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soartfullydone · 11 months ago

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"rebel moon is just a bunch of disjointed character intros with no substance---"

[loud fart noise in your face]

Anyway, what connects all of the characters together is Honor, a major theme of the movie. It's the reason that These People In Particular are all chosen, beyond their reputations or even their skill sets (which are still important).

What does your personal honor look like? How do you uphold it? What do you do when you lose your honor? Can you ever truly regain it once it's lost? Can you find redemption, or is revenge the closest thing you can get? Can revenge and honor ever be the same?

After her indoctrination and service in the Imperium, Kora deserts, but it's for her survival, not the recovery of her honor. That's the journey she's currently on in the defense of her new home and the people there, triggered by the conflict of choosing her personal safety or rescuing Sam from further assault. She found the line of her honor and refused to ignore it any longer.

Gunnar placed personal gain over maintaining a united front about the grain surplus. His dishonorable actions lead to Sindri getting killed and their village placed under the Imperium's thumb. Noble's culpability aside, Gunnar feels responsible for his role in all this and seeks to make amends. It's why he's the only one who jumps in to protect the child from potential collateral damage in Nemesis' fight with Harmada. He is transitioning from being a selfish character to being more selfless, defining what he wants his personal honor to be.

Speaking of Nemesis, she is the most samurai-coded character here, complete with their version of honor. Her failure at being able to protect her children drives her to defend others, and shoulder the burden of killing once a peaceful resolution cannot be reached. It's why she has an entire conversation with Harmada, to understand what drives her, to attempt to find common ground and shared empathy. It's why she fights first with naked steel, to try to convince Harmada to back off, to value her own life, and it's for the lives of others that she finally ignites her blades when she cannot. Nemesis is not an emotionless cyborg who assassinates in cold blood, but one who is deeply attuned to her pain and that of others.

Tarak is a prince, and yet we learn he's nowhere near his home or his people. Whether he's failed them or abandoned them (or feels like he has) is still a mystery, but we still know that he is an honorable man, regarding his servitude to Hickman with utter seriousness. Tarak will honor his word and any agreements once given, including a life debt, and his connection with nature both demonstrates and resonates his nobility. He even has the whole "honor them" speech to Millius, revealing that he knows the guilt of surviving when all the friends you swore to fight beside are now gone.

General Titus fought proudly for the Imperium until his honor wouldn't allow him to stomach their methods. The price for that included his men's lives, his station, and his dignity. Unable to protect any of it including his ideals, he turns to drink and hopes fighting as a gladiator to the death does the rest. And yet, he cannot bring himself to just lay down and die. He dwells on his mistakes but does not succumb to them. The kernel of honor was still within him, and it's no wonder Kora and the other idealists at her back were able to ignite it again.

Jimmy is from an order of robotic knights, who all laid down their arms in dishonor and disgrace when the Imperium's royal family was murdered. He embodies old and forgotten chivalry, and in case you missed that, they got Anthony Hopkins to voice him. These knights haven't fought back since, even when they are attacked---and yet Jimmy retaliates to protect Sam before himself, finding something honorable to fight for again.

Darrian Bloodaxe has his honor as a rebellion leader tested and rightly concludes that the revolution is meaningless if they will not come to the aid of the most defenseless among them. (But he and his men die anyway!) Indeed, that is the point. Hedging your bets and picking your battles might be the smartest option, but it's not the most noble or honorable. Honor, in case you haven't noticed, often demands a choice and a price.

And yes, even our villains share in this theme in their own twisted ways. Kai is a mirror to Gunnar, but where Gunnar is growing into being a less opportunistic person, Kai is deliberately shrouding his true intentions from the get-go. At Kai's betrayal, Kora demands after his honor, to which Kai dryly replies, "What did happen to it." It isn't a question. Kai long ago saw honor as a death sentence and chose survival over everything, and in an ironic twist, is killed once he tries to tempt Gunnar into choosing his own survival over Kora's. Like Kora before him, Gunnar finds his line that he will not cross as well as what he fights for.

Finally, there's Atticus Noble, who wields the honorable memory of the Slain King and his dishonorable death as a blunt weapon against all that isn't the Imperium, much like his cane. The one time the Imperium was gracious, and they were betrayed for it. Never again, and everyone will suffer for this humiliation until the Imperium's honor is restored---and it never will be. Because honor is not the point; conquest and control is. Revenge is the point.

Literally all of this is in the film btw. But then, I wasn't fast-forwarding or looking down at my phone the whole time or playing Paint By Numbers: Star Wars Edition. I was actually watching the goddamn movie and letting it tell me its story. And then I reflected on it afterward. Whooooaaa!

#rebel moon #'but it's still a bad movie' yeah yeah have fun watching ahsoka S2 bud #it wasn't perfect by any means but omg the way people act like this film personally crucified their family #anyway let sci-fi be weird and unpalatable again; i'm tired of mainstream sci-fi grandpa #rebel moon spoilers

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trans-elrond · 1 year ago

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Nik! Did you watch Rebel Moon? How was it?

Yes hello this is my 4 star review of rebel moon on letterboxd.

But first: a professional, somewhat critical review of rebel moon that engages with the film well, especially regarding anti-colonial themes, and isn't just knee-jerk regurgitated Snyder haterism:

And now more of my thoughts: [edit: Oh No, He Went And Talked For 3 Hours About It, Thanks For Coming To My TedTalk:)

No one has a better knack at putting together a cast list SO ATTRACTIVE TO THE BISEXUALS. read it and weep, boys. (Jena Malone is there too but really just for 1 set piece)

...Jena Malone's one (1) scene set piece features her as an alien spider woman with legitimate grievances against the Empire who now wants to kill kids because all her kids were killed. Like, so valid, girl. Also, did I say Jena Malone as an alien spider-woman? And this is just one scene.

Look, if that pitch doesn't hook you, this film may not be for you, and that's okay, but by GOD my people are the people who hear "Jena Malone alien spider woman" and perk up. I love you, freaks.

The cinematography is ace and always will be under Snyder's direction. music by Tom Holkenborg SLAPS. Costuming and design overall is super super strong. (People on this hellsite are always complaining about inadequate, boring as hell sci-fi design and you get RM and you don't appreciate it for what it is. WAKE UP.)

Costume showcase! Second from the right in this photo showing off those sweet sweet sci-fi costume designs is my beloved non-binary they/them revolutionary Milius. CANONICALLY non-binary, let me add. Imagine SW doing that lmaoooooooooooo D*ve Filoni would fuckin keel over and die

Kora! Our tragic female protagonist of color who's over 40, with a dark edgy sexy background. [KIDNAPPED AS A CHILD!! DEAD FAMILY!!! DEAD LOVER!!!!!!! SHE FAILED TO PROTECT HER WARD FROM ASSASSINATION!!!!! SHE IS THE MOST WANTED WOMAN IN THE UNIVERSE!!]

Bitches on tumblr LOVE taking failmen with sad backstories from media and blorbifying them, but the second it's a woman? please. If this was a man people would be writing the filthiest x reader smut you've seen since Mandalorian S1 came out. If this was a man you'd already have seen 20,000 fan drawings of her with her muscles and tits OUT. God where's my Kora fanart.

I personally have no problems with the plot of this movie (part 1 of 2) being "we must collect warriors to fight the evil empire." That's kinda fantasy story 101 and I still love new, varied interpretations of that plot.

If there's not much interconnecting plot because Kora's just gathering fighters, it's kinda like... that's the point, babes, they'll actually get to it in part 2. We're just at the "forming the team" stage. I revel in that part of a fantasy film and I always want it to be longer, so this film is like catnip to me.

Uh, yeah, this is getting long. More under the cut.

Entertainment professional nitpick time! I've seen someone say RM would be better as a TV show to introduce a new character each episode. And I truly don't think that fixes any of the problems this person has with the film, while introducing way more problems. (Who the fuck would go in on an original concept TV show where each episode introduces a new hero. You could not sell that pitch to a studio, ever, and viewers would instantly check out if they didn't like the introduced character of the week, and the same complaints would be made: it’s just a new character intro blah blah blah. This wouldn’t fix anything! It would very much make it worse!)

Me, like every day, through gritted teeth: that's... not... how... tv... works...

Like be realistic for a hot second with me. Television is not "long movie"—it is a different medium with different rules. Yes, the past decade has blurred many lines between TV and film, but they're still different mediums, and when people blur them ("it's a 10-hour movie!") the results often suck ass, because you either lack episodic structure or you lack feature structure. Snyder is a feature filmmaker who has never worked in TV. Whenever features people jump into TV, it's a whole other learning curve! They're usually terrible at it! You want Snyder to have to learn a new medium? You want him to learn 5/6-act TV structure from scratch? You want him to (horrified gasp) lead a writers room? Those are not his strengths, baby. Let him play in his space opera sandbox.

And I'm not done! You want the casting team to have to deal with the headache of getting feature film actors to star in a TV show? (Pay cuts! Longer commitments! TV production timelines!) You want to do that to me, personally, and fuck up the TV landscape some more by going, "Oh, we can basically just make a Longer Feature Film in TV"? Fuck off with that. TV has different production realities and different basic story structures. A [long] film [with two parts] is still a film, in structure and production practicalities.

Truly, Tumblr media studies brains (derogatory) at it again.

To each their own, but again, I think RM's structure is fun because it gives me more of the goodies (badass, varied character intros) for the price of one (2-hour film.) Like... that's the good stuff, that's often the most exhilarating part of a film for me. And contrary to popular belief, it's not intro to intro without rising tension or stakes. It builds tension as it goes because new facets of resistance against the Motherworld are explored in each character's intro scene. New ways they fight back, new worlds on which they fight back. And a ticking time bomb of the King's Gaze (king's gays lol) catching up.

Here, have a trailer bc Tumblr's mad at me for too much text in one block.

youtube

...I like the RM characters. I want to spend time with them and see what other zany shenanigans Snyder will have them do. (Alien bar fights! Taming a space gryphon! Lightsaber battle!) I like the side-quest-y, exploratory, space opera sandbox playground nature. It's fun, and like, again, if you don't perk up at the concept of collecting cool characters like action figures, this film may just not be for you.

To me it's a polycule. Like, the most messed up polycule in the whole galaxy, but it's a polycule.

Speaking of: THE CHARACTERS ROCK. Yeah, we're missing some significant character development because Netflix truncated Snyder's 4-hr, R-rated film into a 2-hr PG-13 version (likely to be able to release the 4-hr cut later, drum up new press, and get more eyeballs on the movie in total in a few months.) That's... not really Snyder's fault [even though he claims he's in on the plan... some part of me thinks it was Netflix's idea and not his. Stinks of studio meddling.] And it's not indicative of the quality of the actual film, which I currently see as more of an abridged version of the R-rated film that's gonna come out and fill up some of these story holes.

If people are judging the film for not being the 4-hour version, and then decide not to see the 4-hour version, that's their call, but it's kinda shitty to act like the 2-hr version is all there is. Like it probably wasn't Snyder's call to do a 2-hr cut! He's said that the 4-hr one is a whole different movie. I betcha the common criticisms (not enough character development, just jumps from character intro to character intro without interconnection, lack of structure) will be helped, if not outright solved, by the longer cut.

I think people are also happy to take a Part 1 of a movie if it's, say, Dune, and the source material has another part, so Part 1 is allowed to be fucking boring, whereas people don't give that kind of allowance to original sci-fi movies, WHICH IS A REASON WE DON'T GET ORIGINAL SCI-FI. If you're painting with as huge and cosmic a palette as space opera Rebel Moon, the 4-8 hours total across the 2 four-hour parts is kinda bare minimum for an epic. So... patience is a virtue? Let part 1 have elements of IT'S KIND OF A PROLOGUE?

What's that saying? If you want the rewards of space opera worldbuilding with an ensemble cast, you must submit to the mortifying ordeal of 2 hours of setup. Geez. Enjoy the wacky exposition or get out of the space opera genre.

Yeah, that leads me to the point of people who don't enjoy space opera are getting mad at RM for fulfilling the promises of the genre. You might truly be happier elsewhere. The whole thing is over-the-top, huge-scale MELODRAMA and I thrive on melodrama. If it's too cheesy for you, don't come to space operas!!!!!!!

On that note, people have said RM is too tropey and too Star Wars-y. But like I said. If you don't love the tropes get out of the genre!!!!!!!!!!!!!!!!!!!!! If you aren't here for bloodier/hornier Star Wars get out of RM!!!!

Another big idea I would be remiss to skip over. RM is an explicitly, deliberately anti-colonial, anti-imperial text—far, far more so than any other mainstream sci-fi currently being released. Well-intentioned liberals love to tout Star Trek/Star Wars as progressive media but they really hedge and defang all their political commentary, especially in their 21st century franchise form—think the SW sequels/shows straight up woobifying K*lo Ren in realtime and the Trek shows that (while fun!) are really often just nostalgia bait.

RM is pretty fucking radical. Its theme basically is Kill Nazis—or in expanded form, something along the lines of "The empire will eat up everything of value in the universe unless it is met with unified armed resistance built on solidarity."

And just look at RM's casting. We're not colorblind here; we're very color-conscious. (That's a rant for another day, but I've really started to despise colorblind casting for its extremely well-intentioned-liberal "we're all the same" mentality. It just winds up erasing.) Anyway: RM features the explicitly American-English-Afrikaans empire vs. the Algerian Amazigh protagonist, Black freedom fighters, Japanese revolutionary... and like. Snyder's always gonna be into Vikings so obviously we have Space Vikings too, whatever. Look at me, I can criticize Snyder too! The Poor Sad Space Vikings are not the strongest part of the film!

...Anyway of course the empire vs. revolution is absolutely kind of Star Wars-y since RM is highkey Snyder's Star Wars, but it goes so much further than SW dreamed (or, perhaps, nightmared). SW's rebels/resistance continually get defanged because they're kind of foundationally space magic/singular hero's quest deals, and modern SW with the exception of Rogue One/Andor is just politically, socially stupid. In contrast, RM is about forming a coalition, without something like the Force to help you out. I could write an essay on the ways RM starts in the same place Star Wars starts but takes its politics so much more seriously, so much further.

While I'd argue "good politics" and "artistic quality" rarely correlate, RM is explicitly and doggedly a text about the colonial empire that exploits, enslaves, abuses, and seeks to utterly control marginalized people groups in its quest for domination—and god, I would LOVE to see a resurgence in very fanged, very angry political sci-fi.

One more aside. Snyder has been rightfully criticized for his earlier works basking in fascist-adjacent, hypermasculine aesthetics; 300 is notably super duper racist in how it depicts savage/monstrous Persians vs. Beautifully Good White Spartans Defending Their Culture. (more on "300 Bad" stored up in my brain if anyone wants THAT rant.) To Snyder's credit, none of his films since 300 have really done that—parts of Batman v Superman and his cut of Justice League purposefully poke fun at it. The hypermasculinity is kinda still there, but it's subsumed in the service of melodrama and mythic-flavored cinema, and it's kinda a staple of the action genre anyway, and if you're gonna criticize Snyder without criticizing EVERY ACTION MOVIE EVER, that's just more regurgitated Snyder haterism.

No one is doing mythic action like Snyder these days. No one has the balls and the command of melodrama & operatic visuals. And it comes clearly from Snyder's background in art & art history because all his shots are jam-packed with symbolism and meaning and allusion. So criticize the film for its weaknesses if you like but geez, if I see another post railing about the lack of CRAFT in RM, I will start biting. ALMOST NO BLOCKBUSTER HAS THIS LEVEL OF CRAFT. It's okay that you don't understand visual storytelling, babygirl, but please don't accuse Snyder of lacking craft.

Sorry, you've triggered Cinema Defense Mechanisms in me, I'm gonna have to sit down for a while after this.

I have more takes. Takes hot enough to fuel the King's Gaze (king's gays lol.) But I'll end with a funny observation: I transed my gender (cheers, shouts, hoorays) just about the time I was getting ready to watch Rebel Moon, and in one shocking, epiphanic moment I turned to my partner and went "Of COURSE I'm a man. I like Zack Snyder." So........... do with that what you will.

#rebel moon #dragoninthelibrary #rebel moon spoilers #long post

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