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humanwheatleyslefttoenail · 4 years ago

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why do you ship chell and glados if glados is basically her mom

Okay this is actually a pretty common misconception in the fandom that unfortunately a lot of people have taken as canon, but I’m feeling nice so I’ll answer your question.

Basically, anon is referencing a theory from around 2012 that Caroline is Chell’s mom. The evidence for the theory is as follows:

- The turret opera calls Chell “bambina”, which means “little girl” in Italian

- Chell’s name can be found on a Bring Your Daughter To Work Day science project

- GLaDOS references the possibility of Chell being adopted multiple times

- GLaDOS is significantly nicer to Chell after discovering she’s Caroline

And, anon, you’re right, it does sound like a pretty good argument at first glance. The problem is that a lot of these points don’t actually hold up to scrutiny.

For example, although “bambina” literally translates to “little girl,” it’s often used in the same way “baby girl” is used in English - it can mean child, but contextually it’s usually a flirtatious term. (Source: Cambridge Dictionary)

For Chell’s science project, it doesn’t work as evidence for the theory because GLaDOS killed the scientists around 1998-ish, when Caroline had presumably been uploaded several years earlier and Cave was already dead. Also, Chell’s in her 20′s, and since we know from Lab Rat/Portal 2 that people don’t age in stasis, and that Doug put Chell at the top of the test subject list only weeks after the takeover, Chell was 28 at the time of the takeover. The science project is really only an Easter egg and doesn’t actually fit into the canon timeline let alone prove anything about Caroline and Cave.

GLaDOS talking about Chell being adopted is a pretty strong point, I’ll admit, but also it’s important to remember that maybe half of what GLaDOS says is true. And even if we take what she says at face value, she also says there’s a man and a woman in stasis with Chell’s last name, which could not have been Cave and Caroline because they were already dead at that point. And the official book Final Hours Of Portal 2 confirms Cave and Caroline were not married and could not have shared the same name anyway. It was also the 50′s, an an unmarried couple of two likely famous people having a child would’ve been scandalous, and yet we see no hint of something like this affecting their company.

Also, although GLaDOS is nicer to Chell after the Caroline reveal, that’s not necessarily indicative of a mother-daughter relationship, and neither is any of their interactions. It’s just. GLaDOS being friendlier.

Finally, when this theory was made (and let’s be honest - it still is happening) Chell was constantly whitewashed to hell and back.

Chell is Japanese-Brazilian, and Cave and Caroline are white, so it would be a near impossibility for her to be their biological child (and insisting otherwise is kinda. just. whitewashing). And although people will cry “adoption!”, based on what I’ve previously proven, that’s pretty much impossible. This theory that somehow she’s Cave and Caroline’s daughter erases an important part of her identity. [Disclaimer, I am white, but this is what I’ve heard from around the fandom]

With all that said, the idea that she’s the daughter of Cave and Caroline really doesn’t hold weight when you really analyze the canon. It’s surface level analysis that doesn’t hold up. And honestly? The idea kinda cheapens the story. It’s much more powerful that GLaDOS learns to care about Chell and becomes kinder than just. Oh, she remembered she’s related to Chell.

But to actually answer your ask.

Why do I ship them?

Well, they aren’t mother and daughter, I think that’s pretty obvious now. But if you actually look at a lot of subtext in Portal 2, without the lens of the mother theory, it’s actually pretty romantic!

I know that sounds ridiculous, but bear with me!

Now - it’s totally okay if you don’t ship them. I get it. Their interactions in Portal 1 and the first half of Portal 2 are toxic if not outright well. Y’know. Murderous. I completely understand why that turns people off from shipping them, and ultimately, shipping is a personal thing. To each his own.

But before you judge me, let me present my case.

Exhibit A: Portal

Portal is kinda gay. No, really. Chell and GLaDOS are enemies in this game, but the entire focus is on their relationship (good or not) and the power struggle between them. They are opposites, two sides of the same coin, different representations of opposite ideologies. People have analyzed Portal as a relationship metaphor, or as a metaphor about women’s role in society - either way, the heart of Portal is the complicated dynamic between Chell and GLaDOS.

That’s not necessarily enough to code a romance, but a lot of popular (and especially popular queer ones) ships begin with opposite ideologies, symbolic powers colliding. Portal cements their relationship as a toxic one, something on the verge of falling apart and hurting both parties in the end. The ending image, of Chell and GLaDOS side by side after the battle, reinforces the symbolic parallels between the two.

The companion cube is also pretty symbolically important to this interpretation. It’s literally a representation of someone’s heart, and you are told to protect it and preserve it under GLaDOS’ orders, and then you have to destroy it regardless of how you actually feel about doing that. You are destroying GLaDOS’ heart, so to speak.

There’s also the ending song, Still Alive. The lyrics speak for themselves.

They hint that GLaDOS’ feelings about Chell are more complicated than they may appear (if she’s not being sarcastic...) and she literally talks about Chell breaking her heart (also, think back to the companion cube. Yeah.). The entire song is structurally similar to many a breakup number, with the laments of “I’m glad it happened, but also leave.”

At the end, we also see that the long promised cake GLaDOS was supposedly lying about was real the whole time. Before Portal 2 came out, it was mostly interpreted as a stinger ending (along with the nicer lyrics of Still Alive) to make you question GLaDOS’ true motives and intentions.

She actually did have a real cake waiting for you. (Side note - not really evidence, but in Argentina, “torta” means cake in Spanish. It’s also a slang term for lesbians. So. Do with that what you will). The cake is what GLaDOS offers you to lull you into the sense that she cares about you, so discovering that “the cake is a lie” wakes you up to the realization that she doesn’t. Except then the idea is subverted one last time, at the very end, showing that the cake is real and at least some of what she said she meant.

You also see the companion cube. You know, GLaDOS’ symbolic heart?

Now, okay, you might be thinking I’m extrapolating a bit too much. And you might be right. But Portal is not the only game in the series, and if you’re asking me about Cave and Caroline you obviously know about Portal 2.

Exhibit B: Portal 2

If you thought Portal was gay, Portal 2 turns that up to 11.

Even before GLaDOS wakes up, you’re treated to some visual subtext. A few of Rattmann’s drawings representing the events of Portal 2 focus a lot on the relationship between GLaDOS and Chell, with more of the cake symbolism.

In this, you can see a face layered on top of GLaDOS. This could be foreshadowing about Caroline, and likely is, but also resembles his other drawing of Chell. It insists that Chell is a part of GLaDOS, or reinforces parallels between Chell and Caroline, hinting at something either way.

In this picture, we also see Chell standing on top of GLaDOS, in the same position where the overlay of the feminine face was, again referencing the parallel. It also presents them as opposites, fundamental parts of the same thing and both connected to the same basis, but on opposing sides.

When GLaDOS wakes up, she returns to her antagonistic role, but there are more hints to something deeper just like in Portal.

Here, in her awakening lines, she references Chell not unlike an estranged ex. Also worth noting that GLaDOS is pretty much the personification of testing (in a sense, she is testing since she can control all of Aperture like an extension of her body), and insinuates that Chell loves to test. And that she reciprocates that feeling.

In test chamber 10, she says this:

It’s supposed to be threatening, but it does read as almost... sentimental.

There’s also another chamber with companion cubes in Portal 2. I already talked about their symbolism in Portal, and the same pretty much applies to them here. However, GLaDOS says something interesting about them during this level:

Once again, meant to be intimidating, ends up coming off as “well, GLaDOS, why were you going to give Chell a heart shaped representation of yourself that says ‘I love you?’” And you might think I’m stretching the GLaDOS’ heart metaphor thing a little far here, and I might agree, if the companion cubes didn’t literally sing Cara Mia for you.

Cara Mia is the turret opera from the end of the game, which is all about how much GLaDOS cares about Chell. More on that later. But the companion cubes play a song called Love as A Construct, and when you get close to them, they sing a specific part of the song that has the tune of Cara Mia. These things literally exist to sing about GLaDOS’ feelings.

Which makes this line a lot more. For lack of a better term. Tsundere-ish.

Then, right before the escape, she starts talking about the confetti from her fake surprise.

I really don’t have to explain this one. What else does GLaDOS consider an inconvenience but might miss anyway? Or, more aptly, who else?

Then, during the escape, she teases a (fake) final test chamber in front of you, and forms the panels in the shape of a heart. No, really.

Up to this point, a lot of the points I’ve presented are interspersed with a fair amount of antagonization on GLaDOS’ behalf, more Foe Yay than anything actually hinting at something deeper than GLaDOS being conflicted about whether she loves or hates Chell. But things really ramp up after Wheatley’s betrayal, when the two of them are forced to team up. (I should also note here that “enemies to lovers” is a pretty classic queer romance trope.)

Here, GLaDOS is put on an equal level with Chell and they have to rely on each other if they want to survive. For the rest of the singleplayer campaign, GLaDOS becomes a lot nicer and even friendly to Chell. There comes a point where she starts referring to Chell as a teammate, calling them “we.” She begins to consider them one unit, two opposites unified. Here’s what she says after the lemon rant:

You can not only see her using we, but actively talking about how her and Chell are going to fight Wheatley together. There’s also that last line - “let’s explode with some dignity.” GLaDOS has fully accepted the very likely possibility that she and Chell might die together. That she might die on the same level, and the same team as Chell. And she seems... surprisingly okay with that, as long as she and Chell go together.

It’s during the Old Aperture levels that Chell and GLaDOS also discover that they have a lot in common. This is the part of the game where GLaDOS figures out she’s Caroline, that she’s human. Or, that she’s like Chell. And Chell discovers (from what we can tell anyway) that Caroline is kind, that she’s funny and smart and so many of these things she never noticed about GLaDOS before. Now also with the knowledge she is fighting alongside another human being.

You can also draw parallels between Chell and Caroline, both intelligent women ultimately betrayed by their seemingly innocuous male friends before being trapped in Aperture and forced to team up with one another in a way that will free both of them. We see that really, GLaDOS isn’t that different from Chell - she too has been imprisoned in this place against her will, but in a completely different way. Once again, the idea of two sides of the same coin applies here.

I’ve written another meta about this before, but I also think the whole idea of repressing a part of your identity and hating it, before bonding with another woman and then realizing that it’s okay to be like her and to be on her side. It’s okay to be yourself and meeting her is what helps you discover this new part of yourself. Is kinda inherently gay. GLaDOS’ discovery of her own humanity just fits so well into a queer realization narrative, to me at least.

Then, Chell and GLaDOS escape Old Aperture and have to get through Wheatley’s tests.

Here, GLaDOS isn’t just begrudgingly on Chell’s team. She’s actively helpful. She wants to help Chell solve tests, defends her from Wheatley’s insults, and makes jokes to lighten the mood. Things that can really only be explained by her caring about Chell, especially the part about the insults. See below.

After the two escape Wheatley’s testing track, right before the boss fight GLaDOS has a few other things to say.

GLaDOS is not going to betray Chell, because of some kind of conscience. But she could easily ignore that back in her body, and yet? Here she’s deciding not to, and for no good reason. She didn’t have to say that to Chell, but she did, because she cares and she wants Chell to live.

And then, moments before the fight:

The final lines imply that GLaDOS does not think of Chell as an enemy anymore, and that it doesn’t matter what Chell thinks because they are in this together and they are getting revenge together. It’s pretty heartwarming to be honest, to know that even in a fight that will almost certainly kill you, she is there rooting for you and caring about you, even if you don’t feel the same way about her. It no longer matters to GLaDOS whether you even reciprocate - you staying alive, you making it through is enough for her.

So Chell fights Wheatley and sends him into space, all well and good, and at this point, GLaDOS has the option to kill Chell. But not only does she not, she actively saves Chell, and holds her hand in the process. If you don’t believe me:

And not only that, but when Chell goes unconscious from her injuries, GLaDOS sits and waits for her to wake up. It’s also implied that GLaDOS carries her to the elevator, since it’s where she wakes up but not where she passed out. In the scene where Chell blacks out, you can also hear the part of Love As A Construct that sounds like Cara Mia. Yeah. Yeah.

If you think that this cannot possibly get any gayer, you are wrong again, because then GLaDOS makes her final speech. Which is really just a love confession, let’s be honest.

The “surge of emotion?” Do you mean love, GLaDOS? And the idea of GLaDOS considering Chell her best friend, despite everything these two have done to each other? The idea that GLaDOS, out of all people, forgives someone?

Except this isn’t even Chell’s final send-off. GLaDOS writes her an entire opera of turrets, that sing a literal love song. (Note what I said earlier about the use of the word “bambina”).

It really can’t get any more obvious than that. “My (affectionate romantic term here), my dear, I adore you.” How. Is. That. Heterosexual. In. Any. Way.

So Chell goes to the surface, set free by GLaDOS (think of the saying “if you love something, set it free), and you think that’s the end. Until GLaDOS gives you a companion cube so you aren’t alone on the journey, and from the burn marks, you know it’s your first companion cube. Her original heart, her first gift to you, a piece of her that she wants you to carry with you to remind you that she does care about you after everything. It also gives the lyrics to Still Alive a much more genuine meaning.

Portal 2 ends, and then the ending song, another GLaDOS number plays. Just like Still Alive, Want You Gone is structurally a break up song and very obviously about GLaDOS missing Chell and “counting on” (read: caring about/loving) Chell’s tendencies and quirks.

She’s accepted Chell completely, and yet also given Chell the one thing she wants most. Only wanting Chell gone can mean GLaDOS not wanting Chell in her life anymore, but can also mean she wants to give Chell the freedom she’s wanted for so, so long. It’s the best thing she can give.

In the co-op campaign, GLaDOS also references still caring about Chell.

And that’s the end of the Portal series. Except. Brace yourself. Despite the games being over, there is STILL more subtext somehow. It gets. Even gayer.

Exhibit C: Supplemental Evidence

Valve has made a lot of extra/cut content for the Portal series, and I’ll be looking at some of it below.

This official valentine from Valve shows GLaDOS offering a romantic partner cake, which as we’ve established before, is very symbolic of GLaDOS’ feelings about and/or relationship with Chell.

There’s a lot of other concept art and official art that emphasizes their relationship too. See below.

There’s also some cut GLaDOS lines that are even gayer than the source material and again, sound like confessions or references to a breakup:

The idea of “discovering things about someone”... how much more obvious can it get?

The developers have even confirmed a lot of my commentary on Chell and GLaDOS’ relationship in The Final Hours Of Portal 2. See these quotes from the book/this post:

The devs literally describe it as a romance. They use terms like “cheating,” they wanted to write a romantic duet, JoCo purposefully wrote the endings like love songs. It is literally, blatantly said by the creators of the game that their relationship is interpreted romantically. By the creators of the game.

And if Word of God confirmation isn’t enough for you, have a song written for a cut alternate ending by GLaDOS’ voice actress, Ellen McClain. The song is literally nothing but GLaDOS talking about caring about Chell, about not wanting her to die/leave GLaDOS alone, about wanting to bake a cake with Chell, about waiting for Chell to wake her up. It’s so genuinely sweet and sad, and really, really romantic in the most heartwrenching way possible.

JoCo also came back for the Portal levels in Lego Dimensions, writing one final breakup song for GLaDOS to sing about Chell. It comes off as GLaDOS not wanting to admit she misses Chell even though she obviously does, trying to replace their relationship but failing, and even explicitly forgiving Chell/wanting her to come back.

Also, the “finally I understand,” as if only now GLaDOS understands just how deep her feelings for Chell are... What else can I say?

In Lego Dimensions, GLaDOS also outright rejects anyone who isn’t Chell.

In Conclusion:

Why do I ship Chell and GLaDOS?

Well, ultimately, it doesn’t matter whether I ship them.

Because I think it’s glaringly obvious Portal does.

#chelldos #chell #glados #portal #portal 2 #tw fatphobia #whitewashing #fandom racism #long post

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irenedubrovna · 4 years ago

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A post regarding Euphoria for the benefit of myself and basically no one else

So, it really bothers me when people say Euphoria is groundbreaking, progressive media. Here’s a dissection of why I don’t think it is, because this is what I feel like doing at work:

The character of Rue is objectively great. She by far receives the least overt sexualization, and is treated neutrally in terms of active sexuality. She’s treated like a normal teenage girl with mental issues and an addiction to drugs. She falls in love with a girl who she pines for and places on a pedestal. The reason I think she is written this way is because she is a Sam Levinson proxy. She written with gender ambiguity and with little regard to the experiences she’d go through as a black gay female, probably because Sam Levinson has no insight to that aspect of life. Her performance is heightened of course by Zendaya, who breathes unique life to the Sam Levinson’s artistic extension, and without her performance this show would not get even half the acclaim it gets. Attribute that to Zendaya of course, because the director has done little to deserve this acclaim.

The rest of the females, sans Lexi, are pornified to a disgusting extent, not only due to the fact that they are supposed to be underage, but also because their existence as people is treated as being absolutely secondary to their sexual appeal. They are foremost presented in terms of their relation to sex. Cassie, Maddy, Jules, and Kat cannot be removed from their sexuality without disrupting the plot or their journeys in relation to the plot. Why are the females so intrinsically linked to uber fetishized versions of female sexuality, or uber fetishized versions of blossoming female sexual identity?

Maddy is presented not only scantily clad 90 percent of the time, but also dressed in a precariously unattainable sexual fashion. At any given time she is styled to look straight out of, simultaneously, a high fashion editorial, and a “barely legal” porno. She is airheaded and profane, and promiscuous, her mannerisms dictated by the adult films she’s “studied” in order to project an image of perfect hyper sexual femininity. She’s complacent in becoming a prototypical housewife because it will earn her a comfortable place as a trophy wife. She has no aspirations beyond that. So, let’s unpack all of that. Maddy’s role in the show is mostly passive. The most active thing she does in the plot is revenge fuck a man in the pool of a party. Nearly everything else she does in the show that is plot relevant is of someone else’s volition. Even less of what she in the show is related to anything other than a man. She is abused and then pressured into framing another man for said abuse. She has no agency as a character. The only notable difference to this rule is when she takes drugs at a carnival, knocks a pot of chili over, and calls her ex’s mom a cunt. Removed from her active sexual life and carefully cultivated aesthetic, she’s a trite stereotype of an unambitious girlfriend who gets treated poorly. I see people call Maddy iconic, but if she wasn’t gorgeous and well dressed, I doubt anyone would even think twice about her, let alone create fancams and Instagram pages dedicated to her. She exists as a plot device, and as pretty set dressing to build up the shows aesthetic. Her emotions are not well explored, her motivations are sexist, and she is often there to be demeaned, objectified, or to say a bad word. The most damning part of her involvement in this show is her episode where it is stated that she, as a fourteen year old girl, lost her virginity to an adult man, and it is stated she was in control of the situation. This is a dangerous thing to say about a character, to any audience, but especially a young one. To imply that a precocious young girl was in control during her first sexual encounter with a much much older man implies things that frankly border on rape apologist ideology. This show states this unflinchingly and with no further elaboration. If there’s one thing that tells you that Euphoria is a bad show, let it be that. Also, if there’s one thing that tells you about Sam Levinson as a person, and the way he views girls and women, let it fucking be that.

Jules is a young trans girl. She also likes to have sex with men as a means to “conquer femininity��. Scratch that, she likes to have degrading sex with older men in order to “conquer femininity”. This mindset is shown to be toxic, of course, but I think the problem with this idea in general is that there’s no deeper exploration for what this mindset means. It implies that she believes women are the sum of their intrigue and degradations. This mindset I can only assume would be a cultivation of dysphoria and internalized misogyny, which this series is absolutely not prepared to address in a tactful manner. Jules is a teenager with mental illness, trauma, and is undergoing an identity crisis. There’s something powerful in her character, something worth saying, however we only get trimmings of those meaningful things, and are ultimately left with a hurtful depiction of a trans girl because all of her musings on womanhood and identity are incomplete, and they fail to reach beyond the surface of their thesis statement. She wears colorful clothing, is overtly feminine and artistic in her presentation. Everything about her screams insecurity over her own womanhood. That is the crux of her character. Now, I think we should ask ourselves, is trans person who is insecure about their identity peak representation? Is this what trans people deserve? Is it “groundbreaking “? If this show was run by someone else, I might be inclined to say that there’s nothing insidious about this, but this is the guy that made Assassination Nation, so I think we know what he thinks of young women, the way they should be portrayed (that is, for the capitulation of a man) and realize his inclusion of a trans woman in his cast is no more meaningful than the inclusion of any other woman. Women to him are made to be categorized and should, at the end of the day, be easily palatable for the capitulation of a man. The device of having Jules being interested in older men and rough sex for identity reasons is transparent. Trans women are exploited and objectified with a similar fervor to cis women, the caveat being that they are “a forbidden fruit” of sorts to straight men. Jules is sissified, her presentation fetishistic. Her role in the plot is more involved. Her relationship with Rue is sweet, though toxic on both sides. She is ultimately betrayed, blackmailed, and snowballs into something of a manic episode, all well portrayed by Hunter Schafer, but I don’t think her inclusion in the show absolves it of any of its many sins.

Let’s talk about Cassie. Cassie is the Eurocentric beauty standard exemplified. She is the blonde haired blue eyed girl next store, and her boobs are of course always on display. She is notably promiscuous, something I say right off the bat because that’s how she’s introduced, as a so called slut through the words of the devil (Nate Jacobs). She is a girl with daddy issues, which we are all familiar with at this point. Her sexual boundaries begin and end at the whim of her partner. The terms of her consent are much like the terms of consent of many young girls brainwashed by society and the rising tide of degradation porn: everything is alright as long as you provide them comfort and affirmation afterward. You can touch them roughly without asking, you can use them as a tool to affirm your masculinity. This is the way men prefer their women now: just broken enough to say yes to anything they want. It’s become a joke at this point. Men like girls with issues, but only the ones that will feed their own desires. Cassie Howard is meek. Her inclusion in the plot I suppose ties to themes of drug addiction and how it divides and destroys the people you love. It doesn’t show what it does to her beyond shaping her sexual encounters, which is no surprise. Overall I’d say Cassie is in this roster of females as the most traditional categorically, in relation to how men view women and further how they sexualize them. She has a relationship with someone who doesn’t really love her. That mostly what she does here. Gets used. Doesn’t drive the plot or conflict much. More pretty set dressing. More aesthetics. How this show consists of so many women but is driven so much by men is unsurprising, and, again, very enlightening in the grand scheme of things.

Lastly we touch on Kat. I’d like to begin with the fact that self actualization through sexual exploration, in a show run by a man, is just a cloak for a woman to gratify the audience with her sexuality. Regardless of whether or not she is plus sized, this is overt objectification. She is on this show to be sexy. Beyond that, the fact that a minor using sex work as a form of liberation is disgusting. Whether or not she is portrayed as “owning” her sexuality is negligible, and speaks to the same mindset discussed with Maddy. Minors cannot fucking consent to sex, sexual acts, or anything within the confines of such. It’s crazy that this occurs with two different characters in such a similar way. It has echoes of “Well, she looked older..” and “Well, she wanted it..” or “She’s advanced for her age”. Never, not once in the events of the series is there meaningful introspection on what doing this kind of thing does to a minor. Moreover, these acts are explicit, and made clearly for sexual gratification. None of these things are absolved by the fact that she’s plus sized. If anything, her body type is fetishized in this context. It’s also another case of a “good girl to bad girl” transformation, which are archaic and, of course, sexist. With the rise of adult websites targeting minors for explicit content, this is even more reprehensible. Once again, in terms of representation, is this really what speaks to you as progressive? Groundbreaking? A girl gains control of her own narrative by having sex with lots of men. She gains control by being sexy. She gains control by dehumanizing and objectifying herself. No she doesn’t. Media controlled by men will tell this story to you thousands of times, don’t listen because she’s bigger than a size four.

ALL OF THESE CHARACTERS ARE UNDERAGE. ALL OF THEM HAVE EXPLICIT SEX SCENES, EVEN THE SEXUAL ASSAULT IS MADE CINEMATICALLY PORNIFIED. THESE SHOTS ARE MADE TO BE OBJECTIVELY SEXY. THIS IS NOT A CASE OF SOMEONE CREATING SOMETHING FOR THE SAKE OF REALISM. IT IS ABOUT MAKING SCENES THAT SPEAK TO A MALE AUDIENCE. THAT CATER TO THE MALE GAZE. ARGUE WITH THE WALL.

I won’t go further into the plot, other characters, or the structure or the episodes for sake of brevity, but I felt compelled to air my thoughts on this to the void. I can only hope I was critical enough that Sam Levinson will one day see this and cry because another bad feminist thinks something that he made sucks

#euphoria #I don’t even think anyone will read this but #it’s just not good #sorry #anti euphoria #anti Sam Levinson

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love-sapphirerose · 3 years ago

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Inuyasha and Kikyo Is the Feudal Romance We Deserved

Inuyasha and Kikyo are well known for their doomed romance in Rumiko Takahashi's iconic Inuyasha series. But what if Kikyo had lived instead?

BY DIANE DARCY

PUBLISHED MAY 16, 2021 With the 2020 debut of Yashahime: Princess Half-Demon, fans of the original Inuyasha series got an opportunity to revisit familiar faces as well as meet the children of their favorite pairings who front the new series. But what if one of these pairings had turned out differently? What if, instead of dying and reincarnating as Kagome Higurashi, Kikyo had actually lived to spend the rest of her life with Inuyasha?

While Kikyo living would’ve resulted in a very different story from the one Inuyasha creator Rumiko Takahashi developed, it also could’ve resulted in a more epic romance story. What is it about Inuyasha and Kikyo as a couple from 50 years ago that makes them so compelling? The characters could have developed very differently, with some fascinating aspects of Japanese history enriching their story even further.

In both the manga and anime, one of the unifying themes of Inuyasha and Kikyo's relationship is the two characters feeling out of touch with their humanity. In Inuyasha's case, he is a hanyou (a being who is half human and half youkai) born to a human mother and a great dog youkai, both of whom had high status in their respective communities. Despite this, however, Inuyasha was rejected by both humans and youkai alike for not being of pure blood. As such, he was forced to fend for himself at a very young age, resulting in feelings of self-loathing and a profound distrust in others.

Kikyo was born into a human village that she later protected as a miko (shrine maiden) after reaching adolescence. Little is known about her childhood apart from the fact she was born with strong spiritual potential (as narrated by her younger sister Kaede), though much of it can also be pieced together based on the history of miko in Japan. As stated by Tsubaki -- a rival of Kikyo -- in Episode 147 of the Inuyasha anime, a miko's spiritual power thrives when she abandons all human feelings. She also warns that as a woman, Kikyo could naturally fall in love, which would cause her powers to weaken.

Though Tsubaki's explanation of a miko's spiritual power is treated as a curse by Kikyo in the anime, it is actually consistent with how young girls trained to become miko in Japan's earlier history, most notably during the Sengoku period (when Inuyasha takes place) and especially in centuries prior. As practitioners of Shinto, young girls who trained to become miko underwent various purification rituals as a way of strengthening their spiritual power. Since purity is central to the Shinto belief system, miko were not permitted to marry as it was believed that compromising their sexual purity would also compromise the strength of their spiritual power. This last part is relevant to Kikyo's storyline.

Inuyasha and Kikyo's storylines converged when the latter was given custody of the Shikon no Tama, a powerful jewel with a reputation to grant any wish to its possessor. Inuyasha desired the jewel as a means of erasing his humanity in exchange for becoming a full youkai, though he had to get through Kikyo to get it. While Kikyo had the skills and power to keep the jewel safe, she also found her new occupation even more isolating than being a miko alone. After meeting Inuyasha, Kikyo became aware of her human desires and emotions, which factored into her decision to rid herself of the jewel and pursue life as an ordinary woman.

The premise of Inuyasha desiring to erase his humanity with Kikyo desiring to reclaim her humanity created strong story potential that deserved further fleshing out. This was done to an extent in the anime story The Tragic Love Song of Destiny (Episodes 147-148) that depicts the budding romance between Inuyasha and Kikyo, leading up to the moment where she proposed Inuyasha use the Shikon no Tama to become human. At the time, Kikyo theorized that if the jewel was used to make Inuyasha fully human, it would be purified and would cease to exist. The original Inuyasha manga and subsequent anime adaptation, of course, established towards the finale that this would not have been the right wish. But realizing this could've been an important part of Kikyo's journey.

Another major development that could've still happened in a universe where Kikyo lived is the shattering of the Shikon no Tama -- this time by a weakened Kikyo, which would've been a huge wakeup call for her. Recalling what Tsubaki said earlier about how falling in love would cause her powers to weaken, being responsible for shattering the very jewel she was entrusted to purify would've shaken Kikyo to the point of rethinking her priorities. This would've placed Kikyo in a position of needing to learn new skills to supplement her miko training, which in turn could've created opportunities for character growth.

A meaningful change that could've come out of this journey was Kikyo realizing that the key to strengthening her spiritual power was embracing all aspects of her identity. Maybe she needed to realize that rejecting any part of herself -- whether it be her human self or miko self -- was why she wasn't being an effective guardian of the jewel. Allowing herself to experience human emotion may have allowed her to channel her powers in a smarter, more effective way.

Related to the plot of shattering the Shikon no Tama, the wounded thief Onigumo (whom Kikyo was nursing in a cave) could've still become the evil hanyou Naraku with the same motivation as before: wanting Kikyo for himself and desiring the Shikon no Tama as a means of getting her love. He still could've sent various youkai after Kikyo to exhaust her as he did in Tragic Love Song, only things didn't go his way. Instead of mortally wounding Kikyo, one of these attempts to exhaust her could've resulted in the aforementioned jewel's shattering, allowing the story to play out as it did originally -- but with some key differences.

Keeping Naraku as a villain would've still been important for Inuyasha's character development as he embodied a much darker version of Inuyasha's own goals. This could've forced Inuyasha to reconsider his own motivations for becoming a full youkai and whether or not he should take up Kikyo's offer to become fully human. Naraku's obsession with Kikyo could've similarly made Inuyasha re-evaluate his own feelings for Kikyo, whether he's similar to Naraku in lusting for her or if he actually loves her as a person. There's also the factor of Kikyo being exposed to Inuyasha's human side during moonless nights and the vulnerabilities that come with such moments. This too could've forced her to re-evaluate her own motivations for wanting Inuyasha to erase half of what he is as a means of purifying the jewel.

By getting to know Inuyasha in both of his forms, Kikyo could've ultimately decided against erasing what makes him unique, effectively changing her plans for purifying the jewel. Her thoughts on this could've been further solidified after experiencing what Naraku was capable of with only shards of the jewel as opposed to the complete jewel. Naraku's dark motivations could've similarly provided Inuyasha and Kikyo with the perspective to realize none of their problems would be resolved by casting a selfish wish on the jewel, regardless of their intent. Instead, they both could've reached the same conclusion that the only way to relieve themselves of the jewel and its destructive power was by wishing it out of existence, effectively allowing the jewel to destroy itself just like it originally did.

While keeping Kikyo alive would've changed significant aspects of the Inuyasha story, it also could've resulted in a more focused romance with more profound character development. Since both Inuyasha and Kikyo have a unifying theme of not feeling in touch with their humanity at the start of their respective narratives, their journey could've focused on them rediscovering their humanity together while not rejecting what makes them unique. By reconciling all aspects of themselves into more mature identities, their relationship would've been stronger for it.

#inukik #inuyasha #kikyo #inuyasha kikyo #inuyasha x kikyo #pro inukik #kikyou #inuyasha the final act

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sturchling · 4 years ago

Note

aft hawkmoth is defeated, paris banned any outside superheroes from entering bc lb and cn said that they had asked the superheroes (e.g justice league, up to u) for help, but all they got was a message saying that they should not be faking this for attention. soon, said superheroes try to come into paris to help aft hawkmoth was alr defeated and theyre arent allowed in. lb and cn show up and the superheroes insult then abit bc they arent allowed in so paris and lb and cn go off at them

Here you go!! Hope you like the story! Let me know what you think!

Ladybug and Chat Noir were very worried when they first became heroes. They had no experience as heroes, nor any idea how to track down Hawkmoth. They knew that people could request aid from the Justice League for their cities if something was wrong. Of course, it was mainly used to ask for just humanitarian help, typically after some kind of natural disaster. But Ladybug and Chat Noir didn’t know what else to do. So, they sent in a request, asking for their help. They never received a response to their initial request. As time went by, they kept trying to reach out to the Justice League. After their fifth message, they received a response, but not the one they were hoping for. When the two young heroes saw a message from the Justice League help line, they felt excited. They thought they would finally get some help and maybe this nightmare would be over soon. But the message didn’t say that help was on the way. Instead all it said was:

This help line is for real emergencies only. You two should not be clogging the line with these ridiculous jokes. This is not the kind of thing to fake to get attention. Please do not contact this help line again. -Justice League Assistance Requests

Ladybug and Chat Noir were disheartened. They had truly hoped that these heroes would help them. How could they think this is fake? It is true that there is no apparent damage, but Ladybug had explained that was only due to her powers.

------------------

Ladybug and Chat Noir did not listen to the message and kept sending messages that became more and more desperate as the akumas grew stronger. Eventually though, it became too dangerous to keep asking for help. Ladybug and Chat Noir both realized that if the Justice League came to Paris, they ran the risk of the League becoming akumatized. If any member of the League became akumatized, it would be disastrous. Ladybug realized that they couldn’t risk the heroes coming to Paris anymore. So, her and Chat Noir went to the mayor. After that day, foreign superheroes were banned from entering Paris.

------------------

After three years of fighting, Ladybug and Chat Noir had finally defeated Hawkmoth. His capture was international news. Paris was finally telling the full story. The mayor finally told the world all about Hawkmoth and his reign of terror. The world was shocked that they hadn’t known what was happening. None were more shocked than Bruce Wayne. He remembered those messages from all those years ago in Paris. Those kids had been telling the truth? He could hardly believe it; their messages had seemed so ridiculous that they had to be fake. Magic jewelry that is powered by tiny gods did not sound real at all. Batman knew it was time for damage control. He called a meeting with the other founding members of the league and went straight to the Watchtower.

------------------

When Bruce arrived, he saw that most of the other members were already present. Several of them were confused and were asking Bruce why they were there. Bruce just played the news clip from this morning. Several of the other leaguers were shocked. Green Lantern spoke up, “These kids again? They were actually telling the truth?” Bruce turned to him, “Yes it appears they were. This is going to look bad on us, that we didn’t help. Whether we believed them or not, it is important that we go to Paris now. Offer our apologies for not helping sooner and help them re-build. I imagine there is a lot left damaged after fighting such a powerful foe.” Bruce had clearly already forgotten that in the original messages Ladybug had said she could fix all the damage. Shows how much he actually listened to the original requests. With that settled, the different members prepared to leave for Paris. They tried using the zeta tube they had set up, but they got an error message saying the tube in Paris was too damaged. The leaguers assumed it had been damaged in one of the fights and decided to zeta to a different location in France and then fly the rest of the way to Paris. They had no idea about the cold greeting they would soon receive.

------------------

Marinette had been at home for the day when the news was announced. She may not have revealed her identity to the public, but she did tell her parents finally about her being Ladybug. They were so proud, and had agreed that Marinette deserved the day off from school, considering she had just saved Paris. Marinette was just planning on spending a relaxing day at home when she got a message. She had set up a website with a way to message Ladybug back when Hawkmoth was still active. This was so citizens could inform her of akuma attacks quicker. She wasn’t expecting to get a message on it today, but around noon, there was a new message. This message came from the mayor’s office. It read:

Ladybug, we have spotted different members of the Justice League approaching the city. Since the ban on superheroes is still in effect, we will turn them away. However, we would feel more comfortable doing so if you and Chat Noir were there to help. Please hurry to the Western border of the city.

Marinette was shocked. The Justice League was coming now? Why the sudden interest in Paris? Regardless, she quickly pulled out her phone and called Adrien, who was also staying home for obvious reasons. They had revealed their identities to each other after the final battle, and were ecstatic to find out they had been that close to each other all along. The rest of the miraculous team also revealed their identities, and everyone was shocked to see that Ladybug and Chat Noir were Marinette and Adrien. Adrien picked up quickly, “Marinette? What’s up?” “Can you talk privately right now?” Adrien knew that meant that Marinette needed to talk about superhero stuff, so he made sure the door to his room was locked and then said, “Yeah, I’m good. What’s up?” Marinette replied quickly, “We have guests coming to the city. Apparently, someone spotted members of the Justice League heading this way and are worried they will try to enter the city. The mayor asked both of us to be there to help when they turn them all away. He asked us to meet at the western border of the city as quick as we can.” Adrien was shocked. Why was the League coming? They hadn’t cared before. “I’ll be right there milady. Let the rest of the team know, we may need the back up. See you soon.” With that, he hung up and transformed. Marinette quickly sent a message in the group chat for they had set up for the members of the miraculous team, telling everyone to meet at the western border quickly. She then transformed as well and went to join Chat. He quickly rushed to the border of the city where he saw the police force, the mayor, and Ladybug all waiting. He joined them and watched for the Justice League. They didn’t have to wait long before the Justice League members appeared on the horizon. Officer Raincomprix used a megaphone and ordered all of the heroes to land before they entered the city. Chat Noir got ready to face the Justice League and tell them to get lost.

------------------

When the leaguers arrived, they were expecting the citizens of Paris to be glad to see them. But instead, they were glared at and ordered to stop at the border of the city. The leaguers were confused, this is a very different reception than they were expecting. They stopped and Batman stepped forward, “We heard about your defeat of Hawkmoth and have come to offer our help in rebuilding your city.” Then a younger girl in a ladybug themed outfit and a boy in a cat outfit stepped forward. Batman recognized them as the kids from the videos, what were their names again? Oh right, Ladybug and Chat Noir. Behind them he saw other kids in similar outfits, however he didn’t remember seeing any of them in the videos sent to the league. He was expecting them to thank him and the other heroes for the help, even if they were still upset from the earlier rejection. But that was not what happened at all. The two kids were very calm, but he could tell they were still angry. The girl called Ladybug took the lead, “Your help is not wanted, or even needed. The city is perfectly fine. Regardless, you are not welcome in Paris. None of you are. Foreign superheroes are banned in Paris. Only the miraculous team is allowed to reside in this city.” The Justice League were shocked, to say the least. Batman tried to argue with them, “The city can’t possibly already be prepared. Fights like what was discussed on the news cause massive amounts of damage. They couldn’t possibly be fixed overnight. And how could you ban superheroes?” Chat Noir rolled his eyes, “Shows how much you actually listened to our original request for help. We told you back then that the reason there was no damage to speak of is because Ladybug is able to reverse all damage caused by the akumas and other miraculous. In other words, the damage from the final fight was fixed immediately. And we banned heroes after you all refused to give us any aid. We needed to make sure that you didn’t just storm in later and try to take over or get akumatized. That would have been disastrous. You can’t just suddenly decide to come and help after ignoring us for three years.”

------------------

Superman stepped forward at this point, “We didn’t mean to ignore the situation. But you have to admit it sounds pretty far-fetched. Magical jewelry that is powered by ancient gods and evil butterflies possessing people doesn’t sound reasonable.” Ladybug got angry hearing that, “Why doesn’t it? You have several magic users in the Justice League, like Zatanna. You even have Dr. Fate who is a sorcerer that inhabits a magic helmet and possesses people who wear the helmet. That isn’t much different from the miraculous. Are you all seriously so close-minded that you didn’t even consider the possibility?”

------------------

That comment made several of the leaguers angry. They didn’t want to admit that they were in the wrong, but Ladybug was right. They had several magic users, and the Helmet of Fate is pretty similar to a miraculous. But these kids couldn’t possibly know what they are doing. The Justice League needed to step in and help get things back to normal. They were sure that they could get the city to listen. Batman turned to the mayor and said, “That ban is hardly necessary anymore. It wasn’t even necessary in the first place. These second-rate heroes just convinced you of it because their pride was hurt. Don’t you think it is time to lift it? I am sure we could help get your city back on track quicker than these children playing at heroes.” Ladybug and Chat Noir’s blood was boiling after hearing that. How dare Batman act all high and mighty and talk above them like he was superior. He had spent the last three years ignoring the problem and now wants to suddenly come in and take over. This is exactly why they put the ban in place. The mayor seemed just as angry as Ladybug and Chat Noir, “Sir, like Ladybug and Chat Noir said, you are not welcome here. They have done a fantastic job in not only dealing with Hawkmoth, but also helping the citizens return to normal.” Batman was furious, they were still going to deny them entry? The Flash stepped forward now, “Surely, with the focus being on Hawkmoth, crime rates have risen. That isn’t the fault of these kids, they wouldn’t know how to juggle dealing with Hawkmoth and also petty crime. But we can help you get that handled.” Mayor Bourgeois shook his head, “Actually, they handled both responsibilities well. Even though we told them not to worry about petty crime, and that the local police would handle it, they still patrolled every night to help. Crime rates are at an all time low here. Now I am not going to tell you again. You are not welcome here. Leave at once.”

------------------

The Justice League couldn’t believe it, Batman exploded, “You would seriously leave the security of your city in the hands of these wannabe heroes?” Green Lantern added, “Yeah, they are just little kids with some fancy jewelry playing pretend. You need real heroes!” The mayor and police were furious. How dare these people belittle their heroes. The mayor was now yelling as well, “Do not speak about them so rudely. They are more heroic than you seem to be. Now get out of my city.”

------------------

The Justice League still refused to leave. They hurled insults at the young heroes and demanded to be let in to the city. They even tried to force their way past the blockade of police officers. Ladybug turned around and gestured to Pegasus. The leaguers did not see any of this, they just heard someone call “Voyage!” They saw a giant blue portal open and then swallowed them up. When the light faded, they saw that they were in the middle of a field somewhere. Batman used his GPS and saw that they had been moved all the way to a corn field in the middle of Nebraska. He was furious, how dare they force him away through a teleport. Paris needed more competent heroes than a bunch of children playing pretend.

------------------

Over the next several weeks, the league continued to try and enter the city. None of their attempts worked though. They tried just flying through, entering covertly as their civilian identities, and a bunch of other plans. Somehow, the leaguers kept getting teleported right back out of the city, in increasingly strange locations. Eventually, the leaguers just decided to abandon Paris completely. They would not help Paris with any situation. Their plan was to watch the city fall to pieces and not offer any help unless they lifted that ridiculous ban. But that never happened. It irritated Batman and the others to no end that those second-rate heroes were doing a good job and that the ban wasn’t lifted. So, the leaguers resumed their attempts to break into the city. They did not count on the young heroes putting their actions in the public eye.

------------------

Ladybug and Chat Noir were still furious at how the leaguers behaved. They had thought that the Justice League was full of good and kind people, but the members they had met were certainly not good and kind. They were forceful and insulting. And even once they were told that they were not welcome in Paris, they kept trying to come into the city anyway. Poor Pegasus was exhausted from constantly having to teleport them away. Ladybug knew they had to do something or those leaguers would keep coming back. So, they made a video. This video told the whole world that the Justice League had ignored their calls for help all those years ago and had left young heroes to fend for themselves. It also talked about how the league had shown up after the fact and tried to bully their way into the city they had previously ignored, despite the fact they were told about the superhero ban. The video ended by talking about how they were fed up with the league members having no respect for the laws of Paris and still trying to sneak into the city. The miraculous team posted the video online and sent it to all the major news networks they could get a hold of. The public was outraged when they saw the video. The heroes they trusted were trying to break the laws in Paris? The video and public outcry seem to have worked. It had been several weeks since the video was posted, and no leaguer had tried to break into the city since. The miraculous team was ecstatic; they didn’t have to keep forcing the heroes out of the city. At last, the miraculous team and all of Paris could finally enjoy peace.

#ml fic #ml fanfic #ml salt #maribat #miraculous ladybug #miraculous ladybug x dc #miraculous fanfic #miraculous salt fanfic #miraculoustalesofladybugandcatnoir #miraculous salt #hawkmoth defeated

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miraculouscontent · 4 years ago

Text

Didn’t Need Burrow (April 24th-May 3rd)

Anonymous said:

Didn't Need Burrow: Marinette is exposed to the world as Ladybug by the end of the series. This is largely so Adrien gets to bask in everyone knowing that HE ended up with Paris' protector on his arm, emphasizing her status as a trophy that he won.

This feels too likely, I hate it.

Anonymous said:

Didn't Need Burrow: After being badgered into trusting her with the Fox, Marinette tries to convince Alya that she can't expose herself as Rena Rouge any further, and should take advantage of the Fox's long-range capabilities to stay hidden. Alya dismisses the danger; if she tries hiding at all, it doesn't take long to reveal herself, claiming it's unheroic to hide. Shadowmoth then targets her personally, with Marinette taking the blame.

I WOULD EXCUSE THE FOX THING IF IT STAYED LONG RANGE BUT I’M WAITING FOR THEM TO RUIN IT

Anonymous said:

Didn't Need Burrow: Rather than outing Ladybug, Alya reveals *herself* as Rena Rouge. She claims that this is fine since Hawkmoth already knows her secret identity... and besides, it gives the LadyBlog more cred!

Because why not I guess, the bar for her is already so low.

Anonymous said:

Didn't Need Burrow: Marinette will be forced to give up Guardianship/go through the memory wipe... but continue as Ladybug. This is mined for Sadrien AND resets LadyNoir; she no longer recalls all the annoying shit he's pulled, offering a fresh start. May lead into Reversed Rectangular Romance with Chat Noir pining after the old Ladybug while she develops a crush on her brooding partner. He's so ~dark~ and ~mysterious~ and gives her such ~wistful looks~!

Marinette gets to give up guardianship but at what cost. (also, that last line about Chat being dark and brooding)

Anonymous said:

Didn't Need Burrow: In a Shocking Twist, Emilie is revealed to have been evil and manipulative like Chloe/Lila, and presented as solely responsible for her husband's jerkassery. This sets up GabNath as endgame with Gabriel absolved for all his misdeeds. (Any similarities between Emilie and her son's behavior are summarily ignored.)

Because Adrien is male, obviously. He gets a pass.

Anonymous said:

Didn't need the Burrow: A lot of Adrien's supposed childhood friendship with Chloe was actually with Zoe. Which is supposed to give the new character some instant connections and serves as another proof of Chloe being irredeemable. Bonus: Marinette finds out and whether or not she spills the beans, it will be something she'll get called out for.

So, either a retcon or Adrien comes off as even more of a liar in “Origins.”

Anonymous said:

Didn't Need Burrow: Su-Han will tell Marinette outright that her responsibilities mean she's not allowed to be happy. This is used to garner sympathy for HIM - Isn't it sad how his duties have completely consumed his life? Clearly he needs help learning how to unwind and relax! Meanwhile Mari's drowning in the background, but this isn't about HER, now is it?

I’M SO SAD

WHYYY

Anonymous said:

Didn't Need Burrow: Adrien discovers Gabriel's secret and hides the truth, forbidding Plagg from telling anyone. Not just to protect his father/family, but because he's not ready to stop being Chat Noir. No villains means no reason for heroes, and he doesn't even know his lady's secret identity yet--! Naturally, his reasoning is treated as totally understandable and sympathetic, even as he enables the conflict to continue indefinitely.

“CHAT BLANC” VERSION 2.0 I HATE IT DX

Anonymous said:

Didn't Need Burrow: Hawk/Shadowmoth starts aiming to *kill* the exposed/temp heroes in order to prevent them from potentially joining battles. This only happens during akuma fights (so that it falls upon Ladybug to 'set things right' with her powers). Chat Noir makes minimal (if any) effort to protect them, relying upon his 'partner' to carry the day instead and bring them back.

Ladybug: *trying to save everyone*

Chat Noir: *filing his claws in the background*

Anonymous said:

Didn't Need Burrow: Marinette will be pressured to make others permanent heroes and let them have their Miraculi full-time. This sets up for Hawkmoth to eventually get his hands on the Miracle Box, meaning any Miraculi that haven't been distributed are now in the villains' clutches. Not only does this dramatically cut down her pool of allies, Marinette gets to be guilt-stricken over failing all her duties and not listening to their demands while she had the chance.

Marinette, you’re such a fAilUrE as guardian!!

Anonymous said:

Didn't Need Burrow: Zoe will turn out to be another love interest for Adrien - only it's as the New-Bee with *Chat Noir*, enabling the dreaded Reversed Romo-Rhombus dynamic with Ladybug becoming jealous of their chemistry.

girls are such jealous types, haven’t you guys heard? :)

Anonymous said:

Didn't Need Burrow: Ladybug gets a new default look (for the sake of selling more ML merch in Real Life), trading the spotted onesie for another form-fitting spandex suit that 'highlights her feminine charms' even more. This is treated as a sign of her 'growing up'.

wow i hate it

Anonymous said:

Didn't Need Burrow: Alya shipping Marinette with both Adrien and Chat Noir after finding out her identity.

I am 100% not here for shipping shenanigans.

Anonymous said:

Didn't Need Burrow: Alya will be responsible for leading Lila to suspect that Marinette and Ladybug are connected. Though Alya may actually *realize* that she slipped up, she won't warn Marinette about the potential security breach, not wanting her to get upset/any more paranoid than she already is.

And of course, this will be used to make people “sympathize” with her. See, she cAreS about Marinette’s feelings, how can you be mad at her for this??

Anonymous said:

Didn't Need Burrow: There will be more plots where Marinette's 'lesson of the week' is that she must learn how to better control and suppress her emotions, and that she is literally not ALLOWED to be upset because Hawk/Shadowmoth will win if she does. At the same time, Adrien is encouraged to marinate in his own unhappiness over Ladybug not giving in to his advances. If the danger involved ever comes up, it's presented as purely Ladybug/Marinette's fault for rejecting him.

I’m starting to think some of you are ZAG insiders because wow that sounds likely. DX

Anonymous said:

Didn't Need Burrow: A recurring theme in episodes featuring the 'girl squad' will be Marinette meddling too much, as her efforts to help them cross boundaries THEY aren't comfortable with. If she dares to bring up their past insistence that friends don't keep secrets, they'll call her out as a hypocrite while refusing to acknowledge their own hypocrisies.

“Marinette’s boundaries? Who??? No, Marinette, what about THEIR boundaries???” - the writers

Anonymous said:

Didn't Need Burrow: Adrien will feel sorry for Chloe and regret the role he played in her losing her Miraculous. This is mainly a vehicle to help explain why everything that went wrong with her/Queen Bee is totally, 100% Marinette/Ladybug's fault, along with showing how forgiving Adrien is and how he 'sees the best in everyone', and is clearly right to do so. Bonus: this is combined with him distrusting the NewBee for not being Chloe/making her jealous.

*sigh*

Anonymous said:

Didn't Need Burrow: Chloe will get akumatized out of anger over the New Bee, and Ladybug is blamed for her insensitivity/forced to apologize to her.

I’m still stunned at the mental gymnastics they go through to make Marinette/Ladybug apologize to people.

Anonymous said:

Didn't Need Burrow: Su-Han will confirm the popular fan claim that Ladybug and Black Cat bearers are, in fact, soulmates/bound together by destiny. Chat Noir gleefully rubs this in Ladybug's face; her disbelief and horror is played entirely for laughs at her expense. Adrien's behavior escalates further afterwards, bolstered by the knowledge that it doesn't matter how shitty he gets, as she belongs to him regardless.

Anonymous said:

Didn't Need Burrow: In addition to confirming the notion that Ladybugs and Black Cats are 'meant to be', it's revealed that other Miracli are destined soulmates, like Foxes and Turtles or Butterflies and Peacocks, and other random Miraculi pairings that 'coincidentally' align with various official ships.

brb, need to step away to scream on my porch

Anonymous said:

Didn't Need Burrow: At least one episode will have Marinette mess up a potion, preventing her and the other heroes from enjoying its benefits during a big fight. This is blamed either on her anxiety causing her to overthink it or on her being a poor student, lamenting the fact that she didn't have more time with Master Fu. (Bonus if Su-Han takes advantage of this to slam Fu; extra bonus points if Mari defends him by insisting *she* was the one who screwed up, not her master.)

It’s like a main course of Marinette blame, oh my god.

Anonymous said:

Didn't Need Burrow: Su-Han will make various sexist comments about Marinette and the other heroines, implying that they were all poor choices Because Girl. Since nothing says 'Girl Power' like insisting they must prove themselves to doubtful men who will never fully accept them. After all, Marinette is the only one who ever learns lessons; therefore, Su-Han will never grow out of his 'old-fashioned views'.

And when the writers are called out, they’ll go, “bUt hE’s jUst oLd fAshiOned”

Anonymous said:

Didn't Need Burrow: Adrien gets his Ring revoked by Su-Han for misbehavior. This is depicted as a terrible miscarriage of justice, and Marinette must convince Su-Han to return the Ring without learning who Chat Noir is. The more terrible the inciting act, the bigger the bonus points; did he skip another battle like Glaciator? Pull another Syren-level stunt? Cataclysm another innocent? Who cares? Sadrien is Sad, and that's the biggest crisis of all...

Anonymous said:

Didn't Need Burrow: Adrien pulls another Syren-level stunt (or worse); rather than holding him responsible, Su-Han berates Marinette for her poor leadership and failure to keep him in line. Bonus if she confides/vents to Alya afterwards only for Alya to AGREE with Su-Han that she's failed at being a good partner to Chat Noir. Fever Mode activates if Alya implies Marinette's failure is due to her inability to admit her feelings for Chat Noir and/or confess to Adrien.

I don’t know whether to laugh or cry.

Anonymous said:

Didn't Need Burrow: Alya will pull an Adrien re: Lila, refusing to openly support Marinette against her. She'll claim that they need to 'gather evidence' first before exposing her to everyone. In practice, this means that Alya is willing to continue feigning ignorance, pretending that she's taken in by Lila's lies, while Marinette continues to suffer since she won't play along. Any evidence-gathering we see Alya engaging in is minimal, if she's shown doing it at all.

This is 150% one of the most accurate Alya-Lila confrontations I’ve seen from these predictions.

I hate it.

Anonymous said:

Didn't Need Burrow: When confronting Lila, Alya will insist that 'Ladybug told me herself' that they aren't friends. Lila attempts to convince her that Ladybug is lying to try and protect her; this either works or spurs Alya to declare that LB 'hates liars', making her suspicious of Marinette's potential connections to the superheroine.

Alya

Alya why

Anonymous said:

Didn't Need Burrow: Alya will only treat Marinette with anything approaching a veneer of respect while she's Ladybug. (As in 'Transformed/wearing the spotted suit/actively superheroing'.) Her behavior towards her 'regular BFF', meanwhile, will continue to degrade.

and, as a alternative:

Anonymous said:

Didn't Need Burrow: Having learned that Marinette = Ladybug, Alya shows less and less respect towards the superheroine. (Not that she displayed much in the first place, but you know what they say: familiarity breeds contempt. And Alya's convinced that she knows her SO WELL, despite all signs to the contrary...)

Thanks. Hate them both. T_T

Anonymous said:

Didn't Need Burrow: Alya will end up outing Ladybug in a moment of anger. Though this is treated as impulsive and spur-of-the-moment, the act itself hints otherwise. (For example, she posts it on the LadyBlog; that post had to be *written up* first, and she likely had to think about what evidence she'd use to back up her claim... Not to mention if she includes pictures or video. Showing that Alya thought about it well before her 'tipping point', no matter how she claims otherwise.)

okay but you missed the part where Marinette is blamed for it--

Anonymous said:

Didn't Need Burrow: Tikki's comments about kwamis not understanding love are foreshadowing that they will later claim that Ladybug and Chat Noir's relationship has shown them what true love is. Because none of the other relationships they've ever seen or experienced in their long, looooooong history compare to the Four-Cornered F**kery.

Tikki sure knew a lot about love when she commented on all of Marinette’s love issues.

Anonymous said:

Didn't Need Burrow: Kagami will come to regret 'impulsively' breaking up with Adrien for being a lying jerkface, while Luka moves on and finds happiness with somebody else with relative ease. Because guys are allowed to move on with their lives while girls have to wallow in the miserable mires of wish-you-were-(still)-mine. Woes--!

no but see Adrien is “worthy” of love while Marinette isn’t

Anonymous said:

Didn't Need Burrow: Marinette is either responsible for the secret Juleka's keeping (such as trusting her with a Miraculous) or inadvertently sets Rose on its scent in the first place, making her *supposedly* responsible for the strife which follows.

We already know that it’s not Juleka’s secret at least but Marinette could absolutely still set Rose off.

Anonymous said:

Didn't Need Burrow: Marinette will be taught techniques/given a power-up that shuts off her emotions completely, or simply reaches the point where she figures out how to do so on her own. This is ultimately shown to be a bad thing/another mistake not because of the toll it takes on her psyche, but because the fully repressed Marinette/Ladybug no longer has any interest whatsoever in Adrien, and *we can't have THAT!*

Us getting to see Marinette not crushing on Adrien... but at what cost?

Anonymous said:

Didn't Need Burrow: Alya posts more embarrassing content on the LadyBlog, making it look like Ladybug keeps screwing up/making mistakes. Marinette asks her to stop, worried that she's undermining people's faith in her; Alya blows off her concerns and accuses her of getting a swelled head/becoming a 'control freak' about her image, insisting it's no big deal if people see she's human while refusing to treat her as such. (Meanwhile none of Chat Noir's mistakes/misbehavior make it onto the blog.)

“Bonus” if Alya gets particularly huffy because it’s jOunrAliSm and she’d be bIAsEd if she took down something that made her fRiEnD uNComOFTablE.

elflynns-horde-of-stuff said:

Don't need a burrow: The upcoming episode "Guiltrip" is gonna be 50% Sadrien. And we won't even get any new developments on his character for it.

so the usual

Anonymous said:

Didn't Need Burrow: It's revealed that Ladybug holders are 'natural good luck charms' for everybody around them, but are punished by karmic backlash for even the *slightest* hint of selfishness (or self-consideration). Hence Marinette's whole plight, which is still presented as her fault for not being able to reach an impossibly perfect ideal. (Anything we learn about Black Cat holders, meanwhile, is purely for Agrestangst and has no bearing on anything observable within the show itself.)

Honestly, with the bad luck Marinette had in “Origins,” you’d think she’d be meant for the cat and been taught about the values of destruction and just being able to Go Off on people, or how to spin her bad luck into something good (or the black cat miraculous in general helps her channel her bad luck, such as making her Cataclysm stronger or being able to give her bad luck to others).

Anonymous said:

Didn't Need Burrow: The show ends with Marinette and Adrien getting together, with Marinette declaring that everything she went through was worth it and that she's 'incredibly lucky' -- that the fact fate brought them together is 'nothing short of Miraculous!'

The sheer level at which I just cringed in immeasurable.

Anonymous said:

Didn't need the Burrow: A S5 episode will drop before S4 is finished.

Oh! Ahaha, we’ve got a wavelength, anon! I actually already added that one at some point.

Anonymous said:

Didn't need the Burrow: The series will not really make Rose/Juleka canon. They will imply it but the official language used in the episode will be "best friends". Yet on Twitter the creators will pat themselves on the back repeatedly for it

I mean, this already partially happened in “Reflekdoll” so--

Anonymous said:

Didn't Need Burrow: It'll be confirmed beyond any reasonable doubt that Adrien 100% knows about Marinette's crush when he uses it to manipulate her. Plagg comments on it, and Adrien affirms that he knows, but her feelings don't compare to his own for Ladybug. ('And aren't worth sparing' goes unsaid, but is naturally implied.) Naturally, his manipulation of her is treated as 'clever', and any pain or mortification she feels as a result is just gravy.

Anonymous said:

Didn't Need Burrow: Adrien reveals to Plagg (and the audience) that he's fully aware of Marinette's crush, but refuses to acknowledge it because he doesn't want to 'crush her dreams', comparing it to how Ladybug keeps rejecting him. Making the situation entirely about HIM and how HE feels, even showing some resentment towards her for HAVING that crush for HIM to deal with. Marinette and her feelings are painted as just an ANNOYANCE that he's ignoring, heedless of the impact upon her.

wow i hate them both

thank you, both of you

</3

#category: salt #Didn't Need Burrow

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layercake · 4 years ago

Text

Why Naoto is Heavily Trans Coded, and How The Discussion Surrounding Him Needs to Change

Hello, I’ve never written or posted anything like this before LOL so this is a bit daunting. But this subject is something that’s been bothering me for a long time, and I wanted to get it out somewhere. So let’s talk about how Naoto Shirogane is heavily trans coded, and how the fandom has a problematic culture surrounding the issue that really needs to change.

Tw // discussion of misogyny , transphobia , and mentions of harassment

Initial Shadow Confrontation

Since the discussion is most often about what’s “canon” and what’s not, let’s first take a look at what the game actually does give us about Naoto’s character. During the confrontation with Naoto’s shadow, we learn that Naoto idolized detectives as a kid, and wanted to be one himself when he was older.

However, this posed a problem for him in multiple ways. One, he was (is) still a child, and the people in his field don’t take him seriously because of it. He tries desperately to escape this fact, to try and act as mature as possible, but ultimately he can’t change how others will perceive him at his age.

This is what the shadow confrontation focuses on most heavily. But then it switches to discussing the other part of the issue-- the fact that Naoto’s ideal image of a detective is a man, and he “isn’t.”

At the end, Yukiko says “You must know already that what you yearn for isn’t to become an adult or to become a boy,” and Naoto accepts it. This is what most people point to when saying that Naoto can’t be trans, because he agrees that it wasn’t what he wished for. So, easy, right? If you take this as him telling the truth, then it looks like an open and shut case-- he isn’t trans. But Naoto’s actions don’t really fit what he says here.

The issue starts with these next lines (below) in particular. To me, Naoto’s tone in the first line is regretful, and doesn’t strike me as a sentiment someone who is cisgender would necessarily hold. Why would he want to “change into a man?” To fit his ideal image of a detective? As he says here, yes.

(Real quick before I continue, it’s not clear in the dialogue screenshot but it’s important to note that Naoto does say “yes” to Yukiko’s question about him not liking being a girl. He nods his head)

The narrative that the game tries to go with after this is that the “ideal image” Naoto wanted to live up to, including the male aspect of it, was unattainable and formed primarily because he felt that was the only way he could be a detective.

But, is this really that much of a problem? We all look up to certain types of people, people that we want to be like-- and for many, this can factor into gender identity as well. If Naoto really just wanted to be a cool, male detective, that doesn’t at all negate that being trans would be a part of that for him.

Naoto’s other words and actions, as well as the framing of this scene as a whole, make the scenario feel a lot less believable to me for multiple reasons. Naoto never initiates the conversation that him wanting to be a boy is incorrect-- Yukiko does. Naoto isn’t even the one to trigger his shadow-- Kanji does that. Naoto had a lot less agency in a lot of these decisions than the other characters did with their shadows.

Naoto’s Continued Actions

The fragility of the narrative Atlus put together for Naoto continues to grow throughout the rest of the game, due to the way he behaves after the initial shadow confrontation.

For starters, it’s implied that Naoto is not his birth name, something that i think a lot of people either miss or forget about-- and yet he continues to go by it throughout the course of the game. We never find out his deadname and he never expresses a desire to share it with anybody.

The day after the “reveal,” Naoto doesn’t change anything about his appearance, mannerisms, or how he presents himself. He honestly seems uncomfortable with the fact that everyone has found out, in a way that felt much like being outed to the whole school, as opposed to finally being seen and accepted for who you “really” are.

I understand that such a drastic shift in people’s perception of you would be overwhelming to anybody, no matter if you were cis or not. But if Atlus really wanted to hone in on the idea that Naoto was happy about this change, they could’ve at least made him…. Well, happy about it. Even if it was just a small smile, just a tiny indication of relief even despite how hard it will be to adjust, it would’ve made it at least a little more believable that this is what he really wanted.

But that’s not the case. Instead, he’s uncomfortable, he still binds, he still wears the school’s male uniform, and he still goes by Naoto. The only time any of this actually changes is if you as the protagonist push him to, which… is a whole other mess.

The fact that Naoto has even gotten to this point, though, speaks more volumes to me than anything else. Passing is not easy. Coming out is not easy. Naoto would have had to go through difficult lengths in order to get not only his school, but the country and media to see him as a man. He’s a well-known "detective prince".. someone was bound to look up his records and find out about it. That's a huge risk to take.

In addition to this, he binds. He goes by masculine pronouns and a masculine name. He very audibly changes his voice to be more masculine. I don’t know how to tell you this, but this is just…. not something cis people do? At least not comfortably.

In fact, doing all of this would have been incredibly uncomfortable for Naoto if he was cis. As someone who experiences dysphoria, looking like and being seen as a gender you are not can be really, really painful. If transitioning was something he really didn’t want, why would he put himself through all of that? Was it really to escape misogyny? Me asking this isn’t minimizing the issue at all, because I understand that it’s incredibly serious and hard for countless women. But I would generally think someone’s first reaction to facing misogyny isn’t to… completely change their identity and present as a different gender.

On top of being probably the hardest option of escaping misogyny available to him, and one of the most uncomfortable, presenting as a man doesn’t necessarily get rid of any prejudices Naoto may face. In fact, I would argue that it’s considerably more dangerous. Especially in a rural town like Inaba, where people seem to not really understand or approve of being LGBT. Naoto is smart, he would have thought of all of this. So why?

Inherent Transphobia of Naoto’s Arc

There is something to be said about how much misogyny is present in Japan’s workforce, especially in fields like Naoto’s, and the importance there is in discussing that. The base idea behind his struggles and message isn’t inherently a bad one, but the way the game went about it was problematic because it put down transgender identities in the process.

The first time I watched Naoto’s shadow confrontation, it was really distressing to me. The game continuously repeats the idea that you can’t “cross the barrier of the sexes,” that Naoto “can never really be a man,” and that “you can change your name, but you can never change who you “really” are.” I hope I don’t need to explain why this is a problem.

Naoto’s wish to be a man, regardless of what was driving it, is depicted as something temporary and childish. Something that Naoto “didn’t really want,” something that was just an excuse to run away from the misogyny he was facing. Even if it was unintentional, this message is incredibly harmful to transgender people.

It would have been a better and much more coherent message about misogyny if the writers had steered clear of trans themes entirely. In fact, I think they did so well with Sae’s character in Persona 5-- she’s in the same field of work, facing very similar struggles, but she doesn’t react in the same way as Naoto at all.

Kanji and Homophobia

It’s even worse that Naoto’s “reveal,” on top of being problematic by itself, is used as a method to bury Kanji’s exploration of his own sexuality. The problems with Kanji’s own shadow are bad enough to warrant their own long rant, but the reveal that Naoto was “really a girl” this whole time allows the story to completely wave off his gayness for good.

This isn’t something unique to this game-- the trope of “two boys fall in love, but one of them turns out to be a girl so it’s fine” has been used numerous times in other media to explore the topic half-assedly. It plays with the “exoticness” or “drama” of a gay romance, but backs off at the end in order to uphold societal norms and prevent backlash.

This doesn’t really give any kind of good commentary on gay relationships, nor does it depict them in a positive or helpful manner. It isn’t something that these games should be getting kudos for doing.

Misogyny?

I think there’s also something to be said about how poignantly bad Atlus is at really tackling the problem of misogyny. It tries, especially with characters like Ann and Sae, and in certain aspects it can succeed. But then they have scenes like the pageant and Every Beach Scene Ever, where the women are forced to wear swimsuits or revealing clothing against their will, or their bodies are talked about without their consent. There is consistently a character in each persona game who is forced to do the whole misogynistic dipshit gimmick that’s supposed to be funny-- Junpei, Yosuke, Teddie, Morgana, Ryuji-- and while this is obviously not a Persona specific problem by a longshot, it’s still indicative of how unsuccessful these games often are in delivering the message that society’s systemic misogyny is an issue.

This is something I think about a lot when people try and argue that Naoto’s story can’t be about him being trans because it’s “an important message about misogyny.” Atlus often doesn’t deliver on such stories already, and they certainly didn’t with Naoto. As soon as Naoto returns to “living as a woman” he’s subjected to the same misogyny that the other girls are. His chest is commented on, he’s forced to be in the beauty pageant, he’s made uncomfortable in the bath scenes-- really, all Atlus did after the reveal was make the problem worse for him.

On top of this, his story never actually meaningfully tackles the problem of misogyny in the detective force. It’s not a major part of his social link or the general plot of the game-- honestly, it’s barely even touched on at all after the initial confrontation. Thus, the idea that “Naoto can’t be trans because it erases a story about misogyny” is just plain untrue. There never was a coherent one in the first place.

Problems Within the Fandom

Despite all of this, there is such an intense backlash from the majority of the fandom if anybody dares to bring up these issues with Naoto’s story. Naoto being trans is generally seen as something ridiculous and stupid, or something to insult and mock people for.

I understand that there's always going to be people who say provocative stuff like this, no matter what anyone does, and that it’s not something exclusive to this particular fandom or character. But the problem is that this rhetoric isn't just from them anymore--the consensus among so much of the fandom seems to be either that Naoto absolutely cannot be trans, or that speaking about it at all is "annoying discourse" and taboo. Even from fans that are LGBT or allies themselves.

This in and of itself is such a telling thing to me. if you find yourself getting angry about the subject, really ask yourself why. Is it such a problem for people to reclaim a transphobic story? Is it such a problem for a character to be trans in the first place? There is room for discussion and nuance regarding this situation, but we have to make it for ourselves. We can accept that Atlus’s base game will never actually give us a coherent story about either misogyny nor being transgender with Naoto’s story. But petty arguments and insults thrown at people who bring up this topic isn’t any of that-- it’s just poorly masked transphobia.

So at the end of the day, no, Naoto being is trans is not “canon.” Of course Naoto would not actually be allowed to be trans, he is a main character in a game series where the only explicitly LGBT characters have been consistently buried, stereotyped, or demonized with only a few rare exceptions.

Yes, you’re allowed to headcanon whatever you want about him. I can’t stop you from wanting a story about misogyny, or from seeing Naoto’s gender as something more fluid than I do. But you can’t ignore the fact that his story, as written in canon, is laden with transphobia despite its intentions. It’s not a ridiculous or harmful thing for trans people to want to reclaim that.

There are still a lot more issues with how Naoto is treated in the game-- especially in his romance route-- but that’s a whole other can of worms I’m not ready to unpack today lol

Hopefully all of this made sense though, and feel free to bring up anything else I may have missed or point out any issues you might have with it :-) Thanks for reading!

#persona 4 #naoto shirogane #p4 #persona #naoto #trans naoto #meta #long post #discourse #misogyny #transphobia #god?? god!! help me #this is literally such a mess lol But #sorry for lack of pictures in the second half also

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citadelspires · 3 years ago

Note

P1-Looking at how great your posts on how Anne,Sasha,&Marcy would interact with both the Duck nephews and Team Magic, I thought I may as well do one on them interacting with Owl House kids and add Sprig & Polly in there too to even it out. Who do you think the Calamity trio, Sprig, and Polly would get along with the best individually between Luz, Amity, King, Willow, and Gus? I'd assume Luz with Marcy (both fantasy nerds), Amity with Sasha (both not so good friends and maybe not so good parents)

First off, thank you I'm glad you enjoyed my posts about the duck crew! Secondly, I am so sorry it took so long to get to this ask, given how much I loved doing the stuff with the duck kids and amphibia girls the first two times around, these types of asks are my absolute favorites to get, so I decided to wait till I had the time to really put some thought into it and give it the response it deserves! That being said, lets get to it! (rest of the post under the cut cause wow this is long)

Ok so I do agree that Luz and Marcy would get along splendidly but I am saving Marcy for later because I have plans for her, along with a few factors that lead me to believe there's some interesting fun to be had with another combination. While Marcy and Luz both share the "enamored with another world" aspect, Marcy's approach is to enjoy diving into studies and making herself useful on commanded missions and such. Luz can't study for longer than a few minutes at a time, and while she's always down to help her friends, she's also perfectly content causing chaos in the home of a known criminal. However, there is a character from Amphibia who loves to engage in the daring adventure side of the world of amphibia, diving headfirst into whatever trouble they can find, regardless of how much they do or do not know what they're getting into.

Luz is a perfect match to go on chaotic adventures and have massive amounts of fun with Sprig. Sprig, especially at the start of Amphibia, is always the one dragging Anne along on all kinds of adventures in the wilds of amphibia, and Luz is the driving force behind exploring the boiling isles and finding new adventures and places to see, exciting things to do. Whether Sprig ended up on the boiling isles or Luz ended up in Amphibia, I'm certain one of the pair would immediately ask if there were any cool and potentially dangerous places to explore, and the other would be the first one to take them up on it. Sprig would get the chance to see more of what the people from Anne's world are like, and Luz would get the chance to see a little glimpse of that "PG fantasy adventure" she was looking for in the first place. Overall the two of them would have so much fun together, on that I am certain.

Next up, I will admit there are probably better characters for each of these two to get matched up with, so this is admittedly a bit of the two being leftover, but I do think I can buildup a pretty solid argument for the pairing. Willow and Polly is a strange duo on the surface. Polly is bold, loud, and aggressive. Willow is calm, quiet, and gentle. However I think there's some potential there. I think Willow is a really great person to keep Polly out of trouble, in the hypothetical scenario Polly is let loose on the boiling isles that would be a complete disaster(for the isles, Polly would come out of a fistfight with the entire emperors coven unscathed) unless someone was there to reign her in. At first Polly might be a little reluctant to be looked after by someone who is just another kid in her eyes, but we've seen bits and pieces of Polly where we're reminded that, as aggressive as she can be sometimes, she's still just a kid. She's not immune to love and affection, and I think Willow is just the kindhearted, loving person to help Polly feel a little more okay with not always being the strong brave kid she tries so hard to be. As a little bonus I think it would be pretty great for Polly to think she's got Willow and her softhearted nature all figured out after some time only to be taken completely by surprise by the sudden realization the moment Willow uses her magic that "oh hold up this girl is insanely powerful." To be honest that might be a pretty great experience too for her to see that power comes in many shapes and forms. (A lot of the people who are able to fight in amphibia are more agressive about it than willow is so it would be new for polly). This goes double if Willow meets Polly in Amphibia because I mean have you seen how much foliage is in that world? Dear Lord Willow would be a god.

(it is at this point that I realize how long this post is gonna be, maybe I should go put a cut up there somewhere)

For the third pairing I will now reveal where I decided to send Marcy. I would absolutely love to see interactions between Gus and Marcy. Just imagine it. I would argue that Gus is the most curious and inquisitive owl house kid, as well as the most inclined to actually be constantly studying new things instead of jumping right into them. Gus is a dedicated investigator (perhaps too dedicated) and Marcy can absolutely get behind that. Beyond that I think Gus would lose his mind to find another human in the first place, let alone one who can probably recite all of human history off the top of her head. Meanwhile with Marcy, she would be absolutely fascinated by everything and everyone in the boiling isles, and I can just imagine right now that every time she had a new question she'd pose it to Gus and Gus would be like "I... I don't know. *excitedly* I don't know! Let's go find out!" cue the two of them rushing off to investigate:tm:. Also! More than anything else i want Marcy to help provide suggestions to Gus on how to improve/expand his tunnels under hexside because I NEVER FORGOT THE TUNNELS.

With only two pairs leftover y'all can probably guess who's going with who. Unless you can't that would also be fair. I am kinda throwing a curveball with Sasha's I suppose, but I think it actually works out pretty well. Sasha and King have incredibly similar ideas about just about everything. While I think initially King would try to order Sasha around and it would get on Sasha's nerves severely, once that toned down, the two of them would get along really well. Sasha wouldn't see King as a threat due to his size and overall lack of power, and King would just continue seeing Sasha as a very strong pawn, though not out loud so she doesn't yell at him. I mean, we've seen what King would act like provided he became a teenager and it's honestly pretty in line with how Sasha would take over and be in power. I can absolutely see the two of them conspiring to run the whole isle, whether or not those plans ever actually come to fruition, I think she'd develop a soft spot for him.

And finally, I think there's a lot of untapped potential with Anne and Amity. While Anne is more coming from the past of the person who got pushed around and Amity is more the one who did the pushing, the two of them have more to bond over than it would seem. The core concept at the depths of each of their characters, is a chance for them to finally figure out who they are and what they want to be. With Anne it's been Sasha's presence and her need to be socially connected at all times that drove her to have a messed up view of friendship (friends are there to do stuff for other friends, like an exchange for their love), and the feeling she should just be quiet and let everything happen to/around her. With Amity it's the constant pressure from her parents to let them define her along everything she does and all of her relationships. Both Anne and Amity are in a place where, after spending so much time missing out on the chance to form their own identities and become their own people, they're finally starting to realize they can decide who they are. They're finally going to find themselves, and it's gonna be beautiful.

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star-ocean-peahen · 3 years ago

Text

p2 of old ML meta I wrote that I don’t necessarily agree 100% with any more. I know I’m really late to the party on these, but I thought I’d release them into the wild anyway.

Awright, here we go. (under a cut because holy shit this is long)

I think Chloe is a complex character whose failed redemption arc was actually in character, whether the writers intended it or not. I acknowledge that she's done some really awful things, bullied people, been hurtful and mean because she wants to, and has no illusions about hurting people. But she actually has a reason for doing this that goes beyond just enjoying bullying. Again, this does not excuse her actions, and a redemption arc would require her to accept that she has done bad things and apologize for them, which is not something she does in the show.

As we can see in the show, Chloe's mother does not care for her. At all. Even to the extent that she doesn't even remember Chloe's name. I don't know about you, but if my mom constantly chose not to remember my name, I would be devastated. She constantly tells Chloe ("The only thing exceptional about you is your mother") that she is worthless and has no skill, talent, or anything special about her at all. Chloe responds by mimicking the things she sees her mother does approve of, e.g. bullying, spitefulness, selfishness, etc. It's made painfully obvious that all of Chloe's iconic, unique snobbishness actually belongs to her mother, whom she is imitating in a desperate attempt to get her mother's approval. All Audrey cares about is herself, and Chloe knows that and tries to make herself a copy of her mother so her mother will want her. Audrey only accepts and begins to value her when Marinette tells Audrey straight up how mean and awful Chloe is, and Audrey reevaluates her daughter. She sees how much of herself Chloe has become, and decides that she wants a mini-her hanging around. I don't know why she does this, but it's clear that she only began valuing Chloe once she saw the appropriate traits in her. This means that Chloe has based her entire self-worth around her mother's opinion of her. It's actually compared to Adrien's opinion of her in Despair Bear, when he tells her that if she isn't nice, he won't be her friend anymore. She changes for a few hours because SHE ACTUALLY CARES ABOUT HIM AND HIS FRIENDSHIP MEANS A LOT TO HER, but reverts to her old ways because her mother's opinion matters to her more. This is probably how she acted for her whole childhood, but changed when Hawk Moth attacks. Why? Because of Ladybug. Chloe idolizes Ladybug, who gradually (unknowingly) gets more and more of an influence of her during the show. (Ladybug asking Chloe to stop causing akumatizations vs. Chloe giving up her miraculous) to the point where Ladybug is now a bigger idol than her mom. Example: Style Queen, where Chloe FAKES working with her mother-WHO APPROVES OF HER FOR THE FIRST TIME-to HELP LADYBUG. Ladybug is THAT important to her that she will give up the person she's been idolizing for her ENTIRE LIFE for her. (Side note: Chloe is not a wimp. She faked helping Style Queen-FOR ADRIEN-convincingly. Persuaded her to change her plans without getting punished. If that's not superhero material, then I don't know what is) So now Ladybug is the most important person in Chloe's life. What does this mean? Well, Queen Bee happened. When Chloe found her miraculous, she thought that she could be a superhero like Ladybug. Remember, Chloe imitates the people she idolizes. So she saw her miraculous as a way to get closer to the person she idolized-closer in character and closer relationship-wise. Chloe values Ladybug partly because she is a superhero, so she thinks, "if I can be a superhero too, then I will have value in the same way as Ladybug!", hence her stunt with the train. But this backfires on her when she only gets reprimanded and BOTH of her idols tear her self-esteem apart-Audrey purposefully, Ladybug unknowingly. She's been rejected by the two people whose opinions matter most to her. (Note: Chloe has a tendency to forget about Adrien, but if your heart wasn't destroyed enough, he technically rejected her too as Chat Noir.) She has no one to look up to now, so she clings to her miraculous-which is a symbol of worth-and guess what? Gets akumatized. Hawk Moth says that she'll be his queen. He'll value her when her world has come crashing down around her shoulders. Can you blame her for becoming Queen Wasp? She was akumatized after she displayed one of her first moments of vulnerability in the show, even showing it physically (nearly crying). That episode ends, and she begs for a second chance. Audrey again dismisses her as worthless (Note: both times she did this, she did it on LIVE TELEVISION.) Ladybug and Chat Noir tell her that she can be a hero (equated with value in her head) and gives it back. This is especially interesting. Bee Miraculous = Hero. But Ladybug says No Bee Miraculous = Hero. She amends her previous belief (GROWTH!) and trusts Ladybug, giving the Bee back. In Malediktator, Chloe has her mother on her side and thinks all is well. She continues to imitate her mother to keep her favor, taking it to the extreme with Audrey's encouragement and demanding the school shut down with an ultimatum: Do it or we leave. They leave. Marinette shows her humanity by celebrating Chloe's departure (which is FINE, she shouldn't be required to reconcile with everyone who's ever hurt her) and Adrien says this (BECAUSE HE CARES ABOUT CHLOE AND KNOWS WHAT A TOXIC ENVIRONMENT SHE'LL BE LIVING IN because he lives in a similar one): "Nobody's useless. Not even Chloe." We'll come back to the uselessness issue later. Chloe sneaks away from her akuma'd parents (again, quick and rational thinking in the face of danger, superheroine!!! Actually, it was probably learned from all the akumas she's been attacked by) and: "You're a hero! You....can....do....this!" When Ladybug grabs the Bee, she realizes that she needs someone tough who defies authority, and gives Chloe a second chance. (It wasn't just because she knew the powers, people!) Even Fu has misgivings, but Ladybug looks past her personal grievances and chooses Chloe. Meanwhile, Chloe is SUCCESSFULLY ESCAPING AND HIDING FROM AN AKUMA (must be all that practice, say what you want, but being attacked by so many akumas was some rigorous crisis training) and runs into Ladybug. When she meets LB, she isn't expecting to get her miraculous, unlike later. She knows Ladybug probably won't give it to her, and SHE'S FINE WITH THAT. SHE RESPECTS LADYBUG'S DECISION. ACCEPTS THAT SHE CAN'T BE A SUPERHERO, BECAUSE WHEN SHE GAVE UP THE BEE MIRACULOUS, SHE BECAME A HERO. Then, she opens up to Ladybug. She tells her what everyone else thinks she doesn't know, that she's a bully. And she's not targeting Marinette on purpose, Marinette just happens to be the most convenient target. She grows and understands that her documentary was ridiculous. She tells Ladybug how she knows that her bullying ways have just pushed her farther from her goal of being valued. She thinks that because she has no friends (girl, you have Adrien) she has no use, and notice she says "useless". Not "worthless", or "a horrible person". Useless. Because those things equal each other in Chloe's mind. Use = Value. She tells Ladybug how useless she feels because compared to Ladybug who is, notice, not "useful", but "serves a purpose". Chloe's purpose has been to satisfy her mom, but now she knows how empty that is and feels purposeless, useless, and worthless. Then Ladybug gives her the Bee Miraculous. Now, I don't think LB understands how much the Bee means to her. (Pollen calls Chloe her queen. Just thought I'd throw that in there) I'd be surprised if she did, because if she knew that the Bee was so intricately tied to Chloe's self-worth, then it was a cruel move she pulled keeping the Bee away from Chloe without any follow-up involvement, even with a good reason. Away from the tangent, Chloe gets the miraculous, transforms, and works one-on-one with Ladybug. And kills it. Like, Chloe makes an amazing superhero. She even says she's been practicing, which is played for comic relief, but shows just how much she idolizes Ladybug. She says, "I've always dreamed of doing this-with you!". She's achieved her dream. Ladybug thinks she's useful, and this is really important. She is now useful as Queen Bee. This is her use. This. Is. Her. Purpose. She's not empty anymore, she's full. She's doing good for people, being a superhero, Ladybug values her as a teammate, and friend. Ladybug (barring Adrien possibly) is now thought of as a close friend from Chloe, who looked past her personal annoyances and cares for Chloe regardless, a new experience for her. Let me reiterate: Queen Bee has become her purpose in life. (which is why she fails, incidentally, because she can't balance it with a civilian life, but more on that later.) After she and Ladybug defeat Malediktator (GIRL POWER!) she says this, which reveals how much more she's grown since the beginning of the episode: "Being a superhero isn't only about fixing messes." She became Queen Bee in this episode to fix her mess. Now she realizes that superheroing is not only a way to make up for the wrong she has done, it's also a way to make things better than they were. Being Queen Bee makes Chloe better. Marinette even says so, revealing why SHE is a better guardian than Fu, because she can see the potential in people. Chloe tries to be Queen Bee without her superhero costume immediately afterward, helping Jean with bags because she knows this is part of becoming a better person and a better superhero. Marinette then throws her a party to show her how useful and wanted she is, understanding how much Chloe needs that from their conversation. sniff....beautiful. This is Chloe's peak. The best she's ever been. She's reveling in her new-found identity of a superhero, doing good and resolving confict in her civilian life. In multiple episodes (Startrain, Heroes' Day) she is an everyday superhero by not getting akumatized (controlling her emotions and not letting fear take her over), and keeping others calm. I've said it before, and I'll say it again: Chloe is incredible at crisis response. She doesn't panic, while the adults who have already experienced akuma attacks freak out. She takes charge when she sees akumas (Startrain) and does her best to fix the situation. She stopped an akumatization in that episode. (Seriously, if she hadn't done that, someone would have been akumatized.) She prioritized her response: First, eliminate the immediate threat. She did that when she evacuated the compartment. Second, eliminate the future threat. Find Ladybug and Chat Noir. (They need a hotline. Like, really badly.) It doesn't bother her that she doesn't have the Bee Miraculous, because she can be a hero in her normal life too. However, everyday heroics is still second to Miraculous heroics, and she expects Ladybug to still give her her Miraculous, because she still considers herself Queen Bee. She trusts Ladybug so much that she FRIGGIN' SUCCESSFULLY FIGHTS OFF AN AKUMA, THE ONLY PERSON TO HAVE DONE THAT TO DATE (yes, not even Marinette did, she took off her her earrings because she expected to be overtaken), deflecting her negative worry about the current lack of miraculous with her deep trust in Ladybug. When Miraculeur happened, she got the Bee because it was a last resort. It appears that LB and CN use Queen Bee only when there is no other option, revealing two things. One, they apparently didn't bother to tell Chloe that (or she didn't listen, although I'm inclined to believe that this new Chloe would have) and that they pick her despite having other, safer holders with miraculous experience, revealing that they know how well Chloe and the Bee fit together. She got the Bee (after defying Hawk Moth and Mayura without powers, this girl is INSANELY AWESOME) and went after Mayura, failing to capture her miraculous. She apologizes to Ladybug without making excuses for something that wasn't even her fault, showing how much Ladybug's approval matters to her. LB responds by telling her that there can be no more Queen Bee, not even as a reserve, because Hawk Moth knows her identity. Chloe accepts that without a fuss, showing how much she's grown so far. But if she's grown so much, you ask, why did she rip that picture of Ladybug? Well, this ties in to the position of use. Chloe was useful to Ladybug as Queen Bee and (so she thought) as a friend. But LB took the miraculous away. Chloe is probably getting the sneaky suspicion that Ladybug only wanted her because she was useful, which Chloe has now realized was not all she wanted out of her relationship with Ladybug. Chloe valued being useful to LB, but she also valued LB's friendship. Chloe continues in her superhero activities, but muted. So how did this go wrong? How did we go from this awesome superhero Chloe to Miracle Queen? The answer is in Battle Of The Miraculous. Marinette's narration reveals that Chloe lost hope, showing her turning off her Bee signal. I think Chloe still unconsiously thought she could still be Queen Bee. Ladybug went back on her withholding before, she could again, right? But then she finally gets it through her head that she's not going to be Queen Bee again, and abandons that hope in despair. Is that it? Is that why she turns to the dark side? Well, her fall was caused by a lot of things. One was the aforementioned despair. Another that contributed to her fragile emotional state is the fight between her parents. It feels awful to have your parents fight, and while Chloe is probably not a stranger to it, it's always painful. Then her parents get akumatized. That was what made her fall in Heroes' Day. She says to Heart Hunter: "I don't love anyone." Heart Hunter responds that Chloe loves herself (which, wow, you guys are the worst parents ever. You really don't pay attention.) Ladybug takes the dragon and goes to Kagami for help. She goes to Kagami, who also had her identity revealed, and gives her a miraculous, saying it's because of Kagami's "exceptional talent". Ryoko defeats Heart Hunter. Queen Bee does not. Dragon-Chloe does not. And Chloe feels this. First, Chloe wanted to save her parents herself, which is a completely normal thing to want. She loves her parents (despite their failings) and wants to help them. If if was me, I'd want the same thing. Second, she sees Ryoko active, whom she knows (somehow) was decomissioned for the same reason as her. This is where theseed of doubt planted in Miraculeur blooms. To Chloe, this confirms that Ladybug was only using her for her availablility and wasn't actually her friend. She thinks Ladybug was pretending that she was significant and still resented Chloe for getting in her way so many times. She thought her idol was her best friend, but now it seems like her idol was lying to her the whole time. With Ladybug's perceived rejection and broken promise, Chloe now feels useless and purposeless again. And Hawk Moth shows up at just the right time to sway her to his side with his impressive emotional manipulation by making essentially the same argument he made in Queen Wasp: Ladybug rejected you, but I still want you. You are useful and valued with me. Chloe, thinking Ladybug cares nothing for her, ("She couldn't care less about me!") accepts his offer and becomes Miracle Queen. (But not without asking for her parents' release first, because that is so important to her.) Miracle Queen's dialogue and actions line up with this. She exposes everyone's identities (so they can't be chosen over her again) and says to LB: "How many times have I asked to fight alongside you? [how many times have I asked to belong?] And how many times have you refused to give me my miraculous? [how many times have you denied me your friendship?]" She tries to take all the Miraculous and use their power to lash out at Ladybug, declaring that she'll be the most powerful miraculous wearer there ever was. This foolish action is a result of Chloe's fragile emotional state that has been controlled and manipulated by Hawk Moth to work as his pawn, and her raw pain and anger at Ladybug. She then takes only the Bee after Master Fu whiz-bang-pops the Miracle Box and says that she's going to New York to be a superhero, grasping at straws to regain her worth by clinging to the Bee, the miraculous that started it all. After Ladybug takes it, Chloe declares that she doesn't love Ladybug anymore, which could be taken as "I'm no longer your fan" but seems more like she did once love Ladybug as a friend, making her previous statement in Heart Hunter a lie. She finds her parents and demands to leave with her mother, who has reconciled with her father and refuses Chloe her demand, likely the first time they've done that (because they're too wrapped up in each other to even ask her why she's so upset). To sum it up, at the end of the current season, Chloe has hit rock bottom.

Okay, after this analysis of Chloe, let's take a look at the person mostly responsible for her fall: Hawk Moth. More than anywhere else in the show Hawk Moth is shown to be a master manipulator in Chloe's arc. He planned to weaken Chloe's trust in Ladybug, and succeeded. A lot of her actions in Miracle Queen can be attributed to Hawk Moth playing her like a queen on the chessboard, which is exactly what he compares her to and an excellent metaphor. He wasn't reactively trying to get the Bee in Miraculeur, he was proactively using it as a way to manipulate Chloe into losing trust in Ladybug through the Bee Miraculous. He understood Chloe's identity crisis (he was RIGHT THERE in Style Queen) and used it to his advantage. She surprised him with throwing off his akuma, but that just meant her love for Ladybug was more powerful than he thought. He akumatized Heart Hunter on purpose to affect her (an interesting change from the let's-throw-everything-and-see-what-works Hawk Moth of the earlier seasons) and carefully orchestrated the whole thing to sway Chloe to his side. He caused and took advantage of a child's distress coming from a bad home life and parental issues, giving us yet another example of how little he cares about what he has to do as long as he gets what he wants. (He beats his son in Chat Blanc. Fully knowing it's Adrien. Physically beats him up.) A lot of Chloe's mistakes can be put on Hawk Moth for manipulating her (seriously, this guy is a fucking asshole).

Yet another extra onto the end of this: Adrien. Both Chloe and Adrien are very iffy about their friendship, both saying that the other is their only friend and that they had/have no friends. And yet Adrien is probably the person who understands Chloe's conflict the most. Parent who thinks you're worthless unless you're doing what they approve of? He understands. He's probably seen how her mom treats her and understands why Chloe acts the way she does (gives a whole new perspective to all that standing up for her he was doing, hUh), but until his mother disappeared and his father went silent he wasn't able to personally understand just how painful it was for her and how hard it was to fill those expectations. And when that calamity happened he was grieving with no support system (I have no doubt Chloe tried to help in her own way, she does care about him even if she doesn't know how to express it) and was certainly not in a place to help her. Then he found new friends at school and increasingly chose them over her, adding more to her "everyone always chooses someone else over me" complex. To be clear, I'm not blaming Adrien for Chloe's problems. Her issues are her fault, her mother's fault, her father's fault and (later) Hawk Moth's fault. Adrien did the best he could as a child with no social skills. But if he ever catches up and realizes how much Chloe needs him, he would definitely feature in a prime spot in her redemption arc.

So a lot of this was my high hopes for Chloe and the show’s consistency, both of which have been disappointed. I was also caught up in a lot of Chloe love while writing this, which is why I didn’t focus on how nasty she is and has been or how she needed to make amends for it, because she very much does need to. This is just my analysis of her ‘arc’ in season 3. also sorry for the big block of text.

#miraculous ladybug #miraculous ladybug meta #chloe bourgeois #chloe sugar #technically?#just tagging that so people can block it if they want to #long post

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itsonlystrange · 4 years ago

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First off, I am not sending hate to any Mileven shipper. Everyone is entitled to their own opinion. I will only be providing actual facts and evidence, and hopefully will be staying relatively unbiased. As always, this is a PRO-BYLER account. If you do not ship Byler you do not have to read all the way through :).

This will be a 2 part series. The first part will address MILEVEN and how they will not be endgame. The second part will address the likely hood of BYLER being endgame.

So, I’ve been sucked into the Mileven side of Instagram after liking ONE Mileven edit, which is besides the point. Recently I’ve noticed a lot of people say that “They were love at first sight!” Or that “Why would they break up now if they’ve had 3 seasons of development?!” So I’m going to go ahead and supply you all with:

MILEVEN VS BYLER.

PART ONE (MILEVEN)

To start off with the first statement, “They were love at first sight!”

May I remind you how utterly mortified Mike was when he found Eleven. As any 12 year old boy would be. He did not give her any form of “heart eyes”. He looked genuinely scared. He took her home as a courtesy, not because he was “madly in love with her!”. Obviously not everyone would take home a random 12 year old bald girl, but El being taken to the Wheelers was not meant to be seen as a romantic gesture, it was literally just a plot device for the Kids to figure out she had powers.

May I also remind you that Mike wanted to get rid of her. He stated multiple times that she was just a weapon, and a device to find Will. He only let her stay BECAUSE she knew who Will was. He was fully ready to let her go, and send her back to wherever she came from. In the end of it all, he only cared about Will and finding Will. El was simply used as a device to find him. Obviously, now, I do think Mike cares about El. But not in a romantic way, more so a “cute puppy way”. I think he loves her, but that he’s not IN LOVE with her, romantically.

The show has shown constantly how horribly they work together. El’s most confident and prideful moments were when she was AWAY from Mike. Mike’s most loyal and selfless moments was when he was AWAY from El. They do not compliment eachother like that.

Second of all, they have nothing in common. In season one when Mike was explaining his figurines to El, she looked genuinely disinterested. Now some may say that this could be because she didn’t quite understand what she liked back then, which just further proves that she shouldn’t be in a relationship! If she can’t decide if she likes a dinosaur toy or not, how is she supposed to decide if she likes Mike! And we also know that she did have the ability to differentiate between things she liked as she seemed genuinely interested in Nancy’s clothes and photos. The only thing they have in common is shared trauma! Notice how all the other couples share something:

JANCY: love for writing and adventuring

LUMAX: both are comical and enjoy the cinema and the outdoors

DUZIE: science

Along with most of the other couples. But what does Mileven have In common? Can anyone please name ONE good memory between the two when they weren’t in danger. All the “good memories” they have are from when the world was ending.

If you said “Oh, but they make out a lot!” That’s not a ‘good memory’, hell, that’s hardly memorable at at all. Hoppper, Will, and Lucas even admit that for those 6 months in between season 2 and season 3, all they did was make out. That is not love, that is infatuation. Infatuation is a strong desire for someone, mainly romantic, that focuses on the physical aspects of their relationship rather than the emotional. Love is a deep rooted feeling. You do not need to make out all the time to be in love. Love is emotional, of course it can be physical, but you need that strong feeling before any physical aspect of love can be genuine.

Mileven have nothing in common. It’s very clear that Mike is still into D&D and is a nerd. Especially as he might be in the Hellfire Club next season (a D&D club) and also because we’ve seen that D&D is going to be a big aspect of season 4, meaning he’ll most likely be infatuated with it again. It’s obvious that El needs to figure herself out first. She needs to develop into her own human being. She’s still learning. She’s into poppy colors and magazines and makeup (which is great!), but even on a more basic level, they still share nothing in common. Mike is a nerd, we have established that. And notice how in s3 (when he was with El) he felt the least like himself. He acted so out of character. He didn’t use weird Star Wars analogies or gush about the new movie coming out like previous seasons. Now of course one could say that he’s growing up, but we see that he is genuinely still a nerd as when he’s in time of crisis he goes back to those analogies. He goes back to gushing about the new toys he’s getting at Christmas, he goes back to being a nerd. It’s almost as if he’s wearing this mask, and at the end of s3 he forgets to put it on. And then El kisses him, and he realizes that he didn’t enjoy that. So we know for a fact that he is very much still into D&D and those other shenanigans atleast to an extent, considering how happy he was to hear that Will wasnt giving up the party or D&D. Shouldn’t Mike be with someone who is atleast a little similar to him? Regardless of his sexuality, shouldn’t he be with someone that allows him to be his true self? He was incredibly Cocky and arrogant in season 3, almost like he had to be a “man” for El, and in his mind, being a ‘man’ was giving up all of the things he loved, and only kissing El, almost as if she was an object he had to obtain more than an actual human. Which Max agrees with! He treats her more so of a mask he has to wear to cover his true self. Shouldn’t el be with someone who likes the same thing she does? But then again, what does el like?! Exactly! She needs to figure out who she is before she dates anyone. She didn’t even know what shirt she would like to wear!

Now I just find this silly. Development? Really? Okay let me show you their “development”

SEASON ONE: El could only speak 4 or 5 words. They had essentially zero romantic interactions besides the kiss at the end. If El and Mike never kissed (excluding the time they almost kissed in the bathroom), people would most likely only see them as a friendship. Let’s flip the tables a bit. If El was a boy and Mike and El never kissed, this would further prove that they don’t have any romantic tension. Lucas says it the best: “You only like her because she’s the only girl who isn’t grossed out by you!” Which I agree with completely. It’s more of an infatuation. Mike is infatuated with the idea of finally having a girlfriend. Because he knows something is wrong inside him and wants to ‘fix it’ by dating a girl, as if suddenly his sexuality identity issues would disappear. El doesn’t know anything about Mike, and to El, Mike is a hero. To El, Mike is fearless warrior. And Mike knows that isn’t true. But with el, it gave him the chance to start fresh. It gave him the chance to start and become a different person. He puts on his persona of being “strong” and being able to stand up for himself, yet in the end, it’s El who does the saving. The reason he ‘likes’ El so much is because she isn’t disgusted by him. But mike is afraid that if he shows his true self, El wouldn’t like him anymore, and he’d lose that mask. And without a girl to cling to, he’d finally have to confront his sexuality. Which is why we never see Mike being his true self around El. In every single season, he is this false person. He’s wearing a facade, to keep up with these lies. Because he fears that If El knew how nerdy he really was, she’d be uninterested, and he ‘can’t lose her’ because he knows that El is most likely the only girl who will never be grossed out by him. Because all the other girls in this town know who he is. That nerdy guy from the AV club. And he needs a girlfriend. He feels safe that way. Because if he doesn’t have a distraction from his sexuality then he might take an extra step on accident and accidently act on those feelings

Ep 1: making out

Ep2: breaking up

Ep 3-6: fighting

Ep 7: neutral

Ep 8 ½ : neutral

Very end of ep 8: together?

How is that romantic? So from what we know, Mileven got a kiss in season 1, a kiss in season 2, 2 make out sessions, and then they fought. HOW IS THAT A GOOD RELATIONSHIP?

90% of their relationship throughout all 3 seasons has been kissing and fighting. That’s literally it. Not once have we seen them just hanging out and talking. Not once have we seen them go on dates. And as Hopper, Lucas, and Will put: that’s all they do! The Duffer’s purposefully put that line in to show that, it’s really all they did for those 6 months. There was no emotion to that. Just kissing. That’s it. Kissing and fighting is all Mileven has been. And honestly they would have been pretty cute in season 3 if the Duffer’s hadn’t messed it up. But the duffers aren’t stupid! They did this on purpose! Because they wanted us to disagree with Mileven. They wanted us to find it obnoxious. Because they know that they don’t have chemistry! Finn and Millie are brilliant actors and could have definitely pulled that off, meaning the Duffers had to have specifically said to “not act in love”. Mileven is a summer fling, Finn said so himself. They are their true selves when they are apart, and when they are together romantically, they stunt each other’s growth. They’re way better as bestfriends. El needs to figure herself out before she can date anyone.

Thank you for reading part one! Part two will be up soon, and will follow why I believe Byler will be end game!

Heavy inspiration from @kaypeace21 & @hawkinsschoolcounselor

#stranger things 4 #stranger things #byler #byler rights #byler theory #stranger things theory #anti mileven #byler is endgame #st4

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theromanticrationalist · 4 years ago

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For All Mankind's season 2 finale was just incredible. In many ways, I have been really impressed by this show and how they have been able to incorporate space exploration into the intimate threads of human history. The Moon, space, leaving the confines of the Earth's atmosphere, exploring the great beyond - all become catalysts for each of the individual characters - representing each of their own struggles. Because, as I believe, reaching out towards the stars ultimately becomes about reaching within the human soul - looking outward, is looking inward, and vice versa. The two are inexplicably entwined, and this show does a pretty good job at showing this.

More fan girl thoughts below the cut. . .

- Gordo & Tracy Stevens

I feel like this is best exemplified in Gordo and Tracy's story. I don't have time to outline it all at the moment, but the Moon becomes the stage upon which their hearts are made bare. It is so rare to see a redemption story, and a redemption story of a marriage no less, showcased with such power. I will forever be blown away by this story. *lays down* - *cries* - *cries a lot*

- Margo & Sergei

UH ... YES PLEASE.

A forbidden Soviet Era romance??? Yes yes yes yes yes. I need this! THANK YOU FOR ALL MANKIND. The both of them are my absolute favorite! Just. Everything about them. How they are the same and how they are able to communicate almost as if they are reading each other's minds, and the way Sergei looks at her, and the way Margo blushes and can't even look at him in the eyes, and just . . . *incoherent fangirl screeching*

I really feel like Margo knows the door that she opened. I hope the writers don't make her dumb in the next season - just some love struck nerd girl. Margo is naïve and lost in her own world sometimes, but she isn't stupid. I feel like after Sergei's call, she was realizing the full ramifications of what she had done and what this could mean for her and Sergei's complicated relationship. (Not to mention her standing with her own government and country!)

So, you know what I want to see?? I want to see Margo and Sergei play the most expertly played game of espionage ever orchestrated! I want to see them give false information to one another, and they'll personally always get offended by it even though they both know this isn't personal at all - they'll twist and turn words, double - triple! - meanings - are they enemies? Are they friends? Are they lovers? Do they even know? Maybe! Maybe not! How can they hope to be anything more when they are serving countries that are always on the brink of World War III? And yet!!!

And always Sergei will have stars in his eyes when he looks at her, whenever she does something impossibly clever, and Margo will always wear his favorite color and be speechless around him whenever he is trying to be charming.

I LOVE THEM. FOR ALL MANKIND YOU GAVE THIS TO ME NOW DON'T RUIN IT FOR ME

And let me just say that once again Margot is basically just me. OF COURSE she would fall for the enemy! Totally on brand. I get you, girl! I get you so hard!

<holding up my fingers like the Ben Wyatt meme> It's about the "it's complicated..."

- Danielle Poole

QUEEN. MY QUEEN. I knew she would come through and pull off the Soyuz mission with flying colors! And Danielle & Stepan have my heart! I knew Stepan wouldn't be able to resist her in the end, and that he would have his little Soviet heart melted in no time! 🥰🥰🥰 That whole moment of them defying their governments and choosing peace and brotherhood was just so beautiful. (I was pretty much an emotional mess the entire finale...) Then the gut punching realization that many American's didn't even get to see the historical moment live on TV because they were in the Fall Out shelters. Uuuuuugh. This show is SO good at building the emotional drama of this unfolding history. It feels so real! But it also feels very much like it could part of the Star Trek universe. They are exploring similar utopian and humanistic themes, and so I think I am going to make it my headcanon that our alternate history is part of the Prime timeline. It's official. I have declared it.

Speaking of Star Trek, though, I was tearing up when Danielle was quoting Star Trek. OF COURSE she is a Trekkie - OF COURSE. She is perfect without flaw. The most precious angel! I just wish she had more screen time this season, but I loved her story this season regardless!

- Thomas Paine

I never got to properly mourn the passing of Paine! I was pretty upset that he died, and just when he was becoming such an awesome character! (HE LOVED SPACE THE ENTIRE TIME OMG MY HEART.) However, I realized he was like the Agent Coulson of this show. That awesome side character with an unusual and unexpected quirky personality whose death becomes a catalyst for the bigger picture! Ellen is doing an incredible job within his place, though, and I love what it is building for her character (even if her story is SO SAD). At any rate, Thomas Paine shall be missed!

- Molly Cobb

Molly Cobb is BOSS. Her heroic moment on the Moon was such an amazing highlight for this season for me. But I am loving how they have taken her character in an unexpected direction, down a harder and more humbling road. It is heartbreaking, but such a deeply human story. Her taking her plane and trying to escape from the Earth's atmosphere was like the most DRAMATIC AF moment (omg this show), but also, I felt that too. I also loved her and Wayne's struggle through what Molly is having to face. They're marriage is so strong - perfectly challenging one another and carrying one another through life. I love them! This is going to be painful watching what Molly will have to go through, though.

- Karen

I do want to say a few more words about this whole debacle. The fact that the writers completely obliterated the Baldwin family is something I will not forgive them for, and it was very poor choice on their part, most especially how it came about. To me, the Baldwins have always been the anchor point of the show, but now they are all just kind of pathetic, as the trust in their marriage is broken (for no reason) and all so that Karen can go "find herself".

Now, it has always been a part of Karen's character arc that she needs to find her own identity. She gave herself to her family, putting herself last, and that isn't a good thing. Although we should be reminded that a woman serving her family as a wife and mother is NOT shameful, and so there was literally no reason for the writers to deconstruct this when it was actually a beautiful thing. Things aren't black and white. Karen can be both proud as a dutiful wife and mother AND have existential dread over her own identity as person. BOTH realities can be true and exist together! You don't need to destroy the one to have the other! It's called N U A N C E. Something American tv writers utterly lack in their writing now a days.

Regardless of all this, though, and the disturbing, messed up nature of Karen's affair with Danny - I am sick and tired of how often shows and movies depict a woman's exploration of identity through her sexuality. I find it to be really offensive. As if liberating a woman's spirit means turning her into a horny sex fiend. Sexuality is but one dimension of a woman's identity, one dimension amongst a thousand. To reduce her down to this basic and crude physical dimension, as if somehow sleeping around, having affairs, masturbating, etc, unlocks her deeper self, is really insulting to women as human beings. Being an independent, confident woman comes from a deeper place of the mind, heart, and spirit that embodies her entire person as a holistic being. We are more than the sum of our parts! Please, writers, for the love of God, stop making us into rutting animals!

Suggestion: American writers, creators, directors, just go read Charlotte Bronte's Jane Eyre. She'll wipe the floor with your pitiful displays of female independence. I have never seen any modern writer even come close to what Bronte was able to to achieve with her masterpiece. She was able to truly showcase the power, dignity, and grace of a woman's spirit flawlessly - showing how freedom and independence does not mean free to do whatever you want with whomever you want defying all traditions, religion, expectations, and principles - but is a state and quality of mind, that even in the most dire and unbearable of circumstances, your spirit remains immutable. A woman's strength is compassion in the face of adversity, serenity in the face of devastation, and strength in the face of oppression. THAT is true womanhood.

#lots of thoughts #my thoughts #for all mankind #this show has taken me to transcendent heights #but also has plummeted me into the deepest lows of disgust #it's going to be like this the whole time isn't it #margo madison #danielle poole #molly cobb

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thejustmaiden · 4 years ago

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Heyo, fellow Inuyasha fans! Happy Friday! This particular blog will serve as a collection of random thoughts I’ve been mulling over lately. Hope you’ll consider giving it a read. By the way, it’ll specifically pertain to the Sessrin ship. If that’s not something that is of interest to you, then no need to read any further. Whatever happens, I wanted to get this out before the sequel. Alrighty, let’s go!

I’m not sure many of us realize just how much fiction sparks public dialogue and shapes culture. There have been countless studies and research done to prove it, therefore this really isn’t up for debate. What the real question here should be is have we taken the time to fully contemplate and assess just how much fictional experiences are able to change or influence our perspective on real, everyday life? The visual arts are just one of many evolutionary adaptations that serve to give us more insight into one another’s mind. If our outlook on fiction contrasts with said insight, then perhaps some re-evaluating is in order.

Powerful works of literature such as 1984 and the beloved Harry Potter series are just two examples. George Orwell’s book contributed strongly to how readers viewed government and politics during that time, and to this day it’s a book that resonates with many. As much as Harry Potter is cherished all across the world, there are religious and academic institutions that condemn it or have even gone so far as to ban it. I may not agree with the extreme measures taken, but it’s fascinating nonetheless to witness the extent to which fiction can move and mobilize people for a cause.

The takeaway is that indicating fiction doesn’t have the power to create change in our everyday lives is misleading to say the least. So how exactly then can fictional stories that are, after all, completely made up affect society in such profound ways? It all lies in the power of the psychology of fiction. According to cognitive psychologist and novelist, Keith Oatley, who’s been researching the psychological effects of fiction for over a decade, he states that engaging with stories about other people can improve empathy and theory of mind. When we identify with these characters’ struggles, we begin to share their frustration for societal problems that plague them. These types of stories tap into our emotions more so than- believe it or not- nonfiction, and thus their effects inspire us and even have the ability to alter our worldviews.

I’ll be returning to that specific topic a bit later, but moving on for now!

It’s safe to say that I speak on behalf of the majority of antis. That being said, I first want to add that we are aware that sessrin shippers claim to agree that there was nothing inherently romantic that took place between Rin and Sesshomaru during their travels together. The thing is we have trouble believing you guys when you time and time again provide contradictory statements to defend your stance.

Voicing things like, “all signs point to Rin” and “it’s been foreshadowed” sends the exact opposite message of what you supposedly stand for and, if anything, confirms that you’ve had romance on your mind long before it would’ve been acceptable to come out with openly. You can’t just go along with what we say when it’s convenient to your argument and then back it up later with “who else but Rin.” How can the relationship you’re imagining be so obvious if they didn’t hint at it for the whole duration of the original series like we agreed upon? Elaborate on how we could’ve possibly come to such wildly different conclusions when we started AND left off with the same views for and throughout the series.

On top of that, making the excuse that we don’t speak for adult!Rin and that she has the right to make her own decisions once she’s old enough is a weak defense. Firstly, because we haven’t even met her. Secondly, because it’s unfair of you to assert that you know what’s best for Rin and then say we’re not allowed to just because it doesn’t align with your beliefs. I get that you feel protective over her character, but do recall that this adult version of her none of us have actually met yet. We have no idea what kind of woman she’s become, what her dreams or aspirations may be, and whether she’s married or even wants to be. I’m not against the idea of her falling in love, I just don’t think it’ll be with Sesshomaru. I guess I’m also a fan of the idea of her following in Kaede’s footsteps, because if anyone can grow up to be an independent, trusted, and wise leader of the community like her it’s Rin.

To make matters worse, way too many of you continue to celebrate the drama cd and profess that it was sweet that Sesshomaru basically promised he’d wait for Rin all while somehow ignoring the glaring grooming implications. Why do you only see what you want to see and fail to acknowledge that actual child grooming scenarios do in fact play out like this in real life? A high percentage of people who have been victims of grooming can attest to this. If Sessrin does go canon, all the sequel succeeded in doing to avoid the direct correlation with grooming was skip over the more questionable and dodgy portions of it. Take out the time jump, however, and you no longer have a loophole to cover up the scary unmistakable truth, which is that Sessrin and grooming are essentially one in the same.

No one case is identical to another so please don’t come to me with your “but how is it grooming if Sesshomaru didn’t manipulate Rin” refutes. Nobody knows what the hell went on during those years between The Final Act and this upcoming sequel. Based on everything exhibited so far- that is if we decide to recognize the drama cd like so many of you choose to do- Sessrin’s dynamic is eerily reminiscent of real life child grooming. Why else do you think a lot of us fans have a huge problem with it? It’s triggering for a reason.

Let’s be honest, Sesshomaru’s supposed love confession could’ve just been the first of many gestures like it. Who really knows, right? According to you shippers, a major shift in their relationship took place sometime during this critical period none of us got to watch unfold. I’m sure you all have explored the various ways this would’ve gone down in fan fiction and through other creative means of expression. Not to spoil the fun, but all I can’t help but wonder about is just how many of those supposed “cute moments” would’ve been as creepy and cringey as that proposal. Hundreds of thousands (possibly millions?!) of fans would undoubtedly agree with me, too. It seems to me this ain’t due to a mere difference of opinion. Taste is one thing, ethics a whole other.

By the way, in case you didn’t know, groomers don’t necessarily need to plan out every single move in order for their behavior to constitute as grooming. What we should be paying attention to instead is the fact that Sesshomaru made a conscious decision to act on his own selfish desire for a young girl who couldn’t have possibly known in that moment the magnitude of what he was asking of her. Why is it that a vulnerable Rin is put in a position that forces her to be the one responsible for making such a big, life-changing decision for the both of them? Yes, Sesshomaru gave her the choice and, yes, she doesn’t have to make it till later, but why on Earth is he coming to her with this well before a child her age is ready and mature enough to handle it? Even if his intentions are good (broadly speaking of course), his what you shippers probably call “innocent acts” are incidentally coercing Rin into reciprocating his feelings. Whether he planned for that or not, he’s at fault. Period.

That’s one way the power imbalance works. A child wants nothing more than to please the adult they look up to and adore, because they’re impressionable like that. Maybe Rin processes this like she’ll want whatever he wants, so that’s what she trains herself to believe- either right then and there or over time. Plus, if you really think about it, why wouldn’t she trust him if in her eyes he’s been nothing but good to her and that’s all she’s ever really known? (Psst! Charm is integral to the manipulative nature of grooming so it’s deceiving AKA manipulation can come off as praise or flattery.) Bottom line is that Rin is too young to have to think about this kind of deep stuff at all, and Sesshomaru shouldn’t have taken advantage of the power he had/has over her to influence a decision she was by no means prepared to hear about much less decide on. Your headcanons seem to imply that she’ll eventually have to choose though, and Idk about you but I rather not push my own fantasy agenda onto a underage girl regardless of how much I want it. Idc if she’s fictional, it wouldn’t feel right so why would I want to see that? My principals couldn’t ever allow for it.

Even if it wasn’t an official proposal, per se, it’s still disturbing to me that so many of you find joy in the thought of a grown adult male essentially waiting for a young girl HE KNEW to become old enough before pursuing her. I know this drama cd ain’t technically canon, y'all, but since this is literally the only source we have that may foreshadow a potential Sessrin to come, and it’s referenced a lot, I figured it still should be called out for exactly what it is- Grooming: 101!!!!

Just as I demonstrated above, fiction has the ability to make even the most inappropriate and uncomfortable situations be viewed in a favorable light when you put the right spin on it. *cough* Lolicon culture, need I say more? *cough* Despite what you may believe, the strategies fiction utilizes to explain themes/concepts can genuinely lead to how we perceive them, and ultimately to how we come to make sense of a similar event presented to us in real life. Especially if we have no prior experience with any of it and have nothing to compare something to, these perceptions can be dangerous yet still persuasive to certain fans- young ones in particular. The more narrative consistency across stories and different mediums, the more likely they’ll influence social beliefs. Minors don’t possess the same capacity as adults to think critically about the content they consume, and if we aren’t more careful about what we put out there then all of us will continue to face serious repercussions.

This is precisely why it’s crucial we persist in our fight against the rabid phenomenon of glorifying young girls in every sexual context imaginable. Just look at what something as seemingly harmless as fiction has the power to do. The scope of fiction is broad and far-reaching, and it’s about time we stop denying that fact and actually do something about it if we have the means to.

The truth of the matter is that we’re in desperate need of proper education and training programs on this issue in our communities. Families need to ensure their children have access to the necessary resources, but it isn’t just on them. ALL of us gotta do our part and ALL of us should be up for the task. It takes a village, right? If we do not properly discuss and address child sexual abuse (CSA) with our children and in public forums, including the internet, then we’re ultimately accepting incidents of CSA should they arise. Consequently, that also translates to indirectly accepting that the predators among us stay untreated and/or unpunished. That’s how the generational and societal aspect of the abuse can continue, and we must do everything in our power to secure our children’s future. Yes, even when it comes to fiction.

If you still somehow don’t think the Sessrin pairing has anything to do with grooming, allow me to break this down for you one more time:

1. If some of your fellow sessrin shippers say that a relationship like this in real life is harmful, then that should be pretty telling in and of itself.

2. Piggybacking off #1: if your only defense to that is “well it’s just fiction,” then you should ask yourself why you can’t ever come up with better reasons. Same goes for history and culture, so please stop using those to justify this relationship. None of the above can or should be applied since it’s already been established that fiction pervades our lives and vice versa.

3. If fellow shippers who are victims of grooming say they are drawn to Sessrin because it allows them in a way to “take back control” from their abuser so that they can better cope with past traumas, then they’re inadvertently admitting that Sessrin does possess qualities associated with the past child sexual abuse they underwent. AKA Sessrin is relatable for its abusive dynamic.

I have to ask by the way, but why do you get so offended when we don’t support your ship anyway? Is it because we interpret it to be controversial and you don’t like your ship getting a bad rap? Is it because it would be insulting to admit that antis actually have a point in it being problematic and you rather double down instead? Or is it because you’re projecting yourself onto Rin and prefer to not go into detail about why that is? Maybe it’s too personal, or maybe it’s because deep down you’re ashamed. Of course that doesn’t mean you’re bad people, but suppressing these kind of negative emotions can’t be healthy for anyone. A little awareness and self-reflection on your part can benefit not just you but all of us in the long run. Cognitive dissonance can suck, but it’s also part of being human.

I recently came across a comment I’d like to share with you. Unfortunately, this is not the first time nor will it be the last I see the likes of it. Anyway, in it a fan stated how embarrassing it must be being an Anti in this fandom when an episode like “Forever with Lord Sesshomaru” exists. Guys, this shipper and all those who liked their post are showing their true colors. Perpetuating and/or anticipating these sexualized images of young girls is a grave issue in both our society and media alike. I think we can all agree on that, or at least I hope so. It’s remarks like these that prove we still got a long way to go in terms of progress, and if we ever hope to effectively reverse some of our backwards way of thinking. So serious question for ya in regard to this: Why is it too much to ask that grooming be portrayed for what it is? Grooming. To clarify, grooming is bad and needs to be painted in a bad light. It’s as simple as that. If only we could all acknowledge it for what it is, we wouldn’t be in this predicament.

Historical accuracy and cultural differences aside, it appears the crux of the matter between Sessrin shippers and Antis is our acceptance and/or denial of fiction’s influence on real life. If we can’t agree on this, then we’ll never agree on anything else. As mentioned earlier, there is more than enough evidence to support the idea that fiction impacts our lives in extraordinary ways. I, for one, believe in the transformative power of stories. I think they do more for us than many of us give them credit for and/or are inclined to admit.

This is partially why I believe that the majority of sessrin folk are missing the point most of the time. All they do is focus on insignificant and irrelevant information that accomplishes nothing but more gaslighting and strawmanning. Whether it be an intentional or unconscious decision, whatever we argue goes right over their head. All they do is throw around deflections and antagonizing remarks that serve no real purpose other than to make Antis out to be the unreasonable and irrational ones. Making connections between our own lives and our stories is a completely natural and normal occurrence. If those particular shippers insist on denying just how interconnected real life and fiction both are, what that tells me is they’re either out of touch with reality or deliberately choose to be.

Just to be clear, I am of the opinion that most if not all antis aren’t real life predators. If they say they aren’t, I honestly take their word for it. Speaking to Sessrin shipper directly: We know it’s not Sesshomaru you want to be but Rin. No, we’re not calling you pedophiles or groomers. None of us think you are using a fictional ship to attract underage fans to be the Rin in your life or anything of the sort. We are well aware that many of you are self-inserting yourself as Rin, so please don’t feel the need to tell us yourself because that would be stating the obvious.

I learned from a few of you since this sequel was announced that the Sessrin relationship isn’t just a ship but an opportunity for you to confront the person who used and abused you. So there’s two issues with this I’d like to raise. (Sorry if I’m repeating myself, but it’s urgent I stress this again!) This is what I have to say:

If fiction does not affect real life or have the ability to normalize anything as you claim to believe, then why does “fixing” what happened to you via your preferred choice of coping associated with these two characters in the first place? Why bring your past abuse into this at all if at the end of the day it’s “just fiction” and nothing more to you but a source of entertainment?

By confessing that you use Sessrin to cope with your past trauma, you therein reveal that Sessrin does in fact resemble an adult-child relationship with a grooming dynamic. So why then would you want other fans to be exposed to a pairing that brings to mind the very abuse you endured? We’re supposed to stop this toxic cycle- NOT find more ways to manifest and relive it, much less subject other fans to it.

You may think that Sessrin doesn’t fit the textbook definition of what child grooming is, but that’s not to say it doesn’t embody it or that it doesn’t at the very least have traces of it that stand out.

“Antis are miserable people who don’t know how to enjoy a good story. It’s just fiction, stop ruining it for other fans!”

Well, no, it’s not just fiction or just a story. Some of you evidently went and proved that yourself, and without my help, by revealing how you relate Sessrin to your own life and apply it to cope with past abuse. Past abuse or not, as far as I can tell we’re all equally invested in these characters. That speaks volumes and just goes to show that fiction touches our lives in long-lasting ways.

I have something I want to say concerning some of who believe that it’s inconsiderate of antis who have been victims of grooming or another form of child abuse to tell other victims who ship Sessrin how they should cope with their trauma. Now as much as I respect the various means victims discover to deal with their painful pasts, there’s always an appropriate time and a place for these things to occur. We must seek out better ways to safely cope with the abuse we lived through (if any) without running the risk of hurting and endangering others.

There are plenty of fans in other fandoms who don’t try to defend their ships going canon, because they’re able to recognize an unhealthy or toxic pairing when they see one and won’t try to justify it. A Sessrin romance simply does not belong on a show geared towards teens, and I really don’t need to go into detail about why we shouldn’t support it, at least canon-wise. Shipping Sessrin is your right, but if you don’t keep it to yourself and your corner of the fandom then you really shouldn’t be surprised by the opposition. All we ask is you respect that their specific dynamic falls under the category of child grooming (or very close) and should be treated as such in public. The world of fiction may be wider than the world we live in, but that doesn’t always mean “anything goes.” In the creative spaces our minds occupy we must still adhere to the same fundamental and moral guidelines we live by in life. There’s nothing wrong with exploring new terrains and experimenting with ideas, but we must also remember that our stories are all about communicating and connecting with people. So let’s please be more mindful of the sort of messages they’re sending.

Besides, this isn’t only about you and what makes you feel safe, it’s about all of us. I don’t know how much more I can stress that really. How can thoughts endanger our children, you ask? Well, it’s not like we’re suggesting that our thoughts can jump out of our tvs, materialize themselves, and place kids under mind control. The forces behind fiction are a lot more complex and nuanced than a “monkey see, monkey do” approach, so don’t waste any more time trying to describe that to us. You’re taking this argument in the wrong direction.

Take the “violent video games breed killers” theory. I’m afraid you’re misconstruing what we’re saying and then taking it quite too literally. Please stop twisting our words, because nobody on our side is saying that just because you play violent video games that you’ll become a violent person. The Sessrin equivalent of that would be if you ship them then you must be a pedophile or turning into one. *sigh* I know you guys are feeling attacked, but I’m afraid your defensive nature is keeping you from thinking straight. Clearly, there are always exceptions (I’d recommend reading up on the Slender Man case), but Antis aren’t saying you’re one of them.

You see, it’s not so much about the content as it is the notion of the content. Kids and teens who are playing these video games have been informed that killing is wrong, because they grew up learning that early on like the rest of us. No sane person would advocate for violence and nonsensical killing in real life. Since they fully understand the severity of the consequences of killing a person in real life, they are able make a clear distinction between the two. When it comes to killing there is hardly any ambiguity. Sadly, that is far from the truth when it comes to sexualizing girls. It should immediately be perceived as wrong leaving no room for interpretation, and yet here we are still putting up with these inaccurate and demeaning female representations.

Most children who have been groomed don’t realize it till years down the road. If they aren’t ever taught the telltale signs to properly labeling grooming situations, how do you expect them to make sense of and relate to a fictional version? Let’s think of about it from a child’s perspective. Yes, this includes teens who rely pretty heavily on adult guidance and the content we put out there for them. Put yourself in their shoes for a moment and picture that you’ve never had child grooming explained to you (because that’s just the reality for so many unfortunately). Wouldn’t you say it’s possible for them to deduce that what they see on their screens is how they come to discern something in real life, especially if they have little to no experience with it? Perceived realism is plausible, y'all.

What it comes down to in the end is that the ideas and emotions we cultivate behind these stories leave an impression on others. Impressions are capable of influencing the way we see the world, which in turn affects us and beyond just our imagination. The way I look at it, stories contribute to how and why we normalize certain beliefs and trends. If fiction reflects real life like most of us tend to agree, then wouldn’t you say Sessrin is a (in)direct result of this world’s tendency to place young girls in overly sexual or romantic environments? Where do you think fiction draws its inspiration from? Sure, some of it originates from our imagination, but most of what drives us to create these stories is the real world and the people who live in it.

Fiction is meant to mirror reality, but it’s ridiculous to suggest that it’s only a one-way street. That fiction in no way, shape, or form influences our reality? Or that it only works the other way around? With all due respect, that’s simply not true. No productive discourse can be had if we choose to ignore the truth and don’t come together (at least halfway) to tackle the real issues at hand.

Okay, I think I’ll leave it off there! Thanks so much for reading. I expect this to be my last blog on any topic regarding Inuyasha in the near future. As much as I’ve looked forward to answering all of your asks and writing all the blogs I have over these past almost 5 months, I think it’s best if I spend some time away for now. With the sequel fast approaching, I’m doing what I always do: hoping for the best and preparing for the worst. I’ve met some amazing people along the way, that’s for sure. And who knows, maybe you’ll see me active in the tags sooner than we think. Until then, it’s been an absolute pleasure! Enjoy the sequel, all of you. 💜

#inuyasha #hanyo no yashahime #anti sessrin #it's been real y'all #catch ya on the flipside #(which I hope is in a promising sequel 🤞)

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watchingspnagain · 3 years ago

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Meet Mace

Hi, I'm Mace, and this is my Intro Post. Ab Spectando Condito and all that. (I sometimes channel Livy when I'm nervous, don't be alarmed.) And I'm nervous because my memory is absolute crap so I can't actually remember all the details here, even though this all started only, like, two years ago. It's also hard to wrap my head around the idea of trying to describe this thing that Lor and I have started (created?) and how and why it has become so important. So, well, bear with me.

Okay, here goes: For years friends had been telling me that I *needed* to watch Supernatural; it was right up my street, they'd say. But I kept putting their recommendations aside, thinking that, sure, Dean from Gilmore Girls is in it and he's adorable, but that other guy looks like a frat boy cliché, and overall the show seemed like it was probably Buffy but with Dudes (and I LOVE Buffy and will brook no substitutions or messings-with The Buffy). Eventually I decided to give it a try anyway, a decision wholly based on how hilarious the memes were. Maybe the non-Dean guy (His name is Dean? *His* name is Dean? Wait, no, that's not...but why tho?) isn't so bad? The first attempt didn't go well: my husband, who is so very not interested in SPN, was away on a business trip and I waited until my then-10yo son was in bed, crawled into bed myself, and started the first episode. At night. Alone. I made it 10 minutes before actually saying out loud, "NOPE" and turning it off. Cripes, that first episode (and most of the first season, really) is actual, full-on scary! I mean, what. Why have Handsome Boys making Hilarious Quips on a show that I can't watch because I'm too scared?! Sort of rude, to be honest.

And that was it for, I think?, a couple of months or so. Then - and this is one of the places where my memory gets foggy (I tried three times to type that correctly and the first two came out as "goofy" and honestly yes that too) - the watching of SPN was mentioned on another site I spend much amounts of time on. I suspect Lor remembers the details much better than I do, but somehow we starting talking about how we both had been thinking about watching SPN for a long time, but hadn't actually done so because past attempts on both sides had resulted in fright and flight.

Now, Lor and I have been friends on that other site for several years, but never before really corresponded much outside of that site's chat-like forum section. I pretty much admired her from afar, as it were, and held her as a Fantasy BFF in my daydreams - she was (and still is to this very day) cool and *so* clever and smart and had (and still does to this very day) such a brilliant knack for turning a phrase and I admired (and still do to this very day) her wit and snark and general amazingness, but, again, mostly from afar. So when we somehow decided to try again with Supernatural, but this time together, I was ridiculously excited. I had no idea, though, just how life-changing that decision would be. We bonded, it seemed, almost instantly over our love (second time is the charming one, I guess?) of the show and over discovering how much we have in common with each other. It's comical, almost, just how alike we are in all kinds of areas: similar childhood experiences, nearly identical (like, eerily so sometimes) tastes and opinions on all manner of things, and we're essentially twins in our list of Things That Make Our Anxieties Spike.

We started off watching the episodes separately (I think I was a little ahead of her for a bit? Gah - stupid faulty memory) and then typing up our comments and emailing them to each other, then responding with comments on our comments. And it quickly became one of the highlights of my days, getting those emails, reading through her clever and hilarious remarks, feeling pure glee when we had almost exactly the same thoughts - sometimes even typing the exact same phrases, word for word. This, then, at some point, evolved into watching the episodes at the same time and live-texting each other, which means that now we very often are typing exactly the same reactions, word for word, and then geeking out at how SAME we are in real time. Of course we have differences, too, but even those seem to complement each other: she's the Hufflepuff to my Slytherin; she's a Dean girl and I'm a Sam girl (well, and also a Crowley girl - Sam girl in the streets and Crowley girl in the sheets?); she likes Wuthering Heights, which slightly baffles me but, okay, because we both agree that MacFadyen is the best Darcy.

We had big plans to have a meet-up to watch the series finale together. See, we've never actually met in person. We became friends online, then became closer friends through this mutual SPN watch, but that's also online. And so I've never been face-to-face with my best friend. Because the meet-up for the finale didn't happen, of course. Because Covid, of course. For both of us, anxiety added a special sauce of NOPE to leaving the house this last year and we've both, I think, been pretty much isolated, staying home and not having much interaction with others outside the other members of our households. Which means that our SPN watching and our growing friendship took on an even greater meaning and importance for me. I'm honestly not sure that I could have handled the massive stress and anxiety of this last year without Lor's friendship. It just feels...natural, at this point, that I spend my days texting her back and forth about all sorts of things, the small and mundane to the big and important. Lor has become a huge part of my life and if a full day were to pass by without talking to her, I'd feel that loss fairly keenly. On some level it seems pretty bizarre that I owe such a debt of gratitude for this amazing friendship to a TV show, but here we are. This show, its characters, and the actors and writers who have made them so outstanding and special? Well, I owe them all incalculable amounts of thanks.

Anyway. So.

We're now on our second go-round with our SPN watching (because I think neither of us can now even begin to fathom a life in which we're *not* watching this show together), and Lor, (hello - did I mention she's brilliant and amazing?) low-key drops the idea that we should be blogging our live-text conversations. We've talked before about really wanting to have a record of *waves hands around* all this, and a blog seems like a great way to do that, regardless of whether anyone else ever reads it. I'm content for it to be an open and ongoing love letter to Supernatural and to our friendship, even if it remains a largely unread one.

And finally, here are a few Thing You Should Maybe Know About Me:

I'm a farmer's daughter with a PhD in Classics, a one-time professor, turned stay-at-home mom, turned part-time librarian, turned Classics prof. again, living in the Midwest with my husband, 12-going-on-80yo son, and a goofball of a golden retriever.

I love reading as much as I hate housecleaning, and I'll read pretty much anything unless the dog dies or the child gets hurt.

I also really like knitting and sewing and one of my very favorite things is to make ridiculously-tailored Halloween costumes for my son (thank the gods he's totally into it, too). I missed my calling to be a cosplay designer. Maybe in retirement...

I fall in love easily and fast and hard for fictional characters, especially the ones that are 1) evil and/or generally villainous, 2) tormented, 3) super smart and/or skilled, 4) filthy rich, 5) completely unattainable, and if they're all of the above, Holy. Damn.

#watchingspnagain #watchingspnagain intro #watchingspnagain mace speaks

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sepublic · 4 years ago

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Eda and Willow

All right, but @megadan94 brought to my attention that Eda and Lilith parallel Willow and Amity, and I’m kind of caught up over this idea?

There’s that idea that a perceived power disparity separated the two… In Lilith’s case, she saw herself as weaker than Eda. Amity saw Willow as weaker than her, or at least her parents fed this idea into her head and used it as justification, until even Amity began to believe in it… At least to the point where I believe Amity low-key began to blame Willow for not being strong enough to be her friend. Obviously the parallels aren’t one-to-one here, but they never were amongst various character’s compared and contrasted relationships…

Additionally, you have Eda and Willow as being innately talented and powerful, much moreso than Lilith and Amity! Lilith talks a lot about having to work smart to keep up, and Amity of course likely has her own natural skill as well; But it’s not as much as Willow’s, and it’s not enough to keep up with her parents’ incessant expectations, so she really has to invest so much time and energy into being the absolute best. Amity and Lilith, of course, also want to be in the Emperor’s Coven- Well, Lilith wanted to and then WAS, but now she’s left and is open to realizing how much it truly sucked in retrospect. Amity and Lilith both have a lot of genuine skill and talent; But they constantly feel the need to be better regardless, because they’re always compared to someone who’s naturally better…

In this scenario, we have Lilith comparing herself to Eda, competing for that spot in the Emperor’s Coven- And then we have Amity likely being set up against Emira and Edric. It’s a mutual feeling of never being good enough, and not being able to recognize your own worth… Likewise, Eda and Willow are incredibly powerful, although both were restricted by the Coven System, and left unable to really explore their talents. Eda couldn’t pursue all forms of magic, Willow was stuck in Abominations… It’s only by an act of defiance to the rules that they’re ultimately given the chance to explore themselves. Eda and Willow also arguably have a nurturing side to them, compared to others in the show; Eda has her motherly instincts with the Bat Queen’s children, and Luz and King for that matter… While Willow is incredibly nurturing to her plants, and encourages the best growth out of them.

Eda and Willow encourage others to be the best they can be; And you can make that comparison between them and Luz, who plays a HUGE role in both of their lives, too! And while it’s not overt, and possibly more speculation than actual canon… It’s worth noting that even with Willow’s past issues with Amity, she never really brings them up, nor does she get in the way of Luz’s friendship with her. Maybe she might’ve brought it up out of potential concern for Luz; But otherwise, Willow didn’t want to impose her own experiences onto Luz’s, and she wanted Luz to form her own opinions on the subject.

And that’s… A LOT like Eda’s stance on Luz, joining Hexside! Hexside hurt and traumatized Eda, just as Amity did to Willow- But Eda still recognizes the worth of Hexside and what it has to offer, just as Willow knows that Amity isn’t inherently terrible and was a good friend in her own way. Eda and Willow know that Hexside and Amity mean a lot to Luz, and they don’t want to get in the way of that; At least, they don’t want Luz to get hurt. But they also recognize that their experiences may not be universal, that things may have changed- And sometimes they won’t until you put a step forward and let your loved one participate. Eda and Willow have rightful reservations about the institution/person that Luz wants to engage with…

But in the end, they decide that Luz deserves the right to form her own opinion. They don’t want to hypocritically impose their own will onto others, and tell them what to do; Not after going through the same, with Eda and Willow oppressed by the Coven System respectively. And by letting Luz engage with the institution/person that hurt them… It enables Eda and Willow to make amends through Luz, and emerge so much happier as a result! By letting Luz do what she wants, Eda manages to change Hexside for the better, and Willow also does the same to Amity- They both indirectly help the thing that hurt them, and ensure that nobody else is hurt by it either! Eda and Willow just don’t want others to be hurt like they were… And by being emotionally mature and recognizing this, they open the true opportunity to protect not just Luz, but really anyone who would interact with Hexside/Amity…

It also allows Eda and Willow to make peace with a painful past, too! Because Eda DID enjoy her time at Hexside, she had fun with Grudgby and loved learning, even if a lot of her curriculum wasn’t exactly legal… And Willow truly enjoyed Amity and cared for her and vice-versa, just as Bump really wanted the best for Eda, he was just scared by Belos! Just as Amity wanted the best for Willow, but she felt pressured by her parents… One way or another, Eda and Willow recognize the circumstances behind their split as a bit more complicated and nuanced than the other person being terrible- And this applies to Eda recognizing that Lilith was also indoctrinated by the Coven System herself. Which, coupled with their sisterhood and Lilith’s change of heart, prompts Eda to make the steps to forgive her… Or at least make amends.

This is all making me imagine Eda being hesitant about Luz and Lilith interacting later down the line- But possibly not wanting to get in the way of either of them. Because she sees how much happier the two of them are for it, she doesn’t want to unproductively bring up old pains if it only means causing a rift… And Eda knows that Lilith could really benefit from some new connections, and by getting to know Luz, Lilith can respect her surrogate daughter and better understand Eda’s own decisions in life. Obviously I can see Eda being hesitant- But she just wants the best for people in the end.

Then, you have Eda and Willow being ostracized. Bullied, treated as lesser, having their status as Witches questioned; Eda is called the Owl Lady, no doubt treated as a freakish monster, and loses her magical ability as the curse progresses. Willow is called Half-a-Witch and repeatedly bullied and tormented, until she really begins to form a negative view of herself, if Inner Willow’s raging state in Understanding Willow is any indication… Both Eda and Willow have a crisis of self-identity, of how they perceive themselves. But ultimately, Eda learns to overcome this, while Willow does so as well- Especially with Luz’s help! Both of them have also become rebels to the Coven System in their own way… Eda’s reasons are obvious. It took a while for Willow- But after seeing the injustice done onto Eda of all people, fittingly enough… She takes a stance.

Willow rallies an entire crowd at the Conformatorium to vouch for Eda’s release, thereby planting the seeds of revolution (ba-dum tsss) in a way that Eda always wanted to as a kid, but never quite could… Up until Luz arrived. When Luz the outlier arrives, she really changes things for the better, and spurs Eda and Willow to put themselves out there, to be themselves- To believe in old passions and connections they miss, while also learning to grow as individuals too! Eda learns to connect with society again, ultimately leading to her having a hand in making a change through Luz; And Willow learns to stand up for herself, recognize the injustice of Belos, and lead a protest!

They can both be powerful leaders and symbols of rebellion in their own right, so it’s appropriate that Eda and Willow serve as focal points for the revolution’s beginning in the season finale… Eda’s treatment being an example of what’s wrong with the Coven System, and Willow pointing this out to others. Willow recognizes Eda for who she is, and while a lot of this is no doubt influenced by Eda’s connection to Luz… It’s with Luz that I see Eda and Willow potentially connecting with one another more, later down the line. Maybe they have a discussion or at least see the similarities; I can see Eda thanking Willow or feeling indebted in her own subtle way, while being proud of Willow’s rebellion and encouraging it. Eda inspired Willow in her own way… And really, who’s to say Willow doesn’t inspire Eda, too?

Willow’s friendship with Luz shows Eda that there’s a lot Hexside can offer the girl; Interactions with kids her age, to name one of them! And Willow vouching for Eda shows that Eda is a worthwhile person… The protest leads Eda to realize she DID leave an impact, that others appreciate her, and it’s not just Luz or King that like Eda! Even this rando kid appreciates Eda… It was Eda who brought Luz to the Boiling Isles in the end, and it was Eda’s maturity that led to Luz getting to hang out with Willow more at Hexside. Willow appreciates Eda for who she is for Luz, and how this indirectly led to Luz’s impact on Willow; And the same could be seen vice-versa, too! Eda doesn’t care much for Willow, but Luz does, so who is she to judge- Luz deserves to interact with other kids her age, make connections with the students! And it’s all just bringing me back to Really Small Problems, how Eda includes Willow as among being her ‘dumb kids’…

Obviously Willow already has two loving fathers who are married to one another- But hey, who’s to say Eda can’t be a fun aunt to her? The more the merrier… I’d love to see Eda and Willow, subtly if not openly, recognize a shared solidarity and kinship among them. Maybe Eda says that she knows how Willow felt, when Willow brings up past frustrations with the Coven System; And I’m just enjoying that one time Eda pulled Willow’s hood over her head at Covention! Maybe Eda can teach Willow to really revel in and embrace herself, to unapologetically practice self-love, the way Eda learned. In some ways, Willow is like Eda as a kid- But things turned out better for her, than they did for Eda in the past… And Eda, she’s glad and happy for this, that nobody else has to go through what she did! And Willow can show her that, hey, things can turn out better for Eda too- Not just for the present, but even retroactively with old mistakes and grievances addressed.

#the owl house #owl house #the owl house willow #willow park #willow wednesday #the owl house eda #edalyn clawthorne #meta

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scritch-scratches · 4 years ago

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Hi! I have questions about Dominoes, if you're comfortable with them. 1. Has your opinion and perspective on your plot outline and characters changed at all since you began writing them? 2. What was the most fun/interesting part about designing Dominoes' world and characters? 3. Have there been any reader feedback and/or reactions that surprised you as the project's come along?

1. Has your opinion and perspective on your plot outline and characters changed at all since you began writing them?

This is something I’ve given a lot of thought to myself!

While Part 1 has stuck to its emotional plot points really well, it is completely different from what I originally outlined. Some of the original scenes I wrote made it in, such as Ran’s encounter with KID, Kaito tackling Shinichi of the rooftop, the ShinRan breakup, but many, many others were cut. I still have a bunch of them in the original draft of Dominoes. Part 1 was originally going to have three completely separate plot lines: the bomb, KID, and the BO. But once it started dawning on me how massive this project was becoming, I knew I had to streamline it and get the plot lines to converge and work together. I’m pretty pleased with the result, because I feel like the resulting plot line is much more complex and less cliche than any of the originals. It was a lot of work, and really frustrating at times, but I think it worked out.

My perspective of Part 1 has really changed; setting out, I knew I was challenging myself with this sort of teen drama set up, which really isn’t my thing, and I kind of wasn’t looking forward to it. Part 1 was a means to an end, something I had to get through to tell Part 2 and 3, the stories I really wanted to tell. But everyone’s reactions have really changed my viewpoint, so much so that now I’m worried that part 2 and part 3 won’t appeal to the same audience that part 1 gripped, because they’re quite a bit different. Nevertheless, I decided a while ago that I wanted to stay true to the story I set out to write all those years ago, so regardless of reception, I’m going to power through.

2. What was the most fun/interesting part about designing Dominoes' world and characters?

I love brainstorming powers and codenames for all the characters—I spend ages lovingly agonizing over them! I have a whole google doc just for a breakdown of each of the characters’ abilities and affiliations.

But the most interesting part for me is thinking about how I can turn canon on its head. Dominoes started with a few vague questions I have had a lot of fun answering:

What if, instead of Shinichi keeping secrets from everyone, everyone was keeping secrets for him?

What would Kaito do if Toichi was killed by law enforcement, not criminals?

What if there is a reason all these murders happen?

What if Aoko finds out, and doesn’t forgive?

What if there was a problem that the infallible Yuusaku couldn’t solve? Something that no matter what he did, the answer he came to was wrong?

Plus several more that are a bit too spoilery to be discussed at this time.

I also love coming up with the story’s twists and turns. There’s nothing quite like being struck with an idea you know is going to blow away the reader, it always makes me full-on villain cackle.

3. Have there been any reader feedback and/or reactions that surprised you as the project's come along?

Just about all reader’s reactions have caught me by surprise in some form or another—I never expected the sort of emotional investment readers have poured into the story. Going in, I very much wanted to try my hand at fiction sensationalism; I wanted to write the sort of dramatic teenage soap opera that was so common in television in the 2000s, like Gossip Girl or the OC. Something that really captures that “everything is the end of the world” feeling you have as a teenager, with each chapter being punchy at the time you read it but vacating your head the moment you finish until the next update. The goal was to create what I affectionately refer to as a “Super Opera”.

But I may have failed. I may have created something very different, because this story...it seems to haunt some people. It stressed them out, or provokes extreme emotions I didn’t know it was capable of pulling out.

When people started bringing up child abuse in the comments, for some reason, I was really surprised. Especially when people started saying the depiction of it in Dominoes is realistic. I never expected any of it to resonate with people so much, or even intended it. It makes me kind of anxious, so since the first few chapters, I’ve become much more cautious and careful when it comes to writing those scenes.

I did not expect the intensity of hate for Dominoes!Yuusaku. I didn’t expect anyone to like him, hell, I wanted readers to dislike him. The story is designed to bias the reader towards Shinichi, so that the reader is inclined to stick with him later on, no matter what. That plan might have worked too well.

I was even more surprised by the reactions to the small throwaway line from Kazuha when she heard about the breakup—it is a pretty common reactionary attitude among teenagers, and I can’t tell you how many times I heard similar things from my friends or reacted similarly to breakups. It is just a brief momentary attempt at supporting a friend, but everyone reacted like they thought Kazuha actually meant it. Which was not at all what I intended.

Also! Some people seem confused as to why Yuusaku revealed Kaito’s identity to Aoko, despite Kaito’s threats, but I thought the conversation between Hakuba and him beforehand made it pretty obvious. I guess some readers are coming at it from the perspective that Yuusaku did it to, I don’t know, hurt Kaito or something, but Yuusaku did it for Aoko’s sake. Kaito was using her, and it was going to end disastrously for her and many others if it continued. As for Kaito’s threat, well, Yuusaku weighed his options and the risks and decided helping Aoko was more important.

“But Scratchie, Yuusaku clearly prioritized keeping his identity from Shinichi—“

Has he? Has he?

Yuusaku in Dominoes is not an easy nut to crack, especially not when I, the author, am deliberately biasing the reader against him. That’s purposeful; I wanted to make it as difficult as possible for the reader to get in the right mindset to figure him out.

For anyone dubious about Yuusaku’s choices so far, I’d really recommend rereading his and Hakuba’s scenes with fresh eyes. Put aside everything characters say about each other and focus on what the things they say tell you about themselves. Who seems most concerned with keeping the identities secret? Who doesn’t seem as concerned about it as you might expect? What is each character really worried about hiding, as opposed to what they want the other characters to think they’re worried about?

What makes Dominoes such a long project is the complexity and duplicity I have to try and work into each scene. The unreliable narrator tag isn’t a joke! If you want to solve the mysteries, you can’t get caught up in each character’s head, you gotta stay objective!

I’m gonna stop here ‘cause I’ve agonized over the answers to these questions for a silly amount of time. Thanks so much for sending them it, I love seeing people interested in the sort of meta behind Dominoes!

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