#regarding;; connor

[charlietheepicwriter7]

We've seen DP and DC be different universes where Danny and Valerie are the only heroes in DP, but there are thousands of heroes in DC. We've seen where DP and DC are in the same universe, and Amity Park just thinks the Justice League are ignoring them.

But what if DP and DC are different universes, BUT Danny and Val aren't the only heroes?

If we treat superheroes as basically cops/military with superpowers, then we can infer what heroes would be like using cop/military statistics. You could even use My Hero Academia society as a basis. Things like "heroes are more interested in protecting private property than serving the public" and "Heroes have high levels of PTSD and physical disability and aren't helped after they retire" are common knowledge in Danny's universe.

And specifically, the one I wanted to make clear for this prompt: In Danny's universe, heroes are highly likely to abuse their family/sidekicks outside the mask.

Suddenly, Danny's in the DC universe. For a low-stakes reason; if he's there because the DP universe imploded or his parents tried to kill him, he'd be too concerned about himself to act on his instincts. No, Danny's there for a vacation and there are so many heroes and kid heroes that he feels sick.

Maybe he catches Batman being rough with his kids, or overhears Superman "belittling" Superboy (Conner). Nevertheless...

Danny ends up thinking that all the Justice League are abusing their sidekicks and families and becomes a villain to save them.

[epicqtefail]

i really love that throughout the game neither Hank nor Connor are in any immediate danger of getting fired by the police department. Fowler lets Hank get away with So Much and Connor doesn't technically answer to anyone at the DPD, he doesn't even work there. It's not like Hank is actually Connor's work superior he's just a glorified keycard/badge to allow Connor access to data. and i imagine if the department wanted him off the case they'd have to jump through hoops with the higher-ups; whoever launched the collaboration with cyberlife. (Cyberlife have the power to take him off the case but hilariously and unfortunately for them Connor is the only bridge allowing them to stay informed about and have some control over the deviancy situation in a legal capacity).

Both of them know this. so Connor acts on his own (often frustration-driven) whims as much as his mental gymnastics to justify it as a means for success allow him to, and Hank will kick up as much of a fuss and drink about it because they both have what are you gonna do, fire me? status.

and that's without taking into account the fact Hank does Not give a shit if he gets fired. That's another element of beautiful chaos to them. Connor has everything to lose, Hank feels as though he has nothing to lose, and the revolution offers them both something to gain :^]

[qapsiel]

// I'm watching Terminator for the first time, and man, it's so boring

[wolfdog-weatherman]

Phil and Rita’s loser son, Cat.

Phil Jr. is his real name, but he adopted the nickname "Cat" to evade the pressure of living up to his father.

He's somewhat like his dad (pre-loop), but much more of a wreck. He is (unsuccessfully) trying to make a living by reviewing music on his blog/youtube channel. When he's not doing that, he's striking up an awkward conversation with one of his girlfriends or trying to get his parents off his back.

He's also the star of my nextgen au/ rewrite, Groundhog Day: Cat's in the Cradle! Someone get this man a Xanax.

[jazzymarie1006]

I would've LOVED to see Connor fawning over Giant-Kraken!Ruby!

[forlibcrty]

oh i should uh. i should write out my planned concept for the unity crossover, for my own reference and for plotting. let's go.

1783. the canon end of ac3, when connor returns to kanatahséton to find it abandoned due to his people being forced west. he takes time to grieve and reflect on everything that's happened. 1784. after months of grieving alone, he decides to seek out his community once more. he still feels deeply conflicted about how they'll receive him, given the trauma of the war and all that transpired in it, but he takes the chance to go. he's welcomed back warily at first, but he settles in the new home. 1785. he meets his wife, tekonwenaharake. the same year, their first daughter, kiawentí:io, is born. 1786. the couple welcomes fraternal twins, wahiake:ron and io:nhiòte. for several years, the family lives in relative quiet and happiness. connor continues to visit the davenport homestead every few months, to check in on the community thriving there. 1789. on one of his routine visits to the homestead, connor finds two urgent letters waiting for him. one is from the french brotherhood of assassins, begging for his help in an exploding crisis. the other is from his old friend, the marquis de lafayette, begging the same. both tell of the assault on the bastille and the escalating revolution. he is extremely reluctant to go, but his sense of obligation urges him at last to accept the pleas. he promises his family that he'll be back as soon as he can. 1789, some months later. after a long journey, he arrives in paris. he meets bellec and the rest of the assassin council. he finds himself a little disturbed by how much hero worship they seem to place on him, but he vows to do his best to help the situation. he meets the young disciple, arno, and takes a slight fondness to him, due to seeing the parallels between arno's start with the assassins and his own. 1790–1794. still to be developed. i think connor doesn't stay long past the lead-up to the fall of robespierre and the jacobins. he tries for some time to lessen the bloodshed and to prevent war breaking out between britain and france. as things grow more dire and chaotic, however, he chooses to withdraw, and he returns home shortly before robespierre's execution.

[catzgam3rz]

ANOTHER overtime *head in hands*

[littleguypumpkinsheep]

Oh also I’d wanted to mention this earlier but! If you’re interested in true crime or things of that nature I have some channels to recommend

EWU (Explore With Us) [Why: Well researched, interviews, interrogation footage, body cam footage, analysis from licensed professionals]

JCS Criminal Psychology [Why: Well researched, interrogation footage, body cam footage, analysis from licensed professionals]

Observe [Why: Certified body language expert, well researched, interrogations, real footage]

ABSTRACT (Used to be Real Horror) [Why: Well researched, deep dives, reaches out to victims or their families for their input, real images]

LEMMINO [Why: Well researched, deep dives, real images]

Unpredictable [Why: Well researched, real images, real footage, body cam footage]

Sometimes I also check out Inside Edition because the real people from the event give their recollection, but I’m weary about it because it’s Also a media company.

[pyromance]

[onewhomariaentrusted]

Tell the class a scene you really like from DBH 👀

Oh this is probably going to be such an unoriginal opinion, especially for a Connor fan. But my fave would have to be the Bridge chapter scene. It's literally nothing but a tense conversation, yet it carries more weight for me than many of the other action packed scenes.

Hank having his "oh shit" moment where he finally comes to the realisation that androids may just be alive. And it's shaken him. I mean sure, he's worked with Connor for a day or so, and sure, he's seen some snippets throughout the investigation. Mostly androids running away or lashing out due to their mistreatment -- but robots showing love for one another? The arguably most human thing you could do? Hank didn't need the assistance in rationalising the want for another drink, but the Tracis sure helped anyway. At this point, I don't want to say that Hank's viewpoint is entirely changed, since if you're playing as machine Connor it can end quite badly, but it's what I would consider the most prominent turning point.

But what about Connor? I'm usually playing along the deviant route, so my Connor is usually snarky, but not an entire asshole like he is when you play full machine. And in those playthroughs, there's several small moments that Hank has seen Connor act sympathetic. But is it real? I like the fact that when Hank asks Connor why he didn't shoot the Tracis, the option for "Truth" is what leads to higher software instability. It may or may not be intended, but I'm definitely one of those that believe that Connor was designed to be a deviant. A deviant in the biggest amount of denial the world has ever seen. However, this chapter is what I would consider to be Connor's turning point.

I mentioned that I usually play the deviant route, but I would also note that when I do play machine Connor, I play him as manipulative. He will do and say whatever he can to achieve his goals -- this usually means being nice to Hank where possible -- but not at the risk of the mission. In this chapter however, if you've been acting as a machine this entire time, many dialogue options are locked out. And from memory there is no way to increase the relationship with Hank in this scene. There is no lying to him. No manipulation. It's either cool neutrality, or aggression. And for reasons I can't quite put into words, I really enjoy that fact.

[ssaalexblake]

i'm casually browsing ats gifsets and i always get a laugh out of the fandom for being pissed at all the sadness and anger that Connor causes Angel bc like, Angel Loves his kid a whole lot, and the Last thing you want is for that to bring him some kind of peaceful domestic bliss happiness bc he'd lose his soul and Probably paint some kind of weird mural with said kid's blood.

Connor depressing him all the time is good, actually.

[comfycel]

you're not connor roy coded unless you're delusional and think you could fix everything despite not having any skills to do so

[encrucijada]

how many dogs can we put into haze dogs

[totaleclipse573]

Redesigning some of my human oc's a bit. They're "human" (most, anyway,) but I want to give them all a distinct ✨flair ✨ trait.

For Lyell here, its his weird little starry hair ends (he has the power to summon constellations as an attack method…or sometimes just comfort animals, depends on the constellation shape and power)

[suddenrundown]

me reading one salt sea: oh my god connor go away

connor: *fucking dies*

me: oh no im--that’s not what i meant

[carnagechicken]

I don't think I would ever be truly comfortable in a strapless dress. like I would constantly be worrying about it slipping or tugging underneath me when I sit, and raising my arms? I would be elbows to my sides all night