight.

Heavy footsteps cut across the apartment, heading, by the sound of it, toward the kitchen area. There, they paused for a moment.

You didn’t even try to convince yourself it was some friend of hers dropping by for a visit. Deep down, you already knew—instinctively felt—who it was. And that thought paralyzed you so completely that, despite the gun tucked under your jacket, you quietly slid open the wardrobe door and squeezed yourself inside.

The door creaked as it moved, and you cursed silently.

Whoever it was, you hoped they were too focused on whatever they were searching for to have heard it.

You listened closely to the footsteps in the room next door, your mind spinning with one relentless question: Where was Rebekah in all this? Was she at work, completely unaware that someone was in her apartment during her absence? You tried to recall the last time the two of you had spoken. Certainly not in the past few days—perhaps not even in the past week.

You squeezed your eyes shut, forcing your breathing to quiet, to steady.

Theoretically, her apartment could’ve been empty for days now.

But who was this man?

The footsteps suddenly grew louder. The bedroom door creaked open. You drew in a sharp breath and froze, halting your breathing altogether. You had no idea how much the tight, dark confines of the wardrobe muffled sound.

The footsteps stopped.

You could only imagine the figure standing in the doorway, his sharp gaze sweeping the room, taking in every detail. Did he sense someone else might be here? He couldn’t know for certain. But it was possible—likely even—that he subconsciously felt another presence, much like you did in your own home every single day.

Fragments of the nightmare that had haunted you over the past few days came rushing back. It felt as if you were descending those stairs into the basement again.

And then a smell wafted through the air—faint but distinct.

It was the same scent you’d inhaled back then.

Two years had passed, but you still remembered that mixture of dust, decay, and sweat.

Were you really smelling it now? Or was it just a cruel projection of your terrified mind?

The footsteps began to retreat.

You listened with your eyes closed, straining every nerve to track the sound. Your legs felt weak, and it took everything in you not to slide down the back wall of the wardrobe.

The sound of the apartment door slamming shut echoed through the silence. Even then, you couldn’t bring yourself to move.

And then your phone rang.

The sudden, sharp sound shattered the fragile quiet, making you choke on a breath you didn’t realize you were holding.

Your fingers acted on their own, quickly answering just to silence the noise.

“Hello?” someone said hesitantly, your name hanging in the air like a question. “...It’s Spencer. I’m calling because... something’s happened. And you need to know.”

No.

You tilted your head back, squeezing your eyes shut as if that could block out the reality creeping in.

The silence on your end must have encouraged him to keep talking. You heard the faint sound of him swallowing, the nervous gesture twisting your stomach into knots.

“Robert Miller escaped from prison”

You pressed the phone to your face, even though it was already on speaker. Words tangled in your mind, refusing to form. Spencer said your name twice more, his voice edged with concern, before you finally forced yourself to speak.

“You need to come here,” you croaked, your voice barely recognizable. “Please.”

𝐏𝐀𝐑𝐓 𝐓𝐖𝐎

taglist: @she-wont-miss @mggslover @nyeddleblog @dylanobrienswife0420 @wmoony

@heddgie @khxna @marauder-exe-old @yujyujj @charleyreid @kitty-kai @sp3ncelle @pleasantwitchgarden @beesin03 @misserabella @re1dsb1xch @trulymadlydarling @cynbx @penelopegarciaismygf @nachrosas @angellic4l @awordsmith

[mobs-99]

thinking about emotional neglect and repression wrt mob please help

[thebaldursmouthgazette]

I think a huge factor in people not being able to understand this game is that the game as a whole relies on understanding Solas’ character as written, and people are refusing to understand it

Solas is, and has been since his first appearance, an egotistical, hubristic, racist, manipulative, abusive and condescending asshole who regularly commits atrocities and pretends that being sad about them is enough penance. He is a terrible person who insists he’s actually the hero of the story. He is a liar and a manipulator, and he lies to himself as well. He uses other people like chess pieces and sacrifices them for his cause without much of a thought, and without them even knowing they are being used.

This is who he is. This is who he was always written to be. And veilguard is almost entirely about deconstructing that. Every member of the veilguard is a foil to solas. They are all who he pretends he is, and his false hero fantasy falls apart when you put them next to him.

Every single companion storyline is about that character successfully doing something that Solas is incapable of, but would be capable of if he wasn’t such a terrible person. And they all face a dark reflection of themselves and come out the other side mostly unscathed by that, aware that this dark reflection is not them because they are not actually like that.

Solas faces many of the same challenges the companions do, and fails each and every one of them, because, unlike them, he is not actually a hero. He is not a good person. He does not learn to accept that just because something is broken doesn’t mean there aren’t parts of it worth saving. He does not learn to accept the harsh truths and move forward. He does not accept that he is responsible for his own actions, even if someone else orders them. He fails every time.

Solas faces not one but two dark reflections of himself, Elgar’nan and Ghilan’nain, the prideful god who always thinks he’s right no matter the consequences, and the servant and lover of another god whose atrocities are not justified by having been pushed by their lover and mistress, but does not come out the other side unscathed because it turns out he IS actually like them. His reflections are accurate, they’re real parts of himself that he pretends don’t exist, not just twisted versions of their fears like they are for the companions. At the end of the game he even admits that yes, he is very similar to Elgar’nan.

Pretty much the entirety of veilguard is a very careful and deliberate deconstruction of Solas’ character and self image. We go through, in elaborate detail, all of his crimes, all of his mistakes, all of the reasons why he is wrong, why his actions are unjustifiable, why his regret doesn’t absolve him of responsibility, how he thinks it does anyway.

We completely tear down every single aspect of the image he has constructed for himself. We destroy every single excuse with clear examples showing that that was not how things had to go. Every justification. Every insistence it’s okay because he’s sorry. Every time he insists he knows best and we should leave him to it. Every single illusion that he is a good person is shattered. By the end of it there is absolutely nothing left, and his repeated attempts to keep up the facade come off as pathetic and ridiculous. In all his banters with companions he tries to use his usual tricks, pretty excuses, belittling comments, fake niceties and every time he’s completely shut down.

He tries to imply Davrin has a biased view of him from stories about the dread wolf, Davrin responds with evidence the truth is even worse. He tries to apologise to Harding, she comes back with a list of all the terrible things he’s done that an apology can’t cover. He tries to appeal to spite, spite points out he hurt Rook so why should he trust him. He comes up with excuses for killing Varric and Neve points out that there’s no pretty excuse for using blood magic on Rook in such a cruel way afterwards. The illusion is shattered. That’s what the entire game has been building up to. And it makes his last attempt at betrayal seem embarrassing, because we now see through the facade and know that he was too obsessed with himself to even consider we’d see it coming.

But the thing is a lot of people refuse to see this. This is where his characters been heading since the beginning. This is who he’s always been. But a lot of people ignore any and every negative thing about him, and then complain the game doesn’t make sense. Of course it doesn’t make sense. You’ve ignored every single theme, plot point, and piece of characterisation to make up a version of Solas in your head and that’s not the Solas the game is about. It makes complete sense when you see Solas as he truly is, as he was written to be. It’s such a good bit of writing when you actually let yourself experience it as it is and allow yourself to be open to the idea that the guy who is trying to commit his second genocide might be a bad person.

[reddfishket]

guess who just finished the toh finale......

[ckret2]

please more evil ford please i stare with my puppy eyes for this i am obbsessed

Yeah all right, I've been working on some art. (For context, we're talking about this Evil Ford.)

Evil Ford is Evil as in "cheerfully works with Bill even after learning his full plot" and "is totally ready to conquer and/or destroy the world." But other than the shocking lack of basic ethics and the supervillain objective he's mostly the same guy—which means he still cares about his family. He's hoping to get them to join in on the world conquest plan.

Forty-odd years ago he went off to college promising someday he'd be a big shot scientist who changes the world and he'd make his family a fortune. If taking over reality doesn't qualify he doesn't know what does. The family can join him and his buddy Bill and rule the universe together. Pines Pines Pines Pines!

Unfortunately for him, the rest of the family still has normal moral compasses. And also they've met Bill.

Bill can't currently possess Ford due to Reasons; but even though he can't get in the driver's seat he still has permission to ride shotgun at any time. Ford talks to him pretty regularly. He HAS been caught doing this. Stan thinks he's just gone a little nutty from thirty years of isolation.

Naturally, since he was always on Bill's side, Ford's perception of events during Weirdmageddon is a bit different:

I finally made an official Evil Ford New Costume Character Design, check out his exciting totally different brand new look:

I decided that, since Ford is still basically the same person aside from his terrible life goals, he'd probably have the same fashion sense. And so... nothing changes except two tiny details lmao.

But he DOES have tattoos:

I traced a canon character model and took off its top to get a base to slap tattoos on, and then went dang... they gave him a big head and arms. He looks goofy. Anyway,

His forearms have less incriminating tattoos—just a birch tree and a sunrise. (The sunrise looks like the Journal 3 "The Muse Has Spoken" page.) The red text is the "triangulum entangulum" ritual; if anyone asks he'll go "it's uhh an ancient Sumerian poem about how great science is." It's not until he's topless that it's like "oh so he's a CULTIST cultist." The one exception is an unconcealed Eye of Providence on his right palm—but it's in an ink that's only visible in certain lighting. It's there so at any time he can point his hand at something and go "Bill are you seeing this BS?"

Of course, he still has the "hey now, you're an all star" neck tattoo. I didn't have room to draw it.

As you can see, he's made being Bill's right hand man a core part of his personality. Rather than spending 30 years scrabbling around the multiverse desperately searching for a way to destroy Bill, he spent 30 years chilling in the Quadrangle of Qonfusion as Bill's specialest favoritest Henchmaniac, and only scrabbling around the multiverse occasionally for fun & profit.

Here's a photo Bill & Ford took at a Nightmare Realm house party like fifteen years ago, three minutes before Bill started an argument and set the house on fire.

Most people have their wild party years in college, Ford has his in his 40s.

[worriedvision]

oh my godddddddddddds im backk its 🌙

maybe someting where kinich and the reader are dating and jealous of mualani for something he did to help her that he never does for reader?

Okay so in this idea I've made reader a weapons dealer (why tf can't I remember the name of the profession smh?) and Ajaw gives you some useful advice.

Part of this fic has headcanons not really linked to the character, but more to the fic idea.

--

Your boyfriend was not the best at keeping his weapon safe - that much that you landed up knowing him through his visits to your stand, asking with a hint of embarrassment added in every time he made yet another visit to your shop for another claymore. Over time, you had grown fond of him, and you asked him out.

Surprisingly, he said yes.

When you hang out, which was rare because of his line of work, you told him more about yourself than he was willing to tell you. At first you thought he was just getting more familiar with you, but after a while you get wary. You had given him a decent discount for weapons - basically free whenever he needed once since you begin dating.

But then you saw how he interacted with her. Mualani.

She effortlessly got him to talk, and you really didn't like the feeling in your chest when you saw them together, and Ajaw seemed bored whenever they were together. Ajaw would get put into time out regularly whenever he said too much, which happened whenever Kinich was being teased about how close he seemed to be to Mualani in comparison to you - his actual partner.

The last time he got put into time out, Ajaw manage dto get to you discretely. No idea how exactly, but you weren't about to ask questions.

"You're better moving on, _." Ajaw states. "You and I both know he's taking advantage of your deal."

"...My deal?" You ask, tilting your head.

You hadn't thought too hard about how often he seemed to visit your shop after you two became a couple, but it made sense how often he visited. He didn't even show shame with it after you both started dating, he seemed to think this was his side of the bargain as opposed to just being Happy about dating you.

"...Are you listening to me?" Ajaw yells, catching your attention. "It looks like you already know what I'm going to say. I'm stuck with Kinich, doesn't mean you have to be!" Ajaw cackles, sunglasses on.

"Thanks, Ajaw." You rub the back of your head awkwardly as you look over at Kinich who has now been hugged by Mualani. He never pushes her away, not did he seem uncomfortable with her hugs, which was the final nail in the coffin as he never wanted to get your affections.

Kinich walks over, pointing towards a Claymore as he asks for a price. When you give him the usual customer price, he shows confusion.

"What?" You ask innocently. "I can't keep giving you discounts when you keep losing merchandise. It costs materials, time and money to make these."

"Fair enough, sorry." Kinich smiles softly, an action you had only seen from him when he had spoken to Mualani. He places the mora on the table, you hand the weapon over, and he doesn't even wave as he leaves.

Mualani waves at you, cheery smile on her face, and you do the most pathetic wave before having to excuse yourself as you realised you fell for a guy that had only wanted you for your weapons at a cheaper price.

You realise that, in Kinich's eyes, you were nothing but a side character.

[whetstonefires]

Thinking about the parallels set up between Wei Wuxian and Mo Xuanyu, and how actually most of them are oddly specious.

The sketch of the backstory lines up, but on close examination they're mirror images.

Wei Wuxian wasn't kicked out of his sect, he left it. Wei Wuxian didn't hate the house he grew up in, he loved it, and getting the people there killed was the absolute last purpose for which his dark powers were ever intended.

Jiang Cheng was no Mo Ziyuan--his jealousy was a complicated thing all twisted up with love, and while he would lash out at Wei Wuxian both as a casual means of shit communication and more damagingly in moments of high tension, he had neither the desire nor the ability to bully him, and in general respected his boundaries almost too well.

When Wei Wuxian destroyed himself about Jiang Cheng, it was to give him cultivation, and protect his life and happiness. He would never have killed him.

Madam Yu was a domineering aunt-like figure, who hated Wei Wuxian for reasons of reputation, and because she had resented his dead mother, but she crucially did not have the power to actually disrupt his lifestyle to any significant extent.

Mo Xuanyu was shut up in a small room to rot; Wei Wuxian didn't even attend classes unless he wanted to. Mo Xuanyu was weak and disliked; Wei Wuxian was brilliant and popular.

Mo Xuanyu's uncle is a cipher of a figure, without character or agency, a nonentity who is resented to death apparently mostly for what he didn't do; in theory he is the master of the house, but he certainly never protected his wife and son's punching bag from them.

And this is what got me thinking along this track: because people keep interpreting Jiang Fengmian as this, as exactly like Mo Xuanyu's nameless uncle, a nonentity who lets his wife make all the decisions, and is contemptible therefore.

He shows up in fic characterized this way all the time, handled narratively as a gap rather than a person, an absence where there should have been a parent, and it's...totally inaccurate? The man only has a few scenes but the things that are most firmly established about him are:

he regularly goes out of his way to protect Wei Wuxian

he's extremely fond of Wei Wuxian

he cares a lot about ethical behavior

he's conflict-avoidant and gentle

he can and will overrule Yu Ziyuan when he's made up his mind, and there's nothing she can do about it

his communication skills are mediocre at best

he doesn't understand jiang cheng

he has a dumb sense of humor

Now almost none of this made it into cql besides point 4 and maybe 6, 5 is technically there but buried by the cinematic framing, so I totally get why the fandom on the whole struggles to characterize him well, and it's easier to write him off.

But it keeps bugging me to see him and Yu Ziyuan squashed into the mold of the Mo, because not only is that boring and reductive and kind-of-missing-the-point, it's like. Wei Wuxian and Jiang Cheng's characterization suffers a lot when you alter the environment and take away the influence exerted by their shared father figure.

Jiang Fengmian was Wei Wuxian's primary adult role model and it shows.

Jiang Cheng's relationship to his own sense of ethics is fraught because 'teaching him good ethics' was his dad's number one parenting goal, but they misunderstood each other so badly (partly because Yu Ziyuan kept loudly misinterpreting them to each other, which is so realistic I can't get over it, that's exactly how it works good lord) that Jiang Cheng has a direct association between the concept of 'doing the right thing even when it's hard' and a feeling of personal inadequacy.

The fact that Wei Wuxian got their dad-person's approval for being exactly himself and Jiang Cheng not only couldn't do that, he couldn't even get that same level of approval when he really pushed himself to rise to expectations, because Jiang Fengmian did not intend that warmth as a 'reward,' and so never realized he was withholding it, and therefore misunderstood Jiang Cheng's visible jealousy as a dangerous sense of personal entitlement that had to be carefully restrained, which reinforced his distrust of Jiang-Cheng-the-person and fed into a shitty loop where they were less and less able to relate to one another--that's fantastic. That's so human! I love it so much.

Both their failures are their own but at the same time it would never have gotten so bad if Yu Ziyuan hadn't been interjecting herself in there, in the middle of their relationship, fucking it up. That's family, baby.

I would ofc like if there was more fic engaging with the subtleties of all this because it's so good, mxtx did such elegant work here and it is not sufficiently appreciated. But it's the kind of thing that's hard to write good fic about; I am struggling with it myself.

So mostly I wish there was just more fic that didn't impose Mo Xuanyu's cliche angst backstory on Wei Wuxian, who has a whole different thing going on.

[writing-with-sophia]

Write a weak hero

Okay, first, what is weak? According to Oxford Dictionary, weak is lacking the power to perform physically demanding tasks; lacking physical strength and energy, or liable to break or give way under pressure; easily damaged.

That means, a weak hero is a character who isn't physically strong, mentally strong or even both.

So, how can we create a weak hero but do not make readers hate him/her? You will know after this post!

First, developing an effectively background

Unlike typical heroes who may have been born with incredible powers or had a dramatic origin story, the weak hero should come from a mundane background. They can be an ordinary person with nothing outstanding, a failure, etc. and suddenly have to shoulder the responsibility of "a hero" even though they don't want it.

Focus on their mundaneness and weakness. Describe the awkward situation where they are forced to become heroes. Why were they chosen to be heroes, when there are others who are more talented and powerful? What were the circumstances under which this happened? Make it as clear as possible.

Don't forget to describe their thoughts, feelings, and reactions. In their backstory, highlight times when the weak hero tried to be heroic or take on challenges, only to fall flat on their face. Was there a specific incident that shattered their self-esteem? Do they come from a family or environment that was overly critical? These past embarrassments and disappointments can inform their current self-doubts.

Use flashbacks strategically. Intersperse key backstory moments throughout the narrative to gradually reveal the hero's history and motivations, rather than dumping it all at once. This will help the reader better understand the character's journey and the reasons behind their reluctance to embrace the role of a hero.

Second, emphasizing their weakness

Focus on their mundane, everyday struggles. Rather than epic battles, the weak hero's conflicts should revolve around things like asking neighbors for help or failing to complete simple tasks.

You can also contrast them with stronger, more capable heroes. Have the weak hero regularly get overshadowed or overlooked by the more impressive feats of other characters.

The weak hero's ineptitude and frustrations can be a great source of comedy. So don't be afraid to poke fun at their failings :).

Third, slowly build towards small victories

If you want your weak hero to be liked by the readers, never let them be weak all the time. Drop subtle hints in the backstory that suggest the hero has untapped potential or unique talents that could one day be leveraged in unexpected ways, even if they don't realize it themselves.

Focus on the why. What made them become strong, or strive to become stronger? Is it a long-term motivation or a temporary one? Are they doing it for themselves or others? What will they do to overcome their weaknesses? Over time, the weak hero can learn to leverage their "useless" powers in clever ways and gain a little more confidence, even if they never become a heavy hitter.

And, remember to highlight their determination. Despite their shortcomings, the weak hero should possess an underlying stubbornness and refusal to give up. Showcase moments in their past where they persevered even when success seemed impossible.

Fourth, crafting challenges

When crafting challenges for a weak hero, you need to focus on obstacles that play to their specific limitations and insecurities. Here are some types of challenges a weak hero might face:

Outmatched in combat

The weak hero tries to take on a powerful villain, only to be easily overpowered by the villain's superior strength, speed, or abilities.

They get into a fight they can't win and have to rely on their wits or dumb luck to escape unscathed.

Inability to complete basic tasks

The weak hero struggles with simple everyday activities like opening a jar, fixing a leaky faucet, or assembling furniture.

These mundane challenges become major roadblocks that highlight their incompetence.

Social humiliation

The weak hero tries to interact with others, only to say the wrong thing and embarrass themselves.

They may attempt to flirt, negotiate, or simply make small talk, but end up flustered and socially awkward.

Lack of confidence

The weak hero doubts their abilities and has a hard time believing they can accomplish anything meaningful.

They may shrink away from opportunities to be heroic, worried they'll just mess things up.

Overbearing comparisons to stronger heroes

The weak hero is constantly overshadowed by the exploits of more powerful heroes, making them feel inadequate.

They may try to emulate the other heroes' successes, only to fail miserably.

Underestimation by villains

The villains dismiss the weak hero as harmless and ignore them, allowing the hero to stumble into accidentally foiling the villain's plans.

The villains may even make the mistake of toying with the weak hero, giving the hero a chance to catch them off guard.

The key is to create challenges that force the weak hero to rely on their limited abilities in creative ways. Gradually building their confidence through small wins can be a rewarding character arc.

Fifth, supportive relationships

The weak hero likely has friends, family members, or mentors who believe in them, even if the hero themselves does not. By including a support system of characters who see the weak hero's hidden potential, the narrative can strike a balance between the hero's self-doubt and the encouragement of those around them. These supporting characters can provide a counterpoint to the hero's negative self-perception, offering validation and pushing them to exceed their own expectations.

The interactions between the weak hero and their cheerleaders can also be a source of character development and emotional growth. As the hero gains confidence and finds ways to leverage their unique talents, the relationships with these supportive figures can evolve, deepening the overall narrative.

Supportive relationships can be of many types, but the most effective are:

A mentor figure who sees the hero's hidden strengths and pushes them to overcome their limitations.

A loyal friend who constantly encourages the hero and refuses to give up on them.

A capable sidekick or partner who can cover for the hero's weaknesses in battle.

A tech-savvy ally who develops gadgets or abilities to enhance the hero's limited powers.

A family member who provides unconditional love and acceptance, even when the hero doubts themselves.

A romantic interest who sees the hero's inner strength and brings out their best self.

A rival or adversary who recognizes the hero's true talents, forcing them to confront their own insecurities.

A renowned hero or role model who inspires the weak hero to strive for greatness, even if they don't believe they can achieve it.

It is not easy to create a weak hero. Crafting a compelling weak hero requires carefully balancing their flaws and insecurities with moments of growth and determination. You must find ways to make the character relatable and likable, despite their shortcomings, by highlighting their underlying potential and the support system that believes in them.

Hope you enjoy this. If you have any questions about writing, inbox me. I will answer as best as I can.

[mellosdrawings]

Ok, originally I didn't want to do Twst OCs that weren't based on actual Disney characters, but I broke my one rule because @marigoldendragon triple dog dared me to do an octopus OC. Which I failed, because I did a jellyfish one instead :'D

(Just... pretend he's one of those random jellyfish from that one scene in Finding Nemo)

So yeah, here's my new Ignihyde OC I guess.

Noah Jackson

18 years old, 3rd year

Ignihyde

From the Coral Sea, jellyfish merman

He/Him though he doesn't mind any other pronouns

Signature Spell: Go With the Flow

-Basically an anti gravity spell that allows him or whoever he touches to move through the air the same way he does under water

-The tiniest gust of wind can make him float away

-If he uses it right before he gets knocked out by a spell he just flies away like a balloon with only minimal damages

-While he can stir himself through the air, the people that get affected by his spell generally can't. Only some merfolk manage to adjust and swim through the air

-It also works on objects. His own room is constantly under the spell while he's inside so he can emulate his own home

No heart, no brain, only vibes.

Noah is not the brightest and he knows it. His motto is to just "go with the flow". Whatever is funniest gets his attention, but he never goes out of his way to actually catch it. He just ~vibes~. Whatever happens happens. Good stuff? Great, let's have some fun! Bad stuff? Oh well, let's just wait for it to pass.

Nothing has weight for him. While it means he doesn't get hurt much in life because he just doesn't care, it can be a huge drag for the people around him.

Random facts:

-Noah is based on the Sea Nettle jellyfish. While his sting isn't necessarily deadly, he certainly can hurt others.

-He is only 1.56 meters tall.

-He is genuinely blind but he manages to get around by sensing light and magic. He still regularly sticks to someone and "goes with the flow" of the crowd.

-While very confused about getting sorted into Ignihyde, he immediately got into it because of the lights. He's surprisingly efficient at technomancy and uses speech-to-text to write his homeworks.

-He's pretty sensitive to waves so his dormmates often come to him when they are in search of the best spot to receive Wi-Fi.

-Noah always moves his arms around. His head too, to make his hair flow, which is a problem since his hair have the same toxic properties as his tentacles.

-His stamina is terrible and he has no strength whatsoever.

-He bargained with Sam to get a skirt because pants are too restrictive for him. He doesn't like his Dorm Uniform at all.

-He loses stuff. A LOT!

-His best subject is Flight.

-He's part of the Pop Music club but he has completely forgotten about it. He plays wind instruments, mostly ocarina or pan flute, but he also loves instruments that are bigger than he is.

(Jellyfish pic source)

(@marigoldendragon The drawings with Lachlan will be posted tomorrow, promise!)